Re: (313) blaze
the one i really like is the Klubhead EP with 4 Tha Love Of You, If I Were Your Man, Brothers Sisters, Some More, 4 Tha Next Time on it. funky deep vocal garage house. i saw it at rushhour recently. the one i don't care at all about is the album on playhouse. ciao a
Re: (313) sources for 70s, 80s vinyl?
www.rushhour.nl is a good starting point (before you dive into the world of specialist rare groove shops). they stock a lot of bootlegs, re-issues etc. it's in the old world tho then there's a net-store somewhere in new jersey called something like 21-century-music which has many many 12 from the 70s 80s incl disco. a few years ago i bought some rare detroit chicago stuff there pretty cheap without problemz. armin Glass City Records schrieb: Check out www.33third.com they have a nice selection of old 70 80s 12'' and 45s. Peace Ben - Original Message - From: Kent williams [EMAIL PROTECTED] To: 313 list 313@hyperreal.org Sent: Tuesday, December 03, 2002 8:51 PM Subject: (313) sources for 70s, 80s vinyl? Didn't really have a chance to hit Gramaphone last weekend to check, but... I've been developing a serious yearning for some pieces of disco vinyl. I've picked up a fairly decent random assortment at the thrift stores, but now I want more. Is this something that is being bootlegged/repressed? I think that, for example Anita Ward Ring My Bell is absolutely the jam, but the only viny version I have is a 'continuously trainwrecked' KTel compilation. I also really dig the kind of post-'disco sucks' disco -- Evelyn King's Get Loose is great, and Patrice Rushen's dancy tracks, particularly Haven't You Heard -- she was all about that stiff kick-on-13, snare on 24 beat you hear all through the Metro Area stuff... So suggestions on where to find this stuff appreciated!
Re: (313) NEW MIX
afaik this is by maw. it definetly came out on strictly rhythm in the early 90s Langsman, Marc schrieb: wow healthy mix dude - jus' enjoying it now :) is the third track also on the mayday mix ? is that difficult to get hold of ? cheers, Marc -Original Message- From: Maarten Baute [mailto:[EMAIL PROTECTED] Sent: 23 November 2002 18:27 To: 313@hyperreal.org Subject: (313) NEW MIX For all those @ 313 who have been good to me... (it rhymes) another mix for the lads who like to dance. downloadable MP3: http://users.skynet.be/fa327222/mixes/morthenkiang-messenger.MP3 streaming RAM: http://www.morthenkiang.com/mixes/messenger.ram morthen kiang : apologies to the messenger of mixed feelings (tape side b) recorded somewhere in maldegem ( belgium ) on the 16th of november 2002 tribute to my dancers (downloadable mp3 file: 44'52 / 128.0 kbs / 41.00 mb ) 01) royal house - can you party (instrumental dub mix) [ champion ] (´88) 02) solar house - every day and night [ large ] (´02) 03) the untouchables - yeah c´mon [ r s ] (´91) 04) the groove essentials - make up your mind [ som underground ] (´96) 05) terra dëva - fresh start (iz house dub) [ om ] (´98) 06a) mood ii swing - ohh [ groove on ] (´96) 06b) jackapella (´86) 07a) basement jaxx - fly life [ altantic jaxx ] (´96) 07b) phuture - spank spank [ trax ] (´88) 08) submission - woman beat their men [ velocity ] (´97) 09) steve poindexter - born to freak [ muzique ] (´89) 10) the lonely guy - saying all that crap (old school mix) [ fire ice ] (´96) 11) white falls [ wf ] (´00) 12) designer music - good girls [ planet e ] (´95) 13) aril brikha - groove la´ chord [ fragile ] (´98) 14) sunkiss - sines [ plastic city ] (´98) 15) ymc - pheedback [ yoshitoshi ] (´99) 16) vincent d - locked [ hardgroove ] (´01) 17) samuel l. session - you make me shiver (samuel ´s shiver mix) [ cycle ] (´00) 18) rhythim is rhythim - salsa life [ transmat ] (´90) 19) disco-tex vol.3 - aquillo [ disco-tex ] (´96) 20) recyclopedia electronica - reloop earresistible A1 [ recycled loops ] (´00) the site: http://www.morthenkiang.com Cheers, Maarten PS: All my MP3´s sound muddy and dirty with WinAmp 3.0, how come? I didn´t have this problem with earlier versions! --- Do you know these tracks? http://www.morthenkiang.com/samples (taken from various mix tapes) --- -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
Re: (313) Who used the 303 first..
Quando Quango's Love Tempo (also on Factory) also uses the 303 in a acid housey way. but i wouldn't consider it acid.
Re: (313) more bootlegs
Automan 1 - Laid Back: White Horse (b/w ?) Automan 2 - nightlife unlimited - peaches prunes, klein mbo - klein mbo theme Automan 3 - ? Automan 4 - kebekelektrik - war dance, ? - wanna be your lover, klein mbo - wonderful Automan 5 - Charlie: Spacer Woman (b/w ?) sound pressing are good
Re: (313) Saunderson - Powerbass
that's Incognito Records. released only as a promo back then as i heard. pretty rare still sought after, even if it was rereleased on sonic groove. a Gerald schrieb: Just found a white label at a flea market for $3. :D Question is... what label was this released on? the matrix reads IR-007 IR doesn't ring a bell at the moment. G
(313) ugly edits
what about #4? coming? already out? does anybody know? armin?
(313) ugly edits
what about #4? coming? already out? does anybody know? armin?
Re: (313) ben liebrand?
where did you hear the mixes? Rc schrieb: ...
