(313) miles davis
sketches in spain is pretty cool
(313) website
Im sure you all know about this already, but I didnt http://www.technoradio.org/
( 313 ) Mike Grant / Malta
A big Shout out to Mike Grant for an amazing 5 hour set for Misfits Event here on the island of Malta , last Saturday. Event was sold out a few days before . Audio and Video for this event will soon be posted at www.owenjay.com Surely a night to be remembered . Well done and we look forward for next year's Moods & Grooves. Owen /Misfits,Malta
Re: (313) Slum Village
Trinity isn't actually a greatest hits. Most of it is new. The "Greatest" SV stuff has to include J-Dilla. :) Its a decent record. They should have left "Fall in Love" alone, it was fine the way it was. The other record called "Dirty District" is full of unreleased SV material as well as various collaborations. I think this one is actually better than "Trinity." Just my 2 pennies. ID > From: FC3 Richards <[EMAIL PROTECTED]> > Date: Tue, 8 Oct 2002 20:54:47 +0300 > To: "'313@hyperreal.org'" <313@hyperreal.org> > Subject: (313) Slum Village > > I know there is atleast 2 Slum Village fans on this list...they have 2 new > (AFAIK they are pretty new) CD's out. One of them is a greatest hits/good > songs comp called "Trinity" which is pretty good. Urb magazine reviewed the > other one which is all new material and gave it 4 stars (or so) out of 5. > > "Trinity (Past, Present, and Future)" > > Intro 1 > Intro 2 > Insane > What is This > tainted > La La > All-Ta-Ment > Disco > Trinity (Interlude) > One > Hoes > Star (Interlude) > Star > Slumber > Let's > S.O.U.L. > 80's skit > Unisex > Love U Hate > Get Live > Harmony > Who Are We > Fall In Love (bonus track) > > >
(313) midi mechanix
Is this a particularly rare record? I just picked up a copy of this over the WE, 8$CA. I suspect maybe a bootleg press is making the rounds. Gerald <[EMAIL PROTECTED]> wrote: and what really made all the digging worthwhile... Midi Mechanixx feat. The Wizard - (Vibe Records) Side 1: Pump Wid Acid (Detroit mix) Pump Wid Dis (Toronto mix) Side 2: Technopump (vocal) Technopump (Pump Beats) Robohop (He Speaks) Robohop (Instrumental) --
(313) Re: Joe Louis (Not the Boxer), Was - Re: (313) Ol.d 86/87/88 chicago mix
There were a few.. I got them with scans,sound files on my site.(www.acid-house.net, go to music). He went under joe r lewis and joe lewis and joe louis.. The early targets are damn near impossible to find.. The pink one appears the most (twice on ebay.. That was a collabeation w/larry heard All of his stuff on releif wasn't done by him..apart from the separate ways ep which is a re release of the blue, change reaction ep on target..it was done by a friwend of mine called jamie read who was in chicago early 90's and joe louis got the tracs off him.,.. (I think??) > - Original Message - > From: "Paul Wise" <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Tuesday, October 08, 2002 4:56 PM > Subject: (313) Ol.d 86/87/88 chicago mix > > >> This mix is now streamable at capsite (www.capsite.net) for anyone who >> couldn't download the 66mb version... >> enjoy... >> Placid > > Damn. I had no idea there were so many old Joe Louis records. Completely > underated producer. Has he been releasing anything lately (like after '99)? > I think I have most of it from the '90s. > > I remember a while back, Lance McGannon put together a discog, but I'm > pretty sure none of this stuff was on it. > > Anyone care to fill me in on all I'm missing other than his stuff from the > '90s? Where is he from Anyway? Chicago? His last record on Relief and the > one on Elypsia (I think) sounded so Detroit I wondered if he wasn't a native > Michigander. > > Tristan > = > Text/Mixes: http://phonopsia.tripod.com > Music: http://www.mp313.com > Contact: [EMAIL PROTECTED] > >
(313) Slum Village
I know there is atleast 2 Slum Village fans on this list...they have 2 new (AFAIK they are pretty new) CD's out. One of them is a greatest hits/good songs comp called "Trinity" which is pretty good. Urb magazine reviewed the other one which is all new material and gave it 4 stars (or so) out of 5. "Trinity (Past, Present, and Future)" Intro 1 Intro 2 Insane What is This tainted La La All-Ta-Ment Disco Trinity (Interlude) One Hoes Star (Interlude) Star Slumber Let's S.O.U.L. 80's skit Unisex Love U Hate Get Live Harmony Who Are We Fall In Love (bonus track)
Re: (313) is it all over my face
I'm guessing that one is the original, then (oops), and the other is the Larry Levan mix from the second release on West End. I told you not to believe me. > > with the original female vocal. You can fairly easily find the reissue on > > West End that is the male and female vocals. > > > > I have this reissue as well as a Male vocal version on the Nuphonic Loft > Compilation- correct me if i'm wrong, but the male vocal version on the > Loft Comp is different (better in my opinion) than the one on west end- > was there an original pressing for the male vocal version on the loft > comp?
