(313) mix WNUR Chicago - 13 May 2005 - Life on Mars
Clinically Inclined 13 May 2005 Fridays 9:30pm - 12:30am, 89.3 FM WNUR Chicago http://SonicSunset.com Part 1: Deeper crate diggin this week, back to some proper soul and spaced out jazz-funk, tracing it's way to early-era house. New, forthcoming music on Unclassics: a beautifully sublime dub mix by Morgan Geist of an old discovery by Victor, he distills italo down to its irrestible beats and melodies that recall the deep, warm grooves of classic Chicago house. Part 2: a slow, lush wash from chicago's damon lamar (baby pop) fades into more dsp-ed action from adam johnson, then into downbeat electronics, including classic sci-fi autechre. then we go midtempo with new chugging bass-heavy waves from arctic hospital, and some old school chicago business in the mix, ending with some faster-moving dark melodics from the uk, detroit, and nyc. Part 1> Matt MacQueen Leon Thomas - China Doll - Blues & The Soulful Truth (Flying Dutchman) Donny Hathaway - The Slums - Extension of a Man (Atco) Bobby Womack - Woman's Gotta Have It (UA) Gato Barbieri - Los Desperados - Caliente (A&M) Dexter Wansel - Life on Mars (Philadeliphia) Lonnie Liston Smith & The Cosmic Echoes - Expansions - Expansions (Flying Dutchman) The Detroit Experiment - Midnight at Twenty Grand (Planet E) Steve Arrington - I Feel So Real [Extended] (Atlantic) Kinky Foxy - So Different (Hot) Virgo - Go Wild Rhythm Trax (Other Side) Master C&J - Face It [Club] (State St.) Victor - Go On Do It [Morgan Geist Breakfast Club Dub] (Unclassics) Virgo 4 - Do You Know Who You Are (Trax) Metro Area - Things Fall - 6 (Environ) Part 2> David Siska damon lamar - rising sun (tetrode) adam johnson - kungpow - pressure point ep (parotic) farben - alpin (formatted) (klang) alex cortex - a2 - ctrl ep (ann aimee) autechre - kalpol introl - incunabula (warp) sunrise society - astral travel (pacific) the stripper - after dark (pal sl) murcof - ulysses [fax rmx] (leaf) arctic hospital - cold wrapper - infirm and attentive (narita) series 7 - a1 (evolution) chip e - jack for daze [dub] (underground) da posse - strings [fingers mix] (future) scan-7 - system work (underground resistance) solcyc - off the man (ifach) deepart - picture #1 - collage #1 (rushhour) dark comedy - inaroom - seven days (elypsia) jeff mills - absolutespecial (axis) damon wild - downtown world pt 1 (kanzleramt) Audio archives at http://SonicSunset.com --- Clinically Inclined is mixed live on air, 89.3 FM in Chicago every Friday night.
(313) One more...
This one's gonna be good... > Right, no messing - who's there? > 1. Martin Dust > 2. Richard Dust > 3. robin erm fivetones (is that how that works? :) ) +1 > 4. If they let me in, Alex. + pikeys > 5. Phil Spector + parole officer > 6. Francis (complete with lasso to try to keep Alex off the Zoo stage) 7. Chris Anglesey
(313) paging that lil guy from stockholm......
aril brick-hahahahaha get at me. derek.
(313) now it's not true only one person spams on here .....
As I do too! Northern UK headz: We have a little soirée on this coming Sunday 29th May at The Attic, Oxford Rd. Manchester featuring us mutts and James Baseley (Red Salamanda, Prague) 10pm - 3am (and that includes the bar!) it's free details at www.thatamazingthing.com part of a nice little festival in the area at that time www.eurocultured.com Czech headz: same gang at The Cross Club, Prague the following Saturday also people often come on here telling us what they've been playing on the radio (much appreciated it is too) or telling us when they're on I was on All FM here last night - you can get a stream at http://www.allfm.org/public/listen_online.php unfortunately I was mad busy at work and didn't have time to post before but I remember playing: 'Ear Dis - Link Dat Yat David Byrne & Thievery Corp. - The Heart Is A Lonely Hunter Maddslinky - Somethin' Extra Was Not Was - Out Come The Freaks and Mark played loads of good stuff - you can mail All FM for playlists of any of their shows if you like something you hear we're on again Friday between 5 and 7 when I'll do a bit more of the deck duty and include 313 stuff [don't suppose I can get a promo of that Shake 12 before then Martin? : ) ]
FW: (313) Chez Damier was Re: (313) track ID ... carl craig?
