chick mix online:]
for those who asked. there is now a real audio version up. thanks. -m __ Manika K Arora www.umich.edu/~shanthi -- Forwarded message -- Date: Sat, 7 Oct 2000 20:42:51 -0400 (EDT) From: arora [EMAIL PROTECTED] To: 313@hyperreal.org Subject: chick mix online:] hi, i got inspired to throw a mix online after last weeks discussion. I'm tempted to give a million disclaimers, but i'll pass. anyway, please check it out, if you have time (and a fast connection:) Presenting: Dodgy Halloween_Electro_Disco_Techno Chick Mix #1 location: www.umich.edu/~shanthi/audio.htm time: 1:00:12 format: .mp3 size: 41mB Tracks :: Ultravox: mr x Le car: autofuel Cajmere: give me love Newcleus: computer age Kraftwerk: it's more fun to compute World class wreckin cru: Surgery Drexiya: You don't know Kreisel: 99/15 Ural 13 Diktators: discossa DJ Hell: Suicide Commando Spy Satellite: ?: Viewlexx Chromatix: ? : Lifelike Dexter: I don't care Parallax Corporation: Cocodisco I Miss Kitten the Hacker: ?: Champagne ep My Mine: Hypnotic Tango Gino Soccio: Remember Kano: It's a war Untitled Italo Disco track (if you know what this is..le'me know) Robot Man: Do Da Doo (hard house mix) Dj Xray: Magic Trick DJ Funk's: version of the bomb song DJ Xray: Magic Trick Ectomorph: The Haunting Kenny Larkin: Catatonic -m __ Manika K Arora www.umich.edu/~shanthi
sahko compilations
is there any sahko compilations out there? thanx _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] sahko compilations
i seriously doubt it, but that would kick some serious butt. sakho just perfectly does it for me especially the mika vainos as philus and 0 are never ever beatable .. andy
Moodymann: Forevernevermore
Is this album available yet? Who has it, and can provide a tracklisting? Any analysis? Has Moodymann _finally_ put out a CD that shows what he is capable of and has all his good past tracks? I gotta know. I also found this tracklisting for the Japanese pressing of Forevernevermore on the Toy's Factory web page: 01. Meanwhile Back Home 02. Wednesday Night People 03. KDJ Logo 04. The Set Up 05. Don't You Want My Love 06. Your Sweet Lovin 07. The Thief 08. Tribute 09. Forevernevermore 10. (Unlisted tracks and melody) Can anyone contrast this to the UK Peacefrog pressing, or perhaps shed light on the unlisted tracks? So far as I can guess, The Set Up is from KDJ21, Tribute would be Tribute (To the Soul We Lost) from KDJ03, Forevernevermore the same from the 12, Don't You Want My Love the version from PF095-1, and I _hope_ The Thief is Ya Blessin' Me from that 12, NOT The Thief That Stole My Sad Days: I can't believe KDJ would put that track on over Ya Blessin' Me (heck, I can't believe he wouldn't put Ya Blessin' Me on the CD, that's his best track!) Glad to see Tribute, his best uptempo track, not happy to see The Set Up: was hoping he was moving away from that downtempo material that I did not like on his first two CD's. And no Shades of Jae, Joy Pt. II, I Feel Joy, Small Black Church, The Dancer, Amerika, Black Mahogany, The City, etc. etc. Could this be true? Matt
Re: [313] Moodymann: Forevernevermore
where can I get this stuff in Detroit??? I only have Maghony Brown and Silent Introduction
Re: [313] sahko compilations
i seriously doubt it, but that would kick some serious butt. sakho just perfectly does it for me especially the mika vainos as philus and 0 are never ever beatable .. if i'm not completely mistaken you should visit http://www.sci.fi/~phinnweb/function/ those pages contain loads of information about finnish electronic music scene/labels/artist etc _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: Ultradyne
From: Peter B Leidy [EMAIL PROTECTED] Subject: Re: [313] Ultradyne page on mp3.com according to www.formic.de, Ultradyne is 1/2 of Dopplereffekt, they also have an lp on a label called Pai Gao Movement... :) Thats their own label I believe. I have one 12/LP on it - really good stuff - like Drexciya but could mix nicely with all hard Rephlex stuff - the old Life After Mutation on Hood's hardwax label is a good comparison too. Some of the MP3.com tracks are on the vinyl. They also had a 12 on Warp, _E. Coli_ a few years back. Not sure about the 1/2 of Dopplereffekt but perhaps. Who knows :) On Fri, 6 Oct 2000, Minto Chempotical George wrote: artists.mp3s.com/artists/31/ultraydyne.html || [CiM] || [EMAIL PROTECTED] || [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Re: Ultradyne
Van: Simon Walley [EMAIL PROTECTED] Datum: Mon, 09 Oct 2000 08:20:54 GMT Aan: 313@hyperreal.org Onderwerp: [313] Re: Ultradyne From: Peter B Leidy [EMAIL PROTECTED] Subject: Re: [313] Ultradyne page on mp3.com according to www.formic.de, Ultradyne is 1/2 of Dopplereffekt, they also have an lp on a label called Pai Gao Movement... :) Thats their own label I believe. I have one 12/LP on it - really good stuff - like Drexciya but could mix nicely with all hard Rephlex stuff - the old Life After Mutation on Hood's hardwax label is a good comparison too. Some of the MP3.com tracks are on the vinyl. They also had a 12 on Warp, _E. Coli_ a few years back. Not sure about the 1/2 of Dopplereffekt but perhaps. Who knows :) They also did a limited release (white labels only?) on Sabotage/Craft, which also was in the drexciya/dopplereffect/electroids/lam style. C.
