Re: [313] Name that comedy tune...
At first mention, I thought of this: Cantina - "Mos Eidley Medley" Definitive 12DEF045 But the particular track in question isn't the above, I don't think. Been a while since I had that 12" off my shelves tho. Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: "Langsman, Marc" <[EMAIL PROTECTED]> To: "313 List" <313@hyperreal.org> Sent: Friday, June 07, 2002 10:37 AM Subject: [313] Name that comedy tune... > > Been listening to an old Derrick Carter mix on betalounge (live in SF > 4/3/99) [which incidently is quite poor] however at approx 1:08:27 he plays > a tune which sounds like a charleston version of the infamous tune played in > Jabba the Hut's palace in return of the jedi [you know the one with crazy > blue elephant dude on the keyboard] > > *bizarre* > > Marc > > > -- > This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] dfa records
And 002 features production by Adam Horowitz. Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: "Data General" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, June 07, 2002 9:29 AM Subject: [313] dfa records > > Anyone know anything about this label? > > their site is > > http://www.plantain.net/recording/records.html but it doesn't > have a lot of into. > > i heard three of the 12"s all of which were excellent, including a morgan > geist version of the rapture's "house of jealous lovers." > > > ben > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] House songs so good they make you cry....
Larry Heard - Missing You Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com > > >-Original Message- > >From: Langsman, Marc [mailto:[EMAIL PROTECTED] > >Sent: Friday, June 07, 2002 1:55 PM > >To: 'Mann, Ravinder [CCS]'; Langsman, Marc; '313' > >Subject: RE: [313] House songs so good they make you cry > > > > > >>> and going for all out obviousness action Id have to mention Frankie > >>> Knuckles-Tears > >>> > >> Satioshi Tomie/Robert Owens did Tears ? > > > >yeah thinking about it I seem to remember it was billed as > >"Frankie Knuckles > >presents Satioshit Tomie feat..." > > > > > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re: Does anyone compare to Hawtin?
And I thought I beat the Hawtin-horse dead when rambling about Final Scratch. Next. Vince - Original Message - From: <[EMAIL PROTECTED]> To: "Brian 'balistic' Prince" <[EMAIL PROTECTED]> Cc: "Ian Cheshire" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, June 05, 2002 2:50 PM Subject: Re[4]: [313] Does anyone compare to Hawtin? > wow. an entire tirade based on predjudice regarding people's relation to > hippness/drugs/music > > why not try crtiquing just the music instead and not worry about people > come to their conclusions. > > > > On Wed, 5 Jun 2002, Brian 'balistic' Prince wrote: > > > Wednesday, June 05, 2002, 9:19:12 AM, a knob was tweaked and out came: > > > > IC> Embrace everything without prejudice :0) > > > > My love is earned, not automatic. > > > > I have never lived in a world where PLUR seemed like an intelligent > > approach to life. The universe envisioned by its adherents is devoid > > of competition, value, perseverance . . . love is so evenly > > distributed that it becomes meaningless. > > > > A world in which everything is embraced is a world in which nothing > > excels. > > > > "So the kids take a pill to feel the funk and the DJ takes a pill to > > feel the funk. I don't take a pill to feel the funk. Carl don't take a > > pill to feel the funk. Glenn Underground don't take a pill to feel the > > funk. Derrick Carter might take a pill for fun, but not to feel the > > funk." - D. May > > > > So pop a pill, and pretend that the latest Minus is intensely > > engaging, but don't expect me to embrace that. > > > > My techno isn't about turning your brain off. I don't think Juan's or > > Carl's or Derrick's or Shake's is either. I can appreciate a few of > > Hawtin's records, but I strongly suspect that the majority of his fan > > base is pretending to "get it" in an attempt to look smart, the same > > way I did when I first heard him in high school. The same way > > Picasso's ardent admirers do. > > > > Most of the time, there's nothing to get. > > > > - > > Brian "balistic" Prince > > http://www.bprince.com - art and techno > > Strokes of Defiance EP . . . soon. > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] nice live stream
does everyone else get nothing? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Re: [313] theo's mix of Jill Scott
I hope everyone realizes that they're very expensive from the distributor... And limited to 500.... Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: <[EMAIL PROTECTED]> To: "tom churchill" <[EMAIL PROTECTED]>; "Mark S. Krüx" <[EMAIL PROTECTED]>; "313 @ns5.super-hosts.com" <313@hyperreal.org> Sent: Thursday, April 25, 2002 4:48 PM Subject: Re: Re: [313] theo's mix of Jill Scott > > > So I'll add my name to list of UK list-members who will gladly pay someone > > to pick a copy up for me from Rick Wilhite's store, Recordtime, Dancetracks > > or wherever! > > > I'll add my name to that list too please! > > Sean. > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] hip house
> > Tyree Cooper - The Producer - Awesome Super Duper Trooper :) > That brings a smile to my day! Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: "Langsman, Marc" <[EMAIL PROTECTED]> To: "'Ian Dinsmor'" <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, April 17, 2002 11:08 AM Subject: RE: [313] hip house > >-Original Message- > >From: Ian Dinsmor [mailto:[EMAIL PROTECTED] > >Sent: Wednesday, April 17, 2002 4:55 PM > >To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; > >313@hyperreal.org > >Subject: Re: [313] hip house > > > > > > > > > > > >> (Kool Rock Steady's work with Lidell Townsell is pretty good > >> hip-acid-house). Hip-house was no more. > > > >Cant forget "Back by Popular Demand." I think its the > >quintessential piece > >of hip-acid-house. > > > > > >>And what was the ultimate hip-house record? For me, "Let The > >Music Take > >> Control" by Tyree... > > > >For me it would have to be > > > >"Get You Some More" - Fast Eddie > >(With heavy use of "Let No Man Put Asunder" - First Choice) > > > >ID > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > -- > This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] PROMO COPY - Not for resale
One other thing - SoundScan. Labels distribute titles free to stores. They pass through POS and get recorded as sales, noting UPC and not sale price. Happens all the time with major label pop stuff Vince - Original Message - From: "W Lammerts" <[EMAIL PROTECTED]> To: "Christian Bloch" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Sunday, April 14, 2002 5:01 PM Subject: Re: [313] PROMO COPY - Not for resale > h, this could be it... > > W > - Original Message - > From: "Christian Bloch" <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Sunday, April 14, 2002 5:53 PM > Subject: Re: [313] PROMO COPY - Not for resale > > > > another thing is, (at least in denmark), you don't have to pay taxes for > > promo copies, and that phrase has to be printed on them for the IRS to > > acknowledge them as promos... > > > > Christian Bloch > > http://mp3.com/bloch > > http://www.mp313.com/christianblochmp313.htm > > > > Tresor/LL/Deep Night Essentials/Simple Muzik/Funque > > Droppings/Set.Go/Restructured > > > > - Original Message - > > From: "W Lammerts" <[EMAIL PROTECTED]> > > To: <313@hyperreal.org> > > Sent: Sunday, April 14, 2002 1:15 PM > > Subject: [313] PROMO COPY - Not for resale > > > > > > > What does this actually mean? Yesterday I went to this recordshop, to > get > > me > > > a copy of the Blue 6 album. It has a sticker on it, saying that it's a > > promo > > > copy, and not ment for resale. > > > > > > And this album was the full release. It's isn't a white label, it isn't > a > > > promotional sample thingy, it is the full release! > > > > > > But they had a box filled with the Blue 6 albums, and they were selling > > them > > > all. > > > > > > So what is the deal here? I see this on a lot more records also. All > > > "promotional copies", but I still have to buy them... > > > > > > Something for your sunday afternoon, > > > > > > W > > > > > > > > > > > > > > > - > > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > Deze e-mail is door E-mail VirusScanner van Planet Internet gecontroleerd > op virussen. > > Op http://www.planet.nl/evs staat een verwijzing naar de actuele lijst > waar op wordt gecontroleerd. > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] kevin and gene
Oh, the insanity Line two. Vince Woolums AOL IM: vincewoolums - Original Message - From: "Rob Theakston" <[EMAIL PROTECTED]> To: ":P" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, April 12, 2002 2:59 PM Subject: RE: [313] kevin and gene > no. the schedule is eroding. at this rate we'll have george clinton being > replaced by george clooney and juan atkins being replaced by gentle ben, the > roller skating grizzly bear. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF 2002 poster - yikes.
> oh, it's horrible. HORRIBLE. rave it up, detroit. I can't really agree more. Instead of appealing to people who *aren't* already into techno, house, etc, they've done it up full rave stylee. No room for families, older folks, and those cute dancing kiddies of yore. Make room for the baggiepants massif! The kicker, to me, is this: 20 of the artists/bands/acts have recently (within 4 years) played in eastern Iowa, either Cedar Rapids or Iowa City. Oh well, I'll prolly still go. : ) Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: Fwd: Re: [313] Regarding Business
It's important to remember, Cyclone, that you're essentially describing a social 'norm' for Australia, North America and Europe. Actions and epithets of racism, oppression, religious purism and isolationism have been/are present everywhere, and have been/are present at nearly all times in 'history'. These actions and epithets are not exclusive to white males. Vince Woolums Subject: Re: Fwd: Re: [313] Regarding Business > 1> Concepts/words are not neutral, they are contested weapons which social > forces use in struggles for power. There is no such thing as an > "objective"/politically neutral linguistics, and meanings are not static. > This is especially true of a loaded concept like racism. > > 2> From Deleuze and Guattari, A THOUSAND PLATEAUS, CAPITALISM AND > SCHIZOPHRENIA, PP. 469-470 > > "MINORITIES. Ours is becoming the age of minorities. We have seen several > times that minorities are not necessarily defined by the smallness of their > numbers but rather by becoming a line of fluctuation, in other words, by the > gap that seperates them from this or that axiom constituting a redundant > majority... Nonwhites would recieve no adequate expression by becoming a > new yellow or black majority, an infinite denumerable set. What is proper > to the minority is to assert a power of the nondenumerable, even if that > minority is composed of a single member. That is the formula for > multiplicities. Minority as a universal figure, or becoming > everybody/everything. Woman: we all have to become that, whether we are > male or female. Nonwhite: we all have to become that, whether we are white, > yellow, or black." > > 3> In other words, the minority is defined by difference from a NORM, and > that norm in our society exists as the WHITE ADULT MALE. Essential to > institutionalized racism & sexism is the measuring of a person's difference > and Otherness from this norm; it is for that reason impossible for a black > person to be racist in the same way as a white person, because the force of > this norm (and the socio-historical conditions that have given risen to the > norm) is not on their side. On the other hand, it is always possible, even > for a white adult male, to enter into a process of becoming, and through > this process to become something other than the norm. What is at stake here > is Otherness itself, the power to not have a "fixed identity" but rather to > experience life as an infinite journey. And at this point I'd like to say > something controversial: you don't have to BE black to make techno, but one > might say that, musically, you have to become-black in order to make techno, > in otherwords, you have to become part of the tradition of music which comes > out of black culture and speak/sing in a language that is not the language > of the majority. (Of course there are other becomings, becomings-woman, > becomings-animal, becomings-molecular...) a funky African rhythm, sensuous > strings, a bird floating through the heavens, little particles of sound that > hover in the air... > > /cyborg k > > _ > Send and receive Hotmail on your mobile device: http://mobile.msn.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313]Regarding Business
