[313] Interesting Indeed

2002-03-11 Thread Rob Theakston
http://www.detnews.com/2002/entertainment/0203/08/a01-435700.htm

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Re: [313] Interesting Indeed

2002-03-11 Thread T . J . Johnson
Looks like D. May is in the lead by a long-shot.  That was a good move, but I'm 
surprised that the name was actually up for grabs in December...  Must've been 
one of those loose ends that large corporations sometimes miss.  Maybe Carl 
will be back on the commitee soon???

Shwew!

wipes sweat off of brow


TJ

The future was yesterday...

www.mp313.com  ~~go here

PeoplePC:  It's for people. And it's just smart. 
http://www.peoplepc.com 

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Re: [313] Interesting Indeed

2002-03-11 Thread Dan Sicko

At 8:29 AM -0500 3/11/2002, Rob Theakston wrote:

http://www.detnews.com/2002/entertainment/0203/08/a01-435700.htm

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heh ... the real question is after years of this kind of BS, will the 
name be worth anything?


:)



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RE: [313] Interesting Indeed

2002-03-11 Thread Jongsma, K.J.

 At 8:29 AM -0500 3/11/2002, Rob Theakston wrote:
 http://www.detnews.com/2002/entertainment/0203/08/a01-435700.htm
 
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 heh ... the real question is after years of this kind of BS, will the 
 name be worth anything?

Someone here who has any idea why he did this? You don't have to have a Phd.
to know that this will piss off certain peopl at PCM and ends with a
expensive law-suite.

[EMAIL PROTECTED]

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RE: [313] Interesting Indeed

2002-03-11 Thread Lester Kenyatta Spence
On Mon, 11 Mar 2002, Jongsma, K.J. wrote:


  At 8:29 AM -0500 3/11/2002, Rob Theakston wrote:
  http://www.detnews.com/2002/entertainment/0203/08/a01-435700.htm
  
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  heh ... the real question is after years of this kind of BS, will the
  name be worth anything?

 Someone here who has any idea why he did this? You don't have to have a Phd.
 to know that this will piss off certain peopl at PCM and ends with a
 expensive law-suite.

 [EMAIL PROTECTED]

Did you read the full article?  The reason is clear enough whether true or
false.  May allegedly did it to prevent the sale of the festival to a
foreign
entity.


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RE: [313] Interesting Indeed

2002-03-11 Thread marc christensen

At 10:27 AM -0500 3/11/02, Lester Kenyatta Spence wrote:

Did you read the full article?  The reason is clear enough whether true or
false.  May allegedly did it to prevent the sale of the festival to a
foreign
entity.


And clearly, where most are concerned, Carol Marvin counts as a foreign entity.

(laugh track, please)

-m.

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RE: [313] Interesting Indeed

2002-03-11 Thread yussel
the name is rather inconsequential.

the city of detroit owns hart plaza

the city of detroit fronts the money for the festival (it is later paid
back by the sponsors)

the city will decide who gets the contract next year.

this strikes me as a publicity stunt.


On Mon, 11 Mar 2002, marc christensen wrote:

 At 10:27 AM -0500 3/11/02, Lester Kenyatta Spence wrote:
 Did you read the full article?  The reason is clear enough whether true or
 false.  May allegedly did it to prevent the sale of the festival to a
 foreign
 entity.

 And clearly, where most are concerned, Carol Marvin counts as a foreign 
 entity.

 (laugh track, please)

 -m.

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RE: [313] Interesting Indeed

2002-03-11 Thread marc christensen
Indeed, though *most* of what you've said is correct, the first point 
-- that the name is inconsequential -- is the only one under real 
question.


let's not forget that the other big 3-day festival (jazz, you know, 
during whichever one of those labor day/memorial day weekends isn't 
in may and is in september, right?) built an *enormous* international 
reputation, and generated almost as much foreign tourism to detroit, 
and almost as many festival attendees, as the DEMF did in its first 
year.


