Re: [313] Jupiter Jazz????
the sound of a falling meteor http://www.cnn.com/2000/TECH/space/12/13/geminids.sounds/geminidecho.wav 'scuse if you got a double post tofugirl Wanna hear some Jupiter Jazz? Check this out! http://www.jpl.nasa.gov/cassini/acoustic/ John aka the very tired technotourist
OT: SXSW
Well, maybe it's marginally on-topic. I just checked the unconfirmed artists for South by Southwest '01. So far we've got Gary Numan and Senor Coconut lined up, but it's only a partial list so far. I'm pretty sure I'm headed down, obviously not just for the electronic music. So, my question is: is it really worth shelling out $400 (and rising) for the music pass? I will probably not go that route. And, will anyone else be going down to Austin this year? A former 313er from the area hinted there would probably be some more elctronic music this year than in years past. For those who are interested, the poop to date is here: http://www.sxsw.com Tristan == PHONOPSIA[EMAIL PROTECTED] http://www.geocities.com/SunsetStrip/Lounge/5102 FrogboyMCI on AOL Instant Messenger Feeling Like A Kid Again... My Eyes Are Glued to the Floor. I Hope I Mumble Goodbye As You Walk Out the Door. UhOhUhohh... UhOhUhohhh... UhOhUhohhh... The Damage is Done. - Yo La Tengo __ Do You Yahoo!? Talk to your friends online with Yahoo! Messenger. http://im.yahoo.com
drum machine heaven...
sorry if anyone thinks this is off topic... www.drummachine.com darw_n create, demonstrate, toneshift... search for djdarwin on napster www.sphereproductions.com www.mannequinodd.com www.mp3.com/darw_n
OT- sarah jones- your revolution
313ers r a pretty informed bunch so... I am looking for more information on Sarah Jones, the poet/vocalist in dj vadim's 'your revolution'. I wanna know if she's done other stuff. thanks :) emma mee-thod -it's in the way that you groove it-
RE: [313] Black Flag 2
Generally The End in London is my regular clubbing haunt. It has one of the best sound systems of any club going, and hearing The Stand... it really cut through and blew away most other tracks. It has such an energy level when the volume is backing it up. But if it puts you in mind of progressive uk stuff... well I can see how you'd feel, association with things that you don't like (through the simple bassline for example) can put you off stuff that is otherwise classier. Dan http://www.geocities.com/Paris/1267/index.html http://www.mp3.com/DanButler -Original Message- From: Elliot Taub [SMTP:[EMAIL PROTECTED] Sent: Sunday, December 31, 2000 10:57 PM Cc: 313@hyperreal.org Subject: Re: [313] Black Flag 2 Hey, call me crazy, but I like this record. I don't know if you guys ever play on a big soundsystem, in a large club, but this record works real well in that situation. Its a single -- its the big club hit. I'd rather play a big club hit by Stacey Pullen than, say, Daft Punk any day of the week. Besides, its much in the vein of the prior Black Flag release. Obviously he's going for a theme here. lo sens wrote: To compare the EP with really bad cheesy UK house is overstating it's ordinariness, I agree. And I agree with you about his DJing: he's taken a route I could never have imagined after listening to his DJ Kicks mix, which ranks as one of my favourites. I've only heard him play once, last year (1999), and he was a real letdown (lots of Basement Jaxx, Yoshitoshi type tracks, which I guess the new Black Flag fits in with). Did he ever play out the same sort of stuff that he plays on the DJ Kicks cd? Cheers sens --- Phonopsia [EMAIL PROTECTED] wrote: I passed on the 12. I hope the album isn't more of the same, although from Cyclone's reviews it sounds like it's better than that. I wouldn't really rank it among the worst of UK cheeze though. I think he always manages to incorporate something valuable even if it ends up a bit flat, or standard. On that note, I really like his Polyphonic Destruction on The End. It's not that new anymore, but it's recent enough that I still have hope for the album. I just question why he's gone the route he's chosen. Both his DJing and the consistency of his musical output are suffering since he's attained status. All IMHO of course. Tristan == PHONOPSIA[EMAIL PROTECTED] http://www.geocities.com/SunsetStrip/Lounge/5102 FrogboyMCI on AOL Instant Messenger Feeling Like A Kid Again... My Eyes Are Glued to the Floor. I Hope I Mumble Goodbye As You Walk Out the Door. UhOhUhohh... UhOhUhohhh... UhOhUhohhh... The Damage is Done. - Yo La Tengo -Original Message- From: lo sens [EMAIL PROTECTED] To: 313@hyperreal.org 313@hyperreal.org Date: Sunday, December 31, 2000 1:07 AM Subject: [313] Black Flag 2 As a side note to the detroit house/techno discussion, and at the risk of upsetting a few listmembers, does anyone else think the new Stacey Pullen on his Black Flag label is a major disappointment? This is a man who was once responsible for some of the best Detroit techno (Eye to Eye, The Death March) who now puts out an EP to compete with the worst cheesy British house. I know some of you really dig it, but I'm definitely not alone in my city in thinking it's a real dud. Opinions? And to balance my dissing of a Detroit native, the Recloose remix of his own Can't Take It is up their with my year's favourites. (The Herbert mix is also absolutely brilliant; and the Carl Craig mix pretty damn good too). Cheers sens = Stop, Dave. I'm afraid. I'm afraid, Dave. Dave, my mind is going. I can feel it. I can feel it. My mind is going. There is no question about it. I can feel it. : HAL 9000 _ __ __ http://au.classifieds.yahoo.com/au/car/ - Yahoo! Cars - Buy, sell or finance a car.. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com . _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com . __ ___ http://au.classifieds.yahoo.com/au/car/ - Yahoo! Cars - Buy, sell or finance a car.. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail:
sample ID
Hello think tank, I'm looking for the track which was first sampled (that I know of) by Johnny Fiasco on his Cajual EP in the track 'Get Up' (The label on the vinyl says Funkies Funk 2, but I think they got the order wrong), the same EP also contains 'Conduction'. That very same sample is now not used but abused in the club hit 'IntroD' by Alan Braxe/Fred Falke. Anyone? RD Signup for your free Virtual Countries E-mail address at http://www.turkey.com
Re: [313] UR in London, how was it? Why?
do I detect a windup? A let down!? That was the best party I've been to for a very long time, if not ever. 3-4000 people in an incredible venue, listening to amazing music on a huge and clear soundsystem. plus excellent atmosphere and no trouble. It was like the old days but with better tunes. nice one transit. did anyone go to the afterparty at plastic people? _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] drum machine heaven...
Just great ! Machine last longer. : janos : On Wednesday 03 January 2001 10:24, darw_n wrote: sorry if anyone thinks this is off topic... www.drummachine.com darw_n create, demonstrate, toneshift... search for djdarwin on napster www.sphereproductions.com www.mannequinodd.com www.mp3.com/darw_n - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Janos AR/ Editor @ Sonox Ph:.+46(0)8.7298807 Fax:+...46(0)8.7298816 Cell:+46(0)708.405077 Adress:... ..Tomtebogatan 36 .P.O. Box 21127 ..SE-10031 Stockholm ...Sweden Web: www.sonox.com
Re: [313] OT- sarah jones- your revolution
yeah, her lyrics cut deep... try rawkus complyricist lounge ..something about blood debonair. - Original Message - From: mee-thod [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Wednesday, January 03, 2001 7:57 PM Subject: [313] OT- sarah jones- your revolution 313ers r a pretty informed bunch so... I am looking for more information on Sarah Jones, the poet/vocalist in dj vadim's 'your revolution'. I wanna know if she's done other stuff. thanks :) emma mee-thod -it's in the way that you groove it- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
UR DJ - Clandestine
Evening all! couple of questions for the UR/ Kraftwerk experts: 1) Exactly who is the UR DJ Clandestine and where has he been hiding? (played at the UR gig in London on nye) 2) And does anyone know anything about a white vinyl 7 which has the acappella of Whitney Houston i wanna dance with somebody over Kraftwerk numbers? thanks! jason
Re: [313] UR in London, how was it? Why?