Jaguar remixes
Jaguar remixes tracklistings. This from www.juno.co.uk: -- DJ ROLAND aka THE AZTEC MYSTIC: Jaguar (430 West UK) (ASF) (MP3) - House 12: Jaguar (original mix, Octave One Dance Of The Global Tribe mix, Mad Mike Warrior Transformation mix) (430WUKT 1) [4.45] - add 1st CD: Jaguar (Lawrence Burden radio edit, original mix, Jeff Mills Dance Of The Cat mix) (430WUKTCD 1) [2.99] - add 2nd CD: Jaguar (Derrick May Mayday mix, Octave One Dance Of The Global Tribe mix CD ROM video) (430WUKTCD 2) [2.99] - add DJ ROLAND aka THE AZTEC MYSTIC: Jaguar (Derrick May remix) (430 West UK) (ASF) (MP3) - House 1-sided 12 promo: (J PROMO) [6.50] - add -- The Derrick May remix promo is a white-label with 'J-PROMO 1' etched into the run-out, thats all. You can mail-order these from Juno. || [CiM] || [EMAIL PROTECTED] || [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
The N-side (show 017 - 09-29-00)
broadcasted locally via 94.3 Radio 1 Austin on 09-29-00, Friday 7-8pm. ** http://www.radio1austin.com/ ** 10-04-00 - The FCC silences 94.3 Radio 1 Austin... http://www.radio1austin.com/release.html Show #17 (09-29) via realaudio.. http://www.n-siderecords.com/cgi-bin/dj?ra=radio1_show017_092900.ram The N-side w/ David H., Show #017 09-29-00 [Detroit/Tech-House/House] == [##] artist - track name - label (title) [01] Adam Beyer Peter Benisch - Faces - Inside (Phases) [02] Planetary Assault Systems - Sleeping Sin Seemless - Peacefrog (P Funk Vol 3) [03] Common Factor - Exploration / Meaning - Planet E (Common Factor EP) [04] Common Factor - North Lights - Planet E (Get Down) [05] Common Factor - In To - Planet E (Common Factor EP) [06] Common Factor - Pisces Groove - Planet E (Get Down) [07] Millsart - untitled - Axis (Every Dog Has Its Day) [08] ?? [09] Jerome - Then Today - Music Man (Polyphonic Highway) [10] Heiko Laux - Sensefiction (R. Villalobos RMX) - Kanzleramt (Sensefiction RMXS pt.2) [11] Andrew Mclauchlan - untitled - Figment (Mission Eternal EP) [12] Planetary Assault Systems - Twighlight - Peacefrog (P. Funk Vol 1) [13] Andrew Mclauchlan - untitled - Figment (Mission Eternal EP) [14] Devilfish - Formation (Present) - Bush (Past Present) [15] Umek - Cotax - Jericho (The Right Time EP) [16] The Memmory Foundation - Breakpoint - United States of Mars [17] Copy - So Good - Paparazzi (Diry Diana EP) SHOW #16's MISSING ID: === Track #19 : Mark Broom - Take a Trip - Piranha (Piranha EP) Previous Show = Show #016 (Techno/MHS) http://www.n-siderecords.com/cgi-bin/dj?ra=radio1_show016_092200.ram - N-side Records - Inside source for Underground Music. http://www.n-siderecords.com :: Austin,TX, USA. (512)837-5650 (bus) :: (508)526-7797 (fax)
Re: [313] Jaguar remixes
Thanks for this info, Simon. I hope all UKers will get out and buy Jaguar this week to help it crash the charts - I'm just dying to see Mad Mike on Top Of The Pops a week on friday! The Derrick May remix promo is a white-label with 'J-PROMO 1' etched into the run-out, thats all. A friend of mine picked this up a few days ago and was told there were only a few hundred around, so anyone who wants it better move quick! TOM MF
FW: miss [EMAIL PROTECTED]
MISS KITTIN Geneva's finest invited by Rebelbass to the Netherlands. Saturday 18th of november: Fluid- Effenaar Eindhoven: Night of the She-creatures. Friday 17th of November : DEAF Rotterdam with: Pole, Kit Clayton, Funckarma, Speedy J, Aida and more to confirm. tadaa! true rebels out... http://www.rebelbass.com
Re: [313] Moodymann: Forevernevermore
Is this album available yet? It hasn't been promoed yet, I think. But then the recent Detroit Escalator Co release took ages to come out, so it mightbe a while. Peace Frog do things at their own pace Has Moodymann _finally_ put out a CD that shows what he is capable of and has all his good past tracks? I gotta know. You don't think Silent Introduction and Mahogany Brown do him justice?
Shout
Hey DJ Pacific could you send me your e-mail address so I can respond - it isn't showing up.
