(313) London Next Week
Hey, I'm going to be in London next week for 5 days. Could any kind soul let me know what's happening Dec 8th to 13th? Many thanks, Aiden
Re: (313) London Next Week
- Original Message - From: Aiden Hopfner [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 04, 2003 1:30 AM Subject: (313) London Next Week Hey, I'm going to be in London next week for 5 days. Could any kind soul let me know what's happening Dec 8th to 13th? Many thanks, Kind of a quiet week AFAIK, except for the Saturday. Monday the 8th you can hit Barrumba near Piccadilly Circus if you're already there for touristy crap or whatever - it's Gilles Petersen's weekly. Surprisingly good vibe in there on Mondays. Tuesdays are dead. You can probably track down some more residencies via Timeout, etc. Stuart Patterson, DJ Yoda and some others do weekly stuff, and you can maybe find some more things just by wandering around Old Street checking out flyers on walls, etc. Also, check flyers in record shops on Berwick Street. On Friday the 12th there's Greenskeepers @ Cargo http://www.cargo-london.com or this Multiplex thang: http://www.dustscience.org/forums/viewtopic.php?t=989. Drum 'n bass if that's your thing @ The End http://www.the-end.co.uk or Fabric http://www.fabriclondon.com. Friday's are not usually a very strong night in London. On the 13th you can see me, Ryan Blackman and Mike Grant @ Bleep for £6 (advanced ticket only, available at http://www.vinyl-junkies.co.uk or Koobla, just up Berwick Street), or there is also this free Retroverts party: http://www.retroverts.com or Laurent Garnier @ The End or Stacey Pullen @ Fabric. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) Derrick May Melbourne
Ace!!! Better crowd. Intimate. Two days of promotion and full house on a Wed. Blood was spilled, but it happened. Someone said it was a statement and it was that. I was scared the system would blow up (he he Patrick, remember the time), but it held up. He played Nina Simone's See Line Woman twice, Latin, techno, deep house, etc, etc, etc. -- From: David Gillies [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Subject: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 10:07 AM Cyclone Wehner wrote: It was ace last night. Difference of opinion maybe! How was it compared to Saturday night?
Re: (313) Derrick May Melbourne
Cyclone Wehner wrote: Ace!!! Better crowd. Intimate. Two days of promotion and full house on a Wed. Blood was spilled, but it happened. Someone said it was a statement and it was that. I was scared the system would blow up (he he Patrick, remember the time), but it held up. He played Nina Simone's See Line Woman twice, Latin, techno, deep house, etc, etc, etc. You know, the crowd that was at home nightclub on Saturday night would have to be one of the better (if not best) crowds that I've witnessed there over the years... And that's not just because of all the techno heads who descended on the place.
Re: (313) Derrick May Melbourne
I had at least two people ask me where they could buy drugs and gave them lectures plus some wasted girl burnt me with her cigarette otherwise there were good things for sure. I met some nice people, for sure. ;) I think the best techno crowd I saw lately in Syd was at Biz-E's Chinese Laundry with Kevin Saunderson, that was a really live crowd. -- From: David Gillies [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED], 313 Detroit 313@hyperreal.org Subject: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 3:00 PM Cyclone Wehner wrote: Ace!!! Better crowd. Intimate. Two days of promotion and full house on a Wed. Blood was spilled, but it happened. Someone said it was a statement and it was that. I was scared the system would blow up (he he Patrick, remember the time), but it held up. He played Nina Simone's See Line Woman twice, Latin, techno, deep house, etc, etc, etc. You know, the crowd that was at home nightclub on Saturday night would have to be one of the better (if not best) crowds that I've witnessed there over the years... And that's not just because of all the techno heads who descended on the place.
Re: (313) Derrick May Melbourne
Grandmas are catching the Holy Ghost in churches on Sunday mornings without taking drugs, why do you need that to feel this music? They could have been undercover cops, Home is apparently very strict on that thing. ;) -- From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 4:46 PM I had at least two people ask me where they could buy drugs and gave them lectures what kind of lecture?? k - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Sent: Thursday, December 04, 2003 5:10 AM Subject: Re: (313) Derrick May Melbourne I had at least two people ask me where they could buy drugs and gave them lectures plus some wasted girl burnt me with her cigarette otherwise there were good things for sure. I met some nice people, for sure. ;) I think the best techno crowd I saw lately in Syd was at Biz-E's Chinese Laundry with Kevin Saunderson, that was a really live crowd. -- From: David Gillies [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED], 313 Detroit 313@hyperreal.org Subject: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 3:00 PM Cyclone Wehner wrote: Ace!!! Better crowd. Intimate. Two days of promotion and full house on a Wed. Blood was spilled, but it happened. Someone said it was a statement and it was that. I was scared the system would blow up (he he Patrick, remember the time), but it held up. He played Nina Simone's See Line Woman twice, Latin, techno, deep house, etc, etc, etc. You know, the crowd that was at home nightclub on Saturday night would have to be one of the better (if not best) crowds that I've witnessed there over the years... And that's not just because of all the techno heads who descended on the place.
(313) Theo Parrish Mix
a two part recent mix can be found here: http://www.pulsation.com/mixes/theoparrish.php there's a mike grant mix on there too robin...
RE: (313) Dan Curtin Sun EP - was Re: (313) the funky 808
I second that, got my hands on the double CD version on monday and it hasn't left the player since. Just about all the tracks still sound like they are from the future and all deep and emotive. There's a set of rare tracks and a set of unreleashed tracks. Once again buy on sight. speaking of which, another genius who doesn't get mentioned enough, Steve Stasis Pickton has just released a 3XLP called Past Movements n Peacefrog...there are also unreleased Stasis tracks on it too! buy on sight!
Re: (313) London Next Week
yup, Aiden come down to Mike Grant. There will be a healthy 313 presence at this gig! hit me back (and indeed anyone else thinking of coming down but hasn't got their ticket yet) and I'll give you further details on how to obtain tickets, because they are nearly all gone! Toby www.bleep43.com - Original Message - From: Phonopsia [EMAIL PROTECTED] To: Aiden Hopfner [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, December 04, 2003 3:00 AM Subject: Re: (313) London Next Week - Original Message - From: Aiden Hopfner [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 04, 2003 1:30 AM Subject: (313) London Next Week Hey, I'm going to be in London next week for 5 days. Could any kind soul let me know what's happening Dec 8th to 13th? Many thanks, Kind of a quiet week AFAIK, except for the Saturday. Monday the 8th you can hit Barrumba near Piccadilly Circus if you're already there for touristy crap or whatever - it's Gilles Petersen's weekly. Surprisingly good vibe in there on Mondays. Tuesdays are dead. You can probably track down some more residencies via Timeout, etc. Stuart Patterson, DJ Yoda and some others do weekly stuff, and you can maybe find some more things just by wandering around Old Street checking out flyers on walls, etc. Also, check flyers in record shops on Berwick Street. On Friday the 12th there's Greenskeepers @ Cargo http://www.cargo-london.com or this Multiplex thang: http://www.dustscience.org/forums/viewtopic.php?t=989. Drum 'n bass if that's your thing @ The End http://www.the-end.co.uk or Fabric http://www.fabriclondon.com. Friday's are not usually a very strong night in London. On the 13th you can see me, Ryan Blackman and Mike Grant @ Bleep for £6 (advanced ticket only, available at http://www.vinyl-junkies.co.uk or Koobla, just up Berwick Street), or there is also this free Retroverts party: http://www.retroverts.com or Laurent Garnier @ The End or Stacey Pullen @ Fabric. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
(313) Incogdo / GU - Disco Thieves
hello 313 Peepz, I'm selling the following 313 related records (in order to fund my christmas shopping !!) If anyone's interested please contact me privately. *INCOGDO - SIMPLY JUST A VENTAGE (Derrick May Carl Craig) *GLENN UNDERGROUND THE DISCO THIEVES - GU SAMPLER (Cajual 243 - Unreleased / White Label) thanks, Chris. [EMAIL PROTECTED] - Email provided by http://www.ntlhome.com/
(313) Stasis compilation (was RE: (313) Dan Curtin Sun EP...)
