Re: (313) downloading, peer-to-peer, etc

2003-11-04 Thread J. T.

I know some of you disagree, and I knew it before I sent the mail.  sooo,
save the counter-point emails to me, because this is my own opinion, and


man, stfu!! if you dont want people to respond, dont post to the list about 
it. your opinions is short-sighted and selfish and i'll call it for what i 
see it -- BS!! we're all familiar with idealistic nonsense

wahh wahh

gimme a break!!

_
Want to check if your PC is virus-infected?  Get a FREE computer virus scan 
online from McAfee.
http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963




Re: (313) downloading, peer-to-peer, etc

2003-11-04 Thread J. T.

i agree john.

if art were free some of the greatest masterpieces of all time would never 
have been made!! financial compensation IS a perfectly sound motivation. 
maybe even when it's the only motivation. da vinci didnt work for free! 
PEOPLE dont work for free! a lot of art takes SERIOUS work, that you cant do 
in your spare hours off from your paying job! lots of art takes talent and 
knowledge, not just a medium and oppurtunity! a lot of art takes money to be 
made! artists make art for a variety of reasons and what kind of 
self-righteous elitist are you to suggest it isnt art as true as yours?? 
it's the sort of ultra-conservative viewpoint that intellectual elites 
(including nazis!) used to attack pop music and culture earlier this century 
-- commercial music, art for the masses is vulgar and not true art - bs! 
dance music is firmly rooted within pop culture. i think your viewpoint 
confuses the values and heady idealism of underground culture with financial 
and cultural reality. i dont think you intended any harm, but you definitely 
need to stick both your feet in your mouth.


who cares about your opinion if it's irrelevant to anybody but yourself..?? 
great, you're happy with an online niche market, not releasing music on 
vinyl, and can afford to spend time on your art instead of at a paying job 
-- that is a unique ability and pov! that doesnt help other artists. that 
doesnt grow anything. you may think it's revolutionary, but not only is it 
actually incredibly old-fashioned and outdated, but it's not viable enough 
to be revolutionary at this point. and i doubt it will be viable for a long 
long time, despite your futuristic vision of what music will become. please! 
i 'd say it's a limp idea!


i find the whole argument ridiculously idealistic, unfounded, and stating 
your opinion as if its some undeniable nature of true art and whining when 
others disagree..WEAK. not to mention this whole damn viewpoint is old as 
hell, on this list and in the world we live in, and i'm disgusted we even 
have to discuss it...i really dont think this opinion added much worthwile 
to the consideration of the problem of digital media and p2p, it's just a 
shrug-your-shoulders, it doesnt matter anyway cop-out...


jt


suggesting that you can only have soul in your music if it's free is a bit
insulting to all the soulful labels and artists that do make money.
its not a question of trading soul for money. many artists never
compromise and make money.
anyway, for financial gain surely the compromise should be the other way -
taking the soul out of the music?

john


- Original Message -
From: /0 [EMAIL PROTECTED]
To: 313@hyperreal.org; [EMAIL PROTECTED]
Sent: Monday, November 03, 2003 10:00 PM
Subject: Re: (313) downloading, peer-to-peer, etc


 if you're asking *me*, I've already said I dont support dollar signs 
being

 attached to my music.  thats just my own belief, and it doesnt threaten
 anyone else.  this stemmed from me making music for years, and the 
anxiety

 that comes with releasing it, as opposed to doing it for the love of the
 art.  my opinion only.

 I dont think musicians that make money from music are doing anything
 wrong... if I did, I'd be alienating a large number of my friends...

 I think money dirties the art, and I dont need record labels to distro 
my

 stuff anymore to the REAL audience.  I can put it in the hands of the
 audience via the internet.  I choose to embrace the technology instead 
of

 fighting it.

 I know some of you disagree, and I knew it before I sent the mail.  
sooo,

 save the counter-point emails to me, because this is my own opinion, and
 nothing Im trying to push on the world.  I already traded the cash for 
the

 soul of my tracks, I've made my choice.

 and no one ever said the musicians dont DESERVE the money, but for me,
 selling tracks is like putting my daughter out on the corner to turn
tricks.
 sure I COULD make money from music, but at the expense of my soul and 
the

 emotion behind the tracks.

 trying to address the torrent of emails I received in response in one
 conglomerate email,

 -Joe




 - Original Message -
 From: [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Monday, November 03, 2003 1:13 PM
 Subject: Re: (313) downloading, peer-to-peer, etc


 
 
 
 
  (i tend to believe, as a producer, that all music, as a
  form of art, should be free and that no one should make a
  living as a musician)
 
  most musicians don't - maybe nobody should make a living off of
musicians
  they way that unscrupulous record labels do?
  I think that would be a better situation.
 
