(313) NYC in the next fortnight?
Hi all Long time no write! I'll be in NYC from Wed 20 for about 2 weeks. Anyone who's got any recommendations or any parties that are coming up, let me know. I only just realised technotourist boards are down and I'd planned to pull out some info... sigh.. I do have soem recs, and I've been keeping an eye out for parties etc but there doesn't seem to be anything much on? cheers mel
(313) DJ Bone week 9 - file missing?
Hi all if anyone has the file, or an address where I can get it, please let me know the previous addresses don't work anymore! Cheers Melody
RE: (313) Mille Plateaux/ force Inc
I heard that someone (strubel) bought it but is fighting the previous owner an all this stuff. Anyway, I heard they are signing up people to their sub-labels and stuff. but mr google and mr discogs stuff is a bit out of date. On Mon, 25 Jul 2005, Odeluga, Ken wrote: http://www.discogs.com/label/Force+Inc.+Music+Works Discogs is your flaky friend who occasionally comes up with the goods. Ken -Original Message- From: Melody Ng [mailto:[EMAIL PROTECTED] Sent: 25 July 2005 13:40 To: 313@hyperreal.org Subject: (313) Mille Plateaux/ force Inc Whatever happened to these labels? Does anyone have any up to date? I heard there are some sub-labels etc but haven't really heard anything. Cheers Mel
(313) Mille Plateaux/ force Inc
Whatever happened to these labels? Does anyone have any up to date? I heard there are some sub-labels etc but haven't really heard anything. Cheers Mel
RE: (313) Kraftwerk and Detroit Techno Documentary
drats, that bit is idle though! -Original Message- From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED] Sent: Sunday, 17 July 2005 04:30 To: 313 Mailinglist List Subject: Re: (313) Kraftwerk and Detroit Techno Documentary Well the official place is this: http://www.vpro.nl/programma/ram/afleveringen/16661400/ A more direct link goes herer: http://cgi.omroep.nl/cgi-bin/streams?/tv/vpro/ram/bb.20040321.rm? title=R.A.M%20Aflevering%2023 KJ On 16-jul-2005, at 16:13, David Smith wrote: > Hi list--new e-mail account, > > the file is blocked, any alternate links? > > >> From: dUbspencer <[EMAIL PROTECTED]> >> To: 313 Org <313@hyperreal.org> >> Subject: (313) Kraftwerk and Detroit Techno Documentary >> Date: Sat, 16 Jul 2005 13:29:42 +0200 >> >> hi there... >> >> for those who are interested in this: >> >> http://s45.yousendit.com/d.aspx?id=06UNUK0VWPURP2YM5YX20ZLWEA >> >> documentary of dutch tv from a a while ago, with interviews of Ralf >> from Kraftwerk, Derrick May, Blake Baxter and Carl Craig >> >> if u have a fast line give it a try ...200MB! >> >> have nice weekend ;) >> >> >> > > > ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) Derrick May and Norm Talley mixes
This set is awesome and full of energy. I have the real audio video file somewhere in my archives. I don't think I"ve seen derrick get into it as much as he does here. I thought this set was owned by Groovetech (RIP). the lawyer in me is wondering how they got the rights to this! -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, 14 July 2005 10:26 To: 313@hyperreal.org Subject: (313) Derrick May and Norm Talley mixes Hello all Thought list peeps might be interested to know that Samurai FM has just posted mixes by Derrick May and Norm Talley. Derrick's is the closing set from the first DEMF and Norm's is from this year's Beatdown party at Agave. Haven't had a chance to listen to Derrick's yet, but Norm's is good, could do with a tracklisting actually. The URL is http://www.samurai.fm Best Dan. ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) Reminder for UK heads - Radio 1 tonight
well it's on the archive now http://www.bbc.co.uk/radio/aod/radio1_aod.shtml?radio1/breezeblock if anyone wants to have a listen! track listing: FUSE-IN: DETROIT SPECIAL Martha & The Vandellas- 'Heatwave' (Gaudy) Model 500- 'Outer Space (Vocal Mix)' (Metroplex) Scan 7- 'No One Listens To Techno' (White) Paperclip People- 'Throw' (Planet E) ***LIVE AT FUSE-IN MIX #1*** Classic Techno Set- Buzz Goree ***LIVE AT FUSE-IN MIX #2*** Heavy Electro Set- Aux 88 ***LIVE AT FUSE-IN MIX #3*** Funky Techno Set- Dj 3000 ***LIVE AT FUSE-IN MIX #4*** Soul Tinged Techno Set- Carl Craig ***LIVE AT FUSE-IN MIX #5*** --- Detroit Booty Set- B Calloway & The Body Mechanic --- Underground Resistance- 'Jupiter Jazz' (UR) ***LIVE AT FUSE-IN MIX #6*** Classic Detroit Set- Model 500 B Calloway- 'Late Night Ride' (Local 3000) Kelli Hand- 'Moving On' (Third Ear) Parliament- 'Give Up The Funk (Tear The Roof Off The Sucker)' (Casablanca) Shifted Phases- 'Lonely Journey Of The Comet Bopp' (Tresor) -Original Message- From: Nik Stoltzman [mailto:[EMAIL PROTECTED] Sent: Monday, 11 July 2005 22:25 To: 313 Subject: (313) Reminder for UK heads - Radio 1 tonight Hi, Just a quick reminder that there is a Fuse In special on Radio 1 tonight - The Breezeblock. I will do my best to record it although my FM reception is a bit dodgy. I will try and pick up a new FM aerial tonight. As a contingency, if someone else could record it that would be cool. Cheers, N Nik Stoltzman Cabot Communications Ltd Complete The Digital Picture Tel: +44 117 943 0227 Fax: +44 117 958 4168 ** This email and any files transmitted with it are confidential and intended solely for the use of the individual or entity to whom they are addressed. If you have received this email in error please notify the system manager. This footnote also confirms that this email message has been swept by MIMEsweeper for the presence of computer viruses. www.mimesweeper.com ** __ This email has been scanned by the MessageLabs Email Security System. For more information please visit http://www.messagelabs.com/email __ ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) music contracts was re: Joe Lewis and Jaime Read
