Re: (313) Regis
On Tue, 21 Sep 2004, David Powers wrote: Are any Chicago people going to check out REGIS on Saturday, i'd like to, but i think some friends are having a going away party. and also i might drive to cleveland to see lungfish. or i suppose i could see yo la tengo in cleveland. arg, choices! eric
(313) [REMINDER] phoniq presents AKUMU 09/25/2004
saturday september 25 2004 phoniq brings you an evening of deep listening featuring from toronto akumu - live - www.spiderrecords.com and the local stylings of naw - live - www.noisefactoryrecords.com scant intone vs. various - live - www.panospria.com / www.phoniq.net cyan - dj - www.traktion.com where: la salle d'attente (esperanza) 5490 st-laurent, montreal, canada time: 9pm SHARP first live artist is on at 1030pm. how much: $5 for more info visit: www.phoniq.net PRESS RELEASE the PHONIQ collective brings you the third in our ongoing series of live electronic music events. each of these events are designed to act as an exploration into the different intersections between technology and music/art making. this time around phoniq will feature an assembly of artists all working to create an immersive deep listening experience. the evening will feature: the first ever appearance of toronto's very own AKUMU, whose recently released 'fluxes' cd on the akumu imprint spider records, shows us a deeper, lush, dark ambient side to this artist as opposed to his self titled debut from 2000, which exhibited his more dub ambient side. for this montreal performance akumu will play a cross section of his slow-beat dub found on his earlier release and the pure deep ambience of his most recent 'fluxes' release. akumu's performance will also feature some of the artists own video work projected during his performance. rounding out this evening of deep listening will be phoniq co-founder and noise factory recording artist NAW, who will be presenting a very rare live presentation of his microsound/idm experimental musings. panospria label head and phoniq collective members SCANT INTONE and VARIOUS will be performing a tag team live pa of glitchy/experimental shapeshifting music. opening and closing the evenings activities will be modular systems host and phoniq co-founder CYAN djing the less dance floor oriented idm/quirky electro and other found rareties that find their way into her vast music collection. BIOS/INFO PHONIQ www.phoniq.net phoniq is a collective of individuals dedicated to promoting bleeding edge electronic music/art in interesting variable environments, with an emphasis on exposing aural and visual talent that has not yet been exposed to the electronic arts communities of montreal and canada. we aim to showcase upstart music producers, djs, and emerging visual artists all working in electronic realms. our foremost goal is to showcase off the wall and raw genres of music and visual electronic arts- not just those that are currently en vogue or will be shortly. the concept for phoniq came together through the chance meeting of 2 active members of the montreal/canadian electronic music and digital arts community: ckut-fm dj/host cyan and dub glitch techno producer naw. phoniq has grown out of the combined histories of these 2 individuals. naw brings the clonk legacy that he created 6 years ago in toronto, which hosted such artists as: monolake, kit clayton and sutekh. cyan brings her ongoing involvement in community radio, event coordinating and dj talents. since then the collective has grown to include 5 core members responsible for keeping things running. after a short 6 months phoniq has grown from an idea of how can we create a viable promotional vehicle for canadian electronic artists, into a music series, an active community mailing list/community forum, and in the coming months phoniq will relaunch its site designed to act as a portal resource for the canadian electronic music community which will include a net-label. AKUMU www.spiderrecords.com somewhere between the spacey soundscapes of dark ambient lounge music and the scratchy breakbeats of downtempo drum n' bass lies the wonderful world of akumu. the brainchild of deane hughes, founder of the independent spider records label, who has previously recorded under the names thrive and alchemy, akumu ranges from languid liquid synths that feel like a drowsy summer afternoon, to hypnotic ringing and cascading full-speed-ahead bass-plus-beats, to spooky synths and muffled electronic planet-blips. akumu means bad dream in Japanese, and a lot of his music has a dreamlike quality to it. dark ambiences, shadowy beats, haunting microscapes, from electronic artist and film composer deane hughes, akumu is an exploration of atmospheres, moods and rhythms. deane is celebrating the release of his latest akumu cd, entitled fluxes. this minimalist cd was written and created in guatemala, honduras mexico over a 6-month time span using binaural field recordings to construct drone-based and loop-based instruments. deane will be performing and improvising on material from fluxes and other material with visuals projected from some of his abstract video-work at this first ever montreal performance for this artist. NAW www.noisefactoryrecords.com montreal native neil wiernik began his explorations
(313) iTunes shuffle rescued me: Carl Talor mix
phew, finally gave some love to a Carl tayor mix i downloaded from god knows where/when (was it a post on 313 or maybe from Little Detroit?), a rout of later-era planet e artists from Moodyann to Theo's remix of Recloose, Common Factor and At Les among other gems.. and more tracks that were very familiar sounding but couldn't put my finger on. Mr. Taylor if you're reading this... ace selections, thank you. Anyone familiar with this mix can post a URL so others on 313 can download? A great way to get lost in fantastic detroit music for an hour... whammo. ps = yes i'll have another glass of the sauvignon blanc, thannnk yo.,.. , ... , -- Matt MacQueen http://SonicSunset.com
Re: (313) iTunes shuffle rescued me: Carl Talor mix
oh yes, that's a nice mix - but then, all Carl Taylor mixes are nice :) I think it was somewhere on Little Detroit, or at least linked on there. perhaps check the mixes section of the site, or ... erm ... hey Martin, where's that mix? lisa Matt MacQueen wrote: phew, finally gave some love to a Carl tayor mix i downloaded from god knows where/when (was it a post on 313 or maybe from Little Detroit?), a rout of later-era planet e artists from Moodyann to Theo's remix of Recloose, Common Factor and At Les among other gems.. and more tracks that were very familiar sounding but couldn't put my finger on. Mr. Taylor if you're reading this... ace selections, thank you. Anyone familiar with this mix can post a URL so others on 313 can download? A great way to get lost in fantastic detroit music for an hour... whammo. ps = yes i'll have another glass of the sauvignon blanc, thannnk yo.,.. , ... , -- Matt MacQueen http://SonicSunset.com
Re: (313) iTunes shuffle rescued me: Carl Talor mix
http://www.carltaylor.org/mixes.php lisa wrote: oh yes, that's a nice mix - but then, all Carl Taylor mixes are nice :) I think it was somewhere on Little Detroit, or at least linked on there. perhaps check the mixes section of the site, or ... erm ... hey Martin, where's that mix? lisa Matt MacQueen wrote: phew, finally gave some love to a Carl tayor mix i downloaded from god knows where/when (was it a post on 313 or maybe from Little Detroit?), a rout of later-era planet e artists from Moodyann to Theo's remix of Recloose, Common Factor and At Les among other gems.. and more tracks that were very familiar sounding but couldn't put my finger on. Mr. Taylor if you're reading this... ace selections, thank you. Anyone familiar with this mix can post a URL so others on 313 can download? A great way to get lost in fantastic detroit music for an hour... whammo. ps = yes i'll have another glass of the sauvignon blanc, thannnk yo.,.. , ... , -- Matt MacQueen http://SonicSunset.com
Re: (313) iTunes shuffle rescued me: Carl Talor mix
heheheh alcohol to the rescue, :) I threatened the people upstairs tonight because they didnt like my wednesday tracking at midnight molsen 40s, baby d, -Joe - Original Message - From: Matt MacQueen [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Wednesday, September 22, 2004 11:53 PM Subject: (313) iTunes shuffle rescued me: Carl Talor mix phew, finally gave some love to a Carl tayor mix i downloaded from god knows where/when (was it a post on 313 or maybe from Little Detroit?), a rout of later-era planet e artists from Moodyann to Theo's remix of Recloose, Common Factor and At Les among other gems.. and more tracks that were very familiar sounding but couldn't put my finger on. Mr. Taylor if you're reading this... ace selections, thank you. Anyone familiar with this mix can post a URL so others on 313 can download? A great way to get lost in fantastic detroit music for an hour... whammo. ps = yes i'll have another glass of the sauvignon blanc, thannnk yo.,.. , ... , -- Matt MacQueen http://SonicSunset.com
(313) Playlist WNUR Chicago - 17 Sept 2004 - It's House. (or is it?)
