>...covers of godawful cheesy rock songs?  Why do people respond to these 
>more than they do to the, OK, I'm going to say it, "real" songs?
     
     The obvious answer here is that people like to have fun (and 
     unfortunately sometimes people like to have fun much more than they 
     like to have anything else, which is why people talk during the 
     ballads). ... But it was interesting the way this came round to 
     various attempts to condemn particular pop songs, which others 
     defended, and then to the whole alterna-cool of cheeze these days.
     
     I'm as bored by a lot of kitschomania as anyone (possibly more so), 
     but I think there's more to this - that in a genuinely *un*ironic way 
     the hip-music world has come round to an appreciation of pop as a Good 
     Thing in itself in the past few years. you can hear it in people 
     saying "we're not trying to be silly by playing these pop covers - we 
     *like* these songs." you can hear it in many of the best indie bands, 
     and I think (I know it is for me) a weariness with the pointless game 
     of keeping up with hip trends and cooler-than-thouness that began 
     especially with punk rock, and a new wariness against the kind of 
     disdainful ironic stance that was ubiquitous in post-punk circles 
     towards pop culture. The embrace of pop is also part of a new 
     eclecticism, in which everything from 60s soundtrack music to disco to 
     musique concrete to Tuvan throat-singing sits happily in the 
     alterna-bricolage. (Oh, and country should be on that list, too.)
     
     I do however see a couple of problems with this: first, I think a lot 
     of people in the alterna-world have never developed good ears to be 
     able to tell a great pop song from a mediocre one, and tend just to 
     respond to whatever reminds them of being 12; second, the 
     just-wanna-have-fun impulse that's good for pop can lead to a shutout 
     of more genuinely experimental and innovative efforts, an 
     over-suspicion that anything not willfully bouncy is pretentious.
     
     Still, I think pop revivals are always a good thing for the 
     music-creativity cycle in the long run. Music being music, you need to 
     feel it all over.
     
     Carl W.

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