> -Original Message- > From: robin [mailto:[EMAIL PROTECTED] > Sent: 25 May 2005 09:28 > > > Chez was a true gent. Both a fantastic DJ and a nice guy. > Caught him cleaning spilled beer off the dancefloor at one > point. Nice touch. :) > > He defo made the most of the wicked PA we got in too. I can confirm this was an excellent night. But if he was such a good guy why did the promoters leave him outside on the street at the end of the night competing with the punters for a taxi?
RE: (313) Great Marketing idea for Dust Science Records
How about you bring some Dust 12"s to Manchester, arrive by 5:30 and take them into Piccadilly Records to see if they'll stock them? They've been thin on the ground here - I bought Black Dog in Pelican Neck but haven't seen the other 3 in Manchester (though fortunately I picked the Claude up in Hardwax). And OK, I know I could go check them on the web (I did do this with the Fred G) and buy them there but generally (for several reasons including I only have PC at work and don't always have time, plus I like to check the full track if I can) I buy in shops.
RE: (313) Shake Friday
Hmmm are we just doing this to make ourselves feel better 'cos we couldn't add our names to that Forans list? ... Right, no messing - who's there? 1. Martin Dust 2. Richard Dust 3. robin erm fivetones (is that how that works? :) ) +1 4. If they let me in, Alex. + pikeys 5. Phil Spector + parole officer 6. Francis (complete with lasso to try to keep Alex off the Zoo stage) .. well it isn't working! (though I am looking forward to it)
Re: (313) New Mixes Coming On LD
A new mix from Carl Taylor!!! Very much looking forward to this one! :D Lisa Martin Dust wrote: 3 New Mixes Going Up This Friday Louis Osbourne - Tasty summer mix O/V/R - Ruskin and Regis mash it up Carl Taylor - Detroit vs Sheffield, Soul and Machines Cheers Martin
Re: (313) Great Marketing idea for Dust Science Records
>serotonin depleted average outlook of 75 year old techno elite >underground hey, I'm only 67. the cheek of it. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Great Marketing idea for Dust Science Records
Dust records marketing department needs a shake up if you ask me. contact PIKEY MARKETING INC. for more info and consultancy prices. Please do contact them Alex, they are busy writing grand prose to wind up the serotonin depleted average outlook of 75 year old techno elite underground as I type ;) Cheers Martin
(313) New Mixes Coming On LD
3 New Mixes Going Up This Friday Louis Osbourne - Tasty summer mix O/V/R - Ruskin and Regis mash it up Carl Taylor - Detroit vs Sheffield, Soul and Machines Cheers Martin
Re: (313) Great Marketing idea for Dust Science Records
Dust records marketing department needs a shake up if you ask me. contact PIKEY MARKETING INC. for more info and consultancy prices. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) Great Marketing idea for Dust Science Records
On 25 May 2005, at 16:10, Hardie, Nick wrote: As I actually bought the record rather than tried to blag it, I hope I'm ahead of you in the queue... Being pressed as I type, due to land at the latest, 17th of June, and yeah you're at the front Nick... Martin
RE: (313) Great Marketing idea for Dust Science Records
As I actually bought the record rather than tried to blag it, I hope I'm ahead of you in the queue... -Original Message- From: robin [mailto:[EMAIL PROTECTED] Sent: 25 May 2005 16:08 To: Martin Dust Cc: 313 Org Subject: Re: (313) Great Marketing idea for Dust Science Records On 25 May 2005, at 16:04, Martin Dust wrote: > It's a nice try but I only have two left and guess who one of those is > for... > martin you're a starthank you. oh i gedditbah :) robin...
Re: (313) Great Marketing idea for Dust Science Records
On 25 May 2005, at 16:04, Martin Dust wrote: It's a nice try but I only have two left and guess who one of those is for... martin you're a starthank you. oh i gedditbah :) robin...