Re: (313) Throbbing Gristle
i have Techno Primitv by Chris And Cosey. dark, atmospheric, very uk, very electro very nice. well produced too. published in 85 i guess. mine is a megadisc release. a got Phreek - I'm A Big Freak (R U 1 2) Kebekelektrik - War Dance in the mail today. both blew my away. they even mix perfectly! Jason Donnelly schrieb: Well I managed to track down the 'classic' Throbbing Gristle album '20 Jazz Funk Greats' and to be honest, I was SO disappointed with 90% of it, but to be fair it must have sounded amazing back in 1979. What did impress me was the synth's and sequencer action, from the sleeve notes these where down to Chris Carter can anyone point me to more of his electronic work?, any recommendations would be most welcome! and finally, does anyone have a copy of the Giorgio Moroder seminal electronic album 'E=mc2', lots to offer in return. (cdr would be great) thanks jason
Re: (313) [313] rick wilhite... the godson ii EP
i can't hear no resemblance between the two, not even bits. it is not listed as a remix on the label, it has no track-name at all. so it is a track of it's own, i guess. typical deep ron trent stuff, low bass range, organ chords throughout, femal vocal chants (...eeeh...ooh...eeeh...ooh...) + those smooth percussions. but good kiss makes this a good ep, not the ron trent track imo. ciao a Lee Herrington IV schrieb: hey folks. is the ron trent track on the above EP a remix of good kiss or a completely original work? peace lrh
Re: [313] Record shops in Paris london
paris by marie warnery:: Da Groove records shop = house 17, rue de l'Echiquier 75010 Paris Métro:Bonne Nouvelle tel : 01 48 010 318 Basement Trax = techno, house, db, electro... 22, rue de Hauteville 75010 Paris Métro:Bonne Nouvelle tel : 01 40 22 05 82 Katapult imports= techno, house, db, electro... 10, rue E.Lockroy 75011 Paris Métro:Parmentier tel : 01 47 00 33 75 Techno import== techno, house, db, electro, trance, hardcore... rue des Taillandiers 75011 Paris Métro:Bastille Lot of records but the guys are simply dreadful and not-friendly! Fnac ITALIENS Boulevard des Italiens 75009 Paris Métro:Richelieu-Drouot Lot of Cds and some vinyls. Ask for Sylvain or Bertrand (the 2 persons responsible of the e-music department) who are real music-lovers! - london by babydiddy: If you haven't got much time (or if you have lots of time too) you need to head for Berwick Street (its off Oxford Street Tottenham Court Road tube station end - come out the tube, walk down Oxford Street about 3-4 minutes and its on your left). This is record store central for London: * Reckless Records (two stores: rock and dance) - secondhand store with shed loads of great techno gems to be found; check the new-in rack if your short on time as that's where the best stuff doesn't remain long. Also pay real attention to the quality of their vinyl as some of it is scuffed to f***. If you're after cds don't pay attention to the categories as they just chuck stuff in wherever they feel. Oh, and stuff just inside the door is mostly wack-assed progressive house crap - techno is in the middle on the left. * Music and Video Exchange - this and two of their other stores (Notting Hill Gate - Soul and Dance Exchange and Camden) are probably the best sources for secondhand wax in London; vinyl is always in near mint condition and if it is a rarity with a lower grade on check it as no one grades stricter! Downstairs is vinyl Poundland (same as at the other two stores) and is well worth an afternoon spent digging for stuff as you find the most incredible things down there - just remember to check condition including whether or not warped! * Selectadisc - easily the cheapest new store in London and racks are packed full everywhere (and its a big store). They stock everything heavily so you may find stuff that has been out of print years there, often at really cheap prices. * Ambient Soho/Worm Interface - Not purely ambient and the best source for anything a little leftfield. Staff are incredibly friendly too. * Sister Ray - new stuff again and packed out with lots of techno just inside the store. Some high price rarities but if you buy check condition as I bought a copy of Orbital's Chime there for £30 and the condition was so bad it was unplayable and ended up an ashtray. * Some crappy secondhand record store - as described. Has Daddy Kool's in the basement if you want to buy reggae, or just hang out and passively inhale some marijuana fumes. * A dance music store in a basement that never impressed so I never went back... * speed garagey progressive house store - hang out with pimply youths who know jack about music and pretend to be DJs all day Off on side streets you have a small hip hop store with grafitti on it and some other speed garagey type store. Two streets further down Oxford Street on the left (can't remember street name) you have Mr Bongos if you're into hip hop. Otherwise you can continue into Soho to buy dildos and leather underwear and visit the strip shows, or just window shop. If that doesn't tire you you can try Camden which has another Music and Video Exchange, Vinyl Addiction, a few decent secondhand stalls on the various markets and another secondhand place on one of the side streets. You also have a record fair in the Electric Ballroom every other Saturday (right next door to the tube). - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] mo disco
t-connection - do what you wanna do (rca) this was also released in 1991 on the best of the sound of sunshine on hot records, a 2x12 sunshine records comp. a - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Ugly Edits?
ugly edits 1 was the peaches prunes re-edit or wasn't it? the jill scott remix was not an ugly edit. true? there was this cd with unreleased theo parrish tracks on it (among them the jill scott remix and some disco re-edits) floating around some time ago, did any of these tracks reappeare on one of the ugly edits? and which other tracks where re-edited for the ugly series? please do shed some light .. armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] it´s not oooooooooveeeeeeer
Revoked - Pieces - Hot Mix 5 HMF 117 try formic ciao a Maarten Baute schrieb: no it isn´t... so, I got the shep pettibone remix from let no man put asunder on ramshorn... but this wasn´t the version that Ron Hardy and Derrick May used to play... people told me, that it was the frankie knuckles mix that Ron and Derrick spun. It´s a cut up piece with dirty beats. I know it is released on salsoul in 1983.. but can´t find the frankie knuckles version... or is there another remix of it? did the frankie knuckles remix ever appear on a compilation or something? baby baby baby baby baby baby baby, ow yeah Cheers, Maarten -- http://www.morthenkiang.com/samples - help me identifie some sound samples taken from various mix tapes ! - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] cameo
cameo - money - reprise records 040392 - 1992 tracklisting: money - reese revamp mix money - reese hardcore instrumental money - hardsell mix (by joey beltram) front street - album version reese hardcore instrumental = velocity funk. the reese revamp mix has cameo vocals laid over the instrumental which give it a whole new quality. ciao armin Maarten Baute schrieb: Hi, is the record cameo - the money released on casablanca records? This record was sampled by kevin saunderson for his velocity funk release. Cheers, Maarten -- http://www.morthenkiang.com/samples - help me identifie some sound samples taken from various mix tapes ! - - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] name that tune / name of that tune
i once read in an interview that clayton fell in love with techno through phylyps trak 2. so it is some sort of hommage, i guess. found this in the new hardwax mailout: Level 1211 Archetype: Glyph 01 (US 12) @ EUR 12,00 #37766 (funk flav. perc. slow upbuildin´techno grooves) is this also some sort of hommage ? ;) a Phonopsia schrieb: - Original Message - From: Christian Bloch [EMAIL PROTECTED] To: 313 313@hyperreal.org Sent: Wednesday, June 19, 2002 12:39 AM Subject: Re: [313] name that tune the one with the chord stab on 2 4 is 100% sure phylyps track II, so either you have the wrong idea about which track fades where ;) or box section samples... i wouldn't know After tracking down the Real Audio of Phylyps Track II, it would seem Mr. Clayton is guilty of some thievery, or at least a pretty faithful reproduction (intentional or otherwise). From the segment played in the mix, it could be either track - prolly phylyps... Sorry to confuse. I thought I'd been hearing a remix of Box Section when I heard people playing Phylyps. Clearly I had the cart in front of the horse. Box Section is interesting if nothing else, b/c it opens up quite a bit in the latter 1/2 of it. Maybe John should track both down. :) Tristan --- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Concert last night: ADULT.
subtle irony, i suspect [EMAIL PROTECTED] schrieb: I was there. The only thing that stood out to me, is before ADULT. played hand to phone Nicola said something like this is an old one from awhile back, a few of you might know this one Are they so popular now that all their fans are THAT new?? Dunno just thought that was weird. Their set was great though. Magas also rocked. Great schizophrenic dancing, that man. : ) Both of them could have played much longer, imho. I am definetly happy I came out, despite rumors that the redwings chaos would get in my way. :) -j [EMAIL PROTECTED] .edu To: 313@hyperreal.org cc: 06/14/02 11:57 Subject: [313] Concert last night: ADULT. AM Last night, in Saint Andrew's in Detroit, Adult. performed while the Redwings took the Cup. The audience was pretty into it, despite all the hoopla outside in downstairs in the bar. Was anyone else there? I am curious to hear your impressions. Sorry if this is slightly off-topic. Magas played before Adult. Before Magas, this tall skinny guy in a blazer spun records. He looked kind of like the late Ian Curtis. I am also curious if anyone knows who he is. He played some good stuff, but he wasn't on the bill. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Italo disco top fives anyone?
