empress of all flowers ...

i fear david may be right in that the preconcieved
notions people carry with them can sometimes make it
.. the thing itself - seem unrecognizable.

can too much information be just as "dangerous" (in a
"tree for the forest" situation) as too little?  

--- David Rastall <[EMAIL PROTECTED]> wrote:

> On Mar 30, 2007, at 3:57 PM, Roman Turovsky wrote:
> 
> > Which empress???
> 
> You mean there's more than one?
> 
> > Yesterday I taught 2 classes of 19-year olds at
> NYU, invited by a
> > poet-friend who teaches a History of Culture
> course which touches  
> > on the
> > "mystification as a literary vehicle".
> 
> Interesting.  When I was in graduate school it was
> de-mystification.   
> Still, that was a long time ago...
> 
> > So I was asked to do a presentation
> > on Sautscheckerei, my humble self in the context
> of literary  
> > mystification
> > from Descartes, Chatterton, Macpherson, Merimee,
> Musin-Pushkin and  
> > other
> > fine individuals....
> > Dan Swenberg (of the Rebel Baroque Orchestra et
> al.) helped out  
> > with a dozen
> > and a half Sarmaticae et Ruthenicae on the
> Renaissance lute. I  
> > played the
> > sautscheckerei myself in the second half- baroque
> lute settings of and
> > variations on Ukrainian songs, with some originals
> interspersed, nach
> > Haydnisches Manier, naturlich, as a musical
> equivalent of Merimee's  
> > GUZLA.
> > The picaresque aspect of the event also was
> certainly useful.
> 
> Very impressive!
> 
> > But before
> > Sting came along we would drawn blank stares.
> These kids were  
> > genuinely
> > interested.
> 
> Because you play "that thing that Sting plays."  Ho!
>  Ho!  Just  
> kidding.  Seriously, we're all "mystified" by
> Sting's success.
> 
> David Rastall
> [EMAIL PROTECTED]
> www.rastallmusic.com
> 
> 
> 
> --
> 
> To get on or off this list see list information at
>
http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 



        
        
                
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