(313) 4 Sale in Oz
peeps - sorry for the OT post atari 1040ste + sm124 monitor, original software manuals $250 AU roland jupiter-6 synthesiser $1300 AU thanks philip
(313) Detroit Historical Exhibit
So, regarding the Techno: Detroit's Gift to the World... what did everybody think? Seemed to be missing a ton of stuff... photographs? music to listen to? an actual explanation of how a DJ plays? examination of club culture? Motor? what say you all? _ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE* http://join.msn.com/?page=features/virus
Re: (313) Detroit Historical Exhibit
I went opening night and couldn't hear anything ... there wasn't *any* music? I'm definitely surprised at that one. I assumed that the video clips would switch out and some of the buttons triggered more than just interviews? As for club culture ... that wouldn't exactly be our gift to the world, now would it? I think club/rave culture would have crowded more essential information out IMHO, especially considering most of the history covered in the exhibit is pre-rave (at least in Detroit). -d On Sunday, January 19, 2003, at 11:21 PM, kenneth taylor wrote: examination of club culture?
(313) track ID
i think there was also a version by grace jones sheep on drugs...? i was listening to a mix by Malik Ismael on deephousepage and want to know one of the tracks he played. has the lyrics: sex drive-dri-dri-dri-dri-dri-dri-dri. sit back, and enjoy the ride. sex, and enjoy, sex, and enjoy, sex, and enjoy, sex, sex, sex, sex. sit back, and enjoy the ride. take a ride in my car. impress your friends. accelerate with my sperm(?), feel the engine pur.sit back, and enjoy the ride
(313) The Drive Home
www.thedrivehome.net has had Film slated for completion in May 2001 for quite some time. Does anyone know what happened to this? It doesn't show up on IMDb.
Re: (313) The Drive Home
Contractual entanglements with Pop Culture Media. Perhaps recent events will loosen things up a bit -d On Monday, January 20, 2003, at 12:06 AM, mkb wrote: www.thedrivehome.net has had Film slated for completion in May 2001 for quite some time. Does anyone know what happened to this? It doesn't show up on IMDb.
Re: (313) Detroit Historical Exhibit
I went today. I thought it was brief. Extremely brief. Techno Rebels seemed to cover it much better. There was very little music, mostly brief speeches with Atkins, Fowkles, May and Saunderson when you pressed the buttons on the display. Records and equipment on display. I think it would have been more interesting to have gone in depth. Just how did Techno influence the world's music. Maybe show how exactly a record gets cut. How the music gets made, etc. Submerge's influence with their philosophy. I think the lay person wouldn't know anything about that or the musical instruments. Think about it beyond keyboards, guitars, drums, does the average person knows what the samplers, etc. do? On a side note the museum was selling a documentary DVD that had Atkins and May in it, among others. I forgot the title. It wasn't The Drive Home. It costs $34.95 at the museum. Anyone seen it yet? on 01/19/03 11:32 PM, Dan Sicko at [EMAIL PROTECTED] wrote: I went opening night and couldn't hear anything ... there wasn't *any* music? I'm definitely surprised at that one. I assumed that the video clips would switch out and some of the buttons triggered more than just interviews? As for club culture ... that wouldn't exactly be our gift to the world, now would it? I think club/rave culture would have crowded more essential information out IMHO, especially considering most of the history covered in the exhibit is pre-rave (at least in Detroit). -d On Sunday, January 19, 2003, at 11:21 PM, kenneth taylor wrote: examination of club culture?