http://www.laweekly.com/ink/01/50/cover-mathis.shtml You can make your own inferences. Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: Jayson B. <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, March 07, 2002 12:58 PM Subject: RE: [313]Regarding Business > > >Yes I have been reading all this bullshit about what I said or didn't >say > >in my interview with xlr8r > > I'm glad to see that you're reading all this. it amazes me sometimes how > many high profile people are on this list and actively reading it. > > I'll still continue to speak my mind on you or anyone else who puts their > profile out for public display. When you have the fame to have a magazine > ask for a interview, you should expect people to speak their mind on what > you've said. I can't STAND IT when people tell me, "stopping talking about > dj x, he's not here to defend himself." Of COURSE he's not here to reply, > he's a dj. He's busy doing dj things. The fact of the matter is, when you > choose to make yourself a public figure, *expect* the public to make and > voice their opinion about you. In my humble opinion (and since i'm > semi-jealously not in your position, i may not have much room to talk), if i > was in the high profile position of being able to make my music daily > without the need of another job, and having people contact ME for a gig > instead of the other way around, i would do one of two things with the > comments that a little techno producer on a web list is making: > > 1. ignore them completely if they pissed me off. > or > 2. take them to heart, and see if there is some validity to them. > > You are in the public eye. You are an icon to hundreds of thousands of > people all over the world. You have the ability to pracically walk into any > club in the world and tell THEM that you're spinning that night, for the > mere fact that you are juan atkins. People simply will talk about you, and > that doesn't make them playa haters. that makes me someone with an opinion. > > > >1) I did not go into xlr8r and hold a gun to the editor's head and >make > >them interview me or put me on the cover, contrary to the haters > > never said that. Like i said, being the great producer that you are, you > have the fantastic ability of people chasing after you for an interview. > and so you chose to put your opinion in a big spread in a magazine, which > then entitles me to speak my opinion in response as well. > > > >Apparently, I must be currently doing, and/or > >saying something of some status/substance to warrant a recent cover >story > >on their mag. > > Wouldn't disagree with this whatsoever. you *are* juan atkins, and i > certainly am not. > > > >3)Since when did a coupla new jack playa haters (Poivrenoir,Yussel,& > > >Jayson B,etc.) become the authority on this list as to who is in or >out > >of touch with Detroit ? > > hehe. new jack playa haters. I have a my newest song's title now. > > Pretending to be an authority and stating an opinion are two different > things juan. > > > >or that Oakee or Digweed are so commercially viable. > > > they are commercially viable. that's why oaktree has commercials on mtv, > and does all those faboo remixes for the popstars. > > but you have more integrity than that right? or is it the fact that you are > black, they are white, and if you were white you'd be doing all the things > they do? All this time I though juan atkins was an artist, making fantastic > music and (when you showed up for a gig) putting on great dj performances, > and that juan atkins had more pride in his music than the sellout > cheeseballs. was i wrong? > > > >I can't recall hearing any of their records (that they actually made) >on > >the radio ? Maybe I'm wrong ? someone please correct me if I am. > > > ok, maybe i am getting confused, and i'd love some clarification. What *is* > your stance on commercial music? do you feel that they although they cater > to the masses, that you do it better? or do you feel that you simply write > a better form of music, even though its obviously not as accessable to the > mainstream? > > >4) And please give me credit > > > I'll give you credit till i'm blue in the face. I've said it a billion > times in this email; you *are* juan atkins, and that means a fuckload more > than being jayson b to the entire world of electronic music. but i'll still > speak my mind about you. that w
Re: [313] Marketinbg techno + house to the masses
Benjamin Barber - "Jihad vs McWorld" Read it. You'll be ever so glad you did. And while you're at it, (re)read your Smith and Marx. Maybe a little Weber for good measure. Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com > Subject: Re: [313] Marketinbg techno + house to the masses > > > > I think a huge part of why the attempts to marklet house and techno on > >a large scale have failed is because there is no one singing (sure > >occasionally there is) but there's no one there dancing singing to make a > >video of, talking to the audience. Popular music has melodies that are > >easily remembered and have lyrics than be sung along to. I'm guessing > >thet's the huge appeal the house and techno are often missing. > > i used to think that too but people like norman cook (fat boy slim) and > the chemical brothers are hugely popular over here (UK) and over there > too and a lot of their records don't have vocals as such on them. > > does this mean that people have 'got over' the need for a vocal to latch > the minds on? i don't really have an answer. > > i also suspect that the marketing problem we are talking about here is a > lot more acute in the states. vocal-less (and, as it happens, soul-less) > records regularly make the top ten over here now. perhaps this suggests > the problem also lies with radio stations too. bbc radio one (the most > listened to station by young people over here) plays a huge range of music > and doesn't stick to one particular type as a lot of stations over there > do. > > > > robin.. > > > > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] UR at Porter Street
Just stumbled onto this. I really like this place, even though I'm about 600 miles away. Maybe they should think about a DSL, Realserver, and a camera?? Hint hint?? http://www.detnews.com/2002/entertainment/0202/22/e01-423357.htm Big up, Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: Ian Dinsmor <[EMAIL PROTECTED]> To: Alexandres Lugo <[EMAIL PROTECTED]>; '[EMAIL PROTECTED] Org' <313@hyperreal.org> Sent: Friday, February 22, 2002 9:57 AM Subject: Re: [313] UR at Porter Street > > > > > > > This was by far one of the best shows I've seen in Detroit in a long > > time... > > > > Shame on anyone living in Detroit for not seeing this. > > I agree 100%. Seeing them belt out "Afro-germanic" live was a real treat. > > And how about that Silence of the Lambs entrance. UR never fails to amaze. > > > Buzz was going off at the end of the evening. Props to Franki Juncaj as well > for playing a hot set earlier on. > > > ID > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Buzz Goree
I hear he's winning a 20/20 award from Real Detroit. Guess that means, well, he's been DJing for 20 years. And yeah. He can bang the box. I'll stop short of making comparisons to any other high profile 'Detroit' DJs, but you can be sure he'll turn you out all proper-like. And did I mention he's a nice guy? And yes, he plays records. No software involved ; ) Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: Alexandres Lugo <[EMAIL PROTECTED]> To: Toby Frith <[EMAIL PROTECTED]> Cc: '[EMAIL PROTECTED] Org' <313@hyperreal.org> Sent: Friday, February 22, 2002 7:13 AM Subject: RE: [313] Buzz Goree > He played last night at Porter Street...just records though... > > Peace, > Alex > www.fulcruminn.net > > > -Original Message- > From: Toby Frith [mailto:[EMAIL PROTECTED] > Sent: Friday, February 22, 2002 7:46 AM > To: 313 > Subject: [313] Buzz Goree > > > Buzz Goree aka Clandestine is playing Tresor at the end of March. Anyone > seen him play live before? > > > Cheers > > toby > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313
> This is one really important measure of the level of "commercialism." > Will people around the world have access to ALL of the dj sets, or just > the corporate sponsored ones? Which, interestingly, includes not just the festival itself, but promoters putting on 'after parties'. They're certainly commercial, but not offered free of charge. In my opinion, some of last year's after parties were rudely expensive. Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: Lester Kenyatta Spence <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Cc: Matthew L. Thompson <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, February 20, 2002 12:23 PM Subject: Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313 > On Tue, 19 Feb 2002 [EMAIL PROTECTED] wrote: > > > > > >But all of that aside, I agree that the panel (its make-up in particular) > > is a step in the right direction. I > > >believe the DEMF's future will be okay (maybe even bright, perhaps?), but > > we shall see what unfolds this year. :) > > > > I hope at least Groovetech (or another capable web based broadcaster) will > > be able to stream video/sound this year. Ford did a f*cking miserable job > > at it last year (eventhough I was there I'd like to be able to relive Eddie > > Fowlkes', Kenny Larkin's, and DJ D'jital's sets on the smaller stages). > > > > MEK > > This is one really important measure of the level of "commercialism." > Will people around the world have access to ALL of the dj sets, or just > the corporate sponsored ones? > > > peace > lks > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] it makes me wonder why i care
http://news.bbc.co.uk/hi/english/in_depth/sci_tech/2002/boston_2002/newsid_1 822000/1822822.stm Cut and paste link as necessary. Who needs a crowd or a DJ? Furthermore, what is a DJ anyway?? We're so "expensive and unreliable". So, why do I even care about the music? I should just compile Soundscan charts and Top Ten lists from Bar & Nightclub, then download the tracks and be on my way. After all, data and statistics are really the most accurate and reliable indicators of, well, everything! Man, I **love** mp3s. Listen to the audio report, if you have the capability. I wonder when this DJ-I will win the DMCs, and how FS tech fits into it all. Hoping this inspires some heady discussion, Vince - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] I'm so impressed
PROGRESSIVE / TRANCE NEW ORDER/PAPERCLIP PEOPLE BLUE MONDAY/THROW 2002 (PROMO) 12 Slammin' new tech trance remix of this classic from New Order done by ROB SEARLE, the man behind the many Frankie Goes to Hollywood trance remixes. This one sticks fairly close to the original with the original elements all there, except the beats are jacked up considerably- with a very dramatic breakdown with the lead hook melody in the strings, rising up and causing some serious club mayhem in a Lange style. The flipside may be even more interesting for some people- it's a reworking of the PAPERCLIP PEOPLE track 'THROW'. Carl Craig meets trance. Barf. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Wizard of Oz electronic LP?
Mort Garson - Wozard of IZ. It's described as 'acid satire' with scathing spoken word. It's really cool. First track seems like Mills musta sampled the Moog line... Anybody else heard it?? Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: Holly MacDonald-Korth <[EMAIL PROTECTED]> To: 'Vince Woolums' <[EMAIL PROTECTED]> Sent: Thursday, January 17, 2002 4:25 PM Subject: RE: [313] Wizard of Oz electronic LP? > so what's the answer? i'm very curious... > > -Original Message- > From: Vince Woolums [mailto:[EMAIL PROTECTED] > Sent: Thursday, January 17, 2002 10:11 AM > To: 313 List > Subject: Re: [313] Wizard of Oz electronic LP? > > > Sorry for the double, but I answered my own question. Silly me. > > Vince Woolums > AOL IM: vincewoolums > http://bnsrecords.gemm.com > http://www.recordcollectorinc.com > > > - Original Message - > From: Vince Woolums <[EMAIL PROTECTED]> > To: 313 List <313@hyperreal.org> > Sent: Thursday, January 17, 2002 11:03 AM > Subject: [313] Wizard of Oz electronic LP? > > > > Hi all, > > > > Somone just brought in a very strange electronic version of Wizard of Oz > > (white label test press on A&M) with spoken word rants over the top. This > > is clearly not the movie soundtrack re-done. We've deduced that it was > from > > the late 60's - maybe 67, 68 or 69. Anyone who's ever heard this, or > knows > > the artist, can you contact me privately? > > > > Much thanks in advance, > > > > Vince Woolums > > AOL IM: vincewoolums > > > > Record Collector, Inc > > 125 E. Washington St. > > Iowa City Iowa 52240 USA > > Phone/Fax: (319) 337-5029 > > [EMAIL PROTECTED] > > http://www.recordcollectorinc.com > > SEE OUR NEW SITE ON 1-21-02! > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Wizard of Oz electronic LP?
Sorry for the double, but I answered my own question. Silly me. Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: Vince Woolums <[EMAIL PROTECTED]> To: 313 List <313@hyperreal.org> Sent: Thursday, January 17, 2002 11:03 AM Subject: [313] Wizard of Oz electronic LP? > Hi all, > > Somone just brought in a very strange electronic version of Wizard of Oz > (white label test press on A&M) with spoken word rants over the top. This > is clearly not the movie soundtrack re-done. We've deduced that it was from > the late 60's - maybe 67, 68 or 69. Anyone who's ever heard this, or knows > the artist, can you contact me privately? > > Much thanks in advance, > > Vince Woolums > AOL IM: vincewoolums > > Record Collector, Inc > 125 E. Washington St. > Iowa City Iowa 52240 USA > Phone/Fax: (319) 337-5029 > [EMAIL PROTECTED] > http://www.recordcollectorinc.com > SEE OUR NEW SITE ON 1-21-02! > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Wizard of Oz electronic LP?