  I'm not a recording artist but couldn't musician's unions be a bit
 stronger
  in fighting the status quo of contracts and payment? Seems like the
larger
  unions are in bed with the IIRC and the major media corps.
 
  MEK
 





_
MSN Messenger with backgrounds, emoticons and more. 
http

Re: (313) downloading, peer-to-peer, etc

2003-11-04 Thread Michael . Elliot-Knight




WITH CABLE TV AT M.I.T., WHO NEEDS NAPSTER?
By John Schwartz, New York Times, Oct. 27, 2003

Two students at the M.I.T. have developed a system for sharing music within
their campus community that they say can avoid the copyright battles that
have pitted the music industry against many customers. The students, Keith
Winstein and Josh Mandel, drew the idea for their campus-wide network from
a blend of libraries and from radio. Their effort, the Libraries Access to
Music Project, which is backed by M.I.T. and financed by research money
from the Microsoft Corporation, will provide music from some 3,500 CD's
through a novel source: the university's cable television network. The
students say the system falls within the time-honored licensing and royalty
system under which the music industry allows broadcasters and others to
play recordings for a public audience.

Major music industry groups are reserving comment, while some legal experts
say the M.I.T. system mainly demonstrates how unwieldy copyright laws have
become. The music industry's woes started on college campuses, where fast
Internet connections and a population of music lovers with time on their
hands sparked a file-sharing revolution. It's kind of brilliant, said
Mike Godwin, the senior technology counsel at Public Knowledge, a policy
group in Washington that focuses on intellectual property issues. If the
legal theories hold up, he said, they've sidestepped the stonewall that
the music companies have tried to put up between campus users and music
sharing.



RE: (313) downloading, peer-to-peer, etc

2003-11-04 Thread David Powers
Idealistic nonsense is exactly what a lot of great art is.  Tons of
great music gets made by people like me who don't make money off it.
(Well, I did make $20 with my rock band Saturday night!)  Some talented
people also manage to make money doing music, I don't think money
NECESSARILY corrupts the music.  But surely the desire to make a fortune
off of music is responsible for a great deal of garbage, whereas tons of
great music gets made every day by people all over the world who make
almost nothing from it.  There is nothing idealistic about passion,
and those who are passionate about making music will continue to do so,
with or without the money.  Passion and love of creating are just as
real forces in people's lives as materialistic motives.

_David

-Original Message-
From: J. T. [mailto:[EMAIL PROTECTED] 
Sent: Monday, November 03, 2003 6:02 PM
To: [EMAIL PROTECTED]; 313@hyperreal.org;
[EMAIL PROTECTED]
Subject: Re: (313) downloading, peer-to-peer, etc

I know some of you disagree, and I knew it before I sent the mail.
sooo,
save the counter-point emails to me, because this is my own opinion,
and

man, stfu!! if you dont want people to respond, dont post to the list
about 
it. your opinions is short-sighted and selfish and i'll call it for what
i 
see it -- BS!! we're all familiar with idealistic nonsense
wahh wahh

gimme a break!!

_
Want to check if your PC is virus-infected?  Get a FREE computer virus
scan 
online from McAfee.
http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963




RE: (313) downloading, peer-to-peer, etc

2003-11-04 Thread J. T.
well i think thats all pretty obvious, no offense, and i was never calling 
any sort of art or passion idealistic nonsense. i'm calling the notion that 
real art means not getting paid...etc etc...i released music 6 years after 
it was made, did it suddenly become non-art cus i got paid for it..6 years 
after the fact? thats an awfully simplistic, retroactive and idiotic view of 
the forces/passions which go into making art



Idealistic nonsense is exactly what a lot of great art is.  Tons of
great music gets made by people like me who don't make money off it.
(Well, I did make $20 with my rock band Saturday night!)  Some talented
people also manage to make money doing music, I don't think money
NECESSARILY corrupts the music.  But surely the desire to make a fortune
off of music is responsible for a great deal of garbage, whereas tons of
great music gets made every day by people all over the world who make
almost nothing from it.  There is nothing idealistic about passion,
and those who are passionate about making music will continue to do so,
with or without the money.  Passion and love of creating are just as
real forces in people's lives as materialistic motives.