I was just about to start writing an email re: this and I think you've (andrew) got it spot on. It is really about Read v Lewis in the first instance. Of course if Peacefrog knew that the record was not original work then to go ahead and release the record could result in an infringement of copyright by Peacefrog as well. If Peacefrog then are made aware that there has been an actual breach of copyright then they should remove the record from sale. In response to other emails in the thread - the only way one can "prove" that there had actually been copyright infringement is to actually bring the matter to the court and have the court decide whether there has been a breach. There is no other way to prove that there has been a breach. Jaime Read would have to produce evidence (other DAT tapes etc) that the music was his. I wonder if he has sent a cease and desist, or some other type of letter from his lawyers to Peacefrog AND Joe Lewis, or at least wrote to them with his allegations and try to work this out in the usual legal fashion. At the moment its just words and rumours and unless there is proof there is nothing anyone can really do. I don't know how it would help if Peacefrog put a statement on their website based on just a rumour. I'm not sure if emailing Peacefrog on masse would assist his case either. Unlike the Sony v UR Jaguar incident, we don't know whether it's true that his music has indeed been 'sampled'/'copied' without a license. well ok I personally don't know and won't be mailing but if the rest of you have heard it and you believe it is then go ahead. Cheers Melody (am a lawyer (not a copyright one) and this isn't legal advice!) -Original Message- From: Andrew Duke Cognition Audioworks [mailto:[EMAIL PROTECTED] Sent: Wednesday, 6 July 2005 01:56 To: 313 list Subject: (313) music contracts was re: Joe Lewis and Jaime Read Because of my work, I deal with a lot of music contracts on a regular basis, and if Peacefrog has a typical contract with Joe Lewis, Peacefrog would have covered their butt in this situation: Lewis would have had to affirm in signing a contract with Peacefrog that he owned the work being released on Peacefrog. So in this case, if Lewis had indeed submitted songs to Peacefrog (now released) that he did not own the copyright to, Lewis would be breaching Peacefrog's contract and furthermore Read could sue Lewis for copyright infringement. Read wouldn't have any truck with Peacefrog in this situation because Peacefrog didn't intentionally infringe Read's copyright. As has been said, if Lewis signed a contract with Peacefrog saying that the songs were indeed his (Lewis'), Peacefrog would have no reason to doubt him. My CDN .02. Andrew "not a lawyer, so don't quote me on this" Duke -- Andrew Duke scoring/sound design/source http://andrew-duke.com Cognition Audioworks label [Andrew Duke, Foal, Clinker, Granny'Ark] http://cognitionaudioworks.com -- No virus found in this outgoing message. Checked by AVG Anti-Virus. Version: 7.0.323 / Virus Database: 267.8.9/39 - Release Date: 7/4/2005 ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) Axis Wrist Sweat Bands
are you suggesting that the SO thong is 'right'? ;) -Original Message- From: David Gillies [mailto:[EMAIL PROTECTED] Sent: Friday, 24 June 2005 10:53 To: Cyclone Wehner Cc: 313 Detroit Subject: Re: (313) Axis Wrist Sweat Bands Cyclone Wehner wrote: > Maybe they can do a nice skin care range for the ladies who spend too > much time in clubs. And a perfume would be nice... > No! An Axis thong ain't right at all! How's about a Southern Outpost one? http://www.cafepress.com/so612.5737450 :-P ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) Axis Wrist Sweat Bands
they had a whole heap of art stuff there that you couldn't buy. disk union basically stocks the same merchandise as the submerge store and I worked out it was cheaper to buy from submerge yeah record bag would be cute, maybe some badges. I draw the line at axis/hello kitty underwear tho -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Thursday, 23 June 2005 14:10 To: 313 Detroit Subject: Re: (313) Axis Wrist Sweat Bands Yeah it was Disk Union (thanks, I couldn't recall the name!) - there wasn't much maybe as I raided it first. ;) He he he. I want a Hello Kitty Axis record bag. And maybe a frisbee. > isnt' that shibuya store disk union? there wans't THAT much stuff. of > course maybe I was expecting a lot more ;) In hindsight I should have > taken a picture of it but I was too busy buying records :P > > they already had a hello kitty mini ipod (and a doraemon one!) so why > not have an axis hello kitty... special pink edition! ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) Axis Wrist Sweat Bands
isnt' that shibuya store disk union? there wans't THAT much stuff. of course maybe I was expecting a lot more ;) In hindsight I should have taken a picture of it but I was too busy buying records :P they already had a hello kitty mini ipod (and a doraemon one!) so why not have an axis hello kitty... special pink edition! -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Thursday, 23 June 2005 12:51 To: 313 Detroit Subject: Re: (313) Axis Wrist Sweat Bands Maybe. Though I think Jeff has a gentle sense of humour... I don't think he has a residency in Japan, just plays there a lot. The Japanese market is amazing though. In one store in Shibuya there's a whole wall devoted to the Detroit fest. I would like an Axis Hello Kitty range though... with sweatbands. Kitty playing records with headphones. Could be cute. ;) > I think part of the reason why we're all so cynical is because axis is > so serious about it? > > I wonder if him living in Japan plays any part of the influence in > Axis merchandising. Japanese fans always get a wider range of > merchandise and when I read their mags I just have to laugh at all the > stuff that's 'exclusive to Japan' > > I read somewhere that ellen alien is going to launch her own fashion > label... even tho her site already stocks some (expensive) clothing > etc ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) Axis Wrist Sweat Bands
I think part of the reason why we're all so cynical is because axis is so serious about it? I wonder if him living in Japan plays any part of the influence in Axis merchandising. Japanese fans always get a wider range of merchandise and when I read their mags I just have to laugh at all the stuff that's 'exclusive to Japan' I read somewhere that ellen alien is going to launch her own fashion label... even tho her site already stocks some (expensive) clothing etc -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Thursday, 23 June 2005 12:15 To: 313 Detroit Subject: Re: (313) Axis Wrist Sweat Bands Man, why y'all so cynical (though you all make me laugh with the suggestions, esp Alex). I think it's a good thing to merchandise... Label owners need to be inventive to generate funds for labels with the drop in music sales and Axis is a cult label. -- >From: David Bate <[EMAIL PROTECTED]> >Subject: Re: (313) Axis Wrist Sweat Bands >Date: Thu, 23 Jun 2005 3:08 AM > > [EMAIL PROTECTED] wrote: > >> >> >>shouldn't KMS be marketing the hoover - after all Kevin did invent it >>or are you saying that Metroplex sucks? >> >>;) >> >> > Kevin definitely did NOT invent the hoover. Talk to Roland. Who ever > programmed > that patch on the Alpha Juno series, is the one that invented it. > > Kevin's the one that made it famous initially but it definitely > existed before Kevin got it. > > > > Cheers, > > Dave ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: Re[2]: (313) hearing loss, what do you say?