Clinically Inclined 17 September 2004 Fridays 11:00pm - 1:30am, 89.3 FM WNUR Chicago http://SonicSunset.com --- download this show part 1 Offbeat dusted b-side dubs.. Stockholm's 12th Floor into Recloose's techno funk provides backbeat to proto hip-hop from Whodini. Handclap to Jellybean's epic kicks the 808 cowbells. The rest is Jack To Basics with raw Chicago pre-techno jackin' trax, a re-work of First Choice tore up chicago style, Chip E defines House, and local phenom Hieroglyphic Being as 'Africans with Mainframes'. Don't miss WBMX favorite synth-heavy italo destroyer by Pineapples! If you haven't heard us in awhile, this is one to check. :} part 2 sub-aquatic organic-electronic dub from germany, canada, and japan rides out the last days of summer, and we go a bit more uptempo with peak:shift and a sampling from jeff mills' recent 7 series. new music from yunx anchors the downtempo wind-down. part 1 Matt MacQueen Roy Ayers Ubiquity - The Black Five - Mystic Voyage (Polydor) 1975 Charles Leonard - Drop It In The Pocket (Windy City) 1982 The Earons - Land of Hunger [Dub version] (Island) 1984 12th Floor - Don't This Blow Your Mind (Raw Fusion) Recloose - Up Up - Cardiology (Planet e) Whodini - 5 Minutes of Funk (Jive) 1894 Jellybean - The Mexican [Funhouse Mix] (EMI) 1984 The Quick - Zulu [Instr.] (Pavillion) 1981 Electric Mind - ZWEI [Dub version] (Emergency) 1983 Joe Smooth - I'll Be There [Instr.] (DJ International) 1988 House People - Godfather of House [Club Mix] (Underground) 1986 House Gang - Let No Man Put Us Under - Hitrax (Underground) 1988 Faces Drums (Original Records) 1988 Adonis - We're Rocking Down The House [Instr.] (Trax) 1986 Pineapples - Come On Closer (Original Records) 1988 Chip E - It's House (Jack Trax) 1986 Africans with Mainframes - Micro-Electronique - Save The Robots EP (Mathematics) part 2 dave siska neal howard - to be or not to be [the gathering club mix] - best of future sound records (rephlex) aroy dee - the planets (nwaq) electric birds - a2 - strata (inc.us) maus stolle - for your ears only (klang) deadbeat - requiem - something borrowed, something blue (~scape) w-moon - unless - entry plug ep (metrojuice) taksi - dezent (taksi) peak:shift - now come on into the world (nurture) heiko laux - liquidism (kanzleramt) jeff mills - absolutespecial (axis 7) kit clayton - packet loss - unreliable networks (cytrax) plaid - cold - peel sessions (warp) di_indicator - reflection on visual awareness - libra ep (ungleich) yunx - easyway - snake in the grass (ai) smyglyssna - on partiklar och lyktstolpar - plug research development (plug research) maps diagrams - flanel - glaciarc ep (tundra music) Download shows as MP3 from http://SonicSunset.com -
RE: (313) re: Manchester UK Spam Recloose/Domu
seen any other records from Planet E in the last 2 years other than work by Carl himself? Niko Marks Chune? k
RE: (313) If
As far as London goes, I'm no expert, but I think The New Dance Sound... is maybe a bit overrated in it's influence on anyone but Brits (or maybe even just Londoners?). It's a good story, but I've never talked to anyone who got into detroit sounds because of it. (Though it probably did provide a bit of a cash infusion into some detroit studios.) I did, other people I know did too. I don't think that comp can be dismissed so lightly. k
(313) Mills vs. Garnier in Belgium last week
http://www.technopride.net/download_center_lite/index.php?setsdomes/ Laurent_Garnier_and_Jeff_Mills-Live_at_Switch_StudioBrussel-17-09 -2004_hosted_by_www.technopride.net.mp3 - Greg
Re: (313) Mills vs. Garnier in Belgium last week
D'oh!@ That'll teach me to not test a direct link first. Methinks the server keeps Cookies - the link is correct, but you have to click on it from this page instead of trying it directly: http://www.technopride.net/setsdomes-2004setembro.htm Given that there's 3 Dave Clarke sets on that page in addition to an Alter Ego, Speedy J live, Damon Wild, Regis vs. James Ruskin, Thomas P. Heckmann and Umek on that page, I guess I should've posted that page to begin with ;-) - Greg
Re: (313) If
Ken Odeluga wrote: As far as London goes, I'm no expert, but I think The New Dance Sound... is maybe a bit overrated in it's influence on anyone but Brits (or maybe even just Londoners?). I did, other people I know did too. I don't think that comp can be dismissed so lightly. k raises hand me too, that was my first exposure to Detroit. I didn't like every track on the comp when it came out, but it opened my ears to the sound. sImon -- ___ sImon Pascoe BSD BIX ___
Re: (313) If
raises hand me too, that was my first exposure to Detroit. I didn't like every track on the comp when it came out, but it opened my ears to the sound. I got my copy out last weekend, have you heard the mix side lately? The amount of spin backs - made me smile...Still very fond of it tho... Cheers Martin
Re: (313) Man Alive?
i've appreciated all sides of the debate, but i concur. After Detroit, it's Berlin. If we are talking kindred TECHNO spirits, who helped get detroit european exposure, collaborations, the whole Hardwax/Basic Channel connection, remember that tresor compilation: Berlin-Detroit: A Techno Alliance ;) yeah you could argue Neil Rushton was doing similar with licensing stuff for Network UK / Kool Kat though... Biorhythms... etc. etc. and that might have been before UR got in so thick with Mark and Moritz at Basic Channel/Hardwax. Sound of Detroit/// True, but it never really worked though, well not in the numbers sense that the label wanted, I also feel that the Face article did a lot of damage - turning techno into something like a cheap consumer product for the style whores - this view changes depending on my mood tho :) Also i found the Chicago arguments interesting, the cross-pollination was definitely there. For 2nd wave detroit/chicago crossover, DBX personified it, btw. Sold big numbers here. So did the early Metroplex records too. It's also funny, classically, DJs here play Salsa Life here more than they play Strings of Life. Same record sales numbers, but different cut for the different city. That was one of the first things i notices when i started going out after moving here 10 years ago. Salsa Life! It's grown on me immensely though, prior to moving here i never gave it a second thought. But it tears up a house room big time. Used to hear this at Red Dog, upstairs smaller room, hot summer night sweatbox... wooo. I only ever remember big mash-ups in the early days, remember hearing Strings at the Hac but I remember hearing a lot more Chicago stuff there than Detroit joints. Voodoo Ray was a magic moment tho... Martin
RE: (313) If
Yeah I only found it on vinyl in the summer so I was bemused at the quite whack 'mega mix' style wrap-up on the final side! Spin-back city! Plus the pressing is pretty weak in volume. There is (I think?) though, a longer version of 'Share This House' and some tracks make more sense it seems to me via vinyl. All in all, it was a good introduction at the time, and some of the Derrick May-produced tracks are still of interest - e.g. 'Un Deux Trois.' Plus of course there's 'Spark': Beautiful and not available anywhere else. k I got my copy out last weekend, have you heard the mix side lately? The amount of spin backs - made me smile...Still very fond of it tho... Cheers Martin
RE: (313) If
mr baxter delivered the goods on there, never saw those tracks anywhere else either.. and yeah, Mia Hesterley is magic, there´s a track that deserves a 12 release.. -Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: donderdag 23 september 2004 11:31 To: Martin Dust; Pascoe Mr S M Cc: Mann, Ravinder; 313@Hyperreal.Org; dave cronin Subject: RE: (313) If Yeah I only found it on vinyl in the summer so I was bemused at the quite whack 'mega mix' style wrap-up on the final side! Spin-back city! Plus the pressing is pretty weak in volume. There is (I think?) though, a longer version of 'Share This House' and some tracks make more sense it seems to me via vinyl. All in all, it was a good introduction at the time, and some of the Derrick May-produced tracks are still of interest - e.g. 'Un Deux Trois.' Plus of course there's 'Spark': Beautiful and not available anywhere else. k I got my copy out last weekend, have you heard the mix side lately? The amount of spin backs - made me smile...Still very fond of it tho... Cheers Martin The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) If
Forever and a day was released on this 12... http://www.discogs.com/release/99509 p -Original Message- From: Peteri, Jochem [mailto:[EMAIL PROTECTED] Sent: 23 September 2004 10:33 To: 313@hyperreal.org Subject: RE: (313) If mr baxter delivered the goods on there, never saw those tracks anywhere else either.. and yeah, Mia Hesterley is magic, there´s a track that deserves a 12 release.. -Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: donderdag 23 september 2004 11:31 To: Martin Dust; Pascoe Mr S M Cc: Mann, Ravinder; 313@Hyperreal.Org; dave cronin Subject: RE: (313) If Yeah I only found it on vinyl in the summer so I was bemused at the quite whack 'mega mix' style wrap-up on the final side! Spin-back city! Plus the pressing is pretty weak in volume. There is (I think?) though, a longer version of 'Share This House' and some tracks make more sense it seems to me via vinyl. All in all, it was a good introduction at the time, and some of the Derrick May-produced tracks are still of interest - e.g. 'Un Deux Trois.' Plus of course there's 'Spark': Beautiful and not available anywhere else. k I got my copy out last weekend, have you heard the mix side lately? The amount of spin backs - made me smile...Still very fond of it tho... Cheers Martin The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) If