Re: (313) THE DETERMINOID - AH 005 ???? / DEEPART
yeah, it's Andi Hart (aka Deepart) his first label, including his record as The Determinoid. Deepart is his second label, which is also his artist name Myoclon is his third label, with two twelves so far: Qwerty Myoclon. that's about it! :) At 18-1-2003 -0500 16:22, you wrote: oh damn, andi hart is deepart...!! i think there was also.. AH 002 andi hart - qwerty 12 AH 003 andi hart - myoclon 12 ?? marsel? :) 300 miles away from my records, and i only have white labels of these other two...or was myoclon another of his labels?? ahh im foggy but andi hart rules! jt ANDI HART [AH 005] DETERMINOID, THE BASS AND DRUM 12 OUT OF STOCK [AH 004] ANDI HART INDEFINABLE STRUCTURE 12 IN STOCK [AH 001] ANDI HART LOST IN MUSIC 12 OUT OF STOCK not much more information on who this andi hart is or where he came from, but it's a start =) mindmover / syndroma sound system - Original Message - From: Arne Weinberg [EMAIL PROTECTED] To: 313 Mailing List 313@hyperreal.org Sent: Saturday, January 18, 2003 7:29 AM Subject: (313) THE DETERMINOID - AH 005 Hello folks! I have a really obscure record and I would like to ask for more information on it. Artist: The Determinoid Tracks: Bass and Drum / Tarabin beach / Hartstep 1 I don't know which label it is... it is marked with Ah005 and it seems to be distributed by Complete/USA... There is some nice dark broken beats electronica styled music on it Any idea you trainspotters out there? ;-) Thanx, Arne .. . :: http://nomorewords.net
Re: (313) Inertia on Retroactive????
i thought you were asking about inertia but yes indeed, dj blackout = damon booker inertia = gerald simpson = a guy called gerald At 18-1-2003 -0500 08:41, you wrote: I believe the Inertia record just says Edits by DJ Blackout. -d On Saturday, January 18, 2003, at 10:33 AM, Arne Weinberg wrote: Yeah, I also thought that it is Damon Booker Marsel, are you sure? The track on Panic in Detroit is a little bit too cheesy for me honestly... Any other releases from him Cheers, Arne Klaas-Jan Jongsma [EMAIL PROTECTED] schrieb: At 08:18 +0100 18-01-2003, marsel wrote: it's by a guy called gerald I always thought that Inertia was A Guy Called Gerald but that DJ Blackout was Damon Booker? I really love the Inertia track on the Panic in Detroit compilation to! That track is definitely my favorite Inertia track for all info see http://www.forcefield.org/retroactive/ At 17-1-2003 + 23:57, you wrote: Hello everybody! i have this record from Inertia called Nowhere to run. Is this really a Retroactive record? It is marked with SP12... Are there any other recommendable records from DJ Blackout that I should keep my eyes open for??? .. . :: http://nomorewords.net
(313) The Detroit Experiment LP
Just seen this on Gilles Petersons worldwide playlist... (Ropeadope)..Ive tried google and cant find very much detail about it. The ropeadope site simply says it released in March. Is it a techno related release ? Many Thanks Rav
FW: (313) The Detroit Experiment LP
sorry, missed something important out of that mail, its The Detroit Experimemt LP on Ropadope Records R -Original Message- From: Mann, Ravinder [CCS] [SMTP:[EMAIL PROTECTED] Sent: Monday, January 20, 2003 10:46 AM To: '313' Subject: (313) The Detroit Experiment LP Just seen this on Gilles Petersons worldwide playlist... (Ropeadope)..Ive tried google and cant find very much detail about it. The ropeadope site simply says it released in March. Is it a techno related release ? Many Thanks Rav
Re: (313) The Detroit Experiment LP
question is what is considered to be a techno related release ... Two 'experiment' releases are already out on ropeadope: - 2nd one is Carl Craig in Innerzone Orchestra mood ... - 1st one has cool Charlie Dark remix in a broken beat style so if the LP is not something completely else this might give you some idea ... mislav - Original Message - From: Mann, Ravinder [CCS] [EMAIL PROTECTED] To: '313' 313@hyperreal.org Sent: Monday, January 20, 2003 1:45 Subject: (313) The Detroit Experiment LP Just seen this on Gilles Petersons worldwide playlist... (Ropeadope)..Ive tried google and cant find very much detail about it. The ropeadope site simply says it released in March. Is it a techno related release ? Many Thanks Rav
