RE: (313) 100 BEST DJ IN THE WORLD (Mills)
what if it was DJ T-1000 commanding everyone to dance...as he usually does. I think I would obey because he is a bad mother f*ucker! -Original Message- From: T.J.Johnson [mailto:[EMAIL PROTECTED] Sent: Monday, November 04, 2002 6:01 PM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) Amen Jeff! It always bugs the hell out of me when the self-elected party revolutionary leader stands up at the show and starts yelling at people to start dancing. If he/she needs other people to dance for them to fell comfortable with dancing themselves, maybe they should get drunk or something. Bite me is what I usually end up thinking... On Mon, 04 Nov 2002, Mxyzptlk wrote: While I respect your opinion and understand that your comments are made in the context of this discussion (and also that dance music is ostensibly made for dancing), I have to say that I find the notion that someone gets to say how *I* need to react to something else in the sense that I can be marginalized when I don't is reductionistic and at least as problematic as a person who doesn't respond in the way dictated by whomever. I don't dance and I doubt I ever will; perhaps it's childhood trauma or an ill formed sense of self - whatever. That doesn't mean I don't enjoy the music nor does it mean I have to be saddled with restructuring a performative context or bumming out a DJ. It would seem like the fact that I haven't left the venue should say something. In an age where all kinds of criticism (literary, etc.) has freed art from static notions tied with the artist, I find it interesting that the monolithic notion of must-dancing still rules. I do understand the need for it and I understand how it creates a necessary symbiosis - but why does *everyone* need to be dancing in order for them to enjoy and appreciate something? We aren't all dancers, we aren't all as comfortable with dancing as each other. As a qualifier, I am not saying that any behavior or reaction to art is equally appropriate, nor am I saying there is no tie between art and artist. I just find it a bit tyrannical and quixotic to dictate behavior to a set. Again, my comments are not directed to this particular post (as I can see the connection you are making vis a vis the trend), but rather towards the notion that seems to underlie it : if I don't dance, I am unappreciative and some kind of pariah. If it's really about the music OR the mix, then I should be left to appreciate it in a way which is genuine to myself and doesn't shipwreck someone else's enjoyment. .02. jeff At 08:09 AM 11/4/2002, Toby Frith wrote: This is somewhat of a double-edged sword I think. In one respect, people go to see a DJ like Mills so they can dance. In the other respect, they go to watch his craft, which then takes the DJ out of his normal context and into that of an artist, because you are viewing him/her rather than interacting. (another argument which I'm not going to pontificate on here) So you get one half of the audience dancing and the other just watching. This has been, IMHO, the downfall of techno turntablism and the like in recent years. Too much watching, not enough dancing. I went to see Mills in Zurich a year ago and there was far too much of the latter going on. You could see him actually looking rather annoyed as one absolute classic after another (Final Frontier, Magnese) was being dropped only to see a leaden-footed and mute reaction from the crowd. How must a DJ feel when they are faced by banks of motionless people looking at them spin some records? TJJ ~in a perfect world, nothing is perfect~ PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
what if it was DJ T-1000 commanding everyone to dance...as he usually
does.
I think I would obey because he is a bad mother f*ucker!
Third Reich N' Roll?
.o0O}seeklektek{O0o.
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
Speaking of which g. Original Message Subject: DJ T-1000 rocks Record Time Ferndale Date: Wed, 6 Nov 2002 08:47:31 EST From: [EMAIL PROTECTED] To: undisclosed-recipients:; The Last DJ On Earth returns to Record Time Ferndale ! November 8th 2002 7-9 pm 262 W. Nine Mile Rd one block west of Woodward Hor d'oeuvres by La Soups, so come and eat to the beat All Pure Sonik and Generator products are specially-priced www.recordtime.com www.puresonikrecords.net www.generatormusic.com FC2 Richards wrote: what if it was DJ T-1000 commanding everyone to dance...as he usually does. I think I would obey because he is a bad mother f*ucker! -Original Message- From: T.J.Johnson [mailto:[EMAIL PROTECTED] Sent: Monday, November 04, 2002 6:01 PM To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) Amen Jeff! It always bugs the hell out of me when the self-elected party revolutionary leader stands up at the show and starts yelling at people to start dancing. If he/she needs other people to dance for them to fell comfortable with dancing themselves, maybe they should get drunk or something. Bite me is what I usually end up thinking... On Mon, 04 Nov 2002, Mxyzptlk wrote: While I respect your opinion and understand that your comments are made in the context of this discussion (and also that dance music is ostensibly made for dancing), I have to say that I find the notion that someone gets to say how *I* need to react to something else in the sense that I can be marginalized when I don't is reductionistic and at least as problematic as a person who doesn't respond in the way dictated by whomever. I don't dance and I doubt I ever will; perhaps it's childhood trauma or an ill formed sense of self - whatever. That doesn't mean I don't enjoy the music nor does it mean I have to be saddled with restructuring a performative context or bumming out a DJ. It would seem like the fact that I haven't left the venue should say something. In an age where all kinds of criticism (literary, etc.) has freed art from static notions tied with the artist, I find it interesting that the monolithic notion of must-dancing still rules. I do understand the need for it and I understand how it creates a necessary symbiosis - but why does *everyone* need to be dancing in order for them to enjoy and appreciate something? We aren't all dancers, we aren't all as comfortable with dancing as each other. As a qualifier, I am not saying that any behavior or reaction to art is equally appropriate, nor am I saying there is no tie between art and artist. I just find it a bit tyrannical and quixotic to dictate behavior to a set. Again, my comments are not directed to this particular post (as I can see the connection you are making vis a vis the trend), but rather towards the notion that seems to underlie it : if I don't dance, I am unappreciative and some kind of pariah. If it's really about the music OR the mix, then I should be left to appreciate it in a way which is genuine to myself and doesn't shipwreck someone else's enjoyment. .02. jeff At 08:09 AM 11/4/2002, Toby Frith wrote: This is somewhat of a double-edged sword I think. In one respect, people go to see a DJ like Mills so they can dance. In the other respect, they go to watch his craft, which then takes the DJ out of his normal context and into that of an artist, because you are viewing him/her rather than interacting. (another argument which I'm not going to pontificate on here) So you get one half of the audience dancing and the other just watching. This has been, IMHO, the downfall of techno turntablism and the like in recent years. Too much watching, not enough dancing. I went to see Mills in Zurich a year ago and there was far too much of the latter going on. You could see him actually looking rather annoyed as one absolute classic after another (Final Frontier, Magnese) was being dropped only to see a leaden-footed and mute reaction from the crowd. How must a DJ feel when they are faced by banks of motionless people looking at them spin some records? TJJ ~in a perfect world, nothing is perfect~ PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
Re: (313) 100 BEST DJ IN THE WORLD....