Elektroids (was: Ultradyne)
Talking about this... Warp seems to have released a whole lot of Detroit people in their early years, mostly electro stuff - and I'm curious to know if anybody knows more about this weird Elektroids LP EP ? are they UK or Detroit ? other releases under other aliases ? Gwendal -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of chris Sent: Monday, October 09, 2000 11:24 AM To: 313@hyperreal.org Subject: Re: [313] Re: Ultradyne Van: Simon Walley [EMAIL PROTECTED] Datum: Mon, 09 Oct 2000 08:20:54 GMT Aan: 313@hyperreal.org Onderwerp: [313] Re: Ultradyne From: Peter B Leidy [EMAIL PROTECTED] Subject: Re: [313] Ultradyne page on mp3.com according to www.formic.de, Ultradyne is 1/2 of Dopplereffekt, they also have an lp on a label called Pai Gao Movement... :) Thats their own label I believe. I have one 12/LP on it - really good stuff - like Drexciya but could mix nicely with all hard Rephlex stuff - the old Life After Mutation on Hood's hardwax label is a good comparison too. Some of the MP3.com tracks are on the vinyl. They also had a 12 on Warp, _E. Coli_ a few years back. Not sure about the 1/2 of Dopplereffekt but perhaps. Who knows :) They also did a limited release (white labels only?) on Sabotage/Craft, which also was in the drexciya/dopplereffect/electroids/lam style. C. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Elektroids (was: Ultradyne)
elektroids is w/p by gerald of dopplereffekt ... so detroit, yes! andy
RE: [313] Elektroids (was: Ultradyne)
Talking about this... Warp seems to have released a whole lot of Detroit people in their early years, mostly electro stuff - and I'm curious to know if anybody knows more about this weird Elektroids LP EP ? are they UK or Detroit ? other releases under other aliases ? Gwendal Drexciya once did a cover of one of the electroids tracks... beware of the wrath of the aquamen [EMAIL PROTECTED]
thurs @ forans-detroit
decoded synthetic message :: xfer #9823789576-101200 :: :::.::.:...:.:.:::.:.:::.:.::.:::.:..:::.:.::.:.:::.:.:::.::: thursday october 12 at forans below the surface experience an evening of experimental sound manipulation and live rythym programming and deprogramming by detronik location: forans is on n.b. woodward in the heart of downtown detroit _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Ambient Zone RTRFM 92.1 Playlist
Ambient Zone RTRFM 92.1 Playlist 08.10.2K Presented by Emma Love w/ special guest Ben Atkinson Capery Plan - Lawrence (Dial Recordings) Texrope - Gary Danner (Gunafa) Dub Control - Solution Entertainment (Below) Merge Merched #07.3 - Mouse on Mars (Mille Plateaux) Heim /Fourtet mix - Fourtet vs. Pole (Leaf) Flur - Benjamin Brunn (United States of Mars) Blue Nights - Minus 13 (Jetlag) Tra-Fuse II - Gosub (Isophlux) Butterflies - Kenny Larkin (RS) Shrunk - Slop Salon (Gema) The Storm - Arovane (City Centre Offices) Sophistry - Urban Tribe (MoWax) Untitled - To Rococo Rot (Soul Static Sound) Electro Brasil - Pink Elln (Lo-Fi Stereo) Separation - Stewart S. Walker (Belief Systems) Untitled D2 - Jonas Bering (Kompakt) Untitled 7 - Ewan Jansen (local White Label) Poonani - Phoenecia (Plug Research) Sinusoiwal - Den Nard Husher (Thule) Yonder Kids - Moondogs (Shitkatapult) Equator Music - Matrix (Chain Reaction) Hope everyone who tuned in enjoyed the show. Please feel free to contact me about any querries you have about the show or the tracks featured. Best regards, A_Zed _ Program Co-ordinator, Ambient Zone RTRFM 92.1 Sunday Electronic Listening [http://rtrfm.ii.net] Perth, W.Aust (WST) 23.00-01.00 Detroit (EST) 10.00-12.00 Frankfurt (CET)/ London(GMT) 16.00-18.00
disco mix online
i uploaded a new dj mix for all you disco freaks sorry only real audio for now.. http://www.umich.edu/~pbleidy/music tracks :]_ 1. temptations: masterpiece (motown) 2. metro area 2: the art of hot (environ) 3. roundtree: hit on you [dub] (arial) 4. loose joints: is it all over my face (nuphonic) 5. st. germain: so flute (blue note) 6. cerrone: supernature (cotillion) 7. man friday: love honey (nuphonic) 8. parallax corp: coca disco 1 (viewlexx) 9. kano: holly dolly (emergency) 10. designer music: problemz (planet e) 11. alexander robotnik: problems d'amour (fuzz dance) 12. legowelt/orgue electronique: pyongyang autobahn (bunker) 13. my mine: hypnotic tango (danica) 14. idjut boys: dog sh!t (glasgow underground) 15. martin circus: disco circus [francois k mix] (jumpin) 16. eddy grant: time warp (portrait) 17. donna summer: i feel love [15min mix] (casablanca)
looking for saunderson-like tracks!
hy folks, just reesentely ;-) i discovered my love for the bassy / trancy sound of some of Kevin Saunderson's releases. Especially tracks like *Smooth Groove-Tronik House*, e-dancer-banjo (funk d'void remix)* or *Jark Prongo- Spadet* caught my attention, even if the latter one is not from Kevin. It's just the style I really love. But, alas, besides KMS-releases and some records bought by coincidence I do not know, where to look for that special bassy groove. Can anybody help me, and drop some names and / or tracks which are worth to be listened to??? thanks, stefan The scene was all changed like the change in his face...