I thought it was excellent as well, though I wouldn't go as far as saying the best ever. I arrived a bit late, having seen in the New Year in the comfort of my own home with my girlfriend. Upon arrival I was glad to discover very friendly joking security, loads of massive heaters, no trouble getting in and some mate of Rachel's spinning UK Garage. Upstairs, and first stopping port of call, there was Rick Wilhite, which sounded a bit pedestrian due to a very quiet sound system (at that time, anyway, it improved by the time KDJ appeared). He was playing a greatest hits of Carl Craig set, or so it seemed. I remember at the 3 Chairs night Rick played the most Detroity of the 3 sets. We grabbed a beer each and investigated further. Down the stairs and... f**king hell! A massive aircraft hanger sized derelict room with a massive crack down the side and a live version of Amazon like I have never heard before in my life! This was Agent Chaos, I have since been told, and it was damn impressive. The 30 quid entrance was worth it for that alone. After that the DJing in there was a bit of a let down, there was some pretty bad echo coming back off the far wall if you were on the stage (behind which the Djing was be done from) which maybe didn't help, but I would imagine the monitoring would be up to scratch, nothing appeared to be done half heartedly when it came to things like that. Still, the tracks were a what's what of classic UR (Final Frontier, Stardancer, Mirage, a lot of Octave One stuff) - anyone know what the track directly after Stardancer was? The whole thing was interspersed with UR folk appearing silhouetted in cracks on the wall doing what looked like some pole dancing without the pole. Moved up to catch the end of Moodymann's set (we'd been up earlier and heard If You Should Need A Friend, which is a favourite of my girlfriend's). That seemed to be very good. In advance I wasn't really that fussed about Kenny playing, having seen him DJ and be blown away by Theo Parrish at the 3 chairs night. So it came as a surpise to find this set to be very good indeed. The move to a half DJ half live set was very canny - gets a bit more of his personality across, which he can only do partly by DJing with his own records. I don't know who it was that Djed after, but they weren't nearly as good - they played that awful gimmicky 7 remake of MAW's To be in love - most of it was alright, though. Here we remained until we left at around 5am, not having the, err, stamina of some others. It was good to meet, albeit briefly, with John (who'd come into the shop earlier in the day and pick up a copy of Gravitational Arch, which I had missed) and Otto (who confessed to being as bad a trainspotter as I was being!). It was a very friendly crowd, and the staffing was excellent too - the bouncer as we left commanding the mini cab drivers to give us a good price for the journey home. Well done Freddy Ranx - a very good way to start the year, I thought. I can imagine, however, that if you missed Amazon live and Moodymann it would seem a bit pedestrian - you couldn't help but be blown away by the UR room (that seems a ridiculous word for it), though, which was well suited to their sound. I didn't miss either and I loved it. Take care, Jonny.
Re: [313] UR in London, how was it? Why?
