Re: (313) Mathew Jonson
perhaps live -- i just noticed that his Breezeblock mix must be live too although it's not obvious throughout Z [EMAIL PROTECTED] wrote: didn't he dj at club 77 about 6 months ago - i thought you went simon. or was that a live set. or am i totally confused? i james Simon Hindle [EMAIL PROTECTED] u.nsw.gov.au To 313@hyperreal.org, 29/08/05 04:13 PM [EMAIL PROTECTED] cc Subject Re: (313) Mathew Jonson Yeah, Canadian, very much flavour du jour at the moment. His music is electro-inspired and quite sparse, his big 'hit' is Decompression on Minus. I'm not really into much of his stuff; the only ones I really like are Followed By Angels and Marionette, and an early release he had on Perlon (Alpine Rocket). His sound is really clean, and his beats are seldom straight 4/4 jobs. He doesn't DJ as far as I know, it's all live from him. There's a really recent liveset of his for download at http://www.zeracon.net/snd/mcs/MovingCity05_Mathew_Jonson.mp3 In a previous life, he remixed Nelly Furtado (of I'm like a bird fame). He also has a side project called Cobblestone Jazz, which seems to be where his junglist penchant has taken him. Cyclone Wehner [EMAIL PROTECTED] 08/29/05 2:45 am I'm curious to get some info on this dude, seeing he's been getting major props for a while and his records are hot and he is rated by Richie Hawtin. I think everyone misspells his name, too. I was also under the impression that he had a UK connection, but it seems with his label being called Vancouver, he's Canadian... He's booked to play live in Oz, but does he DJ much also and what is it like? ForwardSourceID:NT00022422
Re: (313) Mathew Jonson
.. we been talking about the guy before. imho he's definitely worth checking although i don't like all of his material. his sound is a bit that of retrofuturistic, well produced and danceable, i'd say there is a big Kraftwerk influence. i never liked his big hit Decompression tho' except for the time i spotted it in a set at a party (thanks to Matt Chester:) -- worked there pretty well. i've only heard a Breezeblock mix by Mathew and he what he spun was all his own tracks. although subject's sound doesn't seem anything fresh, there's a something very special about it. i tend to appreciate him more and more, especially as i found older releases on Itiswhatitis Recordings, like: she is he [IIWII005] 2002 typerope [IIWII007] 2003 love letter to the enemy [IIWII009] 2004 Z Cyclone Wehner wrote: I'm curious to get some info on this dude, seeing he's been getting major props for a while and his records are hot and he is rated by Richie Hawtin. I think everyone misspells his name, too. I was also under the impression that he had a UK connection, but it seems with his label being called Vancouver, he's Canadian... He's booked to play live in Oz, but does he DJ much also and what is it like?
Re: (313) OMAR-S,Oasis#14,FXHE RECORDINGS,12 sounding prettyfilthy.. gotone ordered....
.. i also didn't fancy most of the Omar-S' stuff until i heard this onesided release of U.. which absolutely opened my heart his musik. its kind of a purist thing, carrying this honest authenticity of a Detroit soul hardly to be found in these advanced times. and doesn't feel like being stuck in the past either. Z Chris O'Connor wrote: I love Detroit house as much as the next guy on this list, but I really do not see what I am missing with these records. Not hating, but I've heard sooo much about these records, and I can't seem to find what I am obviously missing. To his credit, I have heard some great tracks from him, but I am not feeling most of them. I can see collectors being all over the seemingly underground style hand written white labels, but that's not what I buy records. For the benefit of me and others on this list that may feel the same, please list the essential Omar-S releases that I need to hear to change my mind. Chris -Original Message- From: Stoddard, Kamal [mailto:[EMAIL PROTECTED] Sent: Thursday, August 25, 2005 12:35 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) OMAR-S,Oasis#14,FXHE RECORDINGS,12 sounding prettyfilthy.. gotone ordered So I listened to the clips on emporium and ...plase tell me it develops into more than what I hear. It's just a kick and bassline for most of the clip then some voco stuff comes in. does it get better? I'm asking because omar has in the past just let that loop run and called it a track (sometimes to great effect though. If that's the case with this track though, I'm gonna actually buy lunch today.
Re: (313) Maurice Fulton mix again
couldn't agree more on this, the format stinks and player is pain in the ass Z robin wrote: well if i had my way that would be a worldwide banned format. if anyone is reading this and thinking that realaudio would be a nice way to present your mixes online, please don't. robin... Robert Taylor wrote: Shame they're on Real Audio - a format forbidden by my work. Gr.