I've been drooling in anticipation of this Stasis compilation for some time, so it's good to hear it's finally out - I think I'll be hitting the shops on Saturday! What are the unreleased tracks like, incidentally? They're not along the lines of the Mo'Wax-era Stasis tracks are they? Brendan -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: 04 December 2003 09:34 To: 'Minto George'; 313@hyperreal.org Subject: RE: (313) Dan Curtin Sun EP - was Re: (313) the funky 808 I second that, got my hands on the double CD version on monday and it hasn't left the player since. Just about all the tracks still sound like they are from the future and all deep and emotive. There's a set of rare tracks and a set of unreleashed tracks. Once again buy on sight. speaking of which, another genius who doesn't get mentioned enough, Steve Stasis Pickton has just released a 3XLP called Past Movements n Peacefrog...there are also unreleased Stasis tracks on it too! buy on sight!
Re: (313) Theo Parrish Mix
a two part recent mix can be found here: http://www.pulsation.com/mixes/theoparrish.php For some reason I can´t listen to these mixes. Does anyone if these mixes can be found somewhere as regular mp3 files? Cheers, Maarten
(313) I believe + Stella
Hi. I have a whitelabel with the following information on the label Octave One - I believe. The record contains three mixes. Now to the question: Does anybody know who has done the mix (or this bootleg) that mashes up JamSpoon's Stella with Octave One's I believe? Cheers, - Jari Tolkkinen | dj ken-guru | http://www.labra.com/~ken-guru -
RE: (313) Theo Parrish Mix
Marteen try these direct links: http://mix.pulsation.com/mixes/TheoParrishLiveAtParadiseMassagePart1.mp3 http://mix.pulsation.com/mixes/TheoParrishLiveAtParadiseMassagePart2.mp3 -Original Message- From: Maarten Baute [mailto:[EMAIL PROTECTED] Sent: 04 December 2003 11:15 To: robin; 313@hyperreal.org Subject: Re: (313) Theo Parrish Mix a two part recent mix can be found here: http://www.pulsation.com/mixes/theoparrish.php For some reason I can´t listen to these mixes. Does anyone if these mixes can be found somewhere as regular mp3 files? Cheers, Maarten == This message is for the named person's use only. It may contain sensitive and private proprietary or legally privileged information. No confidentiality or privilege is waived or lost by any mistransmission. If you are not the intended recipient, please immediately delete it and all copies of it from your system, destroy any hard copies of it and notify the sender. You must not, directly or indirectly, use, disclose, distribute, print, or copy any part of this message if you are not the intended recipient. CREDIT SUISSE GROUP and each legal entity in the CREDIT SUISSE FIRST BOSTON or CREDIT SUISSE ASSET MANAGEMENT business units of CREDIT SUISSE FIRST BOSTON reserve the right to monitor all e-mail communications through its networks. Any views expressed in this message are those of the individual sender, except where the message states otherwise and the sender is authorized to state them to be the views of any such entity. Unless otherwise stated, any pricing information given in this message is indicative only, is subject to change and does not constitute an offer to deal at any price quoted. Any reference to the terms of executed transactions should be treated as preliminary only and subject to our formal written confirmation. ==
RE: (313) Stasis compilation (was RE: (313) Dan Curtin Sun EP...)
Juno Records have copies. www.juno.co.uk -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: 04 December 2003 11:09 To: Mann, Ravinder [CCS]; Minto George; 313@hyperreal.org Subject: (313) Stasis compilation (was RE: (313) Dan Curtin Sun EP...) I've been drooling in anticipation of this Stasis compilation for some time, so it's good to hear it's finally out - I think I'll be hitting the shops on Saturday! What are the unreleased tracks like, incidentally? They're not along the lines of the Mo'Wax-era Stasis tracks are they? Brendan -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: 04 December 2003 09:34 To: 'Minto George'; 313@hyperreal.org Subject: RE: (313) Dan Curtin Sun EP - was Re: (313) the funky 808 I second that, got my hands on the double CD version on monday and it hasn't left the player since. Just about all the tracks still sound like they are from the future and all deep and emotive. There's a set of rare tracks and a set of unreleashed tracks. Once again buy on sight. speaking of which, another genius who doesn't get mentioned enough, Steve Stasis Pickton has just released a 3XLP called Past Movements n Peacefrog...there are also unreleased Stasis tracks on it too! buy on sight! *** Opinions expressed in this email are those of the individual and not Entergy-Koch Trading Limited or its affiliated companies. This email and any files transmitted with it, including replies and forwarded copies (which may contain alterations) subsequently transmitted from the Company, are confidential and solely for the use of the intended recipient. It may contain material protected by attorney-client privilege. If you are not listed on the To or Cc lines of the original email (or are not the person responsible for delivering to an intended recipient), then you are not an intended recipient and have received this email in error. Any use by an unintended recipient is strictly prohibited. If you have received this email in error please notify the IT manager by telephone on +44 (0)20 7337 8300 or via email to [EMAIL PROTECTED], attaching this message. Please then delete this email and all attachments, and destroy any copies thereof. Thank you. ***
RE: (313) Stasis compilation (was RE: (313) Dan Curtin Sun EP...)
I've kind of gone off online record shopping at the moment to be honest - there's something a bit annoying about having to wait a few days before they all arrive, and then (because I tend to receive the deliveries at work) having to sit in the office staring at them for several hours before being able to head home and actually playing the things. So in the last few weeks I've been a bit old- fashioned and have actually been going to shops... :) -Original Message- From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] Sent: 04 December 2003 11:22 To: Brendan Nelson; Mann, Ravinder [CCS]; Minto George; 313@hyperreal.org Subject: RE: (313) Stasis compilation (was RE: (313) Dan Curtin Sun EP...) Juno Records have copies. www.juno.co.uk -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: 04 December 2003 11:09 To: Mann, Ravinder [CCS]; Minto George; 313@hyperreal.org Subject: (313) Stasis compilation (was RE: (313) Dan Curtin Sun EP...) I've been drooling in anticipation of this Stasis compilation for some time, so it's good to hear it's finally out - I think I'll be hitting the shops on Saturday! What are the unreleased tracks like, incidentally? They're not along the lines of the Mo'Wax-era Stasis tracks are they?