(313) Joe Louis (Not the Boxer), Was - Re: (313) Ol.d 86/87/88 chicago mix
- Original Message - From: "Paul Wise" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, October 08, 2002 4:56 PM Subject: (313) Ol.d 86/87/88 chicago mix > This mix is now streamable at capsite (www.capsite.net) for anyone who > couldn't download the 66mb version... > enjoy... > Placid Damn. I had no idea there were so many old Joe Louis records. Completely underated producer. Has he been releasing anything lately (like after '99)? I think I have most of it from the '90s. I remember a while back, Lance McGannon put together a discog, but I'm pretty sure none of this stuff was on it. Anyone care to fill me in on all I'm missing other than his stuff from the '90s? Where is he from Anyway? Chicago? His last record on Relief and the one on Elypsia (I think) sounded so Detroit I wondered if he wasn't a native Michigander. Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED]
Re: (313) Tony Drake (was: (313) Time:Space 2)
From: "rob webb" <[EMAIL PROTECTED]> >>he was on the Time:Space Live tour back in autumn >>99. iirc he played >>drums >>(or was it bass? Minto, help!) in the Time:Space >>band. yah Rob! man! one of the most memorable nights I've ever had was that Transmat party in Austin in the fall of '99. Remember how amazing Kenny Larkin's set was!? Tony played bass guitar and Neil Ollivierra played drums and they had Jeremy Ayro playing keys. It was a great live show. >That "Textures" album still blows me away, and >besides a track for TS1 >and >now for TS2 he never has released anything else? >>i don't know of anything else by him i'm afraid. besides the Textures album which was licenced to R&S or sony? They did a similar thing with Stacey Pullen's Silent Phase album. I think I remember their being an exlusive track on the Time:Space tour CD which had an unreleased track by Tony on it. I'd have to check as I still have that tour CD which was also availble via mp3.com also. minto = down low music http://downlowmusic.org OCT: Arne Weinberg "Beauty in Decay" dL008 & Convextion 12" dLVEXT1 NOV: dL ltd tribute 12" dLpgccX NOV: Polarius 12" dL009 JAN: Dan Curtin "distort.archive.desire" dL010 FEB: The Connection Machine "Painless" dLCMLP1 __ Do you Yahoo!? Faith Hill - Exclusive Performances, Videos & More http://faith.yahoo.com
Re: (313) is it all over my face
> with the original female vocal. You can fairly easily find the reissue on > West End that is the male and female vocals. > I have this reissue as well as a Male vocal version on the Nuphonic Loft Compilation- correct me if i'm wrong, but the male vocal version on the Loft Comp is different (better in my opinion) than the one on west end- was there an original pressing for the male vocal version on the loft comp? -p
(313) john arnold track id
on capsite.net john arnold has a mix called coincidental meetings. what is the first track he plays. sounds like herbert. John??? ryan burns does any one know how find the direct link to mixes with REALONE. i use to be able to cut and paste the link. now the new REALPLAYER dosnet let me do that. _ Send and receive Hotmail on your mobile device: http://mobile.msn.com
Re: (313) Miles Davis
Kind Of Blue & Someday My Prince Will Come - Original Message - From: "Stephen Kelly" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, October 08, 2002 9:20 AM Subject: RE: (313) Miles Davis > 'in a silent way' definitely - and it's worth investing in the complete > sessions for once, not a wasted minute or a unnecessary alterative version > in sight.. brilliant liner notes also.. > > and i can't believe nobody suggested 'on the corner' yet.. maybe, just maybe > his most daring album - still sounds fresh today.. f'kin ace sleeve too :) > > oh, and 'jack johnson' is just well, brilliant.. > > [EMAIL PROTECTED] > > > > _ > Chat with friends online, try MSN Messenger: http://messenger.msn.com
RE: (313) Miles Davis
? that's not contrasting AT ALL..bitches brew is an expansion of in a silent way and they are both fusion birth of the cool is the 40'50's miles anything where you get "miles davis quintet" in the title has coltrane in it also kind of blue is _my_ fav. miles album and one of the best jazz albums ever kathleen *uppity when it comes to jazz* :) On Tue, 8 Oct 2002 16:35:40 +0100 Sean Creen <[EMAIL PROTECTED]> wrote: > > >but I > >want to get me some miles davis stuf (pretty > obvious).. but I don´t know > >wich lp´s I should purchase... any > suggestions? > > In a Silent Way and Bitches Brew for two > contrasting, but equally brilliant, > sides of his work. > > Sean. > > > > >
RE: (313) Miles Davis
'in a silent way' definitely - and it's worth investing in the complete sessions for once, not a wasted minute or a unnecessary alterative version in sight.. brilliant liner notes also.. and i can't believe nobody suggested 'on the corner' yet.. maybe, just maybe his most daring album - still sounds fresh today.. f'kin ace sleeve too :) oh, and 'jack johnson' is just well, brilliant.. [EMAIL PROTECTED] _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
Re: (313) WANTED - Derek "The Player" Plaslaiko
last time derek was in iowa i took him out for mexican food before his set. this guy ate a 1 pound burrito with hot sauce, went back to his hotel and was curled up in the feetle position for half hour. cheep mexican food = bait. ryan From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) WANTED - Derek "The Player" Plaslaiko Date: 8 Oct 2002 13:43:08 +0200 We are desperately trying to find this man who on the 7th of October (well actually 8th since it was around 4:32am) was last seen trying to pack down a certain mr hawtins equipment while balancing a bottle of sambuca on his head. He is a suspect of these following crimes: * Harassing young innocent Swedish girls with his video-cam. * Reckless drinking and dancing. * Threatening the bartender with the words "I will send mike for you..." if he doesn´t make him another mojito. * Trying to wrestle down a bouncer when he says he don´t know who the number one Detroit bachelor is If you see this man please don´t attempt to arrest him on your own. He is known for getting people into trouble with his smooth way of talking and never drink anything he tries to give you. Contact the Swedish embassy for assistance and try to stay calm and out of range from him. If you, Mr Plaslaiko, get this message...please surrender and contact us immediately. Thank you for your co-operation. _ Send and receive Hotmail on your mobile device: http://mobile.msn.com
(313) Ol.d 86/87/88 chicago mix
