OK, Darcy & Robert,
Maybe I've missed something in the help file, but how do I change
transpositions within a piece?
Example, I'm re-writing an orchestral horn part so I can read off of a
clean copy without years and years of pencil marks and erasures.
It's written for Horn in F for a while, then changes to Horn in E, then
back again. I used to use staff styles for this, but now I can't.
Thanks!
Ryan

On Wed, Feb 15, 2012 at 4:54 PM, Robert Patterson <
[email protected]> wrote:

> I heartily agree the previous way was flawed, and the more I tinker with
> the new way the more I find it okay and in some ways improved. One concern
> I do have, though, is setting up and applying transpositions other than
> those one encounters in a wind band is quite tedious, especially compared
> with the old way, because they aren't available in the drop down lists for
> "Change Instruments".
>
> The idea that transpositions are features of an instrument is questionable
> to me. It makes sense for woodwinds, but not so much for brass, esp. horns
> and trumpets. Transposition on the latter instruments was *never* an
> instrument specification. A couple hundred year ago it specified a crook.
> These days, even for pieces written since the invention of valves,
> transposition merely specifies what notes to play on the axe you have
> chosen to be playing for that piece.
>
> While I am generally getting comfortable with the Score Manager way of
> changing instruments, I am not particularly happy that transposition is
> tied to them. FWIW: In pre-Fin12 I usually applied transposition changes
> and instrument name changes as separate staff styles.
>
> On Wed, Feb 15, 2012 at 3:11 PM, Darcy James Argue <[email protected]
> >wrote:
>
> > Hi Robert,
> >
> > I agree the lack of visual feedback regarding transposition changes is a
> > serious problem and needs fixing.
> >
> > On the other hand, the old system of using staff styles for instrument
> > changes was severely broken. When clearing measures of entries (via the
> > clear key), the instrument staff style would also be cleared, and
> > constantly needed to be reapplied. (It was frustratingly easy to forget,
> > and to be left with untransposed passages mixed in with transposed
> passages
> > in the parts.) Transposition staff styles would sometimes be active in
> the
> > score, but not the parts. And the "copyability" cuts both ways -- it was
> > far too easy to accidentally copy a transposition from one staff to
> > another, when you only wanted to copy the entries.
> >
> > Also, it is now MUCH easier to obtain correct playback on staves with
> > instrument changes -- no more messing around with keyswitches or
> > channel-changing expressions.
> >
> > Once MakeMusic adds visual feedback indicating instrument changes, I'll
> be
> > quite happy with the Score Manager. It really is a dramatic improvement
> > over using Staff Styles for instrument changes.
> >
> > Cheers,
> >
> > - DJA
> > -----
> > WEB: http://www.secretsocietymusic.org
> >
> >
> >
> > On 15 Feb 2012, at 9:29 AM, Robert Patterson wrote:
> >
> > > I am just a newbie to Fin12, but I am coming to really hate the Score
> > > Manager. I suppose if I had never learned the old way it wouldn't seem
> so
> > > bad, but I'm an old dog, and this seems like a new trick of little
> value.
> > >
> > > Up until now I had refrained from whining about the Score Manager
> > because I
> > > hadn't really worked with it for real and because I couldn't see that
> it
> > > was really worse, rather just (arbitrarily) different. But this issue
> of
> > > change of transposition seems like a regression to me. Under the new
> > scheme
> > > I can no longer look at the page and see where the transposition
> changes
> > > are. (Before, you could turn on staff style display and see at a
> glance.)
> > > Also, it means you can no longer copy a transposition from one area to
> > > another the way you could copy staff styles. (At least with my Mass
> Copy
> > > plugin, although I think it was possible in Finale itself too.)
> > >
> > > Someone explain to me why I am a whiner.
> > >
> > > R
> > >
> > > On Wed, Feb 15, 2012 at 8:07 AM, Christopher Smith <
> > > [email protected]> wrote:
> > >
> > >> That's okay, I had missed it entirely myself and had to get this
> > technique
> > >> from Tech Support. So I pass it on!
> > >>
> > >> Christopher
> > >>
> > >>
> > >> On Wed Feb 15, at WednesdayFeb 15 8:16 AM, Bernard Nussbaumer wrote:
> > >>
> > >>> Great, thanks Christopher,
> > >>>
> > >>> I did look in the Help Files, but not in the best place... I should
> > have
> > >>> read more carefully the "Score Manager" chapter; as English isn't my
> > >>> primary language, I understand almost everything I read in the Help
> > >> Files,
> > >>> but sometimes I miss something important (while trying to understand
> > >>> quickly) ...
> > >>>
> > >>> Bernard
> > >>>
> > >>>
> > >>> 2012/2/15 Christopher Smith <[email protected]>
> > >>>
> > >>>> You go to the part, open the Score Manager. Only the part you are in
> > >> will
> > >>>> show. Click Unlink All Instruments in This Staff and you can change
> > >>>> instruments without it showing in the score. You can do this to
> create
> > >>>> alternate parts, too, like bass clef trombone and Bb treble clef
> > >> trombone
> > >>>> using the same score staff, without having to add and hide
> additional
> > >> score
> > >>>> staves.
> > >>>>
> > >>>> Christopher
> > >>>>
> > >>>>
> > >>>> On Tue Feb 14, at TuesdayFeb 14 6:21 PM, Bernard Nussbaumer wrote:
> > >>>>
> > >>>>> Hi all,
> > >>>>>
> > >>>>> (Finale 2012 - Windows)
> > >>>>>
> > >>>>> In the "Staff Styles" Window, the transposition and the clef
> settings
> > >>>> have
> > >>>>> disappeared (since these settings are to be found in the Score
> > >> Manager).
> > >>>>> I need to set a part as a transposed instrument, but I don't want
> the
> > >>>>> transposition to apply in the Score.
> > >>>>>
> > >>>>> Any ideas?
> > >>>>>
> > >>>>> Thanks,
> > >>>>> Bernard
> > >>>>> _______________________________________________
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