Satoh is a veteran performer. He has made many contributions to our
   field both as a player and a scholar who has published in professional
   journals. As such, he speaks with some authority and many will assume
   that even his "conjectures" have a basis in fact. I understand the
   temptation as an artist to slip into poetic fantasy, but Satoh should
   certainly also realize that we in early music walk in both the
   aesthetic and scholarly paths of music.
   Those who only have an ancillary relationship with musicological
   concerns could be confused by his notes. I could easily imagine (and
   this is just my imagination!) a non-musician historian writing an
   offhand aside like "The Sun King's retinue of entertainers included an
   assortment of notable individuals culled from all over the world, such
   as the Italian Lully and the Portuguese de Visee."
   Even worse, this is exactly the sort of thing that is very likely to
   slip through into a classical guitar dissertation someday, because the
   musicology faculty will not being willing to admit that they have no
   interest or knowledge in guitar history and the guitar faculty could
   care less about the history of their own instrument. That student's
   dissertation then ends up being referenced and repeated by others so
   that before you know it, it's a "known fact" that de Visee was from
   Portugual.
   Chris[1]
   Sent from Yahoo Mail for iPad
     __________________________________________________________________

   From: Monica Hall <mjlh...@tiscali.co.uk>;
   To: Martyn Hodgson <hodgsonmar...@yahoo.co.uk>;
   Cc: Lutelist <lute@cs.dartmouth.edu>;
   Subject: [LUTE] De Visee
   Sent: Sat, Mar 1, 2014 11:39:05 AM
   Thank you very much for that Martyn.
   I don't know how many people have actually  read these liner notes.
   Three
   whole pages are taken up with this "biography" - it is not until you
   turn to
   p.4 that you discover - Oh by the way - none of this is true.  Some of
   the
   information is factually accurate.  Some of it is not - which I think
   is
   inexcusable - Satoh is apparently unaware that Louis XIV died in 1715
   and
   that when De Visee was appointed guitar teacher to the King it was to
   the 9
   year old Louis XV.  Some of it is obviously bollocks.
   When I first read these I queried on this list whether there was any
   evidence that De Visee was born in Portugal - not after all impossible
   - but
   did not get a satisfactory answer.  I did my best to trace the source
   of
   this information - which had found its way into Wikipedia - perhaps
   that is
   where Satoh got the idea from.  It seems that somebody some time ago
   suggested that De Visee's name implied that his family (rather than he
   himself) was Portuguese in origin. And so it goes. Endless pointless
   speculation masquerading as musicology,
   I can understand why David and and others who know Satoh personally and
   admire his playing might want to try and defend him. But I think that
   it
   needs to be said that people in his position - after all he taught at
   one of
   the most prestigious music colleges in the world until recently  -
   shouldn't
   indulge in idle fantasy which may mislead the unwary.  At the end of
   the day
   he has said nothing about the music or the manuscript from which it is
   taken
   which would have been much more interesting.
   As ever
   Monica
   ----- Original Message -----
   From: "Martyn Hodgson" <[2]hodgsonmar...@yahoo.co.uk>
   To: "Lute Dmth" <[3]lute@cs.dartmouth.edu>
   Sent: Saturday, March 01, 2014 8:24 AM
   Subject: [LUTE] Re: Bartolotti's continuo treatise
   >
   >
   > Perhaps you missed what Monica Hall wrote after quoting Satoh: "This
   is
   > all my imagination and conjecture"? She added Satoh's more misleading
   > comment "....based on the few documents concerning De Visee's life"
   >
   >
   > In short, Satoh misleads by suggesting that his spurious conjectures,
   > especially on birth place, are somehow based on historical sources.
   >
   > MH
   >
   > ________________________________
   >>>  From: howard posner <[4]howardpos...@ca.rr.com>
   >>> To: Lutelist <[5]lute@cs.dartmouth.edu>
   >>> Sent: Friday, 28 February 2014, 23:32
   >>> Subject: [LUTE] Re: Bartolotti's continuo treatise
   >>>
   >>>
   >>>
   >>> On Feb 28, 2014, at 2:17 PM, Monica Hall <[6]mjlh...@tiscali.co.uk>
   >> wrote:
   >>>
   >>>>  I think you are being disingenious. What Satoh actually says is
   >>>>  "This is all my imagination and conjecture, based on the few
   >> documents concerning De Visee's life".
   >>>>
   >>>>  How is the reader supposed to know what is based on these few
   >>>> documents
   >> and what is idle fantasy?
   >>>
   >>>
   >>> I think "This is all my imagination and conjecture" pretty much
   gives it
   >> away.
   >>> --
   >>>
   >>> To get on or off this list see list information at
   >>> [7]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
   >>>
   >>>
   >>>
   >>
   >
   >

   --

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