Re: (313) Great Marketing idea for Dust Science Records
Thanks very much Martin - very decent of you ;-) --- Martin Dust <[EMAIL PROTECTED]> wrote: > It's a nice try but I only have two left and guess > who one of those is > for... > > Martin > > On 25 May 2005, at 10:17, robin wrote: > > > > > gotta be worth a shot eh Martin? :) > > > > > > robin... > > > > On 25 May 2005, at 10:11, [EMAIL PROTECTED] > wrote: > > > >> *FREE MARKETING SEMINAR* > >> > >> > > > >> Here's Martin Dust with a box of Shake 12's. He's > handing out the > >> 12's free > >> to all the pikeys! > >> > >> Slide 5: > >> > >> Here's a picture of some pikeys, now sporting "I > love Dust T-shirts", > >> cos > >> they give them all free records at the Shake > party. > > > > > >
Re: (313) Great Marketing idea for Dust Science Records
It's a nice try but I only have two left and guess who one of those is for... Martin On 25 May 2005, at 10:17, robin wrote: gotta be worth a shot eh Martin? :) robin... On 25 May 2005, at 10:11, [EMAIL PROTECTED] wrote: *FREE MARKETING SEMINAR* Here's Martin Dust with a box of Shake 12's. He's handing out the 12's free to all the pikeys! Slide 5: Here's a picture of some pikeys, now sporting "I love Dust T-shirts", cos they give them all free records at the Shake party.
(313) New Delano Smith?
Hey Was just listening to Delano Smith's "Sensuality" ep on Mix Mode & remembered reading a post a while ago saying that he's got some new stuff coming out soon. Has anything come out yet, anybody heard ? cheers nath
(313) Re: John Legend (was: (313) Stevie Wonder ?)
so is the karizma kayorican remix of john legend's "ordinary people". alongside recloose's dust, the best (broken) house tune of the year so far, imo. c* Thomas D. Cox, Jr. wrote: -- Original Message -- From: "Cyclone Wehner" <[EMAIL PROTECTED]> At first I was sceptical of the hype behind John Legend, wondering why he was blowing up and acts like Van Hunt weren't - I wondered if it wasn't his association with Kanye West. But I saw him live in Melbourne and was blown away. He really gives his all as a performer. ive been underimpressed by both him and van hunt. however, that yam who mix of legend's "used to love u" is ridiculously hot. its the bomb. tom andythepooh.com
Re: (313) Great Marketing idea for Dust Science Records
I could be your South West representative. Won't be able to make it on Friday but will be there in spirit. No doubt you could send me a t shirt in spirit :) p robin wrote: gotta be worth a shot eh Martin? :) robin... On 25 May 2005, at 10:11, [EMAIL PROTECTED] wrote: *FREE MARKETING SEMINAR* Here's Martin Dust with a box of Shake 12's. He's handing out the 12's free to all the pikeys! Slide 5: Here's a picture of some pikeys, now sporting "I love Dust T-shirts", cos they give them all free records at the Shake party.
Re: (313) Great Marketing idea for Dust Science Records
gotta be worth a shot eh Martin? :) robin... On 25 May 2005, at 10:11, [EMAIL PROTECTED] wrote: *FREE MARKETING SEMINAR* Here's Martin Dust with a box of Shake 12's. He's handing out the 12's free to all the pikeys! Slide 5: Here's a picture of some pikeys, now sporting "I love Dust T-shirts", cos they give them all free records at the Shake party.
(313) Great Marketing idea for Dust Science Records
*FREE MARKETING SEMINAR* Slide 1: Here's a picture of Shake Slide 2: Here's a picture of Shake's new record on Dust Records Slide 3: Here's a bunch of pikeys in Manchester with no cash at that party that shakes playing at on Friday. Slide 4: Here's Martin Dust with a box of Shake 12's. He's handing out the 12's free to all the pikeys! Slide 5: Here's a picture of some pikeys, now sporting "I love Dust T-shirts", cos they give them all free records at the Shake party. THANK ME LATER, BOX OF 50 SHOULD COVER IT, AND WE MIGHT LET YOU LEAVE MANC WITHOUT SLASHING YOUR TYRES. ; ) _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) alex/cyclone Re: (313) Stevie Wonder ?
alex/cyclone: thanks much for the details. andrew -- Andrew Duke scoring/sound design/source http://andrew-duke.com Cognition Audioworks label [Andrew Duke, Foal, Clinker, Granny'Ark] http://cognitionaudioworks.com -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.322 / Virus Database: 266.11.16 - Release Date: 5/24/2005
Re: (313) Stevie Wonder ?
