[313] sugestion for a sunday

2001-10-22 Thread allnight
this is one of my favorite mixed sets from all times. it is mixed by 
one of the bests brazilian djs, dj spiceee. the set is from the time 
he was more into detroit influenied stuff. i hope u like it..

http://www.rraurl.com/real/djs/spiceee3.ram

take care u all..
henrique


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Re: [313] technology

2001-10-22 Thread Mxyzptlk

DJxDJ = Daniel Miller (Mute) + Seth Hodder (NovaMute).
Great DEMF set...it started slow, but REALLY hit a groove once it built up. 
I think a lot of people drifted off before it kicked in and missed a good 
thing. When the set started I was standing with Carlos S...when I saw him 
later he said he nearly left early, but it dropped into a very nice place 
when he'd almost reached the top of the ramp and he turned back. I 
thought  that it - along with Todd Sines' set - were a few of the 
highlights of this year's fest.

jeff
ps
although it has nothing to do with anything above, I was also really 
impressed with Sharif's set before Monolake at Detroit Contemporary last 
summer.








I think you are referring to Mute Records founder Daniel Miller. I believe
it is Daniel Miller and a partner whose name escapes me,




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[313] FA ebay

2001-10-22 Thread Mxyzptlk

Mark Broom set, Russ Gabriel, a few other things of interest. No reserves. Thx.
http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?ViewListedItems[EMAIL 
PROTECTED]sort=2page=1rows=25since=-1
seller id = [EMAIL PROTECTED]


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Re: [313] Techno for funerals

2001-10-22 Thread logic7
For me, it would have to be Inversions by Andre Holland. 

The future passed you by.

Labwerx Music
http://www.geocities.com/labwerx


Which techno track do you want to be played at your funeral?
My last wish would be: The Martian  Model 500 - Search your
 Feelings
(RedPlanet-4)



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[313] Gettin' Wiggy Wit' It

2001-10-22 Thread Cyclone Wehner
What is the vibe on the new Green Velvet album?

I like all his stuff though I always think of Caj as a singles artist, just
because his singles are so good. The single La La land is brilliant. 

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RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

2001-10-22 Thread chrise

 Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH!
 How advanced is a piece of equipment that can finally do today what certain 
 Detroit Djs could do 12 years ago?
 Where is the progress in TALENT? All this does is make it easier for djs who 
 lack the ability to do it by hand.
 Instead of raising the bar, they lowering it and trying to step over.
word!

I totally agree! computers are totally ruinging electronic music! I mean,
where's the TALENT in pushing some buttons, or twisting a knob? whatever
happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like PLAY
THE DRUMS, or LEARN THE GUITAR?

That's what techno music is about, RAW SKILL. anything that makes it
easier for someone to express tehmselves creatively, like say a computer,
is a CRUTCH. it's BULLSHIT. it should be MOCKED.

How can some foolish upstart who's not even from detroit, some moron
canadian, possibly think he can start calling himself a so-called tecno
dj when he uses a COMPUTER? I for one, am shocked an appalled!

who's up for a turntable jam session! come to my house in belleville, only
in detroit!

back and proud,
jeff mills


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Re: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

2001-10-22 Thread :)
IMO-

music is all about getting the ideas in your head to a medium from which
other people can enjoy it.  computers and musical instruments, electronic or
acoustic, facilitate this process.

-Joe

negative-saucer


--
   R17 is not a fixed velocity, but it is clearly far too fast.
--
- Original Message -
From: [EMAIL PROTECTED]
To: Subject Detroit [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Monday, October 22, 2001 2:37 AM
Subject: RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere



  Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH!
  How advanced is a piece of equipment that can finally do today what
certain
  Detroit Djs could do 12 years ago?
  Where is the progress in TALENT? All this does is make it easier for djs
who
  lack the ability to do it by hand.
  Instead of raising the bar, they lowering it and trying to step over.
 word!

 I totally agree! computers are totally ruinging electronic music! I mean,
 where's the TALENT in pushing some buttons, or twisting a knob? whatever
 happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like PLAY
 THE DRUMS, or LEARN THE GUITAR?

 That's what techno music is about, RAW SKILL. anything that makes it
 easier for someone to express tehmselves creatively, like say a computer,
 is a CRUTCH. it's BULLSHIT. it should be MOCKED.

 How can some foolish upstart who's not even from detroit, some moron
 canadian, possibly think he can start calling himself a so-called tecno
 dj when he uses a COMPUTER? I for one, am shocked an appalled!

 who's up for a turntable jam session! come to my house in belleville, only
 in detroit!

 back and proud,
 jeff mills


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RE: [313] Techno for funerals

2001-10-22 Thread Berislav

autchere:anvil vapre
as one: from reflectios on reflection track remixed by plaid
plastikman:consumed (except 8,9,10)
rhythim is rhythim:icon
kerri chandler:rain(not so techno, but for funural)

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RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

2001-10-22 Thread Berislav




I totally agree! computers are totally ruinging electronic music! I mean,
where's the TALENT in pushing some buttons, or twisting a knob? whatever
happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like PLAY
THE DRUMS, or LEARN THE GUITAR?

im sorry to tell you but electronic music is about that everything is
controled or made by some kind of computer, synthsizer or sampler.
im not on hawtin side about mixing 1450 tracks in 60 minutes with computer,
but please guitar, drums, what is next...banjo.


How can some foolish upstart who's not even from detroit, some moron
canadian, possibly think he can start calling himself a so-called tecno
dj when he uses a COMPUTER? I for one, am shocked an appalled!

am i  hearing this right or you just said that anybody who is not from
detriot cant be a dj, techno dj.
i always tought that techno is about pushing the limits, making something
new, be the first in upgrading the music. in mixing im on your side,
turntables is my first choice, but choose your words.

b.


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Re: [313] music institute/sound signature parties

2001-10-22 Thread Hans Veneman
On Sun, Oct 21, 2001 at 04:43:34PM +1000, Jason Martin wrote:
 hey all,
 
 its been a while!
 
 I've put up a few modest pages on the music institute and sound
 signature/track mode parties (among other things) from this year's DEMF at
 http://www.suenomartino.net  for anyone who may be interested...
 
 any incorrect info etc, pls drop me a line..

Great site Jason!! Nice to see your pics online and the amount of great
information!

Cheers,
Hans

-- 
Hans Veneman
[EMAIL PROTECTED]
http://technotourist.org
http://www.TV-99-AD.com

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Re: [313] santos rodriguez

2001-10-22 Thread Toby Frith
I believe this EP is produced by Arthur Smith who also produces under the
moniker of Grain  Morgan Reno.

Although he strongly denies it, the B sides of the EP bear a very similar
resemblance to the 3rd Grain EP on Fatcat.

www.bleep43.co.uk


- Original Message -
From: Phonopsia [EMAIL PROTECTED]
To: Maarten Baute [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Saturday, October 20, 2001 3:41 PM
Subject: Re: [313] santos rodriguez


 - Original Message -
 From: Maarten Baute [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Saturday, October 20, 2001 7:54 AM
 Subject: [313] santos rodriguez


  Little question:
 
  is this guy producing under some aliases?
  Because cosmic id 001 is the only relase from santos rodriguez i´ve
heard
  from (and I like it a lot).

 Great question. I've been dieing to know this for a while too.

 Tristan
 --
 http://ampcast.com/phonopsia - Music
 http://phonopsia.tripod.com - Mixes, pics, thought, travelogue  info
 http://www.metatrackstudios.com
 [EMAIL PROTECTED] - email
 FrogboyMCI - AOL Instant Messenger



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RE: [313] santos rodriguez

2001-10-22 Thread daweed
I want to know who Santos Rodriguez is too! For a while I thought it was
bicknell, but I'm not so sure now
- Original Message -
From: Phonopsia [EMAIL PROTECTED]
To: Maarten Baute [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Saturday, October 20, 2001 4:41 PM
Subject: Re: [313] santos rodriguez


 - Original Message -
 From: Maarten Baute [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Saturday, October 20, 2001 7:54 AM
 Subject: [313] santos rodriguez


  Little question:
 
  is this guy producing under some aliases?
  Because cosmic id 001 is the only relase from santos rodriguez i´ve
heard
  from (and I like it a lot).

