Re: What was your first camera?

2011-04-13 Thread John Mullan
My first was a Kodak Brownie Holiday.  Received it for Christmas in 
1954-1955 timeframe.  In 61-62 timeframe I upgraded to a Kodak Brownie Super 
27.  Shot a lot of Super slides with that one.  '69 brought my first Pentax, 
H1a.  Later added an SPII, then a PZ1p, a 645, *istD and most recently K20d.


jm

-Original Message- 
From: Bill Owens

Sent: Tuesday, April 12, 2011 9:32 AM
To: pdml
Subject: What was your first camera?

In my case, it was a Brownie Hawkeye with flash that used Press 25 bulbs

Bill

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Re: PESO: White evergreen

2011-04-13 Thread Bruce Walker

On 11-04-13 4:02 PM, Tim Bray wrote:

Outside of my usual visual vocabulary:
http://www.tbray.org/ongoing/When/201x/2011/04/13/-big/RUNE0018.jpg.html

Might make a nice poster for an ultra-postmodern downtown apartment...

-Tim


*Very* nice, Tim. The reduced contrast and muted palette work well.

You're really having a gas with that new lens aren't you? ;-)  I envy 
your renewed vigor.


-bmw

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Larry Colen

On Apr 13, 2011, at 1:05 PM, P. J. Alling wrote:

 On 4/13/2011 9:39 AM, David J Brooks wrote:
 On Wed, Apr 13, 2011 at 7:46 AM, Mark Robertsm...@robertstech.com  wrote:
 http://www.imx.nl/photo/page152/page152.html\
 Someone needs to introduce that guy to the concept of the paragraph.
 I'll do that
 
 Dave
 
 Given the perversity of the universe, all you'll manage to do is teach him 
 how to spell...

Mark!

I have more than a little temptation to comment on how his essay has provoked 
an interesting discussion on snob appeal vs. talent, or at least to challenge 
him to a photo competition, my 64 year old, unadjusted Argus C3 brick against 
his Leica M3.  However given the subjective aspect of photographic quality, it 
isn't nearly so cut and dried as asking whether I'd be able to keep up with him 
around the racetrack in his Porsche while driving my Dodge Van.

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PESO: Curious Gull

2011-04-13 Thread Jack Davis
Like the curious tilt of the head. Fun at the lake.
The sun was in and out and I may have out exposed the shutter a wee bit. heck!

Comments encourages.

Jack

http://photolightimages.com/aspupload/detail.asp?ID=588

K-5, DA 55~300@300mm, f/8, 1/8000, ISO 1600


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Re: PESO: White evergreen

2011-04-13 Thread Jack Davis
Interesting effect, Tim!

Jack

--- On Wed, 4/13/11, Tim Bray tb...@textuality.com wrote:

 From: Tim Bray tb...@textuality.com
 Subject: PESO: White evergreen
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, April 13, 2011, 1:02 PM
 Outside of my usual visual
 vocabulary:
 http://www.tbray.org/ongoing/When/201x/2011/04/13/-big/RUNE0018.jpg.html
 
 Might make a nice poster for an ultra-postmodern downtown
 apartment...
 
 -Tim
 
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Re: What was your first camera?

2011-04-13 Thread Peter Zalabai
Zeiss Ikonta C 521/2 :) I still love that 'pocket camera' :D

.t

On Tue, 2011-04-12 at 09:32 -0400, Bill Owens wrote:
 In my case, it was a Brownie Hawkeye with flash that used Press 25 bulbs
 
 Bill
 



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Re: What was your first camera?

2011-04-13 Thread Doug Franklin

On 2011-04-13 16:49, Peter Zalabai wrote:

Zeiss Ikonta C 521/2 :) I still love that 'pocket camera' :D

.t

On Tue, 2011-04-12 at 09:32 -0400, Bill Owens wrote:

In my case, it was a Brownie Hawkeye with flash that used Press 25 bulbs


My mom's Kodak Instamatic with 126 film.

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Doug Franklin

On 2011-04-13 14:25, Bob W wrote:


Erwin Puts hardly ever writes anything worth reading, paragraphs or not.


Har!  I didn't even notice that!  I'd change my name!

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Nook color as a photo viewer

2011-04-13 Thread Larry Colen
Zab returned from her three month sojourn in Sleepy Hollow. While she was there 
she bought a nook color for her aging mom to use, as it is getting difficult 
for her to read regular print. In the process of using it for a few days so she 
could show her mom how to use it, she became so fond of it, she decided to keep 
it for herself and bought a second one for her mom. Now that she's home with 
it, I'll let her have it back in a couple of days.

Seriously though, it reminds me a lot of my early experiences with my iMac in 
that the things it does well, it does so well, that it makes its annoyances so 
much more infuriating, especially since most of the limitations are just there 
as limitations to keep you from using it for anything that BN doesn't want you 
to.

Photos on it look very good. Unfortunately, the gallery program is an 
unrepentant piece of crap.  It shows all photos in one flat file, rather than 
letting you sort out photos by category. If I do use it to show off my photos, 
I'll have to start publishing them as pdfs or something.




--
Larry Colen l...@red4est.com sent from i4est





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RE: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Bob W
 Larry Colen l...@red4est.com sent from i4est

 I have more than a little temptation to comment on how his essay has
 provoked an interesting discussion on snob appeal vs. talent, or at
 least to challenge him to a photo competition, my 64 year old,
 unadjusted Argus C3 brick against his Leica M3.  However given the
 subjective aspect of photographic quality, it isn't nearly so cut and
 dried as asking whether I'd be able to keep up with him around the
 racetrack in his Porsche while driving my Dodge Van.

I've used an Argus brick which is probably now 60+ years old, although it
was nearly 30 years ago that I used it. And I have a Leica M3 which is 52
years old. 

I can categorically assure you that the M3 is better than the Argus in all
respects expect brickiness.

B


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PESO: A Typical Restart

2011-04-13 Thread Cory Waters
The family and I went to the IndyCar race at Barber Motorsports Park in 
Birmingham, Alabama last weekend.  I was more about hanging with my unit 
than getting the shot but there are a few that I'm willing to share.

Here is a shot from turn 1 during a restart:

http://cwaters.smugmug.com/Sports/Indy-Gran-Prix-of-Alabama/IGP7734/1251034005_yhPSy-XL.jpg

Cory

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Re: What was your first camera?

2011-04-13 Thread steve harley

On 2011-04-12 12:31 , they whom i call myself wrote:

despite hanging around my father's darkroom when i was very young, i got
a late start; the first i owned was a K1000 my stepfather gave me when i
was about 15, but because i couldn't afford film he eventually gave it
to someone else


all the talk of Kodak Brownies dredged up an incomplete memory of a 
Brownie that was definitely my own, in a setting which puts it between 4 
and 9 years old -- i remember the object, and using a reference i see it 
was a Hawkeye; i remember advancing the film and the little red window; 
but i do not remember taking any photos, so it's possible it was just 
given to me as an inert plaything



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Re: PESO: A Typical Restart

2011-04-13 Thread Jack Davis
Great location choice. Nice action!

Jack

--- On Wed, 4/13/11, Cory Waters cbwat...@bellsouth.net wrote:

 From: Cory Waters cbwat...@bellsouth.net
 Subject: PESO: A Typical Restart
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, April 13, 2011, 2:28 PM
 The family and I went to the IndyCar
 race at Barber Motorsports Park in Birmingham, Alabama last
 weekend.  I was more about hanging with my unit than
 getting the shot but there are a few that I'm willing to
 share.
 Here is a shot from turn 1 during a restart:
 
 http://cwaters.smugmug.com/Sports/Indy-Gran-Prix-of-Alabama/IGP7734/1251034005_yhPSy-XL.jpg
 
 Cory
 
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RE: What was your first camera?

2011-04-13 Thread Krisjanis Linkevics
An awful Zenit E(T?) at age 12. I had loads of fun but I also abandoned 
photography for ten years after just one year with the Zenit.

Good times.

kris
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Re: Boris PESO #9 - Impressions

2011-04-13 Thread Rick Womer
It's too much of a jumble to work for me, Boris.

Rick

http://photo.net/photos/RickW


--- On Wed, 4/13/11, Boris Liberman bori...@gmail.com wrote:

 From: Boris Liberman bori...@gmail.com
 Subject: Boris PESO #9 - Impressions
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, April 13, 2011, 12:48 PM
 Hi there.
 
 Here is another one somewhat similar, at least from
 technical stand point to the previous ones...
 
 http://pentax-ways.blogspot.com/2011/04/peso-2011-09-impressions.html
 
 Brutal and honest comments are as always going to be
 appreciated.
 
 Boris
 
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Re: Nook color as a photo viewer

2011-04-13 Thread Larry Colen

On Apr 13, 2011, at 2:06 PM, Larry Colen wrote:

 Zab returned from her three month sojourn in Sleepy Hollow. While she was 
 there she bought a nook color for her aging mom to use, as it is getting 
 difficult for her to read regular print. In the process of using it for a few 
 days so she could show her mom how to use it, she became so fond of it, she 
 decided to keep it for herself and bought a second one for her mom. Now that 
 she's home with it, I'll let her have it back in a couple of days.
 
 Seriously though, it reminds me a lot of my early experiences with my iMac in 
 that the things it does well, it does so well, that it makes its annoyances 
 so much more infuriating, especially since most of the limitations are just 
 there as limitations to keep you from using it for anything that BN doesn't 
 want you to.
 
 Photos on it look very good. Unfortunately, the gallery program is an 
 unrepentant piece of crap.  It shows all photos in one flat file, rather than 
 letting you sort out photos by category. If I do use it to show off my 
 photos, I'll have to start publishing them as pdfs or something.

I just bought and downloaded the pdml annual, and tried looking at it on the 
nook.
First of all, I can't rotate the book sideways in it to format it better on the 
screen, on top of that, I can't adjust the size of the photos.


--
Larry Colen l...@red4est.com sent from i4est





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Re: PESO -- Before the Storm

2011-04-13 Thread Rick Womer
I think the rain curtains stand out more clearly in the color version.  
Darkening the sky a bit might make things look more ominous.

Rick

http://photo.net/photos/RickW


--- On Wed, 4/13/11, P. J. Alling webstertwenty...@gmail.com wrote:

 From: P. J. Alling webstertwenty...@gmail.com
 Subject: PESO -- Before the Storm
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, April 13, 2011, 3:33 PM
 Just popping in to post a quick PESO,
 well two if you count different renderings.
 
 Not much of a stretch but I liked it.
 
 http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20beforethestorm.html
 
 then the BW version
 
 http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20beforethestormbw-pt.html
 
 Equipment:  Pentax K20D w/smc Pentax FA 20-35mm f4.0
 
 As usual comments are welcome but may be totally ignored.
 
 Note:  BW conversion done with BW Plus with
 a faux Green filter applied, then a Platinum layer
 applied.
 
 -- Where's the Kaboom?  There was supposed to be an
 Earth-shattering Kaboom!
 
     --Marvin the Martian.
 
 
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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Larry Colen

On Apr 13, 2011, at 2:14 PM, Bob W wrote:

 Larry Colen l...@red4est.com sent from i4est
 
 I have more than a little temptation to comment on how his essay has
 provoked an interesting discussion on snob appeal vs. talent, or at
 least to challenge him to a photo competition, my 64 year old,
 unadjusted Argus C3 brick against his Leica M3.  However given the
 subjective aspect of photographic quality, it isn't nearly so cut and
 dried as asking whether I'd be able to keep up with him around the
 racetrack in his Porsche while driving my Dodge Van.
 
 I've used an Argus brick which is probably now 60+ years old, although it
 was nearly 30 years ago that I used it. And I have a Leica M3 which is 52
 years old. 
 
 I can categorically assure you that the M3 is better than the Argus in all
 respects expect brickiness.

I certainly expect that you are entirely correct.  I still suspect that either 
of us could take better pictures with a brick than Puts can with an M3.

My C3 does have one significant advantage of over an  M3. I have a C3 and not 
an M3.

--
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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Dario Bonazza

Larry Colen wrote:

My C3 does have one significant advantage of over an  M3. I have a C3 and 
not an M3.


Mark! 



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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Mark Roberts
Bob W wrote:

 Larry Colen l...@red4est.com sent from i4est

 I have more than a little temptation to comment on how his essay has
 provoked an interesting discussion on snob appeal vs. talent, or at
 least to challenge him to a photo competition, my 64 year old,
 unadjusted Argus C3 brick against his Leica M3.  However given the
 subjective aspect of photographic quality, it isn't nearly so cut and
 dried as asking whether I'd be able to keep up with him around the
 racetrack in his Porsche while driving my Dodge Van.

I've used an Argus brick which is probably now 60+ years old, although it
was nearly 30 years ago that I used it. And I have a Leica M3 which is 52
years old. 

I can categorically assure you that the M3 is better than the Argus in all
respects expect brickiness.

Where do you stand on the Porsche vs. Dodge Van question?
 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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Re: PESO: A Typical Restart

2011-04-13 Thread Cotty
On 13/4/11, Cory Waters, discombobulated, unleashed:

The family and I went to the IndyCar race at Barber Motorsports Park in
Birmingham, Alabama last weekend.  I was more about hanging with my unit
than getting the shot but there are a few that I'm willing to share.
Here is a shot from turn 1 during a restart:

http://cwaters.smugmug.com/Sports/Indy-Gran-Prix-of-Alabama/
IGP7734/1251034005_yhPSy-O.jpg

Nice! There's always one guy who has to take a different line ;-)


--


Cheers,
  Cotty


___/\__
||   (O)  | People, Places, Pastiche
--  http://www.cottysnaps.com
_



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RE: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Bob W


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Mark Roberts
 
 I can categorically assure you that the M3 is better than the Argus in
 all
 respects expect brickiness.
 