Re: [313] Elektroids (was: Ultradyne)
For those who havent found it on the Elekroids cd the is a 'hidden' track about 4mins of silence after the last listed track. This track appeared on the last Drexciya cd so i guess its safe to say Elekroids = Drexciya - Original Message - From: Gwendal Cobert [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, October 09, 2000 2:32 PM Subject: [313] Elektroids (was: Ultradyne) Talking about this... Warp seems to have released a whole lot of Detroit people in their early years, mostly electro stuff - and I'm curious to know if anybody knows more about this weird Elektroids LP EP ? are they UK or Detroit ? other releases under other aliases ? Gwendal -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of chris Sent: Monday, October 09, 2000 11:24 AM To: 313@hyperreal.org Subject: Re: [313] Re: Ultradyne Van: Simon Walley [EMAIL PROTECTED] Datum: Mon, 09 Oct 2000 08:20:54 GMT Aan: 313@hyperreal.org Onderwerp: [313] Re: Ultradyne From: Peter B Leidy [EMAIL PROTECTED] Subject: Re: [313] Ultradyne page on mp3.com according to www.formic.de, Ultradyne is 1/2 of Dopplereffekt, they also have an lp on a label called Pai Gao Movement... :) Thats their own label I believe. I have one 12/LP on it - really good stuff - like Drexciya but could mix nicely with all hard Rephlex stuff - the old Life After Mutation on Hood's hardwax label is a good comparison too. Some of the MP3.com tracks are on the vinyl. They also had a 12 on Warp, _E. Coli_ a few years back. Not sure about the 1/2 of Dopplereffekt but perhaps. Who knows :) They also did a limited release (white labels only?) on Sabotage/Craft, which also was in the drexciya/dopplereffect/electroids/lam style. C. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] disco mix online
ah yeah, gimme ;) glad to get these mixes from people, makes my day. in the meantime i've uploaded yet another mix. follow the instructions at www.listen.to/funque and let me know if you have problems... the problem i've encountered so far is that idrive has a daily download limit of 150 mb :( if you can't download, check back the next day. i'm working on encoding this long mp3 file of me at tresor in summer of '99 hope to get it up pretty soon ;) this time the mix is divided into 2 seperate files. the tracklist is as follows: vice - love tron - black nation 170 jay denham - growth+ - cosmic 018 world power alliance - beligian resistance - underground resistance w.p.a. 003 jeff mills - time after space - axis 021 m - switchblade - (new) axis 006 damon wild - opaque (surgeon remix) - synewave uk 002 surgeon - patience b1 - dynamic tension 001 umek - urtoxen - black nation 340 h m - suspense - (old) axis 006 agent cooper - tribute to marty hardy (respect the old school) - ll 004 steve bicknell - lost recordings #4 b1 - cosmic 019 jay denham - sleepless two - parasound 004 echoplex - searchin' - ll 005 christian bloch - diana - funque droppings 004 agent cooper - loop b1 - roh 0164 dis x 3 - loop b1 - tresor 133 surgeon - pagga - kickin' 064 christian bloch - hi-fi - funque droppings 003 christian bloch - off stomp - simple muzik 006 christian bloch - out-fi - funque droppings 003 christian bloch - syncronistic - simple muzik 007 curse - michael - funque droppings 004 sterac - nemec - m-plant 314 psychic warfare - tensions - black nation 140 Christian Bloch www.mp3.com/bloch Tresor/Simple Music/LL/Funque Droppings/Deep Night Essentials - Original Message - From: Peter B Leidy [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, October 09, 2000 5:33 PM Subject: [313] disco mix online i uploaded a new dj mix for all you disco freaks sorry only real audio for now.. http://www.umich.edu/~pbleidy/music tracks :]_ 1. temptations: masterpiece (motown) 2. metro area 2: the art of hot (environ) 3. roundtree: hit on you [dub] (arial) 4. loose joints: is it all over my face (nuphonic) 5. st. germain: so flute (blue note) 6. cerrone: supernature (cotillion) 7. man friday: love honey (nuphonic) 8. parallax corp: coca disco 1 (viewlexx) 9. kano: holly dolly (emergency) 10. designer music: problemz (planet e) 11. alexander robotnik: problems d'amour (fuzz dance) 12. legowelt/orgue electronique: pyongyang autobahn (bunker) 13. my mine: hypnotic tango (danica) 14. idjut boys: dog sh!t (glasgow underground) 15. martin circus: disco circus [francois k mix] (jumpin) 16. eddy grant: time warp (portrait) 17. donna summer: i feel love [15min mix] (casablanca) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
free web hosting for mixes???
can anyone suggest a good place for me to host a webpage for my mixes?? Christian Bloch www.mp3.com/bloch Tresor/Simple Music/LL/Funque Droppings/Deep Night Essentials
beta.bodega.coalition.OHIOchapter.04nov2k
begin data transmission.. When the American military forces left Nicaragua for the last time, in 1933, they left behind a souvenir by which the Nicaraguan people could remember them: the National Guard, placed under the direction of one Anastasio Somoza (just as in 1924 the United States had left Trujillo behind for the people of the Dominican Republic). Three years later Somoza took over the presidency anD with the indispensable help of the National Guard established a family dynasty which would rule over Nicaragua, much like a private estate, for the next 43 years. While the Guardsmen, consistently maintained by the United States, passed their time on martial law, rape, torture, murder of the opposition, and massacres of peasants, as well as less violent pursuits such as robbery, extortion, contraband, running brothels and other government functions, the Somoza clan laid claim to the lion's share of Nicaragua's land and businesses. When Anastasio Somoza II was overthrown by the Sandinistas in July 1979, he fled into exile leaving behind a country in which two-thirds of the population earned less than $300 a year. Upon his arrival in Miami, Somoza admitted to being worth $100 million. A US intelligence report, however, placed it at $900 million. beta bodega, rice + beans, + SCALE, pl3x, and ANNEX presents beta bodega coalition ohio chapter saturday, 04 november 2000 / 8 pm transmiTTing LIVE from eCuaDor.WOODSIDE,Queens.San franCISCo.MIAMI.cOLUmBUS.beYond. ++ TPM / THE PANAMANIAN MILITIA [edgar farinas] once spotted near panama city as PUSH BUTTON OBJECTS / KO-WRECK TECHNIQUE BETA BODEGA / WARP / SKAM / CHOCOLATE INDUSTRIES / HEFTY / SCHEMATIC ++ safeTY SCIssorS [watson macleatus] PLUG RESEARCH / FORCE TRACKS / CARPARK / BETA BODEGA / CONTEXT ++ V8 [bbc-information classified] BETA BODEGA / RICE BEANS ++ SERVO [stewart brown - garred martin] BETA BODEGA / RICE BEANS ++ NeRIQ [todd sines] know in other areas of the world as cron / enhanced / .xtrak / trait BETA BODEGA / RESIDUAL / 2122 / PEACEFROG / BACKGROUND / 7TH CITY ++unknown special guest [bbc-information classiFied] FORCE INC / BACKGROUND / BELiEF VISUAL PrOPAGanDA bY PL3X + SCALE logistics information: http://www.scalestudio.com/bbc/ research + developement: http://www.betabodega.de/ http://www.scalestudio.com/ http://www.firexit.com/ operatives start at 8pm at ANNEX [next to dragonfly neo-v] 245 King Avenue Columbus, OH 43201 $8 admission end data transmission.. +odd -- Todd Sines icq: 7580 SCALE:form | image | sound http://www.scalestudio.com
Hey since we're off topic on CD software...