Hi all, Somone just brought in a very strange electronic version of Wizard of Oz (white label test press on A&M) with spoken word rants over the top. This is clearly not the movie soundtrack re-done. We've deduced that it was from the late 60's - maybe 67, 68 or 69. Anyone who's ever heard this, or knows the artist, can you contact me privately? Much thanks in advance, Vince Woolums AOL IM: vincewoolums Record Collector, Inc 125 E. Washington St. Iowa City Iowa 52240 USA Phone/Fax: (319) 337-5029 [EMAIL PROTECTED] http://www.recordcollectorinc.com SEE OUR NEW SITE ON 1-21-02! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Amnesia
We just received copies of this release, and while the center sticker looks horrible (uh, bootleg), the sound quality on the four copies we got is 100% FINE.Both channels on C/D sound the same. BTW, they're ALL spoken for. Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: Chris Anglesey <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, January 11, 2002 1:57 PM Subject: Re: [313] Amnesia > > I would personally be sceptical about buying a copy of this. Yes, the > tracks are great (and hard to get hold of) but > the pressing by Indigo is appalling. The sound on one channel on sides 3 & > 4 is completely distorted. The release looks like it has been done by > people who have more love for their bank balances than the music itself. > Larry Heard told me that he and Robert Owens never officially sanctioned > this release and are warning people against buying it. > > Chris. > > > Ravinder Mann: > > > > >anyone know if Amnesia - Mr Fingers will get a UK re-release ? > > > > yeah, the bootleg (ssshhh) should be fairly easy to find. Vinyl > Underground > > (http://www.vinylunderground.co.uk) and Smallfish > > (http://www.smallfish.co.uk) have got copies, and i picked one up from a > new > > store on Berwick Street - i forget the name, Kooba or something, but it's > > about halfway down on the same side as Vinyl Junkies. > > > > > > > > rob > > > > > > _ > > Join the world's largest e-mail service with MSN Hotmail. > > http://www.hotmail.com > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Metropolis film & soundtrack
I'm sure this was covered already I got DVD copy of Metropolis, and want to synch up the Mills soundtrack to the film. The film is nearly 2 hours long, but the soundtrack is only 1 hour long. Any suggestions? Thanks in advance, Vince Woolums - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Landstrum repress
> thought people might be interested to know that Neil Landstrumm's index man e.p > originally on peacefrog has been repressed on scandinavia. > no need to pay $55 on ebay anymore. I know it's hard to believe in today's exciting digital media world, but some people actually collect vinyl. In this case, a reissue makes the original even more valuable. And yes, Index Man (the track) is perhaps his most famed and nuanced dancefloor track. Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DJ Mags Top 100 DJs
> I've never heard Rich claim to be a Detroit dj anyway. Someone hasn't read their Techno Rebels ; ) What about that famous etching? Future Sound of Detroit?? Detroit for a minute, Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: Fixer <[EMAIL PROTECTED]> To: FC3 Richards <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Saturday, November 03, 2001 9:43 AM Subject: RE: [313] DJ Mags Top 100 DJs > I knew someone was going to open up that can of worms... > > first, we'd all have to agree on definitions of what makes a dj "Detroit". > Is it where they were born? Where they began playing? Where they > currently live? What style of music they tend to spin? > > There will be no solution, no answer that will please everyone, and on > top of that, what good is the argument anyway? > > > > > At 14:21 02/11/2001 -0800, FC3 Richards wrote: > >hey wait...someone said only 1 dj from detroit. well i would like to > >consider Richie Hawtin from detroit...even though canada is kinda far away > >from there, it is still close enough for me. a couple of bucks drive ain't > >that far from detroit... > > > > > -- > fix.er \'fik-s*r\ n : one that fixes : as : one that intervenes to > enable a person to circumvent the law or obtain a political > favor : one that adjusts matters or disputes by negotiation > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FnalScratch package price
Assume this: I find it odd that listmembers appear interested in paying for something when connected to that product is the fact that its media can endlessly be gotten for free. Here are some other *terribly* foolish assumptions: No one will pirate music. Everyone will play only their own mp3s. DJs will pay royalties for mp3s they do not already own. Everyone will pay the sticker price for FS/digital DJ software. No secondary manufacturers will duplicate any necessary hardware. C'mon. I don't really care one way or another about this product, but I find it quite hypocritical that so many people are just ready to jump right on it without considering their prior ethical stances on said issues of privacy, economics, and intellectual property. And funny too that you and I should be at odds again on the topic of technology and art. Let's rewind. You referenced the invention of cameras and the corollary development (pardon the pun) of photography as an art in a blanket attempt to defend new technology. I'm certainly not a Luddite, and don't wish to follow that line of argument. But while some photographs may be considered art, not all _are_ really art. The same holds for DJing: "Recently, photography has become almost as widely practiced an amusement as sex and dancing -- which means that, like every mass art form, photography is not practiced by most people as an art. It is mainly a social rite, a defense against anxiety, and a tool of power." Susan Sontag, "On Photography" When I began debating this issue, I maintained that FS (and by extension all digital DJ tools) undermined what is, essentially, a difficult and oft-ill practiced mass art form. As I'm sure most would agree, some practice the art much better than others. I asserted that digital DJ tools erode much of what is left of turntable manipulation as art by further diluting the music, style and technique of the (subjectively) "good" DJ. Furthermore, there are some critical issues of ethics pertaining to intellectual property, copyright and artist patronage of medias that drive digital DJ tools. Vince - Original Message - From: <[EMAIL PROTECTED]> To: "Vince Woolums" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Thursday, November 01, 2001 7:07 PM Subject: Re: [313] FnalScratch package price > > Subject: Re: [313] F!nalScratch package price > > > > > how much is the software without the laptop? > > > > It will be free. Thanks to our friends at Rad!um (et al) and peer to peer > > traders like Kzaa and Morpheu5, no one will ever need to buy software again > > (or until there is a universal distributed app system). > > a whole hell of a lot of good it'll do you without the hardware that goes > along with it, too. > > > Since we're all OK with pirating music, why continue discussing the cost of > > FS software? Are we all suddenly concerned about supporting software > > programmers, manufacturers and distributors? > > i think you're making a lot of foolish assumptions with this statement. > > chris - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] FnalScratch package price
Subject: Re: [313] F!nalScratch package price > how much is the software without the laptop? It will be free. Thanks to our friends at Rad!um (et al) and peer to peer traders like Kzaa and Morpheu5, no one will ever need to buy software again (or until there is a universal distributed app system). Since we're all OK with pirating music, why continue discussing the cost of FS software? Are we all suddenly concerned about supporting software programmers, manufacturers and distributors? Vince - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
> i don't think you understand what final scratch is, and how de9(?) was made. > final scratch is a tool that allows use to use two regular turntables and a > regular mixer to control any a digital file on a computer just like you would a > slab of vinyl. you slow the turntable down and the digital file slows down etc. > you do it live. it's not digital editing tool like pro tools or peak etc. > anything you do with you do live. i'm briefed on final scratch. i've seen acquav!va use it. in addition, i'm aware of the production techniques involved in the creation of both de9 and closer to the edit. i'm also aware of the physics behind the technology. i've watched these develpments rather closely. you're missing one of my points: that many other DJs dont need it, dont prefer it, and whose performance would be limited by said technology. > as for the detrimental trade on vinyl. well, it's heavy, wears out, and is hard > to distribute. digital files can be endlessly copied and emailed all over the > place, placed on sites. it allows more people to have access to more music. what > you do on the turntables should be determined by your skill level and > inventiveness, not by the vinyl you can afford or have access to. > instead of letting record companies, distributors, and record stores determine > what tracks you have access to you can play tracks by anybody that cares to post > them. your words are very interesting. so what if vinyl is heavy, wears out and is hard to distribute? all of those things are unique to the DJ trade and the art form. thomas brinkmann is able to utilize a unique technological tool, one final scratch can't even approach and that relies on vinyl and not mp3. that not just anyone can have any track is central to my argument. dont think i'm preaching vinyl elitism - but if everyone had access to any and every track, would they create something unique, special, or anything but homogenized? here's an analogy - if everyone had the exact same make, model and color Porsche, would it still be special?? more people with more access is giddy hat-tip to liberalist egalitarianism. part of the fun of DJing, to me, is digging through crates in used shops, looking on the internet for out of print tracks, trading them with my friends, cleaning them up once in a while and chatting with people all over the world when buying or selling vinyl. "what you do on the turntables should be determined by your skill level and inventiveness, not by the vinyl you can afford or have access to" contradiction! first you say that everyone will have access to more music, then you assert that 'inventiveness' will occur? my retail experience shows me first that as soon as a new mix CD comes out kids are lining up to buy the tracks on that mix. and often they don't just want the tracks - they want to play them in the SAME order. second, since anyone can own and play anything, what will stop the 'top' DJs from playing all the songs a crowd wants to hear? easy access is exactly why mp3 DJs devalue our beloved music! also, your statement seems focused solely on 'smooth mix' djs like hawtin, and i daresay, many of the big room trance djs. what about those who dont blend for hours? are you asserting that that m!lls is not inventive? rob swift? cut chemist & dj shadow? et al? i agree that people with too much money own a lot of good tracks. but making tracks FREE to people will make that problem much, much worse. while i support unknown artists sharing their work, universally accepting this style of DJing will most certainly mire music production and DJing in a rut of banality. it's clear that you're behind this technology as some sort of 'bar-raising' effort that would urge DJs to be more creative. in fact, like so much globalization and imagineering, it's only going to homogenize an already dilute musical form. i can live with being a vinyl junkie but i'll never be an mp3 junkie. in the spirit of healthy debate, vince > Subject: Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere > > Personally, I just can't get into Final Scratch and digital editing. There > are hundreds DJs out there who are equipped with the physical hardware to > (nearly) do this kind of audio montage live. They're called turntablists. > And in techno, a few names shouldn't be too far out of mind - Mills, Young, > Parker, Bone to name a few key Detroiters. > > Not to mention the detrimental effect use of digital files may have on the > trade of vinyl discs... > > Vince Woolums > AOL IM: vincewoolums > http://bnsrecords.gemm.com > http://www.recordcollectorinc.com > > - Original Message - > From: Glyph1001 <[EMAIL PROTECTED]> > To: <313@hyperreal.
Re: [313] [EMAIL PROTECTED] [EMAIL PROTECTED] everywhere
Personally, I just can't get into Final Scratch and digital editing. There are hundreds DJs out there who are equipped with the physical hardware to (nearly) do this kind of audio montage live. They're called turntablists. And in techno, a few names shouldn't be too far out of mind - Mills, Young, Parker, Bone to name a few key Detroiters. Not to mention the detrimental effect use of digital files may have on the trade of vinyl discs... Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: Glyph1001 <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, October 16, 2001 5:28 PM Subject: Re: [313] hawtin hawtin everywhere > Mixed reviews is the consensus. I personally thought musically, the cd > was pretty cool and funky. I've said before that it sounded Studio > One-ish. This series is all about the gear and techniques that goes into > the production of these mixes, not necessarily the music itself, > although some people expected way too much from R1chie musically, hence > the mixed reviews. > > g. > > Rusty Blasco wrote: > > > So what's the consensus floating around thus far concerning the new > > R!chie H!wtin joint? I personally haven't heard it yet and am waiting > > for my first paycheck in months (fingers crossed it doesn't get held > > up somewhere in the bureaucratic process); a positive public opinion > > will increase the excitement I have towards my not-too-distant > > purchase. Has he mellowed out or become any housier (as a colleague > > informed me)? Please respond to me personally. > > > > Rusty > > > > _ > > Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Mad Mike Happy Trax
Very housey. I daresay disco house. Well produced like most of the UR stuff - but maybe not the 'must buy' of a shopping expedition. I agree with a comparison to Nation to Nation and Yolanda - I'd even give a nod to the newer housey track on Millenium 2 Millenium. The copy we have is by Jamerson called "Got to Give it Up", HR1001 mixed and edited by UR. Additonal mix by Agent X. All the mixes sound alike, to me, with varying intro/outro lengths. Nice synths circa early 1990s Detroit. Almost a precursor to Cajual and later Chicago disco house. NP: Amor Belhom Duo Vince Woolums AOL IM: vincewoolums http://bnsrecords.gemm.com http://www.recordcollectorinc.com - Original Message - From: Jussi Lehtonen <[EMAIL PROTECTED]> To: M Elliot-Knight <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Tuesday, October 16, 2001 9:19 AM Subject: Re: [313] Mad Mike Happy Trax > On Tue, 16 Oct 2001, M Elliot-Knight wrote: > > > Anyone heard/seen/have this. > > I've seen it a couple of years ago in a record store in Helsinki > (Spinefarm had some real goodies back then... ;) I remember giving it a > listen back then but decided not to buy it because I was short on cash and > I had already spotted some Basic Channels and Happy Trax just wasn't a > "must buy". > > If I remember correctly it sounded like the stuff they made with Yolanda, > vocal parts of it, naturally. Now to think of it, and I may very well be > totally off having heard it briefly and only once, but it reminded me a > bit of Nation to Nation. > > Please write us a review when you've had a chance to listen to it. :) > > > > J > > -- > Jussi Lehtonen [EMAIL PROTECTED] www.netppl.fi/~sandman > > "Do not allow yourself to be programmed. >For once, in your life, take control. Take control." - UR > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] killer! of a label.
My favorites of the Round Table distributed material is A/S System and Aleph. The Killer stuff was OK, too. Same with Induced, which is a label a bit more on the sleazy disco and electro tip. All of the releases have a sort of 'big room' techno sound, most noticeably the Cochran and Wynick stuff (A:\ B:\ C:\ and D:\) on Format. Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com - Original Message - From: Yair Etziony <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, October 10, 2001 3:20 PM Subject: [313] killer! of a label. > i just found out about a canadian (i think) label which is called killer. > it has realesed great stuff out. like : MARSHALL, Adam: Voodoo Mood EP > and stuff from mr. noel -ARCHETYPE. > both this realeses should be checked. > if u guyz have any more info about this label i will be very happy to know > about it. > have a nice weekend. > Y > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] killer! of a label.