 Where do you stand on the Porsche vs. Dodge Van question?
 

behind the bike shed.

B


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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread David Parsons
On Wed, Apr 13, 2011 at 2:25 PM, Bob W p...@web-options.com wrote:
 While it is true that the sensor may have a limited lifespan, how long
 does he really expect to be using his camera?  You have to move on at
 some point.

 Why?

 That's just a justification for built-in obsolescence to satisfy the
 manufacturers, not the consumers.

No, a justification for built-in obsolescence would be that the camera
stopped working on a schedule decided by the manufacturer.  Planning
for a 20 year usable life-cycle is nowhere near planned obsolescence.
It's not like Leica is not going to introduce more models in the next
19 years just in time to make the current model obsolete.



 It's nostalgia speaking here.  It's hip to say that you shoot film,
 and that you shot film before it was cool.  Guess what, the rest of
 the world has moved on.  If he wants to shoot film, he can do that.

 He has an M9. He's moaning that the sensor will be f_cked in a relatively
 short time, and will reduce the lifespan of the camera compared to his M3.
 It seems perfectly reasonable to want a camera that costs £5,000.00 to last
 a long time. If the sensor fails after, say, 20 years, and the rest of the
 body is designed to last 50, someone in the accounting department will ask
 why they are wasting so much cost in the body, and lower the quality so that
 it too has a life expectancy of only 20 years, and before you know it Leicas
 will be made of cardboard.

 People are still using Leicas from the 13th century, or thereabouts. Long
 may they continue to do so!


Yes, Leica's are well built, they are also status items, so stating
that they should last longer because they cost more is silly.  Part of
the price is the name and reputation.

I think its also disingenuous to think that the accountants are
running the company, and to predict their future based on a stereotype
of corporate behavior.

Besides the fact the the sensor is designed to be replaced.  Does a
company that is obsoleting their products design an upgrade path?

 B



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Aloha Photographer Photoblog
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RE: Boris PESO #9 - Impressions

2011-04-13 Thread Bob W
It looks like Pollocks.
http://www.tate.org.uk/liverpool/ima/rm4/images/pollock_lg.jpg

I like it.


 
 It's too much of a jumble to work for me, Boris.
 
 Rick
 
 http://photo.net/photos/RickW
 
 
 --- On Wed, 4/13/11, Boris Liberman bori...@gmail.com wrote:
 
  From: Boris Liberman bori...@gmail.com
  Subject: Boris PESO #9 - Impressions
  To: Pentax-Discuss Mail List pdml@pdml.net
  Date: Wednesday, April 13, 2011, 12:48 PM
  Hi there.
 
  Here is another one somewhat similar, at least from
  technical stand point to the previous ones...
 
  http://pentax-ways.blogspot.com/2011/04/peso-2011-09-impressions.html
 
  Brutal and honest comments are as always going to be
  appreciated.
 
  Boris



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Re: PESO: Curious Gull

2011-04-13 Thread Stan Halpin
Very nice gull! Well framed (cropped?).

On Apr 13, 2011, at 4:37 PM, Jack Davis wrote:

 Like the curious tilt of the head. Fun at the lake.
 The sun was in and out and I may have out exposed the shutter a wee bit. heck!
 
 Comments encourages.
 
 Jack
 
 http://photolightimages.com/aspupload/detail.asp?ID=588
 
 K-5, DA 55~300@300mm, f/8, 1/8000, ISO 1600
 


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Re: PDML Book is live online and available for purchase

2011-04-13 Thread David J Brooks
On Wed, Apr 13, 2011 at 2:43 PM, Daniel J. Matyola danmaty...@gmail.com wrote:
 No.  I read it on my desktop and laptop with a free Firefox plug-in.

 Dan

I see quite a few out there. Any link to the one you are using.

Dave

 On Wed, Apr 13, 2011 at 1:59 PM, David J Brooks pentko...@gmail.com wrote:
 Do you need a tablet to read the ebook.??

 Dave

 On Wed, Apr 13, 2011 at 12:04 PM, Sasha Sobol sa...@asobol.com wrote:
 Just got my epub version, it is splendid!
 You guys managed to produce and impressive collection of photos.
 And Mark managed to create an excellent coherent book.
 I was impressed by two previous books but this one is a huge leap forward!
 HUGE kudos to Mark.
 Btw, I am using http://bookworm.oreilly.com to read the book in browser.

 --Sasha


 On Wed, Apr 13, 2011 at 8:40 AM, Bong Manayon bongmana...@gmail.com wrote:
 Ordered my copy...thanks Mark!

 On Tue, Apr 12, 2011 at 9:18 PM, Mark Roberts m...@robertstech.com wrote:
 Cut to the chase: http://www.blurb.com/my/book/detail/2098910
 ;-)

 Bonuses:
 If you order today and enter the code GMA (must be all upper-case
 letters) in the discount code box during checkout you'll get a 25%
 discount!

 If you buy the hardcover with dust jacket version of the book (not
 the ImageWrap) you get bonus photos on the inner flaps of the dust
 jacket, one by Rick Womer and one by Carl Gjersem.

 More information:
 I want to express my appreciation to all who donated to the book
 promotional fund. Most people contributed $5.00 and we got $340.00
 total. With the 10% volume discount and the 25% GMA discount (yes,
 Blurb allowed both discounts) I was able to order a dozen books for
 the price of 10, including shipping costs. I think there's even a bit
 left over in the kitty to allow me postage money for sending *out*
 review copies when I get them.

 I'm looking for suggestions/ideas for promotion. Print magazine
 reviews are pretty much out of the question: They already get more
 review samples than they have time for and we'd be just an tiny fish
 in a big sea (unless we can get someone on the inside to help - anyone
 owed any favors by low people in high places?)

 I'm also offering the ebook version on line for $6.00 through my own
 web site at the moment. I've worked out a deal to offer it through the
 Apple iTunes store through one of their official distributors, but I
 won't be able to finish the paperwork and details until the end of the
 semester - things are getting busy now.
 See http://www.robertstech.com/pdmlbook/

 Have at it!


 --
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RE: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Bob W


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 David Parsons


  While it is true that the sensor may have a limited lifespan, how
 long
  does he really expect to be using his camera?  You have to move on
 at
  some point.
 
  Why?
 
  That's just a justification for built-in obsolescence to satisfy the
  manufacturers, not the consumers.
 
 No, a justification for built-in obsolescence would be that the camera
 stopped working on a schedule decided by the manufacturer.  Planning
 for a 20 year usable life-cycle is nowhere near planned obsolescence.
 It's not like Leica is not going to introduce more models in the next
 19 years just in time to make the current model obsolete.
 

you've misunderstood my reply, which was not specifically about the Leica,
but about the claim 'you have to move on at some point'. Why do you have to
move on? Making a claim like that is nonsense and plays into the hands of
manufacturers. Companies, such as Leica, made and supported products for
decades. Nobody claimed that you had to move one then. Why do you have to
move on now?

 
 
  It's nostalgia speaking here.  It's hip to say that you shoot film,
  and that you shot film before it was cool.  Guess what, the rest of
  the world has moved on.  If he wants to shoot film, he can do that.
 
  He has an M9. He's moaning that the sensor will be f_cked in a
 relatively
  short time, and will reduce the lifespan of the camera compared to
 his M3.
  It seems perfectly reasonable to want a camera that costs £5,000.00
 to last
  a long time. If the sensor fails after, say, 20 years, and the rest
 of the
  body is designed to last 50, someone in the accounting department
 will ask
  why they are wasting so much cost in the body, and lower the quality
 so that
  it too has a life expectancy of only 20 years, and before you know it
 Leicas
  will be made of cardboard.
 
  People are still using Leicas from the 13th century, or thereabouts.
 Long
  may they continue to do so!
 
 
 Yes, Leica's are well built, they are also status items, so stating
 that they should last longer because they cost more is silly.  Part of
 the price is the name and reputation.
 

it's not silly, it's my opinion. If I pay a shit load of money for a camera
I want it to last a fecking long time.

 I think its also disingenuous to think that the accountants are
 running the company, and to predict their future based on a stereotype
 of corporate behavior.
 

I've been working in the corporate world for over 30 years - that's far too
long to be disingenuous.

 Besides the fact the the sensor is designed to be replaced.  Does a
 company that is obsoleting their products design an upgrade path?
 


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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Godfrey DiGiorgi
On Tue, Apr 12, 2011 at 7:58 PM, Jim King jamesk8...@mac.com wrote:
 This blog post by Erwin Puts rang a few bells for me, and I suspect it will 
 for some of you as well:

 http://www.imx.nl/photo/page152/page152.html

 Puts is a Leica guy but they used to say that Pentax is the Japanese Leica...

LOL ... I have never heard Pentax referred to as the Japanese Leica.
Leica is most reknowned for its lenses and rangefinder cameras and
Pentax—the name itself was derived from the pentaprism used in SLRs.

Erwin Puts ... Well, his article would be a heck of a lot more
readable and sensible if he learned how to use paragraphs to structure
his thoughts. He rambles.

I'm in the middle of re-reading Zen and the Art of Motorcycle
Maintenance right now. I read it first in '76 or so, again about '81,
and with all the water under the bridge since, reading it now points
out some very interesting fallacies in the logic presented as
Phaedrus' hunt for the 'ghost of rationality'. Some fundamental
premises seem just plain wrong to me now.

But, achingly clawing my way through this mass of text, I do agree
with Puts' fundamental premise, although the words he uses are
strangely construed. In the modern world of equipment über alles, too
much weight is lent to numbers without a shred of intelligible
discourse given to the why of their primacy. Everything is opinion,
belief and a faith-healer's trust that numbers don't lie.

Well, the numbers are just numbers: they're evidence, not truth.
Interpreting the numbers is where art and understanding lies.

Just like we can confuse ourselves and think we are increasing our
understanding when we banter on about how photosites work, photon
counting, etc, the truth is that very little of this has much to do
with photography and a lot to do with technology and engineering.
Being able to stand back from the technology, see how the equipment
behaves and then bending it to our purpose of producing photographs,
not theorizing about the engineering of better equipment, is often
lost.

Equipment cannot make photographs. Only people can. People with eyes,
sensitivity, and skill to know how to work the equipment. Truly
...equipment often gets in the way of Photography.
-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: Some thoughts on my first PDML annual purchase...

2011-04-13 Thread David Parsons
1-3.  Mark is the one doing all the hard work, and as the editor,
layout designer, and everything else, it's his call as to how things
are laid out.  He volunteers a lot of his own limited time for the
group.

4.  The annual is not a competition, it's a showcase of members who
decide to submit.  That said, you have three submissions, and if any
extra submissions are included, that shows the quality of your work.
Plus, not all members submit to the annual.  For 120 pages, $40 is a
great price.

On Wed, Apr 13, 2011 at 11:36 AM, Darren Addy pixelsmi...@gmail.com wrote:
 I want to preface my comments by saying that I think the PDML Annual
 idea, with the proceeds going to charity is one of the REALLY great
 things about this list. I had a photo in last year's, but haven't seen
 the book. And I haven't seen previous year's books either, so I really
 have nothing to compare it to. I'd love to purchase those back
 volumes, at some point, but for whatever reason - mostly financial - I
 haven't made it a top priority yet.

 The eBook offering, I thought, was a GREAT idea. Particularly if it
 actually raises more money for the charity than a book purchase. My
 original plan was to buy the eBook - because I'm impatient and it
 allows me to see it in screen form now and then purchase the hard
 cover version (resulting in even more moola for the charity, for each
 person who plans on doing the same). It also lowers the bar (total
 price) to being able to donate in the first place, which should result
 in more people becoming buyers. Terrific idea!  We get to see it now,
 to satisfy our curiosity, and still have the book version in our hands
 at some point in the future.

 I can also appreciate how much work it probably is to put this all
 together and I think we are all very grateful to those that had a part
 in it, particularly Mark, for the hours and hours that go into the
 production, proof-reading, etc. along with (this year) the work of
 selecting a new charity to work with.

 It is with that in mind that I offer the following comments, in the
 interests of (perhaps) making next year's annual better than ever. I
 hope my comments are taken in the proper spirit, similar to the way we
 often ask for critique on our photographs without taking undue
 offense. True, Mark did not ask for such critique, which gives me
 pause. I first thought about sending them to Mark off-list, but I
 decided that putting it out there could allow for a bit of discussion
 on the various points below. Everyone can chime in on whether they
 think my thoughts are off base or might indeed make for a better
 annual next time around. I realize that, given this group's dynamic,
 there may be some (many?) that may take offense FOR Mark - but I hope
 we can keep the comments constructive and discuss them somewhat
 dispassionately.

 Discussion point No. 1: The page format and how it effects the size of
 the photos.

 Since the page layout was done in landscape mode, the way the book was
 designed made horizonal photographs appear much larger than vertical
 photographs, which I find unfortunate for the vertical photos and the
 photographers that submitted them.  I would much rather see the
 photographs on equal footing with one another and presented in the
 same size. This is easily, and attractively done by using either a
 square page format, or selecting/creating a square portion of a
 portrait or landscape formatted page in which to present the
 photograph. (The square being, in effect, the mat for the photo.)