(313) Matthew Dear LIVE @ Filter 12.04.2003
Just quick note I'll be playing in the front room at Filter14 tonight... -- MICROMINI @ Filter 14 -- On the main floor: Matthew Dear LIVE [Ghostly/Spectral/Plus 8/Perlon] Plexus [2HC] Kevin McHugh [Micromini] In the front room: Mark S. Krüx Jmaz Filter14 430 West 14th St. (corner of Washington) 10PM - 4AM $6.99 -- I'll be playing on and off from 11 on Hope to see some of you there, m* fyi - Matt just got 4 stars for his new Album in Rolling Stone: http://www.rollingstone.com/reviews/cd/review.asp?aid=2047867
(313) New records
OK, they're not all new, but I bought them all recently, so they're new to *me*... Starfighterz - 4 Flavours Of A Two-Sided Story - Part 1 (Delsin) I didn't like this quite as much as I'd expected to when I first heard it, but repeated listens have shown it to be a bit of a grower. It is a very pure techno record in many ways, but on the other hand - especially rhythmically - it's pretty atypical; all in all I find it's much more suited for listening than dancing. So if you like listening techno with a nice purist sound to it, and less of an emphasis on driving 4/4 rhythms, this is probably for you. Tang - Nightfall EP (Emphasis) This was purchased very much on a whim - it's always been a funny habit of mine to buy at least one record on every shopping spree that I just like the *look* of, without listening to it or anything. I can't begin to imagine how much great music I'd never have heard if I didn't employ this tactic, and it's netted me a surprisingly low number of duffers as well. Anyway, I digress - I wasn't disappointed with this EP in the slightest. When I got it home and took it out of the sleeve, it turned out to be on clear vinyl, which was a good start. But when I played it, I was even more impressed! This record is *right* up my street - sounding like it could have been made right at the end of the 1980s, or right at the beginning of the 1990s, it strikes a perfect balance between the sophisticated synthy Chicago/Detroit sound and the early-90s UK electronic listening music sound. No tracks are especially devastating, but all are very atmospheric and lush, with 909 toms and kicks sitting proudly in the mix underneath nice JX-8P and Juno synth textures. So a very pleasant surprise considering I bought it at random. V/A - A Secret History (New Religion) What can I say that hasn't already been said - this compilation of obscure and hard-to-find electronic gems from the early days is remarkable not just for the quality of the music to be found on it, but also from the effort that's been put into the package as a whole. From the gatefold sleeve through to Dan Sicko's engaging liner notes, everything is put together with a love and affection that you can't help but notice. There are a few tracks on here that I've been looking for for *years*, but had never been able to ID; particularly Hypnotic Tango. I have to be honest and say that that Paul McCartney track is a bit dodgy though! :) Optic Nerve - Rebirth EP (Psycho Thrill) When I think of the whole Optic Nerve concept, the sound of cinematic and futuristic strings comes into my head; after a few seconds an excitable m500-esque bassline fades up in the mix, and gradually more elements (portamento'd, sparkly riffs and so on) join in as well. So it was no surprise to put this record on when I got home and hear the sound of cinematic and futuristic strings before an excitable m500-esque bassline started to fade up...! For me, the standout tracks are on side B, particularly the first track on that side; very useful from a DJ perspective, almost begging you to mix Robert Hood's The Pace into it with its stab on the first and third beat of every bar. Nothing remarkably unlike other Optic Nerve releases on here, so if you like that sound you'll like this record. If you don't, you won't. I do! Los Hermanos - Tres (Los Hermanos) Hopefully I won't get flamed too badly for saying this, but I was definitely quite disappointed with this release. The first LH record was a blinder, IMHO, and the second was nearly as good if not so much of an outright classic. But I get the feeling that there was a bit of a will this do? attitude at work in the making of this EP. None of the tracks would be out of place on a Los Hermanos EP, not to get me wrong - but they're all filler tracks, in a way. There's nothing that leads the EP in the way that Birth of 3000 or Quetzal do, and I think the record suffers for that. The four tracks on here are all very rhythmically driven, but the rhythms aren't as layered or engrossing as earlier drummy LH tracks like Son Dos are. A bit of a drop in quality here, IMHO, but I appreciate that many others won't agree... Brendan
RE: (313) New records
you know what brendan, i feel the same way about this release too (i did buy it tho all the same). more and more i feel this way about a lot of the UR stuff that comes out at the moment too. is it just me? (actually it might be, my tastes swing around wildly depending on my mood). the quality/quantity ratio recently seems to be dipping. of course i realise i'll probably be burned at the stake for this comment :) robin... - - Los Hermanos - Tres (Los Hermanos) - Hopefully I won't get flamed too badly for saying this, but - I was definitely quite disappointed with this release. The - first LH record was a blinder, IMHO, and the second was - nearly as good if not so much of an outright classic. But I - get the feeling that there was a bit of a will this do? - attitude at work in the making of this EP. None of the - tracks would be out of place on a Los Hermanos EP, not to - get me wrong - but they're all filler tracks, in a way. - There's nothing that leads the EP in the way that Birth - of 3000 or Quetzal do, and I think the record suffers for - that. The four tracks on here are all very rhythmically - driven, but the rhythms aren't as layered or engrossing as - earlier drummy LH tracks like Son Dos are. A bit of a drop - in quality here, IMHO, but I appreciate that many others - won't agree... - - Brendan -
(313) the weather and techno.