 Great question. I've been dieing to know this for a while too.

 Tristan
 --
 http://ampcast.com/phonopsia - Music
 http://phonopsia.tripod.com - Mixes, pics, thought, travelogue  info
 http://www.metatrackstudios.com
 [EMAIL PROTECTED] - email
 FrogboyMCI - AOL Instant Messenger



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RV: [313] santos rodriguez

2001-10-22 Thread daweed




 santos is actually Grain...He works in Big Apple Reocrds in Croydon, UK
with

 John Kennedy from the Lost Recordings crew.

 Very nice guy..also known as Grain of the richie Haw3tin Decks FX etc and
 also known as
 Morgan Reno.

 How do I knwo this well there good friends of mine.

 Please can you post this to help others.

 Thanks
 -Original Message-
 From: daweed [mailto:[EMAIL PROTECTED]
 Sent: 22 October 2001 10:30
 To: 313@hyperreal.org
 Subject: RE: [313] santos rodriguez


 I want to know who Santos Rodriguez is too! For a while I thought it was
 bicknell, but I'm not so sure now
 - Original Message -
 From: Phonopsia [EMAIL PROTECTED]
 To: Maarten Baute [EMAIL PROTECTED]; 313@hyperreal.org
 Sent: Saturday, October 20, 2001 4:41 PM
 Subject: Re: [313] santos rodriguez


  - Original Message -
  From: Maarten Baute [EMAIL PROTECTED]
  To: 313@hyperreal.org
  Sent: Saturday, October 20, 2001 7:54 AM
  Subject: [313] santos rodriguez
 
 
   Little question:
  
   is this guy producing under some aliases?
   Because cosmic id 001 is the only relase from santos rodriguez i´ve
 heard
   from (and I like it a lot).
 
  Great question. I've been dieing to know this for a while too.
 
  Tristan
  --
  http://ampcast.com/phonopsia - Music
  http://phonopsia.tripod.com - Mixes, pics, thought, travelogue  info
  http://www.metatrackstudios.com
  [EMAIL PROTECTED] - email
  FrogboyMCI - AOL Instant Messenger
 
 
 
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RE: [313] santos rodriguez

2001-10-22 Thread daweed
yeah, that makes sense
- Original Message -
From: Toby Frith [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Monday, October 22, 2001 10:56 AM
Subject: Re: [313] santos rodriguez


 I believe this EP is produced by Arthur Smith who also produces under the
 moniker of Grain  Morgan Reno.

 Although he strongly denies it, the B sides of the EP bear a very similar
 resemblance to the 3rd Grain EP on Fatcat.

 www.bleep43.co.uk


 - Original Message -
 From: Phonopsia [EMAIL PROTECTED]
 To: Maarten Baute [EMAIL PROTECTED]; 313@hyperreal.org
 Sent: Saturday, October 20, 2001 3:41 PM
 Subject: Re: [313] santos rodriguez


  - Original Message -
  From: Maarten Baute [EMAIL PROTECTED]
  To: 313@hyperreal.org
  Sent: Saturday, October 20, 2001 7:54 AM
  Subject: [313] santos rodriguez
 
 
   Little question:
  
   is this guy producing under some aliases?
   Because cosmic id 001 is the only relase from santos rodriguez i´ve
 heard
   from (and I like it a lot).
 
  Great question. I've been dieing to know this for a while too.
 
  Tristan
  --
  http://ampcast.com/phonopsia - Music
  http://phonopsia.tripod.com - Mixes, pics, thought, travelogue  info
  http://www.metatrackstudios.com
  [EMAIL PROTECTED] - email
  FrogboyMCI - AOL Instant Messenger
 
 
 
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  To unsubscribe, e-mail: [EMAIL PROTECTED]
  For additional commands, e-mail: [EMAIL PROTECTED]
 


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RE: [313] juan atkins interview

2001-10-22 Thread Jongsma, K.J.
I think this is a nice quote from this interview with Juan:

---
So can you elaborate a little bit about the controversy surrounding your
appearance at the DEMF? 

God and Mother Nature worked it out the way it should have been. The
hailstorm and the rain and lightning and thunder that came about three
quarters of the way through my set was justification, so to speak.
--- 

[EMAIL PROTECTED]

Marsel wrote:
 http://www.cdnow.com/juanatkins_int2001/from=rex:x:cdn:1019juanf
 

--
DISCLAIMER

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aansprakelijkheid voor eventueel onjuist, onrechtmatig of 
ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen).

Dit e-mail bericht is door de gemeente Almelo gecontroleerd op
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garantie afgeven dat al onze e-mail berichten volledig virus
vrij zijn. Het is daarom verstandig uw binnenkomende e-mail 
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RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

2001-10-22 Thread Jongsma, K.J.
Geez wake up people it is is still the man who programs the machine! It's
not the machine who makes the music!!! 

I am not even trying to take this response seriously, what a limited
vision...

KJ


 I totally agree! computers are totally ruinging electronic 
 music! I mean,
 where's the TALENT in pushing some buttons, or twisting a 
 knob? whatever
 happened to what a few guys, ONLY IN DETROIT, did 12 years 
 ago, like PLAY
 THE DRUMS, or LEARN THE GUITAR?
 
 That's what techno music is about, RAW SKILL. anything that makes it
 easier for someone to express tehmselves creatively, like say 
 a computer,
 is a CRUTCH. it's BULLSHIT. it should be MOCKED.
 
 How can some foolish upstart who's not even from detroit, some moron
 canadian, possibly think he can start calling himself a 
 so-called tecno
 dj when he uses a COMPUTER? I for one, am shocked an appalled!
 
 who's up for a turntable jam session! come to my house in 
 belleville, only
 in detroit!
 
 back and proud,
 jeff mills
 
 
 -
 To unsubscribe, e-mail: [EMAIL PROTECTED]
 For additional commands, e-mail: [EMAIL PROTECTED]
 

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ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen).

Dit e-mail bericht is door de gemeente Almelo gecontroleerd op
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garantie afgeven dat al onze e-mail berichten volledig virus
vrij zijn. Het is daarom verstandig uw binnenkomende e-mail 
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te controleren.
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RE: [313] techno/jazz

2001-10-22 Thread Rob Theakston
As One  Planetary Folklore
4Hero   Two Pages
Ian O Brien Gigantic Days

are the first three that immediately come to mind for me. all are highly
worth checking out




-Original Message-
From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED]
Sent: Monday, October 22, 2001 9:38 AM
To: '313'
Subject: [313] techno/jazz


Im wanting to hear more jazz infused techno as of late...mixing live
instrumentation and
and techno machine driven patterns and effects. Maybe is appeals to my 'rare
groove'
listening side...

Two notable pieces are
Today is the Tommorow - Stacey Pullen and
Programmed - Innerzone Orchestra

Both these have heavy techno influences...can anyone point me the direction
of similar materail in techno ?

Thanks

Rav


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[313] techno/jazz

2001-10-22 Thread Mann, Ravinder [CCS]
Im wanting to hear more jazz infused techno as of late...mixing live 
instrumentation and
and techno machine driven patterns and effects. Maybe is appeals to my 'rare 
groove' 
listening side...

Two notable pieces are
Today is the Tommorow - Stacey Pullen and
Programmed - Innerzone Orchestra

Both these have heavy techno influences...can anyone point me the direction of 
similar materail in techno ?

Thanks

Rav


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RE: [313] techno/jazz

2001-10-22 Thread Alastair_Jones

I reckon that Kirk Degiorgio bettered the Planetary Folklore album (on Mo
Wax) with In with arps and moogs and things...(?) on Clear.
But both sound like authentic jazz.




Mann, Ravinder [CCS] [EMAIL PROTECTED] on 22/10/2001 01:49:10 PM

To:   'Rob Theakston' [EMAIL PROTECTED], '313' 313@hyperreal.org
cc:

Subject:  RE: [313] techno/jazz


Cheers...

Got the latter twobtw 4Hero have a new CD
similar to Two Pagesplus a cover version of
'expansions' by Lonnie Liston Smith...not had a
chance to chase that up yet tho. But I feel it falls
into the jazzy drum and bass arena.

Is Plantary Folklore Kirk Delgardo (sp?) So hard to
find anything on Mo'wax.