_David

-Original Message-
From: J. T. [mailto:[EMAIL PROTECTED]
Sent: Monday, November 03, 2003 6:02 PM
To: [EMAIL PROTECTED]; 313@hyperreal.org;
[EMAIL PROTECTED]
Subject: Re: (313) downloading, peer-to-peer, etc

I know some of you disagree, and I knew it before I sent the mail.
sooo,
save the counter-point emails to me, because this is my own opinion,
and

man, stfu!! if you dont want people to respond, dont post to the list
about
it. your opinions is short-sighted and selfish and i'll call it for what
i
see it -- BS!! we're all familiar with idealistic nonsense
wahh wahh

gimme a break!!

_
Want to check if your PC is virus-infected?  Get a FREE computer virus
scan
online from McAfee.
http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963




_
Compare high-speed Internet plans, starting at $26.95.  
https://broadband.msn.com (Prices may vary by service area.)




Re: (313) downloading, peer-to-peer, etc

2003-11-04 Thread marc christensen
Full Text of Article MEK mentioned.  It's funny, like techno, it uses 
_analog_ technology.  Heh.


-m



The New York Times , Oct 27, 2003 pC1 col 03 (23 col in)
With Cable TV at M.I.T., Who Needs Napster ?(Business/Financial 
Desk)(the Libraries Access to Music Project) John Schwartz.


Full Text: COPYRIGHT 2003 The New York Times Company

Two students at the Massachusetts Institute of Technology have 
developed a system for sharing music within their campus community 
that they say can avoid the copyright battles that have pitted the 
music industry against many customers.


The students, Keith Winstein and Josh Mandel, drew the idea for their 
campus-wide network from a blend of libraries and from radio. Their 
effort, the Libraries Access to Music Project, which is backed by 
M.I.T. and financed by research money from the Microsoft Corporation, 
will provide music from some 3,500 CD's through a novel source: the 
university's cable television network.


The students say the system, which they plan to officially announce 
today, falls within the time-honored licensing and royalty system 
under which the music industry allows broadcasters and others to play 
recordings for a public audience. Major music industry groups are 
reserving comment, while some legal experts say the M.I.T. system 
mainly demonstrates how unwieldy copyright laws have become. A novel 
approach to serving up music on demand from one of the nation's 
leading technical institutions is only fitting, admirers of the 
project say. The music industry's woes started on college campuses, 
where fast Internet connections and a population of music lovers with 
time on their hands sparked a file-sharing revolution.


''It's kind of brilliant,'' said Mike Godwin, the senior technology 
counsel at Public Knowledge, a policy group in Washington that 
focuses on intellectual property issues. If the legal theories hold 
up, he said, ''they've sidestepped the stonewall that the music 
companies have tried to put up between campus users and music 
sharing.''


Hal Abelson, a professor of computer science and engineering at 
M.I.T., called the system an imaginative approach that reflected the 
problem-solving sensibility of engineering at the university. 
''Everybody has gotten so wedged into entrenched positions that 
listening to music has to have something to do with file sharing,'' 
he said. The students' project shows ''it doesn't have to be that way 
at all.''


Mr. Winstein, a graduate student in electrical engineering and 
computer science, described the result as ''a new kind of library.'' 
He said he hoped it would be a legal alternative to file trading that 
infringes copyrights. ''We certainly hope,'' he said, ''that by 
having access to all this music immediately, on demand, any time you 
want, students would be less likely to break the law.'''


While listening to music through a television might seem odd, it is 
crucial to the M.I.T. plan. The quirk in the law that makes the 
system legal, Mr. Winstein said, has much to do with the difference 
between digital and analog technology. The advent of the digital age, 
with the possibility of perfect copies spread around the world with 
the click of a mouse, has spurred the entertainment industry to push 
for stronger restrictions on the distribution of digital works, and 
to be reluctant to license their recording catalogues to permit the 
distribution of music over the Internet.


So the M.I.T. system, using the analog campus cable system, simply 
bypasses the Internet and digital distribution, and takes advantage 
of the relatively less-restrictive licensing that the industry makes 
available to radio stations and others for the analog transmission.


The university, like many educational institutions, already has 
blanket licenses for the seemingly old-fashioned analog transmission 
of music from the organizations that represent the performance 
rights, including the American Society of Composers, Authors and 
Publishers or Ascap, the Broadcast Music Inc. or B.M.I., and Sesac, 
formerly the Society of European Stage Authors and Composers.


