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But Sterling...  I’m (or was) a luthier...    I used hide glue for years, 
becoming an alchemist with the stuff adding nitrogen fertilizer and such to 
alter gel-times, diluting for strength, etc...  I found epoxy (through 
boatbuilding) to be just as “reversible” with heat, and a lot nicer than 
hide glue to work with, providing you remembered it was a toxic nightmare and 
work clean...   It works well.  So do the other aliphatic resin glues, where 
appropriate.  You should try gluing lute ribs with hide...  Or even better, 
coating the join on the top/rib with hide glue then ironing it on.  Epoxy will 
appeal after you do just one, I think...
Garry  

From: sterling price 
Sent: Wednesday, August 31, 2011 2:30 AM
To: Garry Warber ; lute@cs.dartmouth.edu 
Subject: Re: [LUTE] Re: long strings?

As any good luthier will tell you today, hide glue is still superior to modern 
glue for several reasons.

--Sterling


Subject: [LUTE] Re: long strings?

Or, As I enjoy assuming, the "old ones" used the best they had, and if 
they'd had epoxy glue and nylon strings that's what they'd have used...  :-) 
Things can get endlessly circular in these beliefs.  I just like how well 
the early music is written!  The stuff plays itself without a lot of 
"interpretive gimmicks."  I'm all for re-creating their sound as close as we 
can, for others.  For myself, a totally modern lute is just ducky...  :-)
Garry

-----Original Message----- 
From: Roman Turovsky
Sent: Tuesday, August 30, 2011 7:27 AM
To: Martyn Hodgson ; lute@cs.dartmouth.edu ; andy butler
Subject: [LUTE] Re: long strings?

There is a great likelihood that "our" gut is rather acoustically different
from "their".
Lets not forget to use the honest modifier "approximation of".
RT



----- Original Message ----- 
From: "Martyn Hodgson" <hodgsonmar...@yahoo.co.uk>
To: <lute@cs.dartmouth.edu>; "andy butler" <akbut...@tiscali.co.uk>
Sent: Tuesday, August 30, 2011 7:01 AM
Subject: [LUTE] Re: long strings?


>
>  The superiority of gut is chiefly that it was the material used by the
>  Old Ones. If we have any pretensions to attempting to reproduce the
>  sounds these early lutenist composers expected and their auditors
>  heard, it is necessary to employ the same string materials.
>
>  MH
>  --- On Tue, 30/8/11, andy butler <akbut...@tiscali.co.uk> wrote:
>
>    From: andy butler <akbut...@tiscali.co.uk>
>    Subject: [LUTE] Re: long strings?
>    To: lute@cs.dartmouth.edu
>    Date: Tuesday, 30 August, 2011, 9:27
>
>  David van Ooijen wrote:
>  > The basses are shortish, so a higher tuning would be better,
>  actually.
>  > If the instrument is tuned to g', gut diapassons are possible (if
>  cost
>  > is an issue use fret gut, it really is so much better than any of the
>  > modern materials), otherwise carbon or metal-wounds seem to be the
>  > best option.
>  Beginner's questions.
>  Is the superiority of gut down to the shorter sustain time
>  that someone mentioned earlier?
>  Is string damping really unpopular? (unnecessary?)
>  andy
>  To get on or off this list see list information at
>  [1]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>  --
>
> References
>
>  1. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>
>