now there´s another piece of vinyl ill probably never findgrrr -Original Message- From: placid [mailto:[EMAIL PROTECTED] Sent: donderdag 23 september 2004 11:36 To: Peteri, Jochem; 313@hyperreal.org Subject: RE: (313) If Forever and a day was released on this 12... http://www.discogs.com/release/99509 p -Original Message- From: Peteri, Jochem [mailto:[EMAIL PROTECTED] Sent: 23 September 2004 10:33 To: 313@hyperreal.org Subject: RE: (313) If mr baxter delivered the goods on there, never saw those tracks anywhere else either.. and yeah, Mia Hesterley is magic, there´s a track that deserves a 12 release.. -Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: donderdag 23 september 2004 11:31 To: Martin Dust; Pascoe Mr S M Cc: Mann, Ravinder; 313@Hyperreal.Org; dave cronin Subject: RE: (313) If Yeah I only found it on vinyl in the summer so I was bemused at the quite whack 'mega mix' style wrap-up on the final side! Spin-back city! Plus the pressing is pretty weak in volume. There is (I think?) though, a longer version of 'Share This House' and some tracks make more sense it seems to me via vinyl. All in all, it was a good introduction at the time, and some of the Derrick May-produced tracks are still of interest - e.g. 'Un Deux Trois.' Plus of course there's 'Spark': Beautiful and not available anywhere else. k I got my copy out last weekend, have you heard the mix side lately? The amount of spin backs - made me smile...Still very fond of it tho... Cheers Martin The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail. The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
(313) bit more Hacienda info for Stewart
I have it on good authority that the first record of this nature to land in Manchester was Chip E Like This. That was late '86. 4 copies apparently. The first 'house' record to blow the whole thing up in Manchester was Adonis No Way Back. Apparently that's the one that kicked everything off. There were 6 copies in Manchester at first and it took nearly 4 weeks to get some more, after that they did around 300 copies out of one shop (on the black label press fact fans)! This was in '87. Apparently at this time they were still pretty much playing loads of different stuff down there, the house music was interspersed with alot of other stuff. Hip Hop etc. Mike Pickering started his 'new'night (didn't ask if that was hot or nude or whatever) in '87 at some point. Also the kids wanting the house music early on were the Black kids apparently. In search of a different sound more than anything I'm told, to play with the other stuff big on that scene at the time. Think this came from them all dancing down the Gallery and Legends... Predominantly Black music clubs I'm told. I presume Greg Wilson was the dj at these joints. But don't know Also it's worth noting that alot of the original Chi stuff never really got here. Persona stuff etc in particular. Don't know if anywhere in London/Brum/Sheffield/Glasgow or anywhere like that was getting them. Back to my hideyhole. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) If
Hey what's wrong with spinbacks? If that was what made the mix whack then I'm a whack DJ. Come to think of it...
RE: (313) bit more Hacienda info for Stewart
Up Periscope. Records I recall being played in Leeds at that time .. Corina - T Coy Too Far Gone - Adonis The Dance - DM Like This - Chip E We Rocking Down the House - House Nation - House Master Voodoo Ray - AGCG Pacific State - 808 Lets get Brutal - Ma Foom Bay - Cultural Vibe Take Some Time Out - Classic Classic Arnold Jarvis Track. Cant Get Enough - Lizz Torres Rock to the Beat - Master Reese ? and of Course B I G F U N !! This is before the 'Summer Of Love'. Then came acid and piano house and the media and the inner city kids moved on to the hip hop and RnB scenes. I feel its remained pretty much the same since. It's a shameas these scenes could and should imo co exist in Clubland. Hate to bring up the race thing as it's a can of worms but as white people got into house the black crowd moved out. This is simply an observation, but that's way it was. Rav Down Periscope -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 September 2004 13:03 To: 313@hyperreal.org Subject: (313) bit more Hacienda info for Stewart I have it on good authority that the first record of this nature to land in Manchester was Chip E Like This. That was late '86. 4 copies apparently. The first 'house' record to blow the whole thing up in Manchester was Adonis No Way Back. Apparently that's the one that kicked everything off. There were 6 copies in Manchester at first and it took nearly 4 weeks to get some more, after that they did around 300 copies out of one shop (on the black label press fact fans)! This was in '87. Apparently at this time they were still pretty much playing loads of different stuff down there, the house music was interspersed with alot of other stuff. Hip Hop etc. Mike Pickering started his 'new'night (didn't ask if that was hot or nude or whatever) in '87 at some point. Also the kids wanting the house music early on were the Black kids apparently. In search of a different sound more than anything I'm told, to play with the other stuff big on that scene at the time. Think this came from them all dancing down the Gallery and Legends... Predominantly Black music clubs I'm told. I presume Greg Wilson was the dj at these joints. But don't know Also it's worth noting that alot of the original Chi stuff never really got here. Persona stuff etc in particular. Don't know if anywhere in London/Brum/Sheffield/Glasgow or anywhere like that was getting them. Back to my hideyhole. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) bit more Hacienda info for Stewart
Up Periscope. Records I recall being played in Leeds at that time .. Corina - T Coy Too Far Gone - Adonis The Dance - DM Like This - Chip E We Rocking Down the House - House Nation - House Master Voodoo Ray - AGCG Pacific State - 808 Lets get Brutal - Ma Foom Bay - Cultural Vibe Take Some Time Out - Classic Classic Arnold Jarvis Track. Cant Get Enough - Lizz Torres Rock to the Beat - Master Reese ? and of Course B I G F U N !! This is before the 'Summer Of Love'. Then came acid and piano house and the media and the inner city kids moved on to the hip hop and RnB scenes. I feel its remained pretty much the same since. It's a shameas these scenes could and should imo co exist in Clubland. Hate to bring up the race thing as it's a can of worms but as white people got into house the black crowd moved out. This is simply an observation, but that's way it was. Rav Down Periscope It certainly looks that way. Of course, it's not 100% that way however, evidently. On the whole however, what you've observed is the age old problem of prejuidice, percieved or actual - this can play itself out in ways which are obvious enough. Sometimes it really is there, sometimes it isn't. Not everyone's as enlightened as they ought to be, not everyone can tell the difference. And that works both ways too! Also, most people are conservative in deed if not in mind, they stick with what they know and surface appearances are everything, as is going along with the crowd. The ironic thing is, of course, the African-American roots of a lot of this music, including so-called hard techno! So you have a situation in which people of colour in the UK and Europe are rejecting a music in which people of colour in the US, played a large part (and still do). And this applied even when the music was relatively new and therefore still more easily traceable to those roots. k
RE: (313) If
I like that mix on that record, I think it's hot. who did it? D.May tape edits? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) bit more Hacienda info for Stewart
as these scenes could and should imo co exist in Clubland. Totally agreed. and there won't be any 'good' clubs again really till they do. p.s. my email is going all funny, I presume my post got through, I've taken this from an email from Ken. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) bit more Hacienda info for Stewart
Of course your email got through Alex, its a well trodden path from your work to the 313 list, the email isnt going to get lost is it ;-)) --- [EMAIL PROTECTED] wrote: p.s. my email is going all funny, I presume my post got through, I've taken this from an email from Ken. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
(313) tragedies(clean version...)