this december weather is making me pull out my old techno records - minto once again, proof that the steely grey sky and cold, dry winds create a perfect backdrop for those precise and funky [313] sounds. i can't wait for my relics compilation to arrive. :-) cheers, lrh
RE: (313) New records
Well I'll be joining you on that pire Robin! Much as I still feel that the UR, Submerge and now Ignita (Orlando Voorn) camp throws up some very memorable records each year, I have to say that - maybe due to what seems to me as the increase in volume of these records over the last few years - you also get some stuff which is puzzlingly mediocre at best. One example: the last Red Planet but one, RP11, The Revenge of The Wolf. It was more or less monotone, and it had no variation. Before you could say: Oh it's a dj tool, in the mix, you quickly realized that the breakdowns weren't timed correctly and it didn't come back in on the beat. But in the same year we also had 'Transition/Inspiration' so perhaps it's somewhat churlish to complain really. How many techno records that good does the average producer produce in 5 years? It seems to me Mike Banks has one every three years at least... To an extent, for me, this makes up for the raft of stuff he and his protege's produce which doesn't hit the mark. I mean, no amount of 'Acuators' or 'Analog Assasins' will match the quality of an 'Amazon', (say), but at least there is a choice. I'd agree with Robin that it does seem to be an issue of quantity and quality, sometimes there is a mismatch, usually not a huge one, but perhaps because we've grown to expect great stuff from UR over the years, it's a more noticable one. My ha'pennies worf! k -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: Thursday, December 04, 2003 12:38 PM To: 'Brendan Nelson'; 313@hyperreal.org Subject: RE: (313) New records you know what brendan, i feel the same way about this release too (i did buy it tho all the same). more and more i feel this way about a lot of the UR stuff that comes out at the moment too. is it just me? (actually it might be, my tastes swing around wildly depending on my mood). the quality/quantity ratio recently seems to be dipping. of course i realise i'll probably be burned at the stake for this comment :) robin... - - Los Hermanos - Tres (Los Hermanos) - Hopefully I won't get flamed too badly for saying this, but - I was definitely quite disappointed with this release. The - first LH record was a blinder, IMHO, and the second was - nearly as good if not so much of an outright classic. But I - get the feeling that there was a bit of a will this do? - attitude at work in the making of this EP. None of the - tracks would be out of place on a Los Hermanos EP, not to - get me wrong - but they're all filler tracks, in a way. - There's nothing that leads the EP in the way that Birth - of 3000 or Quetzal do, and I think the record suffers for - that. The four tracks on here are all very rhythmically - driven, but the rhythms aren't as layered or engrossing as - earlier drummy LH tracks like Son Dos are. A bit of a drop - in quality here, IMHO, but I appreciate that many others - won't agree... - - Brendan -
Re: (313) fast forward mp3's
Ooh thanx that's just what i needed for the darkning future, just gave up smoking The classicks on these tapes are real suckers for me i love '92 Always wondering what it is what's in there that, after hearing the power of all these ol' tunes, makes it unforgetable for me everytime... i think it's that feeling of many artists first artistic boom that wins-not my memories of these days, don't think it's a mindthing more a gutthing or is it my mind jugglin emotions as i get older , neh can't be that's why i got so many 001's - no mindtrip at all It's clear now, no more fog. AlanOldhammadeAnOldmanveryhappy+jonathan greatfulgreet recycle or die Don't forget Eyecandy while loading! - Original Message - From: jonathan morse [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, December 03, 2003 6:19 PM Subject: (313) fast forward mp3's in case you missed it theres about 10 hours worth of alans fast forward radio show from 1990 - 1992 available for download at www.alanoldham.com even if you're old enough (like myself) to remember these tracks the first time around its still refreshing to hear them, especially again in my case since ive been in virginia the last two years and all my vinyl and cd's are still in new york. grab 'em now while they're still available...
Re: (313) Derrick May Melbourne
Well a lot of people said it was too across the board in Sydney. I think people should stop deconstructing (DJ sets, people, anything) to the minute details and enjoy that which is being presented and created. 'Nuff said. -- From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 8:58 PM This is the way I used to remember him d.j'ing (and what got me into dance music to begin with). Unfortunately, the last 3 or 4 times i've seen him he has just played looped techno all night. If he started playing across-the-board again i'd probably make a bit more effort to see him in the future. Chris. He played Nina Simone's See Line Woman twice, Latin, techno, deep house, etc, etc, etc. -- From: David Gillies [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Subject: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 10:07 AM Cyclone Wehner wrote: It was ace last night. Difference of opinion maybe! How was it compared to Saturday night? - Email provided by http://www.ntlhome.com/
RE: (313) new Stasis LP
Just got mine in the mail - wonderful wonderful wonderful luckily they released it before the end of the year - should be on every best of 2003 list MEK Mann, Ravinder [CCS] To: 'Minto George' [EMAIL PROTECTED], 313@hyperreal.org [EMAIL PROTECTED]cc: Subject: RE: (313) Dan Curtin Sun EP - was Re: (313) the funky 808 12/04/03 03:33 AM I second that, got my hands on the double CD version on monday and it hasn't left the player since. Just about all the tracks still sound like they are from the future and all deep and emotive. There's a set of rare tracks and a set of unreleashed tracks. Once again buy on sight. speaking of which, another genius who doesn't get mentioned enough, Steve Stasis Pickton has just released a 3XLP called Past Movements n Peacefrog...there are also unreleased Stasis tracks on it too! buy on sight!
(313) Stasis - Disco 4000
On the Stasis-subject, I have a record from Stasis on the label Time is Right (5), with the songs Disco 4000, So-Lar and Vanmannans Answer which are not on the recent compilation. As far as I know, this record was released just after the B12 record. Anyone know why this record is missing on the complation? And if there is a discography of Time is Right, since the Stasis one is labeled TIR 5? Thanks, Remco
(313) hot lizard - the theme - carl craig mix
i rememeber when this 12 came out, i was all about the mark broom mix. the carl mix didnt really do much for me. i just listened to it again, and WOW! i think this might just be one of the best remixes carl has done. up there with the dave angel drums suck mix! any thoughts? derek.
Re: (313) Stasis - Disco 4000
well, either space or licensing issues can interfere or maybe for some reason Steve just didn't want them on the compilation - gotta keep people interested in your back catalog one way or another. MEK [EMAIL PROTECTED] rsluyter.nl To: 313@hyperreal.org cc: 12/04/03 10:24 AM Subject: (313) Stasis - Disco 4000 On the Stasis-subject, I have a record from Stasis on the label Time is Right (5), with the songs Disco 4000, So-Lar and Vanmannans Answer which are not on the recent compilation. As far as I know, this record was released just after the B12 record. Anyone know why this record is missing on the complation? And if there is a discography of Time is Right, since the Stasis one is labeled TIR 5? Thanks, Remco
Re: (313) hot lizard - the theme - carl craig mix
i rememeber when this 12 came out, i was all about the mark broom mix. the carl mix didnt really do much for me. i just listened to it again, and WOW! i think this might just be one of the best remixes carl has done. up there with the dave angel drums suck mix! I'll have to agree with you there... : ) But what about his remixes of Ultramarine's Hooter? I know, I know... but simply I cannot get enough of this record... totally played my original copy to death... and now that fantastic reissue 12 inch on Real Soon! WWOWWW !!! Dr. Nutcracker
Re: (313) Theo Parrish Mix
While this take's forever to download (3k/sec) on my T1, It is worth it, EQ-tastic :) -Mike Chau, Dang wrote: Marteen try these direct links: http://mix.pulsation.com/mixes/TheoParrishLiveAtParadiseMassagePart1.mp3 http://mix.pulsation.com/mixes/TheoParrishLiveAtParadiseMassagePart2.mp3 -Original Message- From: Maarten Baute [mailto:[EMAIL PROTECTED] Sent: 04 December 2003 11:15 To: robin; 313@hyperreal.org Subject: Re: (313) Theo Parrish Mix a two part recent mix can be found here: http://www.pulsation.com/mixes/theoparrish.php For some reason I cant listen to these mixes. Does anyone if these mixes can be found somewhere as regular mp3 files? Cheers, Maarten == This message is for the named person's use only. It may contain sensitive and private proprietary or legally privileged information. No confidentiality or privilege is waived or lost by any mistransmission. If you are not the intended recipient, please immediately delete it and all copies of it from your system, destroy any hard copies of it and notify the sender. You must not, directly or indirectly, use, disclose, distribute, print, or copy any part of this message if you are not the intended recipient. CREDIT SUISSE GROUP and each legal entity in the CREDIT SUISSE FIRST BOSTON or CREDIT SUISSE ASSET MANAGEMENT business units of CREDIT SUISSE FIRST BOSTON reserve the right to monitor all e-mail communications through its networks. Any views expressed in this message are those of the individual sender, except where the message states otherwise and the sender is authorized to state them to be the views of any such entity. Unless otherwise stated, any pricing information given in this message is indicative only, is subject to change and does not constitute an offer to deal at any price quoted. Any reference to the terms of executed transactions should be treated as preliminary only and subject to our formal written confirmation. ==
Re: (313) hot lizard - the theme - carl craig mix
his remix of tori amos is my personal favourite, but we know my tastes, right? =) From: Derek Plaslaiko. [EMAIL PROTECTED] Date: Thu, 4 Dec 2003 11:41:32 -0500 (EST) To: 313@hyperreal.org Subject: (313) hot lizard - the theme - carl craig mix i rememeber when this 12 came out, i was all about the mark broom mix. the carl mix didnt really do much for me. i just listened to it again, and WOW! i think this might just be one of the best remixes carl has done. up there with the dave angel drums suck mix! any thoughts? derek.