and what is that festival called now?  i can't remember anymore, now 
that it's not montreaux.  i mean, i'm serious -- no one knows what 
the name is.  but ask anyone connected to detroit's rather limited 
tourism industry (with the exception of the boileau dude, right?) and 
they'll tell you that the lack of the name hurt international tourism 
for the jazz fest.  at least for the first two years.


and, BTW, let's not forget that teh way the freep article was 
written, May gets only six or seven words to give his framework for 
the suit.  and any six or seven words that end and begin with the 
possibilty of the DEMF being bought by a foreign concern are gonna 
sound like the rantings of someone who's a little paranoid, or just 
into getting promotion.


until you remember what happened to that other festival.  you know. 
whatever its name is now -- i can't remember.


cheers,
-marc

At 10:42 AM -0500 3/11/02, [EMAIL PROTECTED] wrote:

the name is rather inconsequential.

the city of detroit owns hart plaza

the city of detroit fronts the money for the festival (it is later paid
back by the sponsors)

the city will decide who gets the contract next year.

this strikes me as a publicity stunt.



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Re: [313] Interesting Indeed

2002-03-11 Thread r3dshift
hey when IS that jazz festival?

I saw dizzy gillespy (sp?) there when I was a kid and would
 like to go back for some live jazz

:)

-Joe


Indeed, though *most* of what you've said is correct, the
 first point -- that the name is inconsequential -- is the
 only one under real question.

let's not forget that the other big 3-day festival (jazz,
 you know, during whichever one of those labor day/memorial
 day weekends isn't in may and is in september, right?)
 built an *enormous* international reputation, and
 generated almost as much foreign tourism to detroit, and
 almost as many festival attendees, as the DEMF did in its
 first year.

and what is that festival called now?  i can't remember
 anymore, now that it's not montreaux.  i mean, i'm serious
 -- no one knows what the name is.  but ask anyone
 connected to detroit's rather limited tourism industry
 (with the exception of the boileau dude, right?) and
 they'll tell you that the lack of the name hurt
 international tourism for the jazz fest.  at least for the
 first two years.

and, BTW, let's not forget that teh way the freep article
 was written, May gets only six or seven words to give his
 framework for the suit.  and any six or seven words that
 end and begin with the possibilty of the DEMF being bought
 by a foreign concern are gonna sound like the rantings of
 someone who's a little paranoid, or just into getting
 promotion.

until you remember what happened to that other festival.
  you know. whatever its name is now -- i can't remember.

cheers,
-marc

At 10:42 AM -0500 3/11/02, [EMAIL PROTECTED] wrote:
the name is rather inconsequential.

the city of detroit owns hart plaza

the city of detroit fronts the money for the festival (it
 is later paid
back by the sponsors)

the city will decide who gets the contract next year.

this strikes me as a publicity stunt.


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Re: [313] Interesting Indeed/ DetroitJazzFest

2002-03-11 Thread xx xx


Festival History / 1980-2001 http://www.detroitjazzfest.com/
Takes place during the labor day WE.


The Detroit Jazz Fest was conceived as an effective means to combat the 
challenges facing the city in the late 1970s. Its creators believed that 
this world-class cultural event would bring both people and positive media 
attention to downtown Detroit, which was suffering from dwindling 
populations, businesses and visitors.


From its birth in 1980, the festival attracted hundreds of artists and 
hundreds of thousands of visitors to Hart Plaza, Detroit's beautiful 
riverfront park, each year. The combined effect of the outstanding 
programming, great family activities, unsurpassed educational offerings and 
exceptional setting resulted in an international reputation for excellence.


In 1994 this legacy and all it meant to the area was endangered when its 
founder, Detroit Renaissance, refocused on its core mission of economic 
development. Special events like the jazz festival would no longer be a part 
of the southeast Michigan community life unless other organizations adopted 
them.


Detroit's Renaissance president, Robert E. McCabe (also known as the 
Godfather of Detroit Jazz), approached Music Hall Center for the Performing 
Arts, a non-profit historical theatre in downtown Detroit, urging them to 
take on this massive, but rewarding project. The artistic tradition and 
significance to the community motivated the trustees to add the festival to 
Music Hall's annual line-up of theatre, dance, music, family and comedy 
presentations.