If that back-to-the-future solution seems overly complicated, blame 
copyright law and not M.I.T., said Jonathan Zittrain, who teaches 
Internet law at Harvard and is a director of the university's Berkman 
Center for Internet and Society. The most significant thing about the 
M.I.T. plan, he said, is just how complicated it has to be to fit 
within the odd boundaries of copyright law.


''It's almost an act of performance art,'' Mr. Zittrain said. Mr. 
Winstein, he said, has ''arrayed the gerbils under the hood so it 
appears to meet the statutory requirement'' -- and has shown how 
badly the system of copyright needs sensible revamping.


Representatives of the recording industry, including the Recording 
Industry Association of America, Ascap and B.M.I., either declined to 
comment or did not return calls seeking comment.


Although the M.I.T. 

Re: (313) downloading, peer-to-peer, etc

2003-11-04 Thread /0
I meant I dont need the 30 private replies saying I'm wrong.

- Original Message - 
From: J. T. [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; 313@hyperreal.org;
[EMAIL PROTECTED]
Sent: Monday, November 03, 2003 7:02 PM
Subject: Re: (313) downloading, peer-to-peer, etc


 I know some of you disagree, and I knew it before I sent the mail.  sooo,
 save the counter-point emails to me, because this is my own opinion, and

 man, stfu!! if you dont want people to respond, dont post to the list
about
 it. your opinions is short-sighted and selfish and i'll call it for what i
 see it -- BS!! we're all familiar with idealistic nonsense
 wahh wahh

 gimme a break!!

 _
 Want to check if your PC is virus-infected?  Get a FREE computer virus
scan
 online from McAfee.
 http://clinic.mcafee.com/clinic/ibuy/campaign.asp?cid=3963




Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread Michael . Elliot-Knight




it's funny - I'm reading a book on the history of Melody Maker and on page
245 it says

'Album Sales Slump, Blank Tapes Boom' reported Melody Maker on October 6
[1979] in a news story which explained that sales of singles were rising
but album sales had seen a heavy decline. The blame was pinned down on the
growth of home taping, which accounted for a 38 per cent increase in the
sale of blank tapes in the first quarter of 1979. Total sales of cassettes
in 1979 were expected to be 60 million.

Then later, the author cited again [some time in the 80's] the increase of
tape sales and decrease of album sales blaming high unemployment rates.
Sound familiar?

MEK



Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread Ken Odeluga
Then later, the author cited again [some time in the 80's] the 
increase of

tape sales and decrease of album sales blaming high unemployment rates.
Sound familiar?

MEK


It does! Perhaps a big thing which we often overlook in this whole 
issue is: the sheer *resilience* of the music industry!  I mean, its 
death knell has been sounded many times.
(And I am talking about actual music media here, records, tapes, cds 
etc.) And many times it has adapted and survived. Free electronic 
acquisition by consumers, though, is going to take some coming back 
from! I personally do think the survival of the majors (speaking 
neutrally, leaving out for now the question of whether I want them to 
survive or not ;-) is going to be a case of 'if-you-can't-beat-'em, 
join-'em' rather than 'destroy-them-my-robots'. Although they'll try 
that, and I feel they'll fail.


Ken



Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread Michael . Elliot-Knight




I read my post again - I should clarify. High unemployment rates were said
to be the cause of increased home taping of music - not home taping causing
layoffs in the music industry.

Still, I feel the situation is similar to today. We have high unemployment
so less money to spend on product. Therefore people look for inexpensive
ways to acquire music - home taping/mp3s.

MEK



  
  Ken Odeluga   
  
  [EMAIL PROTECTED]To:   [EMAIL PROTECTED]
 
   cc:   313@hyperreal.org  
  
  11/03/03 10:28 AMSubject:  Re: (313) downloading, 
peer-to-peer, etc 

  

  




 Then later, the author cited again [some time in the 80's] the
 increase of
 tape sales and decrease of album sales blaming high unemployment rates.
 Sound familiar?

 MEK

It does! Perhaps a big thing which we often overlook in this whole
issue is: the sheer *resilience* of the music industry!  I mean, its
death knell has been sounded many times.
(And I am talking about actual music media here, records, tapes, cds
etc.) And many times it has adapted and survived. Free electronic
acquisition by consumers, though, is going to take some coming back
from! I personally do think the survival of the majors (speaking
neutrally, leaving out for now the question of whether I want them to
survive or not ;-) is going to be a case of 'if-you-can't-beat-'em,
join-'em' rather than 'destroy-them-my-robots'. Although they'll try
that, and I feel they'll fail.