(313) czech cops went bonkers?
Czechtek 2005 is the 12th annual freetek party in open nature. This year's self-organized freetekno event met unusual hostility from the Czech police. Starting the morning of Friday, 29th July, the first soundsystems and visitors gathered on a legaly rented land near the city of Milec. In the morning hours the police blocked the exits from the higway D5, causing an 8 kilometres long traffic jam. According to eyewitnesses, the police officers were trying to stop people from exiting the highway towards Milec based of their looks. Around 150 people sat on the highway requesting that they are allowed to continue their way to Milec. After 6 hours, following an ultimatum, at 13.00 the Czech police used water-guns and heavy force to clean the blocked highway. Abandoned cars were pulled away. The police continued to block the highway exits, as well as several ways around Milec. The official police statements said that the legal contract between the owner of the land on which Czechtek 2005 should take place is invalid. The Czech Minister of (wrong: Justice) Internal Affairs Frantisek Bublan of the social-democratic party CSSD, stated that the contract is invalid and that the owner of the land revoked it. Later, Friday the contract got into the media, as well as several interviews with the legal owner of the land, confirming his support for the event and the validity of the contract. Following his statement the Czech Senator Jaromír Štětina and the Czech Green Party requested that Minister Buban stops the raid against citizens of Czech republic which have not commited any crime by their gathering on a legaly rented land. Nevertheless police continued to block the area without reason. During night several thousands of visitors managed to pass the police blockage, leaving their cars behind on the roads. The Czech police was getting reinforcements from Pilsen, coming by vans and buses. Saturday morning the free techno party was having 5000 visitors and around 300 cars that managed to get on the place. The soundsystems started to play music. The Speaker of the Czech police stated that the visitors damaged neighbouring lands while trying to pass their blockage. The landowners filled a legal complaint against the organizers of Czechtek 2005. The citizens of Újezd pod Přimdou, a small town near the place of CT 2005 signed a petition and handed in to the main Police Commander requesting that the participants are allowed to continue their way. The streets of the city were filled up by cars and people who failed to go through the police street cordons. The police redirected cars comming from Germany to the border in Rozvadov to other border crossings. According to police statistics 105 out of 249 foreigners were turned back on the borders on the base of colored old cars, haircuts and tatoos. The highway D5 was closed on both sides between 128 and 135 km. At 16.25 the police requested that the 6000+ participants leave the gathering otherwise a police action will follow. The assault started at 16.30 supported by around thousand riot cops massively using tear gas and trying to push the visitors out from the place. The assault was answered by throwing of various object at the police cordon and people shouting gestapo at the policemen. According to eyewitnesses the police used water to damage the soundsystems and unconfirmed messages speak about the usage of gum projectiles and frequency jammers to disprupt the mobile networks in the area. The shadow minister Ivan Langer sharply criticizes the police assault saying that it's a political decision imposed by the Prime-Minister Jiří Paroubek (CSSD). On the weblog of Czechtek a request for solidarity was posted asking people to join a demonstration in Prague at 19.00 in front of the Ministery of Justice. The police assault ended around 19.20 (before the evening news) resulting in 50 injured people both on the sides of police and the participants. The organizers of Czechtek 2005 stated that they are going to appeal to European Court for Human Rights in Strassbourg. The second wave of police assault started around 21.00 with the goal of pushing out the remaining people. The brutal and irrational assault and police hostility are attributed to the government leading party, CSSD (social democrats), and are viewed as a residuum of Communist thinking as well as a populist attempt to get some attention before the coming elections. The so-called democracy in the Czech Republic as well as a borderless vision of the EU manifested itself in a xenophobic attempt to supress a manifestation of a freetekno subculture. http://indymedia.h-k.sk/newswire/display/84/index.php
Re: (313) Re.New Stuff This Week
.. rite said -- with albums like Avanti and Beautiful, G-Man is among my all time favorites for sure! Z fab. wrote: Reminded me of Gez Varley, who I love (don't care what anyone says). don't worry man, im right there with you, gez varley rips fab.
Re: (313) Mille Plateaux/ force Inc
Melody Ng wrote: I heard that someone (strubel) bought it but is fighting the previous owner an all this stuff. Anyway, I heard they are signing up people to their sub-labels and stuff. but mr google and mr discogs stuff is a bit out of date. google is evil while discogs just soo sloow -- Z
Re: (313) A song I just made.