Re: (313) The Detroit Experiment LP
Just seen this on Gilles Petersons worldwide playlist... (Ropeadope)..Ive tried google and cant find very much detail about it. The ropeadope site simply says it released in March. Is it a techno related release ? Not really, more of a jazz/hip-hop project - think Innerzone Orchestra. There's a great sampler 12 that's been out for a few weeks, but the full album's not out yet. Cheers, Tom PS: it was discussed on the list back in December, here's the relevant post from xx xx [EMAIL PROTECTED]: Full story with proper credits Produced by: Aaron Ace Levinson, Carl Craig, and Karriem Riggins. Featured Players: Marcus Belgrave, Regina Carter, Bennie Maupin, Geri Allen, Allan Barnes, Amp Fiddler, Karriem Riggins, Jaribu Shahid, Jeremy Ellis, Al Turner, Ron Otis, Francisco Mora, Perry Hughes. The Story Following the success of the acclaimed PHILADELPHIA EXPERIMENT, ropeadopes newest music lab is the city of Detroit. With a core band that includes the founding fathers (and mothers) from the Motor City, The Detroit Experiment chases the music of Detroit from its roots straight into the future. Aaron Ace Levinson, Carl Craig and Karriem Riggins recorded the band over a period of five days at the legendary White Room Studio in downtown Detroit. The musicians in the core band have been all over the map in terms of both genre and locale. However, thanks to their common bond of Detroit and its musical soul, the chemistry in the studio started as soon as they hit record. The central basis for the Experiment was the Carl Craig-produced, trumpet-driven reinterpretation of the Marcus Belgrave classic Space Odyssey, bringing together the talents of Marcus Belgrave, Amp Fiddler, Francisco Mora, Karriem Riggins, and Jaribu Shahid. Bennie Maupin, best known for his work as band leader of the Headhunters, contributed his songwriting and arranging talents on the original composition Baby Needs New Shoes. Another great collaboration was that of Regina Carter Geri Allen, who recorded the powerful gospel-based opus There is a God in one take. While elements of jazz, blues, soul, and electronic music all contributed to the eclectic mix of the project, Detroits connection to hip hop was also a an essential element of the experiment. The sound of Detroit hip-hop was captured through the contribution of jazz drummer and hip-hop producer Karriem Riggins, who recently produced Slum Villages first hit single Tainted as well as lending his production skills to Common The Roots. On The Way We Make Music, the alchemy of Karriem Riggins hip hop production, combined with the creatively crafted lyrics of Detroits first female MC, Invincible, provided that crucial element of gritty yet soulful hip hop that has put Detroit on the map once again. The Detroit Experiment is a true testament to the talent in Detroit, taking you from the days of Marcus Belgraves Tribe Records straight through to Detroits future torch bearers Carl Craig and Karriem Riggins. featuring: Marcus Belgrave - trumpet (Lincoln Center Jazz Orchestra, Tribe Records) Regina Carter - violin (Kenny Barron, Vernon Reid) Bennie Maupin - tenor saxophone, soprano saxophone, bass clarinet (Headhunters, Herbie Hancock, Miles Davis) Allan Barnes - alto saxophone, flute (Blackbyrds) Amp Fiddler - keyboards (P-Funk, Maxwell, Carl Craig) Jeremy Ellis - keyboards (Ayro, John Beltran) Geri Allen - piano (Wallace Roney, Charlie Haden) Jaribu Shahid - bass (Sun Ra, Roscoe Mitchell, David Murray) Karriem Riggins drums / Producer (The Roots, Common, Slum Village Mulgrew Miller) Al Turner - bass (Detroit session