When I posted about the Transit party yesterday I'd just finished my review, so wasn't in the mood for typing out the same stuff all over again. But so many people have asked for more details (and posted their opinions) so here goes. Firstly, organisation: we got there at about 10.30, but it was 11.58 before I'd got in and checked my coat, so the night started with an hour and a half of waiting around and getting wet. And I had a complimentary ticket, so it was probably harder for those who had arranged to collect them on the door. I know there were still people waiting around in the queue at midnight, and from what I saw at the gate, the security were completely overwhelmed and couldn't cope. Some of my friends were on the guest list (arranged throught the PR company handling the party, so officially), but no-one on the door seemed to think there was a guest list. In the end they just talked their way in the gate and then walked through the door when no one challenged them or checked their credentials. I suspect plenty of others were able to bumrush their way in in the same way, which might explain why in advance the party was advertised as being for 3000 in 4 rooms, but afterwards Transit's own site recorded a figure of 4400 (and if there was a fourth room, I couldn't find it) - this seems to indicate that Transit went 1400 over capacity with one less room than there should have been, which explains the overcrowding and is also quite possibly dangerous. And the queue for coats was ridiculous, just a rugby scrum - the security guy in there couldn't have controlled a picnic. The main room (second as xx xx calls it) was NOT UR all night long, however. There was a handwritten bit of notepaper taped to the wall which said a guy called Lazarus was warming up until midnight, then UR would play until 5AM. At 5AM they had us wish happy New Year to Detroit, then, as I remember it, the last record played out, there was a burst of white noise for a couple of minutes, then next thing I knew a voice on the mic was asking us to make our way to another room, which I did. I didn't see any 'thunderous clapping', instead it all seemed to end with confusion and a whimper. And I don't know where xx xx got this 6.30 thing from. The party was scheduled to run until 7am. UR started at midnight and finished at just after 5am as far as I could see. This means they played for 5 hours, half the duration the party was supposed to be open. The other thing that really p*ssed me off about the organisation was the failure to let anyone know who was playing when. Maybe I missed them all, but I didn't see any notices informing people when anyone was going to be playing (aside from the one I mentioned earlier, which just said 'UR - Detroit' anyway). When you've got a big event like that with several rooms, this is a must. As for the UR DJs, I have to say I thought they were entirely un-special, just competent at best. There were probably hundreds of bedroom DJs in the crowd who could have done just as good or a better job. Thanks to the lack of info, I don't know exactly who played apart from Clandestine (the best of the bunch, but that's not saying much), but there seemed to be one or two others as well. As for the live set, I must have been upstairs in the house room (again, lack of schedule info), but some I spoke to seemed to think it was UR 'themselves', others that it was just Chaos. As far as I can tell it definitely wasn't Red Planet or Suburban Knight, as the organisers were promising in advance (after the original bill inc. Rolando and Drexciya had been unceremoniously dumped, without explanation, of course). This confusion probably had something to do with the fact that the performers played from behind a wall, where practically no-one in the room could see them. The other thing I didn't much care for about the UR DJs was their apparent unwillingness to adapt to the occasion. This was New Years Eve after all, surely more about celebration than education? So where were the classics? The tracks that no-one else ever seems to play in clubs? There were a few of course - 'Stardancer', 'Seawolf' were two - but they were few and far between. These were the only times I saw any kind of real crowd reaction too. UR has ten years of varied releases behind it, you'd think they might have used this event to celebrate this fact, but instead most of the music seemed to be stony-faced, obscure, 'serious' electro and techno. Fine as it goes, but hardly celebratory music. And yeah, xx xx, I do like my comfort, as you put it. Or rather, I don't particularly relish spending the whole night in a cold, damp and grimy old warehouse with very few opportnities to sit down for ten minutes - who does? It wouldn't have been a problem had the entertainment been up to it, but as you can tell, I don't think it was. And I thought the sound was poor too - all bass and no middle, and worse in KDJs room, where you had to fight your way through the crowd to
Re: [313] UR in London, how was it? Why?
Tom, It does seem you have had a completely different take on it to almost everyone I spoke to. Most people were blown away by the live set, KDJ was fantastic and, despite dodgy mixing, the UR DJ sets were full of classic stuff, I thought. The organisation, as you say, might have been better - I was lucky enough to miss the queuing problems - but the staffing, like the crowd (I saw plenty of smiling faces), was very friendly. As for the billing changes, these were well documented on 313 before the event. Ideally we would have got Drexciya etc, but I am not going to argue with *that* version of Amazon. UR were always going to do it their own way. Still, you saw it differently - fair enough, if you missed the bits I loved I can completely understand why, and you missed a great night. I think I missed the kind of night Frank Jack got, he caught a lot more of the live show and the KDJ show. There's little point in creating an argument about it. 313 has got two sides to the story. End of, I guess. I'm sure people don't want to hear a fruitless discussion on who got the right view on it all. Interestingly (but coincidently rather than anything else, I'm not trying to cast doubt on your journalistic credentials at all), I recall Jockey Slut getting a radically different take on the 3 Chairs night which still remains the best night out I have ever had. There's no objective view on a night out. Take care, Jonny.
Re: [313] UR in London, how was it? Why?
yup, of course there's going to be 3 - 4000 different versions of the night. I am just glad i was there and loving it. peas _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] UR in London, how was it? Why?