 If you must use a rectangular page format (either vert. or horiz.)
 then you could use some of the extra space beside the square image
 area for the title or a colored box with a few of the funny quotes on
 each page - rather than saving them for multiple pages at the end.

 Discussion point No. 2: The mats around the photographs and how they
 effect the size of the photos.

 I found the majority of the mats HUGELY distracting from the
 photograph itself. I understand that most, if not all, were taken from
 an element of the photograph itself which was blown up to create a
 color/texture, but I would argue that first and foremost the
 photographs themselves should be the stars of the page but it seemed
 more like it was look at the neat mats. They competed for attention
 with the photograph itself, in most cases and did not compliment them.
 The best mats (IMHO) were the most minimalistic mats such as those on:
 Christine's My Nephew, Akira
 Frank's Long Trip Home
 and
 César's Freeport Church

 In any event, I would rather see the photographs presented as
 physically large as possible on the page, and the mat provided another
 element to downsize them, which I found disappointing.

 Discussion point No. 3: The edge treatments around the photographs themselves.

 I don't know if this was added in the book design or if they were in
 the photographs submitted by the photographers, but I found the edge
 treatments again terribly 

Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Dario Bonazza

Godfrey DiGiorgi wrote:


LOL ... I have never heard Pentax referred to as the Japanese Leica.


That was commonly reported from Japan around 1976, soon after the 
introduction of the MX. Some Japanese folks perceived the MX as the new 
Leica: small, basic, smooth and pleasant to use. In other words, the Leica 
philosophy in a (then) current camera.


Dario


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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Godfrey DiGiorgi
On Wed, Apr 13, 2011 at 3:43 PM, Dario Bonazza
dario.bona...@virgilio.it wrote:
 Godfrey DiGiorgi wrote:

 LOL ... I have never heard Pentax referred to as the Japanese Leica.

 That was commonly reported from Japan around 1976, soon after the
 introduction of the MX. Some Japanese folks perceived the MX as the new
 Leica: small, basic, smooth and pleasant to use. In other words, the Leica
 philosophy in a (then) current camera.

I heard the same thing in reference to the Olympus OM-1 about that
time. Rumor had it that Olympus was going to name the camera the M-1
but didn't after Leica protested ...

-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Larry Colen

On Apr 13, 2011, at 3:00 PM, Mark Roberts wrote:

 Bob W wrote:
 
 Larry Colen l...@red4est.com sent from i4est
 
 I have more than a little temptation to comment on how his essay has
 provoked an interesting discussion on snob appeal vs. talent, or at
 least to challenge him to a photo competition, my 64 year old,
 unadjusted Argus C3 brick against his Leica M3.  However given the
 subjective aspect of photographic quality, it isn't nearly so cut and
 dried as asking whether I'd be able to keep up with him around the
 racetrack in his Porsche while driving my Dodge Van.
 
 I've used an Argus brick which is probably now 60+ years old, although it
 was nearly 30 years ago that I used it. And I have a Leica M3 which is 52
 years old. 
 
 I can categorically assure you that the M3 is better than the Argus in all
 respects expect brickiness.
 
 Where do you stand on the Porsche vs. Dodge Van question?

The first time I drove a Dodge van on the track, I was turning faster laptimes 
in my van than I had been in my Corolla. I was also turning faster laptimes 
than one of the students in his second generation MR2. I did realize that if I 
rolled the toyota up into a little ball I could tow it home in the van, the 
function was not commutable.

The one time I drove my current van on the track, I had to drive so slow so 
that my current student could keep up, I have no idea as to it's performance 
abilities.

I don't have any direct experience with a Dodge Van and a Porsche, but I did 
have a student once, who by the end of the day was keeping up with my Honda 
stationwagon in his carrera 4.  Some years back, Grassroots Motorsports did a 
laptime comparison between a Honda Odyssey and a Jaguar E-type on an autocross 
course. The Odyssey was substantially faster.

In any case, depending on the van, the porsche and the racetrack, there's a 
good chance that I could turn a faster laptime than him, if I were in a Dodge 
Van and he were in a Porsche. Given drivers of equal skill, and a 1/2 ton van 
with a 360 and swaybars versus a 914/1.8 and upgraded swaybars, I wouldn't be 
surprised if the van took on the porsche.


--
Larry Colen l...@red4est.com sent from i4est





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Re: PDML Book is live online and available for purchase

2011-04-13 Thread Brian Walters
On Wed, 13 Apr 2011 18:20 -0400, David J Brooks pentko...@gmail.com
wrote:
 On Wed, Apr 13, 2011 at 2:43 PM, Daniel J. Matyola danmaty...@gmail.com
 wrote:
  No.  I read it on my desktop and laptop with a free Firefox plug-in.
 
  Dan
 
 I see quite a few out there. Any link to the one you are using.
 



This is the one I'm using (and I suspect it's probably the one Dan has
as well):

https://addons.mozilla.org/en-us/firefox/addon/epubreader/



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



 Dave
 
  On Wed, Apr 13, 2011 at 1:59 PM, David J Brooks pentko...@gmail.com wrote:
  Do you need a tablet to read the ebook.??
 
  Dave
 
  On Wed, Apr 13, 2011 at 12:04 PM, Sasha Sobol sa...@asobol.com wrote:
  Just got my epub version, it is splendid!
  You guys managed to produce and impressive collection of photos.
  And Mark managed to create an excellent coherent book.
  I was impressed by two previous books but this one is a huge leap forward!
  HUGE kudos to Mark.
  Btw, I am using http://bookworm.oreilly.com to read the book in browser.
 
  --Sasha
 
 
  On Wed, Apr 13, 2011 at 8:40 AM, Bong Manayon bongmana...@gmail.com 
  wrote:
  Ordered my copy...thanks Mark!
 
  On Tue, Apr 12, 2011 at 9:18 PM, Mark Roberts m...@robertstech.com 
  wrote:
  Cut to the chase: http://www.blurb.com/my/book/detail/2098910
  ;-)
 
  Bonuses:
  If you order today and enter the code GMA (must be all upper-case
  letters) in the discount code box during checkout you'll get a 25%
  discount!
 
  If you buy the hardcover with dust jacket version of the book (not
  the ImageWrap) you get bonus photos on the inner flaps of the dust
  jacket, one by Rick Womer and one by Carl Gjersem.
 
  More information:
  I want to express my appreciation to all who donated to the book
  promotional fund. Most people contributed $5.00 and we got $340.00
  total. With the 10% volume discount and the 25% GMA discount (yes,
  Blurb allowed both discounts) I was able to order a dozen books for
  the price of 10, including shipping costs. I think there's even a bit
  left over in the kitty to allow me postage money for sending *out*
  review copies when I get them.
 
  I'm looking for suggestions/ideas for promotion. Print magazine
  reviews are pretty much out of the question: They already get more
  review samples than they have time for and we'd be just an tiny fish
  in a big sea (unless we can get someone on the inside to help - anyone
  owed any favors by low people in high places?)
 
  I'm also offering the ebook version on line for $6.00 through my own
  web site at the moment. I've worked out a deal to offer it through the
  Apple iTunes store through one of their official distributors, but I
  won't be able to finish the paperwork and details until the end of the
  semester - things are getting busy now.
  See http://www.robertstech.com/pdmlbook/
 
  Have at it!
 
 
  --
  Mark Roberts - Photography  Multimedia
  www.robertstech.com
 
 
-- 


-- 
http://www.fastmail.fm - Or how I learned to stop worrying and
  love email again


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Re: What was your first camera?

2011-04-13 Thread Brian Walters
On Wed, 13 Apr 2011 08:52 -0500, Morris Galloway
morris-gallo...@sbcglobal.net wrote:
 Voigtlander Bessamatic with a 50mm  lens.  SLR with leaf shutter. 
 Learned a lot in a hurry. I was 15.
 



A Bessamatic at the age of 15!  Did you have a fairy godmother??

In my manic collecting phase a few years ago I decided I just had to
have a Bessamatic.  Got one with the 2.8 50mm and the Super-Dynarex 1:4
135mm.  It's certainly a beautiful piece of machinery.



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/




 Back to Lurking.
 
 G.
 
 
 
 
 
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Re: PESO: Curious Gull

2011-04-13 Thread Jack Davis
Yes, cropped. (About 50%)
Thankk you, Stan!

Jack)

--- On Wed, 4/13/11, Stan Halpin s...@stans-photography.info wrote:

 From: Stan Halpin s...@stans-photography.info
 Subject: Re: PESO: Curious Gull
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, April 13, 2011, 3:14 PM
 Very nice gull! Well framed
 (cropped?).
 
 On Apr 13, 2011, at 4:37 PM, Jack Davis wrote:
 
  Like the curious tilt of the head. Fun at the lake.
  The sun was in and out and I may have out exposed the
 shutter a wee bit. heck!
  
  Comments encourages.
  
  Jack
  
  http://photolightimages.com/aspupload/detail.asp?ID=588
  
  K-5, DA 55~300@300mm, f/8, 1/8000, ISO 1600
  
 
 
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Re: What was your first camera?

2011-04-13 Thread Brian Walters
On Wed, 13 Apr 2011 08:19 -0500, Bob Sullivan rf.sulli...@gmail.com
wrote:
 On Tue, Apr 12, 2011 at 9:40 PM, Joseph McAllister pentax...@mac.com
 wrote:
  In 1966, I purchased a brand new Pentax Spotmatic, and my fate was sealed. 
  A year later I bought a black Spotty, a couple more M-42 lenses. Had not 
  realized that it was a mental ailment yet. And here I am. Black Spotmatic 
  with it's ƒ1.4 50mm in the drawer next to my desk. Along with the three 
  LXen.
 
 Joseph,
 It's not an ailment, it's just a little peculiarity.  We all have it.



Some a little more than others.



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/

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Re: Some thoughts on my first PDML annual purchase...

2011-04-13 Thread Larry Colen
I'm looking at the ebook, and finding it a vast source of frustration with 
ebook readers.  On the nook, I can't rotate the book so I'm seeing a 
horizontally formatted book on a vertically formatted screen. In neither the 
nook, nor Adobe Digital Editions on my mac can I adjust the size of the photo. 
On the nook I can't make is smaller, or for that matter figure out how to 
rotate, or move the picture from side to side. On the iMac, I can't make the 
photo any larger than 3.5x5.5 horizontal or 3.5x4.5 vertical.

The mat is pretty, but it's not what I bought the book for.

On Apr 13, 2011, at 8:36 AM, Darren Addy wrote:

 
 
 Discussion point No. 1: The page format and how it effects the size of
 the photos.
 
 Since the page layout was done in landscape mode, the way the book was
 designed made horizonal photographs appear much larger than vertical
 photographs, which I find unfortunate for the vertical photos and the
 photographers that submitted them.  I would much rather see the
 photographs on equal footing with one another and presented in the
 same size. This is easily, and attractively done by using either a
 square page format, or selecting/creating a square portion of a
 portrait or landscape formatted page in which to present the
 photograph. (The square being, in effect, the mat for the photo.)

I suspect that the layout of the ebook is different from the hard copy.

That being said, I wish that the vertical photos used more of the vertical 
space.

 
 If you must use a rectangular page format (either vert. or horiz.)
 then you could use some of the extra space beside the square image
 area for the title or a colored box with a few of the funny quotes on
 each page - rather than saving them for multiple pages at the end.


 
 Discussion point No. 2: The mats around the photographs and how they
 effect the size of the photos.

That would be affect, not effect.  
 
 I found the majority of the mats HUGELY distracting from the
 photograph itself. I understand that most, if not all, were taken from
 an element of the photograph itself which was blown up to create a
 color/texture, but I would argue that first and foremost the
 photographs themselves should be the stars of the page but it seemed
 more like it was look at the neat mats. They competed for attention
 with the photograph itself, in most cases and did not compliment them.
 The best mats (IMHO) were the most minimalistic mats such as those on:
 Christine's My Nephew, Akira
 Frank's Long Trip Home
 and
 César's Freeport Church
 
 In any event, I would rather see the photographs presented as
 physically large as possible on the page, and the mat provided another
 element to downsize them, which I found disappointing.

I kind of have to agree here.  If I could enlarge them so that they filled the 
screen, I think that the layout looks wonderful, it's just frustrating that the 
photos themselves come off as not much larger than big thumbnails.

I think that this is mostly a limitation of ebooks, and not a criticism of 
Mark's design work.

 
 Discussion point No. 3: The edge treatments around the photographs themselves.
 
 I don't know if this was added in the book design or if they were in
 the photographs submitted by the photographers, but I found the edge
 treatments again terribly distracting from the photograph itself. An
 attempt to gild the lily, as they say. (
 http://www.phrases.org.uk/meanings/gild-the-lily.html ) Less
 distracting, but still unwelcome (IMHO) are the use of drop shadow or
 use of the cutout treatment to make the photograph look as if it was
 off the page or sunk behind the mat. You can see that I am all about
 the image itself. The book standards should be no different than a
 museum's display standards, for example. Mats are usually white. Or
 black. But usually white. With no texture.
 
 Discussion point No. 4: Everybody gets an image in.
 
 This year's book is apparently the largest yet. I expect this to be a
 problem (if not a nice problem) as the PDML membership grows - which
 it will with the truly great cameras for the money like the K-x, K-r
 and K-5 that we have to choose from now. More PDML members will result
 in more submissions and if one image is automatically accepted from
 each photographer then the book will continue to grow larger (also
 meaning more work from all concerned).
 
 I also think that it would mean more to be included if you didn't
 automatically get one image included, just by virtue of submitting
 one. I think a side benefit would be a stronger book by virtue of the
 elimination of weaker images.