isn't it all a bit too late for you ken? ;) -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: Tuesday, 21 June 2005 16:37 To: Melody Ng; [EMAIL PROTECTED]; Brian 'balistic' Prince Cc: 313@hyperreal.org Subject: RE: Re[2]: (313) hearing loss, what do you say? -Original Message----- From: Melody Ng [mailto:[EMAIL PROTECTED] Sent: 21 June 2005 03:01 To: [EMAIL PROTECTED]; Brian 'balistic' Prince Cc: 313@hyperreal.org Subject: RE: Re[2]: (313) hearing loss, what do you say? aren't these things digital, and would reduce sound quality? My uncle always complains that his high tech hearing aid is still too "digital" Well that's only if you opt for the compressed bit-rate option. Naturally you'll be able to get uncompressed AIFF (or whatever your preferred codec) hearing aids for up to 192khz ... I personally will be the one over-using the 'Datube' valve-sim VSTi just to give things that extra warmth! (Then again I might just preserve my hearing now and listen to music directly ...) Ken Odeluga Copy Editor, Markets - Market Talk Dow Jones Newswires 10 Fleet Place Limeburner Lane LONDON EC4M 7QN 020 7842 9297 [EMAIL PROTECTED] -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, 21 June 2005 11:45 To: Brian 'balistic' Prince Cc: 313@hyperreal.org Subject: Re: Re[2]: (313) hearing loss, what do you say? In the future we'll all have ear implants that will allow us to hear music internally - or so my internal voices tell me MEK "Brian 'balistic' Prince" <[EMAIL PROTECTED] To .com> 313@hyperreal.org cc 06/20/05 07:16 PM Subject Re[2]: (313) hearing loss, what do Please respond to you say? "Brian 'balistic' Prince" <[EMAIL PROTECTED] .com> Feh. What kind of techno list is this? Me, I plan on picking up some after-market cochlear implants along with some variable spectrum gigapixel retinas in about 30 years. -bp ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: Re[2]: (313) hearing loss, what do you say?
aren't these things digital, and would reduce sound quality? My uncle always complains that his high tech hearing aid is still too "digital" -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Tuesday, 21 June 2005 11:45 To: Brian 'balistic' Prince Cc: 313@hyperreal.org Subject: Re: Re[2]: (313) hearing loss, what do you say? In the future we'll all have ear implants that will allow us to hear music internally - or so my internal voices tell me MEK "Brian 'balistic' Prince" <[EMAIL PROTECTED] To .com> 313@hyperreal.org cc 06/20/05 07:16 PM Subject Re[2]: (313) hearing loss, what do Please respond to you say? "Brian 'balistic' Prince" <[EMAIL PROTECTED] .com> Feh. What kind of techno list is this? Me, I plan on picking up some after-market cochlear implants along with some variable spectrum gigapixel retinas in about 30 years. -bp ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) hearing loss, what do you say?
I think it would be of some benefit if you had specially designed earplugs just
to filter out some of the noise, but maybe not -25dB ones.. or even -15dB..
just for that one ear with the headphone on all the time.. I sometimes worry
that I've got the music too loud coming through the headphones ("is it very
clear, or have I got it very loud.. or both?").
I heard that classical musicians also use special earplugs because the
orchestral pit can actually be quite loud and/on going noise at a particular
level...
Foam ones are pretty good if you can train your ears to listen. I can now hear
conversations a few metres away at clubs because people are almost yelling! I
use the Howard Leight Lazer Lites. They have some nice coating on them, fit
better than the EAR yellow ones and cheap enough to lose/ have a few on hand.
-Original Message-
From: Benoît Pueyo [mailto:[EMAIL PROTECTED]
Sent: Tuesday, 21 June 2005 03:21
To: 313@hyperreal.org
Subject: Re: (313) hearing loss, what do you say?
Hmmm disagree with Max on the fact you can Dj with earplugs without any problem.
By some way i cant describe, it is different, and friends of mine and also
people like Laurent Garnier feel the same.
Of course with some practice it is not that difficult to Dj with them (I know
Surgeon does that, Jack de Marseille even doesthat with the -25dB ones), but
definitely it's not that easy !
--
Benoît.
Nik Stoltzman a écrit :
> Yeah, that's the one. I can't remember if he posted it here or on the
> G-Tech list.
>
> It is worrying that so many DJs (and punters) have to live with the
> risk of permanent hearing damage as an occupational hazard. I think it
> first hit home back in late '99 (I think) when TP had persistent
> tinnitus. I am not sure whether it healed in time but his e-mails on
> this list really made me stop and realise that maybe one day the
> ringing in my ears that I got after clubbing all night might not go
> away... after that I started wearing earplugs from time to time. Only
> cheapo foam ones, mind, but still better than nothing.
>
> Right, I am off to find a bassbin to stick my head into.
>
> N
>
> -Original Message-
> From: Odeluga, Ken [mailto:[EMAIL PROTECTED]
> Sent: 20 June 2005 13:39
> To: Nik Stoltzman; [EMAIL PROTECTED]; 313@hyperreal.org
> Subject: RE: (313) hearing loss, what do you say?
>
> I believe that article's by Max Duley. Having made the journey from
> being heavily into death metal in his (younger?) youth to being a Lost
> cub today, I think he'd know! ;-).
>
> Ken
>
> Ken Odeluga
> Copy Editor, Markets - Market Talk
> Dow Jones Newswires
> 10 Fleet Place
> Limeburner Lane
> LONDON EC4M 7QN
>
> 020 7842 9297
>
> [EMAIL PROTECTED]
>
>
> -Original Message-
> From: Nik Stoltzman [mailto:[EMAIL PROTECTED]
> Sent: 20 June 2005 10:33
> To: [EMAIL PROTECTED]; 313@hyperreal.org
> Subject: RE: (313) hearing loss, what do you say?
>
> Hi,
>
> I remeber this topic coming up before so I did a bit of digging and
> found this:
>
> http://www.arcart.org/earplugs.htm
>
> Hope it is useful.
>
> N
>
>
> -Original Message-
> From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED]
> Sent: 20 June 2005 01:33
> To: 313@hyperreal.org
> Subject: Re: (313) hearing loss, what do you say?
>
> -- Original Message --
> From: [EMAIL PROTECTED]
>
>
>>did you have these custom made by a hearing specialist?
>
>
> im going to chime in to support the crappy foam earplugs. all i need
> to make me happy volume wise is bass shaking my chest. those joints
> keep everything out. and theyre cheap.
>
> tom
>
>
> andythepooh.com
>
>
>
>
>
> __
> This email has been scanned by the MessageLabs Email Security System.
> For more information please visit http://www.messagelabs.com/email
> __
>
>
> **
> This email and any files transmitted with it are confidential and
> intended solely for the use of the individual or entity to whom they
> are addressed. If you have received this email in error please notify
> the system manager.
>
> This footnote also confirms that this email message has been swept by
> MIMEsweeper for the presence of computer viruses.
>
> www.mimesweeper.com
> **
>
>
> __
> This email has been scanned by the MessageLabs Email Security System.