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<HTML><HEAD></HEAD>
<BODY dir=ltr>
<DIV dir=ltr>
<DIV style="FONT-FAMILY: 'Calibri'; COLOR: #000000; FONT-SIZE: 12pt">
<DIV>But Sterling...&nbsp; I’m (or was) a luthier...&nbsp; <IMG 
style="BORDER-BOTTOM-STYLE: none; BORDER-LEFT-STYLE: none; BORDER-TOP-STYLE: 
none; BORDER-RIGHT-STYLE: none" 
class="wlEmoticon wlEmoticon-smile" alt=Smile 
src="cid:C406196480C44732A36F7147D25ECD70@GarryPC">&nbsp; I used hide glue for 
years, becoming an alchemist with the stuff adding nitrogen fertilizer and such 
to alter gel-times, diluting for strength, etc...&nbsp; I found epoxy (through 
boatbuilding) to be just as “reversible” with heat, and a lot nicer than 
hide 
glue to work with, providing you remembered it was a toxic nightmare and work 
clean... <IMG 
style="BORDER-BOTTOM-STYLE: none; BORDER-LEFT-STYLE: none; BORDER-TOP-STYLE: 
none; BORDER-RIGHT-STYLE: none" 
class="wlEmoticon wlEmoticon-smile" alt=Smile 
src="cid:C406196480C44732A36F7147D25ECD70@GarryPC">&nbsp; It works well.&nbsp; 
So do the other aliphatic resin glues, where appropriate.&nbsp; You should try 
gluing lute ribs with hide...&nbsp; Or even better, coating the join on the 
top/rib with hide glue then ironing it on.&nbsp; Epoxy will appeal after you do 
just one, I think...</DIV>
<DIV>Garry&nbsp; </DIV>
<DIV 
style="FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; COLOR: 
#000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: none">
<DIV style="FONT: 10pt tahoma">
<DIV>&nbsp;</DIV>
<DIV style="BACKGROUND: #f5f5f5">
<DIV style="font-color: black"><B>From:</B> <A title=spiffys84...@yahoo.com 
href="mailto:spiffys84...@yahoo.com";>sterling price</A> </DIV>
<DIV><B>Sent:</B> Wednesday, August 31, 2011 2:30 AM</DIV>
<DIV><B>To:</B> <A title=garrywar...@hughes.net 
href="mailto:garrywar...@hughes.net";>Garry Warber</A> ; <A 
title=lute@cs.dartmouth.edu 
href="mailto:lute@cs.dartmouth.edu";>lute@cs.dartmouth.edu</A> </DIV>
<DIV><B>Subject:</B> Re: [LUTE] Re: long strings?</DIV></DIV></DIV>
<DIV>&nbsp;</DIV></DIV>
<DIV 
style="FONT-STYLE: normal; DISPLAY: inline; FONT-FAMILY: 'Calibri'; COLOR: 
#000000; FONT-SIZE: small; FONT-WEIGHT: normal; TEXT-DECORATION: none">
<DIV 
style="BACKGROUND-COLOR: #fff; FONT-FAMILY: times new roman, new york, times, 
serif; COLOR: #000; FONT-SIZE: 12pt">
<DIV style="RIGHT: auto"><FONT size=2 face=Arial><B><SPAN 
style="FONT-WEIGHT: bold">As any good luthier will tell you today, hide glue is 
still superior to modern glue for several reasons.</SPAN></B></FONT></DIV>
<DIV style="RIGHT: auto"><FONT size=2 face=Arial><B><SPAN 
style="FONT-WEIGHT: bold"></SPAN></B></FONT>&nbsp;</DIV>
<DIV style="RIGHT: auto"><FONT size=2 face=Arial><B><SPAN 
style="FONT-WEIGHT: bold">--Sterling<VAR 
id=yui-ie-cursor></VAR></SPAN></B></FONT></DIV>
<DIV style="RIGHT: auto"><FONT size=2 face=Arial><B><SPAN 
style="FONT-WEIGHT: bold"></SPAN></B></FONT>&nbsp;</DIV>
<DIV style="RIGHT: auto"><FONT size=2 face=Arial><B><SPAN 
style="FONT-WEIGHT: bold"></SPAN></B></FONT>&nbsp;</DIV>
<DIV style="RIGHT: auto"><FONT size=2 face=Arial><B><SPAN 
style="FONT-WEIGHT: bold">Subject:</SPAN></B> [LUTE] Re: long 
strings?<BR></FONT><BR>Or, As I enjoy assuming, the "old ones" used the best 
they had, and if <BR>they'd had epoxy glue and nylon strings that's what they'd 
have used...&nbsp; :-) <BR>Things can get endlessly circular in these 
beliefs.&nbsp; I just like how well <BR>the early music is written!&nbsp; The 
stuff plays itself without a lot of <BR>"interpretive gimmicks."&nbsp; I'm all 
for re-creating their sound as close as we <BR>can, for others.&nbsp; For 
myself, a totally modern lute is just ducky...&nbsp; 
:-)<BR>Garry<BR><BR>-----Original Message----- <BR>From: Roman 
Turovsky<BR>Sent: 
Tuesday, August 30, 2011 7:27 AM<BR>To: Martyn Hodgson ; <A 
href="mailto:lute@cs.dartmouth.edu"; 
ymailto="mailto:lute@cs.dartmouth.edu";>lute@cs.dartmouth.edu</A> ; andy 
butler<BR>Subject: [LUTE] Re: long strings?<BR><BR>There is a great likelihood 
that "our" gut is rather acoustically different<BR>from "their".<BR>Lets not 
forget to use the honest modifier "approximation 
of".<BR>RT<BR><BR><BR><BR>----- 
Original Message ----- <BR>From: "Martyn Hodgson" &lt;<A 
href="mailto:hodgsonmar...@yahoo.co.uk"; 
ymailto="mailto:hodgsonmar...@yahoo.co.uk";>hodgsonmar...@yahoo.co.uk</A>&gt;<BR>To:
 