.. nice u made it, is it yours first? -- sounds like that:) Z Zorglub wrote: Hello everyone, I just made a song, and I tought I would share it with you guys. Any comment appreciated. http://www.dfmf.org/Zorglub/Zorglub_-_Midi_Mechanixx.mp3
Re: (313) new christian bloch on thinner
yea, also found it nice as well as his previous Thinner album 'young american'.. deep, dubby clicky Z Matt Kane's Brain wrote: Wow, have you people heard this? It is totally rocking my head right now. -- matt kane's brain http://hydrogenproject.com aim - mkbatwerk || mkbwriu [EMAIL PROTECTED]
Re: (313) For the Tape Heads
hey, it was a common trend in USSR/ex-USSR to spin on self-modified pitchable tape decks.. both cassette and those big round ones. i was DJing on those ~1995 as well for a short while Z [EMAIL PROTECTED] wrote: I think I found your man http://www.flickr.com/photos/kde-head/19313082/
Re: (313) Re: Galoppierende Zuversicht or Nobody Listens to Techno
.. reconstructing history is as tricky as predicting future=) it's mostly exciting to dig your roots for sure. it seems there have been a major sonic explosion around the globe, probably due to new way of composing as electronic instruments became widely available. although current possibilities of employing sound already seem infinite, the limitations are set by sound storage and replay technologies, so i wonder what's next and when? Z Williams wrote: I stand corrected; I didn't remember what year Clear and Shari Vari came out. As another data point -- when I asked Kevin Saunderson about the large number of House, and particularly Deep House DJs that were booked at Movement in 2004, his response was we don't really see house and techno as different things. It reminds me a bit too of the stuff written about early hip hop -- people like Grandmaster Flash thought of what they were doing as making their own kind of disco. Nearly 30 years on, any commonality between Disco and Hip Hop would seem unlikely to people who don't know the history. I don't know if any of you all get spammed by Jesse Saunders booking agent, but all his promotional materials make a big deal about him being The Originator Of House Music, and having put out the first House record in 1983. That claim seems pretty absurd to me. A lot of people who were making house music early on took a long time to get around to making records, though they were playing reel to reel productions in the clubs well before Jesse Saunders' record came out. On 7/5/05, Matt MacQueen [EMAIL PROTECTED] wrote: yeah fair... massive connections between house and techno, and that is the way i like it too! But just for the record on a historical timeline, the earliest detroit techno things like A Number of Names and Cybotron and early Model 500 took more from european sounds than they did chicago house, and pre-dated a lot of chicago house actually. Clear (1982 !) was not a debt nor offshoot of chicago house. Chicago house (then and even now) still holds disco deep down in it's heart, where when Juan started out there was moreso a self-conscious rejection of that that kind of ethos in his early work. I know you know this Kent, but just in the interest of the public record :)
(313) Stavöstrand in Riga // discogs strike s back!
.. just back from some club called Depo: Mikael Stavöstrand and Selffish+ live in one 'hall' and.. drum'n'bass DJs in other. Stavöstrand's live set wasn't all that perfect but it was really interesting to watch him workin the crowd, and at some point things took off very well indeed. the kick was stompin and there were some cool tricks and enough of variation [glitches, bleeps, noise sweeps and sum kooky percussion rush] yet somehow the irresistable groove was missing by large, my guess would be him being too careless about hihats, one should never underestimate these! also, the ever repeating bassline became annoying in no time. Selffish set was less danceable but kind of more coherent and solid [you can check his releases on Thinner, he's definitely one of the most interesting latvian producers these days]. however, as i happen to know most of the tracks he was performing, there wasn't too much of a live element thus interaction with crowd was close to none. ah yeah, both laptop btw:) Z Edward George wrote: maybe without discogs i'll stop spending my dinner money on ebay.