Ken






Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread r3dshift

... in addition to the fact that the average person isn't
quite sure if they consider downloading easily replicated
data off the network to be stealing.  at that point, its an
issue of simple economics.  if you dont feel that you're
stealing, or that what you're downloading should even be
sold in the first place, most people will save their money
and download the tracks. 

(i tend to believe, as a producer, that all music, as a
form of art, should be free and that no one should make a
living as a musician) 


as computers get cheaper and more powerful, along with the
advances in audio software, the average joe (ha) can afford
to create pieces of audio that rival those produced with
professional studio gear over the past 30 years.  I
foresee a world when most people will make music, there
will be too much good music to support a solid market, and
that music will move back to the realms of hobby, ceasing
to exist as the lifeless business model its been relegated
to in the past 50-60 years.

...that genres will become decentralized, and the music
will move at the behest of the collective, not the azsholes
at mtv who decide what can be marketed this year, then
whore it out for every penny they can get.


hope this makes some sense, Im busy at work and
flash-ranting :)

-Joe



I read my post again - I should clarify. High unemployment
rates were said
to be the cause of increased home taping of music - not
home taping causing
layoffs in the music industry.

Still, I feel the situation is similar to today. We have
high unemployment
so less money to spend on product. Therefore people look
for inexpensive
ways to acquire music - home taping/mp3s.

MEK



 
  Ken Odeluga

   
  [EMAIL PROTECTED]To:
  [EMAIL PROTECTED]

   cc:
  313@hyperreal.org
   
  11/03/03 10:28 AMSubject:
 Re: (313) downloading, peer-to-peer, etc 

 

 




 Then later, the author cited again [some time in the
80's] the
 increase of
 tape sales and decrease of album sales blaming high
unemployment rates.
 Sound familiar?

 MEK

It does! Perhaps a big thing which we often overlook in
this whole
issue is: the sheer *resilience* of the music industry!  I
mean, its
death knell has been sounded many times.
(And I am talking about actual music media here, records,
tapes, cds
etc.) And many times it has adapted and survived. Free
electronic
acquisition by consumers, though, is going to take some
coming back
from! I personally do think the survival of the majors
(speaking
neutrally, leaving out for now the question of whether I
want them to
survive or not ;-) is going to be a case of
'if-you-can't-beat-'em,
join-'em' rather than 'destroy-them-my-robots'. Although
they'll try
that, and I feel they'll fail.

Ken






Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread J. T.

(i tend to believe, as a producer, that all music, as a
form of art, should be free and that no one should make a
living as a musician)


wow thats depressing and imo infantile
art is free if you make it for yourself. music is free is you make it for 
yourself. food is free if you grow it yourself. you want something somebody 
else put blood, sweat, and $ into, you buy it. it doesnt come from nowhere


grr

_
See when your friends are online with MSN Messenger 6.0. Download it now 
FREE! http://msnmessenger-download.com




Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread Michael . Elliot-Knight




(i tend to believe, as a producer, that all music, as a
form of art, should be free and that no one should make a
living as a musician)

most musicians don't - maybe nobody should make a living off of musicians
they way that unscrupulous record labels do?
I think that would be a better situation.

I'm not a recording artist but couldn't musician's unions be a bit stronger
in fighting the status quo of contracts and payment? Seems like the larger
unions are in bed with the IIRC and the major media corps.

MEK



RE: (313) downloading, peer-to-peer, etc

2003-11-03 Thread Robert Taylor
I would modify that statement and say that no-one should EXPECT to make a 
living out of music. Truly talented musicians make do whether they make money 
or not. If it is too easy to make money out of music, too many idiots get out 
there and dilute it.

-Original Message-
From: J. T. [mailto:[EMAIL PROTECTED]
Sent: Monday, November 03, 2003 6:11 PM
To: [EMAIL PROTECTED]; [EMAIL PROTECTED];
[EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) downloading, peer-to-peer, etc


(i tend to believe, as a producer, that all music, as a
form of art, should be free and that no one should make a
living as a musician)

wow thats depressing and imo infantile
art is free if you make it for yourself. music is free is you make it for 
yourself. food is free if you grow it yourself. you want something somebody 
else put blood, sweat, and $ into, you buy it. it doesnt come from nowhere

grr

_
See when your friends are online with MSN Messenger 6.0. Download it now 
FREE! http://msnmessenger-download.com