> For more information please visit http://www.messagelabs.com/email
> __
>
>
> __
> This e
RE: (313) Berlin
I got the impression from the locals that they think it is "generally" a gay club, even though it's usually just the Saturday nites which were gay orientated -Original Message- From: Jason Brunton [mailto:[EMAIL PROTECTED] Sent: Tuesday, 14 June 2005 17:57 To: Roman von Contzen Cc: 313 Subject: Re: (313) Berlin Hey Roman, > . my personal favourite is berghain atm. if you wanna sleep for an > hour or so - they even have darkrooms :-) it's the best location - not > just because of the fantastic architecture. don't bring your camera. > they don't wanna have any pictures taken - so the security will do a > proper search - they even have a female one for the girls. had to > leave my camera at the counter. the few girls that go there on a > saturday night are a) with some gay male friends or b) because they > know that it's safe to go there being a woman that just wants to party > instead of having to scare away the horny guys all the time. this wasn't our experience at all when we were over a few weeks ago- although the downstairs area was pretty hardcore gay, the Panorama bar was just like a "normal" club, very mixed crowd who were incredibly open minded about their music- def one of my favourite places I've been to in the last couple of years- we didn't have any problems with cameras either. cheers Jason ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) Seen It All?
although I do recall this one party where he barely played and spent most of the time handing over records to someone else (instead of playing back to back). That was the last time I saw him play I think. I can't remember anything particularly negative about his mixing at any other parties so I'll assume he was ok :P -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Tuesday, 14 June 2005 14:29 To: 313 Detroit Subject: Re: (313) Seen It All? Yes, I respected that too. He was for real. > He definitely had some good records in his crate. I've unintentionally > bought quite a few of his second hand records before. > > The cool thing about Alex was that he didn't use his name, but had a > dj pseudonym. There was never any marketing bullsh*t to upsell him. ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) Seen It All?
well according to the pete tong website she's playing alongside jeff 8th - Kelis Live PA. Jeff Mills, Pete Tong, Sarah Main & Jade Jagger presents Jezebel with resident Jarren C I'm assuming she's 'jade jagger presents jezebel' whatever that means! -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Tuesday, 14 June 2005 13:53 To: 313 Detroit Subject: (313) Seen It All? Jade Jagger has a Renaissance mix-CD... ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) Kraftwerk in Chicago
perhaps it was subtle because it didn't stand out to me..! I've heard this 2x ... will have to go and listen again! there was this one track which took a big page out of some beatles track .. that one stood out -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: Tuesday, 7 June 2005 12:34 To: 313 Detroit Subject: Re: (313) Kraftwerk in Chicago Coldplay sample/interpolate Kraftwerk on their new CD. Haven't played it yet. So will deliver verdict later... -- >From: diana potts <[EMAIL PROTECTED]> >To: 313@hyperreal.org >Subject: RE: (313) Kraftwerk in Chicago >Date: Tue, 7 Jun 2005 7:33 AM > > > The first time I saw Kraftwerk was in London at Tribal Gathering, many > a years ago- it was such a different experience than in Chicago- which > was sold out and PACKED. We sat in the balcony WY up. No dancing > this time, no fresh air...but still worth it. It was the first time > for two of the people I was with-so that was an added bonus to the > entire experience. > > Agreed on the visuals and the Tron suites!!! gotta love those!! It was > funny b/c at the Chicago show the two on the right (facing the stage) > looked as if they forgot to charge the battery on their ties. Anyone > else notice the bald-hair-bald-hair pattern ? > > Though I must say one of my FAVORITE things about the show was a > certain sighting of a cerrrtain list member. > > Truely a great addition to an amazing trip. > d > > > > --- Scott Ellis <[EMAIL PROTECTED]> wrote: > >> I saw them in Detroit on Friday. I also hope they put out a DVD of >> the tour--what incredible visuals. We staked out a spot right in >> middle and about 10 feet from the stage at the State Theater. >> When the Tour de France >> visuals came on it was like you were on a bike in the Pyrenees--holy >> sh*t! >> >> I didn't realize before the show that the vocals on Radioactivity >> were: >> "Chernobyl, Harrisburg, Sellafield, Hiroshima." I guess I thought >> that Radioactivity came out before Chernobyl but I guess it must have >> been in response. The little intro before Radioactivity was >> interesting as well--bringing the anti-nuke cause up to date. >> >> I was also struck by the road sign at the end of autobahn that showed >> a red slash through the highway sign--as to say NO to the >> autobahn/autoculture. >> Maybe I'm reading into it. I hadn't really pegged them as political >> before but I guess the whole fascination with the Tour de France >> kinda fits into the same anti-auto message a bit. Of course the >> focus is making really f*ckin great tunes--as it should be. >> >> Scott >> >> -Original Message- >> From: [EMAIL PROTECTED] >> [mailto:[EMAIL PROTECTED] >> Sent: Monday, June 06, 2005 2:06 PM >> To: lisa >> Cc: 313@hyperreal.org; [EMAIL PROTECTED] >> Subject: Re: (313) Kraftwerk in Chicago >> >> >> >> >> >> well, Minimum Maximum is supposed to be released either with a DVD >> component (enhanced CD?) or will be a separate release. >> >> Radioactivity blew me away (no pun intended). >> >> MEK >> >> >> >> >> lisa >> >> <[EMAIL PROTECTED] >> >> ne.net> >>To >> >> [EMAIL PROTECTED] >> 06/06/05 01:01 PM >>cc >> >> [EMAIL PROTECTED], >> >> 313@hyperreal.org >> >> Subject >>Re: (313) Kraftwerk in Chicago >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> >> Anyone know if they'll be doing a DVD for the >> 2004-2005 tour? The stage >> show / visuals were really awesome. >> >> Lisa >> >> >> [EMAIL PROTECTED] wrote: >> > >> > >> > >> > Holy sh!t - what a show. The Riviera was jam >> packed sold out just about >> a >> > week before the show. Got in the queue and it >> started raining. Got in >> > just about five ten minutes before they took the >> stage. Went upstairs to >> > the balcony - no room. Tried the mainfloor - down >> front left speaker >> > stack. They weren't letting anyone else in. My >> wife and I managed to >> > squeeze our way through on the second tier, >> mainfloor. Found some space >> in >> > the nick of time. >> > >> > speechless really - the show was fantastic. Best >> in the world. >> Listening >> > to Minimum Maximum right now on the iPod (had a >> leaked copy about a month >> > ago). >> > The playlist of the show was pretty much the >> Minimum Maximum track >> listing. >> > But the added visuals of the show - holy crap. >> > >> > It's funny that a friend of mine who was also at >> the show (but got down >> > closer - every man for themselves!) had the same >> thought I did when the >> > robots were on stage: >> > >> > "they get a bigger cheer than the actual band!" >> The crowd went nuts when >> > the robots were revealed. >> > the falling pills on Vitamin got a great reaction >> from the crowd ;) >> > >> > all-in-all I was ready to hop on the plane to go >> see them in San >> Francisco >> > for the next night. >> > >>