Re: (313) who wants nubreakzzz anyway (when you've got these flavaz)
cant be i was the only moron to fall for it:D it's way down there in the playlist still tho' Z Maarten Baute wrote: What does one need to do to get some attention? When I posted my all house/techno mixes, I used to get loads of positive reactions. Now we try to open our minds and tackle other genres and old stuff and nobody cares. Even my marketing strategy didn't work ;-) One (1!) download so far. At this time my techno mixes would have been downloaded 20 times, easily. Dear Sir or Madam, I want to inform you about the best mix recorded in the history of mankind. It was performed by dj cool synthesizer (me), dj techno maker and dj coldplaya (for a picture of us, look at http://www.morthenkiang.com/pics/no_nubreakzzz.jpg). This is a defining moment in the history of music making and western civilization. Download the mix now and win a trip to Ibiza (bed breakfast included)! Autograph sessions to be announced... Between the tracks there are some interludes, which are only understandable to people who speak Maldegems fluently. The tracklisting is as follows: part one (feedback intro) 01) can - bel air [ lp: future days, 1973 ] 02) the beatles - blue jay way [ lp: magical mystery tour, 1967 ] 03) the seeds - girl i want you [ lp: the seeds, 1966 ] (interlude) 04) little richard - lucille [ compilation: the best of 50's jumpin' jive, 1953 ] 05) the wailers - road runner [ lp: the fabulous wailers, 1959 ] 06) the rolling stones - parachute woman [ lp: beggars banquet, 1968 ] 07) mississippi john hurt - nobody's dirty business [ lp: avalon blues: the complete 1928 okeh recordings, 1996 ] (interlude) 08) the cramps - i can't hardly stand it [ lp: ... off the bone, 1983 ] 09) the monks - i hate you [ lp: black monk time, 1966 ] 10) the velvet underground - venus in furs [ lp: the velvet underground nico, 1967 ] 11) santana - hope you're feeling better [ lp: abraxas, 1970 ] (interlude) 12) the sonics - have love will travel [ lp: here are the sonics, 1965 ] 13) shuggie otis - island letter [ lp: inspiration information, 1974 ] 14) the congos - ark of the covenant [ lp: heart of the congos, 1977 ] 15) augustus pablo - brace's tower dub no. 2 [ lp: king tubbys meets rockers uptown, 1976 ] 16) the slits - spend, spend, spend [ lp: cut, 1979 ] (interlude) 17) dinosaur l - #7 [ lp: 24 24 music, 1981 ] 18) joy division - disorder [ lp: unknown pleasures, 1979 ] 19) liliput - do you mind my dream [ lp: liliput, 1982 ] 20) esg - dance [ lp: come away with esg, 1983 ] (interlude) part two 21) curtis mayfield - superfly [ lp: superfly, 1972 ] 22) black sabbath - hand of doom [ lp: paranoid, 1971 ] 23) napalm death - the kill [ lp: peel sessions, 1987] (interlude) 24) the beach boys - god only knows [ lp: pet sounds, 1966 ] 25) kenneth john and dimmed lights - no, baby, no [ label: top songs records, 7, ? (a maldegem band!) ] 26) the stooges - 1969 [ lp: the stooges, 1969 ] (interlude) 27) dj milton - suk the dik [ label: dance mania, 1995 ] 28) morthen kiang - i dance on guilded splinters [ (unreleased) ] 29) newworldaquarium - themefrom [ label: delsin, 2000 ] 30) fennesz - rivers of sand [ lp: venice, 2004 ] (interlude) 31) indean ocean - schoolbell / treehouse (walter gibbons mix) [ label: sleeping bag, 1986 ] 32) prince - the ballad of dorothy parker [ lp: sign 'o' the times, 1987 ] 33) the b-52's - party out of bounds [ lp: wild planet, 1980 ] (interlude) 34) agnostic front - power [ lp: victim in pain, 1984 ] 35) slant 6 - blue angel [ lp: soda pop rip off, 1994 ] 36) talking heads - the great curve [ lp: remain in light, 1980 ] 37) 69 - frequency finale [ label: planet e, 1991 ] (interlude) 38) hellhammer - massacra [ lp: apocalyptic raids, 1984 ] 39) burzum - war [ lp: burzum, 1992 ] (lou rawls interlude - featured in shake - the fake left go right plan, frictional 2001) 40) rhythim is rhythim - strings of life [ label: transmat, 1987 ] (feedback outro - or: the best outro ever performed ... ever!) Download at: http://www.morthenkiang.com/soundcollage.html Just believe the hype. Cheers, Maarten a.k.a. dj cool synthesizer
Re: (313) the meaning of...life is within 23
.. i don't really know the official story [if there's one] of 23 till today but the number is very personal to me -- right around time i turned 23, it started to follow me everywhere [or was it me following?] // kinda unbelievable but there were days when it almost drove me insane, like whenever i was checking the damn clock, its 23 mins past something and that happening several times per day not to mention countless appearances in different forms // even been adjusting my clock few mins back'n'forth since i suspected myself to become exact in time-checkin routine but that wouldnt work -- it was number not the time and i didn't start looking for it first for sure // these days its slowly losing intensity and kinda fading away tho' // and guess what, someone @ ELP Medien told me a story alike.. 23 is watching you. 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 23 sorry, i'm obsessed have a nice twentythree, Z Stewart Caig wrote: Whats the actual deal with the number 23. I remember people banging on about it being the number for chaos and stuff when i used to go to the odd Spiral party and quite a few people there had a bit of a thing for it. In fact I seem to remember one of the old Spiral Tribe 12s had a big 23 on the sleeve as well. Always just thought it was a bunch of old ass myself but still moderatly intrigued to know what its all about
Re: (313) discogs?