(313) Red Bull Academy - 313 peeps
Just got emailed this: __ Our core technical team has changed: starring as 'diamond, diamond techie geezers' we now have Patrick Pulsinger of Cheap Records in Vienna, cult house composer Osunlade, and underground electronic producer Ectomorph of Detroit. On top of that, a diverse mix of musicians, producers and engineers will visit our lecture room and studio over the coming week. We hope the wisdom and ideas shared will be of some use to you on your own musical journey, in the wider music context. That's why we're writing to let you know about some of the latest streamed lecture edits and other new features on the Academy website, version 7.5. Lecture broadcasts New half-hour edits of workshop sessions in the first week include (check the mediafiles in the daily diaries): - Tony Colman, force behind the soulful drumbass of Hospital Records and London Elektricity. - Prince Paul, producer behind such seminal projects as the Gravediggaz and De La Soul's 3 Feet High and Rising'. Steinski calls him the closest thing to a genius in hip hop. - Amp Fiddler, a singer and pianist who has gone from playing with Parliament and Funkadelic to session work with Carl Craig, Maxwell and Kenny Dixon Jnr, and is now making his own stamp on underground house music. - Sal Principato, the voice of seminal New York punk-funk act Liquid Liquid. For the rest of the week guests will include Sebastian Niessen, the man who created most of Kraftwerk's equipment, Ed Handley of experimental electronic group Plaid, and Rick Essig (N.Y.C mastering legend). These lectures will be summarised in the daily diaries and edited to stream within 48 hours. Congratulations to Ectomorph and Amp Fiddler! and wow! - Sal Principato, Sebastian Niessen, Ed Handley, Patrick Pulsinger, Osunlade... wish I had teachers like that when I was in school MEK
Re: (313) hot lizard - the theme - carl craig mix
Dr Nutcracker, I picked up Real Soon 1 2 last week (I think the CC one you posted about is 3 right?) Anyway number 2 - the 10 side A - what speed do you think its meant to be played at? I have played it a few times and cant make up my mind (I like it at all speeds) Cheers BT I'll have to agree with you there... : ) But what about his remixes of Ultramarine's Hooter? I know, I know... but simply I cannot get enough of this record... totally played my original copy to death... and now that fantastic reissue 12 inch on Real Soon! WWOWWW !!! Dr. Nutcracker
(313) RE: Stasis compilation (was RE: (313) Dan Curtin Sun EP...)
Side a is more uptempo, side b is your more Mo'Wax style tho a long way from the 'trip hop' sound almost sounding like Det Esc Co but with more momentum. Rav x3047 -Original Message- From: Brendan Nelson [mailto:[EMAIL PROTECTED] Sent: 04 December 2003 11:09 To: Mann, Ravinder [CCS]; Minto George; 313@hyperreal.org Subject: Stasis compilation (was RE: (313) Dan Curtin Sun EP...) I've been drooling in anticipation of this Stasis compilation for some time, so it's good to hear it's finally out - I think I'll be hitting the shops on Saturday! What are the unreleased tracks like, incidentally? They're not along the lines of the Mo'Wax-era Stasis tracks are they? Brendan -Original Message- From: Mann, Ravinder [CCS] [mailto:[EMAIL PROTECTED] Sent: 04 December 2003 09:34 To: 'Minto George'; 313@hyperreal.org Subject: RE: (313) Dan Curtin Sun EP - was Re: (313) the funky 808 I second that, got my hands on the double CD version on monday and it hasn't left the player since. Just about all the tracks still sound like they are from the future and all deep and emotive. There's a set of rare tracks and a set of unreleashed tracks. Once again buy on sight. speaking of which, another genius who doesn't get mentioned enough, Steve Stasis Pickton has just released a 3XLP called Past Movements n Peacefrog...there are also unreleased Stasis tracks on it too! buy on sight!