RE: (313) virtual sex lp repressed! ACTUALLY IT'S BEEN BOOTLEGGED , BURN THE BOOTLEGGERS
that is probably based on a licence on what you want to use it for, it's still the same deal. obviously if you want access to masters they will charge you more. I would. but that's not to say if you want to get a little sample, they wont' charge you through the roof to use it. better still they can just tell you to f**k off and don't use their stuff for sampling. -Original Message- From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] Sent: Tuesday, 7 June 2005 02:01 To: 313@hyperreal.org Subject: RE: (313) virtual sex lp repressed! ACTUALLY IT'S BEEN BOOTLEGGED , BURN THE BOOTLEGGERS -- Original Message ------ From: "Melody Ng" <[EMAIL PROTECTED]> >For a royalty system for sampling - it's the same as any other way of >doing licences - you go to the person who wrote the track and ask for >permission to use it. i remember reading an article about sample clearance and i think it was different. like say you want to use a phil collins sample. you have to pay phil crazy money for access to the masters, but if you replay everything you just pay a smaller kind of royalty. tom andythepooh.com ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) virtual sex lp repressed! ACTUALLY IT'S BEEN BOOTLEGGED , BURN THE BOOTLEGGERS
Well actually in practice you have to get the licence to cover the tune you want. The licence may cover how much you would pay them per copy sold, or it could be a one off. The WIPO Copyright Treaty deals with the right that the copyright owner has to 'communicate to the public' (technology neutral). What that emcompasses is wide. So basically if you're taking someone else's work and doing something with it you need permission. You can go ahead and do it without the licence, but then if you wanted to make $ from it you'd have to ultimately get the licence. There isn't much point going ahead and making something new from something existing if you can't release it - I advise clients all the time to get the licence first. It is always heartbreaking to tell someone they can't use something they have spent time working on because they might not have the permission to broadcast it! In Australia there is a royalty system for sound recordings (look up PPCA). If I remember correctly, there isn't one in the USA. So here we pay royalties to the composer AND to the owner of the sound recording (usually the record company). For a royalty system for sampling - it's the same as any other way of doing licences - you go to the person who wrote the track and ask for permission to use it. As for john coltrane etc - also in practice performers need to ask the original copyright owners permission to make an adaptation of it. The key to copyright is whether a identifiable part of it has been reproduced. It could be just one sound (I covered this b4 in another email to 313). -Original Message- From: David Powers [mailto:[EMAIL PROTECTED] Sent: Saturday, 4 June 2005 09:20 To: Stoddard, Kamal; 313 Subject: Re: (313) virtual sex lp repressed! ACTUALLY IT'S BEEN BOOTLEGGED , BURN THE BOOTLEGGERS Actually, it's funny but it is totally legal to COVER any tune you want. You just have to pay royalties for each copy sold (and I assume nothing if it is just for personal use). So if you are a good producer you could quite possibly recreate a very close approximation of the track you want. So, I wonder how producers feel about other people covering their tracks? I know UR was pissed about the trance Jaguar cover - but covering tracks is totally legal. And we would have never got to experience things like John Coltrane's amazing rendition of "My Favorite Things", for instance, if it wasn't legal. Royalties have to be paid to the composer though. I may be off base here, but I feel that system is a reasonable one, and wish that after a certain amount of time, there were a similar royalty system for sound recordings, or at least samples. So that it is legal to sample but you have to pay a royalty on each copy sold, but you don't have negotiate on a track by track basis... BTW, I should say for the record that I have mixed feelings about bootlegging; I don't approve of the Buzz boots. I wouldn't buy them - but I would not hesitate to illegally record a copy if a friend had an original. But what I want to know is, why is it okay for Theo Parrish to do bootlegs, but not for someone to boot Buzz compilations??? ~David > Personally speaking ... if it's really strong, channel that feeling into a new track as an homage to the futility of being a record freak. More productive and feels better at the end of the day. But to each his own. > > > ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) UR at fuse in download
Thanks to Andrew, I started listening to that xm radio and I recordeded it but... my copy with just 2 interruptions 1. when my outlook reminder bell rang :( and 2. when the radio player went idle for a bit and there's about 2 min missing I'm hoping/ waiting on receiving a proper uninterrupted copy of the file, but in the meantime if anyone has a server I can upload to then it could be made available ! btw, the live set was really really good! -Original Message- From: Jernej Marusic [mailto:[EMAIL PROTECTED] Sent: Wednesday, 1 June 2005 19:30 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) UR at fuse in download Actually it is, but it's full of interuptions. It looks like they were having a lot of problems with the stream and they were playing some other music in between, plus they are talking over parts of it. So there's basically only half the UR gig, with other music in between, but it's better than nothing :) UR start at the end of first file (only couple of min) and play all the way through the second, and the last 15 min are in the last file. http://137.207.3.102/mp3log/t1117504292.mp3 http://137.207.3.102/mp3log/t1117507891.mp3 http://137.207.3.102/mp3log/t1117511491.mp3 Jernej www.octex.org > -Original Message- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: 1. junij 2005 10:44 > To: 313@hyperreal.org > Subject: (313) UR at fuse in download > > > thanks for all the reports folks, keep 'em coming. > > Q: Is the UR live thing available as a download from that festival > stream anywhere? > > > _ > - End of message text > > This e-mail is sent by the above named in their individual, > non-business capacity and is not on behalf of PricewaterhouseCoopers > LLP. > > PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails > and other telecommunications on its e-mail and telecommunications > systems. By replying to this e-mail you give your consent to such > monitoring. > > ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
(313) Listening to Fuse-In on Cjam
Anyone else here listening to the archives / live on cjam? I noticed they had lots of technical difficulties linking up with main stage, so if anyone has any info on what is on what file, please share ;) I'll start - Aux 88 http://137.207.3.102/mp3log/t1117414312.mp3 (28 Min in) and http://137.207.3.102/mp3log/t1117417911.mp3 sorry if you get this 2x, mesgs weren't going through b4. melody ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) is there such a thing as plagiarism?