Rav

 -Original Message-
 From:   Rob Theakston [SMTP:[EMAIL PROTECTED]
 Sent:   Monday, October 22, 2001 2:47 PM
 To: Mann, Ravinder   [CCS]; '313'
 Subject: RE: [313] techno/jazz

 As One   Planetary Folklore
 4HeroTwo Pages
 Ian O Brien   Gigantic Days

 are the first three that immediately come to mind for me. all are highly
 worth checking out




 -Original Message-
 From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED]
 Sent: Monday, October 22, 2001 9:38 AM
 To: '313'
 Subject: [313] techno/jazz


 Im wanting to hear more jazz infused techno as of late...mixing live
 instrumentation and
 and techno machine driven patterns and effects. Maybe is appeals to my
'rare
 groove'
 listening side...

 Two notable pieces are
 Today is the Tommorow - Stacey Pullen and
 Programmed - Innerzone Orchestra

 Both these have heavy techno influences...can anyone point me the
direction
 of similar materail in techno ?

 Thanks

 Rav


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 To unsubscribe, e-mail: [EMAIL PROTECTED]
 For additional commands, e-mail: [EMAIL PROTECTED]



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[313] KMS album

2001-10-22 Thread Alastair_Jones
Does anyone know anything about a KMS compilation from 1988 (I think) with
Rhythm is Rhythm's 'Beyond the dance' as the last track but including other
tracks by MK, Art Forest. Does anyone have an opinion of it?

Thanks


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Re: [313] techno/jazz

2001-10-22 Thread Cyclone Wehner
I think you would enjoy the Herbie Hancock album which I haven't heard of
yet but everyone seems enamoured with. 

LTJ Bukem has remixed a single from that album. You may like Bukem's stuff
generally as he shares the same kind of cultural sensibilities, with that
jazz/tech/house hybrid. Bukem is working on a remix album of Journey Inwards
with some of his own heroes - though no names are being given out, my guess
is that artists from Detroit, Chicago and the jazz world will be involved in
that. He is also launching a new deep house label Deep Rooted, so maybe look
out for those issues. I think it will be interesting.

Also Dave Angel's roots are heavily steeped in jazz, so maybe his artist
albums. I know his next one was gonna feature live musicians but I haven't
heard anything more about this. 

Im wanting to hear more jazz infused techno as of late...mixing live 
instrumentation and
and techno machine driven patterns and effects. Maybe is appeals to my 
'rare groove' 
listening side...

Two notable pieces are
Today is the Tommorow - Stacey Pullen and
Programmed - Innerzone Orchestra

Both these have heavy techno influences...can anyone point me the direction 
of similar materail in techno ?

Thanks

Rav


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RE: [313] techno/jazz

2001-10-22 Thread Mann, Ravinder [CCS]
Cheers...

Got the latter twobtw 4Hero have a new CD
similar to Two Pagesplus a cover version of
'expansions' by Lonnie Liston Smith...not had a 
chance to chase that up yet tho. But I feel it falls
into the jazzy drum and bass arena.

Is Plantary Folklore Kirk Delgardo (sp?) So hard to
find anything on Mo'wax.

Rav

 -Original Message-
 From: Rob Theakston [SMTP:[EMAIL PROTECTED]
 Sent: Monday, October 22, 2001 2:47 PM
 To:   Mann, Ravinder   [CCS]; '313'
 Subject:  RE: [313] techno/jazz
 
 As OnePlanetary Folklore
 4Hero Two Pages
 Ian O Brien   Gigantic Days
 
 are the first three that immediately come to mind for me. all are highly
 worth checking out
 
 
 
 
 -Original Message-
 From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED]
 Sent: Monday, October 22, 2001 9:38 AM
 To: '313'
 Subject: [313] techno/jazz
 
 
 Im wanting to hear more jazz infused techno as of late...mixing live
 instrumentation and
 and techno machine driven patterns and effects. Maybe is appeals to my 'rare
 groove'
 listening side...
 
 Two notable pieces are
 Today is the Tommorow - Stacey Pullen and
 Programmed - Innerzone Orchestra
 
 Both these have heavy techno influences...can anyone point me the direction
 of similar materail in techno ?
 
 Thanks
 
 Rav
 
 
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Re: [313] KMS album

2001-10-22 Thread Dan Sicko
Oh yeah ... TECHNO ONE

Seems like it was pretty decent, kind of like the B-sides to the 
Virgin Techno! comp.

I'll dig it up at home for a track listing.

-d

At 6:25 AM -0700 10/22/01, [EMAIL PROTECTED] wrote:
Does anyone know anything about a KMS compilation from 1988 (I think) with
Rhythm is Rhythm's 'Beyond the dance' as the last track but including other
tracks by MK, Art Forest. Does anyone have an opinion of it?

Thanks


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Re: [313] techno/jazz

2001-10-22 Thread Wes
The new Ian O'Brien album, A History of Things to Come (Peacefrog) gets 
my current vote for gorgeous, spicey 'future jazz' stuff in this vein. 
But he throws in versions of Jaco Pastorius' Teentown, and Pat Methany's
A Midsummer Western Night's Dream to provide some nice historical
context. Also features Kiwi Nathan Haines (flute), and Domu (drum
programmer extraordinaire). 

On a housier tip, don't miss Aqua Bassino's Beats n' Bobs, on F Comm,
recently out.

Wes  

On Mon, 22 Oct 2001, Mann, Ravinder   [CCS] wrote:

 Im wanting to hear more jazz infused techno as of late...mixing live 
 instrumentation and
 and techno machine driven patterns and effects. Maybe is appeals to my 'rare 
 groove' 
 listening side...
 
 Two notable pieces are
 Today is the Tommorow - Stacey Pullen and
 Programmed - Innerzone Orchestra
 
 Both these have heavy techno influences...can anyone point me the direction 
 of similar materail in techno ?
 
 Thanks
 
 Rav
 
 
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Re: [313] techno/jazz

2001-10-22 Thread Cyclone Wehner
Oh and of course Laurent Garnier's Unreasonable Behavior - but Man With The
Red Face is maybe too obvious?

There is supposed to be another track he has like that, which started off as
a live track.

St Germain also, though that's more traditional jazz.

Again very obvious.

Cheers...

Got the latter twobtw 4Hero have a new CD
similar to Two Pagesplus a cover version of
'expansions' by Lonnie Liston Smith...not had a 
chance to chase that up yet tho. But I feel it falls
into the jazzy drum and bass arena.

Is Plantary Folklore Kirk Delgardo (sp?) So hard to
find anything on Mo'wax.

Rav

 -Original Message-
 From: Rob Theakston [SMTP:[EMAIL PROTECTED]
 Sent: Monday, October 22, 2001 2:47 PM
 To: Mann, Ravinder   [CCS]; '313'
 Subject: RE: [313] techno/jazz
 
 As One  Planetary Folklore
 4Hero   Two Pages
 Ian O Brien  Gigantic Days
 
 are the first three that immediately come to mind for me. all are highly
 worth checking out
 
 
 
 
 -Original Message-
 From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED]
 Sent: Monday, October 22, 2001 9:38 AM
 To: '313'
 Subject: [313] techno/jazz
 
 
 Im wanting to hear more jazz infused techno as of late...mixing live
 instrumentation and
 and techno machine driven patterns and effects. Maybe is appeals to my 'rare
 groove'
 listening side...
 
 Two notable pieces are
 Today is the Tommorow - Stacey Pullen and
 Programmed - Innerzone Orchestra
 
 Both these have heavy techno influences...can anyone point me the direction
 of similar materail in techno ?
 
 Thanks
 
 Rav
 
 
 -
 To unsubscribe, e-mail: [EMAIL PROTECTED]
 For additional commands, e-mail: [EMAIL PROTECTED]
 
 
 
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RE: [313] techno/jazz

2001-10-22 Thread Grammenos, Peter

also try Jan Jalinek's Loop-Finding-Jazz-Records

not live instrumentation, but a cut up of older jazz records from the 60's
and 70's. sure he didn't play these instruments himself and used a computer
and sampler to meld the samples together, ... 