&lt;<A href="mailto:lute@cs.dartmouth.edu"; 
ymailto="mailto:lute@cs.dartmouth.edu";>lute@cs.dartmouth.edu</A>&gt;; "andy 
butler" &lt;<A href="mailto:akbut...@tiscali.co.uk"; 
ymailto="mailto:akbut...@tiscali.co.uk";>akbut...@tiscali.co.uk</A>&gt;<BR>Sent: 
Tuesday, August 30, 2011 7:01 AM<BR>Subject: [LUTE] Re: long 
strings?<BR><BR><BR>&gt;<BR>&gt;&nbsp; The superiority of gut is chiefly that 
it 
was the material used by the<BR>&gt;&nbsp; Old Ones. If we have any pretensions 
to attempting to reproduce the<BR>&gt;&nbsp; sounds these early lutenist 
composers expected and their auditors<BR>&gt;&nbsp; heard, it is necessary to 
employ the same string materials.<BR>&gt;<BR>&gt;&nbsp; MH<BR>&gt;&nbsp; --- On 
Tue, 30/8/11, andy butler &lt;<A href="mailto:akbut...@tiscali.co.uk"; 
ymailto="mailto:akbut...@tiscali.co.uk";>akbut...@tiscali.co.uk</A>&gt; 
wrote:<BR>&gt;<BR>&gt;&nbsp;&nbsp;&nbsp; From: andy butler &lt;<A 
href="mailto:akbut...@tiscali.co.uk"; 
ymailto="mailto:akbut...@tiscali.co.uk";>akbut...@tiscali.co.uk</A>&gt;<BR>&gt;&nbsp;&nbsp;&nbsp;
 
Subject: [LUTE] Re: long strings?<BR>&gt;&nbsp;&nbsp;&nbsp; To: <A 
href="mailto:lute@cs.dartmouth.edu"; 
ymailto="mailto:lute@cs.dartmouth.edu";>lute@cs.dartmouth.edu</A><BR>&gt;&nbsp;&nbsp;&nbsp;
 
Date: Tuesday, 30 August, 2011, 9:27<BR>&gt;<BR>&gt;&nbsp; David van Ooijen 
wrote:<BR>&gt;&nbsp; &gt; The basses are shortish, so a higher tuning would be 
better,<BR>&gt;&nbsp; actually.<BR>&gt;&nbsp; &gt; If the instrument is tuned 
to 
g', gut diapassons are possible (if<BR>&gt;&nbsp; cost<BR>&gt;&nbsp; &gt; is an 
issue use fret gut, it really is so much better than any of the<BR>&gt;&nbsp; 
&gt; modern materials), otherwise carbon or metal-wounds seem to be 
the<BR>&gt;&nbsp; &gt; best option.<BR>&gt;&nbsp; Beginner's 
questions.<BR>&gt;&nbsp; Is the superiority of gut down to the shorter sustain 
time<BR>&gt;&nbsp; that someone mentioned earlier?<BR>&gt;&nbsp; Is string 
damping really unpopular? (unnecessary?)<BR>&gt;&nbsp; andy<BR>&gt;&nbsp; To 
get 
on or off this list see list information at<BR>&gt;&nbsp; [1]<A 
href="http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html"; 
target=_blank>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html</A><BR>&gt;<BR>&gt;&nbsp;
 
--<BR>&gt;<BR>&gt; References<BR>&gt;<BR>&gt;&nbsp; 1. <A 
href="http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html"; 
target=_blank>http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html</A><BR>&gt;<BR>&gt;<BR><BR><BR><BR><BR></DIV></DIV></DIV></DIV></DIV></BODY></HTML>

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