From: [EMAIL PROTECTED]
To: marc christensen [EMAIL PROTECTED],[EMAIL PROTECTED], marc  
christensen [EMAIL PROTECTED]
CC: Lester Kenyatta Spence [EMAIL PROTECTED],Jongsma, K.J. 
[EMAIL PROTECTED],'313@hyperreal.org' 313@hyperreal.org

Subject: Re: [313] Interesting Indeed
Date: Mon, 11 Mar 2002 11:18:30 -0500

hey when IS that jazz festival?

I saw dizzy gillespy (sp?) there when I was a kid and would
 like to go back for some live jazz

:)

-Joe


Indeed, though *most* of what you've said is correct, the
 first point -- that the name is inconsequential -- is the
 only one under real question.

let's not forget that the other big 3-day festival (jazz,
 you know, during whichever one of those labor day/memorial
 day weekends isn't in may and is in september, right?)
 built an *enormous* international reputation, and
 generated almost as much foreign tourism to detroit, and
 almost as many festival attendees, as the DEMF did in its
 first year.

and what is that festival called now?  i can't remember
 anymore, now that it's not montreaux.  i mean, i'm serious
 -- no one knows what the name is.  but ask anyone
 connected to detroit's rather limited tourism industry
 (with the exception of the boileau dude, right?) and
 they'll tell you that the lack of the name hurt
 international tourism for the jazz fest.  at least for the
 first two years.

and, BTW, let's not forget that teh way the freep article
 was written, May gets only six or seven words to give his
 framework for the suit.  and any six or seven words that
 end and begin with the possibilty of the DEMF being bought
 by a foreign concern are gonna sound like the rantings of
 someone who's a little paranoid, or just into getting
 promotion.

until you remember what happened to that other festival.
  you know. whatever its name is now -- i can't remember.

cheers,
-marc

At 10:42 AM -0500 3/11/02, [EMAIL PROTECTED] wrote:
the name is rather inconsequential.

the city of detroit owns hart plaza

the city of detroit fronts the money for the festival (it
 is later paid
back by the sponsors)

the city will decide who gets the contract next year.

this strikes me as a publicity stunt.


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RE: [313] Interesting Indeed

2002-03-11 Thread yussel
point well taken.

the name does make a difference to a small extent.

although i think the difference might be, the jazz fest is something that
grew

the demf was beyond huge its first year.

set up the turntables and they will come. call it derrcik may's detroit
techno how-down. it doesn't matter too much.

anyways, the point i was really getting at was that derrick owning the
name doesn't give him any control over who or what happens at hart plaza
every memorial day from now until 

its still a FREE and PUBLIC festival, put on by the city of DETROIT.


On Mon, 11 Mar 2002, marc christensen wrote:

 Indeed, though *most* of what you've said is correct, the first point
 -- that the name is inconsequential -- is the only one under real
 question.

 let's not forget that the other big 3-day festival (jazz, you know,
 during whichever one of those labor day/memorial day weekends isn't
 in may and is in september, right?) built an *enormous* international
 reputation, and generated almost as much foreign tourism to detroit,
 and almost as many festival attendees, as the DEMF did in its first
 year.

 and what is that festival called now?  i can't remember anymore, now
 that it's not montreaux.  i mean, i'm serious -- no one knows what
 the name is.  but ask anyone connected to detroit's rather limited
 tourism industry (with the exception of the boileau dude, right?) and
 they'll tell you that the lack of the name hurt international tourism
 for the jazz fest.  at least for the first two years.

 and, BTW, let's not forget that teh way the freep article was
 written, May gets only six or seven words to give his framework for
 the suit.  and any six or seven words that end and begin with the
 possibilty of the DEMF being bought by a foreign concern are gonna
 sound like the rantings of someone who's a little paranoid, or just
 into getting promotion.

 until you remember what happened to that other festival.  you know.
 whatever its name is now -- i can't remember.

 cheers,
 -marc

 At 10:42 AM -0500 3/11/02, [EMAIL PROTECTED] wrote:
 the name is rather inconsequential.
 
 the city of detroit owns hart plaza
 
 the city of detroit fronts the money for the festival (it is later paid
 back by the sponsors)
 
 the city will decide who gets the contract next year.
 
 this strikes me as a publicity stunt.
 



