[313] New Tracks
Greetings All, Just a quick note to let you know that I have two new tracks available at http://www.assasins.net the first track is entitled Tabla Jam. It is a collaboration between myself and John C. It is a very long (24 minutes,) and almost meditative track. I know that the size of this file will not be good for those on modems, but you should be ble to stream it ok. If interested, email me privately and I will burn a CD. I'm quite proud of this track, so please let me know what you think! The second track is unagi. It is a bangin' techno track in the style of Utility Plastics. I experimented with several parts of the song falling in and out of time with each other. The track is hard, but still remains lighthearted. thanks jim - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] wireframe records
Hey there. Thought some of you may be interested that I re-vamped the website ( www.wireframerecords.com )and added some new tracks, a new mix, and two new artists. Watch for vinyl releases early next year... Thanks for the B-Width!!! TJ www.wireframerecords.com www.outrecords.com PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Roots of Trance (Was Re: LA Weekly Juan interview)
on 11/3/01 2:18 PM, [EMAIL PROTECTED] wrote: I would also dispute that Star Dancer is the blueprint for trance; there are quite a few releases in my collection that predate it (I was playing what we would now call trance in 1994 but quickly got away from it, and though I like some of the old tracks the current stuff turns my blood to mush). Not to turn this into a particularly long thread, but what would you consider to be other midwestern influences on what has become Trance? The only things that pop into my head immediately are some late 80s Chicago Acid experiments and Richie's early successes which Deutsche kinder seemed to embrace, like Substance Abuse, F.U., etc. I suppose there are other European trends branching out from EBM... -- im - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Roots of Trance (Was Re: LA Weekly Juan interview)
On Sun, 4 Nov 2001, Ian wrote: +Not to turn this into a particularly long thread, but what would you +consider to be other midwestern influences on what has become Trance? maybe some stuff out of minnesota? that place has always been pretty candy anyways... thinkin stuff like on head in the clouds (rob williams 2 voices on H012), stuff on analogue... memoirs of an acid junkie comes to mind... since we're talking about minnesota might as well give prince a shout out. and milwaukee too. drop bass couldn't be more trance. it would be hard anyways... i don't know if they could pull it off. the beer's good, but i stay for the cheese (and the glass). and st. louis itself is trance to the core... i've only been there two times, an i've never heard much music to come out of there, but i just wanted to call st. louis trance for a minute on this list. that was *so* fun. you're trance too. you're all trance. you just don't know it yet... only i do (as my eyes get all shifty like felix the cat's). but to answer your question, some jerk in ohio probably started the whole damn thing. i wish superstar dj keoki lived in the midwest so i could say his name more. he's not necessarily trance, but he plays it on his cds. (psst, hey atomly, trance sucks.) http://hyperreal.org/~chad p.s. - WHAT'S MICHIANA DONE FOR TRANCE LATELY? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Roots of Trance (Was Re: LA Weekly Juan interview)
and milwaukee too. drop bass couldn't be more trance. it would be hard anyways... i don't know if they could pull it off. the beer's good, but i stay for the cheese (and the glass). definately drop bass. it was one of the first thoughts that came to mind but I didnt wanna step on any gabberhead toes. peace d __ Do You Yahoo!? Find a job, post your resume. http://careers.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Hawtin + Aphex Twin - NY Times
Final Scracth article in this sunday's times .. http://www.nytimes.com/2001/11/04/arts/music/04SANN.html?search=nyToday -Pete - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Hawtin + Aphex Twin - NY Times