#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#



Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread kev
 (i tend to believe, as a producer, that all music, as a
 form of art, should be free and that no one should make a
 living as a musician)

I tend to believe, as a producer and label owner, that everyone has a right
to make a living in something that they enjoy and feel their talent lies. I
think that saying all music should be free is ridiculous.  If we make
something that people enjoy, we deserve something back- so that we can go
eat too! I know what you are getting at, about art being free, but we just
don't live in that ideal world.. we've all got bills to pay.  rant over..

kev
WILD LOOPS





Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread john harvey
if you get to hear the track for free three times, you could cheat by
recording, to say, a stand alone cd recorder through the analogue input
whilst you're auditioning the track.
of course the use of d/a  a/d converters would reduce sound quality a
miniscule amount, but you wouldn't be able to tell.

john




RE: (313) downloading, peer-to-peer, etc

2003-11-03 Thread Robert Taylor
In the old days, we had patrons and salons. Favoured musicians and artists were 
subsidised so they could dedicate all their time to creativity. Those days are 
over.
These days, after some artists and musicians have become global stars, there is 
too much expectation from artists who expect worldly goods and eternal glory 
for their efforts - in reality medicocre artists are paid way too much to 
produce far too little, while more talented people languish because they feel 
left out by the music 'industry'. Real talent ignores all of that and just gets 
on with it, regardless of circumstances, whether they be adverse or nurturing.
It is a 20th century capitalist construct to expect to make money doing what 
you enjoy - nobody else expects it, so why are artists any different? Or am I 
being too cynical? 
All I can say is that great music continues to be produced, regardless of 
whether people make any money out of it (in fact you could argue that a lot of 
great music comes out of difficult times), so that must count for something.

PS I have had too many glasses of shampoo, so excuse if this doesn't make any 
sense

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Monday, November 03, 2003 7:07 PM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) downloading, peer-to-peer, etc


 (i tend to believe, as a producer, that all music, as a
 form of art, should be free and that no one should make a
 living as a musician)

I tend to believe, as a producer and label owner, that everyone has a right
to make a living in something that they enjoy and feel their talent lies. I
think that saying all music should be free is ridiculous.  If we make
something that people enjoy, we deserve something back- so that we can go
eat too! I know what you are getting at, about art being free, but we just
don't live in that ideal world.. we've all got bills to pay.  rant over..

kev
WILD LOOPS



#
Note:

Any views or opinions are solely those of the author and do not necessarily 
represent 
those of Channel Four Television Corporation unless specifically stated. This 
email 
and any files transmitted are confidential and intended solely for the use of 
the 
individual or entity to which they are addressed. If you have received this 
email in 
error, please notify [EMAIL PROTECTED]

Thank You.
#



Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread john harvey
i don't think that genuine artists expect to make vast amounts of money.
the ones that do make alot, do so because they've sold alot of records.so if
you believe in capitalism and supply  demand, then you would have to
conclude that they do indeed deserve the sums they get.
of course people like michael jackson who have made it due to their past
talent have no right to expect future success unless the material warrants
it.
its true that money isn't the overriding factor for genuine artists, but if
they get it then fairplay to them.

john


- Original Message - 
From: Robert Taylor [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Monday, November 03, 2003 7:48 PM
Subject: RE: (313) downloading, peer-to-peer, etc


In the old days, we had patrons and salons. Favoured musicians and artists
were subsidised so they could dedicate all their time to creativity. Those
days are over.
These days, after some artists and musicians have become global stars, there
is too much expectation from artists who expect worldly goods and eternal
glory for their efforts - in reality medicocre artists are paid way too much
to produce far too little, while more talented people languish because they
feel left out by the music 'industry'. Real talent ignores all of that and
just gets on with it, regardless of circumstances, whether they be adverse
or nurturing.
It is a 20th century capitalist construct to expect to make money doing what
you enjoy - nobody else expects it, so why are artists any different? Or am
I being too cynical?
All I can say is that great music continues to be produced, regardless of
whether people make any money out of it (in fact you could argue that a lot
of great music comes out of difficult times), so that must count for
something.