This mix is now streamable at capsite (www.capsite.net) for anyone who couldn't download the 66mb version... enjoy... Placid Whilst TRAX and DJ INTERNATIONAL were churning out classics like there's no tomorrow, a small section of chicago were producing the gritty , raw deep house/acid tracks that i love so much artists like jack rabbit, vic houston ,marcus mixx, joe r lewis http://www.acid-house.net/classicsnotclassicS.mp3 Listing Joe louis - My Own - target - 86 M + M - I wanna House - missing - 1987 Joe R Lewis - Seperate Ways (insane mix)- Target - 1988 Project Democracy - Is this dream for real - Under Dog -1987 Joe R Lewis - One on one - Target - 1988 Joe R Lewis - The way you make me feel - Target - 1988 Joe Lewis - Life Immoreal - Relief - ? Melodious Myles & Bo - Love odyssee - VH - 1986 House to House feat Kym Mazelle - Taste my love - Police - 1986 Joe R Lewis - Sometimes (Inst) - Target -1988 Marcus Mixx - Psychousic - Missing Dog - 1988 James Jack Rabbit Martin - Rabbittrax 1 - Yoton - 1988 Joe Lewis - Simply yours - Target [ September 06, 2002, 06:50 AM: Message edited by: Placid ]
Re: (313) is it all over my face
Hi, my all-time jazz favourite si L'ascenseur pur l'enchefaud - soundtrack to the french film noir of the same name - by Miles Davis (1954 iirc). The film is by Louis Malle and its with Jeanne Moreau. Brilliant atmospheric cl jazz, composed by Davis by watching the scenes and improvising along. Another interesting note: the trumpet produced a unique sound for some songs on that record due to the fact that a piece of skin from Davis' lip entered the "blower" modifiying the sound of the trumpet bye fab. > > And second, I am getting more and more into the jazz kind of things.. but I > want to get me some miles davis stuf (pretty obvious).. but I don´t know > wich lp´s I should purchase... any suggestions? > > Thanks a lot, > Maarten >
Re: (313) is it all over my face
Originally on the b side of 'pop your funk' I think... > > Memo from Alex Bond of PricewaterhouseCoopers > > Start of message text > > The male vocal is available on the Westend repress 12" (b/w the female > vocal). > > Still in print, so most places should have it - probably Rushhour may be a > good bet. > > I think the male vocal was the original mix and then the female vocal came > on a second issue later on after it blew up in the clubs. > > > > > "Maarten Baute" <[EMAIL PROTECTED]> on 08/10/2002 16:24:04 > > Please respond to "Maarten Baute" <[EMAIL PROTECTED]> > To:<313@hyperreal.org> > cc: > > > Subject:(313) is it all over my face > > Hi, > > I have a compilation from Larry Levan with "loose joints - is it all over > my > face" on it. Great disco cut, but I heard someone play a version with a > male > vocal in it? This is a different version than the one the larry levan > west-end compilation. Is it a mix featured on the original west end release > back in the day? help! > > And second, I am getting more and more into the jazz kind of things.. but I > want to get me some miles davis stuf (pretty obvious).. but I don´t know > wich lp´s I should purchase... any suggestions? > > Thanks a lot, > Maarten > > > > > - End of message text > > This e-mail is intended only for the person to whom it is > addressed. If an addressing or transmission error has > misdirected this e-mail, please notify the author by replying to > this e-mail. If you are not the intended recipient you must not > use, disclose, copy, print or rely on this e-mail. > > The principal place of business of PricewaterhouseCoopers and > its associate partnerships is 1 Embankment Place, London > WC2N 6RH where lists of the partners' names are available for > inspection. All partners in the associate partnerships are > authorised to conduct business as agents of, and all contracts > for services to clients are with, PricewaterhouseCoopers. The > UK firm of PricewaterhouseCoopers is authorised by the > Financial Services Authority for investment business activities. > PricewaterhouseCoopers is a member of the world-wide > PricewaterhouseCoopers organisation. > > PricewaterhouseCoopers may monitor outgoing and incoming > e-mails and other telecommunications on its e-mail and > telecommunications systems. By replying to this e-mail you > give your consent to such monitoring. > > > Visit our website http://www.pwcglobal.com > > > _ > The information transmitted is intended only for the person or entity to > which it is addressed and may contain confidential and/or privileged > material. Any review, retransmission, dissemination or other use of, or > taking of any action in reliance upon, this information by persons or > entities other than the intended recipient is prohibited. If you received > this in error, please contact the sender and delete the material from any > computer. >
RE: (313) is it all over my face
I listen to Panthalassa (Bill Laswell remixes) quite a lot and enjoy it tremedhously. Its mixes of his electric period. Same sort of funky jazz fusions as Herbie Hancocks Headhunters LP but Panthallassa has a lot more atmosherics, effects and 'deepness'. Most of its resonalbly close to the source materail. Most Purists dont like it by the way. Apols for the terrible typing today... > -Original Message- > From: Maarten Baute [SMTP:[EMAIL PROTECTED] > Sent: Tuesday, October 08, 2002 4:24 PM > To: 313@hyperreal.org > Subject: (313) is it all over my face > > Hi, > > I have a compilation from Larry Levan with "loose joints - is it all over my > face" on it. Great disco cut, but I heard someone play a version with a male > vocal in it? This is a different version than the one the larry levan > west-end compilation. Is it a mix featured on the original west end release > back in the day? help! > > And second, I am getting more and more into the jazz kind of things.. but I > want to get me some miles davis stuf (pretty obvious).. but I don> ´t know > wich lp´s I should purchase... any suggestions? > > Thanks a lot, > Maarten
Re: (313) is it all over my face
Oh, and the male vocal is actually Arthur Russell himself. Like Danny Wang on that first Balihu I have often wondered what on earth he is saying. Might have got which is the original mixed up, so don't believe me on that. > There are two versions. Originally "Is it all over my face" came out backed > with "Pop your funk" and then got released again with a male vocal backed > with the original female vocal. You can fairly easily find the reissue on > West End that is the male and female vocals.
Re: (313) is it all over my face
There are two versions. Originally "Is it all over my face" came out backed with "Pop your funk" and then got released again with a male vocal backed with the original female vocal. You can fairly easily find the reissue on West End that is the male and female vocals. Miles Davis: my faves are "In A Silent Way", "Filles De Kilimanjaro" and "ESP". Jonny > I have a compilation from Larry Levan with "loose joints - is it all over my > face" on it. Great disco cut, but I heard someone play a version with a male > vocal in it? This is a different version than the one the larry levan > west-end compilation. Is it a mix featured on the original west end release > back in the day? help! > > And second, I am getting more and more into the jazz kind of things.. but I > want to get me some miles davis stuf (pretty obvious).. but I dont know > wich lps I should purchase... any suggestions?
RE: (313) Miles Davis
>but I >want to get me some miles davis stuf (pretty obvious).. but I don´t know >wich lp´s I should purchase... any suggestions? In a Silent Way and Bitches Brew for two contrasting, but equally brilliant, sides of his work. Sean.