yeh!! and i found myself really missing it.. oh g0d, bring it back! ///Z Wojciech wrote: Has anyone else had trouble accessing discogs in the last couple of days?
Re: (313) Re: legit mp3 downloads
Tim Moore wrote: *Everything* is an approximation! I'm pretty sure those pops and crackles weren't on the master! ;-) exactly! and vinyl master also got its restrictions.. although i really dig the sound of cut grooves as well as that on thick chrome tapes -- you can even record your MP3 on good quality analog tape and feel the difference! that said, i can well enjoy good musik coming from any source and being replayed on any soundsystem [it's different with production tho'] ///Z
Re: (313) legit mp3 downloads (artists get PAID)?
.. i think the point is beyond the format -- it's just whole new way of presenting musik and reaching the audience. MP3 and other digital musik formats are not really young anymore, it's just that now they've evolved in something really useful, bearing acceptable quality, modern distribution network and decent replay/mixing tools. i'm still buying CD and vinyl releases but i'm really glad for the new digital distribution trend anyhow, even if it's killing traditional means of music industry. the world is forever changing but everyone is free to keep their favorite relics and just keep on doin' it my 2 santims, ///Z Stoddard, Kamal wrote: Its an amzing world out there, and any MP3 snobs should stop lording over their vinyl collections, and just take interest in a format that is allowing a huge number of artists to release music to the world. .simon The world is quite amazing isn't it? I was thinking that on the way in to work! I agree about taking interest, but taking interest in a concept and supporting a format (and all it's limitations) are different. I am intensely interested in the concept of fully digital music presentation, but like Francois k said on dhp that time, the concept doesn't really work consistently on the professional level until you start closing in on uncompressed quality (really uber-high bitrates and large files). So I probably won't bother with full steam digital until the format is expanded to include high quality files. But then again you're talking to the guy who buys 4 pairs of levi's 501's every spring and feels fashion conscious so Maybe I'm just habitual, or maybe I only accept the best, depends on your take on jeans and music. Kamal K. Stoddard Turner Broadcasting Systems -Original Message- From: Global Warming ?! [mailto:[EMAIL PROTECTED] Sent: Friday, June 24, 2005 7:07 AM To: 313 Subject: Re: (313) legit mp3 downloads (artists get PAID)? Others I would add to the list below. Heavy Industries Bevlar Dobox Clever Music Luumu Acrylik .. This music out there is pretty diverse and amazing, certinaly enough for me to enjoy and feel excited about. Check out Speakeasy on Psurkit.net ... Its a weekly podacast featuring some of the favorite tracks I find weekly. The show notes include links to the sites I am visiting. z66 wrote: .. which are your favourite labels and artists? i'm not really downloading too much, but i've found at least one worthy release on following netlabels: REALAUDIO EPSILONLAB STADTGRUEN TONATOM ACEDIA MUSIC 2063MUSIC _ROHFORMAT EXEGENE RACEWILLBEGIN DATAMUSIK KIKAPU NISHI GAINLAD MP3DEATH and.. ASYMMETRIC MP3 D1GITAL and ofcourse.. THINNER TEXTONE ///Z -- Can you do enough to stop the liberation of your own mind? www.psurkit.net www.obscure.co.nz
Re: (313) A reasonable compression rate?