-Original Message-
From: Rob Theakston [mailto:[EMAIL PROTECTED]
Sent: Monday, October 22, 2001 9:47 AM
To: Mann, Ravinder [CCS]; '313'
Subject: RE: [313] techno/jazz


As One  Planetary Folklore
4Hero   Two Pages
Ian O Brien Gigantic Days

are the first three that immediately come to mind for me. all are highly
worth checking out




-Original Message-
From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED]
Sent: Monday, October 22, 2001 9:38 AM
To: '313'
Subject: [313] techno/jazz


Im wanting to hear more jazz infused techno as of late...mixing live
instrumentation and
and techno machine driven patterns and effects. Maybe is appeals to my 'rare
groove'
listening side...

Two notable pieces are
Today is the Tommorow - Stacey Pullen and
Programmed - Innerzone Orchestra

Both these have heavy techno influences...can anyone point me the direction
of similar materail in techno ?

Thanks

Rav


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RV: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

2001-10-22 Thread daweed



I am not from detroit and I am a techno dj, also a producer.

 btw, a drum machine or a synth IS a computer, in case you didn't know

 - Original Message -
 From: [EMAIL PROTECTED]
 To: Subject Detroit [EMAIL PROTECTED]
 Cc: 313@hyperreal.org
 Sent: Monday, October 22, 2001 8:37 AM
 Subject: RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere


 
   Mr. Woolums has taken the words RIGHT OUT OF MY MOUTH!
   How advanced is a piece of equipment that can finally do today what
 certain
   Detroit Djs could do 12 years ago?
   Where is the progress in TALENT? All this does is make it easier for
djs
 who
   lack the ability to do it by hand.
   Instead of raising the bar, they lowering it and trying to step over.
  word!
 
  I totally agree! computers are totally ruinging electronic music! I
mean,
  where's the TALENT in pushing some buttons, or twisting a knob? whatever
  happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like
PLAY
  THE DRUMS, or LEARN THE GUITAR?
 
  That's what techno music is about, RAW SKILL. anything that makes it
  easier for someone to express tehmselves creatively, like say a
computer,
  is a CRUTCH. it's BULLSHIT. it should be MOCKED.
 
  How can some foolish upstart who's not even from detroit, some moron
  canadian, possibly think he can start calling himself a so-called tecno
  dj when he uses a COMPUTER? I for one, am shocked an appalled!
 
  who's up for a turntable jam session! come to my house in belleville,
only
  in detroit!
 
  back and proud,
  jeff mills
 
 
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RE: [313] techno/jazz

2001-10-22 Thread Mann, Ravinder [CCS]
Thanks for the feedbacklet me just add in 

Ian Simmonds - Last States of Nature on !K7
to 
Innerzone Orchestra - Programmed and 
Stacey Pullen -Today is the Tommorow CDs i mentioned earlier
for an idea of type of sound Im trying find.

Rav


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[313] Cleveland OH : Carpark/Tomlab Show 10/23 :

2001-10-22 Thread Greg Malcolm

Headroom Digital, Carpark Records, Audiodregs, and Tomlab Present:



Inkblott : Texas : http://www.tomlab.de/tom9/index.html

Jon Sheffield : Missouri : http://www.tomlab.de/tom12/index.html

Takagi Masakatsu : Japan : http://homepage.mac.com/utono/



@ the Asterisk Gallery in Cleveland (Tremont) OH 2393 Professor Street.

10/23...9pm...$7



Greg Malcolm
T w i n e///S o u n d
¤
http://www.twinesound.com :: http://www.heftyrecords.com
http://www.komplott.com :: http://www.bip-hop.com
http://www.headroomdigital.com
¤

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[313] Metro Area 4

2001-10-22 Thread Rob Theakston

record of the year?

no. that still goes to Metro Area 3. but this one is close, very close. it's
just as good.
should be out by now. look for it.


if you haven't had the chance to hear any of the material on the environ
label, i strongly
urge you to do so. Morgan Geist and company can do no wrong.


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[313] Groovetech site

2001-10-22 Thread d . pinter
Anyone else having difficulty with accessing the site this morning?
I'm getting a 'cannot find server' page.

-dave

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Re: [313] technology (fwd)

2001-10-22 Thread Kent williams
-- Forwarded message --
Date: Fri, 19 Oct 2001 22:37:15 -0700
From: MARC DOUGLAS CHRISTENSEN [EMAIL PROTECTED]
To: Kent williams [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: [313] technology

Kent-

would you forward my reply to the list?  my last several posts haven't gone 
through.  thanks, -marc 

the inestimable Kent williams [EMAIL PROTECTED]  wrote:
Well real Detroit techno was over before it started in some respects.
Kind of like the Velvet Underground -- by the time anyone paid attention
it was long since gone.  

mostly true -- by the time it drew critical attention -- hell, even by the time 
of the music institute, the youth scene -- the under-21 scene that was the 
audience for the sound --- had changed so much that an affinity for techno (or 
progressive house, or
 whatever) seemed almost a throwback.

but Techno stopped being 'TECHNO' when it spread beyond a very exclusive
scene that only really involved a few hundred people in and around
Detroit.

CORRECTION: Given that techno wasn't applied to the sound until '88, when it 
was applied specifically in order to market the sound abroad, you *should* say 
that Techno only *began* being techno by turning away from the scene that 
produced it.

(it used to be known as a whole raft of things, but the most common i remember 
from high school circa '83-'87 was detroit house)

as for the few hundred people estimate -- it's higher, but certainly not 
arguably larger than 20,000, unless you add in Chicago's scene and its audience 
for Detroit product.  And even my highball figure of 20,000 (over seven years 
of adversity, with the
 sound trapped in two midwestern cities) certainly can't compare to the DEMF 
attendance.

history, folks, history.
-marc

PS I've got to get off web-based terminal emulation programs.  my emails 
*never* make it to the list!
l


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[313] Re: Metro Area 4

2001-10-22 Thread Courthouse Int'l Audio
Well... speakin for myself, I like Daniel Wang's stuff much more.
He can do no wrong for me personally, although he tends to be a crazy guy!
I'm gonna do an interview wit him soon for capsite.net
and I'll put sum crazy photos of him in it as well.
Did you hear the track on his CD with the theramin? : )

Any comments on his releases?


Karl Dr. Nutcracker

http://www.capsite.net


 record of the year?

 no. that still goes to Metro Area 3. but this one is close, very close.
it's
 just as good.
 should be out by now. look for it.


 if you haven't had the chance to hear any of the material on the environ
 label, i strongly
 urge you to do so. Morgan Geist and company can do no wrong.




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Re: [313] Re: Metro Area 4

2001-10-22 Thread james boylan

Well... speakin for myself, I like Daniel Wang's stuff much more.
He can do no wrong for me personally, although he tends to be a crazy guy! 
I'm gonna do an interview wit him soon for capsite.net

and I'll put sum crazy photos of him in it as well.
Did you hear the track on his CD with the theramin? : )

Any comments on his releases?


I only have one of his records - I think it was his last one on Environ. 
Liked it in the shop, but I obviously flicked through too quickthought 
it was a bit dull and slightly naff when I listened to it properly at home.  
Shades of Jean Michel Jarre I remember thinking.


I love Morgan Geist's stuff though.

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Re: [313] santos rodriguez

2001-10-22 Thread scott mcgill
I can see the similarities between it and his stuff on Fat Cat.   I wouldn't
have said it was Bicknell though.

Thanks.
Does he have anything new out? Last I saw was a remix of Emiliana Torrini.

Scott Mc
- Original Message -
From: daweed [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Monday, October 22, 2001 10:44 AM
Subject: RV: [313] santos rodriguez






  santos is actually Grain...He works in Big Apple Reocrds in Croydon, UK
 with
 
  John Kennedy from the Lost Recordings crew.
 
  Very nice guy..also known as Grain of the richie Haw3tin Decks FX etc
and
  also known as
  Morgan Reno.
 
  How do I knwo this well there good friends of mine.
 
  Please can you post this to help others.
 