yeah, if anyone is a connaiseur, let us know here are some rather obviuos choices. although i live pretty close to italy, i still have to find a good source for italo disco, to be able to go through the myriads of mostly _very_ cheesy releases to find the good ones. n.o.i.a. - do you wanna dance (sado mix) - zyx a.robotnick - computer sourir - fuzz dance scotch - penguin's invasion - zyx / il discotto gay cat park - i'm a vocoder - romem 2 (bootleg, now available) the stuff on danica records some others i've never heard, but which are very sought after by chicago oldschool heads and played by m.geist, d.wang and t.parrish: capricorn - i need love night moves - transdance pineapples - come on closer ciao armin for those who are interested and not subscribed to kompakt, hardwax, rushhour etc (who isn't?:) -- peaches prunes by nightlife unlimited, the killer track off mustang lt, is now available on bootleg too (don't know if it is the exactly same edit though). Güclüer, Hansi schrieb: (I need some summer record buying-inspiration) Thanks! /Hansi - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] EXTRA T's - E.T. Boogie (Juan Atkins Mix) - (1999 Regal)
found this on the play-lists of kirk degiorgio's now defunct radio show. does it really exist? anyone knows anything about it? a - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] psychic tv feat jack the tab - tune in
is this a fred gianelli production? armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] psychic tv feat jack the tab - tune in
oops, it should have been _fred giannelli_ of course sorry armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Track ID
nahh. rise from your grave used it in a clever self-quotation. very very cool track though nonetheless. my friends laugh at me, but i tend to hear some proto-basic channel in it. the trax 142 is available again as a repress as i have seen. larry sherman never sleeps. your only friend not only was amongst the first acid tracks but it was the first in a long series of sarcastic, sometimes cynical comments on club life (where's your child, rise from your grave, flash, la la land etc), which all became glorifying hymns of course. a W Lammerts schrieb: Naaah. Come on people!! PHUTURE RISE FROM YOUR GRAVE on RS W - Original Message - From: Eric Scuccimarra [EMAIL PROTECTED] To: Grammenos, Peter [EMAIL PROTECTED]; 313@hyperreal.org Sent: Wednesday, May 22, 2002 8:54 PM Subject: Re: [313] Track ID Sounds like an old Phuture track... Can't recall the name of it. Let me see if I can find it... Got it - Your Only Friend In the end I'll be your only friend. At 02:44 PM 5/22/2002 -0400, Grammenos, Peter wrote: Vocals : This is cocaine speaking. I'll take your life from you, your car from you, your ... etc. Mark Flintoft played it last night @ Local 138 and I just heard it again on a Christian Block mix off of Frequency Detroit. -Pete --- Peter Grammenos Goldman Sachs Co. Tel : 212.902.2446 --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Deze e-mail is door E-mail VirusScanner van Planet Internet gecontroleerd op virussen. Op http://www.planet.nl/evs staat een verwijzing naar de actuele lijst waar op wordt gecontroleerd. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Teste the wipe fred wesley and the j.b.'s
had this once on plus8 and on that pure comp on tb from edinburgh (?) it's dark druggy acid trance techno which i imagine worked very well around 1994. i never really could relate to it and discovered that it is some sort of sought after classic only when i sold it on ebay (people mailed me during the auction and asked how on earth i could sell such a track :) got me fred wesley the j.b.'s 'damn right i am somebody' recently and was blown away by most of the tracks (only 'blow your head' i've heard a bit too often already). i can see now where some of the rhythms of certain dance mania tracks come from. 'i'm paying taxes, what am i buying...' has some proto-techno passages imo :) and the spoken word pieces in this track are very moving. now i ask myself if this is all genuinly original stuff (was this album a milestone at the time?) or if there exist some other funk bands from that era (1974) or before that have done records in a similar vein and the same spirit (southern spirit?)? plus anyone got some information on the band 'notorious miami'? google didn't spit out anything really useful. ta armin hey i also discovered that james brown used to put a small picture of his head on some of his records, just as moodymann and theo parrish do today Gwendal Cobert schrieb: Very essential piece music in 313 content, a classic track by Richie Hawtin and Teste (whoever that is), released on Probe. sorry no catalogue number since i only have this track on collection album technovision 2, RAID 512, rumour records. (from another mail) Never heard Teste's The Wipe !!! go to plus8.com and listen to Probe 14 in the new discography section... it's a classic for sure. It does sound really great ; but I'm curious, how come it didn't make it in the Plus8 collection of classics they released last year ? And also : under which name was Technovision 2 released ? Gwendal - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] gherkin jerks
speaking of (early) minimal techno gherkin jerks - stomp that beat - gherkin records gherkin jerks - 1990 - gherkin records have they been repressed? i seem to remember to have read something [EMAIL PROTECTED] schrieb: | -Original Message- | From: james boylan [mailto:[EMAIL PROTECTED] | Sent: 18 March 2002 16:12 | | Who are some of your best list minimal techno djs/producers? | | Apart from the obvious like Maurizio etc...I find Kit | Clayton's work very impressive. And then of course there's the even more obvious suspects (Maurizio I wouldn't classify as strictly minimalist, tbh) - Dan Bell and Robert Hood. Losing Control by DBX (Dan Bell) and Minimal Nation by Robert Hood have always been kind of like the Old Testament of minimal techno to me. Other producers like Mike Inc (his Studio One series), Memory Foundation, Claude Young (Updating the Existing Systems) have made some nice minimal techno as well. Go to groovetech.com and search under dbx, robert hood, m-plant, accelerate - listen to some of the tracks you get back. Is that the sort of thing you're after? Minimal techno, done well, sometimes sounds to me like purely distilled funk - the singular essence, at a purity where even a trace dosage can be fatal... :) Brendan Legal Disclaimer This message contains confidential information and is intended only for the individual named. If you are not the named addressee you should not disseminate, distribute or copy this e-mail. Please notify the sender immediately by e-mail if you have received this e-mail by mistake and delete this e-mail from your system. mail transmission cannot be guaranteed to be secure or error-free as information could be intercepted, corrupted, lost, destroyed, arrive late or incomplete, or contain viruses. The sender therefore does not accept liability for any errors or omissions in the contents of this message that arise as a result of e-mail transmission. If verification is required please request a hard-copy version. This message is provided for informational purposes only. our website at: http://www.widelearning.com Wide Learning is a trading name of Wide Multimedia Ltd Registered office: 33-41 Dallington Street, London EC1V 0BB Company number: 3339664 VAT number: 690 8399 83 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] nouveau electro vs. broken beat
outside forces ? Peter Leidy schrieb: i don't understand why all the new-school electro-pop gets so much criticism but so much new-school jazz/house/breaks, broken-beat-type stuff passes the quality test. i know it all comes down to individual tastes, but it just I thought this was because new-school electro pop is crossing over to the indie rock crowd- and has all the makings of an indie rock fad, which in turn means that the fad will end and people will forget about it. While the broken beat movement has enjoyed the same fast growing popularity- the audience is still largely withing the techno-house-idm camp- so techno headz are not worrying about outside forces controlling the fate of this music. the only outside attention seems to be coming from rb and jazz audiences, and it seems to be a bit more modest- i.e. - has not been turned into a standard formula song structure (at least not as much as the timbaland breakbeat formula :), has not suffered as many limited-pressing/status-symbol type releases to promote the hierarchic fad structure among audiences. Also broken-beat does not suffer the negative connotations of retro and nostalgia in the same way that electro does. i'm mostly critical of the electro-pop movement because i think there is a lot of quality electro/italo that is going to get lost in the sea of mediocre electro-pop, and will soon go unappreciated because people will be tired of all things electro. -p - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] TECHNO 2: The Next Generation