PS I have had too many glasses of shampoo, so excuse if this doesn't make
any sense

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Monday, November 03, 2003 7:07 PM
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Subject: Re: (313) downloading, peer-to-peer, etc


 (i tend to believe, as a producer, that all music, as a
 form of art, should be free and that no one should make a
 living as a musician)

I tend to believe, as a producer and label owner, that everyone has a right
to make a living in something that they enjoy and feel their talent lies. I
think that saying all music should be free is ridiculous.  If we make
something that people enjoy, we deserve something back- so that we can go
eat too! I know what you are getting at, about art being free, but we just
don't live in that ideal world.. we've all got bills to pay.  rant over..

kev
WILD LOOPS




#
Note:

Any views or opinions are solely those of the author and do not necessarily
represent
those of Channel Four Television Corporation unless specifically stated.
This email
and any files transmitted are confidential and intended solely for the use
of the
individual or entity to which they are addressed. If you have received this
email in
error, please notify [EMAIL PROTECTED]

Thank You.

#




RE: (313) downloading, peer-to-peer, etc

2003-11-03 Thread Steve @ K-os.net
Free the Weed!

Just had a quick look. It's certainly nothing new and you're point about
recording it is clear. Reminds me also of a comment regarding the Napster
subscription. With that it was/is possible to take a subscription for a
month and extract all the music using some sort of script following the
stream all to playlist (after several days of course).

Besides, the biggest disappointment about the idea is it's a windows exe
installer so a definite non-starter IMHO.

Steve

-Original Message-
From: john harvey [mailto:[EMAIL PROTECTED]
Sent: 03 November 2003 19:39
To: 313
Subject: Re: (313) downloading, peer-to-peer, etc


if you get to hear the track for free three times, you could cheat by
recording, to say, a stand alone cd recorder through the analogue input
whilst you're auditioning the track.
of course the use of d/a  a/d converters would reduce sound quality a
miniscule amount, but you wouldn't be able to tell.

john






Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread Ken Odeluga

Valid point.

And I feel that as globalisation calcifies in this century, the 
polarities which seem to be concomitant with it (again, I make no 
claims about causality, although I do have my personal views ;-) will 
become more pronounced, so the need for people to have commodity-priced 
music will only increase.


Is this thread on-topic enough for some of you? ;-)

k

On Monday, November 3, 2003, at 04:46  pm, 
[EMAIL PROTECTED] wrote:







I read my post again - I should clarify. High unemployment rates were 
said
to be the cause of increased home taping of music - not home taping 
causing

layoffs in the music industry.

Still, I feel the situation is similar to today. We have high 
unemployment
so less money to spend on product. Therefore people look for 
inexpensive

ways to acquire music - home taping/mp3s.

MEK



  Ken Odeluga
  [EMAIL PROTECTED]To:   
[EMAIL PROTECTED]
   cc:   
313@hyperreal.org
  11/03/03 10:28 AMSubject:  Re: (313) 
downloading, peer-to-peer, etc








Then later, the author cited again [some time in the 80's] the
increase of
tape sales and decrease of album sales blaming high unemployment 
rates.

Sound familiar?

MEK


It does! Perhaps a big thing which we often overlook in this whole
issue is: the sheer *resilience* of the music industry!  I mean, its
death knell has been sounded many times.
(And I am talking about actual music media here, records, tapes, cds
etc.) And many times it has adapted and survived. Free electronic
acquisition by consumers, though, is going to take some coming back
from! I personally do think the survival of the majors (speaking
neutrally, leaving out for now the question of whether I want them to
survive or not ;-) is going to be a case of 'if-you-can't-beat-'em,
join-'em' rather than 'destroy-them-my-robots'. Although they'll try
that, and I feel they'll fail.

Ken









Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread john harvey

 And I feel that as globalisation calcifies in this century, the 
 polarities which seem to be concomitant with it (again, I make no 
 claims about causality, although I do have my personal views ;-) will 
 become more pronounced, so the need for people to have commodity-priced 
 music will only increase.

eh?

:]



Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread /0
everyone is entitled to their own opinion.  yours is dully noted


- Original Message - 
From: J. T. [EMAIL PROTECTED]
To: [EMAIL PROTECTED]; [EMAIL PROTECTED];
[EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Monday, November 03, 2003 1:10 PM
Subject: Re: (313) downloading, peer-to-peer, etc


 (i tend to believe, as a producer, that all music, as a
 form of art, should be free and that no one should make a
 living as a musician)

 wow thats depressing and imo infantile
 art is free if you make it for yourself. music is free is you make it for
 yourself. food is free if you grow it yourself. you want something
somebody
 else put blood, sweat, and $ into, you buy it. it doesnt come from nowhere

 grr

 _
 See when your friends are online with MSN Messenger 6.0. Download it now
 FREE! http://msnmessenger-download.com




Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread /0
if you're asking *me*, I've already said I dont support dollar signs being
attached to my music.  thats just my own belief, and it doesnt threaten
anyone else.  this stemmed from me making music for years, and the anxiety
that comes with releasing it, as opposed to doing it for the love of the
art.  my opinion only.