Re: (313) Derrick May
I see where you're coming from but I also think the d.j (whoever it is) has a certain duty to educate their audience. IMHO I don't think Derrick May does this (that often) anymore. Why, I don't know - but I know a lot of people who say the same thing. I wouldn't say that i'm 'deconstructing things to a minute detail', i'm merely commenting on Derrick Mays' DJ'ing from MY perspective which I think is my given right as a punter. If other people disagree, then that's fine - that's their right also. Maybe i'm just too old out of touch with the dance/club scene but I find listening to looped techno all night a bit boring . Chris. Well a lot of people said it was too across the board in Sydney. I think people should stop deconstructing (DJ sets, people, anything) to the minute details and enjoy that which is being presented and created. 'Nuff said. -- From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 8:58 PM This is the way I used to remember him d.j'ing (and what got me into dance music to begin with). Unfortunately, the last 3 or 4 times i've seen him he has just played looped techno all night. If he started playing across-the-board again i'd probably make a bit more effort to see him in the future. Chris. He played Nina Simone's See Line Woman twice, Latin, techno, deep house, etc, etc, etc. -- From: David Gillies [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Subject: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 10:07 AM Cyclone Wehner wrote: It was ace last night. Difference of opinion maybe! How was it compared to Saturday night? - Email provided by http://www.ntlhome.com/
(313) Just a guy from Highland Park, MI
Hey everybody: I'm just a guy who grew up in Highland Park, MI in the 80's and 90's. I just wrote a paper about my take on Techno music. Take a peek and tell me what you think. Did I get anything wrong? Does it suck? Send me some comments please. http://us.f1f.yahoofs.com/bc/76ebdfc6/bc/school/techno+city.doc?bfje3z_AP4KbosFV --John - John Goins III InnOPAC Specialist University of California, San Francisco Library\Center for Knowledge Management (415) 514-3338 [EMAIL PROTECTED]
Re: (313) hot lizard - the theme - carl craig mix
his remix of tori amos is my personal favourite, but we know my tastes, right? Well I'm pretty sure you would tell me I have the baddest taste, if I would confess that I prefer her original tracks more than all those remixes... : ) Dr. Nutcracker
Re: (313) hot lizard - the theme - carl craig mix
Dr Nutcracker, I picked up Real Soon 1 2 last week (I think the CC one you posted about is 3 right?) Correct... with those extra remixes on it... ; ) Anyway number 2 - the 10 side A - what speed do you think its meant to be played at? I have played it a few times and cant make up my mind (I like it at all speeds) Well if you like them at all speeds I shouldn't worry about my opinion... I'm even way beyond liking the 10 inch... Brilliant! This label is def one of the best discoveries this year!! Btw BT... If you don't have the Real Soon 3, you can order your pre-sale copy at the Courthouse recordstore! Dr. Nutcracker
Re: (313) hot lizard - the theme - carl craig mix
or Rub A Dub in Glasgow!! cheers Jason Btw BT... If you don't have the Real Soon 3, you can order your pre-sale copy at the Courthouse recordstore! Dr. Nutcracker
Re: (313) Derrick May
I think all DJs educate their audience - either how to or how not to I think I've actually learned more from those how not to DJs because I've been too involved in the moment to think when a how to DJ is playing but I agree looped techno all night *without* any reward or what I call the breakout toward the end is boring and pointless I recall Maarten saying that he left after the first hour of seeing Derrick May because it was all looped techno bangers - but then he missed the nice stuff toward the end of that particular set I recall that Derrick, at the Movement party, took off from the hard looped techno that Francois K was playing - extended the series of loops for a bit longer but then dropped some of the best melodies and house tracks at the end for those still dancing MEK Chris Anglesey [EMAIL PROTECTED]To: Cyclone Wehner [EMAIL PROTECTED] lworld.com cc: 313@hyperreal.org Subject: Re: (313) Derrick May 12/04/03 11:32 AM I see where you're coming from but I also think the d.j (whoever it is) has a certain duty to educate their audience. IMHO I don't think Derrick May does this (that often) anymore. Why, I don't know - but I know a lot of people who say the same thing. I wouldn't say that i'm 'deconstructing things to a minute detail', i'm merely commenting on Derrick Mays' DJ'ing from MY perspective which I think is my given right as a punter. If other people disagree, then that's fine - that's their right also. Maybe i'm just too old out of touch with the dance/club scene but I find listening to looped techno all night a bit boring . Chris. Well a lot of people said it was too across the board in Sydney. I think people should stop deconstructing (DJ sets, people, anything) to the minute details and enjoy that which is being presented and created. 'Nuff said. -- From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 8:58 PM This is the way I used to remember him d.j'ing (and what got me into dance music to begin with). Unfortunately, the last 3 or 4 times i've seen him he has just played looped techno all night. If he started playing across-the-board again i'd probably make a bit more effort to see him in the future. Chris. He played Nina Simone's See Line Woman twice, Latin, techno, deep house, etc, etc, etc. -- From: David Gillies [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Subject: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 10:07 AM Cyclone Wehner wrote: It was ace last night. Difference of opinion maybe! How was it compared to Saturday night? - Email provided by http://www.ntlhome.com/
(313) Mike [EMAIL PROTECTED], London - 13/12
Quick reminder for London 313'ers that our penultimate party of the year is just over a week away. Tickets are nearly all gone, so if you are interested, mail me back. Hi, We are pleased to announce that Detroit's icon of beautiful house, and fathoms-deep techno, Mr Mike Grant will be playing at the 7th Bleep43.com party of the year at Public Life in London. Joining him are London 313'ers Tristan Watkins and Ryan Blackman. Regulars at our events there, will know that the combination of the venue's intimate space, and the knowledgeable and sweet people we attract consistently create an atmosphere which many say is special. Add to that, the deep sounds and veteran skills of Mike Grant, and this surely means Saturday the 13th is going to be one of the parties of the year for lovers of all things soulful, housey and electronic. Please join us if you can. Tickets cost £6 plus booking fee via post or from Vinyl Junkies and Koobla, on Berwick Street, London W1. But please be quick! This is a limited, ticket-only event and tickets are selling fast. Sorry, but there will be no tickets available on the night. Go here for more information including how to order by post. http://bleep43.com Check out Public Life here: http://www.publiclife.org Read a new interview with Mike Grant here: http://www.technotourist.org Listen to Mike Grant in the mix here: http://www.big50entertainment.com/mixes.html There is a brief biography about Mike Grant below. Thanks, Ken *Mike Grant Moods Grooves / End to End Records Afrosyntrix Recordings At the end of the 1990s, Mike Grant re-emerged as one of the leading figures in Detroit's growing house scene after spending the majority of the decade and late '80s pursuing other ambitions. When Grant's fresh Moods Grooves label began raising more than a few eyebrows with its catalog of releases by many of Detroit's best house producers, few knew that he has been a key figure in the Motor City's early to mid-'80s electronic dance scene as a talented DJ. Grant is the only Detroit DJ who plays complete deep house/house and techno sets as well as a mixture. While traveling throughout Europe Grant also earned the distinction as being the only American DJ to have a residency at Tresor Club in Berlin. Grant's musical career began at an early age, influenced by Detroit's fledging music scene and his uncle, the general manager at a local RB/dance radio station, WKWM. By 1980, the young Grant had joined a DJ collective known as Men of Music while becoming close friends with schoolmate Blake Baxter. Baxter showed Grant the art of beat mixing while the two made mix tapes after school, and Grant eventually joined Baxter's DJ group, The Beat Sound Company. A few years later in 1983, Grant was scoring club residencies in Detroit alongside legends such as Ken Collier and also managed to make appearances on The Scene, a video dance show on WGPR alongside even more local DJs such as Jeff Mills. During this mid-'80s era, Grant's reputation as one of the city's top DJs led to eventual friendships and partnerships with many of that eras other top DJs, most notably Eddie Fowlkes, Derrick May, and Juan Atkins. During the summer of 1985, he became a member of Detroit's first radio mix show, Street Beat, where the foundation for what would later become early Detroit techno was ultimately formed. Prior to the Street Beat show, Grant made a commitment to join the military not knowing what doors would eventually open. During this time in the military, he continued to DJ on the base and in Seattle, where he introduced the sounds of Detroit techno to the unsuspecting West Coast. Following his time in the military, Grant then studied telecommunications in Chicago and began his career in this same field, while occasionally returning to his hometown for the occasional performance. In the late '90s, Grant planned his return, beginning with a recording as Black Noise on Metroplex Records, titled Nature of the Beast. Rather than just DJ and produce tracks, he went to the lengths of starting his own label, Moods Grooves, and began releasing the work of his peers as well as his own. By mid-2000, the label had received substantial acclaim - including a high-profile appearance by Grant at the landmark Detroit Electronic Music Festival. In 2001 Grant launched the techno based label End to End and urban sounding Afrosyntrix. Recent accomplishments include remixing the Detroit classic Sharevari, being selected to perform at Midem's Electronic Showcase, a member of the artistic selection committee of the 2002 DEMF, and inclusion to the Techno - Detroit's Gift To the World exhibit at the Detroit Historical Museum.