Re: (313) is it all over my face
Memo from Alex Bond of PricewaterhouseCoopers Start of message text The male vocal is available on the Westend repress 12" (b/w the female vocal). Still in print, so most places should have it - probably Rushhour may be a good bet. I think the male vocal was the original mix and then the female vocal came on a second issue later on after it blew up in the clubs. "Maarten Baute" <[EMAIL PROTECTED]> on 08/10/2002 16:24:04 Please respond to "Maarten Baute" <[EMAIL PROTECTED]> To:<313@hyperreal.org> cc: Subject:(313) is it all over my face Hi, I have a compilation from Larry Levan with "loose joints - is it all over my face" on it. Great disco cut, but I heard someone play a version with a male vocal in it? This is a different version than the one the larry levan west-end compilation. Is it a mix featured on the original west end release back in the day? help! And second, I am getting more and more into the jazz kind of things.. but I want to get me some miles davis stuf (pretty obvious).. but I don´t know wich lp´s I should purchase... any suggestions? Thanks a lot, Maarten - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
RE: (313) is it all over my face
As for the Male Version See for yourself : http://www.tigersushi.com/site/Rcd.jsp?RcdId=2481 Best Record of all time in my humble opinion. West End might have new versions on vinyl but you can find this one on GEMM fairly easily. TIGERSUSHI 15 rue d'Aboukir 75002 Paris FRANCE tél :+33.1.42.33.90.30 fax :+33.1.42.33.78.42 [EMAIL PROTECTED] http://www.tigersushi.com -Original Message- From: Maarten Baute [mailto:[EMAIL PROTECTED] Sent: mardi 8 octobre 2002 17:24 To: 313@hyperreal.org Subject: (313) is it all over my face Hi, I have a compilation from Larry Levan with "loose joints - is it all over my face" on it. Great disco cut, but I heard someone play a version with a male vocal in it? This is a different version than the one the larry levan west-end compilation. Is it a mix featured on the original west end release back in the day? help! And second, I am getting more and more into the jazz kind of things.. but I want to get me some miles davis stuf (pretty obvious).. but I don´t know wich lp´s I should purchase... any suggestions? Thanks a lot, Maarten
Re: (313) is it all over my face
amon tobin and bonobo both do some great jazz influenced music and amon tobin is gonna be in detroit in the next couple of weeks with prefuse 73 - Original Message - From: "Maarten Baute" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, October 08, 2002 11:24 AM Subject: (313) is it all over my face > Hi, > > I have a compilation from Larry Levan with "loose joints - is it all over my > face" on it. Great disco cut, but I heard someone play a version with a male > vocal in it? This is a different version than the one the larry levan > west-end compilation. Is it a mix featured on the original west end release > back in the day? help! > > And second, I am getting more and more into the jazz kind of things.. but I > want to get me some miles davis stuf (pretty obvious).. but I don´t know > wich lp´s I should purchase... any suggestions? > > Thanks a lot, > Maarten >
(313) is it all over my face
Hi, I have a compilation from Larry Levan with "loose joints - is it all over my face" on it. Great disco cut, but I heard someone play a version with a male vocal in it? This is a different version than the one the larry levan west-end compilation. Is it a mix featured on the original west end release back in the day? help! And second, I am getting more and more into the jazz kind of things.. but I want to get me some miles davis stuf (pretty obvious).. but I don´t know wich lp´s I should purchase... any suggestions? Thanks a lot, Maarten
(313) Record sale finds...
Just had to share my recent purchases from a dj record sale the other night. Metro - "$1.15 Please" EP (Nu Groove) Victor Simonelli - Move To The Body [mixes] (Vendetta) Chiapet - Westworld (Yoshitoshi) -- been looking for this for a while Ministry - Halloween remix (Wax Trax) and what really made all the digging worthwhile... Midi Mechanixx feat. The Wizard - (Vibe Records) Side 1: Pump Wid Acid (Detroit mix) Pump Wid Dis (Toronto mix) Side 2: Technopump (vocal) Technopump (Pump Beats) Robohop (He Speaks) Robohop (Instrumental) picked this one up from some kid who is into breaks - looks like he might of listened to it once or twice. Not a scratch on it. All for a grand total of $17 cdn. :) Cheers! G
RE: (313) WANTED - Derek "The Player" Plaslaiko
That'd be a great title if he ever got around to doing a mix CD "It takes a nation of pacifist, socialist Swedes to hold us back" -Original Message- From: Kent williams [mailto:[EMAIL PROTECTED] Sent: Tuesday, October 08, 2002 10:21 AM To: 313 list Subject: RE: (313) WANTED - Derek "The Player" Plaslaiko A Heartwarming Derek "The Player" Plaslaiko story: A few years back he played in Iowa City on a Friday and stayed until Sunday to save us a bunch of money on his plane ticket. On Saturday we asked him what he wanted to do, and he said "Play Pool." Now I suck at pool. I figured Derek was into it, and would smoke us all. Heh. He was horrible. It was like 5 year olds playing. I think Megan won. But we had fun, and many pitchers. The idea of him on the loose in Sweden is terrifying though. Those pacifist, socialist Swedes are in grave danger.
RE: (313) WANTED - Derek "The Player" Plaslaiko
A Heartwarming Derek "The Player" Plaslaiko story: A few years back he played in Iowa City on a Friday and stayed until Sunday to save us a bunch of money on his plane ticket. On Saturday we asked him what he wanted to do, and he said "Play Pool." Now I suck at pool. I figured Derek was into it, and would smoke us all. Heh. He was horrible. It was like 5 year olds playing. I think Megan won. But we had fun, and many pitchers. The idea of him on the loose in Sweden is terrifying though. Those pacifist, socialist Swedes are in grave danger.
Re: (313) Tony Drake (was: (313) Time:Space 2)
Wibo: Looking at the tracklisting and seeing the name of Tony Drake makes me wonder whatever happened to him. he was on the Time:Space Live tour back in autumn 99. iirc he played drums (or was it bass? Minto, help!) in the Time:Space band. That "Textures" album still blows me away, and besides a track for TS1 and now for TS2 he never has released anything else? i don't know of anything else by him i'm afraid. Speaking of "Textures", does anyone know if that one came out on vinyl as well? yep, it was definitely released on vinyl - my copy's the black stuff, on New Electronica. rob _ Send and receive Hotmail on your mobile device: http://mobile.msn.com
(313) Tony Drake (was: (313) Time:Space 2)
Looking at the tracklisting and seeing the name of Tony Drake makes me wonder whatever happened to him. That "Textures" album still blows me away, and besides a track for TS1 and now for TS2 he never has released anything else? Speaking of "Textures", does anyone know if that one came out on vinyl as well? W -Original Message- From: Andy Mitchell [mailto:[EMAIL PROTECTED] Sent: zondag 6 oktober 2002 7:07 To: 313 List Subject:(313) Time:Space 2 I just found this tracklisting online, for the new Transmat compilation which seems to already be out in Japan... Does anyone know if this is going to be the same tracklisting for the rest of the world? Sure looks good! DISC 1 1. Aril Brikha - Bytes 2. Microworld - BC Style 3. Indio - Inca 4. Stephen Brown - I Am Someone 5. Louis Haiman - Actualization 6. Yellow Planet - Story of China Men 7. Sans Soleil - Stretched Blue Oval 8. Sans Soleil - Winter Light 9. Ebb - Someone So True 10. Reggie Dokes - Metu Neter DISC 2 1. Rodenbush - Tranquility 2. Lucien Nicolet - Pasando Una Puerta 3. Rodenbush - Awakening 4. Stephen Brown - The Year Zero 5. L.S. - Thyme Spice 6. John Arnold - Respectall 7. Yellow Planet - The Fugitive 8. Louis Haiman - The Question of You 9. Microworld - DB 10. Sans Soleil - Sahara VHF 11. Tony Drake - Wings
RE: (313) Suburban Knight WAS:RE: (313) 3 posts in one
Like all Fnac releases around that time it was available on vinyl AND CD-single. Very poor remixes imho W -Original Message- From: D.E [mailto:[EMAIL PROTECTED] Sent: vrijdag 4 oktober 2002 1:53 To: 313@hyperreal.org Subject:(313) Suburban Knight WAS:RE: (313) 3 posts in one > The Navarre mixes of Suburban Knights "Art of Stalking". So is this available on 12" ? ? I asked before and got no answer, this must mean it exists though.. d
RE: (313) 3 posts in one