recently heard a bootleg with rock to the beat without any vocals (except for some kind of vocal break in the middle) and far more acidic squelchy than on the kms release i have. anyone knows this version? where was it originally released? ta Mad'R schrieb: I have the clear vinyl with String of Life and Rock to the beat. The first strings of life I could get my hands on, back in the mid days :-) Mad'R - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] TECHNO 2: The Next Generation
yeah, i heard about the new beat version, but i think the version i meant comes from detroit. it sounded like it anyway and kevin saunderson got credited thanks anyway armin Gerald schrieb: Matthew MacQueen wrote: I remember some New Beat versions were released. Don't remember the artists name though. Maybe someone else out there does? There was a new beat version of Rock to the Beat by 101 that was on some various new beat and early acid housey type comps. (Subway records?) OK i went and dug it out... Rock To The Beat by 101 the US Remix on BE'S Songs 1989. There's prolly a few other versions i imagine. It actually credits Saunderson-Echols as the writers. Cool! G - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] ebay spam
some detroit, some others http://cgi6.ebay.com/aw-cgi/eBayISAPI.dll?MfcISAPICommand=ViewListedItemsuserid=marni.boppinclude=0since=-1sort=2rows=100 saluti - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Derrick May Live at The Music Institute 1988...
french kiss is def pre-90. i bought the album on tape in 88 when i spent a year in the states. this and the ten city album were the only chicago / detroit /techno / house things i bought at the time. i still get mad at myself when i think about it, i even was in chicago. now i have to hunt for all the stuff. oh well ... i can perfectly understand that french kiss gets on your nerves, it did with me too, it's too obvious in a way. although since i have it on vinyl and listen to it more closely i rediscovered it. it has some nice and subtle production, the strings are alive for example. i wished there was some kind of a dub version. armin Phonopsia schrieb: Is it me, or does this seem like it's post-'88? I could've sworn the BFC track at around 3:30 was from around '90, and I thought French Kiss was released at some time in the 90s, although a kindly list friend told me it was from some point in '89. So acetates not withstanding, does anyone else hear any musical cues that would make them think the date might be a bit early? Did anyone else have a bit of a chuckle when they heard him go completely nuts with French Kiss twice? Personally, I'd hat it with that song a long, long time ago, and it's always been a signature track to drop for Derrick May (from every set I've heard). So while I'd always taken that as a low point in Derrick May's sets, I can now be appreciative that he no longer plays it twice. :) Please no French Kiss flames. I understand it's a crucial song in house history - I just got sick of it about 5 years ago and it's never gone away. Tristan -- http://www.mp313.com - Music http://www.metrotechno.net - DC techno + more http://www.metatrackstudios.com - DC DJ/Production studios http://phonopsia.tripod.com - Hub [EMAIL PROTECTED] - email FrogboyMCI - AOL Instant Messenger - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] trainspotters...get ready...get set...GO!!!
i got dox003, yellow label, black vinyl, hard monotone acid. that's all i know. do you want it? Trevor Wilkes schrieb: Not sure on artist or title, but I can tell you that the label is PULSAR the DOX002 would be their cat#. It's an amercian label, and I don't know that release but I think most or all of the PULSARs were like hard acid. Trevor Wilkes inyerear.com - Original Message - From: Samuel Hobbs [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, February 14, 2002 5:06 PM Subject: [313] trainspotters...get ready...get set...GO!!! hi list- i recently purchased a record that is something i really like. it is on green vinyl with a blue label. the label has a black frequency wavelength across it. the run-off groove is engraved with DOX002-A Real Beat Music-BMI 1994 i know that someone out there knows what record this is. the first person to respond wins their trainspotter gold star!!! -sam - Do You Yahoo!? Send FREE Valentine eCards with Yahoo! Greetings! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Black techno artists]
- Original Message - From: glyph1001 [EMAIL PROTECTED] To: 313 List 313@hyperreal.org Sent: Sunday, February 10, 2002 2:48 AM Subject: [Fwd: Re: [313] Black techno artists] Eddie Flashin' Fowlkes (or is it Old Skool now) - he was there along with the other magnificent three but never got the recognition. Alan Oldham - not only is he a great music producer but without him DJAX-UP-BEATS would not be the same. Has never made enough comic books. Word!!! I've been thinking that for some time now. How about Butch Strange? Saw him at the Motor 5 year anniversay party and he ripped it up! I guess DEMF2 counts as recognition, but what about Keith Worthy? He had a great set, and I never hear about him here. In the broader sense, how about Ron Trent, Chez Damier, Alton Miller, Marc Kinchen, TP, Mike Clark and others who helped make the house scene in Detroit early on, but have never really been recognized outside of Detroit for their contributions to the entire history of house (at least relative to those from Chicago and New York). It's obvious that the more recent Detroit house artists like Theo Parrish don't get their just due, but what about these guys that have been prominent for a while but don't get the recognition they deserve globally? Tristan -- i still don't get it. what are you aiming at? how where should this recognition express itself? on mtv, usa today? how many people know stephen king? and how many know malcolm lowry? all those you mention are more or less known to people into this music. some will reach a certain status as innovators, some will be forgotten. some will blow up by accident because the time is right and/or because they work towards it. maybe this has sometimes to do with the quality and the aim of their work too? to blame it all on the circumstances seems to me as banal as the opposite, which is to blame it all on the lack of marketing skills. tp has a relatively huge fanbase in germany because of his djing. all of his records i know of are mediocre. alan oldham's stuff lacks originality big time. just to be a detroiter and having started in 1988 is not enough. theo parrish moodymann are in the game since what, 5 years? and they are veritable stars in their circles already. but they don't produce music that can be played in a handy-dandy friday night house-set, which is a precondition for global recognition. i think one has to refrain from taking popmusic as a reference, because it is subjected to mechanisms that lie beyond the music. one has to play to these rules if one wants to be constantly successful. one has to adapt and deny oneself constantly. success is the only criteria for the value of this type of shit. self-esteem is not supposed to grow because of one's name in the paper or a certain number on one's bank statement, but because one feels that he/she is doing the right thing and maybe because one lifts the artform to new heights. the name all over the paper and the big bucks in the bank are most of the time and as long as this capitalist etc society stands a sign that one submitted adapted oneself successfully to the expectations of society. same as good marks at school. same as any institutional or mainstream recognition. in this sense most of the time mainstream success can be used as a sign for irrelevance. despite the subject of this so far lame thread i'm not touching concrete exploitation repression of black people in the usa. i'm not very familiar with the details. black history month seems a cynical joke to me though. basta! armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] I'm so impressed