I am yet to read all the responses on 313 but the poll looks very mainstream UK-centric to me. I laugh only at seeing Tiesto at number 1 as I have heard the album... I recall Armand Van Helden doing a parody of Euro-trance on his second album, a skit in which he boots off a Euro-trance DJ - with Tiesto, it's that sound but not meant to be parodic. Sure DJ Mag claims to be an international poll, but in that case why don't they join forces with dance magazines from around the world? DJ Mag is quite hard to get over here, more people would buy Muzik by surface or air, even more would read local publications, and I don't recall seeing it in North America either. People outside the UK would primarily find out about the poll from Dotmusic (a UK site) or other news sources picking it up from the UK sources. I would like to know exactly how internationally representative it is. I find this all as another example of imperial arrogance from certain factions of the UK music industry. DJ Mag did a special on the Australian dance scene - written by UK journalists visiting - and even got one person's gender wrong, so since then I haven't rated it that highly. Inbox Message From: [EMAIL PROTECTED] Subject: Re: (313) 100 BEST DJ IN THE WORLD Date: 04/11/2002 9:55:45 To: 313@hyperreal.org CC: [EMAIL PROTECTED] If the same magazine was to carry out an indepedent chart based on nothing more than a DJ's skills rather than just what overexposed DJ happens to get the majority of plastic clubbers 'jumpin' after 10 pints of Stella or a handfill of moody pills every saturday night... then you know the list would be quite different. I'd say making people dance is rather essential DJ skill... Everything else is secondary. A good and fair point Otto, you'll have to excuse my momentary lapse into musical snobbery :) ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
Re: (313) 100 BEST DJ IN THE WORLD....
Another related point. I would bet that the vast majority of pollsters were from English speaking countries. Until a couple of years ago Sasha had NEVER played in Japan (not sure if he has since), sooo... he is a non-entity in Japan and has said so himself. So how many Japanese votes were counted? What about South America? Germany? Until DJ Mag makes an effort to reach out to these countries, and their demographics, than calling this internationally representative is misleading. -- From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD Date: Mon, 4 Nov 2002 11:34 PM I am yet to read all the responses on 313 but the poll looks very mainstream UK-centric to me. I laugh only at seeing Tiesto at number 1 as I have heard the album... I recall Armand Van Helden doing a parody of Euro-trance on his second album, a skit in which he boots off a Euro-trance DJ - with Tiesto, it's that sound but not meant to be parodic. Sure DJ Mag claims to be an international poll, but in that case why don't they join forces with dance magazines from around the world? DJ Mag is quite hard to get over here, more people would buy Muzik by surface or air, even more would read local publications, and I don't recall seeing it in North America either. People outside the UK would primarily find out about the poll from Dotmusic (a UK site) or other news sources picking it up from the UK sources. I would like to know exactly how internationally representative it is. I find this all as another example of imperial arrogance from certain factions of the UK music industry. DJ Mag did a special on the Australian dance scene - written by UK journalists visiting - and even got one person's gender wrong, so since then I haven't rated it that highly. Inbox Message From: [EMAIL PROTECTED] Subject: Re: (313) 100 BEST DJ IN THE WORLD Date: 04/11/2002 9:55:45 To: 313@hyperreal.org CC: [EMAIL PROTECTED] If the same magazine was to carry out an indepedent chart based on nothing more than a DJ's skills rather than just what overexposed DJ happens to get the majority of plastic clubbers 'jumpin' after 10 pints of Stella or a handfill of moody pills every saturday night... then you know the list would be quite different. I'd say making people dance is rather essential DJ skill... Everything else is secondary. A good and fair point Otto, you'll have to excuse my momentary lapse into musical snobbery :) ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
Actually, Jeff doesn't claim to be a perfectionist, he believes in taking a risk, his belief being: sometimes a move will come off, sometimes it won't, but it's about the excitement level. He has elaborated on this in interviews. Me, I prefer that style to the seamless mixing of progressive house stalwarts, a philosophy that is increasingly now paramount in deep house circles (UK especially), where DJs are obsessed with mixing according to keys and beats and the mix supersedes the records sure it's seamless and perfect but it's very mono. It's not so much deep house as sleep house. All this reminds me of a recent interview Chuck D gave here when he lamented that today's pop producers and recording artists leave out the mistakes in a record when mistakes make a record real and give it soul. He leaves them in. So does Mills. From: [EMAIL PROTECTED] Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) Date: 02/11/2002 21:44:50 To: [EMAIL PROTECTED] CC: 313@hyperreal.org, [EMAIL PROTECTED] (Pryor, Ryan N) live at the liquid room is laden with errors. it is a classic set. but it has at least 5 big mistakes. for a recorded mix that is a lot. mills is a sloppy dj. but he can get away with it because of his record selection. He can get away with it because he's so damn quick. When a DJ works the decks mixer as much and as quickly as Mills does then there's bound to be some mistakes.