Label art Rhythim Is Rhythim - Beginning (KoolKat) Innerzone Orchestra - Programmed (180 grams vinyl sleeve) Lucky finds Underground Solution - LuvDancing 1)last week i asked about everyone's favorite label art, this week it's time for your favorite sleeve. now most of the house/techno records i buy nowadays, come in a plain black or white sleeve, but there are a few nice exceptions to the rule. one of my my favorite sleeves is not [313] but [312]: lil louis and the world - journey with the lonely lp which i just won on ebay [< $10 !!!] 2)so what have been your most lucky finds? an extremely expensive record, that you found cheap, or a record you had been looking for that you found somewhere, you'd never expected it to find, or a tune you had been looking for for ages, that you didn't even know the title of, that you happened to stumble upon. to me this is probably the most fun part of searching for records [well not always...] digging the 2nd hand/used records bins everywhere you see them. you'll be surprised at what gemms you can find at unusual places. 3)just like a lot of other [313]list members i went to amsterdam last friday to hear brett dancer and larry heard play some records at paradisco3000. and had a great time! brett was already playing when i got in at around 1.30, and he played a quality set, with almost only classics, from ymo, to model 500, 'washing machine','altered states' and many more. larry came after him around 3.00, and [to me] never really got going, maybe it was because brett dancer played quite a hard set, so going deep after that, and keeping the dancefloor filled at the same time was difficult. by 4.00 a lot of people had allready left, and that's not really helping the dj either. but he still played some great tracks, he even played 'energy flash', not a record i had expected to hear that night. so all in all, i had a great night, great music nice people, and great looking women [yes, that ís important too.] and paradiso has got a lot more to offer the next couple of months: leroy burgess, domu, sun ra dedication night with jimi tenor & kirk de giorgio, and i think i saw a poster announcing kerri chandler? jurren _ Chat with friends online, try MSN Messenger: http://messenger.msn.com
RE: (313) WANTED - Derek "The Player" Plaslaiko
He's easily lured in by the prospect of rare Radiohead B-Sides and anything obscure by Death Cab For Cutie. I'd try playing something on a PA and he'll come out from where ever he is hiding. Most likely with a gun and a pack of sandwhiches. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, October 08, 2002 7:43 AM To: 313@hyperreal.org Subject: (313) WANTED - Derek "The Player" Plaslaiko We are desperately trying to find this man who on the 7th of October (well actually 8th since it was around 4:32am) was last seen trying to pack down a certain mr hawtins equipment while balancing a bottle of sambuca on his head. He is a suspect of these following crimes: * Harassing young innocent Swedish girls with his video-cam. * Reckless drinking and dancing. * Threatening the bartender with the words "I will send mike for you..." if he doesn´t make him another mojito. * Trying to wrestle down a bouncer when he says he don´t know who the number one Detroit bachelor is If you see this man please don´t attempt to arrest him on your own. He is known for getting people into trouble with his smooth way of talking and never drink anything he tries to give you. Contact the Swedish embassy for assistance and try to stay calm and out of range from him. If you, Mr Plaslaiko, get this message...please surrender and contact us immediately. Thank you for your co-operation.
RE: (313) Mayday Mix
[EMAIL PROTECTED] wrote: The good vibe will come out because it is his mind that is doing >either mix types - not the computer. The computer is just a tool for >his mind to expand... I get the computer vs live mix debate though - I find some ProTools >mixes boring but I really think it's just the person behind the mouse. isn't part of the reason why most mix cd's sound lame is because of the fact that a mix on cd is something completely different from a mix in a club? mr fingers 'washing machine' sounds completely different when listening to it at home, compared to hearing it on loud speakers in a club! this has nothing to do with using a computer for the mixing part, or doing it live, and everything with the intention off the mixer [as MEK stated] if my memory is correct, didn't derrick may make mix tapes for the radio, where he would record a set, and cut it to pieces, to end up with a one hour mix? i think mix cd's should be approached like that a lot more [though lisencing problems might be a bit more of a problem.] and a computer could be used to achieve that. on another note, i believe strongly that you should make mistakes while mixing... i'm not talking trainwrecking all night, but mixing seemless for an entire evening will [imho] make your set sound sterile and lets you loose focus on the music, whereas small mistakes will get your attention, and thereby give more attention to the music you're playing. jurren _ MSN Photos is the easiest way to share and print your photos: http://photos.msn.com/support/worldwide.aspx
Re: (313) WANTED - Derek "The Player" Plaslaiko
"The Player" in question has a weakness. Like Superman is to Kryptonite, is a substance known as Shoutgun Willie's Hot Sauce is to "The Player". Apply liberally on said "Player", and find him flail about and rendered useless. This insider information brought to you from field agent information acquired in a boston area performance months back. BB® > > > We are desperately trying to find this man who on the 7th of October (well > actually 8th since it was around 4:32am) was last seen trying to pack down a > certain mr hawtins equipment while balancing a bottle of sambuca on his > head. > > He is a suspect of these following crimes: > > *Harassing young innocent Swedish girls with his video-cam. > *Reckless drinking and dancing. > *Threatening the bartender with the words "I will send mike > for you..." if he doesn´t make him another mojito. > *Trying to wrestle down a bouncer when he says he don´t know > who the number one Detroit bachelor is > > If you see this man please don´t attempt to arrest him on your own. He is > known for getting people into trouble with his smooth way of talking and > never drink anything he tries to give you. Contact the Swedish embassy for > assistance and try to stay calm and out of range from him. > > If you, Mr Plaslaiko, get this message...please surrender and contact us > immediately. > > Thank you for your co-operation. > benny blanco® blancodisco | beyond the qe2 | geezah! http://blancodisco.com
Re: (313) WANTED - Derek "The Player" Plaslaiko
Please, Derek - Stop this insanity now. There's a nice order of chicken rings waiting for you if you just give it up. Just think, no more slogging flight cases and getting teased about eating snake. Do it for the children, Derek. bvl > > > We are desperately trying to find this man who on the 7th of October (well > actually 8th since it was around 4:32am) was last seen trying to pack down a > certain mr hawtins equipment while balancing a bottle of sambuca on his > head. > > He is a suspect of these following crimes: > > * Harassing young innocent Swedish girls with his video-cam. > * Reckless drinking and dancing. > * Threatening the bartender with the words "I will send mike > for you..." if he doesn´t make him another mojito. > * Trying to wrestle down a bouncer when he says he don´t know > who the number one Detroit bachelor is > > If you see this man please don´t attempt to arrest him on your own. He is > known for getting people into trouble with his smooth way of talking and > never drink anything he tries to give you. Contact the Swedish embassy for > assistance and try to stay calm and out of range from him. > > If you, Mr Plaslaiko, get this message...please surrender and contact us > immediately. > > Thank you for your co-operation. > > > -- http://www.chromedecay.org
(313) WANTED - Derek "The Player" Plaslaiko
We are desperately trying to find this man who on the 7th of October (well actually 8th since it was around 4:32am) was last seen trying to pack down a certain mr hawtins equipment while balancing a bottle of sambuca on his head. He is a suspect of these following crimes: * Harassing young innocent Swedish girls with his video-cam. * Reckless drinking and dancing. * Threatening the bartender with the words "I will send mike for you..." if he doesn´t make him another mojito. * Trying to wrestle down a bouncer when he says he don´t know who the number one Detroit bachelor is If you see this man please don´t attempt to arrest him on your own. He is known for getting people into trouble with his smooth way of talking and never drink anything he tries to give you. Contact the Swedish embassy for assistance and try to stay calm and out of range from him. If you, Mr Plaslaiko, get this message...please surrender and contact us immediately. Thank you for your co-operation.