My favorites of the Round Table distributed material is A/S System and Aleph. The Killer stuff was OK, too. Same with Induced, which is a label a bit more on the sleazy disco and electro tip. All of the releases have a sort of 'big room' techno sound, most noticeably the Cochran and Wynick stuff (A:\ B:\ C:\ and D:\) on Format. Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com - Original Message - From: Yair Etziony <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, October 10, 2001 3:20 PM Subject: [313] killer! of a label. > i just found out about a canadian (i think) label which is called killer. > it has realesed great stuff out. like : MARSHALL, Adam: Voodoo Mood EP > and stuff from mr. noel -ARCHETYPE. > both this realeses should be checked. > if u guyz have any more info about this label i will be very happy to know > about it. > have a nice weekend. > Y > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Future 2 Future /D May/stringsoflife
I agree with Fred's points about a "shopping expedition". >From my experience working at an a small independant store here in Iowa and knowing and serving our local Jazz Festival promoter, I can tell you that this CD may just help bridge a lingering gap between jazz academics and techno enthusiasts. I think Future 2 Future is both on the leading and trailing edge of progression and will both bring some of the stodgy academics into our world and open a few eyes about techno's roots in jazz. Vince Woolums AOL IM:vincewoolums http://www.recordcollectorinc.com - Original Message - From: "Fred Heutte" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Sunday, October 07, 2001 3:39 PM Subject: Re: [313] Future 2 Future/D May/stringsoflife (hi, John!) Actually, 'Strings' is sampled on track 8, "Alphabeta." Future2Future is, how to say this, a pleasant pastiche. An extremely well done one, of course, after all this is Herbie Hancock we're talking about, plus a stellar cast (Laswell, Chaka Kahn, C2, Rob Swift, A Guy Called Gerald, Shorter, Williams, DeJohnette). The presence of the last three tells you how seriously H2 took this album. All the same, from the online samples it still seems to be a bit of a shopping expedition through the mid and late 1990s (references to "trip hop," tech-house, ambient jungle, even a bit of broken-beat), not a breakthrough. But that is not really a dis, just an observation. Actually, it might even be a bit of a statement. Listen to track 6 and you have an essay on why "trip hop" was so damn boring because it rehashed and smothered the classic jazz rhythm section -- a case where sampling worked against the grain, not with it. Just to hammer the point home, the track is titled "Tony Williams." So there. Overall, I like it. It certainly has more soul than most of the other tech-jazz fusion stuff out there. Quite a bit takes off from the same platform Weather Report launched from -- light'n'funky. Fred - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Future 2 Future /D May/stringsoflife
I agree with Fred's points about a "shopping expedition". >From my experience working at an a small independant store here in Iowa and knowing and serving our local Jazz Festival promoter, I can tell you that this CD may just help bridge a lingering gap between jazz academics and techno enthusiasts. I think Future 2 Future is both on the leading and trailing edge of progression and will both bring some of the stodgy academics into our world and open a few eyes about techno's roots in jazz. Vince Woolums AOL IM:vincewoolums http://www.recordcollectorinc.com - Original Message - From: "Fred Heutte" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Sunday, October 07, 2001 3:39 PM Subject: Re: [313] Future 2 Future/D May/stringsoflife (hi, John!) Actually, 'Strings' is sampled on track 8, "Alphabeta." Future2Future is, how to say this, a pleasant pastiche. An extremely well done one, of course, after all this is Herbie Hancock we're talking about, plus a stellar cast (Laswell, Chaka Kahn, C2, Rob Swift, A Guy Called Gerald, Shorter, Williams, DeJohnette). The presence of the last three tells you how seriously H2 took this album. All the same, from the online samples it still seems to be a bit of a shopping expedition through the mid and late 1990s (references to "trip hop," tech-house, ambient jungle, even a bit of broken-beat), not a breakthrough. But that is not really a dis, just an observation. Actually, it might even be a bit of a statement. Listen to track 6 and you have an essay on why "trip hop" was so damn boring because it rehashed and smothered the classic jazz rhythm section -- a case where sampling worked against the grain, not with it. Just to hammer the point home, the track is titled "Tony Williams." So there. Overall, I like it. It certainly has more soul than most of the other tech-jazz fusion stuff out there. Quite a bit takes off from the same platform Weather Report launched from -- light'n'funky. Fred - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Mysterious Track
I've run this one by my boss (who of all people would know) and all he can muster is "sounds like an early 70's funk trackthis is good!!" Sounds to me, too, like an original 70s track and not a remix. Hard to say, thought, because the wave file is kinda messy. Hopefully someone else can sort you out... Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, October 04, 2001 1:33 AM Subject: [313] Mysterious Track > Hi All, > > Is anyone willing to try and identify a track for me? So far, I've > managed to stump everyone I have asked to identify it (Sonic Groove, > Satellite, 611 Records, Record Time, Gramaphone, and several mailing > lists / newsgroups). Since most 313 members have an eclectic collection > of music, I thought I might pick your brains a bit. > > Below is all the information I have regarding the this mysterious track. > > Direct link to WAV sound file: > http://members.aol.com/clinkklank/track_id.wav > > If the direct link does not work, visit > < http://members.aol.com/clinkklank/ > and click on > "track_id.wav." > > Release Date--Possibly 1999 [it sounds like it could > be a remix of a 1970s Funk track] > > Decipherable lyrics: > > . . . > She got everything that money can buy > Silver, diamonds, dollars, and pearls > You can name what you want . . . > > Tell me why I love her > Tell me why I care > She treats me like I'm not even there > > I've got the answer > There is no doubt > . . . > > If you can offer any information about this track or suggest another > source that may be able to identify it, please reply privately, as I am > on the outskirts of this list's usual discussions. > > Many thanks, > > Porter > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Mysterious Track
I've run this one by my boss (who of all people would know) and all he can muster is "sounds like an early 70's funk trackthis is good!!" Sounds to me, too, like an original 70s track and not a remix. Hard to say, thought, because the wave file is kinda messy. Hopefully someone else can sort you out... Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, October 04, 2001 1:33 AM Subject: [313] Mysterious Track > Hi All, > > Is anyone willing to try and identify a track for me? So far, I've > managed to stump everyone I have asked to identify it (Sonic Groove, > Satellite, 611 Records, Record Time, Gramaphone, and several mailing > lists / newsgroups). Since most 313 members have an eclectic collection > of music, I thought I might pick your brains a bit. > > Below is all the information I have regarding the this mysterious track. > > Direct link to WAV sound file: > http://members.aol.com/clinkklank/track_id.wav > > If the direct link does not work, visit > < http://members.aol.com/clinkklank/ > and click on > "track_id.wav." > > Release Date--Possibly 1999 [it sounds like it could > be a remix of a 1970s Funk track] > > Decipherable lyrics: > > . . . > She got everything that money can buy > Silver, diamonds, dollars, and pearls > You can name what you want . . . > > Tell me why I love her > Tell me why I care > She treats me like I'm not even there > > I've got the answer > There is no doubt > . . . > > If you can offer any information about this track or suggest another > source that may be able to identify it, please reply privately, as I am > on the outskirts of this list's usual discussions. > > Many thanks, > > Porter > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] nightdrive vocals
Are you talking about: "I'm driving in my black on black Porsche nine eleven" ? Vince Woolums AOL IM: vincewoolums http://jump.to/iowacityunderground - Original Message - From: james boylan <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Thursday, September 27, 2001 2:17 PM Subject: RE: [313] nightdrive vocalsl > > Is this sarcasm? If so, ha ha. > > I'm referring to the kind of whispered vocal (I presume spoken by Juan > Atkins), not the vocoder bit. > > >From: "Ryan Brogan" <[EMAIL PROTECTED]> > >To: <313@hyperreal.org> > >Subject: RE: [313] nightdrive vocalsl > >Date: Thu, 27 Sep 2001 10:09:43 -0400 > > > >time.space.transmat > > > > > > > > > > > >-Original Message- > >From: james boylan [mailto:[EMAIL PROTECTED] > >Sent: Thursday, September 27, 2001 2:03 PM > >To: [EMAIL PROTECTED]; 313@hyperreal.org > >Subject: Re: [313] nightdrive vocalsl > > > > > >I've always been curious about the lyrics on 'Nightdrive'. I can make out > >some of them, but not all. Anyone any ideas? > > > > > > >From: James David Beard <[EMAIL PROTECTED]> > > >To: 313@hyperreal.org > > >Subject: [313] dope computer vocal > > >Date: Thu, 27 Sep 2001 10:07:46 -0400 (Eastern Daylight Time) > > > > > >Just curious if anybody out there can make out what > > >the vocoded vocal loop is saying in the second version > > >of Dope Computer on the Fix-Flash ep. any guesses? > > > > > > > > >- > > >To unsubscribe, e-mail: [EMAIL PROTECTED] > > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > >_ > >Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > _ > Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] magda haters in the house?
List member Scott Stone has been playing this material for the last year and half at From 0 to 1, Rotation, and on Noise Radio. Kent - where were ya?? BTW, this thread is TIRED. Vince Woolums AOL IM: vincewoolums http://jump.to/iowacityunderground - Original Message - From: Joel Fernandez <[EMAIL PROTECTED]> To: 313 <313@hyperreal.org> Sent: Wednesday, September 19, 2001 4:25 PM Subject: Re: [313] magda haters in the house? > > I wish more people would spin that > > Playhouse/Klang/Perlon-style of house. > > Miles Maeda comes to mind. Can you folks think of anyone else? > > Ciao. > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] top 3 maurizio-like tracks not by maurizio
1. niederflur 3 2. mannequin lung (any) 3. burial mix (any) Vince Woolums AOL IM: vincewoolums http://jump.to/iowacityunderground - Original Message - From: marsel <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, September 14, 2001 12:11 PM Subject: [313] top 3 maurizio-like, but not my maurizio himself tracks > > feeling bored > > 1. in sync - subway route (irdial) > 2. theorem - ion (m_nus) > 3. pub - lick (ampoule) > > .. . :: http://nomorewords.net > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] OT Resource Crisis
hi. briefly - please do not add to the fervor of gas, food and sundries shortages. false demand will create a shortage of supply, in this case. walk, bike, or use mass transit. buy only what you need most, not everything that you want. conserve electricity. donate blood and plasma. pray for the world. vince - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] WTC
Not to carry this too far forward, but here are a couple of interesting things: 1. The group(s) responsible were successful in launching a VERY coordinated effort. Not only was it in great collusion, but the 'weapons' used were the very instruments of our own capitalist machine. Not many big bombs, just our own planes. 2. The date. 9-11. Emergency. Coincidence? Not sure...but probably not. 3. I echo the urge to be careful about what you see, hear and read. Vince Woolums AOL IM: vincewoolums http://jump.to/iowacityunderground - Original Message - From: James Michael Bishop <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, September 11, 2001 12:46 PM Subject: [313] racism > sorry if my comments offended some of you but how often do we need to here this > stuff. every topic turns into a race debate a great deal of the time some > people consistently fuel the fire. who cares if mike is white or black his > comments are off color and unwelcome in my mail box along with the thousand > other un 313 related comments. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DE9 closer
Hello. To my knowledge there is no 'track listing' per se, because of the nature of the mix. Lots of track titles are included as points of reference, but the order in which they are listed is not the order in which they are played. There is also nothing that subscribes to the traditional track-after-track approach. Bits of track recur at random times throughout the mix. Makes sense, right? Vince Woolums AOL IM: vincewoolums http://jump.to/iowacityunderground - Original Message - From: Williams, Howard <[EMAIL PROTECTED]> To: 313 (E-mail) <313@hyperreal.org> Sent: Thursday, August 30, 2001 8:55 AM Subject: [313] DE9 closer > Hi all > > could someone tell what the track is on hawtin's DE9 - closer to the edit, > that kicks in at track 15 after 20 or so seconds (after a fadeout)? - great > bassline etci'm listening on a minidisc copied from original so don't > have track listing. > > what labels are there putting this type of stuff out? > > thanks, > > howard > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] ambient techno
My personal favorite: Amorphous Androgenous (aka Future Sound of London) - Tales of Ephedrina (Astrelworks) Still in print on CD, vinyl was promo only 12"s, no LP. Great stuff!! Awesome atmosphere and great emotion and ambience. I personally grew attached to this playing Metroid for SNES. It really should have been the soundtrack... Ahh, the days! Vince Woolums AOL IM: vincewoolums http://jump.to/iowacityunderground - Original Message - From: Kao Jyan <[EMAIL PROTECTED]> To: 313 <313@hyperreal.org>; Mike Taylor <[EMAIL PROTECTED]> Sent: Wednesday, August 29, 2001 12:46 PM Subject: Re: [313] ambient techno > I should also have said that I am looking for recommendation for specific > > releases. I know about Fax and Warp, I need details about which > > releases/artists to look for. I have a general idea about who was big in > the > > early 90's and what to look for. What I am interested in is specifics > about > > the more obscure labels/releases and artists from that period. > > all the artifical intelligence on warp series were great, especially Polygon > Window. > all the early aphex stuff in fact (caustic window and the analogue bubble > baths are easy to track down). > bioshere's patashnik (sp?) was really good too if you liked microgravity. > early seefeel stuff is brilliant, and the FFWD album (orb members + robert > fripp) is very cool. > air liquide have got loads of material too which might not be too easy to > find?? but Sonic Weather Machine and Nephology are really cool. > and then there is the Orb and FSOL. > maybe not quite what you're looking for but if you don't have FSOL's album > Lifeforms get it immediately, i still think this is THE most important > (electronic?) album EVER. (i know i'm gonna start an argument with that one > : ). > as far as fax, i would recommend Air and Fish, but i haven't heard a lot > more than that. > > kaojyan > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Herbie Hancock - Future to Future
New CD from Herbie. He's really keepin on! Featured collaborations with Carl Craig, Chaka Khan, Rob Swift and A Guy Called Gerald. Really groovy cuts. Wayne Shorter plays on it too, which is a nice treat. I'm so glad to see award winning jazz artists push the boundries of jazz-electronic fusion. And no wonder that Carl is involved. Seems he's everywhere!! I think the standout track is "This is Rob Swift". Gerald gets nice and deep with the beats in "Black Gravity", and Chaka gets reflective on "The Essence". Carl's track "Kembero Part 1" is a satisfying way to start the record, but the female vocal seemed a little too contrived. It's easily the most electronic sounding cut on the album. Produced by Bill Laswell, and most of the album carries his distinct mixing sound. If you've ever heard the Axiom CDs or the Panthalasa remixes, you get an idea of what the production's like. Released early next month, so don't sleep! Vince - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] how was madonna???
Well I got to listen to a bit on a radio rebroadcast. It sounded good! Anyone else catch the Stardust bassline/track during Holiday?? Odd that since she's a Michigan native no one mentioned this event until after the fact. Vince - Original Message - From: "dj revolver" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, August 27, 2001 3:38 PM Subject: [313] how was madonna??? (me bored at work/list dead) > Did anyone attend Madonna concerts this weekend? - details? > > > > > > _ > Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re: New Moodymann & PFG Cat #s
Hello, This is the same record sold by Watts about four weeks back as "Logo Track". I agree with the comment that these tracks are just OK. Still nice to have. :) Can anyone help me understand why the PFG reissues seem to have skipped several catalog numbers? The Planetary Assault Systems ran 1-5, then there was X-Tront and the Coad Warriors. It seems, then, that it skipped ahead to 16 with Norma Jean Bell. Am I just confused? Where did the releases between 9 and 16 go?!? Vince Woolums AOL IM: vincewoolums http://jump.to/iowacityunderground - Original Message - From: Sean Creen <[EMAIL PROTECTED]> To: Rob Theakston <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Thursday, August 02, 2001 7:29 AM Subject: Re: [313] New Moodymann > > > Rob Theakston wrote: > > > i'm really wondering if this is the track he ended his fantastic live set > > with? > > if i recall correctly he sings something like "you're a sexy > > mother**..that's what you are to me" > > anyone? anyone? bueller? twoplayer people? > > > > Don't think so - there's no vocal apart from a sample on one side about scoring > weed. The tracks are just OK IMO. Certainly not a patch on the last KDJ... > > Sean. > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Mix MP3 to check out.