RE: (313) 100 BEST DJ IN THE WORLD....
Technique or no technique I think we are lucky that someone takes the time to do something with techno rather than waiting every 3-4 mins to mix a track, so what if there are mistkes, crickey I would hate to go to a club and hear a CD performance but then that is my own personal preference :) -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: 04 November 2002 13:27 To: 313 Detroit Subject: (313) 100 BEST DJ IN THE WORLD I can't believe you're arguing whether Mills is a good or bad DJ when TIESTO came in at 1. ;( Incidentally, Farina gave an interview here just lately and still says technique is important to his style of DJing. Quote: Some trainspotters count the number of mistakes a DJ makes, while the vast majority wouldn't care if there were a technical mistake in a set or not. How important is technique when it comes to a strong DJ? I think it's essential. Coming from Chicago technique was everything because everyone had the same records, so that was the way you distinguished yourself from the rest. Inbox Message From: ::\) [EMAIL PROTECTED] Subject: Re: (313) 100 BEST DJ IN THE WORLD Date: 03/11/2002 8:29:13 To: FC3 Richards [EMAIL PROTECTED], [EMAIL PROTECTED] CC: 313@hyperreal.org MY point was that mills isnt great at mixing records. ifs its due to his speed, he should slow down a bit. quality over quantity. I think his track selection is great though, in terms of picking which record goes next. he does suck on a 909 too :) Im no mills hater by any means, I was at agents of change and enjoyed it set. -Joe - Original Message - From: [EMAIL PROTECTED] To: FC3 Richards [EMAIL PROTECTED] Cc: '::)' [EMAIL PROTECTED]; 313@hyperreal.org Sent: Saturday, November 02, 2002 5:36 AM Subject: RE: (313) 100 BEST DJ IN THE WORLD let me think...good tracks...tricks...hmmm...so you just said he is terrible, and the contradicted yourself in the next line. you didn't even put a filler sentance in. I'm not going to argue with you, we all have our opinions, but there is something wrong with what you said. Elaborate a little more so others can argue with you... Oh dear! This is what is known as *sarcasm* FC3 .. to explain that means that Martijn thinks Mills is a brilliant DJ really and should be at the top (or at least near the top) of the list. --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
This is somewhat of a double-edged sword I think. In one respect, people go to see a DJ like Mills so they can dance. In the other respect, they go to watch his craft, which then takes the DJ out of his normal context and into that of an artist, because you are viewing him/her rather than interacting. (another argument which I'm not going to pontificate on here) So you get one half of the audience dancing and the other just watching. This has been, IMHO, the downfall of techno turntablism and the like in recent years. Too much watching, not enough dancing. I went to see Mills in Zurich a year ago and there was far too much of the latter going on. You could see him actually looking rather annoyed as one absolute classic after another (Final Frontier, Magnese) was being dropped only to see a leaden-footed and mute reaction from the crowd. How must a DJ feel when they are faced by banks of motionless people looking at them spin some records? - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Sent: Monday, November 04, 2002 1:46 PM Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) Actually, Jeff doesn't claim to be a perfectionist, he believes in taking a risk, his belief being: sometimes a move will come off, sometimes it won't, but it's about the excitement level. He has elaborated on this in interviews. Me, I prefer that style to the seamless mixing of progressive house stalwarts, a philosophy that is increasingly now paramount in deep house circles (UK especially), where DJs are obsessed with mixing according to keys and beats and the mix supersedes the records sure it's seamless and perfect but it's very mono. It's not so much deep house as sleep house. All this reminds me of a recent interview Chuck D gave here when he lamented that today's pop producers and recording artists leave out the mistakes in a record when mistakes make a record real and give it soul. He leaves them in. So does Mills. From: [EMAIL PROTECTED] Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) Date: 02/11/2002 21:44:50 To: [EMAIL PROTECTED] CC: 313@hyperreal.org, [EMAIL PROTECTED] (Pryor, Ryan N) live at the liquid room is laden with errors. it is a classic set. but it has at least 5 big mistakes. for a recorded mix that is a lot. mills is a sloppy dj. but he can get away with it because of his record selection. He can get away with it because he's so damn quick. When a DJ works the decks mixer as much and as quickly as Mills does then there's bound to be some mistakes.