LOS ANGELES - Russ Meyer, a master of s*xploitation filmmaking who was called king of the n*dies or King Leer for such soft-*ore p*rnography classics as Faster P*ssycat, Kill! Kill! and Vixen, has died. He was 82.. And Andre Hazes has died too this morning, at 9.30... tragic moments in the US and in Holland, let us share the grief and give our heroes a moment of silence.. 154, in state of shock The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
(313) Links
New section just gone live on LD http://www.littledetroit.net/Links/index.php Submit away here: http://www.littledetroit.net/Links/index.php?thisShow=Sub Cheers Martin
(313) Free Show in London [9-26-04]
ahoy there check this out: SEPTEMBER HUMP + LEKTROLAB FREE LIVE SHOW on SUNDAY 26th SEPTEMBER LIVE: bodenstandig 2000 [Rephlex, Feed the Machine - DE] maxi german atari rave blast! GUEST DJ: bitch ass darius [Databass / NES Records - USA] ghetto tech booty bass GUEST DJ: tetine [Slum Dunk Radio, Resonance FM - BRA/UK] funk carioca / baille funk RESIDENT: lektrogirl [Rephlex, micromusic] AND: BEIGE PRESENTS VIDEO FROM ROTFLOL AND PAPER RAD - london premiere of the legendary NO FEAR dance-off! at: The Spitz, Old Spitalfields Market, 109 Commercial Street, E1 nearest tube: Liverpool Street Station time: 4pm til 10.30pm admission: FREE nb: guest acts start at 7.30pm so early arrival essential http://www.lektrolab.com if you want to know more read on! xx emma / lektrogirl BODENSTANDIG 2000 [Rephlex / Feed the Machine DE] German computer folk heros Bodenstandig 2000 step up. The Aphex Twin can be quoted as saying that they were the best live electronic act he had seen when they performed in London last in 2001 - and since then they have toured all over the world with their live Atari rave blast hits - dowsing the crowd at Recyclart in Brussels couldn't keep the crowd from rushing the stage and the folks at Camp Gay in Chicago thought the floor was going to cave in with 300 people jumping up and down - so who knows what to expect when they hit the stage in London! www.bodenstandig.com/2000 ROTFLOL [Autmn Records USA] ROTFLOL is Pittsburgh based Jacob Ciocci, part of the Paperrad Crew (along with Jessica Ciocci and Ben Jones). When Jacob isn't creating zines or flash animations for John Peels' favourite band Lightening Bolt or busy at CMU, he is making music that's as colourful as the clothes he wears. Tonight members from the BEIGE crew present Jacob's, lo-fi, melodic, junked out, video gamey, crazy dancetime electro video tracks. Positive, fun, and uplifting casio freakouts. This music is like all of this 'neo-electro/synth pop' stuff, except better and without the cold, robotic, black turtleneck attitude. Jacob was to perform live for us tonight but unfortunately he couldn't make it. The video show is an experience in itself and was first performed in the UK by the BEIGE crew at the Liverpool Bienial last week to an audience that was totally blown away. BITCH ASS DARIUS [NES Records, Databass] Hailing from the current hip-hop hot spot of St. Louis [Nelly, Chingy, J-Kwon, etc...], Bitch Ass Darius is the most recent signing to DJ Godfather's DataBass label. Darius, affectionately known to friends as Bitch Ass, made his name with releases on the now-defunct N.E.S [Nigga Entertainment Systems] label that popularised the ghetto bass sound throughout the St. Louis metropolitan area. DJ Assault, in town to check Darius' club night, took a few of his of 12's back to Detroit and they regularly found their way into sets and mix CD's by Assault and DJ Godfather. The rest is history, as Bitch Ass Darius' first DataBass EP showcases the best of his extremely hard to find N.E.S. back catalogue and more DataBass releases are on the way. Interesting to note - Bitch Ass Darius is so tight with Detroit legend Ron Murphy that Bitch Ass was to donate his kidney. [Ron Murphy is the of NSC who cut every single Jeff Mills, DJ Godfather / DJ Assault and Underground Resistance [to name but a few] record.] TETINE [Slum Dunk Radio, Resonance FM] Tetine means nipple and they are definitely our favourite Brazilians DJs who play dirty electro-disco-punk-booty-bass tunes from Rio de Janeiro extensively played in the Bailes. You can call it funk carioca or Rio funk. Tetine are releasing the first ever European compilation on Mr Bongo Records later this year featuring Brazilian hip hop beats with the filthiest raps. www.tetine.net LEKTROGIRL [micromusic, Rephlex, Lektrolab] Lektrolab resident Lektrogirl cleaning off her dusty fingers from Europes grottiest second hand vinyl shop to play obscure italo-electro gems, electro pop and homemade chipstyle tunes in an erratic and schizophrenic mix.
RE: (313) bit more Hacienda info for Stewart
No I wouldn't say its 100%. I mean I still like techno : ) But as a music that is African in its roots theres not many African decendants listening to it. Go to a techno night and look around. It's clear to see. As an example, my group of friends at the time 87 was made up of some White, Afro-Carribean, Mixed Race/Heritage, Indian, a Brazilian, a typical inner city bunch from Chapeltown Leeds. We used party to Rare Groove, Funk, Reggae, Hip Hop. There many other such possees from other part of Leeds eg Woodhouse. Then came this early house out of Chicago playing in a couple of mid week clubs, we didn't even know how to dance to it !!. What is Jackin' The Warehouse, a club with then a wide music policy started to incoorparate these new sounds and it simply blew up. But these inner city possees moved away from the very scene they developed. But why ??? Here's my take.. Well it became cheese, overcommercial, uncool, piano house and divas, songs like 'Id rather Jack than Fleetwood Mac'. Yea there there was still good house and techno to be found but people just dissassociated with it and quickly moved on, comments like 'that's what white people dance to' 'drug music'. I cant help thinking if some of the original artists had photos of themselves on album sleeves how much different things might have been. (See Hip Hop) Must get back to work... Rav -Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: 23 September 2004 14:05 To: Mann, Ravinder; [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: RE: (313) bit more Hacienda info for Stewart Up Periscope. Records I recall being played in Leeds at that time .. Corina - T Coy Too Far Gone - Adonis The Dance - DM Like This - Chip E We Rocking Down the House - House Nation - House Master Voodoo Ray - AGCG Pacific State - 808 Lets get Brutal - Ma Foom Bay - Cultural Vibe Take Some Time Out - Classic Classic Arnold Jarvis Track. Cant Get Enough - Lizz Torres Rock to the Beat - Master Reese ? and of Course B I G F U N !! This is before the 'Summer Of Love'. Then came acid and piano house and the media and the inner city kids moved on to the hip hop and RnB scenes. I feel its remained pretty much the same since. It's a shameas these scenes could and should imo co exist in Clubland. Hate to bring up the race thing as it's a can of worms but as white people got into house the black crowd moved out. This is simply an observation, but that's way it was. Rav Down Periscope It certainly looks that way. Of course, it's not 100% that way however, evidently. On the whole however, what you've observed is the age old problem of prejuidice, percieved or actual - this can play itself out in ways which are obvious enough. Sometimes it really is there, sometimes it isn't. Not everyone's as enlightened as they ought to be, not everyone can tell the difference. And that works both ways too! Also, most people are conservative in deed if not in mind, they stick with what they know and surface appearances are everything, as is going along with the crowd. The ironic thing is, of course, the African-American roots of a lot of this music, including so-called hard techno! So you have a situation in which people of colour in the UK and Europe are rejecting a music in which people of colour in the US, played a large part (and still do). And this applied even when the music was relatively new and therefore still more easily traceable to those roots. k
Re: (313) bit more Hacienda info for Stewart
On 23 Sep 2004, at 14:47, Mann, Ravinder wrote: No I wouldn't say its 100%. I mean I still like techno : ) But as a music that is African in its roots theres not many African decendants listening to it. Go to a techno night and look around. It's clear to see. Technically that isn't true tho is it. As an example, my group of friends at the time 87 was made up of some White, Afro-Carribean, Mixed Race/Heritage, Indian, a Brazilian, a typical inner city bunch from Chapeltown Leeds. We used party to Rare Groove, Funk, Reggae, Hip Hop. There many other such possees from other part of Leeds eg Woodhouse. Then came this early house out of Chicago playing in a couple of mid week clubs, we didn't even know how to dance to it !!. What is Jackin' The Warehouse, a club with then a wide music policy started to incoorparate these new sounds and it simply blew up. But these inner city possees moved away from the very scene they developed. But why ??? Here's my take.. Well it became cheese, overcommercial, uncool, piano house and divas, songs like 'Id rather Jack than Fleetwood Mac'. pulls up a chair Thing is, you can't force people to like something, regardless of their colour. The whole point of Techno at the start was being faceless - that was the part of the point/coda and probably why most people didn't get it. I'd guess the reason there aren't many black people in clubs is because they don't want to go but then again I never see any one legged, leper lesbian's with blonde hair at clubs either - wonder where they all hang? One of the great powers of Techno in the early days was that it brought people together regardless of colour and class. The story of the White man coming in and FIU is as old as the hills. I'll be brave and tell you exactly what FIU - Greed, that knows no colour. Martin