I disagree with the above sentiment.  As someone said, that it is display of 
the PDML, not a competition among the PDML.

 
 Feel free to argue/discuss one or all of the points above. The above
 represents just one man's opinion (mine) which is worth every penny
 you paid for it.
 : )
 

All in all, I think that the design is stunning, and the photos are wonderful. 
My only complaint is 

RE: PESO: Curious Gull

2011-04-13 Thread Jeffery Johnson
Nice capture of the gull... all the tones and colors are spot on...

___
Pictures that I have taken on Flickr:
http://www.flickr.com/photos/jt-johnson/

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Jack
Davis
Sent: Wednesday, April 13, 2011 3:37 PM
To: Pentax-Discuss Mail List
Subject: PESO: Curious Gull

Like the curious tilt of the head. Fun at the lake.
The sun was in and out and I may have out exposed the shutter a wee bit.
heck!

Comments encourages.

Jack

http://photolightimages.com/aspupload/detail.asp?ID=588

K-5, DA 55~300@300mm, f/8, 1/8000, ISO 1600


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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread mike wilson

On 14/04/2011 01:01, Larry Colen wrote:


On Apr 13, 2011, at 3:00 PM, Mark Roberts wrote:



Where do you stand on the Porsche vs. Dodge Van question?


The first time I drove a Dodge van on the track, I was turning faster laptimes 
in my van than I had been in my Corolla. I was also turning faster laptimes 
than one of the students in his second generation MR2. I did realize that if I 
rolled the toyota up into a little ball I could tow it home in the van, the 
function was not commutable.

The one time I drove my current van on the track, I had to drive so slow so 
that my current student could keep up, I have no idea as to it's performance 
abilities.

I don't have any direct experience with a Dodge Van and a Porsche, but I did 
have a student once, who by the end of the day was keeping up with my Honda 
stationwagon in his carrera 4.  Some years back, Grassroots Motorsports did a 
laptime comparison between a Honda Odyssey and a Jaguar E-type on an autocross 
course. The Odyssey was substantially faster.

In any case, depending on the van, the porsche and the racetrack, there's a 
good chance that I could turn a faster laptime than him, if I were in a Dodge 
Van and he were in a Porsche. Given drivers of equal skill, and a 1/2 ton van 
with a 360 and swaybars versus a 914/1.8 and upgraded swaybars, I wouldn't be 
surprised if the van took on the porsche.


How about a Jaguar?
http://www.youtube.com/watch?v=WaQmOkBvWh0feature=related

Forward to about 5.00minutes if you don't want the history lesson.

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Paul Stenquist

On Apr 13, 2011, at 7:01 PM, Larry Colen wrote:

 
 On Apr 13, 2011, at 3:00 PM, Mark Roberts wrote:
 
 Bob W wrote:
 
 Larry Colen l...@red4est.com sent from i4est
 
 I have more than a little temptation to comment on how his essay has
 provoked an interesting discussion on snob appeal vs. talent, or at
 least to challenge him to a photo competition, my 64 year old,
 unadjusted Argus C3 brick against his Leica M3.  However given the
 subjective aspect of photographic quality, it isn't nearly so cut and
 dried as asking whether I'd be able to keep up with him around the
 racetrack in his Porsche while driving my Dodge Van.
 
 I've used an Argus brick which is probably now 60+ years old, although it
 was nearly 30 years ago that I used it. And I have a Leica M3 which is 52
 years old. 
 
 I can categorically assure you that the M3 is better than the Argus in all
 respects expect brickiness.
 
 Where do you stand on the Porsche vs. Dodge Van question?
 
 The first time I drove a Dodge van on the track, I was turning faster 
 laptimes in my van than I had been in my Corolla. I was also turning faster 
 laptimes than one of the students in his second generation MR2. I did realize 
 that if I rolled the toyota up into a little ball I could tow it home in the 
 van, the function was not commutable.
 
 The one time I drove my current van on the track, I had to drive so slow so 
 that my current student could keep up, I have no idea as to it's performance 
 abilities.
 
 I don't have any direct experience with a Dodge Van and a Porsche, but I did 
 have a student once, who by the end of the day was keeping up with my Honda 
 stationwagon in his carrera 4.  Some years back, Grassroots Motorsports did a 
 laptime comparison between a Honda Odyssey and a Jaguar E-type on an 
 autocross course. The Odyssey was substantially faster.
 
 In any case, depending on the van, the porsche and the racetrack, there's a 
 good chance that I could turn a faster laptime than him, if I were in a Dodge 
 Van and he were in a Porsche. Given drivers of equal skill, and a 1/2 ton van 
 with a 360 and swaybars versus a 914/1.8 and upgraded swaybars, I wouldn't be 
 surprised if the van took on the porsche.
 
And of course, you could haul a lot more groceries in your Dodge van. Function 
counts.
Paul
 --
 Larry Colen l...@red4est.com sent from i4est
 
 
 
 
 
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RE: PESO: Red Sunset

2011-04-13 Thread Jeffery Johnson
It certainly is red... and well now be nice to be on the beach seeing the
sunset in person.

___
Pictures that I have taken on Flickr:
http://www.flickr.com/photos/jt-johnson/


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Daniel J. Matyola
Sent: Tuesday, April 12, 2011 11:17 PM
To: Pentax-Discuss Mail List
Subject: PESO: Red Sunset

http://blogs.delphiforums.com/n/blogs/blog.aspx?nav=mainwebtag=djm1963entr
y=79

Comments, Suggestions, Criticisms and Abuse are welcome and encouraged.

-- 
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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RE: PESO: They Call him a Cooper's Hawk

2011-04-13 Thread Jeffery Johnson
Thanks for all the comments on the Hawk photos. Yes it was actually
surprising to see him. I am still keeping an eye out for the crane that I
saw the first visit to the greenway.



___
Pictures that I have taken on Flickr:
http://www.flickr.com/photos/jt-johnson/


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Bob
W
Sent: Tuesday, April 12, 2011 2:18 AM
To: 'Pentax-Discuss Mail List'
Subject: RE: PESO: They Call him a Cooper's Hawk

 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf 
 Of Jeffery Johnson
 
 Here is a picture of the Hawk:
 
 http://www.flickr.com/photos/jt-johnson/5611564067/in/photostream
 

very nice shot, must have been a great experience to see it.

 I also spotted this fella along the Richland Creek Greenway.
 
 http://www.flickr.com/photos/jt-johnson/5612141024/in/photostream
 

I support all calls to cull that particular species and to return their vile
habitat to nature.

B


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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Jim King
Larry Colen wrote on Wed, 13 Apr 2011 13:18:16 -0700

(snip)

 I can't help but wonder if Pentax owners have a similar reputation for 
 annoyingly bragging about how our cameras perform as well, or better, than 
 other brands, but cost so much less.

Hah! I was hoping that someone other than me might be wondering about the same 
thing.

Actually, I'm a little disappointed that so much of the commentary on this post 
has centered on form rather than substance...

Regards, Jim

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Jim King
Godfrey DiGiorgi wrote on Wed, 13 Apr 2011 15:25:25 -0700

 LOL ... I have never heard Pentax referred to as the Japanese Leica.

I read it somewhere, probably Modern Photography way back in the day when 
Herbert Keppler was still active.

 Leica is most reknowned for its lenses and rangefinder cameras and
 Pentax—the name itself was derived from the pentaprism used in SLRs.
 
 Erwin Puts ... Well, his article would be a heck of a lot more
 readable and sensible if he learned how to use paragraphs to structure
 his thoughts. He rambles.

Does he ever.  Trying to follow his thoughts is a real challenge.  His camera 
and lens reviews are equally turgid...  But there is often some gold buries in 
the dross.

 I'm in the middle of re-reading Zen and the Art of Motorcycle
 Maintenance right now. I read it first in '76 or so, again about '81,
 and with all the water under the bridge since, reading it now points
 out some very interesting fallacies in the logic presented as
 Phaedrus' hunt for the 'ghost of rationality'. Some fundamental
 premises seem just plain wrong to me now.
 
 But, achingly clawing my way through this mass of text, I do agree
 with Puts' fundamental premise, although the words he uses are
 strangely construed. In the modern world of equipment über alles, too
 much weight is lent to numbers without a shred of intelligible
 discourse given to the why of their primacy. Everything is opinion,
 belief and a faith-healer's trust that numbers don't lie.
 
 Well, the numbers are just numbers: they're evidence, not truth.
 Interpreting the numbers is where art and understanding lies.
 
 Just like we can confuse ourselves and think we are increasing our
 understanding when we banter on about how photosites work, photon
 counting, etc, the truth is that very little of this has much to do
 with photography and a lot to do with technology and engineering.
 Being able to stand back from the technology, see how the equipment
 behaves and then bending it to our purpose of producing photographs,
 not theorizing about the engineering of better equipment, is often
 lost.
 
 Equipment cannot make photographs. Only people can. People with eyes,
 sensitivity, and skill to know how to work the equipment. Truly
 ...equipment often gets in the way of Photography.

Well said, Godders.  I'd like to hear more comments in this vein from other 
regulars here.

Regards, Jim
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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Steven Desjardins
 Well, one problem with his arguments is figuring out what the
hell his arguments are.  Numbers aren't everything? Absolutely.  Any
numbers in particular or are we just generally embracing innumeracy?
And what precisely does this have to do with his old Leica?  There
were good lenses in the old days made with computer help.  Lots of
crappy ones too.  In the price range I can afford, the newer ones are
better.

   The older film technology is simpler and, as is often the case,
this makes it more robust.  Modern electronic cameras are more
complicated and have many, many more pieces which can fail.  Again,
how does this relate to craftsmanship?  There will never be hand
crafted electronics in the way mechanical objects were made.  Two
different kinds of devices such as these are difficult to compare.  I
vividly remember the early days of digital when numbers were
constantly used to prove that digital could never replace film.  We
would need at least 25 MP to replace film.  Of course, film was
essentially taken out by the 6 mp APS-C DSLRs because, numbers aside,
the DSLRs produced images that were more than good enough for what
people were using them for.

  Film photography with his M3 (M3, right?) was a slower, more
careful, and maybe more satisfying process.  Digital is also
satisfying because post-processing can improve my images, assuming I
didn't screw them up in the first place.  Different processes with
different charms.

On Wed, Apr 13, 2011 at 7:50 PM, Jim King jamesk8...@mac.com wrote:
 Larry Colen wrote on Wed, 13 Apr 2011 13:18:16 -0700
rpcoess
 (snip)

 I can't help but wonder if Pentax owners have a similar reputation for
 annoyingly bragging about how our cameras perform as well, or better, than
 other brands, but cost so much less.

 Hah! I was hoping that someone other than me might be wondering about the 
 same thing.

 Actually, I'm a little disappointed that so much of the commentary on this 
 post has centered on form rather than substance...

 Regards, Jim

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Steve Desjardins

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Steven Desjardins
Sigh.  Make that made without computer help.  It's hard to find
reading glasses that focus well for me on computer screens.

On Wed, Apr 13, 2011 at 8:37 PM, Steven Desjardins drd1...@gmail.com wrote:
     Well, one problem with his arguments is figuring out what the
 hell his arguments are.  Numbers aren't everything? Absolutely.  Any
 numbers in particular or are we just generally embracing innumeracy?
 And what precisely does this have to do with his old Leica?  There
 were good lenses in the old days made with computer help.  Lots of
 crappy ones too.  In the price range I can afford, the newer ones are
 better.

   The older film technology is simpler and, as is often the case,
 this makes it more robust.  Modern electronic cameras are more
 complicated and have many, many more pieces which can fail.  Again,
 how does this relate to craftsmanship?  There will never be hand
 crafted electronics in the way mechanical objects were made.  Two
 different kinds of devices such as these are difficult to compare.  I
 vividly remember the early days of digital when numbers were
 constantly used to prove that digital could never replace film.  We
 would need at least 25 MP to replace film.  Of course, film was
 essentially taken out by the 6 mp APS-C DSLRs because, numbers aside,
 the DSLRs produced images that were more than good enough for what
 people were using them for.

      Film photography with his M3 (M3, right?) was a slower, more
 careful, and maybe more satisfying process.  Digital is also
 satisfying because post-processing can improve my images, assuming I
 didn't screw them up in the first place.  Different processes with
 different charms.

 On Wed, Apr 13, 2011 at 7:50 PM, Jim King jamesk8...@mac.com wrote:
 Larry Colen wrote on Wed, 13 Apr 2011 13:18:16 -0700
 rpcoess
 (snip)

 I can't help but wonder if Pentax owners have a similar reputation for
 annoyingly bragging about how our cameras perform as well, or better, than
 other brands, but cost so much less.

 Hah! I was hoping that someone other than me might be wondering about the 
 same thing.

 Actually, I'm a little disappointed that so much of the commentary on this 
 post has centered on form rather than substance...

 Regards, Jim

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 --
 Steve Desjardins




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Re: PESO: A Typical Restart

2011-04-13 Thread Steven Desjardins
Great shot.  Wish I'd been there.