musician) Ron Otis - drums (Detroit session musician, Earl Klugh) Francisco Mora - percussion (Max Roach, Carl Craig, Sun Ra) Perry Hughes - guitar (Detroit session musician) Monica Blaire (Blaire White) - vocals Invincible (Anomalies) - vocals From: Maarten Baute [EMAIL PROTECTED] Reply-To: Maarten Baute [EMAIL PROTECTED] To: 313@hyperreal.org Subject: (313) carl craig? Date: Sun, 8 Dec 2002 21:20:59 +0100 now... what´s this? DETROIT EXPERIMENT, The/CARL CRAIG: The Way We Make Music (Ropeadope US) 12: The Detroit Experiment-The Way We Make Music (featuring Invincible Karriem Riggins) (full version, instrumental)/Carl Craig-Church, Space Odyssey, Midnight At The Twenty Grand, Space Break (RPD 97989) just new in the stores Cheers, Maarten
(313) Final Scratch on Mac OSX
there was some talk about this on the list recently i think. TRAKTOR and Final Scratch The new cooperation between Stanton and Native Instruments marks another milestone in digital DJing: Final Scratch will soon be running on the power of NI's TRAKTOR software. TRAKTOR Basic FS, the first result of this cooperation, brings Final Scratch to the Mac OS X platform and supplies the system with a superb digital audio engine, advanced track management features, and much more. http://www.native-instruments.com/traktorfs.info
Re: (313) Detroit Historical Exhibit
we left lansing a little late and arived there at 4:50, well they close at 5. but I did think it was small, I did like the studio set up and the press plates from ur-38. all the gold records in the mojo area was cool. maybe next time I will get to look at it more. scotto lansing, mi. - Original Message - From: kenneth taylor [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, January 19, 2003 11:21 PM Subject: (313) Detroit Historical Exhibit So, regarding the Techno: Detroit's Gift to the World... what did everybody think? Seemed to be missing a ton of stuff... photographs? music to listen to? an actual explanation of how a DJ plays? examination of club culture? Motor? what say you all? _ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE* http://join.msn.com/?page=features/virus
Re: (313) Detroit Historical Exhibit
Hmmm...who were the curators? was it someone from the museum,an outside source or both? Sometimes with museums-if it's a permanent or time slotted display they will/can give only so much floor space. When I have questions as such that's when I usually try and grab someone who works there and chat them up a bit and see what is what. This is just from a larger picture perspective mind you and what I've learned from the museums I've volunteered at...could be totally off too. Could the documentary they were selling be the one made a long time ago...by PBS I believe, or didn't the BBC/Channel 4 do one too? Can't remember which, but I can see it in my head:P. Everything mushes together at this time in the morning. d --- Roberto Ty [EMAIL PROTECTED] wrote: I went today. I thought it was brief. Extremely brief. Techno Rebels seemed to cover it much better. There was very little music, mostly brief speeches with Atkins, Fowkles, May and Saunderson when you pressed the buttons on the display. Records and equipment on display. I think it would have been more interesting to have gone in depth. Just how did Techno influence the world's music. Maybe show how exactly a record gets cut. How the music gets made, etc. Submerge's influence with their philosophy. I think the lay person wouldn't know anything about that or the musical instruments. Think about it beyond keyboards, guitars, drums, does the average person knows what the samplers, etc. do? On a side note the museum was selling a documentary DVD that had Atkins and May in it, among others. I forgot the title. It wasn't The Drive Home. It costs $34.95 at the museum. Anyone seen it yet? on 01/19/03 11:32 PM, Dan Sicko at [EMAIL PROTECTED] wrote: I went opening night and couldn't hear anything ... there wasn't *any* music? I'm definitely surprised at that one. I assumed that the video clips would switch out and some of the buttons triggered more than just interviews? As for club culture ... that wouldn't exactly be our gift to the world, now would it? I think club/rave culture would have crowded more essential information out IMHO, especially considering most of the history covered in the exhibit is pre-rave (at least in Detroit). -d On Sunday, January 19, 2003, at 11:21 PM, kenneth taylor wrote: examination of club culture? __ Do you Yahoo!? Yahoo! Mail Plus - Powerful. Affordable. Sign up now. http://mailplus.yahoo.com
(313) Fw: BASE Jan/feb - CRASH jan 31st with Rolando
- Original Message - From: base london To: base friends/members/industry Sent: Monday, January 20, 2003 2:30 AM Subject: BASE Jan/feb - CRASH jan 31st with Rolando here's the program. FRIDAY 31st JANUARY ROLANDO, MASTERS, DALE, DEBASSER, RUSSELL, LULU MORE BASE returns to London with a BASE special at a brand new home! BASE feat. WIDE @ CRASH Arch 66, Goding Street, Vauxhall, London 10pm - We're hosting a two room affair with the main room featuring the BASE residents and some very special guests from Detroit and London. They will be supplying the best in deep tech-funk, dub-tech, funky techno house that BASE is famous for. Room 2 will be hosted by those ghetto-tech, booty bass merchants WIDE, who will be giving us their unique room shaking, body rocking, jacking UK BASS sound. for info/guest list mail [EMAIL PROTECTED] or call 01223 841745 The line up:- Main Room - the sound of BASE London residents JIM MASTERS (dex, efx final scratch), BRENDA RUSSELL DJ LULU (digital disco) plus very special guests DJ ROLANDO (Underground Resistance, Detroit) COLIN DALE (Abstrakt Dance, London) Rolando needs little introduction after his seminal 'knights of the jaguar' re-introduced the word funk back into techno, his work with UR has shown the world that Detroit is still the inspirational home of Techno electronic music. His seamless style fusing detroit with future classics, latin one minute, minimal the next with the funkiest techno following, Rolando's sets at the Velvet rooms were always amongst the very best. Colin Dale what hasn't been said about one of London's true pioneers? Involved at the very beginnings his 'Knowledge' and passion for techno house has kept him at the forefront for over 15 years, Colin is the true soul of the London techno scene. Room 2 hosted by Wide with CUTLASS SUPREME,DEBASSER LIVE! (Novamute) , OLI ' double d' SECLUNA NON-STOP DJ'S Wide have been at the forefront of the burgeoning UK Bass scene. Fusing Detroit electro, bass and booty with ghetto-tech, ragga hip-hop this sound has a unique London Flavour and is the perfect compliment to the Base sound. Admission £10 advance, nus/members, £12 door, £6 after 3am tickets: way ahead - www.wayahead.com info/other ticket outlets: www.baselondon.net invites: [EMAIL PROTECTED] Other BASE parties BASE Belgrade @ Club Skc Saturday 1st Feb with BRENDA RUSSELL, TOMAZ (Filterheadz) guests Friday 14th Feb with DAVE ANGEL, DJ LULU guests -- BASE Dublin Friday 7th Feb @ Temple Bar Music Centre, Dublin with JIM MASTERS plus special guest DJ ROLANDO (UR) BASE vs Bedrock Thursday 6th March 11 - 3 @ Heaven Base Room JIM MASTERS, LULU plus special guest KEVIN SAUNDERSON (Inner City, Detroit) info/guest list - [EMAIL PROTECTED] For more info on hosting BASE parties mail: [EMAIL PROTECTED]
Re: (313) Detroit Historical Exhibit
Curators were both from the Museum, and yes, the space was allotted over a year ago I believe. Don't know what the budget was, but things turned out about how I expected -- they did a *good* job. -d On Monday, January 20, 2003, at 06:46 AM, diana potts wrote: Hmmm...who were the curators? was it someone from the museum,an outside source or both? Sometimes with museums-if it's a permanent or time slotted display they will/can give only so much floor space.