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To unsubscribe, e-mail: [EMAIL PROTECTED]
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Re: [313] Interesting Indeed/ DetroitJazzFest

2002-03-11 Thread marc christensen
at once, this kind of both misses the original point (about the loss 
of the montreaux name) and displays the difficulty of finding 
accurate info (especially on self-serving internet sites).  the piece 
of info below sounds like it was written by a Detroit Renasissance 
emplyee, simperingly gushing over the magnamity of his boss, rather 
than waxing poetic over Gillespie or Miles or even Brubeck.


Not coincidentally, I don't believe that Gillespie or Miles or 
Brubeck ever played ath the Detroit Jazz Fest.  They all played at 
Montreaux.  Same place, same weekend, different years.   Which the 
detroitjazzfest site surprisingly doesn't mention.  At all.  Shame, 
shame, shame.


You'd think it was run by a Carol Marvin history-bending leech, 
instead of the well-adjusted corporate hack McCabe.


ah well.

-marc



At 4:28 PM + 3/11/02, xx xx wrote:

Festival History / 1980-2001 http://www.detroitjazzfest.com/
Takes place during the labor day WE.


The Detroit Jazz Fest was conceived as an effective means to combat 
the challenges facing the city in the late 1970s. Its creators 
believed that this world-class cultural event would bring both 
people and positive media attention to downtown Detroit, which was 
suffering from dwindling populations, businesses and visitors.


From its birth in 1980, the festival attracted hundreds of artists 
and hundreds of thousands of visitors to Hart Plaza, Detroit's 
beautiful riverfront park, each year. The combined effect of the 
outstanding programming, great family activities, unsurpassed 
educational offerings and exceptional setting resulted in an 
international reputation for excellence.


In 1994 this legacy and all it meant to the area was endangered when 
its founder, Detroit Renaissance, refocused on its core mission of 
economic development. Special events like the jazz festival would no 
longer be a part of the southeast Michigan community life unless 
other organizations adopted them.


Detroit's Renaissance president, Robert E. McCabe (also known as the 
Godfather of Detroit Jazz), approached Music Hall Center for the 
Performing Arts, a non-profit historical theatre in downtown 
Detroit, urging them to take on this massive, but rewarding project. 
The artistic tradition and significance to the community motivated 
the trustees to add the festival to Music Hall's annual line-up of 
theatre, dance, music, family and comedy presentations.





From: [EMAIL PROTECTED]
To: marc christensen [EMAIL PROTECTED],[EMAIL PROTECTED], marc 
christensen [EMAIL PROTECTED]
CC: Lester Kenyatta Spence [EMAIL PROTECTED],Jongsma, 
K.J. [EMAIL PROTECTED],'313@hyperreal.org' 
313@hyperreal.org

Subject: Re: [313] Interesting Indeed
Date: Mon, 11 Mar 2002 11:18:30 -0500

hey when IS that jazz festival?

I saw dizzy gillespy (sp?) there when I was a kid and would
 like to go back for some live jazz

:)

-Joe


Indeed, though *most* of what you've said is correct, the
 first point -- that the name is inconsequential -- is the
 only one under real question.

let's not forget that the other big 3-day festival (jazz,
 you know, during whichever one of those labor day/memorial
 day weekends isn't in may and is in september, right?)
 built an *enormous* international reputation, and
 generated almost as much foreign tourism to detroit, and
 almost as many festival attendees, as the DEMF did in its
 first year.

and what is that festival called now?  i can't remember
 anymore, now that it's not montreaux.  i mean, i'm serious
 -- no one knows what the name is.  but ask anyone
 connected to detroit's rather limited tourism industry
 (with the exception of the boileau dude, right?) and
 they'll tell you that the lack of the name hurt
 international tourism for the jazz fest.  at least for the
 first two years.

and, BTW, let's not forget that teh way the freep article
 was written, May gets only six or seven words to give his
 framework for the suit.  and any six or seven words that
 end and begin with the possibilty of the DEMF being bought
 by a foreign concern are gonna sound like the rantings of
 someone who's a little paranoid, or just into getting
 promotion.

until you remember what happened to that other festival.
  you know. whatever its name is now -- i can't remember.

cheers,
-marc

At 10:42 AM -0500 3/11/02, [EMAIL PROTECTED] wrote:

the name is rather inconsequential.

the city of detroit owns hart plaza

the city of detroit fronts the money for the festival (it

 is later paid

back by the sponsors)

the city will decide who gets the contract next year.

this strikes me as a publicity stunt.