selling? economical success or even success alone as a criteria for genius? or maybe for the music itself? what are we here on a marketing list? and i'm not advertising bohemian slack or condoning rip-offs, mind you. the music _has_ to be distributed, made known available and the producers have to get their share of money and recognition. but to compare it with trance which is made solely to please the expectations of a certain mass-audience doesn't get us any further. same goes for the comparison of all techno producers with one of the two at least popularitywise outstanding figures in this genre. democratic success wouldn't be success anymore. if you wanna be a popstar and make amounts of money out of any proportion techno is simply not the right choice. to habitually slag off trance or whatever is pretty useless too. let's just forget it move on. armin glyph1001 schrieb: Hehehe, this is interesting...don't barf because these trance guys are out here selling their music to its highest potential. Are many current and burgeoning techno artists doing that? Nooo. And the sad thing is that we DON'T have to jeopardize anything to do it. It can still be techno. Richie is proof of that. I don't care what anyone says but that man is a genius. =) g. If you ain't feelin' it, this ain't for you! --Steve Harvey (Kings of Comedy) Vince Woolums wrote: PROGRESSIVE / TRANCE NEW ORDER/PAPERCLIP PEOPLE BLUE MONDAY/THROW 2002 (PROMO) 12 Slammin' new tech trance remix of this classic from New Order done by ROB SEARLE, the man behind the many Frankie Goes to Hollywood trance remixes. This one sticks fairly close to the original with the original elements all there, except the beats are jacked up considerably- with a very dramatic breakdown with the lead hook melody in the strings, rising up and causing some serious club mayhem in a Lange style. The flipside may be even more interesting for some people- it's a reworking of the PAPERCLIP PEOPLE track 'THROW'. Carl Craig meets trance. Barf. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] rick wilhite
hey that was me! : ) 'good kiss' on 3 chairs 2 or on kdj 22 (forget the ron trent mix, the mm mix is ok) is my ffavoured. 'the godson' kdj 11 isn't much still waiting to hear 'what do you see' on kdj or filth armin [EMAIL PROTECTED] schrieb: Have got the first 3 chairs records (as it was recently repressed - bad luck to that man who paid £45 for it on ebay), and for my money Rick Wilhite is the star of the show. He seems to be able to nonchalantly weave together juxtaposing samples perfectly. What else is recommended by him? -- Warning : The information contained in this message may be privileged and confidential and protected from disclosure. If the reader of this message is not the intended recipient, you are hereby notified that any dissemination, distribution or copying of this communication is strictly prohibited. If you have received this communication in error, please notify us immediately by replying to this message and then delete it from your computer. All e-mail sent to this address will be received by the Providian Financial corporate e-mail system and is subject to archiving and review by someone other than the recipient. == - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] am I the only reese?
a bit of redundancy here but it's sunday night: sure, some virgo tracks have proto reese basslines too, but nobody focused so strongly on them as saunderson and introduced them into techno. anyway he did them, only others, later refered to them as such. there is not one beginning, there's innumerable. maybe beginning is even the wrong word, maybe to pick up and reaccentuate is better. or to beget a monstrous child by fucking the influences in the ass (merci for this wonderful quotation to who it is due) but i think one can hardly deny that at least any electronic dance music (genre) with straight beats after 1988 was directly and primarily influenced by chicago. and detroit. with maybe new york and new beat as the required exceptions to the rule. and with italo disco as the obscure precursor. you can either hear that or the people in question will tell you. the mover for example or atom heart or mike ink or aphex twin etc etc. people who may be doing totally different stuff today, who brought other influences with them and some of which may even have found their own originality. there's a track with a mr.oizo bassline on the other people place lp. it's the weakest track though : ) of course and sadly and luckily the knowledge of this history gets widely lost with the time even for people who become active in this field. that's the way with not institutionalised knowledge i think, it becomes esoteric and hidden. armin heard larkin's clavia nord and the quadrant ep on rs both for the unbelievable first time today and i want them badly now. i could offer larkin's plus8002 and carl craig's lite music on rs for trade. or some other stuff, mail me. Mad'R schrieb: well for your information there was something called a reece bassline in the Uk (i'm not gone try to explain it because it's a little bit technically) But as far as I know the idea of the KMS layered typ of sound sounds a lot like Distant Planet from Mr Fingers to me But this will off course ruins your brekfest ;-) Mad'R - Original Message - From: Mike Taylor [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Saturday, January 26, 2002 8:27 AM Subject: [313] am I the only one who is getting sick of deleting posts about jungle??? If you care that much, read some old Simon Reynold's articles. Really, the Reese bassline comes from KMS. Acid House+Detroit+Hip-Hop+England in 1990=Hardcore Harcore+1993=Jungle DetroitJungle None of this is music, Every last one of you are Little Richard's bitches... And we were doing so good with music content this week. take care, mt _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Do You Yahoo!? Get your free @yahoo.com address at http://mail.yahoo.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] jeff mills stars again
pure arrogance (again) it's seems more a kind of childish offendednes on your part to me. mills has to repay me? i'm not even sure if i have to repay him. all this repaying business seems very odd to me. now don't take this too seriously and do still send me the records i ordered from you : ) armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] this has become the theme song...
Kenny Larkin - We Shall Overcome (Ken's Mix // Richie's Loonie Mix // J. Acq Shall Overdub), Rubbernotes (Strech Mix // 5th Gear Edit) - PLUS8002 : ) armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] UR question
should be Rings Of Saturn i just love the way the story is told like a fairy tale it's cut like saturn with it's rings : ) armin Bill VanLoo schrieb: Hi - A friend of mine had the following question for me, which I don't know the answer to: techno question: do you know which UR/X-102 record it is that has the sample of the guy talking about the big bang, that starts off: four and one-half billion years ago, the planets were formed in a great cloud of swirling gas and dust alan oldham/t-1000 used to play it on wdet, but i don't know the name of it... ? Thanks, Bill -- http://www.chromedecay.org january 23 - live gig with telefon tel aviv and maersk as part of audiofold at the blind pig, ann arbor - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] drexciya LP
I haven't heard the previous two albums but has anyone got a review on them? You know the two I mean: Tranllusion album on Supremat and the one on Warp, don't know it's title. Scott i got me the The Other People Place on Warp after some hesitation and now i'm glad i did. it's very moody, if not melancholic, deep with polished sounds, no harsh sounds or raw drexciyan funk here. all tracks are very tracky and repetitive, always rather laid back, never aggressive, setting a mood rather than telling a story. but they never get boring, some catchy vocal samples and small breaks keep them alive. a very economical approach. almost all used elements sounds are widely known and not original, yet the tracks themselfs sound totally new to me. i like to play them with older more minimal larry heard stuff (on Gherkin for example, or Big Bang Theory). the transllusion stuff is similar afaik, maybe with slightly more electro aggressiveness. welcome to the digital age (at last). armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] mox bender? ur?