I'm sure someone will think this is a great article, but with lines like : ___ One song, Kladfvgbung Micshk, uses a prepared piano for both the rhythm and the melody, and this suggestion - that a rhythm instrument can have a melodic value, and vice versa - creates a sense of ambiguity that hovers over the whole album: we're often not quite sure whether we're hearing a beat or a tone. ___ WTF! Of course a rhythm instrument can have a melodic value, considering the writer is paying close attention to RDJ's use of the piano, he/she should at least know something about the piano, or maybe the guitar, bass, drums, etc. All rhythm instruments have tones, a beat IS a tone. I would really like to know what Final Scratch had to do with DE9 2, besides being an influence on it (whatever that means). The best part of the article is definitely: (the author is speaking of Hawtin's use of a Phillipe Cam record) ___ It's a shame there aren't more surprises like that. Too much of Closer to the Edit rushes by without making much of an impression; its amalgamated thump never shows any signs of letting up. ___ Glad someone is paying attention. Cheers todd - Original Message - From: Grammenos, Peter [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, November 04, 2001 9:08 PM Subject: [313] Hawtin + Aphex Twin - NY Times Final Scracth article in this sunday's times .. http://www.nytimes.com/2001/11/04/arts/music/04SANN.html?search=nyToday -Pete - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Hawtin + Aphex Twin - NY Times
At 2:27 AM -0800 11/5/01, M. Todd Smith wrote: I would really like to know what Final Scratch had to do with DE9 2, besides being an influence on it (whatever that means). in using final scratch more and more, richie has started re-editing, re-mixing, re-interpreting tracks since he can do so and play them out almost instantly. he's able to experiment with tracks, and customize them to a mood, venue, whatever. in doing so, he got the idea of going (conceptually speaking) deeper 'into' the tracks; getting nearer and nearer to the basic elements of each track and what made it work one way or another. hence, closer to the edit. final scratch was just an influence on the album, a way of thinking about the music... so that's what it means. -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] speaking of hawtin... (was Re: [313] Hawtin + Aphex Twin - NY Times)
No one mentioned anything about his set at Nikita last Friday in SF. I just wanted to drop a quick mention of it, and I must say, as someone who has critized Richie's more recent (read: '99 up to present) sets, I was really impressed. About an hour to an hour and half of bangin' (but not the drumcode-stiff type bangin', more inna funky vein), and then almost two hours of beautiful, deep, minimal, bliss. One of the most emotional sets I've seen him play...There was actual melody! And no 909 stupidity. I really felt like he's started trying to take people on a journey again. I thanked him for it afterwards and he said that he was really into it that night as well. Maybe the final scratch thing has had a positive effect on his programming...it was definitely reminding me of the richie of old... -eli - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: (313) speaking of sylvester... (was Re: (313) song id)
Wasn't Ian Levine a big time DJ back in the Northern Soul days? I believe his second career was the invention of HI-NRG? W -Original Message- From: Jason Martin [EMAIL PROTECTED] at INET-1 Sent: Saturday, November 03, 2001 7:32 AM To: 313@hyperreal.org at INET-1 Subject: RE: [313] speaking of sylvester... (was Re: [313] song id) megatone was label that released a lot of sylvesters work, patrick cowley may well have been behind it (so to speak ;) the record you have there sounds very hi-nrg especially if ian levine is involved - he was a big uk northern soul dj that swtiched on to disco in the late 70's and then onto to what he termed 'hi-nrg' in the early 80's (basically a fast and cheesy synth-oriented version of disco).. -j -- www.suenomartino.net - Original Message - From: Eli Bingham [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Saturday, November 03, 2001 5:49 AM Subject: [313] speaking of sylvester... (was Re: [313] song id) ...i wonder if anyone could comment or shed some light on an old 12 that i found the other day. i sometimes make a habit of trolling the used soul and rock vinyl bins in out the way record stores - you'd be amazed what you can find sometimes. in this case i was in the rasputin's in beautiful downtown pleasant hill, california. along with some $1 morris day and the time twelves (ahem), i found an old sylvester record. its a double a side 12 on megatone records, apparently based in the castro in san francisco. its dated 1985. one side is take me to heaven, the other side is called sex. now, its definitely inna '80s eurodisco stylee - cheap unsequenced drum machine programs and live synth playing. the production is by ken kessie and morey goldstein (?) with remix by ian levine (???). really really long tracks with typical campy sylvester vocals, but tons of great '80s synth basslines and over-the-top linndrum drumrolls to sample. the funny part is that take me to heaven is ludicrously fast for a disco record. i played it with house and it came in at -8, so i'm guessing its close to 140bpm (but with sylvester being the way he is, at -8 he sounds just fine). anyway, anyone know what the deal with this record is? who are these people? who the heck is megatone records? i've seen one other record on megatone and it was a patrick cowley production, something i-f would drop. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] RE: (313) DJ Mags Top 100 DJs