On Wed, Apr 13, 2011 at 6:04 PM, Cotty cotty...@mac.com wrote:
 On 13/4/11, Cory Waters, discombobulated, unleashed:

The family and I went to the IndyCar race at Barber Motorsports Park in
Birmingham, Alabama last weekend.  I was more about hanging with my unit
than getting the shot but there are a few that I'm willing to share.
Here is a shot from turn 1 during a restart:

 http://cwaters.smugmug.com/Sports/Indy-Gran-Prix-of-Alabama/
 IGP7734/1251034005_yhPSy-O.jpg

 Nice! There's always one guy who has to take a different line ;-)


 --


 Cheers,
  Cotty


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 ||   (O)  |     People, Places, Pastiche
 --      http://www.cottysnaps.com
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Re: PESO: A Typical Restart

2011-04-13 Thread Paul Stenquist
A very nice composition, with a lot of interesting action.
Paul
On Apr 13, 2011, at 8:57 PM, Steven Desjardins wrote:

 Great shot.  Wish I'd been there.
 
 On Wed, Apr 13, 2011 at 6:04 PM, Cotty cotty...@mac.com wrote:
 On 13/4/11, Cory Waters, discombobulated, unleashed:
 
 The family and I went to the IndyCar race at Barber Motorsports Park in
 Birmingham, Alabama last weekend.  I was more about hanging with my unit
 than getting the shot but there are a few that I'm willing to share.
 Here is a shot from turn 1 during a restart:
 
 http://cwaters.smugmug.com/Sports/Indy-Gran-Prix-of-Alabama/
 IGP7734/1251034005_yhPSy-O.jpg
 
 Nice! There's always one guy who has to take a different line ;-)
 
 
 --
 
 
 Cheers,
  Cotty
 
 
 ___/\__
 ||   (O)  | People, Places, Pastiche
 --  http://www.cottysnaps.com
 _
 
 
 
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RE: PESO: Curious Gull

2011-04-13 Thread Jack Davis
Thanks, Jeff! There is a bit of bloom on the head due to slight over exposure. 
Not a lot, but I would rather it not be there.

Jack

--- On Wed, 4/13/11, Jeffery Johnson jefferytjohn...@bellsouth.net wrote:

 From: Jeffery Johnson jefferytjohn...@bellsouth.net
 Subject: RE: PESO: Curious Gull
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Date: Wednesday, April 13, 2011, 4:30 PM
 Nice capture of the gull... all the
 tones and colors are spot on...
 
 ___
 Pictures that I have taken on Flickr:
 http://www.flickr.com/photos/jt-johnson/
 
 -Original Message-
 From: pdml-boun...@pdml.net
 [mailto:pdml-boun...@pdml.net]
 On Behalf Of Jack
 Davis
 Sent: Wednesday, April 13, 2011 3:37 PM
 To: Pentax-Discuss Mail List
 Subject: PESO: Curious Gull
 
 Like the curious tilt of the head. Fun at the lake.
 The sun was in and out and I may have out exposed the
 shutter a wee bit.
 heck!
 
 Comments encourages.
 
 Jack
 
 http://photolightimages.com/aspupload/detail.asp?ID=588
 
 K-5, DA 55~300@300mm, f/8, 1/8000, ISO 1600
 
 
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Re: PESO: A Typical Restart

2011-04-13 Thread John Francis
On Wed, Apr 13, 2011 at 05:28:57PM -0400, Cory Waters wrote:
 The family and I went to the IndyCar race at Barber Motorsports Park
 in Birmingham, Alabama last weekend.  I was more about hanging with
 my unit than getting the shot but there are a few that I'm willing
 to share.
 Here is a shot from turn 1 during a restart:
 
 http://cwaters.smugmug.com/Sports/Indy-Gran-Prix-of-Alabama/IGP7734/1251034005_yhPSy-XL.jpg

Looks like there are some pretty good shots available from the hillside.

From the TV coverage it looks like a nice facility - maybe I'll have
to come visit you one of these years :-)

This is the series I followed most closely when I was shooting track,
so I recognise many of the drivers.  I saw Will Powers' first win in
Las Vegas a few years ago (when he was driving for Derek Walker).


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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread steve harley

On 2011-04-12 20:58 , Jim King wrote:

This blog post by Erwin Puts rang a few bells for me, and I suspect it will for 
some of you as well:

http://www.imx.nl/photo/page152/page152.html\


okay -- i'll bite; i find Erwin Puts' essay to wishy-washy; it's 
internally contradictory; he seems to romanticize film process as if it 
were purely intuitive, yet he then warns against common sense


Puts seems to define professionalism as technical mastery (to me it is 
as much about ethics, efficiency and emotional detachment), but 
accepting his definition, i would disagree with him overall that 
technical mastery must conflict with craft


this is hardly unique to photography -- i think of how a grounding in 
CPU instruction sets and binary logic, of which i'm rarely conscious 
these days, gave me confidence and trained my mind for much more 
abstract programming; and i think of how my rudimentary technical 
knowledge of sailing has held me back despite a strong intuitive sense 
of the helm from an entire teen-hood of intense practice


i think there are many valid paths; one wonders if Puts' self-expressed 
attunement to film and exposure came about without any rigorous 
technical work ... that can happen, but when it does it usually comes 
from intense, if intuitive, practice and/or that unconscious genius 
which silently computes and internalizes technical knowledge for a few 
lucky people (as it struck me when Bob Sullivan recently commented that 
Gallia's gonna be mighty good by the time she's a teenager, and she 
won't really know why.)


so genius can take care of it, practice can breed intuition without 
technical understanding, and study of details can allow one to rise 
above details; or any combination thereof




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Glasses [Re: Some thought on Craftsmanship vs. Professionalism]

2011-04-13 Thread Bruce Walker

On 11-04-13 8:39 PM, Steven Desjardins wrote:

Sigh.  Make that made without computer help.  It's hard to find
reading glasses that focus well for me on computer screens.


Don't bother -- get two pairs of glasses: readers and computer. That's 
what I concluded and it works well.  Reading glasses are focused closer 
than monitor glasses.


-bmw

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread drd1135
I forgot Bob's comment about Gallia.  Thanks for pointing that out. 
-Original Message-
From: steve harley p...@paper-ape.com
Sender: pdml-boun...@pdml.net
Date: Wed, 13 Apr 2011 19:22:20 
To: Pentax-Discuss Mail Listpdml@pdml.net
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Some thought on Craftsmanship vs. Professionalism

On 2011-04-12 20:58 , Jim King wrote:
 This blog post by Erwin Puts rang a few bells for me, and I suspect it will 
 for some of you as well:

 http://www.imx.nl/photo/page152/page152.html\

okay -- i'll bite; i find Erwin Puts' essay to wishy-washy; it's 
internally contradictory; he seems to romanticize film process as if it 
were purely intuitive, yet he then warns against common sense

Puts seems to define professionalism as technical mastery (to me it is 
as much about ethics, efficiency and emotional detachment), but 
accepting his definition, i would disagree with him overall that 
technical mastery must conflict with craft

this is hardly unique to photography -- i think of how a grounding in 
CPU instruction sets and binary logic, of which i'm rarely conscious 
these days, gave me confidence and trained my mind for much more 
abstract programming; and i think of how my rudimentary technical 
knowledge of sailing has held me back despite a strong intuitive sense 
of the helm from an entire teen-hood of intense practice

i think there are many valid paths; one wonders if Puts' self-expressed 
attunement to film and exposure came about without any rigorous 
technical work ... that can happen, but when it does it usually comes 
from intense, if intuitive, practice and/or that unconscious genius 
which silently computes and internalizes technical knowledge for a few 
lucky people (as it struck me when Bob Sullivan recently commented that 
Gallia's gonna be mighty good by the time she's a teenager, and she 
won't really know why.)

so genius can take care of it, practice can breed intuition without 
technical understanding, and study of details can allow one to rise 
above details; or any combination thereof



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Re: Some thoughts on my first PDML annual purchase...

2011-04-13 Thread Tim Bray
The eBook totally doesn't work for me on my Mac's screen, the pix are
way too small and there's some sort of grain effect in whatever the
default eBook reading program was.  I've got a new Moto Xoom tablet
that has 3 different programs that claim to read eBooks but so far I
can't figure out how to get this book into any of them from either the
web or my Mac.  G.  This is a bug.  -T

On Wed, Apr 13, 2011 at 4:29 PM, Larry Colen l...@red4est.com wrote:
 I'm looking at the ebook, and finding it a vast source of frustration with 
 ebook readers.  On the nook, I can't rotate the book so I'm seeing a 
 horizontally formatted book on a vertically formatted screen. In neither the 
 nook, nor Adobe Digital Editions on my mac can I adjust the size of the 
 photo. On the nook I can't make is smaller, or for that matter figure out how 
 to rotate, or move the picture from side to side. On the iMac, I can't make 
 the photo any larger than 3.5x5.5 horizontal or 3.5x4.5 vertical.

 The mat is pretty, but it's not what I bought the book for.

 On Apr 13, 2011, at 8:36 AM, Darren Addy wrote:



 Discussion point No. 1: The page format and how it effects the size of
 the photos.

 Since the page layout was done in landscape mode, the way the book was
 designed made horizonal photographs appear much larger than vertical
 photographs, which I find unfortunate for the vertical photos and the
 photographers that submitted them.  I would much rather see the
 photographs on equal footing with one another and presented in the
 same size. This is easily, and attractively done by using either a
 square page format, or selecting/creating a square portion of a
 portrait or landscape formatted page in which to present the
 photograph. (The square being, in effect, the mat for the photo.)

 I suspect that the layout of the ebook is different from the hard copy.

 That being said, I wish that the vertical photos used more of the vertical 
 space.


 If you must use a rectangular page format (either vert. or horiz.)
 then you could use some of the extra space beside the square image
 area for the title or a colored box with a few of the funny quotes on
 each page - rather than saving them for multiple pages at the end.



 Discussion point No. 2: The mats around the photographs and how they
 effect the size of the photos.

 That would be affect, not effect.

 I found the majority of the mats HUGELY distracting from the
 photograph itself. I understand that most, if not all, were taken from
 an element of the photograph itself which was blown up to create a
 color/texture, but I would argue that first and foremost the
 photographs themselves should be the stars of the page but it seemed
 more like it was look at the neat mats. They competed for attention
 with the photograph itself, in most cases and did not compliment them.
 The best mats (IMHO) were the most minimalistic mats such as those on:
 Christine's My Nephew, Akira
 Frank's Long Trip Home
 and
 César's Freeport Church

 In any event, I would rather see the photographs presented as
 physically large as possible on the page, and the mat provided another
 element to downsize them, which I found disappointing.

 I kind of have to agree here.  If I could enlarge them so that they filled 
 the screen, I think that the layout looks wonderful, it's just frustrating 
 that the photos themselves come off as not much larger than big thumbnails.

 I think that this is mostly a limitation of ebooks, and not a criticism of 
 Mark's design work.


 Discussion point No. 3: The edge treatments around the photographs 
 themselves.

 I don't know if this was added in the book design or if they were in
 the photographs submitted by the photographers, but I found the edge
 treatments again terribly distracting from the photograph itself. An
 attempt to gild the lily, as they say. (
 http://www.phrases.org.uk/meanings/gild-the-lily.html ) Less
 distracting, but still unwelcome (IMHO) are the use of drop shadow or
 use of the cutout treatment to make the photograph look as if it was
 off the page or sunk behind the mat. You can see that I am all about
 the image itself. The book standards should be no different than a
 museum's display standards, for example. Mats are usually white. Or
 black. But usually white. With no texture.

 Discussion point No. 4: Everybody gets an image in.

 This year's book is apparently the largest yet. I expect this to be a
 problem (if not a nice problem) as the PDML membership grows - which
 it will with the truly great cameras for the money like the K-x, K-r
 and K-5 that we have to choose from now. More PDML members will result
 in more submissions and if one image is automatically accepted from
 each photographer then the book will continue to grow larger (also
 meaning more work from all concerned).

 I also think that it would mean more to be included if you didn't
 automatically get one image included, just by virtue of submitting
 one. I think a side benefit 

Re: Glasses [Re: Some thought on Craftsmanship vs. Professionalism]

2011-04-13 Thread drd1135
Are there monitor glasses?
-Original Message-
From: Bruce Walker bruce.wal...@gmail.com
Sender: pdml-boun...@pdml.net
Date: Wed, 13 Apr 2011 21:25:06 
To: Pentax-Discuss Mail Listpdml@pdml.net
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Glasses [Re: Some thought on Craftsmanship vs. Professionalism]

On 11-04-13 8:39 PM, Steven Desjardins wrote:
 Sigh.  Make that made without computer help.  It's hard to find
 reading glasses that focus well for me on computer screens.

Don't bother -- get two pairs of glasses: readers and computer. That's 
what I concluded and it works well.  Reading glasses are focused closer 
than monitor glasses.

-bmw

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RE: PESO: Curious Gull

2011-04-13 Thread Jeffery Johnson
It isn't too bad Jack


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Jack
Davis
Sent: Wednesday, April 13, 2011 8:07 PM
To: Pentax-Discuss Mail List
Subject: RE: PESO: Curious Gull

Thanks, Jeff! There is a bit of bloom on the head due to slight over
exposure. Not a lot, but I would rather it not be there.

Jack

--- On Wed, 4/13/11, Jeffery Johnson jefferytjohn...@bellsouth.net wrote:

 From: Jeffery Johnson jefferytjohn...@bellsouth.net
 Subject: RE: PESO: Curious Gull
 To: 'Pentax-Discuss Mail List' pdml@pdml.net
 Date: Wednesday, April 13, 2011, 4:30 PM Nice capture of the gull... 
 all the tones and colors are spot on...
 