I'm looking to rip a mix CD into one file instead of the 20+ it comes as. I tried ripping then concatenating the files together but there's sometimes a slight overlap which makes my one big long file hiccup. Maybe I'm just using bad ripping software? Sugestions? Thanks! Tosh
Re: [313] background label night in nijmegen
Milligan is one of the best minimal house, techno DJ's in North America! I've travelled around the U.S. and have yet to find someone as bang on as Jeff. I once watched him throw on three records (2 locks and a full side), play with the EQ's while drinking a beer, the proceed to go to the bathroom come back and still have the records all locked! He is a great asset to the Toronto scene with a dedicated following, not only that, he produces some wicked stuff! Check out the first few releases on his Revolver Label for some nice minimal sounds. This is only the beginning! Todd - Original Message - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Saturday, October 07, 2000 4:05 PM Subject: Re: [313] background label night in nijmegen yes, it`s jeff milligan aka algorithm!!! we had to move terrence dixon to a later date, probably in november. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] looking for saunderson-like tracks!
Chris Korda's Fleshdance (gigolo) goes well with many kms tracks :) From: Sir Ethilrist [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] looking for saunderson-like tracks! Date: Mon, 09 Oct 2000 18:31:25 +0200 hy folks, just reesentely ;-) i discovered my love for the bassy / trancy sound of some of Kevin Saunderson's releases. Especially tracks like *Smooth Groove-Tronik House*, e-dancer-banjo (funk d'void remix)* or *Jark Prongo- Spadet* caught my attention, even if the latter one is not from Kevin. It's just the style I really love. But, alas, besides KMS-releases and some records bought by coincidence I do not know, where to look for that special bassy groove. Can anybody help me, and drop some names and / or tracks which are worth to be listened to??? thanks, stefan The scene was all changed like the change in his face... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
looking for a few records
313 and G-TECH, I'm looking for one record that for one reason or another has eluded me over the years. I already know that is out of print. I was just wondering if someone would be willing to part with it. The records is by Sterac and it's called Osirion, it was released on 100% Pure (netherlands). Can anyone help me out? The next record was i had stolen (along with a UR bag filled with 100 records) over the summer. It's Johnny L -This is the time (carl craig remix) on XL. It was part of a triple pack. Does anyone have this and would be willing to sell it to me? thank you for your time. Jwan Allen Technoir Records www.technoiraudio.com (coming soon) _ What are you into? Win gear, movies, gadgets, and games from IGN.com Check 'em out - http://www.igncontests.com Absolutely NO purchase required.
Re: [313] Moodymann: Forevernevermore
oh yes, VERY GOOD. I just want EVERYTHING that's all :-)
Re: [313] looking for saunderson-like tracks!
I LOVE those records too
Re: [313] disco mix online
In a message dated 10/9/00 11:34:53 AM, [EMAIL PROTECTED] writes: http://www.umich.edu/~pbleidy/music checking it out now thanks. Five
Re: [313] Re: Mixing and musical structure
well, thank you for sharing that because I'm getting my other Technics soon. Someone showed me how to beat match by counting and that seemed kind of complicated but who knows maybe I will count once I start to spin at home But I am definitely more into feelings about everything. Five
Re: [313] Re: Mixing and musical structure
Does anyone one know where I can find: WJH - Forbidden b/w Planet 69??? I've tried planetx, they can't seem to get it... sonicgroove maybe??? d e _f r a g : s e v e n : o n e : t h r e e : t e k n o -- Totally Amazing Search Results - Just C4 Yourself! http://www.C4.com - Total Search Technology
Re: [313] Re: Mixing and musical structure
sonic groove record time groovetech.com (go to listening lab) bentcrayon.com d From: defragged [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: [313] Re: Mixing and musical structure Date: 9 Oct 2000 18:25:30 - Does anyone one know where I can find: WJH - Forbidden b/w Planet 69??? I've tried planetx, they can't seem to get it... sonicgroove maybe??? d e _f r a g : s e v e n : o n e : t h r e e : t e k n o -- Totally Amazing Search Results - Just C4 Yourself! http://www.C4.com - Total Search Technology - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
Re: [313] Re: Mixing and musical structure
my thoughts exactly. On Mon, 9 Oct 2000, M. Todd Smith wrote: If you learned to DJ by counting then you missed the point, DJ'ing is about listening not counting. Just because you don't count doesn't mean you aren't aware of the beat. When people dance they are very aware of the beat (some even stop if the DJ brings in an offbeat mix), I know when I dance I don't count, and it would by my fervent belief that no one else does either. The best DJ's I have ever met can pick up a record they have never heard before and throw it down like they've owned it forever. This is the intuitive knowledge of musical structure gained through listening and paying attention to music. Perhaps the reason behind your disconcertation with Isotope 127 is that you are internally trying to count, instead of listening, and feeling the rhythm. Just my 2 cents Todd - Original Message - From: [EMAIL PROTECTED] To: Hillegonda Rietveld [EMAIL PROTECTED] Cc: 313@hyperreal.org; [EMAIL PROTECTED] Sent: Sunday, October 08, 2000 11:02 AM Subject: Re: [313] Re: Mixing and musical structure hello, I guess it all depends on what you mean by internalizing. If you do not count time, or are unware of it, chances are you probably suck. If you can count time and be aware of bar changes without it taking most of the space in your conscious mind you are probably better off. It used to be that I would have to use my fingers to count the bars while counting time, then I counted them verbally in my head, and nowadays in the back of my mind I just see that bars coming and going while I think about other things. You are both right in a sense. You have to be aware of time, but it cannot be all that you are aware of. I saw isotope 217 play a month or so ago, their structures were alot more complicated than the usual dance stuff. I had a very difficult time keeping up with everything that was going on, it was very pleasant actually, been a long time since I have heard something that made me feel absolutely bewildered. why does music seem less magical the more you understand how it works? I will shut up now. take care, Mike Hillegonda Rietveld wrote: Hillegonda; Yes, it helps to know about musical structure before embarking on mixing - how otherwise can one distinguish beats, bars and sections? [EMAIL PROTECTED]: - wut? you actually just need to be able to count. - I hope you're joking - what do you count to? 3? 4? one bar? 15? counting is for nippers in toddler trunks who are in learning stage - when you actually DJ, you need to have internalised the structure and other aspects of your musical selection. Only then can you play from the heart, be the music and play with flow rather than act out some sad calculator without direction. To use a parallel example: if you are in the middle of some busy traffic, do you count distance, speed and accelleration when crossing the road or overtaking a car? I hope not, by the time you'd rationally achieved that, you'd be dead. Hillegonda. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Michael Taylor : [EMAIL PROTECTED] http://www.billionairesforbushorgore.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] disco mix online