RE: (313) Vladisalv Delay
Who cares he's just a hairless 25yr old Finn, if you really wanna bash on someone please consider Erol Alkans. http://www.incursion.org/features/delay.html http://www.kompaktkiste.de/delay.htm p.s. JB I still feel his Luomo guise sucks no matter how many copies I may have bought and sold or were rotated at Body & Soul!! - Original Message - From: "Odeluga, Ken" <[EMAIL PROTECTED]> Date: Fri, 4 Oct 2002 14:37:06 +0100 To: Placid <[EMAIL PROTECTED]>, "[EMAIL PROTECTED] Org" <313@hyperreal.org> Subject: RE: (313) Vladisalv Delay > Placid, > > Response to (some of) your friend's points - it wd have been nice had they > contributed them themselves! We don't bite here! > > this was a concert/performance, and was billed as such, so > >why should we expect to be excited by what's on the stage? it's the sound > >that should be concentrated upon, not the "two ugly blokes" making it. > > - In some places (as I noted) it was in fact billed in the club section of > publications: I mentioned the London Guide, in the Guardian Newspaper. But > nevertheless, a concert is was what I was expecting and a concert I can get > with. On the other hand this was an audience watching intense men working on > their pcs. Is this a new frontier in concert performance? I doubt it. During > the performance, I suggested to my friend that it would have been just as > feasible and perhaps more enjoyable to experience the performance at another > venue, with the music streamed via ISDN or something. Being at that place > during the 'show' seemed pretty pointless to me. The exhortation by the > woman who introduced the event, implying that visits to the lavatory would > be frowned upon didn't help. > > However - I was with friends who saw Stockhausen perform with a similar > format using not much (I think) not much more than himself and a laptop. In > that case, the audience were encouraged to shut eyes or concentrate on a > small dot of projected light, whilst the auditorium was darkened - which I > think would make sense. So yes, under some circumstances, I'd have to > concede that minimal visual performance would be acceptable to me ... > > >leading modern art galleries? a largin' it, hands in the air, laser > >extravaganza? > > Clearly that's ridiculous - only a fool wd expect such. I don't think that's > what you're implying. > > >i enjoyed listening to all three of the acts, for different reasons. > > ...>parlane's piece emerged from the silence and slowly built, layer upon > > >...it was intimate and affecting. > > Entirely subjective. Similarly, it's entirely subjective that I found his > performance dull due to it's almost literal monotonousness - a composition > of near-autistic flatness. > > the accusation of 'randomness' is > >one i've come across before, and which, quite frankly, i find boring and > >lazy. > > Sorry if my dislike of VDelay bores you! However, it's again my personal > opinion. You saw order or some pattern which pleased you, I didn't see any > meaningful pattern, such as there was displeased me. I can't accept the > accusation of laziness: I engaged my critical and evalutive faculties for > over two hours in order to understand what all the musicians were attempting > to do, as I did when I made a very long and I hope at least reasonably > thought through post of my own thoughts to this list - as I am doing now! I > cannot see why because I don't agree with you that makes me lazy - maybe > that's your view because of lazy thinking! > > it > >was delay himself who was taking the decisions as to when and how he chose > >to play and layer the sounds he produced. there must be intention in > >theses actions, thus rendering the random accusation useless. it may have > >been difficult to listen to but by no means impossible. > > First part does not disprove the idea that he was making it up as he goes > along - 'random'. Second part, again you enjoyed it, I didn't. Maybe > 'random' is good. In that particular instance for me, it didn't work. I > hated it. > > Ken > > > > > > >-Original Message- > >From: Placid [mailto:[EMAIL PROTECTED] > >Sent: Friday, October 04, 2002 6:33 PM > >To: [EMAIL PROTECTED] Org > >Subject: Re: (313) Vladisalv Delay > > > > > >In response to the vladislav delay criticism... > > > >A friend wrote... > > > >hmm... > > > >well. that's an opinion. and s/he's welcome to it. > > > >i, on the other hand, had a great time. mainly, i guess, beacause i knew > >exactly what to expect. > > > >and so should anyone who attended, given the blurb on the tate's website, > >where the words 'contemporary' and 'experimental' feature in the first > >sentence. i mean, what else were we to expect from one of the world's > >leading modern art galleries? a largin' it, hands in the air, laser > >extravaganza? this was a concert/performance, and was billed as such, so > >why should we expect to be excited by what's on the stage? it's the sound > >that should be concentrat
Re: (313) 68 minutes of pumping acid house
http://www.acid-house.net/68mins.mp3 Got more old acid mixes etcon http://www.acid-house.net placid > was the mix in RA or an mp3 (i forget???) I usually d/l just bout any decent > oldschool acid mix set!!! > > I don't recall the link. > > - Original Message - > From: Paul Wise <[EMAIL PROTECTED]> > Date: Mon, 07 Oct 2002 23:25:34 +0800 > To: <313@hyperreal.org> > Subject: (313) 68 minutes of pumping acid house > > >> finally got round to a track list for the mix last month... >> >> Esp-slo mo definitive >> Nano machine 2 andrei moroant rmx by esp testube >> Random xs as it takes djax >> Acid warrior karzinom ep - junkfood >> 4D miss a waterfall - ltd edition picture disc labworks >> Spasms ep djax >> Affie yusuf acid waves 3 909 perversions >> Affie yusuf 909 eats children force inc acid burns lp >> Affie yusuf Affie¹s turn force inc >> Acid farm el synco ep - proper >> 4D hidden 2x12 labworks >> Esp further ep 7² drop bass network 008 >> Morph stromwatch ep sinewave 001 >> Sysex acid track cr 101 plus 8 >> Dark side of the sword 2 destroy them my robots- plasmek >> >> >>