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
This is true, Toby. But, I must say that if Mills didn't enjoy being watched, he could very well conceal himself like Hawtin does at his plastic parties. So this leads me to personally believe that Mills enjoys the attention of people wtching his skills... Toby Frith wrote: This is somewhat of a double-edged sword I think. In one respect, people go to see a DJ like Mills so they can dance. In the other respect, they go to watch his craft, which then takes the DJ out of his normal context and into that of an artist, because you are viewing him/her rather than interacting. (another argument which I'm not going to pontificate on here) So you get one half of the audience dancing and the other just watching. This has been, IMHO, the downfall of techno turntablism and the like in recent years. Too much watching, not enough dancing. I went to see Mills in Zurich a year ago and there was far too much of the latter going on. You could see him actually looking rather annoyed as one absolute classic after another (Final Frontier, Magnese) was being dropped only to see a leaden-footed and mute reaction from the crowd. How must a DJ feel when they are faced by banks of motionless people looking at them spin some records? - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Sent: Monday, November 04, 2002 1:46 PM Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) Actually, Jeff doesn't claim to be a perfectionist, he believes in taking a risk, his belief being: sometimes a move will come off, sometimes it won't, but it's about the excitement level. He has elaborated on this in interviews. Me, I prefer that style to the seamless mixing of progressive house stalwarts, a philosophy that is increasingly now paramount in deep house circles (UK especially), where DJs are obsessed with mixing according to keys and beats and the mix supersedes the records sure it's seamless and perfect but it's very mono. It's not so much deep house as sleep house. All this reminds me of a recent interview Chuck D gave here when he lamented that today's pop producers and recording artists leave out the mistakes in a record when mistakes make a record real and give it soul. He leaves them in. So does Mills. From: [EMAIL PROTECTED] Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) Date: 02/11/2002 21:44:50 To: [EMAIL PROTECTED] CC: 313@hyperreal.org, [EMAIL PROTECTED] (Pryor, Ryan N) live at the liquid room is laden with errors. it is a classic set. but it has at least 5 big mistakes. for a recorded mix that is a lot. mills is a sloppy dj. but he can get away with it because of his record selection. He can get away with it because he's so damn quick. When a DJ works the decks mixer as much and as quickly as Mills does then there's bound to be some mistakes. TJJ ~in a perfect world, nothing is perfect~ PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
Because maybe he comes from the era of DJing where it is an interactive performance? The traditional house DJing is like call and response, like in a church. That's how I like it! OK, it's 1.30 am and I am rambling now! Inbox Message From: T.J.Johnson [EMAIL PROTECTED] Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) Date: 05/11/2002 1:14:26 To: [EMAIL PROTECTED] CC: [EMAIL PROTECTED], 313@hyperreal.org This is true, Toby. But, I must say that if Mills didn't enjoy being watched, he could very well conceal himself like Hawtin does at his plastic parties. So this leads me to personally believe that Mills enjoys the attention of people wtching his skills... Toby Frith wrote:
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
yeah but watching Richie is like watching paint dry, no offence but I have never seen him work it like Mills does. Few have seen him smile as well :) -Original Message- From: T.J.Johnson [mailto:[EMAIL PROTECTED] Sent: 04 November 2002 14:14 To: [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) This is true, Toby. But, I must say that if Mills didn't enjoy being watched, he could very well conceal himself like Hawtin does at his plastic parties. So this leads me to personally believe that Mills enjoys the attention of people wtching his skills... Toby Frith wrote: This is somewhat of a double-edged sword I think. In one respect, people go to see a DJ like Mills so they can dance. In the other respect, they go to watch his craft, which then takes the DJ out of his normal context and into that of an artist, because you are viewing him/her rather than interacting. (another argument which I'm not going to pontificate on here) So you get one half of the audience dancing and the other just watching. This has been, IMHO, the downfall of techno turntablism and the like in recent years. Too much watching, not enough dancing. I went to see Mills in Zurich a year ago and there was far too much of the latter going on. You could see him actually looking rather annoyed as one absolute classic after another (Final Frontier, Magnese) was being dropped only to see a leaden-footed and mute reaction from the crowd. How must a DJ feel when they are faced by banks of motionless people looking at them spin some records? - Original Message - From: Cyclone Wehner [EMAIL PROTECTED] To: 313 Detroit 313@hyperreal.org Sent: Monday, November 04, 2002 1:46 PM Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) Actually, Jeff doesn't claim to be a perfectionist, he believes in taking a risk, his belief being: sometimes a move will come off, sometimes it won't, but it's about the excitement level. He has elaborated on this in interviews. Me, I prefer that style to the seamless mixing of progressive house stalwarts, a philosophy that is increasingly now paramount in deep house circles (UK especially), where DJs are obsessed with mixing according to keys and beats and the mix supersedes the records sure it's seamless and perfect but it's very mono. It's not so much deep house as sleep house. All this reminds me of a recent interview Chuck D gave here when he lamented that today's pop producers and recording artists leave out the mistakes in a record when mistakes make a record real and give it soul. He leaves them in. So does Mills. From: [EMAIL PROTECTED] Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) Date: 02/11/2002 21:44:50 To: [EMAIL PROTECTED] CC: 313@hyperreal.org, [EMAIL PROTECTED] (Pryor, Ryan N) live at the liquid room is laden with errors. it is a classic set. but it has at least 5 big mistakes. for a recorded mix that is a lot. mills is a sloppy dj. but he can get away with it because of his record selection. He can get away with it because he's so damn quick. When a DJ works the decks mixer as much and as quickly as Mills does then there's bound to be some mistakes. TJJ ~in a perfect world, nothing is perfect~ PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