Re: (313) hot lizard - the theme - carl craig mix
True! Sorry I forgot... : ) Dr. Nutcracker or Rub A Dub in Glasgow!! cheers Jason Btw BT... If you don't have the Real Soon 3, you can order your pre-sale copy at the Courthouse recordstore!
Re: (313) Just a guy from Highland Park, MI
Sorry, I forgot to share the folder. Try this one instead. http://us.f1f.yahoofs.com/bc/76ebdfc6/bc/school/techno+city.doc?BCeA5z_APKzfMK8X --John At 01:42 PM 12/4/2003 -0600, you wrote: i can't get the link to work. On Thu, 4 Dec 2003, John Goins III wrote: Hey everybody: I'm just a guy who grew up in Highland Park, MI in the 80's and 90's. I just wrote a paper about my take on Techno music. Take a peek and tell me what you think. Did I get anything wrong? Does it suck? Send me some comments please. http://us.f1f.yahoofs.com/bc/76ebdfc6/bc/school/techno+city.doc?bfje3z_AP4KbosFV --John - John Goins III InnOPAC Specialist University of California, San Francisco Library\Center for Knowledge Management (415) 514-3338 [EMAIL PROTECTED] - John Goins III InnOPAC Specialist University of California, San Francisco Library\Center for Knowledge Management (415) 514-3338 [EMAIL PROTECTED]
Re: (313) Stasis - Disco 4000
as far as i know this was his debut record - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, December 04, 2003 5:24 PM Subject: (313) Stasis - Disco 4000 On the Stasis-subject, I have a record from Stasis on the label Time is Right (5), with the songs Disco 4000, So-Lar and Vanmannans Answer which are not on the recent compilation. As far as I know, this record was released just after the B12 record. Anyone know why this record is missing on the complation? And if there is a discography of Time is Right, since the Stasis one is labeled TIR 5? Thanks, Remco
Re: (313) Derrick May
See the Sydney forum on www.inthemix.com.au and you'll see what I mean by dissection. I don't get how you can dismiss a whole DJ set on the basis of one record you don't like... But enough of that. Educating the audience is a whole different issue, don't you think? I think that's a good point you raised. But it's probably subjective, too, as some will get something out, others won't. He certainly didn't play looped techno all night here - you really couldn't in a 300 capacity venue anyway. In fact, some people said it was too diverse. -- From: Chris Anglesey [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Subject: Re: (313) Derrick May Date: Fri, 5 Dec 2003 4:32 AM I see where you're coming from but I also think the d.j (whoever it is) has a certain duty to educate their audience. IMHO I don't think Derrick May does this (that often) anymore. Why, I don't know - but I know a lot of people who say the same thing. I wouldn't say that i'm 'deconstructing things to a minute detail', i'm merely commenting on Derrick Mays' DJ'ing from MY perspective which I think is my given right as a punter. If other people disagree, then that's fine - that's their right also. Maybe i'm just too old out of touch with the dance/club scene but I find listening to looped techno all night a bit boring . Chris. Well a lot of people said it was too across the board in Sydney. I think people should stop deconstructing (DJ sets, people, anything) to the minute details and enjoy that which is being presented and created. 'Nuff said. -- From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 8:58 PM This is the way I used to remember him d.j'ing (and what got me into dance music to begin with). Unfortunately, the last 3 or 4 times i've seen him he has just played looped techno all night. If he started playing across-the-board again i'd probably make a bit more effort to see him in the future. Chris. He played Nina Simone's See Line Woman twice, Latin, techno, deep house, etc, etc, etc. -- From: David Gillies [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED] Subject: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 10:07 AM Cyclone Wehner wrote: It was ace last night. Difference of opinion maybe! How was it compared to Saturday night? - Email provided by http://www.ntlhome.com/
(313) Book: Generation Ecstasy : Into the World of Techno and Rave Culture
Oi! I stumbled across this book, Generation Ecstasy : Into the World of Techno and Rave Culture, while browsing on the Amazon.com site (http://www.amazon.com/exec/obidos/tg/detail/-/0415923735/qid=1070576930/sr=8-1/ref=sr_8_1/103-9096464-4155045?v=glancen=507846). Is it any good? R. (Yeah, I already have Techno Rebels by Mr. Sicko ;-) --- http://www.funxiun.com .dark.elektronix.
Re: (313) Poison of Babylon (was Derrick May Melbourne)
huh? you were in a bar, honky tonks--a business that profits from selling the drug alcohol--and you question someoone who wants to use a different drug to the state sanctioned one. jeez, try to be a little more open minded, maybe alcohol isn't for eveyone. let people choose the recreational drug they want to take. james Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org ail.com.au cc: (bcc: James Bucknell/ARD/AU/ReadersDigest) Subject: Re: (313) Derrick May Melbourne 04/12/03 06:31 AM Grandmas are catching the Holy Ghost in churches on Sunday mornings without taking drugs, why do you need that to feel this music? They could have been undercover cops, Home is apparently very strict on that thing. ;) -- From: [EMAIL PROTECTED] To: 313@hyperreal.org Subject: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 4:46 PM I had at least two people ask me where they could buy drugs and gave them lectures what kind of lecture?? k - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Sent: Thursday, December 04, 2003 5:10 AM Subject: Re: (313) Derrick May Melbourne I had at least two people ask me where they could buy drugs and gave them lectures plus some wasted girl burnt me with her cigarette otherwise there were good things for sure. I met some nice people, for sure. ;) I think the best techno crowd I saw lately in Syd was at Biz-E's Chinese Laundry with Kevin Saunderson, that was a really live crowd. -- From: David Gillies [EMAIL PROTECTED] To: Cyclone Wehner [EMAIL PROTECTED], 313 Detroit 313@hyperreal.org Subject: Re: (313) Derrick May Melbourne Date: Thu, 4 Dec 2003 3:00 PM Cyclone Wehner wrote: Ace!!! Better crowd. Intimate. Two days of promotion and full house on a Wed. Blood was spilled, but it happened. Someone said it was a statement and it was that. I was scared the system would blow up (he he Patrick, remember the time), but it held up. He played Nina Simone's See Line Woman twice, Latin, techno, deep house, etc, etc, etc. You know, the crowd that was at home nightclub on Saturday night would have to be one of the better (if not best) crowds that I've witnessed there over the years... And that's not just because of all the techno heads who descended on the place.