Re: (313) The truth about missing the point and clarifying
> ps just got my new powerbook on wednesday. now digi has to get on a os x pro > tools They're on it: http://www.digidesign.com/news/hotnews/PTv6/ Cheers, Tom
RE: (313) Vladisalv Delay
Who cares he's just a hairless 25yr old Finn, if you really wanna bash on someone please consider Erol Alkans. http://www.incursion.org/features/delay.html http://www.kompaktkiste.de/delay.htm p.s. JB I still feel his Luomo guise sucks no matter how many copies I may have bought and sold or were rotated at Body & Soul!! - Original Message - From: "Odeluga, Ken" <[EMAIL PROTECTED]> Date: Fri, 4 Oct 2002 14:37:06 +0100 To: Placid <[EMAIL PROTECTED]>, "[EMAIL PROTECTED] Org" <313@hyperreal.org> Subject: RE: (313) Vladisalv Delay > Placid, > > Response to (some of) your friend's points - it wd have been nice had they > contributed them themselves! We don't bite here! > > this was a concert/performance, and was billed as such, so > >why should we expect to be excited by what's on the stage? it's the sound > >that should be concentrated upon, not the "two ugly blokes" making it. > > - In some places (as I noted) it was in fact billed in the club section of > publications: I mentioned the London Guide, in the Guardian Newspaper. But > nevertheless, a concert is was what I was expecting and a concert I can get > with. On the other hand this was an audience watching intense men working on > their pcs. Is this a new frontier in concert performance? I doubt it. During > the performance, I suggested to my friend that it would have been just as > feasible and perhaps more enjoyable to experience the performance at another > venue, with the music streamed via ISDN or something. Being at that place > during the 'show' seemed pretty pointless to me. The exhortation by the > woman who introduced the event, implying that visits to the lavatory would > be frowned upon didn't help. > > However - I was with friends who saw Stockhausen perform with a similar > format using not much (I think) not much more than himself and a laptop. In > that case, the audience were encouraged to shut eyes or concentrate on a > small dot of projected light, whilst the auditorium was darkened - which I > think would make sense. So yes, under some circumstances, I'd have to > concede that minimal visual performance would be acceptable to me ... > > >leading modern art galleries? a largin' it, hands in the air, laser > >extravaganza? > > Clearly that's ridiculous - only a fool wd expect such. I don't think that's > what you're implying. > > >i enjoyed listening to all three of the acts, for different reasons. > > ...>parlane's piece emerged from the silence and slowly built, layer upon > > >...it was intimate and affecting. > > Entirely subjective. Similarly, it's entirely subjective that I found his > performance dull due to it's almost literal monotonousness - a composition > of near-autistic flatness. > > the accusation of 'randomness' is > >one i've come across before, and which, quite frankly, i find boring and > >lazy. > > Sorry if my dislike of VDelay bores you! However, it's again my personal > opinion. You saw order or some pattern which pleased you, I didn't see any > meaningful pattern, such as there was displeased me. I can't accept the > accusation of laziness: I engaged my critical and evalutive faculties for > over two hours in order to understand what all the musicians were attempting > to do, as I did when I made a very long and I hope at least reasonably > thought through post of my own thoughts to this list - as I am doing now! I > cannot see why because I don't agree with you that makes me lazy - maybe > that's your view because of lazy thinking! > > it > >was delay himself who was taking the decisions as to when and how he chose > >to play and layer the sounds he produced. there must be intention in > >theses actions, thus rendering the random accusation useless. it may have > >been difficult to listen to but by no means impossible. > > First part does not disprove the idea that he was making it up as he goes > along - 'random'. Second part, again you enjoyed it, I didn't. Maybe > 'random' is good. In that particular instance for me, it didn't work. I > hated it. > > Ken > > > > > > >-Original Message- > >From: Placid [mailto:[EMAIL PROTECTED] > >Sent: Friday, October 04, 2002 6:33 PM > >To: [EMAIL PROTECTED] Org > >Subject: Re: (313) Vladisalv Delay > > > > > >In response to the vladislav delay criticism... > > > >A friend wrote... > > > >hmm... > > > >well. that's an opinion. and s/he's welcome to it. > > > >i, on the other hand, had a great time. mainly, i guess, beacause i knew > >exactly what to expect. > > > >and so should anyone who attended, given the blurb on the tate's website, > >where the words 'contemporary' and 'experimental' feature in the first > >sentence. i mean, what else were we to expect from one of the world's > >leading modern art galleries? a largin' it, hands in the air, laser > >extravaganza? this was a concert/performance, and was billed as such, so > >why should we expect to be excited by what's on the stage? it's the sound > >that should be concentrat
RE: (313) The Third Wave?