  Thanks
  -Original Message-
  From: daweed [mailto:[EMAIL PROTECTED]
  Sent: 22 October 2001 10:30
  To: 313@hyperreal.org
  Subject: RE: [313] santos rodriguez
 
 
  I want to know who Santos Rodriguez is too! For a while I thought it was
  bicknell, but I'm not so sure now
  - Original Message -
  From: Phonopsia [EMAIL PROTECTED]
  To: Maarten Baute [EMAIL PROTECTED]; 313@hyperreal.org
  Sent: Saturday, October 20, 2001 4:41 PM
  Subject: Re: [313] santos rodriguez
 
 
   - Original Message -
   From: Maarten Baute [EMAIL PROTECTED]
   To: 313@hyperreal.org
   Sent: Saturday, October 20, 2001 7:54 AM
   Subject: [313] santos rodriguez
  
  
Little question:
   
is this guy producing under some aliases?
Because cosmic id 001 is the only relase from santos rodriguez i´ve
  heard
from (and I like it a lot).
  
   Great question. I've been dieing to know this for a while too.
  
   Tristan
   --
   http://ampcast.com/phonopsia - Music
   http://phonopsia.tripod.com - Mixes, pics, thought, travelogue  info
   http://www.metatrackstudios.com
   [EMAIL PROTECTED] - email
   FrogboyMCI - AOL Instant Messenger
  
  
  
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RE: [313] Model 500 - Ocean to Ocean(Transmat)

2001-10-22 Thread FC3 Richards
definately the wanderer is the other track, and i personally like that one
the best.  all around it is great, and it available on Transmat Classics, so
you don't have to pay an insane amount of money for a original on e-bay..
jeff

 -Original Message-
 From: Sakari Karipuro [SMTP:[EMAIL PROTECTED]
 Sent: Friday, October 19, 2001 9:20 AM
 To:   allnight
 Cc:   313@hyperreal.org
 Subject:  Re: [313] Model 500 - Ocean to Ocean(Transmat)
 
 allnight wrote on Fri, 19 Oct 2001 about following:
 
  hi list members. can anyone make coments in this record? i know only
  infoworld from it. r the other trax like it? how would u describe it?
 
 i can't remember any other tracks from the ep than Ocean to Ocean
 (vocal mix), which is so beautiful track that you should buy few extra
 copies :)
 
 yeah, there is instrumental of Ocean to Ocean, and infoworld, and one
 other track.. maybe it was wanderer or something. i have 12 somewhere
 in my shelf, but didn't find it with quick glance through.
 
 just buy it. it's excellent.
 
 sakke
 -- 
 The number of Unix installations has grown to 10, with more expected.
--The Unix Programmer's Manual, 2nd Edition, June, 1972
 
 
 
 
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[313] Hallowe'en (D in Toronto)

2001-10-22 Thread Wes
Woodwork squeaks ...some welcome guests from Detroit will soon be gracing
us with their presence. Carl Craig at Roxy Blue, + Todd Mullinix and
Matthew Dear at this one:

 Hallowe'en approaches and Technot is back...and this is a big one!
 
 A collaboration with Wabi and The Music Gallery, we present a Hallowe'en
 event in a rarely-visited artists' studio, with an amazing musical lineup
 that includes 2 special guests from Detroit (TADD MULLINIX, MATTHEW DEAR),
 Tomas Yirku's hip-hop project (G.I. JOE KILLAZ), as well as DJ sets from
 Technot residents UTILITY and OVALROASTER and the WABI COLLECTIVE.
 
 Friday, October 26
 10pm - ?
 411 Front St. E. [at Cherry St.]
 $10 advance or with costume.. more at door.. 19+
 
 live:
 Tadd Mullinix [ghostly international . detroit]
 G.I. Joe Killaz [substractif . toronto]
 
 dj:
 Matthew Dear [spectral recordings . detroit]
 Technot residents
 Wabi residents
 
 visuals:
 missing persons
 
 advance tickets: penguin..metropolis..rotate..delphic..odyssey..alter
 ego..the music gallery
 
 www.wabi.org?
 
 N.B. - your advance ticket will also get you into the music gallery's ROBERT
 NORMANDEAU  performance earlier the same evening for only $5 [regular ticket
 price $20]!??
 
 recently signed to aphex twin's rephlex label, robert normandeau is a
 montreal-based musician whose set-up for his performance includes an
 astounding 18-speaker surround-sound amplification system. this performance
 is going to be a trip!
 
 robert normandeau:
 friday..october..26.
 intro 7:15pm.. show 8pm.. robert gill theatre.
 214 College St. 3rd floor [st. george entrance]
 www.musicgallery.org


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[313] melbourne australia : 313ish event

2001-10-22 Thread Duncan Robertson

just a quick mention:

trying something different - a warehouse party with deep dubby techno,
and pure dub more info @ URL

HEADSPACE dub/tech party http://koan.net/headspace/ (sat 17th november)

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[313] TITONTON FABRICE LIG 12

2001-10-22 Thread Arne Weinberg
Hello folks!

Go and get this amazing and beautiful 12 of these two masters of melodic 
techno!
The new 7th City is unbelievable nice!

Titonton  Fabrice Lig - Sensual / 7th City 012

YES!

Cheers, Arne

Arne Weinberg
GROUND ZERO Rec. / STARBABY Rec. / PROPAGANDA Rec.
**


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Re: [313] Gettin' Wiggy Wit' It

2001-10-22 Thread Michael Kim


kinda weird.  i picked it up, it's got the La La Land single and a kinda 
hard-housey type track that i play.  the techno tracks are a little weird: 
this is definitely something that you should listen to first before buying.


Mike


From: Cyclone Wehner [EMAIL PROTECTED]
To: 313 Detroit 313@hyperreal.org
Subject: [313] Gettin' Wiggy Wit' It
Date: Mon, 22 Oct 2001 13:56:54 +1000

What is the vibe on the new Green Velvet album?

I like all his stuff though I always think of Caj as a singles artist, just
because his singles are so good. The single La La land is brilliant.

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Re: [313] TITONTON FABRICE LIG 12

2001-10-22 Thread Michael Kim


i agree.  the nwe Titonton/Fabrice Lig on 7th City and Nairobi definitely 
have to be the best classic-sounding records of the year.


Mike


From: [EMAIL PROTECTED] (Arne Weinberg)
To: 313@hyperreal.org
Subject: [313] TITONTON  FABRICE LIG 12
Date: Mon, 22 Oct 2001 18:31:30 +0200

Hello folks!

Go and get this amazing and beautiful 12 of these two masters of melodic
techno!
The new 7th City is unbelievable nice!

Titonton  Fabrice Lig - Sensual / 7th City 012

YES!

Cheers, Arne

Arne Weinberg
GROUND ZERO Rec. / STARBABY Rec. / PROPAGANDA Rec.
**


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Re: [313] Re: Metro Area 4

2001-10-22 Thread et machina

Well... speakin for myself, I like Daniel Wang's stuff much more.
He can do no wrong for me personally, although he tends to be a crazy guy!
I'm gonna do an interview wit him soon for capsite.net
and I'll put sum crazy photos of him in it as well.
Did you hear the track on his CD with the theramin? : )

Any comments on his releases?


i love the wang! haha the only thing that bugs me is the recurring carribean 
cruise-ship jazz feelings in his music.


hey check this new swedish label, Plej! kinda metrofunk (hey otto :P) 
kinda micro-house or whatchever its called.

http://www.plej.se
has mp3's from their first release :)

jt

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RE: [313] technology

2001-10-22 Thread FC3 Richards
wasn't that party thrown by woody mcbride?  i have heard numerous times that
party was one of the best in the MW...kinda makes we wanna live in the old
times...

 -Original Message-
 From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED]
 Sent: Saturday, October 20, 2001 9:59 PM
 To:   Cyclone Wehner; 313 Detroit
 Subject:  Re: [313] technology
 
 he is dropping is own version of Get Ur Freak On  but it's still 
 cool nonetheless.
 
 his supposed lack of humor is a common misconception, it seems.  he 
 once opened a set in minneapolis with the entirety of Stairway To 
 Heaven - and i mean the whole damn song.  the party was called 
 Stairway To Headphones, hence the song.  rich went on typically late 
 in the evening, i think right after josh wink.  so picture several 
 hours of techno interrrupted by a very long Led Zeppelin song.  damn 
 that was funny.  people had no idea what to do.
 