This is very nice, and will help to pick you up out of an otherwise gloomy and cold October day, if your weather's anything like mine. Tristan --- [EMAIL PROTECTED] wrote: In a message dated 10/9/00 11:34:53 AM, [EMAIL PROTECTED] writes: http://www.umich.edu/~pbleidy/music checking it out now thanks. Five - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! http://photos.yahoo.com/
Re: [313] Re: Mixing and musical structure
On Mon, 9 Oct 2000, M. Todd Smith wrote: If you learned to DJ by counting then you missed the point, DJ'ing is about listening not counting. Just because you don't count doesn't mean you aren't aware of the beat. When people dance they are very aware of the beat (some even stop if the DJ brings in an offbeat mix), I know when I dance I don't count, and it would by my fervent belief that no one else does either. Absolutely agreed. You can usually hear where to cue up the record and start matching things from. However, I suspect I am counting, just no in any literal sense. But, this depends on knowing you records (see below) The best DJ's I have ever met can pick up a record they have never heard before and throw it down like they've owned it forever. This is the intuitive knowledge of musical structure gained through listening and paying attention to music. This may be partially true with one new record, if it's of a standard format, with nothing too surprising happening along the way, and the DJ takes some time to familiarize him/herself with the track before throwing it in, but it isn't true with two new records you've never heard before, unless they're trance records maybe. Also, I bet most of the best DJs would tell you they can't do this with any record. It just isn't that easy. You can usually rely on changes occuring every eight bars, and larger changes around every fourth set of eight bars, but lots of songs deviate from this, and this is just sort of a basic rule for the most standard of formats. Even then, if you don't know the record lots of surprising things can happen to throw off subtle EQing, two big bass lines might collide, whatever. You gotta know your records. Disclaimer: I know that's a total oversimplification, and that's my point. Tristan Perhaps the reason behind your disconcertation with Isotope 127 is that you are internally trying to count, instead of listening, and feeling the rhythm. Just my 2 cents Todd - Original Message - From: [EMAIL PROTECTED] To: Hillegonda Rietveld [EMAIL PROTECTED] Cc: 313@hyperreal.org; [EMAIL PROTECTED] Sent: Sunday, October 08, 2000 11:02 AM Subject: Re: [313] Re: Mixing and musical structure hello, I guess it all depends on what you mean by internalizing. If you do not count time, or are unware of it, chances are you probably suck. If you can count time and be aware of bar changes without it taking most of the space in your conscious mind you are probably better off. It used to be that I would have to use my fingers to count the bars while counting time, then I counted them verbally in my head, and nowadays in the back of my mind I just see that bars coming and going while I think about other things. You are both right in a sense. You have to be aware of time, but it cannot be all that you are aware of. I saw isotope 217 play a month or so ago, their structures were alot more complicated than the usual dance stuff. I had a very difficult time keeping up with everything that was going on, it was very pleasant actually, been a long time since I have heard something that made me feel absolutely bewildered. why does music seem less magical the more you understand how it works? I will shut up now. take care, Mike Hillegonda Rietveld wrote: Hillegonda; Yes, it helps to know about musical structure before embarking on mixing - how otherwise can one distinguish beats, bars and sections? [EMAIL PROTECTED]: - wut? you actually just need to be able to count. - I hope you're joking - what do you count to? 3? 4? one bar? 15? counting is for nippers in toddler trunks who are in learning stage - when you actually DJ, you need to have internalised the structure and other aspects of your musical selection. Only then can you play from the heart, be the music and play with flow rather than act out some sad calculator without direction. To use a parallel example: if you are in the middle of some busy traffic, do you count distance, speed and accelleration when crossing the road or overtaking a car? I hope not, by the time you'd rationally achieved that, you'd be dead. Hillegonda. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- Michael Taylor : [EMAIL PROTECTED] http://www.billionairesforbushorgore.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional
Re: [313] Re: Mixing and musical structure
i think this is a very interesting thread, but i think you misunderstood daniel's original comment. when he said that all you really need is to be able to count, i suspect he ment that you don't have to have classical music training in order to be a good DJ (that was what the thread he replied to was actually about). all you need is intuitive understanding of music. you can have this without classical training. by counting i suspect that daniel ment know when to mix in a record. he is a VERY competent DJ by the way. i seriously doubt that anyone would disagree that it takes more than just counting to be a good DJ ?!? Christian Bloch www.mp3.com/bloch Tresor/Simple Music/LL/Funque Droppings/Deep Night Essentials [EMAIL PROTECTED]: - wut? you actually just need to be able to count. - I hope you're joking - what do you count to? 3? 4? one bar? 15?
hello
hi everyone, i'm new to the list and wanted to introduce myself. i'm ani, i work at record time in detroit. here's my contact info: [EMAIL PROTECTED] ICQ# 33610265 record time phone: 810.775.1550 record time fax: 810.775.5830 www.recordtime.com (soon to be redesigned and improved) ani :) p.s. hi jwan!