(313) Speaking of Derrick May...
This is clearly one to mark in the calendar. Also, note this bit in the announcement! he's just signed a deal to host the DEMF (Detroit Electronic Music Festival) for the next 5 years SPLIT THE NEXT LEVEL LAUNCH PARTY!! SATURDAY 7TH FEBRUARY 2004 Turnmills. 63B Clerkenwell Road, London. EC1 Capacity: 1000. Info: 020 7250 3409. Tube: Farringdon. 10pm - 7am £12 in Advance // £15 on the Door Tickets: www.ticketweb.co.uk. Web: www.turnmills.com Room 1: Derrick May (3 hour set) Surgeon Oliver Ho (Live) Ben Sims Chris Finke Room 2 Chicken Lips A Guy Called Gerald Mark Broom Paul Mac Aidy West Tony Anderson Turnmills goes Techno on Saturday 7th February 2004 with the launch of Split - one of our most exciting nights yet. Split is the partnership between Retro_Vert and Flux, and having showcased their own parties in London for a while, they're now taking the night to the next level with this exclusive new Turnmills residency. The legendary Derrick May will play his first solo London gig in 18 months to launch this very special event. Together with contemporaries like Juan Atkins, Kevin Saunderson, Carl Craig and Jeff Mills, May galvanized a worldwide generation of minds that listened and learned the secret of Techno. His Transmat label has been a genre leader for many years, he's just signed a deal to host the DEMF (Detroit Electronic Music Festival) for the next 5 years and he joins hosts Ben Sims (Retro_Vert) and Chris Finke (Flux). Surgeon (at the moment preparing new 'British Murder Boys' and 'Surgeon material), and Oliver Ho (playing live) complete the main room billing having rocked Split events in recent times, whilst the backroom welcomes top headliners Chicken Lips and A Guy Called Gerald alongside Split residents Mark Broom, Paul Mac, Aidy West and Tony Anderson. The SPLIT parties also boast a tight VJ line up on rotation, with headliner residents such as Exceeda, Usagi (Organix), D-Fuse, SanFrandisco, Kameiflage (Dubstrakt), Marija, Ryu, and new comer Circuit_c, as well as slides created by Samuel, giving the parties a true audiovisual vibe. In addition to live projections, Exceeda's [4x4] film screening night will host the cinema room and will provide seated entertainment of this year's best [4x4] short films, animations, music videos and experimental pieces. Expect Techno, House, acid house and electro featuring some the world's biggest DJs and the UK's freshest spinners throughout 2004 at this brand new Saturday night event. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
Re: (313) hot lizard - the theme - carl craig mix
great track! though the original is no slouch either. At 11:41 am -0500 4/12/03, Derek Plaslaiko. wrote: i rememeber when this 12 came out, i was all about the mark broom mix. the carl mix didnt really do much for me. i just listened to it again, and WOW! i think this might just be one of the best remixes carl has done. up there with the dave angel drums suck mix! any thoughts? derek.
(313) December 9th 2003 TRAXX Twonz
Renegade Rhythms is proud to present: Tuesday nights at the 1201, featuring the sounds of the past and of the future. Once again these crazy heads come back to Portland, ORto GRIND. TRAXX - Dirty Criminals, International Deejay Gigolos, KODE, Ghostly International, SFK, Renegade Rhythms - CHICAGO TWONZ - AKA THE TECHNO TERRORIST - Hijacked Records, Renegade Rhythms - DETROIT DLYTE- Renegade Rhythms - PORTLAND 5 dollars at the door Tuesday Night @ 1201 starts at 9:30pm untill melvin is done. Don't miss your chance to see how the real jacks bring it.. michael www.renegaderhythms.com if anyone has any questions just email me
(313) Dec.12th 2003 - Rick Wilhite - [EMAIL PROTECTED]
December 12th 2003 Renegade Rhythms is proud to present another great night of Detroit Beatdown house, and old school disco and midwest classics. Deeper Featuring The return of One of Detroits Finest, a true Pioneer of house music and great music as a whole. Rick Wilhite aka The Godson - Mahogani Music, Soul Edge, Three Chairs, Beatdown Sounds, Vibes - Detroit Dlyte - Renegade Rhythms, Deeper - Portland Madina - Deeper - Portland PLUS, a very special guest! TBA later stay tuned!! 8 dollars at the door 21+ Location : The Ohm nightclub 21 NW 1st downtown PDX Come on out have some fun!! any questions just email me. michael www.renegaderhythms.com
Re: (313) Speaking of Derrick May...
he's just signed a deal to host the DEMF (Detroit Electronic Music Festival) for the next 5 years tristan- what's your source on this? (just being a good journalist) SPLIT THE NEXT LEVEL LAUNCH PARTY!! SATURDAY 7TH FEBRUARY 2004 Turnmills. 63B Clerkenwell Road, London. EC1 Capacity: 1000. Info: 020 7250 3409. Tube: Farringdon. 10pm - 7am £12 in Advance // £15 on the Door Tickets: www.ticketweb.co.uk. Web: www.turnmills.com Room 1: Derrick May (3 hour set) Surgeon Oliver Ho (Live) Ben Sims Chris Finke Room 2 Chicken Lips A Guy Called Gerald Mark Broom Paul Mac Aidy West Tony Anderson Turnmills goes Techno on Saturday 7th February 2004 with the launch of Split - one of our most exciting nights yet. Split is the partnership between Retro_Vert and Flux, and having showcased their own parties in London for a while, they're now taking the night to the next level with this exclusive new Turnmills residency. The legendary Derrick May will play his first solo London gig in 18 months to launch this very special event. Together with contemporaries like Juan Atkins, Kevin Saunderson, Carl Craig and Jeff Mills, May galvanized a worldwide generation of minds that listened and learned the secret of Techno. His Transmat label has been a genre leader for many years, he's just signed a deal to host the DEMF (Detroit Electronic Music Festival) for the next 5 years and he joins hosts Ben Sims (Retro_Vert) and Chris Finke (Flux). Surgeon (at the moment preparing new 'British Murder Boys' and 'Surgeon material), and Oliver Ho (playing live) complete the main room billing having rocked Split events in recent times, whilst the backroom welcomes top headliners Chicken Lips and A Guy Called Gerald alongside Split residents Mark Broom, Paul Mac, Aidy West and Tony Anderson. The SPLIT parties also boast a tight VJ line up on rotation, with headliner residents such as Exceeda, Usagi (Organix), D-Fuse, SanFrandisco, Kameiflage (Dubstrakt), Marija, Ryu, and new comer Circuit_c, as well as slides created by Samuel, giving the parties a true audiovisual vibe. In addition to live projections, Exceeda's [4x4] film screening night will host the cinema room and will provide seated entertainment of this year's best [4x4] short films, animations, music videos and experimental pieces. Expect Techno, House, acid house and electro featuring some the world's biggest DJs and the UK's freshest spinners throughout 2004 at this brand new Saturday night event. Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