.. i'm using lame LAME 3.90.3 for MP3 encoding using VBR [which in average turns out to be ~200kbps]. been mostly encoding seedee extracted WAVs as well as my own production and i can't tell much of a difference, maybe sounds a little more 'compact'. lame encoding presets are optimized and tweaked to reach good quality/size ratio, the only complaint might be it cuts highs in the name of 'no human is able to hear above 18khz' so you cant encode up to 22khz. btw, the decoder is also important and there's still room to advance. i'm using Mad plug-in for Winamp http://www.mars.org/home/rob/proj/mpeg/mad-plugin/ i guess some lossless format will take over sooner or later as bandwidth and storage makes it accessible already the Sony format you mentioned sounds interesting! i wonder of the way of interpreting and describing audio characteristics there, gotta google it up -- ///Z Tristan Watkins wrote: The storage requirements for 1000 records at 24 bit 96 KHz would be astronomical. IIRC, I mixed down a 6 minute track to 32 bit 96 KHz and it was over 300MB! If you actually decide to encode an average of 2 tracks/record that would require ~600GB. 1500 records and you're nearly at a terrabyte (don't even worry about albums for now). Even if you're thinking that hard disk space is cheap these days, the backup requirements are crazy. Plunking that on DVD's you've got an organisational nightmare, and if you're thinking of using a NAS, a terrabyte is bloody expensive. But hell, 32 bit 96 KHz is nothing. Why not go for one of those audiophile formats like Sony's 1 bit 2.1 MHz DVD audio format which is meant to replicate the stream of analogue audio more accurately than larger bit types? No clue what kind of file sizes you'll get with that, but I think it's similar to the 5 channel 24 bit 96 KHz files from that other DVD audio format, which is large. Personally, I reckon 32 bit 256 Kbps mp3 is plenty good with today's compression formats. Has anyone actually ever noticed the difference at this bitrate? That's what I'm using anyway. Getting fanatical about any of these choices is a bit silly if you ask me, as five years from now there'll probably be a new format that poops all over the compession of today and we'll all be glad we kept the vinyls so that we can re-encode everything from the source in the new format. Maybe I'll be done with my current collection by then. ;) @ Joe: I recorded a 6-hour mix to VHS once upon a time. Good for that uninterrupted feel. :) Tristan === [EMAIL PROTECTED] http://www.phonopsia.co.uk
Re: (313) A reasonable compression rate?
seconded! however i'm making use of encoded audio already and most likely i'll have to deal with it a lot during next 5 years, so i'm interested to handle the matter best way possible at any time. ///Z Getting fanatical about any of these choices is a bit silly if you ask me,as five years from now there'll probably be a new format that poops all over the compession of today and we'll all be glad we kept the vinyls so that we can re-encode everything from the source in the new format. My point in a nutshell. And I think that if the current choices don't move me like I want, then I'm cool holding out with my source material. If you should ever finish encoding all your vinyl, please allow me to take care of the disposal...for a nominal fee of course :)
Re: (313) legit mp3 downloads (artists get PAID)?
.. which are your favourite labels and artists? i'm not really downloading too much, but i've found at least one worthy release on following netlabels: REALAUDIO EPSILONLAB STADTGRUEN TONATOM ACEDIA MUSIC 2063MUSIC _ROHFORMAT EXEGENE RACEWILLBEGIN DATAMUSIK KIKAPU NISHI GAINLAD MP3DEATH and.. ASYMMETRIC MP3 D1GITAL and ofcourse.. THINNER TEXTONE ///Z
Re: (313) Doors and Windows mix
/0 wrote: 3 the doors hell yeah! there's nothing like 'the doors' i was booked for a large outdoor fest last weekend and as one of DJs was throwing in 'riders on the storm', it started to rain! excellent=) btw Darren Price was headliner for that fest and he did very well, mostly spinning quite intense techno. well, i didnt like a track here and there, and he was playing 'cowgirl' for like 3 times during the set but all in all it was great mover, and the crowd was very responsive. ///Z
Re: (313) Hello 313, I am....
hi hi i've been on/off the list several times since like 10 years, its just i can't always handle the traffic=) Name: Zee Ninetynine Age: 26 in couple of days Place I live: Riga!, Latvia Other Cities I've lived in : Rotterdam, Berlin, Cologne for few months Webpage: http://ilovetechno.lv/z99 When how I got into techno : was lucky to hear 'Technicolor' ~1990, found out it's called techno a year later What got me into it : infinite ways of sonic expression How do i contribute : musik production, parties promotion, VJing Fave musicians : tooo many! deep'n'minimal seems to somehow match my very essence but i'm also into funk, jazz, house, electro, drum'n'bass, hip-hop, dub, ambient, idm.. now i'm curious, are there any more latvians on the list atm? ///Z
Re: (313) whats on ur (car)stereo at moment (was: who woke everyone up?)
