I think you're right to mention release or publication as a potentially
important piece of the puzzle (if I remember correctly it's a MB
requirement that it is 'released'). We just want to be careful not to
disappear into a black hole of definitions.


On 15 April 2013 13:20, lixobix <arjtap...@aol.com> wrote:

> This is where the term 'raw audio' could be useful.
>
> 'end' refers to 'finished audio', the decision to stop processing at that
> point, and use what you have for release or mastering.
>
>
> performance + mic + amp + recording medium = raw audio
>
> raw audio + end = recording (direct recording)
>
> raw audio + raw audio 2 + mixing + end = recording (mixed recording)
>
> raw audio + editing + end = recording (edited recording)
>
> raw audio + raw audio 2 + mixing + editing + end = recording (edited
> recording)
>
>
> "A recording is finished audio. It may take the form of a *direct
> recording*, a *mix*, or an *edit*.
>
> *Raw audio* is a performance captured on a recording medium.
>
> A *direct recording* is *raw audio* that is finished as it is.
>
> A *mix* is the combination of multiple *raw audio* sources.
>
> An *edit* is either edited *raw audio* or an edited *mix*."
>
>
>
> --
> View this message in context:
> http://musicbrainz.1054305.n4.nabble.com/RFC-STYLE-208-New-Recordings-Guidelines-tp4651054p4651568.html
> Sent from the MusicBrainz - Style mailing list archive at Nabble.com.
>
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