Hi Fab This answer is assuming that the label is in a country that offers copyright protection... The example you give isn't just plagiarism, it's (potentially) a breach of copyright. What may constitute a breach of copyright includes reproduction, performing/ playing, communicating it, or adapting a "substantial part" of the work. What constitutes a "substantial part" depends on a case by case basis but the important factor is that it is recogisable and distinctive - I'd imagine a loop would be quite distinctive. If I were your friend I would write a letter to that label again, outlining those facts and ask for some remuneration for the use of that loop. In terms of 'code of conduct' etc relating to making of music using samples/ previously recorded material, anyone who is making this music who wants to release it commercially should really go out and try and get those licences first hand. The Beastie Boys were talking about that in an issue of Wired earlier this year. I can't remember what specific cases there are out there, but I seem to recall that even though you can argue that the adaption is a whole new original work, courts around the world are usually on the side of the original copyright owner. It's not very practical, but the only way to resolve these things is through the courts, and no one wants to have to go through that. On a practical note, and I know this sounds really anal retentive, I'd make sure that any letters I send out to labels in future clearly stated that permission needed to be sought before use; or alternatively state very clearly that it's for listening and review only and for no other reason. For non-commercial releases, I suggest a Creative Commons licence. Cheers Melody -Original Message- From: fab. [mailto:[EMAIL PROTECTED] Sent: Tuesday, 24 May 2005 19:57 To: 313@hyperreal.org Subject: (313) is there such a thing as plagiarism? hi list, a friend of mine recently send a demo cd-r to a well-known, and dare i say, respected label looking to hopefully work with them. A few months later he listens to a new release by them and finds that the main loop that one of the tracks is built around has been taken from his cd-r. i've heard it and it objectively is the case my friend's only problem with all this is that they didnt wirte to him telling him that they liked the track and wanted to use a sample of it. it's not a quesiton of being ripped-off but rather having some sort of acknowledgement and appreciation being manifested. i think this is an example fo what is or isnt to be considered plagiarism in electronic music. given that it is music made by using samples and also previously recorded material, is there a line that is not meant or even a sort of code of conduct to follow so that someone doesnt feel ripped-off? cheers, fab. CITYMORB MUSIC www.citymorb.net | [EMAIL PROTECTED] next release: CTM001 Receptor - Moving Head ep. ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) Quest for da Booty
fab. in response to your question - I like booty trax and I know there are a few girls who like it too. But in relation to whether there is a massive scene of it - Maybe not in Sydney because I remember quite a few times in the past few years where there were like, 4 girls on the dancefloor and everyone else had cleared! (Then again there are those Tampered parties where all the crusties chicks jump up and down to it... I don't think that counts as a real booty). Some people might find the lyrics offensive but I don't think it's meant to be taken seriously, it's all for a laugh really. Simon - cheers for the brasilian stuff. I've been trying to find music outta brasil that wasn't DJ Marky -Original Message- From: Simon Hindle [mailto:[EMAIL PROTECTED] Sent: Friday, 29 April 2005 09:28 To: 313@hyperreal.org Subject: RE: (313) Quest for da Booty My mate summed up Booty really well - he said that it gets girls dancing like nothing else and is really brilliant for about 45 minutes and if you hear it for any longer it makes you want to kill people. On a sorta related topic, has anybody checked out Funky Do Morro / Favela Funk? From the ghettos of Rio, it's music made on simple rigs by kids who grew up listening to too much Miami Bass. http://evil-wire.org/~ampere/mp3/funky/ is the motherlode - a big old pile of Brazilian Booty to help yourselves to. Diplo is heavily influenced by this style. ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) san fran
woops, it's a pic of ameoba... labelled it wrong! -Original Message- From: /0 [mailto:[EMAIL PROTECTED] Sent: Thursday, 21 April 2005 09:58 To: Melody Ng; Ed612313 Cc: 313@hyperreal.org Subject: Re: (313) san fran im confused, is that pic not a pic of aquarius? - Original Message - From: "Melody Ng" <[EMAIL PROTECTED]> To: "Ed612313" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Wednesday, April 20, 2005 8:01 PM Subject: RE: (313) san fran > > I also suggest Aquarius, which has an interesting selection of music - > mostly on CD (I liken this place to the old Waterfront records or Red > Eye in Sydney). They are slightly out of the way (1055 Valencia Street) > but it's easy to get there > > And unlike the other stores, you can have a look in advance to see what > they have in store - http://www.aquariusrecords.org/ > > But I agree, Ameoba is the place to go. You could literally spend hours > in there. Just to give you an idea how big the place is > http://melody.outer-rim.org/gallery/album10/aquariusrecords. > > m > > -Original Message- > ## > Notice: The information contained in this electronic mail is intended > solely for the addressee(s) and may be confidential and/or privileged. > If you have received this electronic mail in error, please delete it > from your system and kindly notify the sender. If you are not the > intended recipient you must not reproduce any part of this electronic > mail or disclose its contents to any other party. > ## > >
RE: (313) san fran
I also suggest Aquarius, which has an interesting selection of music - mostly on CD (I liken this place to the old Waterfront records or Red Eye in Sydney). They are slightly out of the way (1055 Valencia Street) but it's easy to get there And unlike the other stores, you can have a look in advance to see what they have in store - http://www.aquariusrecords.org/ But I agree, Ameoba is the place to go. You could literally spend hours in there. Just to give you an idea how big the place is http://melody.outer-rim.org/gallery/album10/aquariusrecords. m -Original Message- ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
(313) Last Dark Energy Radio show - NOW (saturday am nthn hemisphere...?)
i'm on the digest atm, so i dunno if it's been posted http://138.25.162.211:8080 - streaming i gather it's gonna be on for the next 3 + hours. their 'news release': --- Just a quick note that after 8 years on 2SER FM, Dark Energy will be calling it a night this Saturday 16th. We will be doing an extra long show this Saturday... We are going to bring out the best for this one. Dark Energy DJ's: James Bond Florian Colour/Wavelength The Sentinel/Patrick HAF Cost: Free Where: 107.3 FM Time: 11:30pm - very, very late
RE: (313) iPod DJ
I have seen some pretty boring performances for both final scratch and vinyl... I don't think you can always say one is better than another. part of the entertainment factor has got to do with the performer - some people are just better entertainers than others. -Original Message- From: Simon Hindle [mailto:[EMAIL PROTECTED] Sent: Friday, 15 April 2005 12:43 To: 313@hyperreal.org Subject: Re: (313) iPod DJ Yeah, but 'tis merely the novelty of it all I imagine. Most big DJs who are playing out on Final Scratch probably haven't really had the gear for long, especially when you express the time they've had it as a percentage of their total time on the 1s and 2s. Or maybe they're checking their email/watching the latest episode of Battlestar Galactica they got off bittorrent the day before. It's the perennial challenge, IMO - how do you turn an electronic music performance into a 'show'? And furthermore, ought you to? >>> "Cyclone Wehner" <[EMAIL PROTECTED]> 04/15/05 11:06 am >>> Every time I have seen a DJ with Final Scratch they look at the screen the whole set and never the crowd, and then the crowd gathers around and if they can they look at it as well. It's created a barrier. The next challenge is to find a way around that. It's very disengaged... > At 2:36 PM -0400 4/14/05, /0 wrote: >>id like to play somewhere with sound good enough for me to >>differentiate between a 320k mp3 and a wav file > > I'd like to *dance* at a club with sound that good, too! > > Anyway, I still don't like the idea of computer files substituting for > vinyl. Just think, if DJs ripped their vinyl favs onto their ipods > (or laptop hard drives), where would taste-setting airline baggage > handlers get their bumpin' tunes? > > I tell ya, the world will be a sadder and poorer place if those poor > baggage handlers have only old Neil Diamond and Burl Ives records to > listen to after work. It'll set civilization (or at least airline > service) back at least forty years. > > -marc > > ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: AW: (313) Mike Huckaby
If anyone knows of any sets that are online... let us know. It's been a while (3 years???) since that frequency detroit mix (which was more a housey mix) -Original Message- From: Erin Bate [mailto:[EMAIL PROTECTED] Sent: Thursday, 14 April 2005 07:59 To: 313@hyperreal.org Subject: Re: AW: (313) Mike Huckaby Huck is one of my favorite DJ's.and...He is NO secret out here in Portland...infact I believe he should be here soon...within the next few months.. ~Erin [EMAIL PROTECTED] wrote: > huck is one of detroit best kept secrets. he's unfortunately secret > because it's impossible to adequately express his skills to those > outside of detroit who never get to hear him dj and only have his > small discography to go on. > > i will always remember huck for open set with joe claussell a few > years back. he was absolutely beating it! when clausell walked inot > the both i grabbed the promoter and offered to break clausell's arm so > huck could keep playing. half the crowd left as soon as huck was > finished and in the words of one reveller 'i can go home now. huck > gave me what i needed tonight' > > > > > > > ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
RE: (313) Buzz Goree mix
cheers for that. Well there's an acapella version of Transition in there? (laid over the top of another track?? or is it just a different version?) -Original Message- From: Ivan Tomasevic [mailto:[EMAIL PROTECTED] Sent: Saturday, 9 April 2005 07:43 To: 313@hyperreal.org Subject: (313) Buzz Goree mix i hope this is not a re-post. http://www.submerge.com/bookings/media/buzz2005.mp3 it would be nice if someone could help me with the tracklist. regards ivan -- ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
(313) Re: Techno & fashion (was Re: (313) Carl Craig in Sydney?)