 ___
 Pictures that I have taken on Flickr:
 http://www.flickr.com/photos/jt-johnson/
 
 -Original Message-
 From: pdml-boun...@pdml.net
 [mailto:pdml-boun...@pdml.net]
 On Behalf Of Jack
 Davis
 Sent: Wednesday, April 13, 2011 3:37 PM
 To: Pentax-Discuss Mail List
 Subject: PESO: Curious Gull
 
 Like the curious tilt of the head. Fun at the lake.
 The sun was in and out and I may have out exposed the shutter a wee 
 bit.
 heck!
 
 Comments encourages.
 
 Jack
 
 http://photolightimages.com/aspupload/detail.asp?ID=588
 
 K-5, DA 55~300@300mm, f/8, 1/8000, ISO 1600
 
 
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 follow the directions.
 
 
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 follow the directions.
 

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Re: Glasses [Re: Some thought on Craftsmanship vs. Professionalism]

2011-04-13 Thread Bruce Walker
Yes, in the following sense.  My optometrist asks me what my intended 
use for the glasses is, I say computer monitor, he gets me to sit in 
front of an LCD monitor as I would normally, measures distances and 
adjusts the prescription accordingly. Voila! monitor glasses.


I did have to change optometrists when the crusty old guy couldn't 
understand my request. The new guy said, of course! Knew exactly what I 
was complaining about.


-bmw

On 11-04-13 9:31 PM, drd1...@gmail.com wrote:

Are there monitor glasses?
-Original Message-
From: Bruce Walkerbruce.wal...@gmail.com
Sender: pdml-boun...@pdml.net
Date: Wed, 13 Apr 2011 21:25:06
To: Pentax-Discuss Mail Listpdml@pdml.net
Reply-To: Pentax-Discuss Mail Listpdml@pdml.net
Subject: Glasses [Re: Some thought on Craftsmanship vs. Professionalism]

On 11-04-13 8:39 PM, Steven Desjardins wrote:

Sigh.  Make that made without computer help.  It's hard to find
reading glasses that focus well for me on computer screens.

Don't bother -- get two pairs of glasses: readers and computer. That's
what I concluded and it works well.  Reading glasses are focused closer
than monitor glasses.

-bmw




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First-camera follow-up; pictures taken with it?

2011-04-13 Thread Tim Bray
My first, as I noted, was a Balda Baldini, inherited from my Dad when
he got into Pentax.  I don't have any pix I took with it, but I do
have some that he did, dating all the way back to 1953.  I think some
here might enjoy them, and I'd enjoy seeing anyone else's first-camera
pix.

Baldini Sunset (the oldest pic, 1953):
http://www.tbray.org/ongoing/When/200x/2005/11/04/FSS
My Family: http://www.tbray.org/ongoing/When/200x/2008/01/26/Fifties-Pix
Roads: http://www.tbray.org/ongoing/When/200x/2006/01/13/FSS

-T

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Re: PESO: Poppy and Sun

2011-04-13 Thread Tim Bray
So graceful!  -T

On Mon, Apr 11, 2011 at 3:16 PM, Jack Davis jdavi...@yahoo.com wrote:
 Forgive the creative spelling.(?)

 Comments?

 Jack

 http://photolightimages.com/aspupload/detail.asp?ID=587

 K-5, DA 16~45@20mm, 1/1600, ISO 800, laying on the ground in a neighborhood 
 park.

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Re: Glasses [Re: Some thought on Craftsmanship vs. Professionalism]

2011-04-13 Thread drd1135
I've been trying to do this myself with cheap readers with mixed success. I 
guess I may need a pro. 
-Original Message-
From: Bruce Walker bruce.wal...@gmail.com
Sender: pdml-boun...@pdml.net
Date: Wed, 13 Apr 2011 21:37:16 
To: Pentax-Discuss Mail Listpdml@pdml.net
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: Glasses [Re: Some thought on Craftsmanship vs. Professionalism]

Yes, in the following sense.  My optometrist asks me what my intended 
use for the glasses is, I say computer monitor, he gets me to sit in 
front of an LCD monitor as I would normally, measures distances and 
adjusts the prescription accordingly. Voila! monitor glasses.

I did have to change optometrists when the crusty old guy couldn't 
understand my request. The new guy said, of course! Knew exactly what I 
was complaining about.

-bmw

On 11-04-13 9:31 PM, drd1...@gmail.com wrote:
 Are there monitor glasses?
 -Original Message-
 From: Bruce Walkerbruce.wal...@gmail.com
 Sender: pdml-boun...@pdml.net
 Date: Wed, 13 Apr 2011 21:25:06
 To: Pentax-Discuss Mail Listpdml@pdml.net
 Reply-To: Pentax-Discuss Mail Listpdml@pdml.net
 Subject: Glasses [Re: Some thought on Craftsmanship vs. Professionalism]

 On 11-04-13 8:39 PM, Steven Desjardins wrote:
 Sigh.  Make that made without computer help.  It's hard to find
 reading glasses that focus well for me on computer screens.
 Don't bother -- get two pairs of glasses: readers and computer. That's
 what I concluded and it works well.  Reading glasses are focused closer
 than monitor glasses.

 -bmw



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RE: What was your first camera?

2011-04-13 Thread John Coyle
Aaaargh - trust Bob to turn it around!

John Coyle
Brisbane, Australia



-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Bob W
Sent: Wednesday, 13 April 2011 4:59 PM
To: 'Pentax-Discuss Mail List'
Subject: RE: What was your first camera?

 John Coyle


 ... and the second was a Pentax SV.  Beautiful camera, stolen in 1975

I didn't have the balls to steal mine. I had to save up for it: a little Agfa 
of some
sort, bought when I was 13 or 14. 

 and replaced a few
 years ago with a second-hand but much-loved and well-maintained one.




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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread William Robb

On 13/04/2011 12:36 PM, Matthew Hunt wrote:

On Wed, Apr 13, 2011 at 2:25 PM, Bob Wp...@web-options.com  wrote:




While it would be nice for a camera to last forever, I don't see much
to complain about in relation to the days of film.

My K10D is 4 years old. It still works fine. I want a K-5, but only
because the K-5 is better, not because the K10D is any worse than when
I got it.

In the 4 years I've had my K10D, I estimate that I would have spent
about $3,000 in film and processing to take the same number of
exposures on film. So if my K10D dies today, why should I complain
about the cost of a new body?

If periodic replacement/upgrade of digital bodies isn't cheaper than
shooting film, then either you're spending too much on the bodies
(*cough* Leica *cough*) or you're not taking enough pictures (*cough*
collectors *cough*).



Everyone who feels the need to justify digital trots out that canardy 
old nag at least one in the discussion.
It really has no bearing on how long a camera should last if you buy a 
good one.


Out of curiosity, what have you spent on computers, storage media and 
software (be honest, what would you have spent if you hadn't stolen your 
software, for example)
How much of your life have you wasted squinting at a computer screen 
when you could have just picked up a box of slides?


--

William Robb

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread William Robb

On 13/04/2011 1:48 PM, Daniel J. Matyola wrote:

MARK!

On Wed, Apr 13, 2011 at 3:41 PM, Larry Colenl...@red4est.com  wrote:


The stereotypical Leica owner does have a reputation for being a Puts, though 
it's usually spelled a little differently.


Please no. I just read the online version of the 2011 PDML annual, and 
the quotations list has gone from a page of pithy comments to several 
pages of absolute shit with the occasional gobbet of something noteworthy.

Larry's comment is merely derogatory, not noteworthy.
Trust me, I know the difference.

--

William Robb

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread William Robb

On 13/04/2011 2:18 PM, Larry Colen wrote:






I can't help but wonder if Pentax owners have a similar reputation for 
annoyingly bragging about how our cameras perform as well, or better, than 
other brands, but cost so much less.



Just the lenses. The bodies are, for the most part, pretty crappy 
compared to what else is out there.


--

William Robb

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Matthew Hunt
On Wed, Apr 13, 2011 at 10:08 PM, William Robb
anotherdrunken...@gmail.com wrote:

 Out of curiosity, what have you spent on computers, storage media and
 software (be honest, what would you have spent if you hadn't stolen your
 software, for example)

I'm a computer geek. Photo editing is not the driver of my hardware
purchases; my old Athlon 64 ran Bibble just fine. My marginal cost has
been Bibble Lite at $99 and IMatch at whatever it cost ($100), four
years ago when I bought my K10D. I'm likely to buy Lightroom in the
next year, at $250, or less if a good sale comes up. None of my
software is pirated.

 How much of your life have you wasted squinting at a computer screen when
 you could have just picked up a box of slides?

I spent metric fuckloads of time cutting and sleeving film and putting
it in binders and spotting prints and writing down the way that I
printed everything, trying to sketch my dodging and burning and
recording my times and temperatures. I don't miss it.

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread William Robb

On 13/04/2011 8:18 PM, Matthew Hunt wrote:


I'm a computer geek. Photo editing is not the driver of my hardware
purchases; my old Athlon 64 ran Bibble just fine. My marginal cost has
been Bibble Lite at $99 and IMatch at whatever it cost ($100), four
years ago when I bought my K10D. I'm likely to buy Lightroom in the
next year, at $250, or less if a good sale comes up. None of my
software is pirated.




I spent metric fuckloads of time cutting and sleeving film and putting
it in binders and spotting prints and writing down the way that I
printed everything, trying to sketch my dodging and burning and
recording my times and temperatures. I don't miss it.



I would say you are the exception, not the rule.

--

William Robb

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Matthew Hunt
On Wed, Apr 13, 2011 at 10:33 PM, William Robb
anotherdrunken...@gmail.com wrote:

 I would say you are the exception, not the rule.

I would say that you are older than I am.

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Re: PDML Book is live online and available for purchase

2011-04-13 Thread Daniel J. Matyola
Yes, That is the one I am using.  I got the link from the discussions here.

Dan

On Wed, Apr 13, 2011 at 7:07 PM, Brian Walters supera1...@fastmail.fm wrote:
 On Wed, 13 Apr 2011 18:20 -0400, David J Brooks pentko...@gmail.com
 wrote:
 On Wed, Apr 13, 2011 at 2:43 PM, Daniel J. Matyola danmaty...@gmail.com
 wrote:
  No.  I read it on my desktop and laptop with a free Firefox plug-in.
 
  Dan

 I see quite a few out there. Any link to the one you are using.




 This is the one I'm using (and I suspect it's probably the one Dan has
 as well):

 https://addons.mozilla.org/en-us/firefox/addon/epubreader/



 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney Australia
 http://lyons-ryan.org/southernlight/



 Dave
 
  On Wed, Apr 13, 2011 at 1:59 PM, David J Brooks pentko...@gmail.com 
  wrote:
  Do you need a tablet to read the ebook.??
 
  Dave
 
  On Wed, Apr 13, 2011 at 12:04 PM, Sasha Sobol sa...@asobol.com wrote:
  Just got my epub version, it is splendid!
  You guys managed to produce and impressive collection of photos.
  And Mark managed to create an excellent coherent book.
  I was impressed by two previous books but this one is a huge leap 
  forward!
  HUGE kudos to Mark.
  Btw, I am using http://bookworm.oreilly.com to read the book in browser.
 
  --Sasha
 
 
  On Wed, Apr 13, 2011 at 8:40 AM, Bong Manayon bongmana...@gmail.com 
  wrote:
  Ordered my copy...thanks Mark!
 
  On Tue, Apr 12, 2011 at 9:18 PM, Mark Roberts m...@robertstech.com 
  wrote:
  Cut to the chase: http://www.blurb.com/my/book/detail/2098910
  ;-)
 
  Bonuses:
  If you order today and enter the code GMA (must be all upper-case
  letters) in the discount code box during checkout you'll get a 25%
  discount!
 
  If you buy the hardcover with dust jacket version of the book (not
  the ImageWrap) you get bonus photos on the inner flaps of the dust
  jacket, one by Rick Womer and one by Carl Gjersem.
 
  More information:
  I want to express my appreciation to all who donated to the book
  promotional fund. Most people contributed $5.00 and we got $340.00
  total. With the 10% volume discount and the 25% GMA discount (yes,
  Blurb allowed both discounts) I was able to order a dozen books for
  the price of 10, including shipping costs. I think there's even a bit
  left over in the kitty to allow me postage money for sending *out*
  review copies when I get them.
 
  I'm looking for suggestions/ideas for promotion. Print magazine
  reviews are pretty much out of the question: They already get more
  review samples than they have time for and we'd be just an tiny fish
  in a big sea (unless we can get someone on the inside to help - anyone
  owed any favors by low people in high places?)
 
  I'm also offering the ebook version on line for $6.00 through my own
  web site at the moment. I've worked out a deal to offer it through the
  Apple iTunes store through one of their official distributors, but I
  won't be able to finish the paperwork and details until the end of the
  semester - things are getting busy now.
  See http://www.robertstech.com/pdmlbook/
 
  Have at it!
 
 
  --
  Mark Roberts - Photography  Multimedia
  www.robertstech.com
 
 
 --


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Re: PESO: Poppy and Sun

2011-04-13 Thread Jack Davis
Thanks, Tim! A lot to be said for clean and simple.

Jack

--- On Wed, 4/13/11, Tim Bray tb...@textuality.com wrote:

 From: Tim Bray tb...@textuality.com
 Subject: Re: PESO: Poppy and Sun
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, April 13, 2011, 6:40 PM
 So graceful!  -T
 
 On Mon, Apr 11, 2011 at 3:16 PM, Jack Davis jdavi...@yahoo.com
 wrote:
  Forgive the creative spelling.(?)
 
  Comments?
 