..
i've got a hold of new Maetrik album 'casi profundo' at last, and there
is something warm and quite summer-ish about it! i love and hate it at
the same time, just like some of his previous releases;D for me, there
constantly tend to be some tiny bit or two, ruining the whole
listening/groovin' experience.. like this superannoying bassline on
'almost deep', how could one possibly find it fitting? original? -- not
that much, apart from weird rhythmics generated.. which are totally out
of key imho. experimental? electrotrash influence?:D
now, i want an edit. ofcourse i only niggle like this when i actually
damn love the track. if it didn't hit so close, i'd most likely find
that jerky bassline amusing.
anyway, Maetrik rocks. great flow, tight beats, polished sound and
[sometimes] very well integrated vocals.
///Z
Blaauw, Martijn de wrote:
Since everybody is awake and it seems that summer has finally arrived in
the lowlands so i made a cd for in my car with some tunes which are
currently rocking it for me...not al of them are technolectro but i'd
thought i'd let u know which tunez rock it for me:
Tiefschwarz feat. Eric D' Clarke- Blow
DJ Hell - i am Amanda la Pore
Richard Bartz - To Hot to stop
David Guetta - World is Mine (blackstrobe mix)
Mathew Johnson - Gemini EP
Terence Fixmer - Danse avec les ombres
Front 242 - Catch the men Live concert in Belgium 2004
Hell Heil - P.D.D. (J. Heil Ltd. Remix)
Alter Ego - Satanic Circus
T-Raumschmiere - Querstromzerspaner (LFO RMX)
New Order - Krafty ('Glimmer 12 extended mix' and 'phones reality mix')
Necro Facilty - Black Paintings (Skinny Puppy is alive and they are from
scandinavia!!!)
The tears - Refugees (former suede singer with his new band)
What's doing the trick for you?? Let it know...
Martijn
-Oorspronkelijk bericht-
Van: Jari Tolkkinen [mailto:[EMAIL PROTECTED]
Verzonden: donderdag 9 juni 2005 14:34
Aan: David Beattie
CC: 313
Onderwerp: Re: (313) who woke everyone up?
Yes something has definetly happened :) Maybe it's the spring/summer sun
luring moody underground techno heads out of their lairs ...
Kompakt: I've bought many records, Speicher 10, speicher 28, both rex
the
dogs on kompakt extra, both orbs (gonna buy the third one aswell) and
many others.
New records: Nothing special, dj t's new 12 which was nice techhouse,
couple of mathew jonhson records waiting in the post office. Oh and that
new dj Gregory's Head talking is also waiting for me at the Oulu post
office. Realy looking forward to that.
Busy weekend coming up, gonna play one club gig, one reclaim-the-street
gig and one techno party gig :) Can't remember when I had so many gigs
in
one weekend :D
How is the Reclaim-the-Street movement in other countries?
Cheers,
--
Jari Tolkkinen | dj ken-guru | http://www.ken-guru.net
--
Re: (313) the orb on kompakt??