 At 7:26 PM +1000 10/19/01, Cyclone Wehner wrote:
 Well dude is dropping Missy Elliott into his sets too now, I read in
 Jockey
 Slut. Guess this means I get a reprieve from techno purists who scoff at
 my
 RB CDs now. Thanks Rich! ;)  Now I dare Richie to drop Jay-Z or Bubba
 Sparxxx. ;)
 
 all i have to say is who else has ventured out into the land of
 experimantation like hawtin has on the closer to the edit CD??
 
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[313] fuel to the fire

2001-10-22 Thread Rusty Blasco
Why is it that seemingly innocuous inquiries sent to this list invariably 
lead to embittered polemics?  I remember when this particular strain began 
with a simple question on my part as to the general opinions circulating on 
Mr. Hawtin's newest creation.  Then came the inevitable Richie bashing.  
What is it about the gent that stirs such negative emotion?  Is it that he's 
white or not a Detroit native or that he has gained a relatively large 
following outside of the techno underground thanks to numerous 
publications?  I personally love the guy; his work touches me in a profound 
manner.  By this I don't necessarily mean his work has changed my outlook on 
life, but his particular brand of techno (which I believe to be very 
singular) appeals to that creative, imaginative, and (dare I say) 
intellectual side of my being.  And this doesn't even take into regard the 
satisfaction my rhythmic nature finds in Richie's bare bones approach to the 
essential beat.  His work reinforces my love of techno, dammit!


Anyway, without digressing extravagantly, I think the argument centered 
around the progression of technology as it relates to the creative process 
has been steered the wrong way.  Too many purists IMO.  Where does techno 
fit if technology is to be shunned and feared?  (Yes, I'm well aware that 
the whole of this list doesn't fear technology as a primitive would fear 
fire.)  It's all about how the technology is used and especially how the 
material goods of our time are directed towards an end goal of individual 
expression as it relates to current cultural trends and mindsets (both local 
and global).  Art should reflect the present and not be regarded separately, 
for the key to its purpose lies in the questions, ruminations, ponderances, 
and affirmations that result from it.  Plus, don't forget that technology's 
goal is to make life easier for us, to facilitate the tasks that we may 
needlessly exert our limit energies towards accomplishing.  If a new piece 
of equipment opens doors to a whole new slate of artists who heretofore 
haven't possessed the means or ability (or desire or time . . .) to express 
themselves, all the better.  The innovators will be singled out and 
recognized, that is a guarantee.  Besides, imitation comes before 
innovation.


I don't know my thoughts are at all cohesive or if I'm rambling, but I'm 
trying to cram multiple thoughts into this lunch break of mine.  Time to get 
back to work.  (I can't wait to see what kind of an acerbic response I'll 
get to this.)


 Rusty
   aka DJ MaybeIhavenocluewhatI'mtalkingabout

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Re: [313] Gettin' Wiggy Wit' It

2001-10-22 Thread Cyclone Wehner
Weird is Green Velvet's middle name, well, actually it's Alan, but ya know
what I mean. ;) He is calling it techno punk.

There are a lot of retro sounds in there which I kinda like.

Genedefekt is electro. GAT (Great American Tragedy) is a heavy metal, punk
and techno. La La Land has just been added to Triple J here (Aussie Radio
One aka alternative station that occasionally adds token hip-hop and dance
tracks just to acknowledge their existence), which is strange but good.

kinda weird.  i picked it up, it's got the La La Land single and a kinda 
hard-housey type track that i play.  the techno tracks are a little weird: 
this is definitely something that you should listen to first before buying.

Mike

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RE: [313] technology

2001-10-22 Thread Eric Scuccimarra
If I remember correctly Stairway to Headphones is a release by Wink and 
McBride on the Head in the Clouds label. It was also released on a 2 x 12 
of remixes of Basketball Heroes called BasketBall Heroes vs. Stairway to 
Headphones on McBride's Communique label.


So the party by the same name would probably have been thrown by McBride. I 
vaguely remember hearing about it as I was living in Cleveland at the time 
(around 95, I think). But I don't remember hearing anything about the party 
back then.


At 09:51 AM 10/22/2001 -0700, FC3 Richards wrote:

wasn't that party thrown by woody mcbride?  i have heard numerous times that
party was one of the best in the MW...kinda makes we wanna live in the old
times...

 -Original Message-
 From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED]
 Sent: Saturday, October 20, 2001 9:59 PM
 To:   Cyclone Wehner; 313 Detroit
 Subject:  Re: [313] technology

 he is dropping is own version of Get Ur Freak On  but it's still
 cool nonetheless.

 his supposed lack of humor is a common misconception, it seems.  he
 once opened a set in minneapolis with the entirety of Stairway To
 Heaven - and i mean the whole damn song.  the party was called
 Stairway To Headphones, hence the song.  rich went on typically late
 in the evening, i think right after josh wink.  so picture several
 hours of techno interrrupted by a very long Led Zeppelin song.  damn
 that was funny.  people had no idea what to do.

 At 7:26 PM +1000 10/19/01, Cyclone Wehner wrote:
 Well dude is dropping Missy Elliott into his sets too now, I read in
 Jockey
 Slut. Guess this means I get a reprieve from techno purists who scoff at
 my
 RB CDs now. Thanks Rich! ;)  Now I dare Richie to drop Jay-Z or Bubba
 Sparxxx. ;)
 
 all i have to say is who else has ventured out into the land of
 experimantation like hawtin has on the closer to the edit CD??
 
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Re: [313] techno/jazz

2001-10-22 Thread M Elliot-Knight

Im wanting to hear more jazz infused techno as of late...


Ian O'Brien Desert Scores (Peacefrog)
Kirk Degiorgio presents As One - Contours/Another Revolution (Ubiquity) 
check the Stacy Pullen mix

Kirk Degiorgio presents As One - Nairobi (Ubuiquity) Carl Graig mix

Check out just about anything on Compost records as well

You might also enjoy Flanger.

MEK



From: Cyclone Wehner [EMAIL PROTECTED]
To: 313 Detroit 313@hyperreal.org
Subject: Re: [313] techno/jazz
Date: Mon, 22 Oct 2001 23:25:16 +1000

I think you would enjoy the Herbie Hancock album which I haven't heard of
yet but everyone seems enamoured with.

LTJ Bukem has remixed a single from that album. You may like Bukem's stuff
generally as he shares the same kind of cultural sensibilities, with that
jazz/tech/house hybrid. Bukem is working on a remix album of Journey 
Inwards

with some of his own heroes - though no names are being given out, my guess
is that artists from Detroit, Chicago and the jazz world will be involved 
in
that. He is also launching a new deep house label Deep Rooted, so maybe 
look

out for those issues. I think it will be interesting.

Also Dave Angel's roots are heavily steeped in jazz, so maybe his artist
albums. I know his next one was gonna feature live musicians but I haven't
heard anything more about this.

Im wanting to hear more jazz infused techno as of late...mixing live
instrumentation and
and techno machine driven patterns and effects. Maybe is appeals to my
'rare groove'
listening side...

Two notable pieces are
Today is the Tommorow - Stacey Pullen and
Programmed - Innerzone Orchestra

Both these have heavy techno influences...can anyone point me the 
direction

of similar materail in techno ?

Thanks

Rav


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Re: [313] Groovetech/BetaLounge

2001-10-22 Thread M Elliot-Knight
No, but I can't get into Beta Lounge for two days now. I NEED to record the 
Isolee set for my upcoming trip!

Anyone else having problems with Beta Lounge?

MEK



From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] Groovetech site
Date: Mon, 22 Oct 2001 11:06:12 -0400

Anyone else having difficulty with accessing the site this morning?
I'm getting a 'cannot find server' page.

-dave

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RE: [313] Groovetech/BetaLounge

2001-10-22 Thread Holly MacDonald-Korth
yeah... i've been trying to get in all morning!

-Original Message-
From: M Elliot-Knight [mailto:[EMAIL PROTECTED]
Sent: Monday, October 22, 2001 11:15 AM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: [313] Groovetech/BetaLounge


No, but I can't get into Beta Lounge for two days now. I NEED to record the 
Isolee set for my upcoming trip!
Anyone else having problems with Beta Lounge?

MEK


From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: [313] Groovetech site
Date: Mon, 22 Oct 2001 11:06:12 -0400

Anyone else having difficulty with accessing the site this morning?
I'm getting a 'cannot find server' page.