I dont think musicians that make money from music are doing anything
wrong... if I did, I'd be alienating a large number of my friends...

I think money dirties the art, and I dont need record labels to distro my
stuff anymore to the REAL audience.  I can put it in the hands of the
audience via the internet.  I choose to embrace the technology instead of
fighting it.

I know some of you disagree, and I knew it before I sent the mail.  sooo,
save the counter-point emails to me, because this is my own opinion, and
nothing Im trying to push on the world.  I already traded the cash for the
soul of my tracks, I've made my choice.

and no one ever said the musicians dont DESERVE the money, but for me,
selling tracks is like putting my daughter out on the corner to turn tricks.
sure I COULD make money from music, but at the expense of my soul and the
emotion behind the tracks.

trying to address the torrent of emails I received in response in one
conglomerate email,

-Joe




- Original Message - 
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Monday, November 03, 2003 1:13 PM
Subject: Re: (313) downloading, peer-to-peer, etc






 (i tend to believe, as a producer, that all music, as a
 form of art, should be free and that no one should make a
 living as a musician)

 most musicians don't - maybe nobody should make a living off of musicians
 they way that unscrupulous record labels do?
 I think that would be a better situation.

 I'm not a recording artist but couldn't musician's unions be a bit
stronger
 in fighting the status quo of contracts and payment? Seems like the larger
 unions are in bed with the IIRC and the major media corps.

 MEK




Re: (313) downloading, peer-to-peer, etc

2003-11-03 Thread john harvey
suggesting that you can only have soul in your music if it's free is a bit
insulting to all the soulful labels and artists that do make money.
its not a question of trading soul for money. many artists never
compromise and make money.
anyway, for financial gain surely the compromise should be the other way -
taking the soul out of the music?

john


- Original Message - 
From: /0 [EMAIL PROTECTED]
To: 313@hyperreal.org; [EMAIL PROTECTED]
Sent: Monday, November 03, 2003 10:00 PM
Subject: Re: (313) downloading, peer-to-peer, etc


 if you're asking *me*, I've already said I dont support dollar signs being
 attached to my music.  thats just my own belief, and it doesnt threaten
 anyone else.  this stemmed from me making music for years, and the anxiety
 that comes with releasing it, as opposed to doing it for the love of the
 art.  my opinion only.

 I dont think musicians that make money from music are doing anything
 wrong... if I did, I'd be alienating a large number of my friends...

 I think money dirties the art, and I dont need record labels to distro my
 stuff anymore to the REAL audience.  I can put it in the hands of the
 audience via the internet.  I choose to embrace the technology instead of
 fighting it.

 I know some of you disagree, and I knew it before I sent the mail.  sooo,
 save the counter-point emails to me, because this is my own opinion, and
 nothing Im trying to push on the world.  I already traded the cash for the
 soul of my tracks, I've made my choice.

 and no one ever said the musicians dont DESERVE the money, but for me,
 selling tracks is like putting my daughter out on the corner to turn
tricks.
 sure I COULD make money from music, but at the expense of my soul and the
 emotion behind the tracks.

 trying to address the torrent of emails I received in response in one
 conglomerate email,

 -Joe




 - Original Message - 
 From: [EMAIL PROTECTED]
 To: 313@hyperreal.org
 Sent: Monday, November 03, 2003 1:13 PM
 Subject: Re: (313) downloading, peer-to-peer, etc


 
 
 
 
  (i tend to believe, as a producer, that all music, as a
  form of art, should be free and that no one should make a
  living as a musician)
 
  most musicians don't - maybe nobody should make a living off of
musicians
  they way that unscrupulous record labels do?
  I think that would be a better situation.
 
  I'm not a recording artist but couldn't musician's unions be a bit
 stronger
  in fighting the status quo of contracts and payment? Seems like the
larger
  unions are in bed with the IIRC and the major media corps.
 
  MEK
 





(313) downloading, peer-to-peer, etc

2003-11-02 Thread Ken Odeluga


In theory, this looks like a 'solution' to the problem of the practice 
of file-sharing/downloading music and how this has hurt the sales of 
cds and vinyl.


http://www.weedshare.com/

k