I was of the understanding that boho boots are flat. At least, every model and picture I"ve seen are flat... and isn't it a bit hot to be wearing boots to a club? I don't recall a single techno party I've been to where the girls get dressed up. if it had to be about 'fashion' it's always been more about sneakers and street gear... -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Date: Wed, 30 Mar 2005 10:02:37 +1000 To: 313 Detroit <313@hyperreal.org> From: "Cyclone Wehner" <[EMAIL PROTECTED]> Subject: Re: (313) Carl Craig in Sydney? Message-Id: <[EMAIL PROTECTED]> I heard that it didn't get the same vibe in Syd and Q'land - but Melbourne people being rampant playa haters I tend not to pay heed unless someone from those cities says as much. Yeah thought it was Final Scratch but I haven't been able to look at it that close before and I wasn't sure what Traktor could mean. ;) My only regret was wearing boots I couldn't dance in - I had some misguided notion of looking cute in Sienna Miller boho boots and I will never be seduced by Vogue's fashion pages again. Boo! Death to high heels! ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
(313) RE: 313 Digest 21 Dec 2004 15:31:27 -0000 Issue 2400
He also played Infiniti - Game one.. I think that's the right one - Date: Tue, 21 Dec 2004 09:17:31 +1100 From: David Gillies <[EMAIL PROTECTED]> Cc: 313@hyperreal.org Subject: Re: (313) kenny larkin DJ sets Message-Id: <[EMAIL PROTECTED]> On Sun, 2004-12-19 at 15:43 -0600, jason kenjar wrote: > hey everyone, > > last summer kenny larkin played a GREAT techno set here in iowa city. > Does anyone have a track listing of any of Mr. Larkin's recent dj sets? > > thanks in advance ! When he played in Sydney recently, I was too drunk to remember what he played, but my friends reckon they heard these tracks amongst others: Cave - We So Crazy Cave - Street Carnival Aril Brikha - Groove La Chord Designer Music - Good Girls (Ben Sims Remix) DJ Shufflemaster - Weekender Samuel L Session - South American Dubs Part 4 Green Velvet - Preacher Man Joris Voorn - Missing Fix - Flash Donna Summer - I Feel Love Carl Craig - Demented (Or Just Crazy) Carl Craig - Demented Drums Version Cesaria Evora - Angola (Carl Craig remix) ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
(313) RE: Japan
Hi Alex Yeah Womb is pretty big, and isn't the Liquid room still open? Anyway my recommendation is to go to either Disk Union or Cisco and just pick up some flyers. I remember seeing some bigger clubs on them.. but I can't recall right now what they were. I put up some info here http://www.technotourist.org/modules.php?op=modload&name=phpBB_14&file=index&action=viewtopic&topic=97&1 Yeah I don't know any mags that do reviews in English, but I know of Shift www.shift.jp.org which is a design mag which is bilingual and has lots of links etc. so there might be something there that is electronic music related, but not necessarily techno related. Japan would be more fun if you know someone, but i think you can get around ok and it wouldn't be that much diff to begin say, in another foreign country where english isn't the first language. Most people know a bit of english (even if they don't speak it well or pretend not to) and signs are in english and it's easy to get around. Cheers Melody -Original Message- Date: Tue, 12 Oct 2004 09:56:55 +1000 To: 313 Detroit <313@hyperreal.org> From: "Cyclone Wehner" <[EMAIL PROTECTED]> Subject: Re: (313) Japan Message-Id: <[EMAIL PROTECTED]> I went there recently and was totally lost. The language barriers are very profound. Disk Union is the best store that I could find and even had a wall dedicated to Movement. The Tower Records in Shibuya was great for electronic music and urban and soul. There is an English language mag Metropolis which is more lifestyle. I like Remix magazine but can only look at it and is probably best for electronic reviews. I found it frustrating not being able to converse, though I tried with my dodgy phrase book. I didn't go out much, stayed in reading Thomas Hardly which didn't do much to alleviate my spirits. Wonderful country, but would have been more fun if I'd had company methinks! One night I went to a club-cum-design store called Sputnik which was great. > It's one of those days where I just rattle on to myself. > Oh well. > > Anyway, can anyone help me? > > Have you ever been to Japan? > > What are the music magazines that do techno reviews in Japan? > > What are the large clubs there? > I notice that club "womb" seems to have been going for a while. Are there > other big techno clubs? > > Can anyone help? > > Thanks! > > Alex ## Notice: The information contained in this electronic mail is intended solely for the addressee(s) and may be confidential and/or privileged. If you have received this electronic mail in error, please delete it from your system and kindly notify the sender. If you are not the intended recipient you must not reproduce any part of this electronic mail or disclose its contents to any other party. ##
(313) Hong Kong - anything going on there?
hmmm my other mesg never got through... anyway Wondered if anyone had been to HK recently - am thinking about going there & wanted to know if there are any sites for info i can check out, places to go etc (non-touristy stuff) Am thinking that there won't be much of an opportunity to add to the record collection but if anyone knows of any places etc pls let me know Parties wise i'm assuming that there isn't much to do there either? I did see a flyer for derrick may a long time ago, but that party looked pretty awful. cheers m
RE: (313) Re: Koobla / Vinyl Junkies
Crikes, I am out of touch. In relation to service - I never had an issue with them, they were always patient & helpful.. perhaps it was my Aussie accent that made them nice ... i dunno. maybe it went downhill after early 2003 .. I love Small Fish, but it's location was always so out of the way for me that i always ended up at Koobla.. cheers m On Tue, 25 May 2004, Brendan Nelson wrote: Koobla has shut down and a lot of the staff are now at Phonica around the corner, on Poland Street IIRC...