While I respect your opinion and understand that your comments are made in the context of this discussion (and also that dance music is ostensibly made for dancing), I have to say that I find the notion that someone gets to say how *I* need to react to something else in the sense that I can be marginalized when I don't is reductionistic and at least as problematic as a person who doesn't respond in the way dictated by whomever. I don't dance and I doubt I ever will; perhaps it's childhood trauma or an ill formed sense of self - whatever. That doesn't mean I don't enjoy the music nor does it mean I have to be saddled with restructuring a performative context or bumming out a DJ. It would seem like the fact that I haven't left the venue should say something. In an age where all kinds of criticism (literary, etc.) has freed art from static notions tied with the artist, I find it interesting that the monolithic notion of must-dancing still rules. I do understand the need for it and I understand how it creates a necessary symbiosis - but why does *everyone* need to be dancing in order for them to enjoy and appreciate something? We aren't all dancers, we aren't all as comfortable with dancing as each other. As a qualifier, I am not saying that any behavior or reaction to art is equally appropriate, nor am I saying there is no tie between art and artist. I just find it a bit tyrannical and quixotic to dictate behavior to a set. Again, my comments are not directed to this particular post (as I can see the connection you are making vis a vis the trend), but rather towards the notion that seems to underlie it : if I don't dance, I am unappreciative and some kind of pariah. If it's really about the music OR the mix, then I should be left to appreciate it in a way which is genuine to myself and doesn't shipwreck someone else's enjoyment. .02. jeff At 08:09 AM 11/4/2002, Toby Frith wrote: This is somewhat of a double-edged sword I think. In one respect, people go to see a DJ like Mills so they can dance. In the other respect, they go to watch his craft, which then takes the DJ out of his normal context and into that of an artist, because you are viewing him/her rather than interacting. (another argument which I'm not going to pontificate on here) So you get one half of the audience dancing and the other just watching. This has been, IMHO, the downfall of techno turntablism and the like in recent years. Too much watching, not enough dancing. I went to see Mills in Zurich a year ago and there was far too much of the latter going on. You could see him actually looking rather annoyed as one absolute classic after another (Final Frontier, Magnese) was being dropped only to see a leaden-footed and mute reaction from the crowd. How must a DJ feel when they are faced by banks of motionless people looking at them spin some records?
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
Amen Jeff! It always bugs the hell out of me when the self-elected party revolutionary leader stands up at the show and starts yelling at people to start dancing. If he/she needs other people to dance for them to fell comfortable with dancing themselves, maybe they should get drunk or something. Bite me is what I usually end up thinking... On Mon, 04 Nov 2002, Mxyzptlk wrote: While I respect your opinion and understand that your comments are made in the context of this discussion (and also that dance music is ostensibly made for dancing), I have to say that I find the notion that someone gets to say how *I* need to react to something else in the sense that I can be marginalized when I don't is reductionistic and at least as problematic as a person who doesn't respond in the way dictated by whomever. I don't dance and I doubt I ever will; perhaps it's childhood trauma or an ill formed sense of self - whatever. That doesn't mean I don't enjoy the music nor does it mean I have to be saddled with restructuring a performative context or bumming out a DJ. It would seem like the fact that I haven't left the venue should say something. In an age where all kinds of criticism (literary, etc.) has freed art from static notions tied with the artist, I find it interesting that the monolithic notion of must-dancing still rules. I do understand the need for it and I understand how it creates a necessary symbiosis - but why does *everyone* need to be dancing in order for them to enjoy and appreciate something? We aren't all dancers, we aren't all as comfortable with dancing as each other. As a qualifier, I am not saying that any behavior or reaction to art is equally appropriate, nor am I saying there is no tie between art and artist. I just find it a bit tyrannical and quixotic to dictate behavior to a set. Again, my comments are not directed to this particular post (as I can see the connection you are making vis a vis the trend), but rather towards the notion that seems to underlie it : if I don't dance, I am unappreciative and some kind of pariah. If it's really about the music OR the mix, then I should be left to appreciate it in a way which is genuine to myself and doesn't shipwreck someone else's enjoyment. .02. jeff At 08:09 AM 11/4/2002, Toby Frith wrote: This is somewhat of a double-edged sword I think. In one respect, people go to see a DJ like Mills so they can dance. In the other respect, they go to watch his craft, which then takes the DJ out of his normal context and into that of an artist, because you are viewing him/her rather than interacting. (another argument which I'm not going to pontificate on here) So you get one half of the audience dancing and the other just watching. This has been, IMHO, the downfall of techno turntablism and the like in recent years. Too much watching, not enough dancing. I went to see Mills in Zurich a year ago and there was far too much of the latter going on. You could see him actually looking rather annoyed as one absolute classic after another (Final Frontier, Magnese) was being dropped only to see a leaden-footed and mute reaction from the crowd. How must a DJ feel when they are faced by banks of motionless people looking at them spin some records? TJJ ~in a perfect world, nothing is perfect~ PeoplePC: It's for people. And it's just smart. http://www.peoplepc.com
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
