I recently received the conductor's score of Gounod's Faust (Henschelverlag Berlin, 1972). I was surprised to find C-clefs used for the voice parts in a score this recent: all female voices are written in soprano clef and the tenors in tenor clef. I thought this practice had died out in the 19th century. Can anybody point me to detailed information about the history of the use of C-clefs? And does anybody know of other 20th century editions that use them for voice parts?
Michael _______________________________________________ Finale mailing list Finale@shsu.edu http://lists.shsu.edu/mailman/listinfo/finale