22. Richie Hawtin... W -Original Message- From: Brian 'balistic' Prince [EMAIL PROTECTED] at INET-1 Sent: Friday, November 02, 2001 1:14 PM To: 313@hyperreal.org at INET-1 Subject: RE: [313] DJ Mags Top 100 DJs 77. Arnad Van Helden heh. - Brian balistic Prince http://www.bprince.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - ATTENTION: The information in this electronic mail message is private and confidential, and only intended for the addressee. Should you receive this message by mistake, you are hereby notified that any disclosure, reproduction, distribution or use of this message is strictly prohibited. Please inform the sender by reply transmission and delete the message without copying or opening it. Messages and attachments are scanned for all viruses known. If this message contains password-protected attachments, the files have NOT been scanned for viruses by the ING mail domain. Always scan attachments before opening them. - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FinalScratch package price
Disco D played here saturday (and he REALLY tore it up, by the way) and we talked a bit about all this new DJ technology. He had a couple of things to say about Final Scratch and the new Pioneer decks: 1. You can't actually scratch on Final Scratch. At least not battle scratching. 2. He was impressed by the new Pioneer decks, except that the wheels don't spin. As an engineer I think there are some real problems with the whole final scratch paradigm. First and foremost, the vinyl disks are as vulnerable as 'real' records to wear and scratches. Even more so, since you presumably use the same 2 discs through your whole set. Someone who plays out with Final Scratch every night would put 100 times more wear on the poor things than they ever put on their records. I imagine that Hawtin and Aquaviva get whatever they need without paying for it, since they're official poster boys for the product. Then, there's the whole BEOS thing -- definitely a weak link. The reason they used BEOS is that when they began development it was the only way to get really low latency audio. Even as much as 10 milleseconds of latency is enough to throw a DJ off. Hell, having the monitors more than 5 feet away introduces enough latency to throw you off. If one were really going to do it right, you'd need a whole user interface -- dual spinning platters, cross fader, and pitch controls. What makes DJ-ing with vinyl such a natural gesture is the immediate tactile and auditory feedback. When you drag your finger on the label, you feel and hear the slowdown. When you rock the record over a beat, you hear it in your headphones with a negigible delay. That's why the people who developed Final Scratch spent several years developing it -- they couldn't improve on the paradigm.. Ultimately, though, it's way to expensive for most DJs, and I can't see it persisting in it's current form for very long. I don't know if people realize what a perceptual feat DJing is. Just getting two records well and truly matched is quite a trick. You can hear two records flamming as soon as they're 10 milleseconds apart. At 130 BPM, each 4 beat bar takes 1.846 seconds. If you match two records within a millesecond per bar, they'll start flamming within 10 bars, and trainwreck by 32 bars. That means DJs who can lock up two records are correcting tempo variations as small as .05 percent! That's one thing that always annoys me when I DJ with CDs -- the tempo slider resolution is way too coarse, and if you want to hold a mix you have to correct it every few measures. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] The N-side Show #027 11-03-01 Electro (playlist + realaudio)
Show #027 (11-03-01) via realaudio... http://www.n-siderecords.com/cgi-bin/dj?ra=nside_show027_110301.ram The N-side w/ David H., Show #027 11-03-01 [Electro] == [##] artist - track name - label (title) [01] Plastic Sleeves - Channel One - Down Low (Messages from Machines) [02] Model 500 - Future (Vocal) - Metroplex (s/t) [03] Resident Alien - Signal Loss - Exzakt (Machine vs Man) [04] Michael Forshaw - Untitled - Chan'n'Mikes (Time to get the 24th Century on your ass EP) [05] Resident Alien - Data Edit - Frajile (Machine vs Man) [06] Michael Forshaw - Untitled - Chan'n'Mikes (Time to get the 24th Century on your ass EP) [07] Al Ferox - Welcome to the Ferox Paradise - Dancefloor Killers (Voodoo Project) [08] Marco Bailey Redhead - Elektra - Eletrix (s/t) [09] The Advent - Innerstate - Electrix (Westsiders) [10] Mystic - Earth/Mirai - Electrix (Letter K) [11] Marco Bailey Redhead - Futuristic