>Tell us more about the single please, Alex. Thanks . Andrew Hey Andrew. Ok, well I only flicked through it in the shop, but it was a 3 (? possibly 4) tracker. Mid tempo soul cut. I was going to say 'new' soul style, but tom and cyclone seemed to use 'neo soul' and they're more clued up than me on that. I think the producer is Quentin Harris (?), and there just wasn't anything about it that grabbed me enough to buy it. I can't even describe it that well I'm afraid as I cant remember any details about it now! I remember thinking "Oh, why did they use some smooth nu soul producer, would have sounded much better ROUGH!". But hey, most of the records I like sell 500 copies, so I'm sure that wouldn't have been a smart move on the record companies part. I found you some clips here tho! http://www.juno.co.uk/ppps/products/178037-03.htm _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
(313) Chez Damier was Re: (313) track ID ... carl craig?
BTW, how was Chez Damierrr in MCR last friday? Robin? Chez was a true gent. Both a fantastic DJ and a nice guy. Caught him cleaning spilled beer off the dancefloor at one point. Nice touch. :) He defo made the most of the wicked PA we got in too. robin... ps. we were gonna record the night but had some technical difficulties with the mixer...shame.
RE: (313) is there such a thing as plagiarism?
Take heed folks, Melody charges clients a lot of wonga for advice like that! :-) K Ken Odeluga Copy Editor, Markets - Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN 020 7842 9297 [EMAIL PROTECTED] -Original Message- From: Melody Ng [mailto:[EMAIL PROTECTED] Sent: 25 May 2005 00:16 To: fab.; 313@hyperreal.org Subject: RE: (313) is there such a thing as plagiarism? Hi Fab This answer is assuming that the label is in a country that offers copyright protection... The example you give isn't just plagiarism, it's (potentially) a breach of copyright. What may constitute a breach of copyright includes reproduction, performing/ playing, communicating it, or adapting a "substantial part" of the work. What constitutes a "substantial part" depends on a case by case basis but the important factor is that it is recogisable and distinctive - I'd imagine a loop would be quite distinctive. If I were your friend I would write a letter to that label again, outlining those facts and ask for some remuneration for the use of that loop. In terms of 'code of conduct' etc relating to making of music using samples/ previously recorded material, anyone who is making this music who wants to release it commercially should really go out and try and get those licences first hand. The Beastie Boys were talking about that in an issue of Wired earlier this year. I can't remember what specific cases there are out there, but I seem to recall that even though you can argue that the adaption is a whole new original work, courts around the world are usually on the side of the original copyright owner. It's not very practical, but the only way to resolve these things is through the courts, and no one wants to have to go through that. On a practical note, and I know this sounds really anal retentive, I'd make sure that any letters I send out to labels in future clearly stated that permission needed to be sought before use; or alternatively state very clearly that it's for listening and review only and for no other reason. For non-commercial releases, I suggest a Creative Commons licence. Cheers Melody -Original Message- From: fab. [mailto:[EMAIL PROTECTED] Sent: Tuesday, 24 May 2005 19:57 To: 313@hyperreal.org Subject: (313) is there such a thing as plagiarism? hi list, a friend of mine recently send a demo cd-r to a well-known, and dare i say, respected label looking to hopefully work with them. A few months later he listens to a new release by them and finds that the main loop that one of the tracks is built around has been taken from his cd-r. i've heard it and it objectively is the case my friend's only problem with all this is that they didnt wirte to him telling him that they liked the track and wanted to use a sample of it. it's not a quesiton of being ripped-off but rather having some sort of acknowledgement and appreciation being manifested. i think this is an example fo what is or isnt to be considered plagiarism in electronic music. given that it is music made by using samples and also previously recorded material, is there a line that is not meant or even a sort of code of conduct to follow so that someone doesnt feel ripped-off? cheers, fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head ep. ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
Re: (313) Stevie Wonder ?