is there a ur dj named mox bender? he's announced for next thursday here in vienna. armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] domu+archive+neroli+ericfiedel
has neroli #2 already been released? anyone heard the new eric and/or fiedel? comments? armin Rob Theakston schrieb: just got done about an hour ago popping in domu's up and down CD on archiveright after listening to McCoy Tyner's classic Message From the Nileprops to Domu and Archive for putting out another stellar slice of downtempo worthy of late night/early morning listening. may this be a sign of amazing things to come in 2002! also if you haven't heard it yetcheck anything you see on the sister label neroli. i've only been able to find the first sampler over here...but it's quality stuff! - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Larry Levan
if you mean Larry Levan's Paradise Garage on Salsoul, just take it. not one track of it appears on the West End release. Handsome Man, First Time Around How High are my favourites. armin Maarten Baute schrieb: Dear 313ers, I have the chance of buying larry levan - paradise garage on sal soul records. I just wanted to know: are there any differences with the equally named release on west end recordings ? Artiste include: First choice, Jocelyn Brown, Sparkle, Inner life, etc... Thanks! Maarten - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] agents of change?
what's all this narcissistic squabble over the audience? discuss the music! or is there nothing to discuss about it anymore? well, then... - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Santonio Echols was [RE: [313] Speaking of Jeff van dyke...]
afaik it was kevin saunderson lisa m released on kms. my copy should have a mike hitman wilson and i think 2 morales mixes on it. the short original version is the best. which are good santonio tracks? i heard some on tresor and cyren and they didn't convince me. the stuff on kms with k.saunderson i find original, if very raw. armin dang schrieb: this track was produced with Santonio wasn't it and i just wondering if he's been releasing much of late? the last thing i recall hearing from Santonio was a track on the True People compilation from a few years back... sorry if this has been covered before, i've been away for too long! Cheers dang Rob Theakston [EMAIL PROTECTED] wrote: oh yea he played tons of great track including sharivari and an old acid house tune which says rock to the beat (who does that track?). i'm guessing it's an old tune by Kevin saunderson under the alias Reese. called rock to the beat - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] Get free e-mail and a permanent address at http://www.amexmail.com/?A=1 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] label question
it was released as a 12 on hotmix 5 together with »string free« and also on the hotmix 5 »acid« compilation. the latter is still available (hardwax.de / formic.de) and contains the shortest, tightest and best version of »can you feel the bass«. and a bunch of other fine tracks too. armin my girlfriend thinks that »miura« on metro area 4 sounds like a dub version of a vocal track. i wouldn't have thought of it but it's true. Pulverizer schrieb: hi there,, can anyone tell me please where phortunes can you feel the bass originally got released? i know there was a re-release on hells x-mix, but im looking for the original.. thank you ,, ron ron lux _ jahnstr.7 _ d-71299 wimsheim _ fon | fax _ (+49)_7044_48199 _ cell _ (+49)_171_6574162 _ come to www.megahertz.org www.fortransit.com --- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313]Kevin Saunderson mix of Octave One's Blackwater
Octave One / Blackwater : Saunderson RMX (new Kevin Saunderson detroit techno mixes for those into his pattoned Lighthouse family sound) Concept12 $9.99 ...this is what the sonic groovers have to say about it. i didn't get it (could maybe someone briefly explain his pattoned Lighthouse family sound?!) but it doesn't sound too nice to me (the review). armin James Bucknell schrieb: came out this week. anybody heard it? i wasn't that taken by it. but i'm reserving judgment till i hear it at 4am on a decent soundsystem. james www.jbucknell.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: MMM
there's also a hard, experimental rather industrial electro release by mmm. i think it was their first one. one of the errorsmith tracks is on herbert's mistakes mix-cd as i've been told. all their releases should still be available at hardwax. armin i'm still hoping for a night where i can play that jb cut-up track off the donna ep without killing the party Simon Walley schrieb: One particularly top moment was from Keith Tenniswood, when he played Donna on MMM - it's a cracker of a tune, from a long time back judging by the Fat Cat price sticker on mine. Any other info on these folk? My copy is stamped with too much ink, but there's not much to go on apart from it being a German email address. I don't know much but AFAIK they're the same guys (guy?) behind the two Soundhack 12s and also the Soundstream EP. I think they've also done something under the Errorsmith name but I might well be wrong. The Soundhack 12s are great - the only kind of minimal house I really dig cos its still got that jackin' cut-up feel to it. || [CiM] || [EMAIL PROTECTED] || http://www.warmdata.net/ _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Record shops in Paris (OT)
courtesy of this list: Betreff: Re: [313] record stores in paris? Datum: Wed, 04 Apr 2001 12:43:54 - Von: marie warnery [EMAIL PROTECTED] An: [EMAIL PROTECTED] CC: 313@hyperreal.org Hello! Check: Da Groove records shop = house 17, rue de l'Echiquier 75010 Paris Métro:Bonne Nouvelle tel : 01 48 010 318 Basement Trax = techno, house, db, electro... 22, rue de Hauteville 75010 Paris Métro:Bonne Nouvelle tel : 01 40 22 05 82 Katapult imports= techno, house, db, electro... 10, rue E.Lockroy 75011 Paris Métro:Parmentier tel : 01 47 00 33 75 Techno import== techno, house, db, electro, trance, hardcore... rue des Taillandiers 75011 Paris Métro:Bastille Lot of records but the guys are simply dreadful and not-friendly! [and the records are not sorted at all, i've never seen something like this before] Fnac ITALIENS Boulevard des Italiens 75009 Paris Métro:Richelieu-Drouot Lot of Cds and some vinyls. Ask for Sylvain or Bertrand (the 2 persons responsible of the e-music department) who are real music-lovers! Peace, z - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] 1-900-GET-KHAN
my khan recommendations: orgien I-IV (no label, distributed through temple i think) dark sinister bassy monotone ambient, instead of whales singing you get hunks moaning in the background, some sampled 70s gay-porn-sleaze-funk, and the pet shop boys. super 8 (khan's now defunked (?) label) release #3 (with white purple label) long dubby analogue tracks between house and techno. silver satellites 2x7 on eat raw, trashy acid electro-pop tracks armin np: n.o.i.a. - stranger in a strange land Elliot Taub schrieb: Alright, since I work for Temple Records, Khan's old record store here in NYC, I should set the record straight somewhat. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] mk on strictly rhythm
under which alias did marc kinchen do his release on strictly? opinions on the tracks? thanks armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] terrEnce parker
and terrEnce dixon too - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fragile 02 Track Listing
Fragile FRG2 - BFC 1A - Static Friendly 2A - It's A Shame 1B - Evolution 2B - Galaxy Produced Remixed by Carl Craig 45rpm Released: ? Should still be available in the shops should be bought on sight. It's a Shame and Galaxy were also released on the Psyche/BFC - Elements 1989-1990 2x12 on Planet E afaik. good morning armin Lee Herrington schrieb: Hello folks. Could someone give me some info on this B.F.C. release on Fragile? Track listing, opions. Thank you. -save the vinyl- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Fragile 02 Track Listing
Fragile FRG2 - BFC 1A - Static Friendly 2A - It's A Shame 1B - Evolution 2B - Galaxy Produced Remixed by Carl Craig 45rpm Released: ? Should still be available in the shops should be bought on sight. It's a Shame and Galaxy were also released on the Psyche/BFC - Elements 1989-1990 2x12 on Planet E afaik. good morning armin Lee Herrington schrieb: Hello folks. Could someone give me some info on this B.F.C. release on Fragile? Track listing, opions. Thank you. -save the vinyl- - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] lake shore drive
please someone enlighten me: is theo parrish his lake shore drive on the original kdj 5 the same track as the lake shore drive released on elevate and sound signature? i recently found a copy of kdj 5 and the mentioned track is a different one than the one on the releases on dan bell's or theo parrish his own label. now i have the slight suspicion that i stumpled upon a revised rerelease - not that unusual for kdj rereleases as i gathered. thanks armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] lake shore drive
please someone enlighten me: is theo parrish his lake shore drive on the original kdj 5 the same track as the lake shore drive released on elevate and sound signature? i recently found a copy of kdj 5 and the mentioned track is a different one than the one on the releases on dan bell's or theo parrish his own label. now i have the slight suspicion that i stumpled upon a revised rerelease - not that unusual for kdj rereleases as i gathered. thanks armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: Brinkmann Gear?
