Guy Glorieux wrote: > Not at present. She looks at me on the computer and the internet and says: > "not > for me"... Of the two of us, I'm sure she is the wisest! Oh, the time wasted > on > the internet or fixing faulty systems on the computer... -:))
She is probably right! > How would this work? Digital IR, this is the first time I hear about this. > How > exactly do you set the camera to cut down on the precise frequency of IR? Or > do > you just use a full IR filter? Are the light cells sensitive to IR? Hmmm! > I have > a friend who would want to know all about this area! Actually it isn't my idea, check this site: I just use an IR filter and some speed adjustments in the camera, pretty easy :) > Oh, Joao, since you're from Brazil, you might also enjoy the following > reference > from the same source: > "A Use for that Last Cup of Coffee: Film and Paper Development " or how to > process > your prints in coffee! > http://www.rit.edu/~andpph/text-coffee.html > > I've tried it and it works. Very long processing times but interesting > "sepia-tone"-type of results. Looks like very ancient photographs... I saw this article but never gave it a try. I wouldn't develop my films with it but paper prints, why not? I've been using coffee as a toner for a while now, I do bromoils and they look great when coffee toned, the paper base becomes warmer in color. Now that you mentioned, it might work with lith films as well. Cheers Joao