-dave

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Re: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

2001-10-22 Thread Michael Taylor
 I totally agree! computers are totally ruinging electronic music! I mean,
 where's the TALENT in pushing some buttons, or twisting a knob? whatever
 happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like PLAY
 THE DRUMS, or LEARN THE GUITAR?

the funny thing about this statement is that most of the innovators from
this time period in Detroit and Chicago that still have any musical standing
today were playing traditional instruments before they started making dance
music. It is funny that no matter how much technology we get, you still
cannot get around the fact that you have to write good music.

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Re: [313] Gettin' Wiggy Wit' It

2001-10-22 Thread msmith00
Quoting Cyclone Wehner [EMAIL PROTECTED]:

 Weird is Green Velvet's middle name, well, actually it's Alan, but ya know
 what I mean. ;) He is calling it techno punk.

'techno punk' wow that's a revivalist term I haven't heard since The Prodigy, 
Atari Teenage Riots and the movie 'Hackers'.  He's already been there, his 
schtick is running thin.

 There are a lot of retro sounds in there which I kinda like.

That makes two.  Felix Da Housecat beat him to it with 'Silver Screen Shower 
Scene'.  But then again everyone's been slamming the Germans for producing 80's 
inspired glam-tech for ever (Internation Gigolo DJ's anyone?) that is until now.

La La Land is boring, to me it is the techno equivalent of D12's 'Purple 
Pills', another scholock production sensationalizing drug use.  I can't comment 
about the production because I would probably really like the track if he 
droned on about something other than drugs.  There's gotta be a million 
interesting stories to tell out there, that involve drugs (ie.  Noosa 
Heads 'Mushrooms', Green Velvet 'Flash'). La La Land isn't one of them.  Though 
I'm sure Mr. Velvet could tell us a fair number.

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Re: [313] techno/jazz --- jazz/techno

2001-10-22 Thread robert.merlak
get also :

v/a ''check one - compiled and mixed by kirk degiorgio'' (xtreme)

and maybe some of these :

gregory fleckner quintet ''monkey boots'' (clear)
stasis ''from the old to the new'' (peacefrog)
max brennan ''alien to whom'' (sublime)
transporter and conjoint projects on source records from germany
uriel ''under compulsion'' (beau monde)

can someone recommend me some albums by jazz musicians
that are in the jazz/techno vein, something that influenced kirk,
craig, ian o'brien, stacy

thanks
bye,
robert


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Re: [313] fuel to the fire : was hawtin hawtin everywhere

2001-10-22 Thread Dale Lawrence

I have to agree with you.  It seems whenever a new
technology is introduced, the status quo immediately
feels threatened by it and does everything in its
power to slag it--methodically.  The funny part
is that usually the bigger the stir about something
new, the more you can count on it becoming an
accepted new medium for creation.  It happens in
both the audio and visual arts.  A simple
example would be the camera.  When the camera
first came around the painters of the world
united and screamed Blashpemy! That 'device' is
doing all the work!  All they do is press the
button and the image is recorded!...

Now how many people on this list believe that
the camera does all of the work in the creative
process of photography?

Those painters were fools...

Back to recent modern times.  How many people 
here use drum machines?  How many of our favorite
songs use drum machines?  Would our music not
exist without the drum machine?  But when they
were first developed the 'real' musicians, who
had been doing it 'the correct way' since 'back
in the day' screamed Blashpemy! That 'device' is
doing all the work! Just press the button and the
beats just come pouring out of it!  Where is
the creativity in that?

Is it the device, or what you do with it?

Next on the electronic musical timeline:
The Sampler.

Oh no!  Here is a piece of equipment that all
you do is press record, and it allows you to
replay whatever it was that you recorded, spread
out across your
keyboard-- including other people's
music.  Hell, you don't even have to program beats
anymore.  In fact, even the users of the drum
machine, who's rhythm devices had just recently
gained acceptance as a justified creative musical   
instrument were screaming, Blashpemy! That 'device'
is doing all the work!  Just press that button
and it plays back whatever they recorded from
somewhere else!

Now, eventually everyone realized that while
the P.Diddy's chose to capitalize on the misuse
of the technology, the majority of sampler users
were keeping it real, and expanding their
creative realm the old fashioned way, through
inspiration.  Except, maybe by now it was
10% inspiration to 90% perspiration, compared to
the old 1%-- terrible odds huh?

After the sampler what happened?  A sh|tload of
PC's started appearing in everyone's home and
software based music creation avenues soon
followed.  You could get a program that did
almost anything, simulated analog keyboards, 
simulated digital keyboards, simulated drum
machines, and *gasp* samplers even.  This wave
is very recent over the past few years, but
do you think it was a smooth evolution?
Absolutely not.  Who screamed the loudest?
Come on, fill in the blank right here ___.
That's right, the owners of the samplers and
drum machines.  After all, they had just invested
all their hard-earned money-- thousands and 
thousands of dollars-- into their gear, and now
any kid with a home computer could jump on hotline
and have a complete musical studio set up inside
their PC within hours?  They had just recently
--finally-- been recognized as the true innovators
and then the next wave comes along and threatens
their livelihood.  Blashpemy! That 'device'
is doing all the work!  Just press that button
and the computer writes the entire arrangement
from start to finish!  Where is the creative process
in that!?

This is a cycle that will never end.  It is human
nature.  The irony here is that this music was 
inspired by technology-- in fact, they called it
Techno, and for a reason-- yet, when a new
technology is developed to further the music,
the former Techno 'pioneers' seem to be the first
to try and hold it back, but not 

Re: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

2001-10-22 Thread Kevin Conrad
It's not just you.  The excessive use of caps was a
hint, but signing off as Mills gave it away.

Kevin


--- Fixer [EMAIL PROTECTED] wrote:
 is it just me, or does it seem everyone who
 responded to Chris
 missed the seemingly obvious sarcasm in his post?
 
 
 
   I totally agree! computers are totally ruinging
 electronic music! I mean,
   where's the TALENT in pushing some buttons, or
 twisting a knob? whatever
   happened to what a few guys, ONLY IN DETROIT,
 did 12 years ago, like PLAY
   THE DRUMS, or LEARN THE GUITAR?
 
 
 --
 fix.er \'fik-s*r\ n : one that fixes : as : one that
 intervenes to
 enable a person to circumvent the law or obtain
 a political
 favor : one that adjusts matters or disputes by
 negotiation
 
 

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Re: [313] techno/jazz

2001-10-22 Thread Brian 'balistic' Prince
Monday, October 22, 2001, 7:37:50 AM, a knob was tweaked and out came:

MRC Two notable pieces are
MRC Today is the Tommorow - Stacey Pullen and
MRC Programmed - Innerzone Orchestra

MRC Both these have heavy techno influences...can anyone point me the 
direction of similar materail in techno ?

You might want to check out some records on Eviron . . . Daniel
Wang, Metro Area, et cetera.

-
Brian balistic Prince
http://www.bprince.com



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Re: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

2001-10-22 Thread Fixer

is it just me, or does it seem everyone who responded to Chris
missed the seemingly obvious sarcasm in his post?




 I totally agree! computers are totally ruinging electronic music! I mean,
 where's the TALENT in pushing some buttons, or twisting a knob? whatever
 happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like PLAY
 THE DRUMS, or LEARN THE GUITAR?



--
fix.er \'fik-s*r\ n : one that fixes : as : one that intervenes to
   enable a person to circumvent the law or obtain a political
   favor : one that adjusts matters or disputes by negotiation


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RE: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

2001-10-22 Thread Grammenos, Peter

haha. the dual identity of this thread is now OVER !



-Original Message-
From: Fixer [mailto:[EMAIL PROTECTED]
Sent: Monday, October 22, 2001 2:10 PM
To: 313@hyperreal.org
Subject: Re: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere


is it just me, or does it seem everyone who responded to Chris
missed the seemingly obvious sarcasm in his post?



  I totally agree! computers are totally ruinging electronic music! I
mean,
  where's the TALENT in pushing some buttons, or twisting a knob? whatever
  happened to what a few guys, ONLY IN DETROIT, did 12 years ago, like
PLAY
  THE DRUMS, or LEARN THE GUITAR?