As far as I recall it was never really published? It was a download only thing, from one of the first transmat websites... So... Does anyone still have it? W -Original Message- From: Matthew MacQueen [mailto:[EMAIL PROTECTED] Sent: dinsdag 8 oktober 2002 0:38 To: 313@hyperreal.org Cc: "Gucluer, Hansi"; Dan Sicko (E-mail); Otto Koppius (E-mail) Subject:RE: (313) The Third Wave? > And did Neil Olliviera write a book (a novel?) about Detroit techno? Yes, but "Reality Slap" wasn't as much about Detroit techno per se, but techno was kind of the backdrop of what was happening in the main characters social life, working with Transmat, all the music and cities (Detroit, London) references, adventures, etc. I thought it was pretty well written. Used to be available for download somewhere on the internet but not sure where anymore. If you can find it it's definitely worth reading, this might be one for the FAQ.. :) peace, Matt
RE: (313) Vladisalv Delay
Who cares he's just a hairless 25yr old Finn, if you really wanna bash on someone please consider Erol Alkans. http://www.incursion.org/features/delay.html http://www.kompaktkiste.de/delay.htm p.s. JB I still feel his Luomo guise sucks no matter how many copies I may have bought and sold or were rotated at Body & Soul!! - Original Message - From: "Odeluga, Ken" <[EMAIL PROTECTED]> Date: Fri, 4 Oct 2002 14:37:06 +0100 To: Placid <[EMAIL PROTECTED]>, "[EMAIL PROTECTED] Org" <313@hyperreal.org> Subject: RE: (313) Vladisalv Delay > Placid, > > Response to (some of) your friend's points - it wd have been nice had they > contributed them themselves! We don't bite here! > > this was a concert/performance, and was billed as such, so > >why should we expect to be excited by what's on the stage? it's the sound > >that should be concentrated upon, not the "two ugly blokes" making it. > > - In some places (as I noted) it was in fact billed in the club section of > publications: I mentioned the London Guide, in the Guardian Newspaper. But > nevertheless, a concert is was what I was expecting and a concert I can get > with. On the other hand this was an audience watching intense men working on > their pcs. Is this a new frontier in concert performance? I doubt it. During > the performance, I suggested to my friend that it would have been just as > feasible and perhaps more enjoyable to experience the performance at another > venue, with the music streamed via ISDN or something. Being at that place > during the 'show' seemed pretty pointless to me. The exhortation by the > woman who introduced the event, implying that visits to the lavatory would > be frowned upon didn't help. > > However - I was with friends who saw Stockhausen perform with a similar > format using not much (I think) not much more than himself and a laptop. In > that case, the audience were encouraged to shut eyes or concentrate on a > small dot of projected light, whilst the auditorium was darkened - which I > think would make sense. So yes, under some circumstances, I'd have to > concede that minimal visual performance would be acceptable to me ... > > >leading modern art galleries? a largin' it, hands in the air, laser > >extravaganza? > > Clearly that's ridiculous - only a fool wd expect such. I don't think that's > what you're implying. > > >i enjoyed listening to all three of the acts, for different reasons. > > ...>parlane's piece emerged from the silence and slowly built, layer upon > > >...it was intimate and affecting. > > Entirely subjective. Similarly, it's entirely subjective that I found his > performance dull due to it's almost literal monotonousness - a composition > of near-autistic flatness. > > the accusation of 'randomness' is > >one i've come across before, and which, quite frankly, i find boring and > >lazy. > > Sorry if my dislike of VDelay bores you! However, it's again my personal > opinion. You saw order or some pattern which pleased you, I didn't see any > meaningful pattern, such as there was displeased me. I can't accept the > accusation of laziness: I engaged my critical and evalutive faculties for > over two hours in order to understand what all the musicians were attempting > to do, as I did when I made a very long and I hope at least reasonably > thought through post of my own thoughts to this list - as I am doing now! I > cannot see why because I don't agree with you that makes me lazy - maybe > that's your view because of lazy thinking! > > it > >was delay himself who was taking the decisions as to when and how he chose > >to play and layer the sounds he produced. there must be intention in > >theses actions, thus rendering the random accusation useless. it may have > >been difficult to listen to but by no means impossible. > > First part does not disprove the idea that he was making it up as he goes > along - 'random'. Second part, again you enjoyed it, I didn't. Maybe > 'random' is good. In that particular instance for me, it didn't work. I > hated it. > > Ken > > > > > > >-Original Message- > >From: Placid [mailto:[EMAIL PROTECTED] > >Sent: Friday, October 04, 2002 6:33 PM > >To: [EMAIL PROTECTED] Org > >Subject: Re: (313) Vladisalv Delay > > > > > >In response to the vladislav delay criticism... > > > >A friend wrote... > > > >hmm... > > > >well. that's an opinion. and s/he's welcome to it. > > > >i, on the other hand, had a great time. mainly, i guess, beacause i knew > >exactly what to expect. > > > >and so should anyone who attended, given the blurb on the tate's website, > >where the words 'contemporary' and 'experimental' feature in the first > >sentence. i mean, what else were we to expect from one of the world's > >leading modern art galleries? a largin' it, hands in the air, laser > >extravaganza? this was a concert/performance, and was billed as such, so > >why should we expect to be excited by what's on the stage? it's the sound > >that should be concentrat
Re: (313) Mayday Mix
just to clear up any confusion: the MayDay mix *was* done live. the *edits* were done later on a computer (and a bit of little known trivia: the edits were done by Kenny Larkin.) For me the edits dont in any way take away from the brillance of this mix. > From: "Langsman, Marc" <[EMAIL PROTECTED]> > Date: Mon, 7 Oct 2002 09:21:24 +0100 > To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]>, "Maarten Baute" <[EMAIL > PROTECTED]> > Cc: 313@hyperreal.org, [EMAIL PROTECTED] > Subject: RE: (313) Mayday Mix > > > Ive always really really liked this mix - although I reckon theres no reason > why it couldnt have been pulled off live , bit of a shame but still a darn > good mix ! > >> -Original Message- >> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] >> Sent: 04 October 2002 21:26 >> To: Maarten Baute >> Cc: 313@hyperreal.org; [EMAIL PROTECTED] >> Subject: Re: (313) Mayday Mix >> >> >> >> On Friday, October 4, 2002, at 12:44 PM, Maarten Baute wrote: >> >>> also in the mix, the underrated convextion release on matrix.. truly >>> brilliant.. >> >> yes! such a great track although i've never come close to making >> it sound as good as it does in this mix. >> >>> the mix is pro-tooled though.. the mix sounds amazing.. but >> a lot of >>> stuff >>> is done with computer.. wich is not a problem for me.. >> >> especially considering what was done with it. that middle >> section from >> Preacher Man to the backward bit with Alarms is just freakin' amazing. >> >> this is one of my favorite mix cds, without question. probably the >> favorite. speaking of, i have the original japanese >> release... it came >> with a little 2.5"x3.5" 18 page photo booklet. does the cd >> still come >> with this these days? >> >> > > -- > This message is intended only for the personal and confidential use of the > designated recipient(s) named above. If you are not the intended recipient of > this message you are hereby notified that any review, dissemination, > distribution or copying of this message is strictly prohibited. This > communication is for information purposes only and should not be regarded as > an offer to sell or as a solicitation of an offer to buy any financial > product, an official confirmation of any transaction, or as an official > statement of Lehman Brothers. Email transmission cannot be guaranteed to be > secure or error-free. Therefore, we do not represent that this information is > complete or accurate and it should not be relied upon as such. All > information is subject to change without notice. > >