There's no objective view on a night out. Can't argue with that. Guess we'll have to agree to disagree! TOM
Happy Records ID from NYE
The guy after Kenny Dixon Jr. at the Transit NYE party played a track on Happy Records (I think, judging from the label) that I have heard before and loved. I have now forgotten the vocal line which would give away the name but I am sure I have heard Stacey Pullen play it before. It's exactly the kind of track he was playing aroun 96/97. Any ideas at all? I know what it isn't on Happy, by what I have: Unit 2 Sunshine, Yolanda's Children of the world, Volume 4 are all I can think of that I have actually, but there is 1 more... I can't find any discography for the label, though, which would help. Jonny.
check this out!
http://listen.to/detroit-techno-mixes new sources are very welcome!! Thx.
Re: [313] UR in London, how was it? Why?
Most people were blown away by the live set, KDJ was fantastic and, despite dodgy mixing, the UR DJ sets were full of classic stuff, I thought. dodgy mixing?? Don't get me wrong, I'm not obsessed with smooth mixing over track selection, but this is U.R. we're talking about... who gave us Rolando and Suburban Knight as assault DJ's. with the people they have available, something is seriously f**ked up if they can't put forward a decent technical DJ for a gig this size, unless of course it was ranx's echoing walls. Seth _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
dodgy mixing
Is anybody still surprised by big names who can't seem to mix two tracks in a decent way? I'm not. As long as party-organisations continue to book good producers for DJ sets just because they attract a crowd, and as long as producers regard DJ'ing just as a way of making easy money you'll have awful mixing by well-known names. A few years ago Ken Ishii was announced as the great Japanese DJ, not to be missed at Ten Days Of Techno in Ghent. It was a bloody disgrace, the sucker couldn't even put the beats in the right tempo, he was still desperately listening to his headphones (with both ears...) and didn't even hear his first record was finished... Steve Stoll is even worse... What everebody should learn to do is cut the hype about these people and stop yelling and screaming when they are being announced or when they come on stage and just learn who the true DJ's are and who the producers are. I'm sure that half of the DJ's which are announced a big parties can be outclassed by many people here on 313. Big respect to the likes of Derrick Carter, Mark Farina, Laurent Garnier and some others who truly know what DJ'ing is all about, and for most of the others, please put together a decent live show and leave the decks to those who know! RD Signup for your free Virtual Countries E-mail address at http://www.turkey.com
RE: [313] dodgy mixing
Big respect to the likes of Derrick Carter, Mark Farina, Laurent Garnier and some others who truly know what DJ'ing is all about, and for most of the others, please put together a decent live show and leave the decks to those who know! --- Hehehe, 'to those who know', nice pun o stuffed one! ;-) Speak soon! John RD Signup for your free Virtual Countries E-mail address at http://www.turkey.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Alton Miller In Perth
I sincerely hope someone went to check out this in Perth!! I think Alton must have been a very late addition to this party but can't be sure, it's just that he wasn't mentioned in the lead up media and advertisements. It is so unfortunate we couldn't have had him on the East Coast. I think the Stateside cancellation in Sydney has to do with the fact that the Stateside crew have Derrick Carter out and are touring with him around the country, so they are committed to that. Here is some info on the party Alton played at on an Australian dance site - would love more info from people on 313. Science Fiction 4 @ Belmont Racecourse, Perth (31/12/00) http://www.inthemix.com.au/cgi-bin/newspro/viewreview.cgi?newsid978523660,26 960,x Here's what it says about Alton Miller... Alton Miller did not attract a huge crowd at any time during his set of three hours. Was this due to his name being relatively unknown? In any case, he played a variety of music, from flowing groovy house to breaks to harder tech-house. Added comments: he is known, it's just that it wasn't pushed in a big way and to the right crowd (due the late addition??) and he needs to play East Coast (ie Melbourne Sydney) too to get that love. The house/deep house/tech-house scene is really blowing up here now. It was too late for me to go to Perth, so I caught Carter on NYE at a big house party here Respect Is Burning (done in connection with the French guys) and he was on the money - he is always good for me. Others here in Melbourne ventured out to Welcome 2001 (less well attended than last year's 2000) to catch Richie Hawtin who drew good reports but seemed to be playing to a large crowd. I have heard really divergent reports of Samuel L Sessions that night on the decks but he does seem to be making a wave with his productions and his mix-CD A Samuel L Session On Monoid is tight. Next day I caught Adam Beyer, Joel Mull and Christian Smith at this day party called Summadayze and left thinking Beyer was technically excellent whereas the other two were fairly average over all.