Mills (again) played a DJ set at the Royal Festival Hall in London recently as the finale to the showing of his adaptation of the Metropolis soundtrack. Seeing someone DJ at a venue (with seats) was rather bizarre. A large section of the crowd rushed towards the front to dance, whilst the bemused rest watched from their seats. Some people didn't know whether to dance or to remain seated (including me!). It did beg the question though, when transported to a different atmosphere, did it really make any sense? I mean, it's just a guy spinning a number of records. I can't really articulate what I want to say, because it will mean going into that whole artist/DJ argument which I can't be arsed with. - Original Message - From: Mxyzptlk [EMAIL PROTECTED] To: Toby Frith [EMAIL PROTECTED]; Cyclone Wehner [EMAIL PROTECTED]; 313 Detroit 313@hyperreal.org Sent: Monday, November 04, 2002 3:53 PM Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) While I respect your opinion and understand that your comments are made in the context of this discussion (and also that dance music is ostensibly made for dancing), I have to say that I find the notion that someone gets to say how *I* need to react to something else in the sense that I can be marginalized when I don't is reductionistic and at least as problematic as a person who doesn't respond in the way dictated by whomever. I don't dance and I doubt I ever will; perhaps it's childhood trauma or an ill formed sense of self - whatever. That doesn't mean I don't enjoy the music nor does it mean I have to be saddled with restructuring a performative context or bumming out a DJ. It would seem like the fact that I haven't left the venue should say something. In an age where all kinds of criticism (literary, etc.) has freed art from static notions tied with the artist, I find it interesting that the monolithic notion of must-dancing still rules. I do understand the need for it and I understand how it creates a necessary symbiosis - but why does *everyone* need to be dancing in order for them to enjoy and appreciate something? We aren't all dancers, we aren't all as comfortable with dancing as each other. As a qualifier, I am not saying that any behavior or reaction to art is equally appropriate, nor am I saying there is no tie between art and artist. I just find it a bit tyrannical and quixotic to dictate behavior to a set. Again, my comments are not directed to this particular post (as I can see the connection you are making vis a vis the trend), but rather towards the notion that seems to underlie it : if I don't dance, I am unappreciative and some kind of pariah. If it's really about the music OR the mix, then I should be left to appreciate it in a way which is genuine to myself and doesn't shipwreck someone else's enjoyment. .02. jeff At 08:09 AM 11/4/2002, Toby Frith wrote: This is somewhat of a double-edged sword I think. In one respect, people go to see a DJ like Mills so they can dance. In the other respect, they go to watch his craft, which then takes the DJ out of his normal context and into that of an artist, because you are viewing him/her rather than interacting. (another argument which I'm not going to pontificate on here) So you get one half of the audience dancing and the other just watching. This has been, IMHO, the downfall of techno turntablism and the like in recent years. Too much watching, not enough dancing. I went to see Mills in Zurich a year ago and there was far too much of the latter going on. You could see him actually looking rather annoyed as one absolute classic after another (Final Frontier, Magnese) was being dropped only to see a leaden-footed and mute reaction from the crowd. How must a DJ feel when they are faced by banks of motionless people looking at them spin some records?
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
Personally, I like to get the dancers dancing and the 'spotters 'spotting: I like having the whooping, screaming, yelling, jacking, climbing the walls AND the googly eyed what's he doing?!? What's that record?! You don't have to dance to recognise that it's a pretty similar achievement: everyone comes away saying, damn he/she banged it out - *that's* what I'm after. As to how you do it, do it any way you want to. I used to do tricks far more than I do now, I now never scratch beyond the odd second copy doubling up, and I pretty much conform to Cyclone's sleep house school of DJing. I certainly *wouldn't* say that the mix supercedes the records - quite the opposite - and in any case, it's just something that I have observed works better for the music I play. Some of the sleep house gang would say that mixing it up in the Mills style is mix over content, but they'd be equally wrong. It's horses for courses, and I suppose a good DJ will adapt accordingly. In my case, it's certainly not lack of skill - I'm relying on some charity here :) - nor is it some deeper than thou homage to the house canon, it just works for me. Not to say there aren't style over content DJs, but they're the *real* boring ones. All just IMHO.
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
I can't really articulate what I want to say, because it will mean going into that whole artist/DJ argument which I can't be arsed with. Understood - but what needs to be said here is that there is artifice involved in any performance - and being a DJ of any and every ilk still involves artifice...it's just a different kind/kinds. Some of them are simply more transparent than others. The trouble with this whole issue is the tendency to answer complex questions with simple solutions, whether it be the analysis of the DJ/artist, the crowd or the individuals in the crowd rather than recognizing either the vast blend of factors going into the pot to make the stew. IMO it's the same kind of reductionist simplicity which denies a legitimate variety of response (e.g.,not taking into account that different people represent differently). jeff (who really does do more than post ebay links :-)
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
... Johnny Mcintosh will be appearing at Public Life, London on 16 November, in Slices #3, dedicated to all forms of house. :o) -Original Message- From: Jonny McIntosh [mailto:[EMAIL PROTECTED] Sent: Monday, November 04, 2002 3:17 PM To: 313 Detroit Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) Personally, I like to get the dancers dancing and the 'spotters 'spotting: I like having the whooping, screaming, yelling, jacking, climbing the walls AND the googly eyed what's he doing?!? What's that record?! You don't have to dance to recognise that it's a pretty similar achievement: everyone comes away saying, damn he/she banged it out - *that's* what I'm after. As to how you do it, do it any way you want to. I used to do tricks far more than I do now, I now never scratch beyond the odd second copy doubling up, and I pretty much conform to Cyclone's sleep house school of DJing. I certainly *wouldn't* say that the mix supercedes the records - quite the opposite - and in any case, it's just something that I have observed works better for the music I play. Some of the sleep house gang would say that mixing it up in the Mills style is mix over content, but they'd be equally wrong. It's horses for courses, and I suppose a good DJ will adapt accordingly. In my case, it's certainly not lack of skill - I'm relying on some charity here :) - nor is it some deeper than thou homage to the house canon, it just works for me. Not to say there aren't style over content DJs, but they're the *real* boring ones. All just IMHO.