We have a few Gray/Deep4Life titles in stock right now: Utterance - Grant Me Utterance *C. Gray remix* - Deep4Life 12" Darand Land - Blessings - Deep4Life 12" Chris Gray - Emotional Distortion - TrackMode LP Good stuff! Mail me privately if you like. Vince Woolums AOL IM: vincewoolums http://jump.to/iowacityunderground - Original Message - From: <[EMAIL PROTECTED]> To: Mxyzptlk <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Thursday, July 26, 2001 1:26 PM Subject: Re: [313] Mix MP3 to check out. > www.sonicgroove.com, www.bentcrayon.com... wherever good techno is sold. > Using search databases, you may have to be clever since some websites can't > decide on "deep4life" or "deep 4 life". I'd recommend Chris' magnum opus > "emotional distortion", deep south experience *cough which I'm on*, and the > newish Signifier EP "Reprogression"... Signifier is a duo from I forgot > where who put some crazy subtle unique DSP magic on the superdeepdeep4life > sound. They are mindblowing. > > --On Thursday, July 26, 2001 2:30 PM -0500 Mxyzptlk <[EMAIL PROTECTED]> > wrote: > > > Speaking of Chris, where can you find his stuff for saleeither near > > Detroit or on the net? I usually wind up searching GEMM, etc. Thx. jeff > > > > > > > > At 01:18 PM 7/26/2001, [EMAIL PROTECTED] wrote: > > >www.chrisgraydeep.com > > > > > >Chris Gray's (Deep4Life records and EFnet #313 member) got a decent Deep > > >House mix up there called "Apt 3A". > > > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Love's Arrival, Major Ice
Hi all. Got to check out the new Larry Heard CD Love's Arrival. Just about what I've come to expect - nice, lower tempo house beats, solid vocals and great composition. Standout tracks are Dew Drops, Another Night, Missing You (of course!!) Jazz Cafe Mix and Direct Drive, which is on the recent limited 12". Both CD and 12" available on Track Mode records. Major Ice is Terrence Parker's compilation CD published on his new imprint label Real Right Records. Great selection of downtempo tracks, including one by Iowa Citian and 313 cat Kent Williams called "Piano Dub". Easily one of the best non-techno tracks I've heard from you!! Great delays and key lines. Speaking of key lines - wow - TP himself is rockin the chill groove sounds with a remix of my all time fav. Seven Grand/TP track "Jessica". Word! Really really solid stuff. Another standout track is TP's "One Good Cry". Soundtrack material for real!! Weepy. This is a beatless heartstring puller. Put this song over a sad scene in a sad film and there'll be emotions pouring freely from the eyes... Both should be available at your local purveyors of esoteric records and CDs. Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] To Whomever Wanted Ultradyne
Hi, I have a copy of Ul;tradyne - Cities in Ruin 12" (Nu Vorm 002). Please contact me if interested. Sorry for the spam. Vince Woolums http://www.recordcollectorinc.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] the demf political thing, yet again
I'm driving up tomorrow from Iowa with Kent and Ryan Burns. I wouldn't miss DEMF for the world. Especially after the powerful feeling I was left with after last year's show. But on one hand I've been quietly wondering, with hysteria in full bloom, that we've not heard much from Detroit techno fans in non-capitalist, command economy countries past and present. Places like China and Russia. I mean did *they* create techno? This intrigues me. Like K.Hand's statement about US DJs learning from their European peers, and list member's prior comments about how the club & rave business is conducted overseas it would seem that our own perception of the events surrounding DEMF01 are a bit colored by misgivings of involvement by corporate culture. In many ways, the creation and sustainability of Detroit music, from jazz to soul to Motown to techno, would not have been/will not be possible without the presence of Henry Ford's ideology and a market economy (amongst a myriad of other things). I guess this is just food for thought more than anything; I'm not trying to get flamed. On the other hand, it seems quite fitting that "Pop Culture" media represent just that, both at their electronic music festival and jazz festival. What's peculiar in this regard is that, in my estimation, Detroit is a modern epicenter for revolutionary, Underground artistic Resistance - especially when it comes to electronic music. Will the Assault Squadron be called up for a special battle to save their homelands from the Programmers? Stay tuned. More food for thought: UR 042 The Turning Point "Roots - without them you would be like a tree in a strong wind, easily blown over. Rhythms and music is our only surviving link to what we are and the only voice of our ancestors. And soul is the communication of their experiences. Without roots, music & soul we would be lost, blind, futureless and unable to overcome what we face daily." R 045 Interstellar Fugitives, Chuck Gibson aka Perception - Mirage Strategic Visual Diversions Specialist / S.I.D. sector "Everything you hear, may not be real. Look inside your soul, listen to your heart...it might be a mirage. Everything you see may not be real. Everything you read, may not be true. Look inside your soul, listen to your heart...it might be a mirage." PE65632 Carl Craig - More Songs About Food and Revolutionary Art "Revolutionary art is not determined by its avant-garde content; nor its formal or technical trickery, its interpretation of reality, or its verisimilitude, but, rather, by how much it revolutionises our thinking and imagination; overturning our preconceptions, bias and prejudice and inspiring us to change ourselves and the world..." ARTOFDANCEPromo Yennek - Without (House Mix) "Without sound, there would be no life." Seeing many of you tomorrow, Vince Woolums - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] DEMF guide for palm/html!
Wow Chris, very nice work! Much better than what I was working on. All the links seem to be working fine, and the the only link that didn't come through was electronicmusicfest.com - no big loss there. The formatting seems to be spot on as well. A few of the pages use a different font, but that's no big deal :) I didn't have AvantGo previously installed on my Palm, but the account creation procedure was completely painless. Great that such powerful software is free! Now if only there were someone updating this page during the event with schedule and lineup changes, Miller-Ford Focus Bacardi Lite Potato Sack Race winners and Pop Culture jokes (all for those ritzy wireless users), that would be a techie's dream. This application is available for all Palm/Visor/Windows CE and Webphone users. Check it out... Cheers and thanks, Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com http://jump.to/iowacityunderground - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, May 21, 2001 8:53 PM Subject: [313] DEMF guide for palm/html! > > Hi, > > So i spent a few hours formatting the demf guide in html that's optimized > for viewing on a palm pilot or similar device. (that is, it's just text > and a little graphic). > > it's at http://www.postraveclub.com/demf.html. > > If you've got a palm pilot with avantgo software, all you have to do is > log in at www.avantgo.com and choose "create new channel." put in the > address listed above, and make sure you've got link depth set to > 3. includ images if you want, or don't. There's just a little demf logo > at the top, you're not missing much if you don't include it. Then you > just need to save the channel, and sync your pilot. That's all there is > to it. > > I'm relying on you all to error-check things for me, and email me with any > corrections. PLeas don't write asking for help getting it onto your pda > though :) > > enjoy, > > chris > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Re [313] DEMF FAQ
Any chance someone wants to convert the FAQ to a Palm/Visor readable file, or suggest a means to view the file on my Visor Platinum? That would be quite handy. Yours, Vince Woolums - Original Message - From: "Mxyzptlk" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, May 21, 2001 8:03 AM Subject: [313] DEMF FAQ > Hiya. > Not being a techie, I didn't know how to answer a friend of mine who > emailed me to ask how he, being a mac user, could view the DEMF FAQ - which > is an .rtf file. Any suggestions? Thanks. > jeff > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Masters of Sound
These records are by a group a.k.a. "Illicit". They've done several white label remixes of classic dance, disco and house diva tunes, most of them within the last year. I'm not the expert, but to my knowledge they're based somewhere in the UK. I'm sure someone else may have much more detailed information. On another note, it's too bad this wasn't the version of Funkanova that has been sampled by Black Science and Detroit's finest Mr. TP!!! Good luck, Vince Woolums AOL IM: vincewoolums http:///www.recordcollectorinc.com http://jump.to/iowacityunderground - Original Message - From: "Bulger, Tim" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, May 16, 2001 4:05 PM Subject: [313] Masters of Sound > During a pilgrimage back to Detroit a few weeks ago, I picked up a vinyl at > Record Time in Ferndale that's just awesome.. It is labelled 'Masters of > Sound - Funkanova' on one side and the other is a white label. It's a very > dance floor oriented house record with real nice filters and really great > production.. Does anyone know anything about these guys or if there are any > other releases I can check out? > > Thanks in advance, > Tim > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Global Underground series - Ghetto Tech mixes
To keep with the 313 flavor, I'd recommend the TP Classic Mix CDs. Absolutely no doubt they're mixed live. You can hear the imperfections and I think that's the mark of a classy DJ mix. Paradoxical, I know. Can we speak no more of Global Underground? Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com http://jump.to/iowacityunderground - Original Message - From: jonathan morse <[EMAIL PROTECTED]> To: FC3 Richards <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Wednesday, May 09, 2001 6:07 PM Subject: Re: [313] Global Underground series - Ghetto Tech mixes > > disco d is sick! especially when hes throwing down M6 or dbx tracks... > > -- > >From: FC3 Richards <[EMAIL PROTECTED]> > >To: "'[EMAIL PROTECTED]'" <[EMAIL PROTECTED]> > >Subject: RE: [313] Global Underground series - Ghetto Tech mixes > >Date: 09. May.200119:08 > > > > > those are real mixes...i know that the Godfathers "Da Bomb" series isn't > > faked... > > > >> -Original Message- > >> From: [EMAIL PROTECTED] [SMTP:[EMAIL PROTECTED] > >> Sent: Wednesday, May 09, 2001 9:04 AM > >> To: 313@hyperreal.org > >> Subject: RE: [313] Global Underground series - Ghetto Tech mixes > >> > >> I doubt it. You'd really be surprised at how quickly most ghetto tech dj's > >> switch records. I used to go check out Gary Chandler when he used to spin > >> at The Warehouse (now Club 2000) and he would drop records at a rate of > >> about 1 a minute. > >> > >> > >> > >> > >> > >> Jamil Ali <[EMAIL PROTECTED]> on 05/09/2001 11:34:01 AM > >> > >> To: "'313@hyperreal.org'" <313@hyperreal.org> > >> cc: > >> Subject: RE: [313] Global Underground series > >> > >> > >> On the subject of 'fake' mixes. are those DJ Assault mixes on the > >> submerge site done in pro-tools too? Cause there's quite a lot of tracks > >> on > >> them > >> > >> - > >> To unsubscribe, e-mail: [EMAIL PROTECTED] > >> For additional commands, e-mail: [EMAIL PROTECTED] > >> > >> > >> > >> > >> > >> > >> - > >> To unsubscribe, e-mail: [EMAIL PROTECTED] > >> For additional commands, e-mail: [EMAIL PROTECTED] > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Ford steals souls....OT
Please check out Benjamin Barber's book "Jihad vs. McWorld" for a fantastic discussion of 'theme-parking', 'imagineering' and 'videology', as well as a critical assesment of current economic systems. It may help to answer questions relating to the matter of society and corporate hegemony. Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com http://jump.to/iowacityunderground - Original Message - From: John Osselaer <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>; <313@hyperreal.org>; <[EMAIL PROTECTED]> Sent: Wednesday, May 02, 2001 3:29 PM Subject: Re: [313] Ford steals souls > > > > > >Coming from a family of working class folks, I wouldn't be here if it > >wasn't > >for companies like Ford, GM, Edison, and Ameritech. As much as they > >monopolize their markets, and they try to corner their shares, they are > >still providing jobs. Jobs for people of all classes and creed. They may > >be the worst employers around, but they are still employers. No one would > >be able to create music if it wasn't for jobs to gain money to buy > >equipment, and so on and so forth. > > ---> Correct, but in todays society everything gets bigger. Small companies > dedicated to quality and personal service get squeezed the life out of them > by the big companies. The same thing happens in 'clubland'. The big parties > get bigger (and in most cases much worse) and people trying to pull off > something smaller, interesting and quality events are just put out of > business by the mindwarping media- and flyercampains of the big boys. > So this leaves you with a choice: go work for the big, unpersonal company OR > struggle ahead and try to keep as much of your own identity in everything > you do. This is a tough choice and it can really get to people. Man, when I > came out of school it took me so long to find a job I accepted a job in a > bank. Every day I had to switch of 'John' to become a number because that's > what I was to those people. I got f***ed so bad in that job I would rather > starve than work in that kinda of entreprise again. > Anyway, this is a sociological development that we can not easily stop. > Everything is moving to quantity instead of quality. Luckily there will > always be a group (most of you are examples) that doesn't want to go there > and who will stick with quality (which hopefully will become a standard > again when the quantity-thing gets out of hand). The only thing that is > sure in this whole thing is: 'It's going to get a lot worse before it's > going to get better (if it ever does)' so we will have to be strong. > > >If we just realize it and ignore it, we'd be much better off, than getting > >all upset everytime we think someone is trying to "steal" our soul. I > >think > >all the opinion expressed are valid and work, but I'd rather see a group of > >considerate people ignoring something that is beyond their control, rather > >than someone "thinking" that there is an issue and doin something that > >ruins > >the whole party. > > --> Ignoring this thing would save us a lot of energy. But, although we may > be smart enough to see through the big marketing schemes, there will be > plenty of people falling for it and getting misled by it. So, how do we > protect (= inform) them? Or do we just stick to ourselves? > > John, trying to finally get from behind the computer, out > > P.S. Nice threads! > > > > >Hope everyone has a wonderful evening... > > > >Cheers! > >Dennis Donohue > >_ > >Get your FREE download of MSN Explorer at http://explorer.msn.com > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > _ > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Theo Parrish
To my knowledge these are being distro'd by Forced Exposure. They're all CR(r)s. Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com http://jump.to/iowacityunderground - Original Message - From: kurt(bway.net) <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, May 01, 2001 3:31 PM Subject: [313] Theo Parrish > > was kind of astonished to find not one but four new (?) Theo Parrish > CDs at kim's in the east village (nyc) today. > > --"Live in Japan" > --"Eclectic Asthetic part 1" > --"Eclectic Asthetic part 2" > --"Live @ the Temple 2000" > > anyone know what the deal is with these? odd that they come in jewel > cases sans packaging...are they bootlegs? > > just listened to a chunk of Eclectic Asthetic 1 and it sounded really > fantastic... > > kurt > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Z-tracks was:Re: [313] E2-E4 / UR rareties
Hey Soul Flower is good too! It's by the Pharcyde though, and LA hip hop is certainly OT. Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com - Original Message - From: "Andrew Wilson" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, April 25, 2001 9:39 PM Subject: RE: [313] Z-tracks was:Re: [313] E2-E4 / UR rareties > :::Think you are confusing Soul Saver with Soul Power mate. > > close though :) > > as i said i didn't have a track listing, and soul saver rocks too > > trying to cover myself :) > > andrew > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] top ten
Speaking of current hip hop meets electro (esp. Kraftwerk/Model 500) did anyone peep Big Booty Express on Jay Dee's "Welcome to Detroit"? Check it out, if you haven't. Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com http://jump.to/iowacityunderground > I've always said Missy Elliott and Timbaland were techno - check out Talking > On The Phone on Timbaland's Tim's Bio LP, where she goes off about aliens > and that beat! Very Model 500 type song. On point!! > > >whoa...i forgot the missy/timbalnd track...that rocks. its insane. for a pop > >record. > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] in an attempt....