RE: (313) If
naw - someone on Gemm has it for $121.00 ;) Peteri, Jochem [EMAIL PROTECTED]To: 313@hyperreal.org ridge.nlcc: Subject: RE: (313) If 09/23/2004 04:37 AM now there´s another piece of vinyl ill probably never findgrrr -Original Message- From: placid [mailto:[EMAIL PROTECTED] Sent: donderdag 23 september 2004 11:36 To: Peteri, Jochem; 313@hyperreal.org Subject: RE: (313) If Forever and a day was released on this 12... http://www.discogs.com/release/99509 p -Original Message- From: Peteri, Jochem [mailto:[EMAIL PROTECTED] Sent: 23 September 2004 10:33 To: 313@hyperreal.org Subject: RE: (313) If mr baxter delivered the goods on there, never saw those tracks anywhere else either.. and yeah, Mia Hesterley is magic, there´s a track that deserves a 12 release.. -Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: donderdag 23 september 2004 11:31 To: Martin Dust; Pascoe Mr S M Cc: Mann, Ravinder; 313@Hyperreal.Org; dave cronin Subject: RE: (313) If Yeah I only found it on vinyl in the summer so I was bemused at the quite whack 'mega mix' style wrap-up on the final side! Spin-back city! Plus the pressing is pretty weak in volume. There is (I think?) though, a longer version of 'Share This House' and some tracks make more sense it seems to me via vinyl. All in all, it was a good introduction at the time, and some of the Derrick May-produced tracks are still of interest - e.g. 'Un Deux Trois.' Plus of course there's 'Spark': Beautiful and not available anywhere else. k I got my copy out last weekend, have you heard the mix side lately? The amount of spin backs - made me smile...Still very fond of it tho... Cheers Martin The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail. The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) bit more Hacienda info for Stewart
But as a music that is African in its roots theres not many African decendants listening to it. Go to a techno night and look around. It's clear to see. Technically that isn't true tho is it. ++ I thought Id see more diversity. Its certainly less diverse to the times I was reffering to. The Warehouse, a club with then a wide music policy started to incoorparate these new sounds and it simply blew up. But these inner city possees moved away from the very scene they developed. But why ??? Here's my take.. Well it became cheese, overcommercial, uncool, piano house and divas, songs like 'Id rather Jack than Fleetwood Mac'. pulls up a chair Thing is, you can't force people to like something, regardless of their colour. +++ Aye. But you can 'program' them by making them want to associate. The whole point of Techno at the start was being faceless - that was the part of the point/coda and probably why most people didn't get it. +++ I think a lot of people got it early on. But the image changed. And techno instead of defending it's ground when underground. I'd guess the reason there aren't many black people in clubs is because they don't want to go but then again I never see any one legged, leper lesbian's with blonde hair at clubs either - wonder where they all hang? +++ Im sure they go to clubs, but I would say *tendancy* is soul and r+b clubs as compared to Dance clubs. There is also a greater emphasis on local blues and local parties cos many Taxis will not come to Chapletown after 12.00. Which I find bizzare. One of the great powers of Techno in the early days was that it brought people together regardless of colour and class. +++ I agree 100%. The story of the White man coming in and FIU is as old as the hills. I'll be brave and tell you exactly what FIU - Greed, that knows no colour. +++Its not colour. Hip Hop - who FIU, who stole the soul. The Man can be of any colour. Rav
RE: (313) If
One went on ebay the other month for about £35. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 September 2004 14:57 To: Peteri, Jochem Cc: 313@hyperreal.org Subject: RE: (313) If naw - someone on Gemm has it for $121.00 ;) Peteri, Jochem [EMAIL PROTECTED]To: 313@hyperreal.org ridge.nlcc: Subject: RE: (313) If 09/23/2004 04:37 AM now there´s another piece of vinyl ill probably never findgrrr -Original Message- From: placid [mailto:[EMAIL PROTECTED] Sent: donderdag 23 september 2004 11:36 To: Peteri, Jochem; 313@hyperreal.org Subject: RE: (313) If Forever and a day was released on this 12... http://www.discogs.com/release/99509 p -Original Message- From: Peteri, Jochem [mailto:[EMAIL PROTECTED] Sent: 23 September 2004 10:33 To: 313@hyperreal.org Subject: RE: (313) If mr baxter delivered the goods on there, never saw those tracks anywhere else either.. and yeah, Mia Hesterley is magic, there´s a track that deserves a 12 release.. -Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: donderdag 23 september 2004 11:31 To: Martin Dust; Pascoe Mr S M Cc: Mann, Ravinder; 313@Hyperreal.Org; dave cronin Subject: RE: (313) If Yeah I only found it on vinyl in the summer so I was bemused at the quite whack 'mega mix' style wrap-up on the final side! Spin-back city! Plus the pressing is pretty weak in volume. There is (I think?) though, a longer version of 'Share This House' and some tracks make more sense it seems to me via vinyl. All in all, it was a good introduction at the time, and some of the Derrick May-produced tracks are still of interest - e.g. 'Un Deux Trois.' Plus of course there's 'Spark': Beautiful and not available anywhere else. k I got my copy out last weekend, have you heard the mix side lately? The amount of spin backs - made me smile...Still very fond of it tho... Cheers Martin The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail. The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) Links
cheers for that Martin, great new resource section there! -Original Message- From: Martin Dust [mailto:[EMAIL PROTECTED] Sent: Thu 9/23/2004 2:43 PM To: 313@Hyperreal.Org Org Cc: Subject: (313) Links New section just gone live on LD http://www.littledetroit.net/Links/index.php Submit away here: http://www.littledetroit.net/Links/index.php?thisShow=Sub Cheers Martin
(313) Love Is The Message
Well. I mean, I know I can be slow and all, but I'm at least 10 years LATE on this one! I think I've just realised from Tristan's weekend tracklists that the Ani who did Love Is The Message is the Ani on this list. Is that right? Wow. That's a CLASSIC! Pretty big round these parts too, used to get alot of play round here. (I think) Sorry, just wanted to say that. It's a great record. RESPECK *in an Ali G style voice* _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) bit more Hacienda info for Stewart
On 23 Sep 2004, at 15:57, Mann, Ravinder wrote: But as a music that is African in its roots theres not many African decendants listening to it. Go to a techno night and look around. It's clear to see. Technically that isn't true tho is it. ++ I thought Id see more diversity. Its certainly less diverse to the times I was reffering to. Try a Garage night :) Sheffield has a massive scene and the mix is pretty even, just duck if something goes bang. The scene here is closing all the clubs down - seven shootings this year, very sad. The Warehouse, a club with then a wide music policy started to incoorparate these new sounds and it simply blew up. But these inner city possees moved away from the very scene they developed. But why ??? Here's my take.. Well it became cheese, overcommercial, uncool, piano house and divas, songs like 'Id rather Jack than Fleetwood Mac'. pulls up a chair Thing is, you can't force people to like something, regardless of their colour. +++ Aye. But you can 'program' them by making them want to associate. :) Stupidity should be painful don't you think Rav *LOL* The whole point of Techno at the start was being faceless - that was the part of the point/coda and probably why most people didn't get it. +++ I think a lot of people got it early on. But the image changed. And techno instead of defending it's ground when underground. I'm not sure it went over-ground really - most people still don't know what Techno is... I'd guess the reason there aren't many black people in clubs is because they don't want to go but then again I never see any one legged, leper lesbian's with blonde hair at clubs either - wonder where they all hang? +++ Im sure they go to clubs, but I would say *tendancy* is soul and r+b clubs as compared to Dance clubs. There is also a greater emphasis on local blues and local parties cos many Taxis will not come to Chapletown after 12.00. Which I find bizzare. Same here, but it's always been that way and it's probably because of a few idiots or people just doing a runner...Sheffield has a massive Blues club scene, some of them are almost legal they've been around that long. Great for chilling, chicken and playing dominos' - last one I went to had a wet t-shirt competition - a cough pointy titty comp as it said on the poster. One of the great powers of Techno in the early days was that it brought people together regardless of colour and class. +++ I agree 100%. The story of the White man coming in and FIU is as old as the hills. I'll be brave and tell you exactly what FIU - Greed, that knows no colour. +++Its not colour. Hip Hop - who FIU, who stole the soul. The Man can be of any colour. Dat man is Mr. Greed or is it Mr. Ego... Martin