-- Original Message -- From: "Cyclone Wehner" <[EMAIL PROTECTED]> >At first I was sceptical of the hype behind John Legend, wondering why he >was blowing up and acts like Van Hunt weren't - I wondered if it wasn't his >association with Kanye West. But I saw him live in Melbourne and was blown >away. He really gives his all as a performer. ive been underimpressed by both him and van hunt. however, that yam who mix of legend's "used to love u" is ridiculously hot. its the bomb. tom andythepooh.com
(313) Listen to my shiz...
Yo 313, I need some feedback, let me know what you all think, the tracks had to be shortened cause too many megabytes, but hey... http://www.myspace.com/kevinreynoldsdetroit thanks, Kevin Reynolds Todhchaí Studios Detroit 1267 Bagley St Detroit MI 48226 USA mobile: 313.575.6373 [EMAIL PROTECTED] www.todhchai.com **Irish Gaelic defination** "things to come, future"
Re: (313) In The Dark - Soul of Detroit CD release party
Is there info available about this CD? Label, Distributor, Release Date? On May 24, 2005, at 4:32 PM, Matt MacQueen wrote: Didn't see this one come across, from Still Music... apologies if it did already === IN THE DARK - THE SOUL OF DETROIT - CD RELEASE PARTY FRIDAY 27TH OF MAY 10PM TO VERY LATE. AT THE FI-NITE GALLERY CARY BUILDING LOFTS LEVEL 5 229 GRATIOT AVENUE AT BROADWAY (DOWNTOWN) DETROIT, MI 48226 10$ before 2 Am - 15$ after 2 Am Please join us all nite with some of the best live artists, dj and producers Detroit has to offer... Also a DVD documentary will be shot that night! on the bill: RICK THE GODSON WILHITE (3 CHAIRS - STILL MUSIC) with BILL BEAVER LIVE! MALIK PITTMAN (UNIRHYTHM - 3 CHAIRS - STILL MUSIC) MIKE HUCKABY (DEEP TRANSPORTATION - STILL MUSIC) DELANO SMITH (MIXMODE - STILL MUSIC) with DIAMONDANCER LIVE! MALIK ALSTON LIVE! (3D EAR - STILL MUSIC) KEITH WORTHY (STILL MUSIC) OMAR/S (FXHE) CORDELL JOHNSON (SOULPHONETICS) JEROME DERRADJI (STILL MUSIC) BJAK (WAXADDICT) and a surprise guest! http://www.itstillmusic.com/events/detroit.html -- MM http://sonicsunset.com
Re: (313) is there such a thing as plagiarism?
and use certified mail, if available. that way there is no "we never got that letter" bs. if all else fails fab, I'll talk to them :ppp - Original Message - From: "Melody Ng" <[EMAIL PROTECTED]> To: "fab." <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Tuesday, May 24, 2005 7:15 PM Subject: RE: (313) is there such a thing as plagiarism? Hi Fab This answer is assuming that the label is in a country that offers copyright protection... The example you give isn't just plagiarism, it's (potentially) a breach of copyright. What may constitute a breach of copyright includes reproduction, performing/ playing, communicating it, or adapting a "substantial part" of the work. What constitutes a "substantial part" depends on a case by case basis but the important factor is that it is recogisable and distinctive - I'd imagine a loop would be quite distinctive. If I were your friend I would write a letter to that label again, outlining those facts and ask for some remuneration for the use of that loop. In terms of 'code of conduct' etc relating to making of music using samples/ previously recorded material, anyone who is making this music who wants to release it commercially should really go out and try and get those licences first hand. The Beastie Boys were talking about that in an issue of Wired earlier this year. I can't remember what specific cases there are out there, but I seem to recall that even though you can argue that the adaption is a whole new original work, courts around the world are usually on the side of the original copyright owner. It's not very practical, but the only way to resolve these things is through the courts, and no one wants to have to go through that. On a practical note, and I know this sounds really anal retentive, I'd make sure that any letters I send out to labels in future clearly stated that permission needed to be sought before use; or alternatively state very clearly that it's for listening and review only and for no other reason. For non-commercial releases, I suggest a Creative Commons licence. Cheers Melody -Original Message- From: fab. [mailto:[EMAIL PROTECTED] Sent: Tuesday, 24 May 2005 19:57 To: 313@hyperreal.org Subject: (313) is there such a thing as plagiarism? hi list, a friend of mine recently send a demo cd-r to a well-known, and dare i say, respected label looking to hopefully work with them. A few months later he listens to a new release by them and finds that the main loop that one of the tracks is built around has been taken from his cd-r. i've heard it and it objectively is the case my friend's only problem with all this is that they didnt wirte to him telling him that they liked the track and wanted to use a sample of it. it's not a quesiton of being ripped-off but rather having some sort of acknowledgement and appreciation being manifested. i think this is an example fo what is or isnt to be considered plagiarism in electronic music. given that it is music made by using samples and also previously recorded material, is there a line that is not meant or even a sort of code of conduct to follow so that someone doesnt feel ripped-off? cheers, fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head ep. ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
Re: (313) John lee hooker..............?????????