Re: [313] Re: Mixing and musical structure
not to start an out of control thread, but i thought i'd put in my $.02 as a beginner dj. i think if i tried to count, i'd probably f*ck up even more (which would be a very bad thing) instead of spending my energy on counting or whatever, i just try and listen and feel it. (hope you all aren't gagging right now.) anyway, i don't think the counting rule is the end all rule for all. i listen to music purely for pleasure-- (i'm rereading this wondering who doesn't...but anyway) . i started djing cause i have a short attention span (and i love techno.) it seems like literal counting in the beginning would make the whole listening experience for a beginner dj even more frustrating. props to the counters who stuck it out. -m On Mon, 9 Oct 2000, tristan watkins wrote: On Mon, 9 Oct 2000, M. Todd Smith wrote: If you learned to DJ by counting then you missed the point, DJ'ing is about listening not counting. Just because you don't count doesn't mean you aren't aware of the beat. When people dance they are very aware of the beat (some even stop if the DJ brings in an offbeat mix), I know when I dance I don't count, and it would by my fervent belief that no one else does either. Absolutely agreed. You can usually hear where to cue up the record and start matching things from. However, I suspect I am counting, just no in any literal sense. But, this depends on knowing you records (see below) The best DJ's I have ever met can pick up a record they have never heard before and throw it down like they've owned it forever. This is the intuitive knowledge of musical structure gained through listening and paying attention to music. This may be partially true with one new record, if it's of a standard format, with nothing too surprising happening along the way, and the DJ takes some time to familiarize him/herself with the track before throwing it in, but it isn't true with two new records you've never heard before, unless they're trance records maybe. Also, I bet most of the best DJs would tell you they can't do this with any record. It just isn't that easy. You can usually rely on changes occuring every eight bars, and larger changes around every fourth set of eight bars, but lots of songs deviate from this, and this is just sort of a basic rule for the most standard of formats. Even then, if you don't know the record lots of surprising things can happen to throw off subtle EQing, two big bass lines might collide, whatever. You gotta know your records. Disclaimer: I know that's a total oversimplification, and that's my point. Tristan Perhaps the reason behind your disconcertation with Isotope 127 is that you are internally trying to count, instead of listening, and feeling the rhythm. Just my 2 cents Todd - Original Message - From: [EMAIL PROTECTED] To: Hillegonda Rietveld [EMAIL PROTECTED] Cc: 313@hyperreal.org; [EMAIL PROTECTED] Sent: Sunday, October 08, 2000 11:02 AM Subject: Re: [313] Re: Mixing and musical structure hello, I guess it all depends on what you mean by internalizing. If you do not count time, or are unware of it, chances are you probably suck. If you can count time and be aware of bar changes without it taking most of the space in your conscious mind you are probably better off. It used to be that I would have to use my fingers to count the bars while counting time, then I counted them verbally in my head, and nowadays in the back of my mind I just see that bars coming and going while I think about other things. You are both right in a sense. You have to be aware of time, but it cannot be all that you are aware of. I saw isotope 217 play a month or so ago, their structures were alot more complicated than the usual dance stuff. I had a very difficult time keeping up with everything that was going on, it was very pleasant actually, been a long time since I have heard something that made me feel absolutely bewildered. why does music seem less magical the more you understand how it works? I will shut up now. take care, Mike Hillegonda Rietveld wrote: Hillegonda; Yes, it helps to know about musical structure before embarking on mixing - how otherwise can one distinguish beats, bars and sections? [EMAIL PROTECTED]: - wut? you actually just need to be able to count. - I hope you're joking - what do you count to? 3? 4? one bar? 15? counting is for nippers in toddler trunks who are in learning stage - when you actually DJ, you need to have internalised the structure and other aspects of your musical selection. Only then can you play from the heart, be the music and play with flow rather than act out some sad
Re: [313] Thule
Icelands' best techno record label Catalog no: thl003 Artist: Biogen Release Name: Stream Tracks: Stream Psychic function Stream (sanasol lake mix) Writer: Sigurbjorn Thorgrinsson Check them out http://www.oz.is/thulemusik/ Fred From: Ted Weinberg [EMAIL PROTECTED] To: day-twa 313@hyperreal.org Subject: Re: [313] Thule Date: Fri, 6 Oct 2000 08:58:00 -0700 (PDT) Who are these people? I have thule-003 but it's a white label so I have no idea who it's by. __ Do You Yahoo!? Yahoo! Photos - 35mm Quality Prints, Now Get 15 Free! http://photos.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. Share information about yourself, create your own public profile at http://profiles.msn.com.
no Speedy J?
I checked the +8 site, and noticed Speedy J is gone off the lineup for FOMTY... how come? darw_n create, demonstrate, toneshift... http://www.mp3.com/darw_n http://www.sphereproductions.com/topic/Darwin.html http://www.mannequinodd.com
Re: [313] no Speedy J?
He cancelled a visit here too - he is a new dad. I checked the +8 site, and noticed Speedy J is gone off the lineup for FOMTY... how come?