  Jack
 
  http://photolightimages.com/aspupload/detail.asp?ID=587
 
  K-5, DA 16~45@20mm, 1/1600, ISO 800, laying on the
 ground in a neighborhood park.
 
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Re: PESO: Red Sunset

2011-04-13 Thread Daniel J. Matyola
In Maui, most people stop what they are doing and go to look at the
sunset.  We often take a glass of wine to toast the setting sun.

This sun is a bit redder than most, because on that evening the trade
winds were off, allowing the volcanic dust, ash and gases from the Big
Island to add some extra color to the sky.

Dan

On Wed, Apr 13, 2011 at 7:44 PM, Jeffery Johnson
jefferytjohn...@bellsouth.net wrote:
 It certainly is red... and well now be nice to be on the beach seeing the
 sunset in person.

 ___
 Pictures that I have taken on Flickr:
 http://www.flickr.com/photos/jt-johnson/


 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Daniel J. Matyola
 Sent: Tuesday, April 12, 2011 11:17 PM
 To: Pentax-Discuss Mail List
 Subject: PESO: Red Sunset

 http://blogs.delphiforums.com/n/blogs/blog.aspx?nav=mainwebtag=djm1963entr
 y=79

 Comments, Suggestions, Criticisms and Abuse are welcome and encouraged.

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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Paul Stenquist

On Apr 13, 2011, at 10:33 PM, William Robb wrote:

 On 13/04/2011 8:18 PM, Matthew Hunt wrote:
 
 I'm a computer geek. Photo editing is not the driver of my hardware
 purchases; my old Athlon 64 ran Bibble just fine. My marginal cost has
 been Bibble Lite at $99 and IMatch at whatever it cost ($100), four
 years ago when I bought my K10D. I'm likely to buy Lightroom in the
 next year, at $250, or less if a good sale comes up. None of my
 software is pirated.
 
 
 I spent metric fuckloads of time cutting and sleeving film and putting
 it in binders and spotting prints and writing down the way that I
 printed everything, trying to sketch my dodging and burning and
 recording my times and temperatures. I don't miss it.
 
 
 I would say you are the exception, not the rule.

Much of my photo work was in the digital world long before I quit shooting 
film, The sensor of the digital camera merely replaced the scanning operation. 
That had become true for anyone whose photographic ambitions extended beyond 
personal enjoyment.
Paul
 
 -- 
 
 William Robb
 
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Re: Glasses [Re: Some thought on Craftsmanship vs. Professionalism]

2011-04-13 Thread steve harley

On 2011-04-13 19:44 , drd1...@gmail.com wrote:

I've been trying to do this myself with cheap readers with mixed success. I 
guess I may need a pro.


i use 1.25 regular readers (which i even need for distance viewing), 
but i prefer 1.50 for my computer displays (which are more than an arm's 
length away) and especially for reading my iPhone


if your prescription seems compatible with reading glasses, but you have 
difficulty with off-the-shelf readers you may need to better match your 
pupil distance; i haven't needed to, but i got the idea from here:


http://ask.metafilter.com/112020/Eye-glasses-online

personally my favorite readers have come from icu, both retail and 
online (icueyewear.com)


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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread P. J. Alling

On 4/13/2011 5:14 PM, Bob W wrote:

Larry Colen l...@red4est.com sent from i4est
I have more than a little temptation to comment on how his essay has
provoked an interesting discussion on snob appeal vs. talent, or at
least to challenge him to a photo competition, my 64 year old,
unadjusted Argus C3 brick against his Leica M3.  However given the
subjective aspect of photographic quality, it isn't nearly so cut and
dried as asking whether I'd be able to keep up with him around the
racetrack in his Porsche while driving my Dodge Van.

I've used an Argus brick which is probably now 60+ years old, although it
was nearly 30 years ago that I used it. And I have a Leica M3 which is 52
years old.

I can categorically assure you that the M3 is better than the Argus in all
respects expect brickiness.


But it truly excels at brickiness...


B





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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Stan Halpin

On Apr 13, 2011, at 7:56 PM, Jim King wrote:

 Godfrey DiGiorgi wrote on Wed, 13 Apr 2011 15:25:25 -0700
 [Much commentary clipped from the original]

 Equipment cannot make photographs. Only people can. People with eyes,
 sensitivity, and skill to know how to work the equipment. Truly
 ...equipment often gets in the way of Photography.
 
 Well said, Godders.  I'd like to hear more comments in this vein from other 
 regulars here.
 
 Regards, Jim
 -- 
 
Jim, I read this piece last night (after W. Robb kindly pointed out how I 
needed to access the site. Duh.)

My recollection/interpretation of the key points the author was making is as 
follows:
a. Close enough is good enough. Set the camera for the conditions and take 
photos already.
b. Intuition is better than logic. Well, he doesn't actually say that, but the 
whole lens-design bit about how good experienced lens designers can do better 
than a computer program is in that same vein.

I agree with (a). I think we all (except Bob W. and Frank) sometimes let 
ourselves be driven by a fascination with the electromechanical gee-whiziness 
of our cameras, and we strive for vanishingly small degrees of precision in 
aspects like exposure, color balance, focus etc., thereby losing some ability 
to see, to visualize, and to create an image that we and others will care 
about. Trust me; the research on cognition clearly shows that we have limited 
capacity, and attending to technical details must diminish the extent to which 
we are attending to the image as image.

I disagree with (b). Intuitive decisions are no better than logical decisions; 
see Chapter 7 in my 2009 book on developing leaders for links to relevant 
research. I would agree that an experienced designer is far more likely to 
generate an innovative solution than an inexperienced designer, but the tools 
they use will have no bearing on the outcome. A designer who has grown up on 
CAD/CAM and who is good at his job is just as likely to be good as is a 
designer who grew up grinding lenses by hand using polishing cloths made from 
passenger pigeon skins. Actually, the modern designer is likely to have an edge 
since he can try more iterations and hence has more trial-and-error learning 
opportunities.

My general assessment is that the author is a romantic, yearning for the good 
old days when life was simple. It is unfortunate that he picks on a particular 
consumer product as the focus of his discussion, because it leads people to 
talk about the goodness and badness of Leicas more than the merits of his 
apparent assumption that things used to be simple and are no longer so. 

BTW, i recently had my father-in-law's M-2 refurbished, torn shutter curtain 
repaired, etc. It sits here on the shelf by my desk. Every time I pick it up I 
am surprised by what a large heavy unwieldy camera it is. It may be simple, but 
it is pretty primitive. For usability I'll take a Minox EL, Olympus OM-1, 
Pentax ME-Super, LX, or MZ-S any day. And of course the current generation 
DSLRs provide so much more functionality than the Leicas ever had. And they 
allow us to take pretty good images as long as we remember that close enough is 
good enough.

stan
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Re: Glasses [Re: Some thought on Craftsmanship vs. Professionalism]

2011-04-13 Thread Stan Halpin

On Apr 13, 2011, at 11:01 PM, steve harley wrote:

 On 2011-04-13 19:44 , drd1...@gmail.com wrote:
 I've been trying to do this myself with cheap readers with mixed success. I 
 guess I may need a pro.
 
 i use 1.25 regular readers (which i even need for distance viewing), but i 
 prefer 1.50 for my computer displays (which are more than an arm's length 
 away) and especially for reading my iPhone
 
Are you sure you don't have that reversed? I use 1.75 or 2.0 for reading, but a 
1.50 for the more distant computer screen.

stan
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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Larry Colen

On Apr 13, 2011, at 4:50 PM, Jim King wrote:

 Larry Colen wrote on Wed, 13 Apr 2011 13:18:16 -0700
 
 (snip)
 
 I can't help but wonder if Pentax owners have a similar reputation for 
 annoyingly bragging about how our cameras perform as well, or better, than 
 other brands, but cost so much less.
 
 Hah! I was hoping that someone other than me might be wondering about the 
 same thing.

My dad used to bemoan slob appeal as much as he decried snob appeal.  

 
 Actually, I'm a little disappointed that so much of the commentary on this 
 post has centered on form rather than substance...

I think that in large part this is because  the post itself was more about form 
than substance. He was lauding the craftsmanship and deriding professionalism, 
without regard to the quality of the final product. A craftsman is someone who 
makes the best possible use of his tools, whether it's a handplane, table saw, 
slide rule, or an optics modeling program running on hardware that would have 
given Seymour Cray a priapism.


--
Larry Colen l...@red4est.com sent from i4est





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Re: Glasses [Re: Some thought on Craftsmanship vs. Professionalism]

2011-04-13 Thread steve harley

On 2011-04-13 21:29 , Stan Halpin wrote:


On Apr 13, 2011, at 11:01 PM, steve harley wrote:

i use 1.25 regular readers (which i even need for distance viewing), but i 
prefer 1.50 for my computer displays (which are more than an arm's length away) and 
especially for reading my iPhone


Are you sure you don't have that reversed? I use 1.75 or 2.0 for reading, but a 
1.50 for the more distant computer screen.


yes, i'm sure, but my wording was a little opaque; i put quotes around 
readers because i use 1.25 for middle distances to infinity -- not for 
reading -- and 1.50 seem good for for computer displays, phone screens 
or books; i just checked and i'm 29 inches from my displays, and i tend 
to hold my phone at about 19 inches


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Re: Any PDML folks near Northridge, CA?

2011-04-13 Thread Larry Colen

On Apr 13, 2011, at 1:18 PM, Cory Waters wrote:

 Looks like I'm going out to visit the folks at JBL in Northridge CA next 
 week.  I should have some evening time available.  Anybody out that way?

Not quite, but a photographer friend in Reseda has been bugging me to visit her.


 
 Cory
 
 
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Larry Colen l...@red4est.com sent from i4est





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Re: Some thought on Craftsmanship vs. Professionalism

2011-04-13 Thread Doug Franklin

On 2011-04-13 23:39, Larry Colen wrote:


Actually, I'm a little disappointed that so much of the commentary on this post 
has centered on form rather than substance...


I think that in large part this is because  the post itself
was more about form than substance. He was lauding the craftsmanship
and deriding professionalism, without regard to the quality of the
final product.


Actually, he was lauding some conception of craftsmanship and deriding 
some conception of professionalism, neither concept matching any better 
than tangentially what my dictionaries say the terms mean.  Further, his 
muddled presentation was a far bigger hindrance to understanding than 
his inability to insert a paragraph break.  In the end, assuming I 
managed to find what he wanted me to find in the muddle, I still think 
he's full of bovine excrement.  He's all fussed up in his little box and 
ignoring, or just not getting, the larger picture.  Or maybe he's just 
tilting at windmills.  Anyway, the end result, from my point of view, is 
pointless drivel.


--
Thanks,
DougF (KG4LMZ)

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Re: What was your first camera?

2011-04-13 Thread Christine Aguila
My 1st camera was Kodak instamatic at the age of 10.  I took lots of 
pictures with it, but I was always so disappointed with them.  They seldom 
matched the image I had visualized.  This led to frustration, and I really 
didn't know how to learn about what I wanted to do.  But the love of 
photographs always stayed with me, then I got my second camera--the Pentax 
MX when I was about 20 and took a photography class.  Cheers, Christine



- Original Message - 
From: Bill Owens wmbow...@gmail.com

To: pdml pdml@pdml.net
Sent: Tuesday, April 12, 2011 8:32 AM
Subject: What was your first camera?



In my case, it was a Brownie Hawkeye with flash that used Press 25 bulbs

Bill

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Re: PAW--Week 14--Urban Fog

2011-04-13 Thread Christine Aguila

Thanks, Dave, DagT, Bulent,  Steve!  Much appreciated.  Cheers, Christine


- Original Message - 
From: steve harley p...@paper-ape.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Monday, April 11, 2011 3:27 PM
Subject: Re: PAW--Week 14--Urban Fog



On 2011-04-10 17:09 , Christine Aguila wrote:

Seems to be the theme this week ;-).

http://aguilapaw.posterous.com/


i like this image; at first i read it urban frog and saw a geometric 
frog as the subject


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Re: First-camera follow-up; pictures taken with it?

2011-04-13 Thread Larry Colen

On Apr 13, 2011, at 6:37 PM, Tim Bray wrote:

 My first, as I noted, was a Balda Baldini, inherited from my Dad when
 he got into Pentax.  I don't have any pix I took with it, but I do
 have some that he did, dating all the way back to 1953.  I think some
 here might enjoy them, and I'd enjoy seeing anyone else's first-camera
 pix.
 
 Baldini Sunset (the oldest pic, 1953):
 http://www.tbray.org/ongoing/When/200x/2005/11/04/FSS
 My Family: http://www.tbray.org/ongoing/When/200x/2008/01/26/Fifties-Pix
 Roads: http://www.tbray.org/ongoing/When/200x/2006/01/13/FSS

I don't have scans of first pictures taken with my camera, though someplace I 
have a binder full of negatives in plastic sleeves.

I do have some recent photos that I took with my first camera at Burningman 
last September:
http://www.flickr.com/photos/ellarsee/sets/72157624809385751/

I brought the Argus thinking it might be fun to run a roll or two through it, 
and the weather was so dusty during the day, I didn't want to bring the DSLRs 
out, and ended up shooting almost eight rolls of film.

Tying in with the craftsmanship thread, I find the process of shooting film 
with a very basic camera, either the argus or the rolleiflex I was given last 
August to be a lot of fun, and to have a certain aesthetic purity to it. Even 
so, for getting real work done, I much prefer almost everything about the 
digital process. Frankly, I'd rather spend my money on lenses than film, 
chemicals and darkroom supplies.