Electric Company - Slow Food DJ I/F - Mixed Up in Den Hague Vol 1 ATCQ - Midnight Maurauders Cex - Starship Galactica Frodus - We Washed Our Weapons in the Sea Josh Cassels - Baseline Records 001 R.Craig - Moods of Electronica Morgan Page - Touch Tone EP Jeff Samuel, Richard Hinge, Dietrich Schoenemann - Remains 11 Groovestyle - Love/Freedom Train Dietrich Schoenemann - Pusher 2 Ahh. Five hours in a record shop... Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com http://jump.to/iowacityunderground - Original Message - From: dan ito <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, April 19, 2001 4:51 PM Subject: Re: [313] in an attempt > three o three-public energy > spastik-plastikman > b side of the sour candy ep-paul damage > lanicor-umek > a1 on the wicked switch ep-jamie bissmire > house special-frankie bones > confusion-pump panel > angel street-Planetary Assault Systems > stairway ritiual-Planetary Assault Systems > unlucky punk-magnum force > > >From: [EMAIL PROTECTED] > >To: 313@hyperreal.org > >Subject: Re: [313] in an attempt > >Date: Thu, 19 Apr 2001 16:47:35 -0400 > > > >Right now: > > > >1. "Design I Red Giant" - Danny Andersen (MP3.com) > >2. "Undergrowth" - Christian Bloch > >3. "Undergrowth(remix)" - Christian Bloch > >4. "Human Jock Box" - Skinny Boys > >5. "04_09_2001" - Logic7 > >6. "93 Til Infinity" - Souls of Mischeif > >7. "Pacific 0101" - 808 State > >8. "Sex on the Beach" - DJ Assault > >9. "03_28_2001" - Logic7 > >10. "You Got's To Chill" - EPMD > > > > > > > > > > > > > >"Rob Theakston" <[EMAIL PROTECTED]> on 04/19/2001 04:39:41 PM > > > >To: <313@hyperreal.org> > >cc: > >Subject: [313] in an attempt > > > > > >to get everyone off the whiny "why aren't they playing posts" and wasting > >bandwidth. i'm starting a new > >topic. > > > >what's your top ten right now? > > > >1. "what a fool believes" - doobie brothers > >2. "for john cage" - morton feldman > >3. mental images of what Metro Area 4 is going to sound like > >4. "natural knowledge" - ian o brien > >5. "asleep" - the smiths > >6. "sound characters"- maryanne amacher > >7. clicks and cuts 2 compilation > >8. loop finding jazz records - jan jelinek > >9. bill van loo's summer mix chrome decay 3.0 > >10. lights down low - theo parrish > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > > > > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > _ > Get your FREE download of MSN Explorer at http://explorer.msn.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
OT: Re: [313] Original v. Replica, Private v. Public & Duh...Longish
Craig Wrote: > freedoms. As Abraham Lincoln put it, "Whenever there is a conflict > between human rights and property rights, human rights must > prevail." Property rights are meant to advance human well-being, > not as an excuse to disregard it. > American capitalism and the idea of intellectual property in 2001 > are basically incompatible. Capitalism is primarily a property & > services based system. Tossed upon an electronic canvas where > property loses its meaning -- where the concept that I can "give" > someone something without me losing it, and they in turn can give it > to everyone else in the world so that we all have the same thing... > is anathema to any financial models that we've been accustomed to > since as long as we can remember. In polite disagreement, you quote Lincoln from the 19th century to assert that later, in the 21st century, human rights must still prevail. Nearly any political structures or regimes in the world today celebrate true 'human rights', as it was understood by Lincoln. Just look at the brewing crisis between America (alleged home of the free) and China (alleged home of the unfree). Then remember that Lincoln was the Great Emancipator, and probably one of the kindest men to serve high political have ever lived (Cinncinatus excepted).But to extend his world view into the 21st century, a world full of rogue states, dormant superpowers and new kids on the block, is inconceivable. This arguement, so far on both sides, concedes that the present is different from the past. What the Internet challenges is, as you said, the economic system in which the recently globalized world participates in. And 'globalization' is most *certainly* the key to future economic systems. The world is fast becoming reliant on resources, many of which are found outside a country's own physical boundaries. Creativity, in the capitalist system is as Barlow said in the Wired article is both applied to the mental and physical world - nouns and verbs - manufactured goods and manufactured thoughts. The capitalist economy, arising out of the Industrial Revolution and using the IR's great power to vault itself into power, is no doubt one of the greatest portents of doom for this species. There is no indication that the 'global village' will wholesalely reject capitalism. It's kind of like the sweatshop arguments, but a whole different can of worms. In short, the moguls control information, even on the Internet. And they will seek to maintain their hegemony in any way possible - through policy or practice. If anyone is interested in issues relating to the globalization of society, I STRONGLY recommend reading Benjamin Barber's fantastic book "Jihad vs McWorld". Tosh Wrote: >The point is the world has suddenly evolved. Suddenly? This evolution has been about as quiet as the Industrial Revolution ;) >If your main predatory enemy has just evolved a new way to eat you, you >can either sit there and whine and say "hey that's not fair you can't do >that" or you can evolve a counter-response. That's what pushes >evolution in nature and innovation in capitalist systems. What I think you mean regarding nature - adaptation - is something humans are notoriously poor at facilitating. At least most humans. I beg to disagree, too, that a 'dog eat dog' model of the capitalist system appropriately addresses the system's real motivation - and don't forget it - PROFIT. Look at today's economy - at 1020est the Dow's back up 130. But selloffs and layoffs come from new on earnings. Since many (I'd wager more than not) stocks are falling short of earnings projections, (read: they're not as profitable as they claim to be), traders are dumping mid and large caps left and right. I think that Craig's eloquent description of a type of intellectual redundancy is the one thing that will chip away at the foundations of the entrenched global capitalist hegemony. That one can share information, creations and ideas yet not lose ownership of that information, creation or idea is tantamount to what capitalism was conceived to be by Adam Smith - a truly free market, with no interference and a level playing field. So much more to say, but I'd just be wasting bandwidth. Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com
Re: [313] john cage vs. modern electronic music
Something else many people don't realize: Miles' later works (read: anything produced by Teo Maceo) were heavily edited in the studio. Maceo employed prototypical cut and splice techniques to make Miles' recordings sound smooth. There are several resources available on this topic, if you want to know more about it. I guess that's a technological riff on this thread, at any rate. Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com - Original Message - From: Alexander Ohanyan <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, April 06, 2001 4:18 AM Subject: Re: [313] john cage vs. modern electronic music > You should probably check out late Miles stuff before > his pop phase and after In a silent Way--might be what > you're looking for, its influenced by Stockhausen big > time > --- "viagratek ." <[EMAIL PROTECTED]> wrote: > > thanks for your suggestions so far. > > > > i think i have enough background information on him > > for my project but im > > still looking for specific examples of MODERN > > electronic music that has been > > influenced by cage. i was saw brian eno's name > > mentioned, but im not > > familiar with any of his work...any suggestions?!! > > the only thing i came up > > with (and it might not even be that valid) is aphex > > twin blahalah bouncing > > ball. it seems to fit the whole "music by chance" > > thing and how everyday > > noise can create music which were themes shared by > > cage, but do you guys > > think i should look for something more layered and > > soundscapey? as for > > Stockhausen, terry riley and steve riech, yes im > > already familiar with there > > work too, but the other group gets to steve riech > > and Stockhausen so they're > > off limits. > > > > -v > > > > > _ > > Get your FREE download of MSN Explorer at > > http://explorer.msn.com > > > > > > > - > > To unsubscribe, e-mail: > > [EMAIL PROTECTED] > > For additional commands, e-mail: > > [EMAIL PROTECTED] > > > > > __ > Do You Yahoo!? > Get email at your own domain with Yahoo! Mail. > http://personal.mail.yahoo.com/ > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Vincent Floyd
Yeah if anyone wants to sell me this Relief record, I'll buy it! Vince Woolums AOL IM: vincewoolums http://jump.to/iowacityunderground Subject: Re: [313] Vincent Floyd > Last thing I have of him is 'heart attack' on relief records. > > RD > > > >> Since you guys are taking about Chicago for a sec I thought I'd throw this > >> one out. Anyone know of any other Vincent Floyd releases besides Cactus > >> Juice and Chan "Your Eyes"? Or even better, anyone know what ever happened > >> to Vincent? > >> > >> Talk about a man ahead of his time... > > > >well, i have on ep by mr Floyd, but i don't know if it's the same guy. > >"Vincent Floyd - The Magic ep" on Subwoofer/Freetown, 1996 > > > >tracks: > > > >Get closer > >I need you > >I am > >Strange Pleasure > > > > > >records says Written and Produced by Floyd Walker, additional keyboards > >by Jordan Fields and Robert Alexander > > > >i'd say the ep is nice deep(ish) chicago house.. > > > > > >sakke > >-- > >A dream will always triumph over reality, once it is given the chance. > >-- Stanislaw Lem > > > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > > Signup for FREE email and member home pages at http://www.turkey.com > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Christian Morgensen
Christian Morgenstern is his name, and he's published (mostly) to my knowledge on his Forte label. The most notable recent releases include a 12" Hawaii Blue and Death Before Disco and Re: Death Before Disko, a remix package of its namesake, with work by Alter Ego, Ural 13, Neil Landstrumm, John Tejada, Soulcenter and DJ Slip. Cool, grooved out techno from the Koln region. I'm sure you know of other labels in their ilk. You can get other detailed info from www.sonicgroove.com/m_frame.html . Vince Woolums AOL IM: vincewoolums http://www.recordcollectorinc.com Subject: [313] Christian Morgensen > I wondered if anyone is familiar with Christian Morgensen, a techno producer > out of Cologne. I mainly want to verify the spelling - I have just written > it phonetically in German. Some info may be good too.
Re: [313] New Aztec Mystic???