Re: [313] Re: Mixing and musical structure
I would say that music is like an injection, straight to the blood. The moment you hear the music, the music can heal you. If you're suffering from a fever or malaria and you hear the music, you'll be dancing all over and you'll sweat and you won't even remember that you're sick. It's just like that. Everybody has this in their blood. When you play the music, it goes from your ears to the body. By the time you realize where you are, then you say 'what is this? Am I crazy?' But within a second, you'll jump up again and feel good. You listen to music, then your mind will go far away, even to heaven where you can discuss with the holy angels of God. That's why they say that music is the soul of life. It is the same thing all over the world. Music is in the blood. When you play good music, you transfer it to other people. The moment that you get the music and it stays with you and your mind, you see an invisible injection straight to your blood. That's why they say music can heal, which I believe. When you listen, you will forget that you're suffering from pain. The moment that the pain goes off, it doesn't come back. That's my belief. Ah, ah, ah, ah, ah, ah, Counting ? All is about rhythm! From: arora [EMAIL PROTECTED] To: tristan watkins [EMAIL PROTECTED] CC: M. Todd Smith [EMAIL PROTECTED], 313@hyperreal.org Subject: Re: [313] Re: Mixing and musical structure Date: Mon, 9 Oct 2000 15:45:37 -0400 (EDT) not to start an out of control thread, but i thought i'd put in my $.02 as a beginner dj. i think if i tried to count, i'd probably f*ck up even more (which would be a very bad thing) instead of spending my energy on counting or whatever, i just try and listen and feel it. (hope you all aren't gagging right now.) anyway, i don't think the counting rule is the end all rule for all. i listen to music purely for pleasure-- (i'm rereading this wondering who doesn't...but anyway) . i started djing cause i have a short attention span (and i love techno.) it seems like literal counting in the beginning would make the whole listening experience for a beginner dj even more frustrating. props to the counters who stuck it out. -m On Mon, 9 Oct 2000, tristan watkins wrote: On Mon, 9 Oct 2000, M. Todd Smith wrote: If you learned to DJ by counting then you missed the point, DJ'ing is about listening not counting. Just because you don't count doesn't mean you aren't aware of the beat. When people dance they are very aware of the beat (some even stop if the DJ brings in an offbeat mix), I know when I dance I don't count, and it would by my fervent belief that no one else does either. Absolutely agreed. You can usually hear where to cue up the record and start matching things from. However, I suspect I am counting, just no in any literal sense. But, this depends on knowing you records (see below) The best DJ's I have ever met can pick up a record they have never heard before and throw it down like they've owned it forever. This is the intuitive knowledge of musical structure gained through listening and paying attention to music. This may be partially true with one new record, if it's of a standard format, with nothing too surprising happening along the way, and the DJ takes some time to familiarize him/herself with the track before throwing it in, but it isn't true with two new records you've never heard before, unless they're trance records maybe. Also, I bet most of the best DJs would tell you they can't do this with any record. It just isn't that easy. You can usually rely on changes occuring every eight bars, and larger changes around every fourth set of eight bars, but lots of songs deviate from this, and this is just sort of a basic rule for the most standard of formats. Even then, if you don't know the record lots of surprising things can happen to throw off subtle EQing, two big bass lines might collide, whatever. You gotta know your records. Disclaimer: I know that's a total oversimplification, and that's my point. Tristan Perhaps the reason behind your disconcertation with Isotope 127 is that you are internally trying to count, instead of listening, and feeling the rhythm. Just my 2 cents Todd - Original Message - From: [EMAIL PROTECTED] To: Hillegonda Rietveld [EMAIL PROTECTED] Cc: 313@hyperreal.org; [EMAIL PROTECTED] Sent: Sunday, October 08, 2000 11:02 AM Subject: Re: [313] Re: Mixing and musical structure hello, I guess it all depends on what you mean by internalizing. If you do not count time, or are unware of it, chances are you probably suck. If you can count time and be aware of bar changes without it taking most of the space in your conscious mind you are probably better off. It used to be that I would have to use my fingers to count the bars while counting time, then I counted them verbally in my
Re: [313] Re: Mixing and musical structure
On Mon, 9 Oct 2000, xx xx wrote: I would say that music is like an injection, straight to the blood. The [snipped] I liked this post very much, but is it quoted because you didn't write it, and if so who did? And if not why quoted?
tikiman live @ rosskilde real audio
Stumbled on the http://www.sonox.com site and they have a number of media clips, including tikiman at rosskilde festival. Also a Neil Landstrumm dj set kent williams -- [EMAIL PROTECTED] http://www.mp3.com/chaircrusher -- tunes http://www.live365.com/cgi-bin/directory.cgi?autostart=chaircrusher -- mix
Re: [313] Re: Mixing and musical structure
On Mon, 9 Oct 2000 15:45:37 -0400 (EDT) arora [EMAIL PROTECTED] wrote: not to start an out of control thread, but i thought i'd put in my $.02 as a beginner dj. i think if i tried to count, i'd probably f*ck up even more (which would be a very bad thing) instead of spending my energy on counting or whatever, i just try and listen and feel it. (hope you all aren't gagging right now.) anyway, i don't think the counting rule is the end all rule for all. i listen to music purely for pleasure-- (i'm rereading this wondering who doesn't...but anyway) . i started djing cause i have a short attention span (and i love techno.) it seems like literal counting in the beginning would make the whole listening experience for a beginner dj even more frustrating. props to the counters who stuck it out. -m I find the best way [thought often times hard to reach this state] is to just simply visualize the tracks mixing, and my fingers just work the pitch almost by themselves... often times [as a unexperienced DJ, I try to force the mix, which 99% of the time ends up in a crappy or slighty off mix, something that experienced DJs can spot the second it happends... not relying on a state of the art mixer/setup, or becoming reliant on it is another tip i've learned... especially when most of my mixing encorporates active EQing, being stuck on a RANE MP-24 with no channel EQ is a prime example just another $.02 cents ;] d e _ f r a g : s e v e n : o n e : t h r e e : t e k n o -- Totally Amazing Search Results - Just C4 Yourself! http://www.C4.com - Total Search Technology