Re: (313) Love Is The Message
New webmail client means I may be able to post from work now (we'll see if it goes through), and try to rival Alex's prolificness! Alex, it was Laura Gavoor who did the Ani vocals. T On Thu Sep 23 16:05 , [EMAIL PROTECTED] sent: Well. I mean, I know I can be slow and all, but I'm at least 10 years LATE on this one! I think I've just realised from Tristan's weekend tracklists that the Ani who did Love Is The Message is the Ani on this list. Is that right? Wow. That's a CLASSIC! Pretty big round these parts too, used to get alot of play round here. (I think) Sorry, just wanted to say that. It's a great record. RESPECK *in an Ali G style voice* _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) If
Not sure if it was a bootleg or not... But either way.its a nice crisp loud pressing p -Original Message- From: Paul Kendrick [mailto:[EMAIL PROTECTED] Sent: 23 September 2004 15:53 To: [EMAIL PROTECTED]; Peteri, Jochem Cc: 313@hyperreal.org Subject: RE: (313) If One went on ebay the other month for about £35. -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 September 2004 14:57 To: Peteri, Jochem Cc: 313@hyperreal.org Subject: RE: (313) If naw - someone on Gemm has it for $121.00 ;) Peteri, Jochem [EMAIL PROTECTED]To: 313@hyperreal.org ridge.nlcc: Subject: RE: (313) If 09/23/2004 04:37 AM now there´s another piece of vinyl ill probably never findgrrr -Original Message- From: placid [mailto:[EMAIL PROTECTED] Sent: donderdag 23 september 2004 11:36 To: Peteri, Jochem; 313@hyperreal.org Subject: RE: (313) If Forever and a day was released on this 12... http://www.discogs.com/release/99509 p -Original Message- From: Peteri, Jochem [mailto:[EMAIL PROTECTED] Sent: 23 September 2004 10:33 To: 313@hyperreal.org Subject: RE: (313) If mr baxter delivered the goods on there, never saw those tracks anywhere else either.. and yeah, Mia Hesterley is magic, there´s a track that deserves a 12 release.. -Original Message- From: Ken Odeluga [mailto:[EMAIL PROTECTED] Sent: donderdag 23 september 2004 11:31 To: Martin Dust; Pascoe Mr S M Cc: Mann, Ravinder; 313@Hyperreal.Org; dave cronin Subject: RE: (313) If Yeah I only found it on vinyl in the summer so I was bemused at the quite whack 'mega mix' style wrap-up on the final side! Spin-back city! Plus the pressing is pretty weak in volume. There is (I think?) though, a longer version of 'Share This House' and some tracks make more sense it seems to me via vinyl. All in all, it was a good introduction at the time, and some of the Derrick May-produced tracks are still of interest - e.g. 'Un Deux Trois.' Plus of course there's 'Spark': Beautiful and not available anywhere else. k I got my copy out last weekend, have you heard the mix side lately? The amount of spin backs - made me smile...Still very fond of it tho... Cheers Martin The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail. The information contained in this e-mail communication is solely intended for the person/legal person to whom it has been sent, and as it may contain information of a personal or confidential nature, it may not be made public by virtue of law, regulations or agreement. If someone other than the intended recipient should receive or come into possession of this e-mail communication, he/she will not be entitled to read, disseminate, disclose or duplicate it. If you are not the intended recipient, you are requested to inform the sender of this e-mail message of this immediately, and to destroy the original e-mail communication. Neither Randstad Holding nv nor its subsidiaries accept any liability for incorrect and incomplete transmission or delayed receipt of this e-mail.
RE: (313) bit more Hacienda info for Stewart
Try a Garage night :) Sheffield has a massive scene and the mix is pretty even, just duck if something goes bang. The scene here is closing all the clubs down - seven shootings this year, very sad. Madness aint it, go for a night out, get shot at - egos need to kept in check at some of these events. ... I don't really get out much nowadays but for cultural diversity in Leeds try one of the SubDub (Ital Rockers/Simon Scott) nights. Digital Rootical Dub. They're at the West Indian Centre and there's been one in conjuction with Superconductor. Sheffield has a massive Blues club scene, some of them are almost legal they've been around that long. Great for chilling, chicken and playing dominos' - last one I went to had a wet t-shirt competition - a cough pointy titty comp as it said on the poster. Stop it, Im cracking up here. No mention of 'Batty Rider Shorts' and 'Pun Pun Pants' Re Blues : Same in Leeds tho not been to any for years and years. Last time I went to a Blues it Roots and not Ragga. Rav.
Re: (313) This weekend's tracklists
Now that these have been referenced in another thread, can we expect to see the sets posted somewhere soon? (please...) -marc At 6:56 PM +0100 9/19/04, Tristan Watkins wrote: [313] 10th Anniversary - UK (all tracks were created by one-time [313] list participants) Newworldaquarium - Daze [Delsin] Newworldaquarium - Tresspassers [Delsin] Morgan Geist - I Want To... [SSR] $tinkworx - Saliva (Putsch '79 Remix) [Delsin] $tinkworx - Yinmao [Platinum Projects] Deep Forces - You're my One Only [Foreplay Recordings] Metro Area - The Art of Hot [Environ] Ani - Love is the Message (For Those Who Didn't Hear It) [Prescription] Merrick Brown - Stealth Crime [Tektite Recordings] Stewart Walker - Something for You [Tektite Recordings] Jacek Sienkiewicz - New Direction [Recorgnition] Juan Atkins - Dusk Til Dawn [New Religion records] Non Stop DJs - Furious (Raw Fury Dub) [Non Stop Productions] T-Funkshun (may have a recording of this available soon) == Substance Abuse and MF Doom - Profitless Thoughts (Street) [Fat Beats] The Pharcyde - Soul Flower (Remix) [Delicious Vinyl] Renaissance Records - Do it to it [Renaissance Recordings] The Afrobutt Express - Funk Surprise [Bigger Bear] Tony Foster - After Party [Mode Recordings] Diviniti - Find a Way (PirahnaHead's Intense Dub) [Women on Wax Recordings] Omar-S - Always There [FXHE Records] Omar S - Oasis Detroit #1 [FXHE Records] Silvio Manuel - La Mente Oscura que es Carlo Marx (The Dark Mind that is Carlo Marx) [Ferrispark Records] Rick Wade - Night Station [Music Is... Records] 3 Chairs - Dreamz [MRKT Chairs Publishing] The Rotating Assembly - Them Drums [Sound Signature] Abe Duque - What Happened? (B1) [ADR] Joshua - Rails [Music for Freaks] Henrik Schwarz - Marvin [Mood Music] Henrik Schwarz - Chicago [Mood Music] Ron Trent Chez Damier - Warfare [Track Mode Recordings] Just One - Love2Love [Neroli] Freeq Unique - Mind Soul [Bitasweet Records] DKD - Future Rage [Bitasweet/2000 Black] Umod - Tromboline (Domu Rmx) [Sonar Kollektiv] Rima - Telos (Isoul8 Remix) [Compost Records] Orgue Electronique - Here I Come (Vengo) [Crème Organization] Etienne de Crecy - Soul Seek [Different] Aroy Dee / Peel Seamus - Razar [MOS Recordings] Omar S - U - [Subgroundz Records] DJ Yoav B - Luv Iz [Delsin] I:Cube - Freez [Versatile Reocrds] Perception and Mad Mike - Windchime [UR] Juan Atkins - Dusk Til Dawn [New Religion records] Mathew Jonson - Decompression [Minus] Electrofunk - Bounce [Electrofunk Records] Dan Curtin - Autonomic Groove [Down Low] R-Tyme - R-Theme (Mayday Mix) [Transmat] Kenny Larkin - Breathe [Peacefrog] Dabrye - Magic Says [Ghostly International] Tristan === http://www.phonopsia.co.uk [EMAIL PROTECTED]
RE: (313) If
erm yeah, probably got a bit carried away. i know the new dance sound was important in introducing loads of folks to techno, i shouldn't have been dismissive... i guess the point i was trying to make is that there are lots of other ways the vibe/sound spread. something that isn't talked about as much is how some of the british artists of the early-mid 90's (black dog, b12, as one, etc), were playing some of these sounds, which in fact were the most accessible way for a guy in another midwestern us city to hear them. also, for me, it's important to distinguish between chicago house and detroit techno, because while i was hearing a lot of the house cuts at clubs and parties, and despite the similarities in both instrumentation and approach, the difference between, say... kenny larkin's we shall overcome and then metaphor a couple years later was what made me really take notice --- Ken Odeluga [EMAIL PROTECTED] wrote: As far as London goes, I'm no expert, but I think The New Dance Sound... is maybe a bit overrated in it's influence on anyone but Brits (or maybe even just Londoners?). It's a good story, but I've never talked to anyone who got into detroit sounds because of it. (Though it probably did provide a bit of a cash infusion into some detroit studios.) I did, other people I know did too. I don't think that comp can be dismissed so lightly. k