-
To unsubscribe, e-mail: [EMAIL PROTECTED]
For additional commands, e-mail: [EMAIL PROTECTED]


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Re: [313] Interesting Indeed/ DetroitJazzFest

2002-03-11 Thread xx xx


If you are involve in Jazz you know it's Montreux, not Montreaux.
And Montreux is the name of this famous city in switzerland where the 
Montreux Jazz festival takes place every year since 1967, runs by Claude 
Nobs, ex AR at Warner.
Makes sense to me that they removed the name Montreux for the Jazz festival 
in Detroit.



From: marc christensen [EMAIL PROTECTED]
To: xx xx [EMAIL PROTECTED], [EMAIL PROTECTED]
CC: 313@hyperreal.org
Subject: Re: [313] Interesting Indeed/ DetroitJazzFest
Date: Mon, 11 Mar 2002 08:39:30 -0800

at once, this kind of both misses the original point (about the loss
of the montreaux name) and displays the difficulty of finding
accurate info (especially on self-serving internet sites).  the piece
of info below sounds like it was written by a Detroit Renasissance
emplyee, simperingly gushing over the magnamity of his boss, rather
than waxing poetic over Gillespie or Miles or even Brubeck.

Not coincidentally, I don't believe that Gillespie or Miles or
Brubeck ever played ath the Detroit Jazz Fest.  They all played at
Montreaux.  Same place, same weekend, different years.   Which the
detroitjazzfest site surprisingly doesn't mention.  At all.  Shame,
shame, shame.

You'd think it was run by a Carol Marvin history-bending leech,
instead of the well-adjusted corporate hack McCabe.

ah well.

-marc



At 4:28 PM + 3/11/02, xx xx wrote:

Festival History / 1980-2001 http://www.detroitjazzfest.com/
Takes place during the labor day WE.


The Detroit Jazz Fest was conceived as an effective means to combat
the challenges facing the city in the late 1970s. Its creators
believed that this world-class cultural event would bring both
people and positive media attention to downtown Detroit, which was
suffering from dwindling populations, businesses and visitors.


From its birth in 1980, the festival attracted hundreds of artists

and hundreds of thousands of visitors to Hart Plaza, Detroit's
beautiful riverfront park, each year. The combined effect of the
outstanding programming, great family activities, unsurpassed
educational offerings and exceptional setting resulted in an
international reputation for excellence.

In 1994 this legacy and all it meant to the area was endangered when
its founder, Detroit Renaissance, refocused on its core mission of
economic development. Special events like the jazz festival would no
longer be a part of the southeast Michigan community life unless
other organizations adopted them.

Detroit's Renaissance president, Robert E. McCabe (also known as the
Godfather of Detroit Jazz), approached Music Hall Center for the
Performing Arts, a non-profit historical theatre in downtown
Detroit, urging them to take on this massive, but rewarding project.
The artistic tradition and significance to the community motivated
the trustees to add the festival to Music Hall's annual line-up of
theatre, dance, music, family and comedy presentations.




From: [EMAIL PROTECTED]
To: marc christensen [EMAIL PROTECTED],[EMAIL PROTECTED], marc
christensen [EMAIL PROTECTED]
CC: Lester Kenyatta Spence [EMAIL PROTECTED],Jongsma,
K.J. [EMAIL PROTECTED],'313@hyperreal.org'
313@hyperreal.org
Subject: Re: [313] Interesting Indeed
Date: Mon, 11 Mar 2002 11:18:30 -0500

hey when IS that jazz festival?