--
fix.er \'fik-s*r\ n : one that fixes : as : one that intervenes to
enable a person to circumvent the law or obtain a political
favor : one that adjusts matters or disputes by negotiation


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RE: [313] techno/jazz --- jazz/techno

2001-10-22 Thread Yair Etziony
howdee.
ornette coleman-the shape of jazz to come.
eric dolphy-out to lunch.
most of the stuff that was out on blue note in the years 1960-1966 were fab!
pharoe sanders-all his stuff.
charles mingus-mingus X5 , all the stuff he got on the candid label.
Lonnie Liston Smith- idon`t recall the album name -but it was sampled like
hell.
herbie hancock- sextant- a ground breaking album!!! innovative with
electronic geer.
if u want some more just ask.
y

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Monday, October 22, 2001 7:59 PM
To: 313
Subject: Re: [313] techno/jazz --- jazz/techno


get also :

v/a ''check one - compiled and mixed by kirk degiorgio'' (xtreme)

and maybe some of these :

gregory fleckner quintet ''monkey boots'' (clear)
stasis ''from the old to the new'' (peacefrog)
max brennan ''alien to whom'' (sublime)
transporter and conjoint projects on source records from germany
uriel ''under compulsion'' (beau monde)

can someone recommend me some albums by jazz musicians
that are in the jazz/techno vein, something that influenced kirk,
craig, ian o'brien, stacy

thanks
bye,
robert


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[313] 313] TITONTON FABRICE LIG 12

2001-10-22 Thread Yair Etziony
it was quite sure that Lig and titonton will deliver the goods on the 7th
city.
 also worth cheking are :
 john tejada-timebomb-7th city.
 john tejada`s remix in sheep 025 also is fine. 
STARBABY 004- is a good one too.
y



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Re: [313] Gettin' Wiggy Wit' It

2001-10-22 Thread Cyclone Wehner
Actually it was spelt tekno punk in Jockey Slut. That may make a
difference. Funny you should mention Felix! Those albums pretty much would
have been recorded at the same time.

I am not sure if La La Land is actually sensationalising drug use, it's much
more ambiguous, to my ears. It mixes well with Purple Pills though.

'techno punk' wow that's a revivalist term I haven't heard since The Prodigy, 
Atari Teenage Riots and the movie 'Hackers'.  He's already been there, his 
schtick is running thin.

 There are a lot of retro sounds in there which I kinda like.

That makes two.  Felix Da Housecat beat him to it with 'Silver Screen Shower 
Scene'.  But then again everyone's been slamming the Germans for producing 
80's 
inspired glam-tech for ever (Internation Gigolo DJ's anyone?) that is until 
now.

La La Land is boring, to me it is the techno equivalent of D12's 'Purple 
Pills', another scholock production sensationalizing drug use.  I can't 
comment 
about the production because I would probably really like the track if he 
droned on about something other than drugs.  There's gotta be a million 
interesting stories to tell out there, that involve drugs (ie.  Noosa 
Heads 'Mushrooms', Green Velvet 'Flash'). La La Land isn't one of them.  
Though 
I'm sure Mr. Velvet could tell us a fair number.

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Re: RE: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere

2001-10-22 Thread Scotto

- Original Message - 
From: Berislav [EMAIL PROTECTED]

 but please guitar, drums, what is next...banjo.
 
sorry already been done kent williams samples a banjo in one of his tunes.

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RE: [313] techno/jazz

2001-10-22 Thread Yair Etziony
wow i am so bored at work gonna try add some more techno jazz things.
 *nu era-broken techno ep-archive (made by marc mac from 4 hero) one of the
best tunes for me.
 *nubian mindz-forgotten parts-archive (great stuff too).
 *i.o. (patrick pulsinger)-libre(i think its the name since i am at work not
home) - mo`wax EXcurSION great remixes from mark broom,stasis but the record
is a bit defunked.
 *DOMU DRESSED -TO ILL/SNAKE EYES- 2000 black- great jazz from dego`s label.
 *PAUL,DANIEL -REGULUS-mermaid- from sonar kollektiv (not so much techno but
worth it!).
 *daniel wang- environ 13- very fine tune.
 *morgan geist-the new metamorphic- worth cheking too.
 Y.
  
   
 

-Original Message-
From: M Elliot-Knight [mailto:[EMAIL PROTECTED]
Sent: Monday, October 22, 2001 6:57 PM
To: 313@hyperreal.org
Subject: Re: [313] techno/jazz


 Im wanting to hear more jazz infused techno as of late...

Ian O'Brien Desert Scores (Peacefrog)
Kirk Degiorgio presents As One - Contours/Another Revolution (Ubiquity) 
check the Stacy Pullen mix
Kirk Degiorgio presents As One - Nairobi (Ubuiquity) Carl Graig mix

Check out just about anything on Compost records as well

You might also enjoy Flanger.

MEK


From: Cyclone Wehner [EMAIL PROTECTED]
To: 313 Detroit 313@hyperreal.org
Subject: Re: [313] techno/jazz
Date: Mon, 22 Oct 2001 23:25:16 +1000

I think you would enjoy the Herbie Hancock album which I haven't heard of
yet but everyone seems enamoured with.

LTJ Bukem has remixed a single from that album. You may like Bukem's stuff
generally as he shares the same kind of cultural sensibilities, with that
jazz/tech/house hybrid. Bukem is working on a remix album of Journey 
Inwards
with some of his own heroes - though no names are being given out, my guess
is that artists from Detroit, Chicago and the jazz world will be involved 
in
that. He is also launching a new deep house label Deep Rooted, so maybe 
look
out for those issues. I think it will be interesting.

Also Dave Angel's roots are heavily steeped in jazz, so maybe his artist
albums. I know his next one was gonna feature live musicians but I haven't
heard anything more about this.

 Im wanting to hear more jazz infused techno as of late...mixing live
 instrumentation and
 and techno machine driven patterns and effects. Maybe is appeals to my
 'rare groove'
 listening side...
 
 Two notable pieces are
 Today is the Tommorow - Stacey Pullen and
 Programmed - Innerzone Orchestra
 
 Both these have heavy techno influences...can anyone point me the 
direction
 of similar materail in techno ?
 
 Thanks
 
 Rav
 
 
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Re: [313] fuel to the fire : was hawtin hawtin everywhere

2001-10-22 Thread Ed Wong Hau Pepilu Tivrusky IV
|do you really think the people that
|embrace the new tools, are simply trying to recreate
|what the people with the old tools were doing 12, to
|20 years ago?  Absolutely not.  If that were the
|case, just go buy a drum set, or learn to play the
|guitar, or even buy an 808 or 909 drum machine...
|A 303 perhaps?  

 I think the majority *are* trying to recreate something, particularly where 
electronic music is
concerned. Why buy that 808/303/etc. when there's Rebirth/Reaktor/Reason? 
Analog Modeling Synths?
Emulators for everything? You're right about people resisting new technologies, 
but I think it's
largely a reaction to how these new technologies are perceived. In each case I 
think the hype
reaches a point where a new innovation is elevated beyond the status of cool 
new instrument, to
*a replacement for some other instrument*. In each case that other instrument 
is irreplaceable.
If you want to create *original* trap-set breakbeats the only thing *to* do is 
learn to play
drums; a drum machine or sampler just isn't the same. But, ( this is 
important,  thanks for
bearing with me) the flipside to this is that a drum machine and sampler can do 
things no live
drummer could manage. So, yeah; let's see what these new toys can do, progress 
is great, but in
our enthusiasm we shouldn't disrespect people by suggesting that they are 
somehow rendered
obsolete in the process. We've only come this far by following in their 
footsteps...



   

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Re: [313] techno/jazz --- jazz/techno

2001-10-22 Thread robert.merlak
Lonnie Liston Smith- idon`t recall the album name -but it was sampled like
hell.


was it spinning wheel?

bye
rob


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RE: [313] techno/jazz --- jazz/techno

2001-10-22 Thread Yair Etziony
its -Expansions- one hell of a record.
y

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Monday, October 22, 2001 9:50 PM
To: 313
Subject: Re: [313] techno/jazz --- jazz/techno


Lonnie Liston Smith- idon`t recall the album name -but it was sampled like
hell.


was it spinning wheel?

bye
rob


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