i caught that as well - was that rage? they were playing some great old rock- jimmi hendrix's version of 'wild thing,' the who 'my generation'... james www.jbucknell.com "Sam K" <[EMAIL PROTECTED] .net> To "list" <313@hyperreal.org> 24/05/05 11:14 PM cc Subject (313) John lee hooker..? . So i heard this John Lee Hooker track on the weekend called "baby lee"..it was minimal and dirty groovy...Problem is he has so many damn albums...my question is...what is his must have minimal and dirty groovy album. Kinda on topic... he is from da D after all... Sam "Kreme" Karmel ps. i know the hype etc but g i'm enjoying bits of M.I.A -- Sam K [EMAIL PROTECTED] sub-sequence 2xx 98.3fm ForwardSourceID:NT0001E87A
Re: (313) Stevie Wonder ? DO NOT PRE_ORDER
There's a release date for Australia in July on Universal - I just spoke to a rep there this morning. Possibly the reactions to the early promos were not promising. They seemed to place a lot of weight on feedback which doesn't happen often here. I love his old stuff but the sampler is as I say underwhelming... > The Album that was supposed to drop June of 2004 and then pushed back > until May 3rd of this year and then pushed back again until June 14th > and then again until June 21st,,, May NEVER Drop. As of now it is on > hold with no release date. The label apparently thinks it will not make > any money and decided to shelve it. But what's shady about it is that > MOTOWN has not made a comment on it and still are allowing pre-orders to > be made on their site as well as their major distributors site even > though they have no plans of releasing it yet. Stevie Wonder is back in > the studio RE_Working,,whatever that means,,, the album. > > Stevie Wonder also hasn't said much but was on The Tom Joyner Morning > Show and slipped up and said that he's in the studio "WORKING" on the > album. Being that it's a comedy show, they were joking about how one can > still work on an album that is due in less than two weeks. Out of > respect they sort of let it go. Recently a small story on the whole > controversy has finally been posted on Stevie's Site. > > http://www.stevie-wonder.com/news.html > > Ja'Maul Redmond > 1100 S. Tryon St. Suite 300, Charlotte, NC 28203 > t: 704.343.9900 f:704.343. www.perkinswill.com > > Perkins+Will. Ideas + buildings that honor the broader goals of society > > > > -Original Message- > From: Anya K Stang [mailto:[EMAIL PROTECTED] > Sent: Tuesday, May 24, 2005 7:42 AM > To: Jason Brunton > Cc: D1; 313 > Subject: Re: (313) Stevie Wonder ? > > It's on Motown. > http://www.stevie-wonder.com/albums.html > http://www.motown.com > Haven't yet heard it but will do at some point. > Always had a very soft spot for Stevie Wonder. > > On Tuesday, May 24, 2005, at 09:21 Europe/London, Jason Brunton wrote: > >> I'm a fairly recent convert to Stevie Wonder so I'd be interested in >> hearing it- do you know what label its on? >> >> cheers >> >> Jason >> >> >> On 24 May 2005, at 01:06, D1 wrote: >> >>> Anyone heard his new album yet ? >>> Or anyone interested? >>> Eamonn / D1 >>> >>> >>> >>> >> > >
(313) saturday night in the attic mix : update
the "saturday night in the attic" mix has found a temporary home. james hurlbut has been kind enough to put it up at his hurlbotics site. you can check the mp3 here ---> http://www.hurlbotics.com/mp3/saturdaynightintheattic-mixone.mp3 and check the tracklist here ---> http://www.hurlbotics.com/mp3/saturdaynightintheattic-mixone.txt feedback is welcome... just don't lob any heavy objects at me. :-P cheers, lee r. herrington u store it technical support specialist 440-260-2245
Re: (313) is there such a thing as plagiarism?