Re: (313) Mayday (or Labor Day)
bit late, sorry but need to say I´ m very happy bout this :) and hope some beef between some artists will melt away too and ALL will come back together under 1 g roof e DETROIT RIZE m planetrock2003 Jackpot. k -Original Message- From: Ian [mailto:[EMAIL PROTECTED] Sent: Friday, January 17, 2003 12:54 PM To: The Music Institute Subject: Re: (313) Mayday (or Labor Day) Scratch that subject line. It should have read Mayday (or Memorial Day). Guess who's over-excited? On 1/17/03 7:50 AM, Ian [EMAIL PROTECTED] wrote: Techno star Derrick May has been offered a contract to produce the Detroit Electronic Music Festival, the Free Press has learned. http://www.freep.com/entertainment/newsandreviews/dmf17_20030117.htm
Re: (313) Iridite
Yep you're rightno.3 is the best one yet.. Got iridite 1 2 and think they are damn fine... Is 3 as good Yep, I think it's the best one yet... is there a 4 Not yet - see http://www.iridite.com for more info... Cheers, Tom
Re: (313) Detroit Historical Exhibit
I went opening night and couldn't hear anything ... there wasn't *any* music? I'm definitely surprised at that one. I assumed that the video clips would switch out and some of the buttons triggered more than just interviews? well, for those of us (a.k.a. casual museum goers) that couldn't make it to the opening, there was no music to listen to other than what was playing beneath the 2-minute interview clips. I imagine it wouldn't have been to difficult to set up one or two listening stations playing a few different tracks or just a simple Mojo mix. As for club culture ... that wouldn't exactly be our gift to the world, now would it? I think club/rave culture would have crowded more essential information out IMHO, especially considering most of the history covered in the exhibit is pre-rave (at least in Detroit). No, club culture wasn't quite our gift to the world (hehe) but again, for the lay person, a little context might be nice. And, as far as I saw, there wasn't even a mention of Motor (I may have totally missed it, though). Not to fault them too much but they never even described what a DJ actually does. They seemed far more pre-occupied with finding album covers than they did with trying to inform their audience. -d On Sunday, January 19, 2003, at 11:21 PM, kenneth taylor wrote: examination of club culture? _ Protect your PC - get McAfee.com VirusScan Online http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963
Re: (313) Mayday (or Labor Day)
Heh. Beefing is what musicians do when they're not in the studio and aren't getting laid. Music without beef is inconceivable -- especially in Detroit! I won't name names, but I can think of one or two of Detroit's finest who don't open their mouths in public without starting a beef! On Mon, 20 Jan 2003, dr.dog wrote: and hope some beef between some artists will melt away too
Re: (313) Detroit Historical Exhibit
From what I gathered from folks at the Roostertail fundraiser the exhibition is a work in progress. They hope to add more to it as more money and potential corporate sponsorship are secured. Didn't get to see the exhibit myself but the talk of sending it on the road is serious. -dave
Re: (313) Detroit Historical Exhibit
From what I gathered from folks at the Roostertail fundraiser the exhibition is a work in progress. They hope to add more to it as more money and potential corporate sponsorship are secured. Didn't get to see the exhibit myself but the talk of sending it on the road is serious. -dave
RE: (313) bit of a long shot..
My Mine - BMG in Italy say they don't own their stuff anymore.. C. Walter Paas is an importer in Chicago who has been importing italo since the 80's when B-96 djs were putting it into their hotmix shows. He owns the Dancia label (killer re-issues!) and I *think* has worked out licencing agreements to some of these kind of tracks including My Mine. If you can find a Dancia record (all mine are at home) there is probably a phone or fax number on it. Here's more: http://ad.techno.org/dan.php Good luck, sounds like an interesting comp, Matt MacQueen
Re: (313) Detroit Historical Exhibit
you guys seem to be forgetting that this exhibit was made so that fourth graders could understand it... the couldn't get too deep on them... - Original Message - From: kenneth taylor [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, January 19, 2003 11:21 PM Subject: (313) Detroit Historical Exhibit So, regarding the Techno: Detroit's Gift to the World... what did everybody think? Seemed to be missing a ton of stuff... photographs? music to listen to? an actual explanation of how a DJ plays? examination of club culture? Motor? what say you all? _ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE* http://join.msn.com/?page=features/virus
Re: (313) Detroit Historical Exhibit
On Mon, 20 Jan 2003, Dan Sicko wrote: Curators were both from the Museum, and yes, the space was allotted over a year ago I believe. Don't know what the budget was, but things turned out about how I expected -- they did a *good* job. -d I wrote about the idea of a travelling techno exhibit after the demf of 2001 i think. one of the exhibits that influenced me was the missouri historical society's miles davis exhibit. synthesized personal tidbits with his art with his music. each visitor upon entering the exhibit was given an mp3 player and at each station the visitor was told to play a certain track. the tracks would either be davis' music, a commentary from people close to davis and davis himself, or a mixture of both. there were also a couple of listening spaces devoted solely to davis' music through the years. I liked the exhibit a great deal, and I thought the model could be easily ported over to techno. Only problem was that it lacked a sense of movement. Even though jazz has been fossilized to a certain extent, this is important. The techno exhibit in my head contained flyers from high school parties (comrades, weekends, etc.) it contained old drum machines and synthesizers, but most of all it contained MUSIC. Old 98 mix tapes from the wizard, gary chandler, and others. Deep Space Radio. Interviews with various people involved with the scene. Maybe even speeches from futurists like Alvin Toffler in the background. I'd like to check it out for myself...don't know if I'll get back in time.