While not released commerically on vinyl, a few of Rolando's Z-Tracks (listed below) appear on the commercially released DJ Rolando Aztec Mystic mix CD (URCD049). Really a superb mix, too! The doubles of Drexciya's Bada Pumps rock my world!! URZT001: The Aztec Mystic - Z Track URZT003: Afrogermainc - Z Track and my personal fav URZT001: UR - Soulpower Hope that helps. Vince Woolums - Original Message - From: "dr" <[EMAIL PROTECTED]> To: "christos" <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Monday, March 19, 2001 12:54 AM Subject: Re: [313] New Aztec Mystic??? > there's been a better explanation of this on 313 before... but Z > tracks are some kind of in-house only UR tracks. stuff that's been > done by the camp specifically for the djs to use, that was never > released. > > At 1:54 AM -0500 3/19/01, christos wrote: > >On 430 West's site, under Rolando's Discography, they list "The Z Tracks" > >under his latest releases. The catalog numbers are URTZ-001, 002, 003. > > > > > > > >What is this all about? Are these upcommin (or already out) releases? > >Does anyone know anything about this? > > > >--- - > >Christos Michalakis734.332.1256 [EMAIL PROTECTED] > > > >"if heaven ain't a lot like detroit, I don't want to go. if heaven ain't a > >lot like detroit, I'd just assume stay home. If they ain't got no 8-mile > >like they do up in the D, just send me to hell or salt lake city, it'd be > >about the same to me" > > -Uncle Kracker > >--- - > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] jeff mills track id's
As Ani said, some Definitve titles are still available and the rest currently OOP. Acid House For All 3 is availableand Ian Pooley's Rollerskate Disco is available. The House For All double packs were also re-released. There are others too. Visit our website below: http://www.recordcollectorinc.com Vince Woolums AOL IM: vincewoolums http://jump.to/iowacityunderground - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, March 02, 2001 11:12 AM Subject: Re: [313] jeff mills track id's > Does this mean that you guys have it? > > > > > "ani" <[EMAIL PROTECTED]> on 03/02/2001 12:04:01 PM > > To: "313" <313@hyperreal.org> > cc: > Subject: Re: [313] jeff mills track id's > > > robot man do da doo > > two different 12" on definitive: > plastikman's acid house remix (green label) > and > hard house mix / acquaviva's flare for disco mix / hard house dub / detroit > groove mix > > definitive records are out of print, but these two were re-pressed a few > months back. > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
New Carl Craig mix CD
Don't know if this has been mentioned recently, (I'm just back on 313 so forgive me)but Carl's got a forthcoming Shadow Mix called Onsumotahasheeat aka On Some Of That Sh*t. My boss and I just listened to it - what a mix! All old Shadow records culled at his discretion from their back catalog. Totally mixed on Pioneer CDJ700's. Nice bit he wrote on the back, too. The selections range from sticky sweet downtempo stuff to ambient groove and drum n bass. Great tracks from Jimpster, Ultralights, Shunju Gumi, Recloose, Droid, Marasma and more. According to the Shadow web site it's due out March 13th. On the techno tip, Dietrich Schoenemann's got a Shadow Mix due out late spring. Vince Woolums Manager and Buyer Record Collector, Inc. 125 E. Washington St Iowa City, Iowa 52240 USA (319) 337-5029 [EMAIL PROTECTED] http://www.recordcollectorinc.com
Re: [313] OT: Let's Talk T-Power
The first album, Self Evident Truths of an Intuitive Mind, is simply extraordinary. T-Power manages to relate states of human emotion and geometric shapes through sound. A must have for fans. Vince - Original Message - From: Jongsma, K.J. <[EMAIL PROTECTED]> To: 'Nick Walsh' <[EMAIL PROTECTED]> Cc: <313@hyperreal.org> Sent: Thursday, September 21, 2000 9:03 AM Subject: [313] Let's Talk T-Power > > > And first T-Power album was indeed excellent... but > > > I find 2nd, "Waveform" a > > > bit boring... > > > > Me too but the thing with Waveform was that it was > > more experimental... moving into nu skool breaks... > > it's all d'n'b anyhow... > > I agree that Waveform is a-must have album, i was really suprised when i > heard that album. They are one of the few people who took D&B to another > level. They do an excellent live show also, i herad them play 2 years ago in > Nijmegen and it was really impressive to hear. > > [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] Rick Wade (was Alan Oldham comics...etc,etc)
I'm seeing a hybrid of Narc (member that one!?) and the Wu Tang game. Like Narc you'd have to destroy the evil big boss man, in this case Sony Records execs, and like the Wu game you'd get to choose between the various UR characters. Maybe even in 'special' mode you could choose the vague characters of Drexciya! Other characters could be the Burden brothers (like Double Dragon!!) Mad Mike, Rolando, etc Vince - Original Message - From: <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Thursday, July 13, 2000 5:27 AM Subject: Re: [313] Rick Wade (was Alan Oldham comics...etc,etc) > In a message dated 13/07/00 05:46:09 GMT Daylight Time, > [EMAIL PROTECTED] writes: > > > How bout a UR videogame? This provides the opportunity to incorporate the > > music with the characters, and... well... it would be cool ;`) > > Here's an idea! Sell it to Nintendo for the 64, or Sega for the Dreamcast, > its their ultimate chance to bash on their main rival, it could be based > around UR's battles with Sony (responsible for playstation of course) and > allow the player to beat the crap out of fat record execs and the like. The > various UR artists definately have video game friendly names, and the > soundtrack would be UR throughout of course, however, if you lose the game, > the gameover music could be the ripoff trance version of Knights of the > Jaguar! > > While I doubt it will ever happen, its not that ridiculously far fetched of > an idea, the Wu-Tang Clan have their own fighting game out for playstation, > and its actually quite good. I wish I was a brilliant programmer, and I'd > make it happen! Saying that, I doubt UR would be very interested in dealing > with big video game companys and the like... > > Aaron > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] TR-909
we use distilled water to clean records at our shop. i'd recommend following hugh's advice, and if you use water make it the distilled variety. :) vince - Original Message - From: Hugh G. Blaze <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Wednesday, July 12, 2000 3:33 PM Subject: Re: [313] TR-909 > Actually, pure water, as long as there is nothing in it, will not harm > electronics. In theory. I still wouldn't put my 909 in a bucket, and that is > what your friend suggested, as I understand it. Try compressed air. You can > buy canned air at most photgraphy and electronic stores cheap (about $6 > U.S.). It comes with a little mini cocktail-straw sized tube that can snake > down into the sides of some knobs and sliders and blast out the offending > dust particles. You could also take off the face of the 909 by unscrewing > (carefully) the panel on the underside of the machine. > > > > >Does anyone have any suggestions on how to clean out the knobs on a 909. > >Is there any one that does it? Some one told me to soak it in distilled > >water, but that kinda scares me. > > > > > >Thanks > > > >Sevn > > > > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] Detroit Techno & Art
don't forget Rich's own musico-sculpture titled "Simon". modelled (slightly?) after the moving color memory game from the 80's. i've never seen it, but we spoke briefly about it during his DE9 tour stop/q&a session in Iowa City - the q&a tristan referred to re: anish kapoor. hey - dale or craig? you guys get that DV of the q&a session processed yet?? megan and i would like a copy :) cheers! vince - Original Message - From: <[EMAIL PROTECTED]> To: "Cyclone Wehner" <[EMAIL PROTECTED]> Cc: "313 Detroit" <313@hyperreal.org> Sent: Wednesday, June 21, 2000 4:16 PM Subject: Re: [313] Detroit Techno & Art > On Thu, 22 Jun 2000, Cyclone Wehner wrote: > > > OK, this is gonna sound really OT, but does anyone know an artist as in art, > > art by name of Mark Robco (sp)? I really need to know for a 313 related > > article I am writing up. > > Mark Rothko. Minimal painter, do a Google search on his name and > you'll find a wealth of material. I know that Richie Hawtin has name-dropped > him and I believe Mills has too. > > J > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
OT: hardcore=progression
It's terribley clear that "Dance Extasy" is stuck in the world of *Happy* hardcore. Now we all know that HH is *not* in a state of progression!! Not to defend the reigning 313 asshole but a certain artist in the hardcore world is doing quite a bit to further the sound of techno. Chinese-French gent Laurent Ho being the primary example. I'm sure many of you are familiar with him. He owns and manages several record labels: Epiteth and Uncivilised World are hardcore, Anlx is experimental techno, Gasoil is tribal (there are other labels too). I highly recommend all four current releases on anlx. high quality stuff - and its not just another marco carola :) Check out http://www.uncivilizedworld.com for more info. He's a pretty interesting cat. On a related note, a few months back Kent Williams (my right hand Rotation man!!) posted a link to MP3.com for a local artist Noah Podalefsky. I'm proud to announce that Noah's the USA's sole representative on the newest Laurent Ho CD on the Human label!! My congratulations to him... Laurent hand picked about 10 tracks out of 2500+ MP3's on www.technomusic.com , of which one was Noah's. Its a great track, and nice to see Iowa techno represented worldwide. Vince - Original Message - From: "FC3 Richards" <[EMAIL PROTECTED]> To: "'Dance Extacy'" <[EMAIL PROTECTED]> Cc: <313@hyperreal.org>; <[EMAIL PROTECTED]> Sent: Sunday, June 18, 2000 6:21 PM Subject: [313] detroit=stagnation...hardcore=progression > i can't believe i just read that hardcore=progression > now i like hardcore every once in a while when i want to kill somebody, and > hip hop just won't take care of my urge. but the last time i checked > hardcore just had a loud thunderous bass with a bunch of *scary* sound > effects behind it. and last time i checked hardcore hasn't changed that > much from the late 80's to the present. detroit has changed plenty. you > are wrong, very wrong. > jeff > > > "THOU SHALT REMEMBER THE FUNK AND KEEP IT HOLY" > -George Clinton > > > -Original Message- > > From: Dance Extacy [SMTP:[EMAIL PROTECTED] > > Sent: Sunday, June 18, 2000 3:55 PM > > To: 313@hyperreal.org > > Subject: Re: [313] Re: Girls and Detroit > > > > >--- Bekka <[EMAIL PROTECTED]> wrote: > > damn you're one bitter fuck. > > > > you wouldn't last a second on the hardcore list. > > it makes sense though, > > detroit=stagnation...hardcore=progression. > > > > > > *one bitter fuck* ;] > > > > __ > > Do You Yahoo!? > > Send instant messages with Yahoo! Messenger. > > http://im.yahoo.com/ > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] ghetto tech - Disco D for free in NYC
dude whats up with the rude comment? can *you* mix and scratch better? where are your tracks? damn!!! you were quick to shun dustin - should we boot you from the list too? a guy's just mentioning his performance, so lighten up, please :) vince - Original Message - From: "Hugh G. Blaze" <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Thursday, June 15, 2000 11:38 PM Subject: Re: [313] ghetto tech - Disco D for free in NYC > Anyone that wants to see a suck ass DJ and producer should definitely come > out > > > >Wow, that rhymed. Anyway, Disco D will be playing a last minute free set > >in > >NYC this Sunday at THE ALPHABET LOUNGE (S.E. Corner of Ave. C & 7th St) > >Doors are at 8 pm, and the event is free. > > > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] 313 list t-shirt? discuss
i noticed the difficulty of recognizing 313-ers. i personally like the name stickers - "Hi, My Name Is" those might be appropriate given eminem's up-and-comedness. :P speaking of MM, maybe he could headline the hip hop lineup?? 'specially cuz he claims tha D! word vince - Original Message - From: "j wiringer" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Thursday, June 01, 2000 7:14 PM Subject: Re: [313] 313 list t-shirt? discuss > I think this list t-shirt idea is great. > Here's one graphic designer willing to give it a try. > > Listmembers: give me some ideas for the design so i have something to > start with. > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
CMJ; Last week on Noise Radio
Greetings. Don't forget to tune in each and every Wednesday night from 11pm CDT to 2am CDT (at -6hrs GMT) for Iowa City's premier electronic music radio programme. If you're out of town don't worry!! Just point that browser to http://www.uiowa.edu/~krui/live.html Broadcasting in QT4. Playlists: Vince Woolums (11:30pm-12:45am) 01. Recloose - Mym230 - Planet E 02. Kerri Chandler - Jesus Says - Subwoofer 03. Johnny Fiasco - Tiktone - Primal Source 04. Eddie Fowlkes - Where Will I Be *Anthony Shakir mix* - Back 2 Basics 05. Shake - Electron Rider - Frictional 06. Drexciya - Bata Pumps - Submerge 07. Armando - Land of Confusion - Westbrook 08. Prototype 909 - Belive *James Christian mix* - Instinct 09. Dietrich Schoenemann - Stonelegdance - Hidden Agenda promo 10. Marduk - Risual Grind - Sonic Groove 11. Damon Wild - Push - Synewave 12. Clint Forester - Throughway - Synewave 13. Dimbiman - Do Da Dimbi - Perlon 14. Dave Clarke - from Archive One - Bush 15. Plastikman - Hypokondriak - Minus 16. Taylor Dupree - Light Shift - Electronic Music Foundation 17. Holy Ghost - Electra Spectre - Tresor Scott Stone (12:50am-2:00am) 01. Dan Bell - High Voltage - Accelerate 02. Dan Bell - Losing Control - Accelerate 03. Cybersonik - Lash Out - Plus 8 04. Frantik Frank - Sq 10 - Overnite 05. Paul Johnson - ...And Rewind - AVC 06. Kreisel - 15 - Kreisel 07. C-Rock - Hazard - Stir 15 08. Him + Her - Subcretaceous - Spelunk 09. Rob Hood - Technaturl EP - M Plant 10. Maurizio - M5 - Maurizio 11. Antonelli Electronic - Bonhannon - Italic 12. Modernist - Mrs. New Deal - Popular Tools 13. Abe Duque - Expo 2000 RMX - White 14. Grain - Untitled - Fat Cat 15. Jeff Mills - Circus - Purpose Maker 16. Dean & Deluca - Chapter 1 - M Plant 17. Kit Clayton - I feel RMX - Parallel CMJ Top Ten 01. LTJ Bukem - Journey Inwards - Spectre 02. Kid Spatula - Full Sunken Breaks - Planet Mu 03. Terrence Dixon - From the Far Future - Tresor 04. V/A - The Users and the Gadgets - Gadgets 05. Sven Vath - Contact - Ultra 06. Phonopsia - The Quebecois - promo 07. Salvo Beta - Abrasive Stuttering - Endpoint 08. V/A - Ladomat 5 - Ladomat 09. Isolee - Rest - Playhouse 10. Console - Rocket in the Pocket - Matador Adds: Terrence Parker - Classic Mix # 9 V/A - Traveler '00 A Sixdegree Comp - Sixdegree Grandaddy - The Software Slump - V2 V/A - San Francisco Sessions 2: John Howard - Om Thanks to everyone, but extra shouts this week to Marc @ Tresor, Dietrich and Terrence P. Vince Woolums & Scott Stone RPM Directors - KRUI fm 2320 Bradford Dr. Iowa City, IA 52240 *to be removed please reply with "remove" in the subject header"