apparently this is a problem in hip hop. i recently read/listened (?) to an article about the same problem, can't remember where. maybe it was on the bbc site or fader mag or wax poetics. excuse my rudimentary knowledge. anyway, there are beat hunters - people who go through old david alexrod records or whatever and find breaks/loops. they then try to sell the beats or pitch themselves by showing their cd-r of beats to big name artists and producers only to be ripped off. james www.jbucknell.com "fab." <[EMAIL PROTECTED] > To <313@hyperreal.org> 24/05/05 07:57 PM cc Subject (313) is there such a thing as plagiarism? hi list, a friend of mine recently send a demo cd-r to a well-known, and dare i say, respected label looking to hopefully work with them. A few months later he listens to a new release by them and finds that the main loop that one of the tracks is built around has been taken from his cd-r. i've heard it and it objectively is the case my friend's only problem with all this is that they didnt wirte to him telling him that they liked the track and wanted to use a sample of it. it's not a quesiton of being ripped-off but rather having some sort of acknowledgement and appreciation being manifested. i think this is an example fo what is or isnt to be considered plagiarism in electronic music. given that it is music made by using samples and also previously recorded material, is there a line that is not meant or even a sort of code of conduct to follow so that someone doesnt feel ripped-off? cheers, fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head ep. ForwardSourceID:NT0001E84A
Re: (313) Stevie Wonder ?
I have an advance pro of about 4/5 songs including the single. I'd love to rave about it but I was seriously underwhelmed. It's very MOR. I think the single is cool - nice upbeat song. I believe the Australian album release has been pushed back to July (unsure if it's out in the US as of yet). The ironic thing is that some of the neo-soul acts are now doing better soul than Wonder (though that's not to say his material doesn't have feeling, it's more the songs and arrangements didn't do much for me - it's more Ebony & Ivory than his classic era/s). On the soul tip... At first I was sceptical of the hype behind John Legend, wondering why he was blowing up and acts like Van Hunt weren't - I wondered if it wasn't his association with Kanye West. But I saw him live in Melbourne and was blown away. He really gives his all as a performer. He's also a very humble man - no big entourages who throw their weight around as with some big acts, just a very personable tour manager. -- >From: "D1" <[EMAIL PROTECTED]> >To: "313" <313@hyperreal.org> >Subject: (313) Stevie Wonder ? >Date: Tue, 24 May 2005 10:06 AM > > Anyone heard his new album yet ? > Or anyone interested? > Eamonn / D1 > >
(313) 1200 stuff
peeps I am having a few problems with my 1200 and was wondering if anyone might be able to suggest what the problem might be. I tried sending this to 313 techknow but that doesn't seem to be working. I can assure you that I only play 313 vinyl on the 1200, in case this seems a bit OT :^) I bought a s/h 1200 a year or so ago and a new shure SC35C cartridge with the pale blue needle. recently, I accidentally damaged the needle and replaced it with the yellow needle for the M35S cart, which I was told is the only replacement currently available. (see http://www.turntablelab.com/index1.html for pix of these carts & needles). the new yellow needle is clearly higher output and generally sounds better, although I have found that some records sound a little distorted, especially the kick drums, and the needle tends to skip and jump the groove sometimes. I have checked all the adjustments and set up the tonearm as per the shure website instructions (3 - 5g tracking, height 5, cartridge towards rear of headshell) as well as trying different setting for tonearm height and anti-skating, but none of these adjustments seem to improve the sound. although the old needle is damaged, I can still use it and with all the same settings, it doesn't skip or sound distorted. I have looked at the new needle with a magnifying glass and it seems to be perfectly OK. please hit me back is you might have had similar experiences and can suggest what else I can try. thanx a bunch. philip