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
And I'll quickly add I don't always get to do what I like, so don't kick my head in if I don't have you climbing walls ;) ... Johnny Mcintosh will be appearing at Public Life, London on 16 November, in Slices #3, dedicated to all forms of house. :o) Personally, I like to get the dancers dancing and the 'spotters 'spotting: I like having the whooping, screaming, yelling, jacking, climbing the walls
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
F*** ART, LET'S DANCE. I didn't get to the end of that piece I almost fell asleep trying to get to grips with its faux-intellectual weightiness. Don't be so pretentious ferchrisakes it's dance music! -Original Message- From: Mxyzptlk [mailto:[EMAIL PROTECTED] Sent: Monday, November 04, 2002 3:53 PM To: Toby Frith; Cyclone Wehner; 313 Detroit Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) While I respect your opinion and understand that your comments are made in the context of this discussion (and also that dance music is ostensibly made for dancing), I have to say that I find the notion that someone gets to say how *I* need to react to something else in the sense that I can be marginalized when I don't is reductionistic and at least as problematic as a person who doesn't respond in the way dictated by whomever. I don't dance and I doubt I ever will; perhaps it's childhood trauma or an ill formed sense of self - whatever. That doesn't mean I don't enjoy the music nor does it mean I have to be saddled with restructuring a performative context or bumming out a DJ. It would seem like the fact that I haven't left the venue should say something. In an age where all kinds of criticism (literary, etc.) has freed art from static notions tied with the artist, I find it interesting that the monolithic notion of must-dancing still rules. I do understand the need for it and I understand how it creates a necessary symbiosis - but why does *everyone* need to be dancing in order for them to enjoy and appreciate something? We aren't all dancers, we aren't all as comfortable with dancing as each other. As a qualifier, I am not saying that any behavior or reaction to art is equally appropriate, nor am I saying there is no tie between art and artist. I just find it a bit tyrannical and quixotic to dictate behavior to a set. Again, my comments are not directed to this particular post (as I can see the connection you are making vis a vis the trend), but rather towards the notion that seems to underlie it : if I don't dance, I am unappreciative and some kind of pariah. If it's really about the music OR the mix, then I should be left to appreciate it in a way which is genuine to myself and doesn't shipwreck someone else's enjoyment. .02. jeff At 08:09 AM 11/4/2002, Toby Frith wrote: This is somewhat of a double-edged sword I think. In one respect, people go to see a DJ like Mills so they can dance. In the other respect, they go to watch his craft, which then takes the DJ out of his normal context and into that of an artist, because you are viewing him/her rather than interacting. (another argument which I'm not going to pontificate on here) So you get one half of the audience dancing and the other just watching. This has been, IMHO, the downfall of techno turntablism and the like in recent years. Too much watching, not enough dancing. I went to see Mills in Zurich a year ago and there was far too much of the latter going on. You could see him actually looking rather annoyed as one absolute classic after another (Final Frontier, Magnese) was being dropped only to see a leaden-footed and mute reaction from the crowd. How must a DJ feel when they are faced by banks of motionless people looking at them spin some records? Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
At 09:37 AM 11/4/2002, Robert Taylor wrote: F*** ART, LET'S DANCE. I didn't get to the end of that piece I almost fell asleep trying to get to grips with its faux-intellectual weightiness. Don't be so pretentious ferchrisakes it's dance music! Thanks for making my case for me. jeff
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
Quite the opposite, fella, you've just outed yourself as a pompous fool who can't pass a day without pondering the significance of his own belly-button and reaching for the thesaurus. -Original Message- From: Mxyzptlk [mailto:[EMAIL PROTECTED] Sent: Monday, November 04, 2002 4:51 PM To: Robert Taylor; 313 Detroit Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) At 09:37 AM 11/4/2002, Robert Taylor wrote: F*** ART, LET'S DANCE. I didn't get to the end of that piece I almost fell asleep trying to get to grips with its faux-intellectual weightiness. Don't be so pretentious ferchrisakes it's dance music! Thanks for making my case for me. jeff Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
This is true, Toby. But, I must say that if Mills didn't enjoy being watched, he could very well conceal himself like Hawtin does at his plastic parties. So this leads me to personally believe that Mills enjoys the attention of people wtching his skills... mills has been leaving the stage and having a video of him playing instead and then coming back on at a cue in the film. apparently with the idea of holographic images of a dj in the future. check out the brilliant techno tourist interview.