I saw dizzy gillespy (sp?) there when I was a kid and would
 like to go back for some live jazz

:)

-Joe


Indeed, though *most* of what you've said is correct, the
 first point -- that the name is inconsequential -- is the
 only one under real question.

let's not forget that the other big 3-day festival (jazz,
 you know, during whichever one of those labor day/memorial
 day weekends isn't in may and is in september, right?)
 built an *enormous* international reputation, and
 generated almost as much foreign tourism to detroit, and
 almost as many festival attendees, as the DEMF did in its
 first year.

and what is that festival called now?  i can't remember
 anymore, now that it's not montreaux.  i mean, i'm serious
 -- no one knows what the name is.  but ask anyone
 connected to detroit's rather limited tourism industry
 (with the exception of the boileau dude, right?) and
 they'll tell you that the lack of the name hurt
 international tourism for the jazz fest.  at least for the
 first two years.

and, BTW, let's not forget that teh way the freep article
 was written, May gets only six or seven words to give his
 framework for the suit.  and any six or seven words that
 end and begin with the possibilty of the DEMF being bought
 by a foreign concern are gonna sound like the rantings of
 someone who's a little paranoid, or just into getting
 promotion.

until you remember what happened to that other festival.
  you know. whatever its name is now -- i can't remember.

cheers,
-marc

At 10:42 AM -0500 3/11/02, [EMAIL PROTECTED] wrote:

the name is rather inconsequential.

the city of detroit owns hart plaza

the city of detroit fronts the money for the festival

Re: [313] Interesting Indeed

2002-03-11 Thread john arnold
The Montreaux Detroit Jazz Festival, I believe, is now called the Ford 
Detroit Jazz Festival.  I went to the meeting for last years festival and it 
made me want to puke.  Ford sponsorship was one of the main topics of the 
meeting, because the money givin to the jazz fest, compared to the demf, was 
no where near the same.  I guess you can't sell Ford focuses to a jazz 
crowd.  They had a t.v. special for the jazz fest last year and actually 
stopped the music while broadcasting, so the CEO of Ford could come on stage 
and promote there cars.  This was around the time everybody was getting 
killed in their suv's, because of firestone tires. (I puke, again)  I can 
honestly say that the jazz festival may not even happen in the years to 
come.  Thanks Ford.  If the Howdown had the draw that the demf does, there 
would be some points we could all count on:
1. Ford releases a new car called the Rodeo(smells like a steak and drives 
like a mechanical bull)

2. The Ceo of Ford would be walking around in a ten gallon hat
3. The festival would be called the FORD Detroit howdown
4. The festival would fold, because the sponsors would eventually move on to 
the next money maker.
All I can be thankfull for is that I was able to perform at Montreux(when it 
was still montreux) and I was able to perform at the demf(when it was still 
the demf).

ja





hey when IS that jazz festival?

I saw dizzy gillespy (sp?) there when I was a kid and would
 like to go back for some live jazz

:)

-Joe


Indeed, though *most* of what you've said is correct, the
 first point -- that the name is inconsequential -- is the
 only one under real question.

let's not forget that the other big 3-day festival (jazz,
 you know, during whichever one of those labor day/memorial
 day weekends isn't in may and is in september, right?)
 built an *enormous* international reputation, and
 generated almost as much foreign tourism to detroit, and
 almost as many festival attendees, as the DEMF did in its
 first year.

and what is that festival called now?  i can't remember
 anymore, now that it's not montreaux.  i mean, i'm serious
 -- no one knows what the name is.  but ask anyone
 connected to detroit's rather limited tourism industry
 (with the exception of the boileau dude, right?) and
 they'll tell you that the lack of the name hurt
 international tourism for the jazz fest.  at least for the
 first two years.

and, BTW, let's not forget that teh way the freep article
 was written, May gets only six or seven words to give his
 framework for the suit.  and any six or seven words that
 end and begin with the possibilty of the DEMF being bought
 by a foreign concern are gonna sound like the rantings of
 someone who's a little paranoid, or just into getting
 promotion.

until you remember what happened to that other festival.
  you know. whatever its name is now -- i can't remember.

cheers,
-marc

At 10:42 AM -0500 3/11/02, [EMAIL PROTECTED] wrote:
the name is rather inconsequential.

the city of detroit owns hart plaza

the city of detroit fronts the money for the festival (it
 is later paid
back by the sponsors)

the city will decide who gets the contract next year.

this strikes me as a publicity stunt.