Richie Hawtin Australasian CD
This is exclusive to Australasia and is being released by Hardware Records, who also released Jeff Mills' The Art Of Connecting in this territory last April. It is a really nicely presented album with extensive liner notes. Here is an abridged version of the accompanying press release: RICHIE HAWTIN: SELECTIONS 1990-2000 Title: RICHIE HAWTIN SELECTIONS 1990-2000 Cat: HARD008CD Territory: Australia New Zealand Format: Compilation 1 CD Release Notes: ... This CD is an exclusive project devised and compiled by the Hardware Label and Richie Hawtin for his highly anticipated arrival to our shores this NYE. It showcases ten of his best works selected from his MASSIVE discography of floor filling techno to ambient chill pieces... All tracks included on this CD are full length versions!!... RICHIE HAWTIN: SELECTIONS 1990-2000 1 FUSE A NEW DAY (FIRST APPEARED ON PLUS8024 - 1993) 2 FUSE FU2 (FIRST APPEARED ON PLUS8015 - 1991) 3 PLASTIKMAN KRAKPOT (FIRST APPEARED ON PLUS8033 - 1993) 4 CIRCUIT BREAKER OVERKILL (FIRST APPEARED ON PRO02 - 1991) 5 PLASTIKMAN ARE FRIENDS ELECTRIK? (FIRST APPEARED ON PP01 - 1998) 6 FUSE SLAC (FIRST APPEARED ON PLUS8024 - 1993) 7 FUSE SUBSTANCE ABUSE (FIRST APPEARED ON PLUS8013 - 1991) 8 PLASTIKMAN SPASTIK (APPEARED ON NOVAMUTE ONLY - 1993) 9 RICHIE HAWTIN MINUS ORANGE (FIRST APPEARED ON MINUSORANGE - 1999) 10 FUSE VS LFO LOOP (FIRST APPEARED ON PLUS8031 - 1993)
Re: [313] kippax broadcast
Will this be archived anywhere? I really hope so. todd - Original Message - From: Dan Madvision [EMAIL PROTECTED] To: IDM [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Tuesday, January 02, 2001 11:51 AM Subject: [313] kippax broadcast Neo Ouija presents what will probably become a regular thing... 'Kippax' starting at 20.00 GMT, Lee Metamatics will be broadcasting various clicks and pops. tune your winamp (or appropriate listening device) to http://www.tedra.net:8000 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Dec/Jan Mixer
if any one has a copy of this issue, on hand,(other than Laura G:)) could you plese email me back. thanks d __ Do You Yahoo!? Yahoo! Photos - Share your holiday photos online! http://photos.yahoo.com/
post check
post check _ Get your FREE download of MSN Explorer at http://explorer.msn.com
thanks laurenz
thanks laurenz, I got it working. My aol does not offer text format features. So I got a hot mail account. thanks p.s. what's up list j arnold _ Get your FREE download of MSN Explorer at http://explorer.msn.com
too many records
Please respond to: [EMAIL PROTECTED] can you forward this little message to the 313 list? i am no longer subscribed. muchas gracias! yer pal, sutekh -- subject: record sale hello i'm selling a few hundred records, mostly techno. here's the list, if you're interested... http://www.belief-systems.com/recordsale/ feel free to email me with any questions. thanks! seth ([EMAIL PROTECTED])
Re: [313] Alton Miller In Perth
I believe Craig Mullin Alton Miller are playing Geisha this Friday in Perth for just $7, kids. What a steal!!
313 in the stream...