Re: (313) Kraftwerk 12345678
Im not sure where and when Alex got his info, but this is a snip of the press release that matt passed onto the list on June 22nd: -- Kraftwerk 12345678 - The Catalogue will be available on September... In a recent interview to italian newspaper La Stampa, Ralf Hütter confirmed release of Kraftwerk remastered albuns (12345678 - The Catalogue) on September, 2004. They will be available in separated pieces and as a box, with the original artwork when they were first published. The 8 albuns (Autobahn, Radioactivity, Trans Europe Express, The Man Machine, Computer World, Electric Cafe, The Mix and Tour de France Soundtracks ) will be published in CD and vinyl, and later in Super Audio CD, in both English and German versions. It says vinyl right there, unless their plans have changed and I don't know about it. Alex? -jk On Wednesday, September 22, 2004, at 09:55 AM, [EMAIL PROTECTED] wrote: Anyone have a release date for this and was the box set going to be available on wax? Mike I've been told this isn't coming on vinyl. But I'm not sure if that means as a boxset etc, as I thought they were doing the vinyls. But, I did get it from the horses mouth so to speak. Maybe this is just an EMI uk thing? Or maybe the guy just didn't know. Alot of use?! Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Kraftwerk 12345678
Argh! Still no sight of official re-issues of the first 3 albums. What gives?! sqrrt -Original Message- From: jason kenjar [mailto:[EMAIL PROTECTED] Sent: Thursday, September 23, 2004 12:31 PM To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re: (313) Kraftwerk 12345678 Im not sure where and when Alex got his info, but this is a snip of the press release that matt passed onto the list on June 22nd: -- Kraftwerk 12345678 - The Catalogue will be available on September... In a recent interview to italian newspaper La Stampa, Ralf Hütter confirmed release of Kraftwerk remastered albuns (12345678 - The Catalogue) on September, 2004. They will be available in separated pieces and as a box, with the original artwork when they were first published. The 8 albuns (Autobahn, Radioactivity, Trans Europe Express, The Man Machine, Computer World, Electric Cafe, The Mix and Tour de France Soundtracks ) will be published in CD and vinyl, and later in Super Audio CD, in both English and German versions. It says vinyl right there, unless their plans have changed and I don't know about it. Alex? -jk On Wednesday, September 22, 2004, at 09:55 AM, [EMAIL PROTECTED] wrote: Anyone have a release date for this and was the box set going to be available on wax? Mike I've been told this isn't coming on vinyl. But I'm not sure if that means as a boxset etc, as I thought they were doing the vinyls. But, I did get it from the horses mouth so to speak. Maybe this is just an EMI uk thing? Or maybe the guy just didn't know. Alot of use?! Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
RE: (313) Kraftwerk 12345678
Argh! Still no sight of official re-issues of the first 3 albums. I heard they were doing them. Im not sure where and when Alex got his info from someone in EMI UK. So, it's quite possible that they're not doing them in the UK, but are for other territories. if you see what I mean. but who knows. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Kraftwerk 12345678
That's the same press release I saw but it does say September as a release date so they have 7 more days - I'm not holding my breath. We should all know by now that Kraftwerk (that is to say Ralf and Florian) are overly cautious about releasing their music. That's one of the factors that drove Karl and Wolfgang to leave the group. The thing is - all this music has already been released! So why the delay this time fellas? MEK jason kenjar [EMAIL PROTECTED]To: [EMAIL PROTECTED] m cc: 313@hyperreal.org Subject: Re: (313) Kraftwerk 12345678 09/23/2004 11:31 AM Im not sure where and when Alex got his info, but this is a snip of the press release that matt passed onto the list on June 22nd: -- Kraftwerk 12345678 - The Catalogue will be available on September... In a recent interview to italian newspaper La Stampa, Ralf Hütter confirmed release of Kraftwerk remastered albuns (12345678 - The Catalogue) on September, 2004. They will be available in separated pieces and as a box, with the original artwork when they were first published. The 8 albuns (Autobahn, Radioactivity, Trans Europe Express, The Man Machine, Computer World, Electric Cafe, The Mix and Tour de France Soundtracks ) will be published in CD and vinyl, and later in Super Audio CD, in both English and German versions. It says vinyl right there, unless their plans have changed and I don't know about it. Alex? -jk On Wednesday, September 22, 2004, at 09:55 AM, [EMAIL PROTECTED] wrote: Anyone have a release date for this and was the box set going to be available on wax? Mike I've been told this isn't coming on vinyl. But I'm not sure if that means as a boxset etc, as I thought they were doing the vinyls. But, I did get it from the horses mouth so to speak. Maybe this is just an EMI uk thing? Or maybe the guy just didn't know. Alot of use?! Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
(313) Charles Webster + Todd Sines ... this Saturday in NYC at Table 50
reminding all of you guys again.. please come check out Mr. Webster's first NYC appearance in 3+ years. It will be good. I promise. +odd -- http://www.scalestudio.com/events/ CHARLES WEBSTER Nottingham, England's Charles Webster makes his first appearance in NYC since the release of his 2001 international hit LP, BORN ON THE 24TH OF JULY on UK's Peacefrog. Hear Charles play his hot new remixes of Nat King Cole, Da Lata, Ella Fitzgerald, Martina-Topley Bird, plus new tracks from his upcoming deep, aquatic lounge + house projects as PRESENCE + FURRY PHREAKS. with support from TODD SINES + SCALE, PEACEFROG, PLANET E Sultry, soulful and seductive, Todd's selections make the mind, heart + body move. Check out this week's issues of TIME OUT NY and FLAVORPILL, where you can win free tickets to this event by answering the trivia question. Hint, their website is listed below. http://www.misorecords.co.uk/ http://www.peacefrog.com/ http://www.table50.com http://www.scalestudio.com/ http://www.scalestudio.com/sound/sines/ http://nyc.flavorpill.net/mailer/issue224/index.html illustrations by Emily at MISO design by + SCALE Table 50 643 Broadway at Bleecker New York, NY 10012 212 253 2560 $10 before 12 $15 after Limited $5 reduced guest list available RSVP: [EMAIL PROTECTED] For further information please contact TODD SINES + SCALE [EMAIL PROTECTED] if your email program does not support HTML, please view this flyer here: http://www.scalestudio.com/events/ -- + SCALE : http://www.scalestudio.com/ /// connecting the space between and within.
Re: (313) Mills vs. Garnier in Belgium last week
i'm gettting this message. anyone speak espanol? Amigo do Techno Este arquivo est On Thu, 23 Sep 2004, Greg Earle wrote: http://www.technopride.net/download_center_lite/index.php?setsdomes/ Laurent_Garnier_and_Jeff_Mills-Live_at_Switch_StudioBrussel-17-09 -2004_hosted_by_www.technopride.net.mp3 - Greg sendo baixado de um site fora do TechnoPride ou voc possui um Firewall ativo. Por favor, desligue o firewall apenas para iniciar a transfer ncia do arquivo e/ou baixe-o diretamente do site www.technopride.net. Obrigado !!! Equipe TechnoPride.
FW: (313) Mills vs. Garnier in Belgium last week
I don't speak Spanish or Portuguese but it looks more like the latter to me? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 23 September 2004 18:19 To: 313@hyperreal.org Subject: Re: (313) Mills vs. Garnier in Belgium last week i'm gettting this message. anyone speak espanol? Amigo do Techno Este arquivo est On Thu, 23 Sep 2004, Greg Earle wrote: http://www.technopride.net/download_center_lite/index.php?setsdomes/ Laurent_Garnier_and_Jeff_Mills-Live_at_Switch_StudioBrussel-17-09 -2004_hosted_by_www.technopride.net.mp3 - Greg sendo baixado de um site fora do TechnoPride ou voc possui um Firewall ativo. Por favor, desligue o firewall apenas para iniciar a transfer ncia do arquivo e/ou baixe-o diretamente do site www.technopride.net. Obrigado !!! Equipe TechnoPride.
Re: (313) Mills vs. Garnier in Belgium last week
ok- i got it, but it's going to take 20 hrs at my current DL speed. anyone else having that trouble? anyone wanna put it on a faster server? On Thu, 23 Sep 2004, Greg Earle wrote: http://www.technopride.net/download_center_lite/index.php?setsdomes/ Laurent_Garnier_and_Jeff_Mills-Live_at_Switch_StudioBrussel-17-09 -2004_hosted_by_www.technopride.net.mp3 - Greg sendo baixado de um site fora do TechnoPride ou voc possui um Firewall ativo. Por favor, desligue o firewall apenas para iniciar a transfer ncia do arquivo e/ou baixe-o diretamente do site www.technopride.net. Obrigado !!! Equipe TechnoPride.