Elements - Eletrix (s/t) [12] Burrito Boys - Electric Violin Toasters - Atak (s/t) [13] Marco Bailey Redhead - Machinerei - Eletrix (s/t) [14] Marc Twins - Shining - UMF (Electro Fish) [15] Andrea Parker - Invasion - Quatermass (The Swamp) [16] Blackout Theory - Theoretix - Chair (Combat in Thought EP) [17] http://www.n-siderecords.com/cgi-bin/dj?page=the_n-side.html [18] Sons of Slough - Omegadent (Original) - Skint (s/t) [19] Thomas Schumacher - When I Rock (Anthony Rother RMX) - Bush (s/t) [20] Adam X - I am a Machine - Predicaments (Creative Vandalism EP) [21] The Advent - Stand Firm - Kombination Research (Back Track EP) [22] Marc Twins - Under Cover - UMF (Electro Fish) [23] Exzakt - Dope Fiend w/ Uprock - Frajile (Musik is the Drug) [24] Dj Graeme - Illectric Ghetto - Nutone (s/t) [25] Plastic Sleeves - Message - Down Low (Messages from Machines) Missing Track ID Show #26 == SHOW #26 track #17 - Lawrence - Untitled - Kompakt #41 (Teaser) Previous Shows == Show #026 (Min Tech/House)* http://www.n-siderecords.com/cgi-bin/dj?ra=nside_show026_102801.ram Show #023 (Techno)* http://www.n-siderecords.com/cgi-bin/dj?ra=nside_show023_033001.ram ** tracklistings can be found online. - N-side Records - inside source for underground music. http://www.n-siderecords.com :: Austin,TX, USA. (512)837-5650 (bus) :: (508)526-7797 (fax) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Detroit Thanks from Puzzlebox
The Puzzlebox Tour with Optic Nerve and Strand was hugely received and had people wanting more. Special special thanks to Marsel Delsin Records (amsterdam) , D1 Records (Dublin), Ketty COFFEEBUZZ BOOKING (Rome), Peter Ultraschall (Munich), Rub A Dub Records and our new Boo Karen (Scotland). THANKYOU TO THE MANY TRUE FANS WHO SHOWED THEIR LOVE AND SUPPORT. good luck Adult. and a safe return PEACE PREPARE YOURSELF FOR..ShariVari A NUMBER OF NAMES make their return to detroit techno record release party nov 26 details to follow - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] speaking of hawtin... (was Re: [313] Hawtin + Aphex Twin - NY Times)
he said that was probably the best time he's ever had playing in SF. his set the following night in LA was quite similar.. came on, floored it for a while, backed off and played some de9:ce tracks, and then wound up banging it out again - but more funky, like you said. he snuck in that You Spin Me Round remix, as well as a rework of Coffee Pot, which kept a little humor and a lot of screaming fans going for it from beginning to end. they gave him an encore and damn i wish i knew what that track was! At 1:16 AM -0800 11/5/01, Eli Bingham wrote: No one mentioned anything about his set at Nikita last Friday in SF. I just wanted to drop a quick mention of it, and I must say, as someone who has critized Richie's more recent (read: '99 up to present) sets, I was really impressed. About an hour to an hour and half of bangin' (but not the drumcode-stiff type bangin', more inna funky vein), and then almost two hours of beautiful, deep, minimal, bliss. One of the most emotional sets I've seen him play...There was actual melody! And no 909 stupidity. I really felt like he's started trying to take people on a journey again. I thanked him for it afterwards and he said that he was really into it that night as well. Maybe the final scratch thing has had a positive effect on his programming...it was definitely reminding me of the richie of old... -eli - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Theorem - Nano
Hi, Did that one ever come out on CD? Thanx, W The information in this Internet email is confidential and may be legally privileged. It is intended solely for the addressee. Access to this Internet email by anyone else is unauthorised. If you are not the intended recipient, any disclosure, copying, distribution or any action taken or omitted to be taken in reliance on it, is prohibited and may be unlawful. When addressed to our clients any opinions or advice contained in this Internet email are subject to the terms and conditions expressed in any applicable governing ING Barings' terms of business or client engagement letter. Visit us at www.ingbarings.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Theorem - Nano
Aboslutely Dale's finest hour, a rarity now. Let's see some represses! Especially on vinyl. Cheers todd - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Monday, November 05, 2001 8:45 AM Subject: [313] Theorem - Nano Hi, Did that one ever come out on CD? Thanx, W -- -- The information in this Internet email is confidential and may be legally privileged. It is intended solely for the addressee. Access to this Internet email by anyone else is unauthorised. If you are not the intended recipient, any disclosure, copying, distribution or any action taken or omitted to be taken in reliance on it, is prohibited and may be unlawful. When addressed to our clients any opinions or advice contained in this Internet email are subject to the terms and conditions expressed in any applicable governing ING Barings' terms of business or client engagement letter. Visit us at www.ingbarings.com -- -- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Theorem - Nano
