Pardon my dumbness; it's seems (from the thread) you're talking about
shooting a mosaic style set; in this context what is a  "2x2 pattern"
(since I suspect the full matrix will be more 8x13 images or whatever).

Second - how big is the physical painting?

  BugBear

On 4 November 2015 at 23:56, Terry Duell <tdu...@iinet.net.au> wrote:

> Hello All,
> I have become involved in a project to help an artist friend prepare an
> image of a painting to be used to make giclee prints, and I'm looking for
> any thoughts on what I should do to get it right and what to avoid.
> To date, my friend has had his paintings photographed commercially, with a
> medium to large format film camera, the transparency then scanned on a drum
> scanner to produce an image that would print at original size at 300 ppi.
> I'll be shooting with a Pentax K-3 II (aps-c sensor), and aim to shoot a
> 2x2 pattern with about 30% overlap vertically and about 50% overlap
> horizontally...that's roughly how it works out from the painting and sensor
> proportions.
> I'll shoot from a weighted tripod, using pixel shift mode, and at this
> stage thinking about using a 150-450 lens at about 300mm.
> The intention is to set the painting vertical on a stand, with lighting
> each side at about 45 deg.
> It is a simple matter to set the camera at the correct height shooting
> horizontally, but not quite as simple to ensure we are normal to the
> painting in the horizontal plane. I would like to try to minimise any
> perspective effects as much as possible. The thinking at the moment is to
> move the painting vertically and horizontally on a fixed easel to align for
> each shot, rather than move the camera. I think we can better keep the
> shots normal to the painting by this method.
> That's probably enough to be going on with...any thoughts?
>
> Cheers,
> --
> Regards,
> Terry Duell
>
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