Re: (313) Mills vs. Garnier in Belgium last week
I have dl the set but it's only an hour of music from Garnier and Mills, the rest is just Studio Brussels talking an playing tunes. U better try this: http://3voor12.vpro.nl/3voor12/maps/programs/episodes/index.jsp?portals=2534202maps=3122274programs=15336460episodes=18317087 recored last night at VPRO radio in Amsterdam...1st and 2nd hour Mills and Garnier in full effect...HipHop, Bossanova, classic techno, disco... Martijn - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, September 23, 2004 7:33 PM Subject: Re: (313) Mills vs. Garnier in Belgium last week ok- i got it, but it's going to take 20 hrs at my current DL speed. anyone else having that trouble? anyone wanna put it on a faster server? On Thu, 23 Sep 2004, Greg Earle wrote: http://www.technopride.net/download_center_lite/index.php?setsdomes/ Laurent_Garnier_and_Jeff_Mills-Live_at_Switch_StudioBrussel-17-09 -2004_hosted_by_www.technopride.net.mp3 - Greg sendo baixado de um site fora do TechnoPride ou voc possui um Firewall ativo. Por favor, desligue o firewall apenas para iniciar a transfer ncia do arquivo e/ou baixe-o diretamente do site www.technopride.net. Obrigado !!! Equipe TechnoPride.
Re: (313) bit more Hacienda info for Stewart
There's some stuff on the early music policy/nights at the Hacienda written down in the '24hr party people - Tony H. Wilson' book... It's quite fun to read about the student nights at the Hac going off like a rocket on cheap lager and indie music and the nights that Pickering was playing it was dead quiet with only 10 peeps around or so untill he picked up some records suchs as no way back and it slowley turned around.. The rest is history... Martijn (who's never been to the Hacienda or Manchester but did a project for school on the Madchester scene,,,hey, i was young:-) - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, September 23, 2004 2:03 PM Subject: (313) bit more Hacienda info for Stewart I have it on good authority that the first record of this nature to land in Manchester was Chip E Like This. That was late '86. 4 copies apparently. The first 'house' record to blow the whole thing up in Manchester was Adonis No Way Back. Apparently that's the one that kicked everything off. There were 6 copies in Manchester at first and it took nearly 4 weeks to get some more, after that they did around 300 copies out of one shop (on the black label press fact fans)! This was in '87. Apparently at this time they were still pretty much playing loads of different stuff down there, the house music was interspersed with alot of other stuff. Hip Hop etc. Mike Pickering started his 'new'night (didn't ask if that was hot or nude or whatever) in '87 at some point. Also the kids wanting the house music early on were the Black kids apparently. In search of a different sound more than anything I'm told, to play with the other stuff big on that scene at the time. Think this came from them all dancing down the Gallery and Legends... Predominantly Black music clubs I'm told. I presume Greg Wilson was the dj at these joints. But don't know Also it's worth noting that alot of the original Chi stuff never really got here. Persona stuff etc in particular. Don't know if anywhere in London/Brum/Sheffield/Glasgow or anywhere like that was getting them. Back to my hideyhole. Alex _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
Re: (313) Underground Resistance - World 2 World
I thought there might be some artistic reason for this too but it's a lot more practical than that- you can only really use the plates of a record about 5 times and each set of plates is worth about 3000-5000 records. After that the plates have to be thrown away and the record remastered and recut from scratch- there are some instances in the UR (and other labels') back cat where the original masters are no longer available or people simply don't have the time to think about a record that might be 10 years old when you have a whole bunch of new releases coming out. All I can say is that in this particular case (and a whole load of the other currently unavailable SUbmerge back cat) is that you won't have too long to wait before you get what you wish- BIG repress being planned right now. cheers Jason PS One other reason why a record might be out of press is as a mark of respect to the artist- Drexiya RIP. On 19 Sep 2004, at 10:36, Stewart Caig wrote: I have no idea why, the only reason I can possibly think of is that it's (IMO) the most amazing slice of techno that Mike Banks has ever produced and one of the greatest techno records in existence period. Maybe he wants to keep just that one record a little bit special by not repressing? Who knows. Regardless of the reasons I still urge you to beg, borrow or steal a copy from somewhere as I personally couldn't imagine life with out it! - Original Message - From: Simon Vrebos [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Sunday, September 19, 2004 10:10 AM Subject: (313) Underground Resistance - World 2 World I've been buying records for a few years now (since 1997), but I still don't have the World 2 World ep. Is it the only record on Underground Resistance that hasn't been repressed? And does anyone know why? 'Cause it's a shame I can't get a hold on this one. Thanx in advance.
Re: (313) If
On Sep 23, 2004, at 3:27 AM, Martin Dust wrote: I got my copy out last weekend, have you heard the mix side lately? The amount of spin backs - made me smile...Still very fond of it tho... i always got a kick out of that mix title, wasn't it something like Megamix: Detroit is Jacking.jacking was a chicago thing.. so here they are trying to take this sovereign step forward with the compliation as as techno!, defined as NOT house, yet they used a chicago word to describe the mix.. too funny. maybe it should have been: Detroit is Preppin or Detroit is Jitting, haha -- Matt MacQueen http://SonicSunset.com
Re: (313) If
Forever and a day was released on this 12... http://www.discogs.com/release/99509 anything else ever make it onto this label? what's the story with it..? never heard of it before, or was it a 1-and-done thing. -- Matt MacQueen http://SonicSunset.com
Re: (313) wicki-wicki-whiiiizzzzzzzzzzzzz (was: If, longest thread subject in 313 history)
On Sep 23, 2004, at 7:25 AM, [EMAIL PROTECTED] wrote: Hey what's wrong with spinbacks? If that was what made the mix whack then I'm a whack DJ. if you used backspins as much as this mix does, you would be backspinning 4 times during the track itself, and once or twice during every transition.. okay i'm exaggerating but let's just say, to hear it with today ears, it's a little overboard ;) -- Matt MacQueen http://SonicSunset.com
(313) chaka edit
hi, got this chaka khan track from a friend the other day and started editing it a bit. its pretty rough, I recorded two pieces of me just playing with it. I'd like suggestions/comments if you listen. here they are: http://www.emmrecords.com/~fux//fux__editing_chaka_khan.mp3 http://www.emmrecords.com/~fux//fux__second_shot_at_chaka.mp3 these will NOT be released or profited from in any way, so I hope the lawyers out there go easy on me :) (original is about 100bpm, these are mid 130s) -Joe
Re: (313) If
If indeed it is the only release the catalog number is a bit of a curiosity MEK Matt MacQueen [EMAIL PROTECTED]To: 313 313@hyperreal.org .comcc: Subject: Re: (313) If 09/23/2004 03:16 PM Forever and a day was released on this 12... http://www.discogs.com/release/99509 anything else ever make it onto this label? what's the story with it..? never heard of it before, or was it a 1-and-done thing. -- Matt MacQueen http://SonicSunset.com
RE: (313) Love Is The Message
i love that tune, but it's not me. one of my most vivid memories of laura was our discussion of our shared name. very nice person, she's missed. not sure if this was posted on here yet or not: the message is love 10-02-04 yin-sight tribute celebration honoring laura gavoor king britt ron trent mike clark korie and other guests johnasen charles gallery 1345 division st. eastern market, detroit doors at 10 pm door + cd proceeds will go to world voice's 'laura ani gavoor dance fund' sponsored by scion www.lauragavoor.org http://www.detroitluv.com/index.php?topic=19294.0 : -Original Message- : From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] : : I mean, I know I can be slow and all, but I'm at least 10 : years LATE on this one! I think I've just realised from : Tristan's weekend tracklists that the Ani who did Love Is : The Message is the Ani on this list. : : Is that right?
Re: (313) If
On Sep 23, 2004, at 4:49 PM, [EMAIL PROTECTED] wrote: If indeed it is the only release the catalog number is a bit of a curiosity i bet there are others, just not put into discogs.. but i just wonder what they were or if there were any other Baxter or Detroit connections. it's always weird how some of these detroit records end up on various random lables http://www.discogs.com/release/99509 -- Matt MacQueen http://SonicSunset.com
Re: (313) Love Is The Message
Laura Ani Gavoor is her name, and if you have ever heard Laura speak before, you can tell it is her!! The song is truely one of my favorites. ~Erin Alex, it was Laura Gavoor who did the Ani vocals.