I decided it's time to give back to the list with a streaming station, Techno Rebels: The background and components of Detroit Techno http://www.live365.com/cgi-bin/directory.cgi?autostart=there4im. Yes, I checked with Dan before using the name. No, you won't hear the latest Moodymann white labels. Yes, you will hear George Clinton and Kraftwerk before they got on the elevator. Consider it a 313-friendly oldies station. Enjoy. -- There4IM 56kbs mp3 stream at 216.35.106.10:9118/
groove la chord
ok, maybe i've celebrated too much for new year's, but i could have sworn that i heard aril brikha's 'groove la chord' playing in the background of a video game commercial. anyone else see this? ani record time [EMAIL PROTECTED] www.recordtime.com ph 810.775.1550 fax 810.775.5830 icq# 33610265 want to be on the record time mailing list? send an email message from the address you want to subscribe with subscribe in the subject
Re: [313] groove la chord
no, but i did hear Rose Rouge in an NFL commercial over xmas. From: * ani * [EMAIL PROTECTED] To: 313 313@hyperreal.org Subject: [313] groove la chord Date: Wed, 3 Jan 2001 14:37:47 -0500 ok, maybe i've celebrated too much for new year's, but i could have sworn that i heard aril brikha's 'groove la chord' playing in the background of a video game commercial. anyone else see this? ani record time [EMAIL PROTECTED] www.recordtime.com ph 810.775.1550 fax 810.775.5830 icq# 33610265 want to be on the record time mailing list? send an email message from the address you want to subscribe with subscribe in the subject - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
Re: [313] groove la chord
That's because it was. That track amongst other Transmat records were licensed for soundtrack use on the Playstation II game called Midnight Club available now. Hippy New Year!! Logavo From: * ani * [EMAIL PROTECTED] To: 313 313@hyperreal.org Subject: [313] groove la chord Date: Wed, 3 Jan 2001 14:37:47 -0500 ok, maybe i've celebrated too much for new year's, but i could have sworn that i heard aril brikha's 'groove la chord' playing in the background of a video game commercial. anyone else see this? ani record time [EMAIL PROTECTED] www.recordtime.com ph 810.775.1550 fax 810.775.5830 icq# 33610265 want to be on the record time mailing list? send an email message from the address you want to subscribe with subscribe in the subject - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
Nortroute Broadcast
Nortroute will be kicking off at 20.00 GMT Residents: [EMAIL PROTECTED] [EMAIL PROTECTED] [EMAIL PROTECTED] point your listening devices at: http://www.nortroute.net
FW: [313] groove la chord + in the stream
Yeah heard that Rose Rouge track during the playoffs twice. Hey Malbon, enjoying the radio station! -Original Message- From: keleigh casper [mailto:[EMAIL PROTECTED] Sent: Wednesday, January 03, 2001 2:38 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: [313] groove la chord no, but i did hear Rose Rouge in an NFL commercial over xmas. From: * ani * [EMAIL PROTECTED] To: 313 313@hyperreal.org Subject: [313] groove la chord Date: Wed, 3 Jan 2001 14:37:47 -0500 ok, maybe i've celebrated too much for new year's, but i could have sworn that i heard aril brikha's 'groove la chord' playing in the background of a video game commercial. anyone else see this? ani record time [EMAIL PROTECTED] www.recordtime.com ph 810.775.1550 fax 810.775.5830 icq# 33610265 want to be on the record time mailing list? send an email message from the address you want to subscribe with subscribe in the subject - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
commercials and music
I have a friend who works at Rock Star (the company that made 'Midnight Club'). Alongside the Transmat tracks are newer tracks by the Surgeon (check out his new Midnight Club EP on Counterbalance for some of those tracks). Rock Star has also put out a game with the soundtrack done by the fine people at Guidance records. Rose Rouge was in a NFL commercial and the album 'tourist' was also advertised by HMV and Music World in commercials and in print. Does any of this surprise anyone? I'm not, Hawtin's DEFX909 was on the top 100 list for a while and still maintains a firm position on the wall at my local HMV. todd - Original Message - From: laura gavoor [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, January 03, 2001 7:40 PM Subject: Re: [313] groove la chord That's because it was. That track amongst other Transmat records were licensed for soundtrack use on the Playstation II game called Midnight Club available now. Hippy New Year!! Logavo From: * ani * [EMAIL PROTECTED] To: 313 313@hyperreal.org Subject: [313] groove la chord Date: Wed, 3 Jan 2001 14:37:47 -0500 ok, maybe i've celebrated too much for new year's, but i could have sworn that i heard aril brikha's 'groove la chord' playing in the background of a video game commercial. anyone else see this? ani record time [EMAIL PROTECTED] www.recordtime.com ph 810.775.1550 fax 810.775.5830 icq# 33610265 want to be on the record time mailing list? send an email message from the address you want to subscribe with subscribe in the subject - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