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RE: [313] Interesting Indeed

2002-03-11 Thread Catherine Eberhardt
Hmmm...

For one, I hate media and politics- they like to make a big deal out of
BS.  I hear people bitch about the leech Carol Marvin all the time,
but she has a committee of well-respected Detroit artists working for
her now, and it is my understanding that she is good to work with.  Why
would any one be working with her if they didn't like her to some
extent? 

Second, if anyone should take over the name, what about Carl Craig?  It
was his idea in the first place.  I was surprised to read the poll in
which 82% thought Derrick May should take the name.  What right does he
have to take it?  In reality, without Pop Culture Media, there would be
no (financially capable) DEMF.



Did you read the full article?  The reason is clear enough whether
true or
false.  May allegedly did it to prevent the sale of the festival to a
foreign
entity.

If you read the full article, you would have noticed that the PCM
president denied any rumor of selling it.  





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RE: [313] Interesting Indeed

2002-03-11 Thread xx xx


ps.
http://data.detnews.com/feedback/surveyletters.hbs?subject=Techno_tiff


From: Catherine Eberhardt [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: RE: [313] Interesting Indeed
Date: Mon, 11 Mar 2002 12:09:58 -0500

Hmmm...

For one, I hate media and politics- they like to make a big deal out of
BS.  I hear people bitch about the leech Carol Marvin all the time,
but she has a committee of well-respected Detroit artists working for
her now, and it is my understanding that she is good to work with.  Why
would any one be working with her if they didn't like her to some
extent?

Second, if anyone should take over the name, what about Carl Craig?  It
was his idea in the first place.  I was surprised to read the poll in
which 82% thought Derrick May should take the name.  What right does he
have to take it?  In reality, without Pop Culture Media, there would be
no (financially capable) DEMF.



Did you read the full article?  The reason is clear enough whether
true or
false.  May allegedly did it to prevent the sale of the festival to a
foreign
entity.

If you read the full article, you would have noticed that the PCM
president denied any rumor of selling it.





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RE: [313] Interesting Indeed

2002-03-11 Thread Lester Kenyatta Spence
On Mon, 11 Mar 2002, marc christensen wrote:

 Indeed, though *most* of what you've said is correct, the first point
 -- that the name is inconsequential -- is the only one under real
 question.

 let's not forget that the other big 3-day festival (jazz, you know,
 during whichever one of those labor day/memorial day weekends isn't
 in may and is in september, right?) built an *enormous* international
 reputation, and generated almost as much foreign tourism to detroit,
 and almost as many festival attendees, as the DEMF did in its first
 year.

The Montreaux Detroit Jazz Festival.  Used to be that I would even miss my
own professional conference for it.  The best jazz festival in north
america by my estimation.  Perfect comparison.

 and what is that festival called now?  i can't remember anymore, now
 that it's not montreaux.  i mean, i'm serious -- no one knows what
 the name is.  but ask anyone connected to detroit's rather limited
 tourism industry (with the exception of the boileau dude, right?) and
 they'll tell you that the lack of the name hurt international tourism
 for the jazz fest.  at least for the first two years.

The Ford International Jazz Festival is the new name i THINK.  And what is
interesting with this festival is that FOR THE MOST PART it has maintained
its integrity.  No Kenny G. highliners...all straight ahead jazz or old
school fusion.  But this may be because jazz has a longer history than
techno...and more people who are very very aware of what jazz is.

If someone bought out the DEMF would this happen?  Could be...but one
argument is that it would be easier to transform the DEMF into some sort
of festival that the heads wouldn't recognize, with techno's version of
Kenny G. being the highliner.



peace
lks


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Re: [313] Interesting Indeed/ DetroitJazzFest

2002-03-11 Thread Lester Kenyatta Spence
On Mon, 11 Mar 2002, xx xx wrote:


 If you are involve in Jazz you know it's Montreux, not Montreaux.