.. rite, but it took me years to discover Kompakt is actually not all that bad;) everytime i was in Germany, been checking some of their records [german record shops always seemed to have lots of Kompakt backstock, not to mention their own shop in Cologne], yet nothing caught my attention [was it wrong release, wrong time, wrong place or wrong me?] until recently, and then thanks to MP3 piracy. i really dig their two Mikkel Metal's rels, and i also find some of Closer Musik and SCSI9 rather enjoyable. havn't heard anything from the Orb since the famous cloud-song, i guess! ///Z FRED giannelli wrote: on 6/8/05 11:03 AM, J.T. at [EMAIL PROTECTED] wrote: Yeah, that record is only OK. I have never bought a kompakt 12 that was worth the 12$, be it on kompakt proper or pop or extra. well i only know of one i like! KAITO well maybe there's several kaito's, but i really like kaito, yes. You guys are crazy. There are lots of great Kompakt releases over the years. Perhaps you just don't like the recent ones. telepathic regards, the kooky scientist
Re: (313) virtual sex lp repressed! ACTUALLY IT'S BEEN BOOTLEGGED, BURN THE BOOTLEGGERS
J.T. wrote: maybe they arent interested in spending their time re-releasing tracks they did a dozen years and feel they've moved beyond, whatever their reason, it's their prerogative and they dont even need any excuse or reason. ..and maybe they want *you* to move forward too:: to catch more new musik rather than being stick to your defined classics ///Z
Re: (313) virtual sex lp repressed! ACTUALLY IT'S BEEN BOOTLEGGED,BURN THE BOOTLEGGERS
different musik, different qualities.. well, at least it makes these producers even with other producers of today [who might not been around that time]. in any case, i'm still being amazed, how much of good musik is being released every year.. just like others, i use labels and names as a reference point, but it always leads me to new, unknown names + every year i keep discovering gems i've missed i can well understand hunting classics which are unique for both that and this time, yet what i'm trying to say is: there's a supply but the demand seems to be lost in time ///Z Thomas D. Cox, Jr. wrote: -- Original Message -- From: z66 [EMAIL PROTECTED] ..and maybe they want *you* to move forward too:: to catch more new musik rather than being stick to your defined classics if thats the case, maybe they should work on making better new music! tom andythepooh.com
Re: (313) UR at fuse in download
hiya list, i've actually put some stuff online here for a while: http://www.ilovetechno.lv/z99/fused/ didnt went thru all of the recordings myself yet.. feel free to get it! ///Z Jernej Marusic wrote: Actually it is, but it's full of interuptions. It looks like they were having a lot of problems with the stream and they were playing some other music in between, plus they are talking over parts of it. So there's basically only half the UR gig, with other music in between, but it's better than nothing :) UR start at the end of first file (only couple of min) and play all the way through the second, and the last 15 min are in the last file. http://137.207.3.102/mp3log/t1117504292.mp3 http://137.207.3.102/mp3log/t1117507891.mp3 http://137.207.3.102/mp3log/t1117511491.mp3 Jernej www.octex.org -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 1. junij 2005 10:44 To: 313@hyperreal.org Subject: (313) UR at fuse in download thanks for all the reports folks, keep 'em coming. Q: Is the UR live thing available as a download from that festival stream anywhere? _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
Re: (313) New Richie Hawtin Mix CD: DE9: Transition
true, true! but UR did it differently.. than all this have born here and there blah blah got into electronics by age of xxx bla blah ^#*(@() have been spinning together with bla bla etc etc crap -- pretty much a pop industry approach [on the other hand, its always interesting to know=] anyway, i think Richie is a great innovator, its just funny in a way, especially when he is a kind of man who'd have a laught himself at his own PR ///Z Martin Dust wrote: But what is underground? I would define it as doing nothing and anyone who hold up UR as doing it underground is just plain wrong, they had one of the best PR spins in techno I've ever witnessed. Martin
(313) how bout MAETRIK?
.. i've came to hear three Maetrik's rels from 2003: * echando alma on Morris Audio * freaky flow on Big Chief * force feeling on Treibstoff although i didnt instantly fell in love with vocals, i've grown to like 'em in a way and all in all i really dig some of the tracks from these EPs [groovin all day long infact;D], especially 'freaky flow' original and electrointention as well as 'force feeling' -- anyone heard something more recent from this producer? ///Z
Re: (313) summer techno
these days.. RAIDERS OF THE LOST ARP -- highway FUNK D'VOID -- volume freak DAMON WILD -- smoked grooves ALEX CORTEX -- en movimiento MONOLAKE -- axis/carbon/swamp PHOTEK -- t'raenon [although this is beauty for all seasons] //z [EMAIL PROTECTED] wrote: You always manage to put a smile on my face...even I wouldn't subject my neighbors to that. Cops are here in about a minute and a half in my neck of the woods. Peace, Alex [EMAIL PROTECTED] 05/12/2005 09:17 AM To 313@hyperreal.org cc Subject (313) summer techno well, the suns out, and i've gone all dizzy already. whats your favourite summer techno track? on a sunny day, I like to sit outside, on an old sofa in my string vest with sandals and socks on, with my fat hairy chest hanging out swigging a bottle of QC sherry. With the windows wide open, i treat my neighbours to : Ultradyne - Ultradyne is EVIL haahahahahahahahahahaa. perfect for the neighbours, the scally feckers. _ - End of message text This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers LLP. PricewaterhouseCoopers LLP may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring.