UR Party
Upon arrival I was glad to discover very friendly joking security I stand by my review of it (which never made the 313 list but I know a few people would have individually got it and it went to IDM) that the security here were the rudest, most aggressive and badly organised security staff I have ever encountered. I don't like being kept waiting for nearly two hours in torrential rain, let alone having to endure being pushed and threatened when I reach the front of the queue. I also saw the clown in charge of security physically threaten people because they weren't making a nice neat line! no trouble getting in Like I said in my book nearly two hours is a long wait - I arrive at 9:50 and got in at 11:30 - there was a line twice as long as when I got there waiting to get in. The venue was excellent except it was cold, with the exception of the well-heated RB room, but All Saints isn't my taste, and upstairs they seemed to be playing mostly bad pop music - never caught sign of Moodyman but didn't want to listen to whatever it was playing when I went up there! Once everyone had got warmed up a little and out of there wet rags it was an incredible atmosphere and the music was faultless, unless you don't like techno! BABY DIDDY
UR Again
This confusion probably had something to do with the fact that the performers played from behind a wall, where practically no-one in the room could see them. If you were on the stage you could have walked up to them and touched them! You didn't miss much though - the rumoured DJing bathing beauties did not turn up! I don't particularly relish spending the whole night in a cold, damp and grimy old warehouse with very few opportnities to sit down for ten minutes - who does? I'd agree with this - there wasn't really anywhere for people to chill out except in the rather grimy cloakroom area. There just didn't seem to be many people dancing or really enjoying themselves Definitely disagree here - if you went into the main UR room EVERYONE was dancing and the place was jammed with people! I kind of get the feeling you didn't hang around too long, Tom, just enough to get paid off by your magazine! BABY DIDDY
Re: [313] Ian O'Brien
check http://www.midnightsunshine.com At 16-12-00 -0500 16:52, you wrote: the lowdown on Ian O'Brien??? discography??? thank you, Five ___ _ http://www.forcefield.org :: mindless entertainment _ _ http://nortroute.net :: weekly internet broadcast __
Re: [313] dodgy mixing
he was still desperately listening to his headphones (with both ears...) He might have been desperately listening, but I just want to point out that there are DJ's that listen to nothing but headphones. When I play, I try to turn the monitor waay down and use it only as a EQ reference, and do all mixing with three tables through headphones, where you have the master out playing at all in the phones times while matching, I've done this for years... It's different I know, but just letting you know that this is done, and done very well with some... darw_n create, demonstrate, toneshift... search for djdarwin on napster www.sphereproductions.com www.mannequinodd.com www.mp3.com/darw_n
dub beats
This may seem completely OT so please respond to me directly, not to the 313 list. I'm looking for dub beats...real dub styles. I know Basic Channel and the like (Deep Chord etc.) and I'm looking for more labels/artists like the Burnt Friedman release a while back. Any help is welcome. The deeper and more freaked out the better. Cheers Fred _ Get your FREE download of MSN Explorer at http://explorer.msn.com
thank you ian!
thank you to Ian Malbon for an incredible station! ..and thank you to CD now for carrying a lot of this stuff on wax! both of them combined should make me broke and groovin'.:) happy new year diana __ Do You Yahoo!? Yahoo! Photos - Share your holiday photos online! http://photos.yahoo.com/