Or if you're an excellent speller.  I won the spelling bee in 7th grade
but this was a bit ago.

;)


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Re: [313] Interesting Indeed/ DetroitJazzFest

2002-03-11 Thread laura gavoor
Actually, Ms. Marvin's 'in' with the city in getting the DEMF approved, was 
due in a great part for her 'marketing' skills in obtaining media and 
corporate sponsorships for the Montreux Detroit Jazz Festival.


Perhaps this is a cycle?...just a suggestion ;)  I agree that it is a shame 
how the jazzfest is now represented and believe that Derrick is perhaps 
trying to prevent the same from happening to us.


The difference between the jazzfest and the DEMF would appear to be that 
there are a multitude of small independent businesses and labels that have 
kept electronic dance music from Detroit alive in the global environment and 
playing field and indeed made the DEMF a viable consideration in the first 
place.


As long as we are not representing ourselves in any more than a creative 
capacity with the DEMF and not in the hardcore business aspect of itit 
is my contention that they will attempt to marginalize, market segment, 
brand, slice and dice it up any way they can (most likely...distastefully) 
to make a profit.  I believe there WAS ALWAYS a happy medium in balancing 
the corporate $$ and marketing of this music to mutual success---with 
everybody winning---I'm just not sure whether one single person should be in 
charge of making those decisions for an entire community.


Glad that Carol has a selection committee of our peers this year.  She 
should, however, further engage a committee of the same types to approve 
business plans in a like democratic manner to keep us actively involved.  
This has always been my premise and concern.  Carol should remain at the 
helm, as she 'actualized' this festival--more or less.  But without engaging 
any of us in the business and marketing of the festival, disrespect will 
always loom ahead and be INHERENT from our simple lack of input/presence.


I think perhaps this is what Derrick is correct in standing up for. The 
'DEMF' name is far more representative of a community than it is a product 
to be bought and sold.


Moreover, if Ms. Marvin was on her p's and q's the name would've already 
been registered.


-humbly offered






You'd think it was run by a Carol Marvin history-bending leech,
instead of the well-adjusted corporate hack McCabe.





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Re: [313] Interesting Indeed/ DetroitJazzFest

2002-03-11 Thread Catherine Eberhardt
This is exactly correct, how it should be, but how can we go about
doing this?  As for me, I am clueless when it comes to altering
corporate business into a democratic manner.  There are alternate ways
to go about doing this, besides what Derrick May is doing.

 laura gavoor [EMAIL PROTECTED] 03/11/02 14:58 PM   She 
should, however, further engage a committee of the same types to approve

business plans in a like democratic manner to keep us actively involved.
 
This has always been my premise and concern.  Carol should remain at the

helm, as she 'actualized' this festival--more or less.  But without
engaging 
any of us in the business and marketing of the festival, disrespect will

always loom ahead and be INHERENT from our simple lack of
input/presence.



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Re: [313] Interesting Indeed/ DetroitJazzFest

2002-03-11 Thread Erin Bate
Moreover, if Ms. Marvin was on her p's and q's the name would've already 
been registered.


I guess I gave her too much credit, because registering the name would 
have been one of the first steps she should have taken, if your taking 
care of business properly...


~E


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Re: [313] Interesting Indeed/ DetroitJazzFest

2002-03-11 Thread :P
so could one copyright the acronym DEMF insteam of detroit electronic music
festival or would the lawyers shred that in court?

totally off topic,

-Joe


- Original Message -
From: Erin Bate [EMAIL PROTECTED]
To: laura gavoor [EMAIL PROTECTED]
Cc: 313@HYPERREAL.ORG
Sent: Monday, March 11, 2002 5:37 PM
Subject: Re: [313] Interesting Indeed/ DetroitJazzFest


 Moreover, if Ms. Marvin was on her p's and q's the name would've already
 been registered.

 I guess I gave her too much credit, because registering the name would
 have been one of the first steps she should have taken, if your taking
 care of business properly...

 ~E


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