Re: (313) 04-19-00 Emerald Nights preview
Just wanted to echo the previous comments... Patrick was in Iowa City a few weeks back and provided are really nice education in classic techno the world over. Whether Sharivari or Alexander Robotnik, he's a surefire bet to rock the crowd in the old skool way. He's fully capable of tight mixes and ought to be commended for his impeccable tracks. Needless to say some of them made me cry they're so rare. Highly recommended you check out his performance! Don't know about 'Action Jackson' though!! ;) Word! Vince Woolums - Original Message - From: Diana Potts <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]> Sent: Wednesday, April 19, 2000 5:36 AM Subject: Re: (313) 04-19-00 Emerald Nights preview > > > I strongly reccomend that any one who can, go see Patrick play-and also make > sure to call him "action jacksion" to his face, any time u can.:) I got to > hear him play up at MSU a couple times, and each time was excellent. > > d > >From: "Steven T Lammers" <[EMAIL PROTECTED]> > >To: 313@hyperreal.org > >CC: [EMAIL PROTECTED] > >Subject: (313) 04-19-00 Emerald Nights preview > >Date: Wed, 19 Apr 2000 03:45:21 -0400 (EDT) > > > >On this Wednesday night it will be my pleasure to welcome PATRICK aka > >"Action > >Jackson" for those who've been around in this scene in Detroit long enough > >to > >know... > > > >Expect the deepest in house as well as classics from the front to the back > >of > >electronic soulsounds. Patrick spun for me first in 1995 back on my old > >radio > >show, and he has done many parties since, and accumulated a worthy > >collection > >of records.. > > > >Forans is located on Woodward Avenue, just North of Congress - this is a > >weekly, free event - this summer is gonna be bangin. Watch for the > >calendar > >coming soon! > > > >Steve > >http://www.protocolstack.net > > > >- > >To unsubscribe, e-mail: [EMAIL PROTECTED] > >For additional commands, e-mail: [EMAIL PROTECTED] > > > > __ > Get Your Private, Free Email at http://www.hotmail.com > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: (313) ::more injustices with Sony's ripp off of Jaguar::
speaking of vegas, i'm headed there this weekend. does anyone know of other record stores or any events there on the 25th 26th? thanks in advance, vince woolums - Original Message - From: <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Monday, February 21, 2000 6:23 PM Subject: (313) ::more injustices with Sony's ripp off of Jaguar:: > i went to vegas last week, and i visited their only decent record store- > Liquid 303. Their selection was very poor, unfortuantely however, tha one > record that they had numerous copies of was Sony's ripp off of Jaguar! I was > enraged to see this record, considering they had NO detroit techno at all! I > immediately began talking to tha ignorant manager, and explaining to him tha > whole situation and UR's struggle with Sony. Much to my dismay, he refused to > take tha record off tha shelves, saying that they had already sold 5 or 6 > copies!! i tried to explain to him tha significance of tha real Jaguar track > and tha emotion and ingeniousness that it possessed. But he still refused. > > You would think that an independent record store would be all about > supporting tha orginal artist and any struggles they may be facing with large > labels. I am so disgusted with those ignorant kids. Their scene is still > extremely young however, only been around for about 4 years now. Hopefully > one day they will understand tha significane of independent labels such as > UR. I only wish i had had tha money with me to buy all of tha records they > had. well at least i was able to hide them in tha back of tha store behind > some racks of clothes, at least that will prevent some people from buying > them for a little bit :-T >
Re: (313) new kraftwerk; not another sony; syntax
SEAN> The Kraftwerk track Expo 2000 is dubby electronic - not quite the same electro-proto-techno of old. In this case, the bootlegger (read: remixer) is simply putting a techno/dancefloor face on the new track. This doesn't mean it's any good tho! (BTW - How are things Sean? Interested in coming back to IC sometime? Where's that new album?!?) ASKEW> The remixer has ties to many artists in Germany and New York, and furthermore, it is my understanding that the boot is in a *small* run by people respectful of artists' rights. There will be one source worldwide to find this particular record. This is not another Sony/UR situation. Although I do not know the remixer personally, I am familiar with his work. And since I haven't heard the remix yet I can't vouch for it being any good. We'll see in a couple of weeks when it come back from the plant. SYNTAX> Speaking of Sony/UR/Jaguar, please write to Syntax Distribution and encourage them to remove "Type - Jaguar" from their stock. I speak for (at least!) a few listmembers who were disappointed to see Syntax first send out a long mail detailing the copyright situation, only to find the Sony record in question added to their stock list 3 weeks later!! Surprisingly, Watts has not picked the cover up - in fact they are distributing Rolondo's Jaguar this week. Cheers to that, at least. Vince http://www.nodal.com/from0to1 http://jump.to/iowacityunderground - Original Message - From: *** ASKEW <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Wednesday, February 16, 2000 11:10 AM Subject: (313) new kraftwerk > sean wrote: > > >Boot? why would that be necessary? I just saw a stack of them (the legit > >release) at Recordtime this past weekend on the Electra label. I didnt get > >around to listening to it though, so I have no idea what the record sounds > >like. But with current major label releases why on earth would any think a > >boot leg was needed? Boots are generally reserved for rare/hard to get/out > >of print classics, or so I thought. > > In 2000 bootlegs are reserved for new-release/hard to buy-off/still in print > classics... so you don't have to pay, or give any credit to, the original > artist & label... and if your bootleg reaches the right ears... you get > yourself a pack of lawyers... and then sit back and take the pay-off. > > Sony... the one and only. > > ~Askew > > __ > Get Your Private, Free Email at http://www.hotmail.com > >
Re: (313) new kraftwerk
I heard about a particular someone doing a boot of Expo 2000... I don't really think they'd like me to say much more... You can look for it on 12" in a couple of weeks. Happy hunting :) Vince - Original Message - From: Cyclone Wehner <[EMAIL PROTECTED]> To: 313 Detroit <313@hyperreal.org> Sent: Tuesday, February 15, 2000 9:00 PM Subject: Re: (313) new kraftwerk > > >Surprisingly enough, I haven't seen anything mentioned about the new > >kraftwerk release to celebrate the opening of some expo in Germany. It's > >an airy sounding funky track with all the kraftwerk ingredients (high Q > >snare, vocoder voices). I've heard someone mention that there's a whole > >new album coming out. Has it been released yet ? > > I think it's come up a few times about a month ago? > > They were reportedly in the studio doing stuff but there is no definite word > of an album. > > But there was a rumour about them doing a 'Kraftwerk presents' where they > hook up with US rappers like Foxy Brown, Juvenile, Kid Rock and some names > I forgot, kinda re-doing the classics for the US. > > Just kidding. > > > > > >
Re: (313) Richie hawtin in louisville (and iowa!)
If anyone is heading to Iowa from the So Illinois/Kentucky/St Louis area, we would highly recommend getting a ticket. You may purchase them over the phone (w/credit card) on a will call basis up till Friday night. Tickets are $15 non-student, $7 student. Dial 800-346-4401 before 9:30 pm. Room capacity is 900 people... For more info please see the event web page: http://www.nodal.com/from0to1 Sponsored by the University of Iowa Union Programming Board. See you Saturday, >From 0 to 1 Crew - Original Message - From: MikeD <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Tuesday, February 15, 2000 9:28 AM Subject: (313) Richie hawtin in louisville (and iowa!) > the sounds of hawtin in louisville: "This is the policego home now or > you will be arrested" > > anyone headed to iowa? > > seeya there kent > > -mike > > >
(313) Re: Detroit House
I'm suprised Tom didn't mention Terrence Parker. Check out Intangible Records - or his website http://www.metrotimes.com/metropolis/sonic/artistprofile.asp?id=5869 My favorite TP tracks are "Your Love", "Jessica" and "Love's Got Me High". But there are sooo many other good ones... Peace, Vince PS "Classic TP Mix Vol 8" is the SH*T for deep deep house headz...TP I feel that vibe!! > > I am new to the list and was wondering if there was anyone who could > > steer me in the right direction on purchasing some high quality > > Detroit house. > > Anything by Moodymann (aka Kenny Dixon Junior or KDJ) is a good bet - > the 'Silentintroduction' collection on Planet E is a good start, and > most things on his KDJ label are worth checking out. Also look out for > the Pandamonium label - his recent 'Don't You Want My Love' 12" is > awesome! > > Theo Parrish is the other main player - check out the Sound Signature > releases, and the two albums on Peacefrog. > > Moods & Grooves is also a great label - there's a KDJ 12" that's just > come out, and the past releases by people like Alton Miller and Mike > Grant are well worth picking up. > > Alton Miller has a new EP out on Track Mode which I've not heard yet - > but anything by Alton Miller is usually quality. > > There's plenty of great older stuff too - Chez Damier and Ron Trent > have done some amazing records on Prescription, Balance and KMS. 'The > Choice' on KMS is essential... > > Hope this is useful! > > Tom > > :: tom churchill ::: > ::: headspace recordings ::: > : e: [EMAIL PROTECTED] : > : t: 07976 898514 :: >
(313) KRUI playlists
Hello! New mixes online at: http://www.geocities.com/SunsetStrip/Palms/4332/new.html Scroll down to the audio section... Also, we're happy to announce that this semester we're getting a Real Server!! You'll soon be able to hear these mixes as they happen!! Here's this week's set lists in play order....(2-2-00) Vince Woolums (11 pm - 12:30 pm) 01. ? - A1 - ASH 1.3 02. Richard Hinge - ? - Conrail 2 03. ? - Remains - Remains 04. Shawn Rudiman - Rainfunk - Seventh City 05. Twerk - Humantics - Resource 06. Switch - Incomplete Control - Resource 07. Elbee Bad - New Age House - Int'l Deejay Gigalos 08. Dan Curtin - Take You There *KHand Swing Mix* - Sublime 09. Zimt - u.o.a.a. *original mix* - Ladomat 10. Baby Pop - Love Potion - Defiant 11. Infiniti - Body Oil *Stripped Mix* - Hyperspace 12. Marduk - StealMind - Sonic Groove 13. Surgeon - Manganeze - Downwards 14. Fumiya Tanaka - Away - Torema 15. Fumiya Tanaka - One Sparkle - Torema 16. Fumiya Tanaka - Go Up - Torema 17. Fumiya Tanaka - Go Out - Torema 18. Fumiya Tanaka - Phase - Torema 19. Fumiya Tanaka - In the Darkness - Torema 20. Stryke - ? - Signal Communications 21. Plastikman - Spastik - Plus 8 Scott Stone (12:35 am - 2 am) 01. Jeff Mills Feat Anna F. - If (We) - Purpose Maker 02. Modernist - Victor Ludorum - Popular 03. Modernist - Crown - Popular 04. Modernist - Fade Like Glenn - Popular 05. Motor - 1.1 - Salo 06. Forever Sweet - Don't Speak - Ladomat 2000 07. Christian Morgenstern - Baxter's Mind - Forte 08. Sasche Funke - Campus (a1) - Kompakt 09. H. Laux & J. Heil - no gain no pain (R. Villalobos rmx) - i220 10. Sasche Funke - Campus (a2) - Kompakt 11. Salz - Salz 2.1 - Kompakt 12. Sasche Funke - Campus (b1) - Kompakt 13. Schaeben & Voss - Dicht Dran - Kompakt 14. Jammin Unit - one.for.me one.for.you - De-Bug 15. Alton Inc - Robot Party - Force Inc 16. Richard Wolfsdorf - Tia - Below 17. Herbert - Die Sterne - Ladomat 18. Dan Bell - Butterfly Effect - Tresor 19. Perlondon - Windowshopping - Perlon 20. Twerk - Humantics - Resource We had a short show last week because of technical problems, but... Noise Radio spins from 11pm-2am every Wednesday night. We feature local producer's tracks and mix live in the studio each week. Vinyl promos are *always* welcome!! In addition, my partner Scott Stone and I both work for Iowa City's best vinyl store - The Record Collector. We are purchasers and retailers of house, techno, hip hop, drum n bass, electro and bass vinyl. Your promos count! If we don't like them, we put them in the hands of someone who does. Bet on it!! You can direct promotional materials to: Vince Woolums Scott Stone KRUI RPM Directors 2320 Bradford Dr. Iowa City, IA 52240 Thanks, Vince Woolums http://jump.to/iowacityunderground (319) 338-3125 home *To be removed from this list, simply reply with REMOVE in the subject line*