3 years ago at ultraschall in munich he was rocking 2 MPCs. actually i made the trip from vienna for dan bell, who disappointed with a blandly straight the advent etc set. no button down there. rrr and brinkmann were cool. armin Grammenos, Peter schrieb: Do you have a URL for that? When I saw him live he definitely wasn't using a computer, now i know why ;) I took some Richie Hawtin pictures from the WTC benefit @ Guernica, just decks, if anyone is interested - http://www.pgeb.com/hawtin/ -Pete -Original Message- From: Wes [mailto:[EMAIL PROTECTED] Sent: Friday, October 05, 2001 3:48 PM To: 313@hyperreal.org Subject: [313] Re: Brinkmann Gear? This message uses a character set that is not supported by the Internet Service. To view the original message content, open the attached message. If the text doesn't display correctly, save the attachment to disk, and then open it using a viewer that can display the original character set. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Re: Brinkmann Gear?
3 years ago at ultraschall in munich he was rocking 2 MPCs. actually i made the trip from vienna for dan bell, who disappointed with a blandly straight the advent etc set. no button down there. rrr and brinkmann were cool. armin Grammenos, Peter schrieb: Do you have a URL for that? When I saw him live he definitely wasn't using a computer, now i know why ;) I took some Richie Hawtin pictures from the WTC benefit @ Guernica, just decks, if anyone is interested - http://www.pgeb.com/hawtin/ -Pete -Original Message- From: Wes [mailto:[EMAIL PROTECTED] Sent: Friday, October 05, 2001 3:48 PM To: 313@hyperreal.org Subject: [313] Re: Brinkmann Gear? This message uses a character set that is not supported by the Internet Service. To view the original message content, open the attached message. If the text doesn't display correctly, save the attachment to disk, and then open it using a viewer that can display the original character set. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] madonna
it made me laugh when i first read it so here it is: i'm trying to put the soul that's missing into electronic music madonna - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] quark records movin' records discographies?
i recently came upon phase 2's mystery wich i like a lot. now i'm looking for discographies of quark records and movin' records. can anyone (on this best house list around;) help me out? thanks armin - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] sterling void
sterling void - it's allright - dj international 902 has the acapella on it. but where do i find chip e's it's house? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] broken records
it's the coloured vinyl which is brittle as porcelain. it also get's noisy faster and esp on white vinyl it's almost impossible to find the tracks. forget coloured vinyl. on the other hand i saw scans of a transparent marbled lightblue copy of phuture's your only friend recently (now that's an oxymoron!) and it looked very very good. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] transmat first, second, third pressing??
hi there could someone please outline the differences in the the artwork of the different pressings, especially of the first two? i know the last pressing has black labels etc. and what about fragile? two pressings? thanks armin recent buys, finds, discoveries... rodney baker - i want to hold you - rockin' house discoish vocal house, not far off from ten city . uplifting and melancholic at the same time, love it. model 500 - apollo records 'mind changes' is an updated version of the cybotron sound, deep mysterious voices over crawling basslines. 'vessels in destress' is italo from detroit. gwendolin - come to me - precision the farley mix must be one of chicago's all time best theo parrish - i can take it grooves like no other unit moebius - bunker 003 lovely naif chicago retro tracks from 1993 (i'd trade bunker 006 007 for some other early bunkers from 001 to 010, just mail me...) ... still waiting for the newworldaquarium lp and the new mos on rushhour. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Re: Cybotron by Dillinja
Wasn't Madonna the name of the mother of Jesus? Was that the first use? If that's the case then Maria Luise Cicciona has no claim on it. armin Date: Thu, 31 May 2001 11:13:11 +0200 To: '313@hyperreal.org' 313@hyperreal.org From: Jamil Ali [EMAIL PROTECTED] Subject: RE: [313] Re: Cybotron by Dillinja Message-ID: [EMAIL PROTECTED] Wasn't Cybotron the name of the planet the Transformers were from? Was that the first use? If that's the case then Juan has no claim on it. jamil -Original Message- From: Benn Glazier [mailto:[EMAIL PROTECTED] Sent: Thursday, May 31, 2001 3:56 AM To: 313@hyperreal.org Subject: [313] Re: Cybotron by Dillinja What do people think about this? http://www.breakbeat.co.uk/dillinja/default.htm Dillinja's latest entitled 'Cybotron'. It's not as if he is paying homage to the group or anything. What if I was to call my latest Reprazent? Interested on your thoughts.. r./ -- Benn [Royal] Glazier [EMAIL PROTECTED] http://www.royaltech.net http://dj.royaltech.net phone: +61 (0) 413 316 618 mail: R720 Royal Exchange NSW 1225 Australia :speeding like the killer bees - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] 313 stand on..../dave clarke/vogel/jamie lidell
speaking of jamie lidell, his freaking the frame ep on mosquito is one of my all time favourites. to call it freaky is like calling the h-bomb dangerous. don't know if it's techno though ; ) while i'm at it, here's my current all time 10: paris mittchel - funk electric - dance mania lil louis - seven days - dance mania theo parrish - dance of the drunken drums and dan ryan and lights down low and and and ... the it - donnie (dub) - dj int. basic channel - q 1.1 - bc quadrant 6 - body mechanic m:i:5 - autogen 10 - profan nude photo dbx - bleeb infinity - sunlight eddy grant - time warp ...shit, it's hard to stop. stop. anyone else? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
record stores in paris?