(313) Re: Koobla / Vinyl Junkies
Glad to hear that vinyl junkies picked up a bit on the 313 stuff. There was never really much there before. It would be sad to see Koobla gone - they always had good records and good service! (and location is so handy) (their website is still up as 'we are planning to have an online store in March 2004)... Quick! who has news? Cheers Mel
Re: (313) Track ID: Carl Craig Mix-Max on MCM.net -- Londoners?
anyone know where was this mix from? It sounds almost exactly the same as the set Carl played at the Bridge & Tunnel last Sep/ Oct in London... I dont' have the mp3 file on me to check atm though. That show was played on London Xpress show on XFM in london m.
(313) Non- free email accounts for 313 (fwd)
woops, didn't clarify the message given by the mailing list robot: "Please note that if this subscription request originated from a free online email service (Yahoo, Excite, Hotmail, and so on) your request will NOT be confirmed and you will be unable to complete the subscription process. " so I'm wondering what accounts i can use that are free! (not work email ;) ) -- Forwarded message -- Date: Thu, 24 Jul 2003 00:38:54 +1000 (EST) From: Melody Ng <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: Non- free email accounts for 313 Anyone know what email accounts that are free that this 313 email will respond to? Read up on the FAQ and can't find an answer/solution. Reply privately please. Thanks m.
(313) Non- free email accounts for 313
Anyone know what email accounts that are free that this 313 email will respond to? Read up on the FAQ and can't find an answer/solution. Reply privately please. Thanks m.
RE: (313) mike grant
yeah M & G always seems relatively quiet with their PR for releases... mike's releases are always so damn solid! i don't think i've ever heard a track of his and thought 'well that was some ripe old lazy piece of S*&T' m.
(313) jeff mills & dj marky on radio 1
Don't know if anyone noticed: Homelands :: with Jeff Mills and DJ Marky 25/05/2003 GMT 0200-0400 Wonder what he'll be playing? m.
(313) RE: Tokyo Record Store recommendations
There is a place called Spice Records that does 2nd hand stuff. Disk Union has a HUGE selection of det and chicago stuff (new and old) The best thing to do is go to Cisco and ask. the other shops are near cisco but to try and tell you on the map is a bit hard! Disk Union has a flyer which has all the maps of the other stores, and someone can translate it to english for you. Lonely planet has cisco on the map, just follow it! all the cisco stores have different stuff, even just the house one next to the techno one has different stuff. the Osaka one is pretty good if you get a chance to go down there! good luck! Melody
(313) paris this weekend
Anyone know of anything 313 related on in paris this weekend? Cheers Mel
(313) tokyo/ japan
Anyone know if there is anything 313/ techno/ electro on in Tokyo for the weekend 31/1/02? there doens't seem to be much on at the Liquid room,... also any other websites i should check out for listings, etc? I haven't worked out what to do in Japan yet... I noticed on the UR site suburban knight is playing on the 29/1 in Sapporo... any details on that particular party would be greatly appreciated! oh.. anyone on this list in japan? i'll be there 2 weeks and need some recommendations on where to go, stay etc :) thanks melody
(313) from miami... tune ID request
I used to have it writen down somewhere but i've since lost that piece of paper.. I can't recall what song/ label/ ep this tune is from, but the lyrics have this 'from miami.. to brooklyn'
(313) k alexi/ rob hood in london - thoughts?
Hey guys What did everyone think of Rob HOod at Lost on saturday? I thought he was good, but a bit too slamming for a set 4 - 6 in the morning... I was real tired by that time... K Alexi was excellent! Although I thought his techno set was better than his house set... Cheers Mel __ Melody Ng - Primary Materials Australasian Legal Information Institute (AustLII) http://www.austlii.edu.au/
(313) paging Toby (London)
Toby (Ken's friend.. from the overload party) if you could please contact me privately didn't make it to Slices because I was sick.. Melody ______ Melody Ng - Primary Materials Australasian Legal Information Institute (AustLII) http://www.austlii.edu.au/
(313) Carl on xfm - recording?
Did anyone manage to record it from online or from the radio? If only the guys on London express would play the entire set! Carl played for almost 4 hours that night (or was it 3... anyway..) Cheers Mel __ Melody Ng - Primary Materials Australasian Legal Information Institute (AustLII) http://www.austlii.edu.au/
[313] 2002 demf streaming
Any one else getting short extracts of the sets now? When I logged in last weekend, I could listen to an entire set All the sets are now 15 min long :( Cheers, Mel __ Melody Ng - Primary Materials Australasian Legal Information Institute (AustLII) http://www.austlii.edu.au/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] UR on Kiss FM - file
I came across this file on Audio Galaxy: Underground Resistance - Kiss FM UK 11.26.98 Can anyone tell me about this - I can't seem to find any info on it. the file is only about 11 minutes or so some tunes in the 11 min: the swarm, schoolcraft bump, .. techno drivers Cheers Mel Melody Ng Primary Materials Australasian Legal Information Institute (AustLII) http://www.austlii.edu.au/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] abadmutha
The site (www.abadmutha.com) is down atm... anyone know if it is a permanent thing? Cheers Mel Melody Ng Primary Materials Australasian Legal Information Institute (AustLII) http://www.austlii.edu.au/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] about the members
have to remember to send the messages instead of leaving them in my postponed mesgs.. age: 22 occupation: full time law student/ part time perl 'programmer' born: hong kong living: sydney, australia music & records: actual vinyl count not sure, mostly buy techno/electro/dnb. and any other interesting music that may or may not involve electronic sounds... cheers mel ________ Melody Ng Primary Materials Australasian Legal Information Institute (AustLII) http://www.austlii.edu.au/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re: Techno for funerals
The entire Red Planet 4 EP And a party for my wake playing my entire collection. Date: Fri, 19 Oct 2001 15:33:15 +0200 To: 313@hyperreal.org From: Roland van Oorschot <[EMAIL PROTECTED]> Subject: Techno for funerals Oi! Which techno track do you want to be played at your funeral? My last wish would be: The Martian & Model 500 - Search your Feelings (RedPlanet-4) R. (hey...just asking!) ________ Melody Ng Primary Materials Australasian Legal Information Institute (AustLII) http://www.austlii.edu.au/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re: re[313]:the advent ..mo money?
Apparently he was about to leave, and his management demanded more money. Hardware(who was bringing him out) cancelled because of that. As an aside, I was quite surprised to see the Neon Genesis Evangelion Evas as the artwork on the flyer. Cheers Mel Melody Ng Project Officer Australasian Legal Information Institute (AustLII) http://www.austlii.edu.au/ Date: Tue, 11 Sep 2001 18:55:51 +1000 To: 313@hyperreal.org From: "Rod Andres Alvarez" <[EMAIL PROTECTED]> Subject: re[313]:the advent ..mo money? Message-ID: <[EMAIL PROTECTED]> has anybody mentioned the fact that the advent cancelled his tour of australia cause he wanted mo money? they were charging A$30 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Techno in Hamburg
What's on in Hamburg in regards to clubs, etc? And where to buy records, etc? Melody Ng Project Officer Australasian Legal Information Institute (AustLII) http://www.austlii.edu.au/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