--
Larry Colen l...@red4est.com sent from i4est





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Re: PAW66 - Spring fog

2011-04-13 Thread Christine Aguila

Pretty cool, DagT.  Oh, so, minimal!  :-)  Big cheers, Christine


- Original Message - 
From: DagT li...@thrane.name

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Monday, April 11, 2011 11:36 AM
Subject: Re: PAW66 - Spring fog



Yes, waiting for the ice to break :-)


Den 11. apr. 2011 kl. 06.57 skrev Christine Aguila:


Hi DagT:  are those birds in that photo?  Cheers, Christine


- Original Message - From: DagT li...@thrane.name
To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Sunday, April 10, 2011 4:45 PM
Subject: PAW66 - Spring fog



http://www.thrane.name/Pictures/PAW/files/page7-1000-full.html
K-5, DA*16-50mm@50, 1/80s, f/2.8, ISO200


DagT
http://www.thrane.name/


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Re: OT What was your first editing program

2011-04-13 Thread Christine Aguila
I started out with some Microsoft thing when I was shooting with a point and 
shoot.  Then with the K10D, I switched to Elements 5, which I still have and 
use, mainly for serious cloning.  From there it was Lightroom--it's 
wonderful!  Cheers, Christine



- Original Message - 
From: David J Brooks pentko...@gmail.com

To: Pentax Discuss pdml@pdml.net
Sent: Tuesday, April 12, 2011 6:55 PM
Subject: OT What was your first editing program



Just a follow up to Bills, what was your first camera.

My first photo edit program was Corel draw 5 i think it was. Just
after my purchase of a Kodak DC25.

Dave

--
Documenting Life in Rural Ontario.
www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
York Region, Ontario, Canada

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Re: OT Stanley Kubrick's Chicago 1949

2011-04-13 Thread Christine Aguila

pretty cool.  Thanks for posting.  Cheers, Christine



- Original Message - 
From: Bruce Walker bruce.wal...@gmail.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Saturday, April 09, 2011 8:56 PM
Subject: OT Stanley Kubrick's Chicago 1949


“Before he started making movies, Stanley Kubrick was a star
photojournalist. In the summer of 1949, Look magazine sent him to
Chicago to shoot pictures for a story called “Chicago City of Contrasts.”
- Chicago Tribune

Some really terrific shots here ...

http://goo.gl/rJ7WP

-bmw


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Re: Enablement- upgrades...

2011-04-13 Thread Christine Aguila
Big congrats, Bong!  Looking forward to seeing the pictures.  Cheers, 
Christine



- Original Message - 
From: Bong Manayon bongmana...@gmail.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Wednesday, April 13, 2011 10:37 AM
Subject: Enablement- upgrades...



Finally upgraded my K10D for a K-5; my son finally gets the K-r to
replace the *ist DS...photos after this weekend :-)

--
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http://www.bong.uni.cc

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Re: Wood Ducks

2011-04-13 Thread Christine Aguila

I like #5 best!  Cheers, Christine


- Original Message - 
From: Stan Halpin s...@stans-photography.info

To: Pentax-Discuss Mail List PDML@pdml.net
Sent: Monday, April 11, 2011 1:09 PM
Subject: GESO: Wood Ducks


I spent a couple of days in Cleveland with my brother last week. Here are a 
selection of shots I made of a wood duck - some just of the dude himself, 
some with his dudette.
I think all are equivalent in in terms of focus, sharpness, etc. But I 
would be interested in your comments on the variations in 
cropping/framing. Which one (if any) would you chose from this set?


http://photos.stanhalpin.com/p612969039

All shot with the DA* 200/4.0 macro because I went prepared for flower 
pictures and given a paucity of flowers we did birds instead.


stan
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the directions.


I found the cormorants

2011-04-13 Thread Larry Colen
Some cormorants are more obvious than others.

--
Larry Colen l...@red4est.com sent from i4est





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Re: Roller Derby

2011-04-13 Thread Christine Aguila

Good stuff, Phil.  Really like the single-skater shots.  Cheers, Christine


- Original Message - 
From: Phil Northeast rnort...@bigpond.net.au

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, April 12, 2011 12:20 AM
Subject: GESO: Roller Derby



Took the K-5 and DA*50-135  along to a local fledgling roller derby bout.

Shot in TA/V mode as the K-5 has lots of headroom for ISO. The Continuous 
AF worked well on the action shots


http://aviewfinderdarkly.com.au/2011/04/11/south-island-sirens-vs-van-diemen-rollers/

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Re: White evergreen

2011-04-13 Thread Christine Aguila

I like it, Tim.  Cheers, Christine


- Original Message - 
From: Tim Bray tb...@textuality.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Wednesday, April 13, 2011 3:02 PM
Subject: PESO: White evergreen



Outside of my usual visual vocabulary:
http://www.tbray.org/ongoing/When/201x/2011/04/13/-big/RUNE0018.jpg.html

Might make a nice poster for an ultra-postmodern downtown apartment...

-Tim

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Re: PESO: Black Cat on Frozen Lake

2011-04-13 Thread Christine Aguila

On 3/17/2011 09:19, Bulent Celasun wrote:


From a recent trip to easternmost Turkey.


http://500px.com/photo/437321



Interesting!  That's very DagTish.  The picture honors your photographic 
skill and vision  pays homage to our Dag T!  :-)  Cheers, Christine





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Re: PESO - Chilly Chess

2011-04-13 Thread Christine Aguila


- Original Message - 
From: Bob W p...@web-options.com

To: 'Pentax-Discuss Mail List' pdml@pdml.net
Sent: Wednesday, April 13, 2011 2:04 AM
Subject: RE: PESO - Chilly Chess



From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Rick Womer

On a cool November afternoon in Paris:

http://photo.net/photodb/photo?photo_id=11943452size=lg



very good - it's the guy eyeballing them that makes it.



ditto!  Cheers, Christine

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Re: Nook color as a photo viewer

2011-04-13 Thread Peter Loveday
I installed CyanogenMod 7 on my Nook Colour.  Turns it into a fully 
functional Android (Gingerbread) tablet.


Then you can choose what picture viewer/reader/etc you want to use...

- Peter


-Original Message- 
From: Larry Colen

Sent: Thursday, April 14, 2011 7:21 AM
To: Pentax-Discuss Mail List
Subject: Re: Nook color as a photo viewer


On Apr 13, 2011, at 2:06 PM, Larry Colen wrote:

Zab returned from her three month sojourn in Sleepy Hollow. While she was 
there she bought a nook color for her aging mom to use, as it is getting 
difficult for her to read regular print. In the process of using it for a 
few days so she could show her mom how to use it, she became so fond of 
it, she decided to keep it for herself and bought a second one for her 
mom. Now that she's home with it, I'll let her have it back in a couple of 
days.


Seriously though, it reminds me a lot of my early experiences with my iMac 
in that the things it does well, it does so well, that it makes its 
annoyances so much more infuriating, especially since most of the 
limitations are just there as limitations to keep you from using it for 
anything that BN doesn't want you to.


Photos on it look very good. Unfortunately, the gallery program is an 
unrepentant piece of crap.  It shows all photos in one flat file, rather 
than letting you sort out photos by category. If I do use it to show off 
my photos, I'll have to start publishing them as pdfs or something.


I just bought and downloaded the pdml annual, and tried looking at it on the 
nook.
First of all, I can't rotate the book sideways in it to format it better on 
the screen, on top of that, I can't adjust the size of the photos.



--
Larry Colen l...@red4est.com sent from i4est





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Re: PESO -- Before the Storm

2011-04-13 Thread Christine Aguila

I like it and prefer the color version.  Cheers, Christine


- Original Message - 
From: P. J. Alling webstertwenty...@gmail.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Wednesday, April 13, 2011 2:33 PM
Subject: PESO -- Before the Storm


Just popping in to post a quick PESO, well two if you count different 
renderings.


Not much of a stretch but I liked it.

http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20beforethestorm.html

then the BW version

http://dl.dropbox.com/u/1604247/PESO/PESO%20--%20beforethestormbw-pt.html

Equipment:  Pentax K20D w/smc Pentax FA 20-35mm f4.0

As usual comments are welcome but may be totally ignored.

Note:  BW conversion done with BW Plus with a faux Green filter applied, 
then a Platinum layer applied.


--
Where's the Kaboom?  There was supposed to be an Earth-shattering Kaboom!

--Marvin the Martian.


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Re: Boris PESO #9 - Impressions

2011-04-13 Thread Christine Aguila

That's interesting, Boris!  I like it.  Cheers, Christine


- Original Message - 
From: Boris Liberman bori...@gmail.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Wednesday, April 13, 2011 11:48 AM
Subject: Boris PESO #9 - Impressions



Hi there.

Here is another one somewhat similar, at least from technical stand point 
to the previous ones...


http://pentax-ways.blogspot.com/2011/04/peso-2011-09-impressions.html

Brutal and honest comments are as always going to be appreciated.

Boris

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Re: Curious Gull

2011-04-13 Thread Christine Aguila
Great tilt of the head, Jack.  Nice catch.  Yields a nice animal expression. 
Crop is a little tight for my eye.  Would prefer a bit more space around the 
wing span.  Cheers, Christine



- Original Message - 
From: Jack Davis jdavi...@yahoo.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Wednesday, April 13, 2011 3:37 PM
Subject: PESO: Curious Gull



Like the curious tilt of the head. Fun at the lake.
The sun was in and out and I may have out exposed the shutter a wee bit. 
heck!


Comments encourages.

Jack

http://photolightimages.com/aspupload/detail.asp?ID=588

K-5, DA 55~300@300mm, f/8, 1/8000, ISO 1600


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Re: PDML Book is live online and available for purchase

2011-04-13 Thread Christine Aguila
Looks great, Mark.  Thanks for all the effort and hard work.  Big thanks to 
your team as well.  Cheers, Christine



- Original Message - 
From: Mark Roberts m...@robertstech.com

To: Pentax-Discuss Mail List pdml@pdml.net
Sent: Tuesday, April 12, 2011 8:18 AM
Subject: PDML Book is live online and available for purchase



Cut to the chase: http://www.blurb.com/my/book/detail/2098910
;-)

Bonuses:
If you order today and enter the code GMA (must be all upper-case
letters) in the discount code box during checkout you'll get a 25%
discount!

If you buy the hardcover with dust jacket version of the book (not
the ImageWrap) you get bonus photos on the inner flaps of the dust
jacket, one by Rick Womer and one by Carl Gjersem.

More information:
I want to express my appreciation to all who donated to the book
promotional fund. Most people contributed $5.00 and we got $340.00
total. With the 10% volume discount and the 25% GMA discount (yes,
Blurb allowed both discounts) I was able to order a dozen books for
the price of 10, including shipping costs. I think there's even a bit
left over in the kitty to allow me postage money for sending *out*
review copies when I get them.

I'm looking for suggestions/ideas for promotion. Print magazine
reviews are pretty much out of the question: They already get more
review samples than they have time for and we'd be just an tiny fish
in a big sea (unless we can get someone on the inside to help - anyone
owed any favors by low people in high places?)

I'm also offering the ebook version on line for $6.00 through my own
web site at the moment. I've worked out a deal to offer it through the
Apple iTunes store through one of their official distributors, but I
won't be able to finish the paperwork and details until the end of the
semester - things are getting busy now.
See http://www.robertstech.com/pdmlbook/

Have at it!


--
Mark Roberts - Photography  Multimedia
www.robertstech.com





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Re: Boris PESO #9 - Impressions

2011-04-13 Thread Larry Colen

On Apr 13, 2011, at 3:13 PM, Bob W wrote:

 It looks like Pollocks.
 http://www.tate.org.uk/liverpool/ima/rm4/images/pollock_lg.jpg

Never mind the Pollocks!


 
 I like it.
 
 
 
 It's too much of a jumble to work for me, Boris.

It took me a moment to figure out why the tree was not blurry, yet not quite 
sharp.  

It doesn't quite work for me, especially at the small size on your first page.

The first thing I would try is flipping it upside down, so that the tree is 
growing up rather than down.

Then, if I were to have the picture stand on it's own, I'd kodalith it, dial 
the contrast to 11 so that it was either black or white, not a shred of grey.

The other thing that I might do to it, is dial it down to the other direction, 
so that it is just subtle shades of grey, and use it as a computer background.


 
 Rick
 
 http://photo.net/photos/RickW
 
 
 --- On Wed, 4/13/11, Boris Liberman bori...@gmail.com wrote:
 
 From: Boris Liberman bori...@gmail.com
 Subject: Boris PESO #9 - Impressions
 To: Pentax-Discuss Mail List pdml@pdml.net
 Date: Wednesday, April 13, 2011, 12:48 PM
 Hi there.
 
 Here is another one somewhat similar, at least from
 technical stand point to the previous ones...
 
 http://pentax-ways.blogspot.com/2011/04/peso-2011-09-impressions.html
 
 Brutal and honest comments are as always going to be
 appreciated.
 
 Boris
 
 
 
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Re: GESO: when two worlds meet...

2011-04-13 Thread Subash
On Tue, 12 Apr 2011 15:57:05 +0300
Boris Liberman bori...@gmail.com wrote:

 Thanks for sharing!

thanks for looking Boris, appreciate it... :)

-- 
regards, subash 

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Re: GESO: when two worlds meet...

2011-04-13 Thread Subash
On Tue, 12 Apr 2011 10:04:22 -0400
David J Brooks pentko...@gmail.com wrote:

 Thanks for sharing, well done.

thanks Dave

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