hi i'm visiting paris for a few days next week and i need some advice on good record stores there. ideally with a large backstock section, as i'm still looking for some stuff i missed the first time around, but any suggestion is more than welcome. merci et salut armin
theo parrish booking
try this http://www.mir-media.com/theoparrish.html
RE: mixing problems
just do the beat-matching with that part of the track that has beasts, then go back to the intro and drop it at the right moment ... most intros start on the first beat of bar 1 ... then make adjustments by listening to the overall rhytmic feel...if there's no explicit rhytmic element you'll have to work with the strings, pads etc (they're all rhytmic too) to marry the two tracks ... knowing your tracks helps. ... that's if you really want to mix the intro. personally i'd skip it. armin shook my booty to big daddy rick (wade) last night ... hardcore / marble floor ... yeah!
future sound rec
hi could someone please provide me with the tracklisting of that future sound comp released on rephlex some years ago. thanks armin
chez question
was just a matter of time by chez damier which i have on the techno-1 comp (kms 18) ever released on 12 - like all other tracks on that comp have been? thanks armin i'm also still looking for a danica discography...anyone?
mailorder house?
can anyone give me recommendations for a reliable and well stocked house store that does mailorder? possibly on this side of the atlantic? i know rushhour is pretty good, but nonetheless. thanks could this richie hawtin fog horn be the classic chicago passing horn, the one you can hear on various tracks and at the beginning of a theo parrish mix tape? and where comes that from? whoever responds blahblahblah to a (rather intelligent btw) statement on a mailinglist makes me laugh.
methods of movement 2000
i thought i had the track listing saved somewhere. can someone help me out please. tx armin
Re: [313] Li'l Louis' White Falls or Why'd U Fall
thanks jonny (for the right spelling too :), now that i know that i own the whole I Called You ep on bootlegs i strongly doubt that White Falls is just a bootleg of Why 'd U Fall. sounds more like a remix to me, 'cause the other 4 (3) tracks are much rawer. a Jonny McIntosh: I forgot to mention that the tracks on I Called U (Epic release) are: The Conversation But U Went To The Party The Series Continues A Series Of Events Why'd U Fall They are all a variation on the theme of a zombie girl who's stalking L'il Louis. Sorry for not sending this with the previous mail! Jonny.
RE: [313] Bass booty ?
all erik travis on either f.a.c.t. or bmc records. very cool stuff. some of it goes back to 1997, why haven't i heard before of this guy? a lil'louis whitefalls, where was this published first? other trax on that ep? tx
Mark Kinchen
II really need a discography of MK. And maybe some suggestions... If the other stuff he's done is nearly as good as his dub of Can You Feel It on KMS I can't wait to hear it. Does he still produce? Any information would be nice. a
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Re: [313] Maurizio goes to the dogs!!!
he did some pounding for yello too a anyone knows what's up with watts vinyl seeker's bbs?
D. May in Vienna?
Derrick May is supposed to spin in Vienna on Tuesday, 10.31. together with Baby Ford. Now thats a Treat! But since, as i gathered from the experiences by some of you on the list, you almost could make it D. Mai regarding his actual appearance, maybe someone can indicate me a way of getting this confirmed. thanks armin
RE: [313] R: [313] women and electronic music
spiral tribe had some cool female djs (ixi...) that introduced me to techno in 93. in the first couple of years, and 93 may already be late, the techno/rave scene in europe was also carried by the idea of a certain asexuality and the dissolvement of gender stereotypes... induced maybe partly by the massive use of lsd/ecstasy and the deterritorialized situation of the scene. havent seen many female djs back then either though. the equation hard(techno)=macho is based on the traditional male view of the woman ...i miei 2 centesimi armin np - khan - orgien
Some vinyl on ebay, mostly detroit(ish)
unpaid advertisment If youre interested in stuff on 100%Pure, ART, B12, Eevolute, Peacefrog, Djax, Profan, Saber, Sähkö, Plus8 ... and by 69, K.Larkin, Soul Oddity, M.Broom, Spacetime Continuum ... then you might want to check under the user-id marni.bopp. Thanks for your attention armin ... i keep on hearing wicked things about the rushing techno scene in eastern germany. camp or trash? np - Strong Souls - Do It
Re: [313] online record finders
rockhouse (sic) = sonicgroove = timewaste (ie all sought after stuff listed is on backorder) well, not allall of it, at least i got my th parrish on filth :) armin np: newworldaquarium - straight outta compton
Re: Andres Double
havent heard stranger tracks in a long time, he manages to make them sound warm and soulful and spooky and surreal at the same time; i also really like the kind of empty feel of it, it reminds me of the last metro area... very-late-night-music. overall his last ep on kdj sounded more elaborated, this one seems more sketchy to me, still love it though. my problem with such tracks, as with those of th parrish, is that the reasons why i love them, namely their distinct feel and atmosfear, make them so difficult for me to mix. theres always going to be a break which you have to stage(?) really well... every once in a while when i do a mix with my friends force tracks, classic, some perlon and playhouse etc i feel like i could do it without hands and brains ;-) one more thing: im desperately looking for that 3chairs double (3ch-I), small blck church (kdj5) and what do you see (kdj8). anyone knows where i could get them or is willing to sell/exchange? among others i could offer 3chairs-II, the godson II (kdj22) and imo a real gem, urban tribe d-2000 (mowax94) armin
Re: Zägezahn
Hi AFAIK Sägezahn refers to first of course the waveform secondly a revival of a certain german(?) sound from 94(?); since the first Strass record (by MikeInk) on FIM in 98 it has kind of exploded, at least in germany, and has become a sub-genre, exploited especially by Heckmann and FIM but also by MikeInk himself (Auftrieb). Once there came out a FIM labelsampler mixed by Rush consisting entirely of sägezahn. Altough initially intendet as tongue-in-cheek by MInk (watch out for his jokes!) the whole thing was taken quiet/too seriously after a while and IMHO became an escape-route out of a creativity-standstill for some. MInk (last time i mention him) offered in his late Freiland releases a more demanding (and funky) and less trancey approach to this concept of body-music. Nowadays it has already faded away on the whole, but it also has spread in some ways. For example you may hear some reminisences of zägezahn coming out of Bristol or in various electro-trax (Antarctica... anyone wants to drop a comment on this one?) Porter Ricks was sägezahn avant la lettre. one could say that Dusty Cabinets by Th Parrish (hellova track!!) is in some ways sägezahnish, but thats a bit far out and afterall i dont want to start it all over again, i shed no tears over this bugger dustin. Keepitup and staydown armin i'm missing Alan Oldham
RE Submit
16 on a black shirt or the negative on white or 16 in lets say electric blue on black or white..., but without the writing. Keep it minimal and a conspiracy. 7 isnt bad either though. armin BTW Knights of the Jaguar is trance.