(313) invasion from planet detroit
the pandisc website thinks it more important to put audio advice on the page than any mention of this record. anything of interest here? scotto lansing, mi.
RE: (313) bit of a long shot..
I wanted to quickly correct for the record that when I said B-96 in I meant to say WBMX (for awhile this Chicago station was home to the legendary Hotmix 5, Farley Jackmaster Funk, etc.). B-96, while we're at it, used to have decent house music mixes on the radio in the late 80s... Bad Boy Bill, etc. Nowdays has mostly commercial ravey or latin-NRG and mixed dance music shows on weekend nights. Every now and then if it's someone is mixing old and new you will can still hear some italo or Trax classics on the middle of the FM dial.. in a cab ride across town or whatever... But not worth waiting for, the rare payoff is not worth the pain of suffering through the rest of the crraaap. scottish accent peace, Matt MacQueen -Original Message- From: Matthew MacQueen Sent: Monday, January 20, 2003 11:01 AM To: 313@hyperreal.org Cc: [EMAIL PROTECTED] Subject: RE: (313) bit of a long shot.. My Mine - BMG in Italy say they don't own their stuff anymore.. C. Walter Paas is an importer in Chicago who has been importing italo since the 80's when B-96 djs were putting it into their hotmix shows. He owns the Dancia label (killer re-issues!) and I *think* has worked out licencing agreements to some of these kind of tracks including My Mine. If you can find a Dancia record (all mine are at home) there is probably a phone or fax number on it. Here's more: http://ad.techno.org/dan.php Good luck, sounds like an interesting comp, Matt MacQueen
(313) test
test
(313) plink plonk
who owns the lable plink plonk? any one have any coments on Underground Science Reflected with the kenny larkin rmx. or the stacey pullen 12. its under a different name though ryan burns _ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE* http://join.msn.com/?page=features/virus
RE: (313) plink plonk
who owns the lable plink plonk? The infamous Mr. C ! peace, Matt MacQueen
Re: (313) plink plonk
Colin from The Shamen. We can move move move any mountain ryan burns wrote: who owns the lable plink plonk? any one have any coments on Underground Science Reflected with the kenny larkin rmx. or the stacey pullen 12. its under a different name though ryan burns _ MSN 8 helps eliminate e-mail viruses. Get 2 months FREE* http://join.msn.com/?page=features/virus
Re: (313) plink plonk
yeah, as has been said it's Mr C's label. I've been after the Kenny Larkin remix of L.A. Synthesis' Agoraphobia on Plink Plonk for years Date: Mon, 20 Jan 2003 17:36:41 -0600 To: 313@hyperreal.org From: ryan burns [EMAIL PROTECTED] Subject: plink plonk Message-ID: [EMAIL PROTECTED] who owns the lable plink plonk? any one have any coments on Underground Science Reflected with the kenny larkin rmx. or the stacey pullen 12. its under a different name though
(313) Internet Radio Tuesday 11am-12pm
THINKBOX ANNOUNCEMENT THINKBOX collective member Mark Laliberte will be guesting on CJAM 91.5 fm's 'Soundscape Rhythms' radio show this Tuesday Jan 21st from 11am - 12 noon... ...tune in to hear an exclusive preview of the forthcoming CD 'Settings'! Host Garth Renee will be spotlighting this interesting Windsor/Detroit new media + sound collective, and discussing this Friday's CD Release / Performance Event which will be happening at Detroit Contemporary beginning at 9pm! Be sure to listen... LIVE OVER THE INTERNET (choose either MP3 stereo or RealAudio mono stream): http://www.cjam.ca/ Request Lines: Canada: [519] 971 3630 Detroit: 963 6112 EXT. 3630 _ Protect your PC - get McAfee.com VirusScan Online http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963