yes, but it's VERY hard to find these days. i had to settle for a CDR of Napster MP3s. dale--how about bugging richie co. for a re-release under the plus 8 classics banner? brian dillard [EMAIL PROTECTED] -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Monday, November 05, 2001 8:45 AM To: 313@hyperreal.org Subject: [313] Theorem - Nano Hi, Did that one ever come out on CD? Thanx, W The information in this Internet email is confidential and may be legally privileged. It is intended solely for the addressee. Access to this Internet email by anyone else is unauthorised. If you are not the intended recipient, any disclosure, copying, distribution or any action taken or omitted to be taken in reliance on it, is prohibited and may be unlawful. When addressed to our clients any opinions or advice contained in this Internet email are subject to the terms and conditions expressed in any applicable governing ING Barings' terms of business or client engagement letter. Visit us at www.ingbarings.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT-Scandium Records
Scandium Records, can anyone give me any info??? TIA, Misszak Music is the key of life, dancing is the way of the world and it continues like this. Terrence Parker Be sure to check out www.TerrenceParker.com, www.TPVibe.8m.com. Listen to TP's radio show The Dance Emporium at www.MOCRadio.com. You can join the TP Mailing list at http://groups.yahoo.com/group/TerrenceParkerMusic. See TP's MOST UP TO DATE DJing Schedule at http://hometown.aol.com/jovanblade/myhomepage/index.html. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Richie Hawtin interview
With lost of thanks to John Osselaer, TechnoTourist.org is able to present an interview with Richie Hawtin - http://technotourist.org/ or directly - http://technotourist.org/modules.php?op=modloadname=Sectionsfile=indexreq=viewarticleartid=4 Cheers, Hans -- Hans Veneman [EMAIL PROTECTED] http://technotourist.org http://www.TV-99-AD.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FinalScratch package price
it's a bizar tool never seen this before done by any machine accept the sl's Mad'R - Original Message - From: Kent williams [EMAIL PROTECTED] To: 313 list 313@hyperreal.org Sent: Monday, November 05, 2001 4:45 PM Subject: Re: [313] FinalScratch package price 2. He was impressed by the new Pioneer decks, except that the wheels don't spin. , e-mail: [EMAIL PROTECTED] _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] carl craig - moment of thuth
Carl Craig - Moment of Truth (Planet E) relativity - Carl Craig urbans afair dub (deep dish) those two songs seems to be the same one to me. moment of truth is in the planet e cd designer music, i guess. and the other is in the x mix 2 mixed by laurent garnier on studio k7 http://www.k7.com/data.pl?release=k7027 i dont know whats is the correct name but the track is one of the best songs ever to me. anyone knows about its correct name and credits? henrique - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Russian online dj mixes
Oi! Found while surfin' the net: http://www.discocsid.ru/ From Chicagostan Houseski to OldSk00l Moskow Polka 'n' Bass in Realski Audioski. R. --- f:un[x]iun http://www.funxiun.com Weblog, Webcam, Technomusic and more ... --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] funk y
someone was asking about the old funk track 'feels so real', it is by steve arrington, whoopee i'm off on a music shopping weekend, anyone got any recent recommendations? i've been digging 'famous when dead' on playhouse, 'inhouse' on comfort, the soul centre CD with the black cover (is the other one as good?) yeah i know this is OT but, as we know, this is also the best house list :^) thanx p - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT Gas,Sturm...?
hullo. can anyone recommend some ambient records in style of what brothers Voigt have produced under aliases Gas and Sturm on Mille Plateaux ? thanks and sorry ;) Ronald Raygun - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] CLEVELAND:IDM SHOW:11/17
greetings... just wanted to pass on this info: :::a plethora of IDM::: .live @ the asterisk gallery (2393 professor st). ::KRACFIVE POSSE:: (fresh idm collective ft. Colongib) :GRAND BUFFET: (mini disc hip hop) :XANOPTICON: (hyperactive broken beats) .ANDRIU. (pop + idm) ::GIRL TALK:: (top 40 glitch) == 11.17.01. 9 PM. $5 ALL AGES. contact: [EMAIL PROTECTED] for more info. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