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
At 09:55 AM 11/4/2002, you wrote: Quite the opposite, fella, you've just outed yourself as a pompous fool who can't pass a day without pondering the significance of his own belly-button and reaching for the thesaurus. Or else you have doubly-demonstrated my case and your own insecurity. Go one back to the nap you were taking. You'll wake up when the hustle-line tramps over you. Let's be courteous - if you insist on a further show of dramatic irony, take it offlist. jeff
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
OK OK ComicBookStoreGuy - I just found what you said absurd. If you feel awkward and shy at a club and are too shy to dance, just say so. Don't try and make yourself sound awfully clever and even more awkward by intellectualising it. -Original Message- From: Mxyzptlk [mailto:[EMAIL PROTECTED] Sent: Monday, November 04, 2002 5:10 PM To: Robert Taylor Cc: 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) At 09:55 AM 11/4/2002, you wrote: Quite the opposite, fella, you've just outed yourself as a pompous fool who can't pass a day without pondering the significance of his own belly-button and reaching for the thesaurus. Or else you have doubly-demonstrated my case and your own insecurity. Go one back to the nap you were taking. You'll wake up when the hustle-line tramps over you. Let's be courteous - if you insist on a further show of dramatic irony, take it offlist. jeff Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
please just take this off list mk02 - Original Message - From: Robert Taylor [EMAIL PROTECTED] To: 'Mxyzptlk' [EMAIL PROTECTED]; Robert Taylor [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Monday, November 04, 2002 6:06 PM Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) OK OK ComicBookStoreGuy - I just found what you said absurd. If you feel awkward and shy at a club and are too shy to dance, just say so. Don't try and make yourself sound awfully clever and even more awkward by intellectualising it. -Original Message- From: Mxyzptlk [mailto:[EMAIL PROTECTED] Sent: Monday, November 04, 2002 5:10 PM To: Robert Taylor Cc: 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills) At 09:55 AM 11/4/2002, you wrote: Quite the opposite, fella, you've just outed yourself as a pompous fool who can't pass a day without pondering the significance of his own belly-button and reaching for the thesaurus. Or else you have doubly-demonstrated my case and your own insecurity. Go one back to the nap you were taking. You'll wake up when the hustle-line tramps over you. Let's be courteous - if you insist on a further show of dramatic irony, take it offlist. jeff Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
I had a feeling my 'sleep house' would get me into trouble. ;) I am just so frustrated that here in Australia house promoters want to book these new school house DJs who play so smooth you wanna bring a pillow and drink cocoa yet they don't wanna book great DJs from the US as they're not hip (well maybe West Coast). You just know that they were into Sasha, not Kevin Saunderson and Mayday, back in the day. They play great records (eg Classic) just very boringly. It's... nice. There's one particular don of sleep house from the UK but I don't wanna get in trouble. If you're getting that kinda response then you're not playing sleep house. Sleep house DJs don't mess with the EQs much or anything much like that, it's all about The Mix. It's not a performance, it's not innovative, it's just immaculately boring. I can't think of any 313 sleep housers. From: Jonny McIntosh [EMAIL PROTECTED] Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) Date: 05/11/2002 2:16:38 To: 313 Detroit 313@hyperreal.org Personally, I like to get the dancers dancing and the 'spotters 'spotting: I like having the whooping, screaming, yelling, jacking, climbing the walls AND the googly eyed what's he doing?!? What's that record?! You don't have to dance to recognise that it's a pretty similar achievement: everyone comes away saying, damn he/she banged it out - *that's* what I'm after. As to how you do it, do it any way you want to. I used to do tricks far more than I do now, I now never scratch beyond the odd second copy doubling up, and I pretty much conform to Cyclone's sleep house school of DJing. I certainly *wouldn't* say that the mix supercedes the records - quite the opposite - and in any case, it's just something that I have observed works better for the music I play. Some of the sleep house gang would say that mixing it up in the Mills style is mix over content, but they'd be equally wrong. It's horses for courses, and I suppose a good DJ will adapt accordingly. In my case, it's certainly not lack of skill - I'm relying on some charity here :) - nor is it some deeper than thou homage to the house canon, it just works for me. Not to say there aren't style over content DJs, but they're the *real* boring ones. All just IMHO.
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
I recently listened to the shake mix on groovetech and was nicely impressed by the combination of farina-esque house grooves with doubling up and some nice skills - makes a nice change to hear good house mixed up in that style -Original Message- From: Cyclone Wehner [mailto:[EMAIL PROTECTED] Sent: 04 November 2002 16:21 To: 313 Detroit Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) I had a feeling my 'sleep house' would get me into trouble. ;) I am just so frustrated that here in Australia house promoters want to book these new school house DJs who play so smooth you wanna bring a pillow and drink cocoa yet they don't wanna book great DJs from the US as they're not hip (well maybe West Coast). You just know that they were into Sasha, not Kevin Saunderson and Mayday, back in the day. They play great records (eg Classic) just very boringly. It's... nice. There's one particular don of sleep house from the UK but I don't wanna get in trouble. If you're getting that kinda response then you're not playing sleep house. Sleep house DJs don't mess with the EQs much or anything much like that, it's all about The Mix. It's not a performance, it's not innovative, it's just immaculately boring. I can't think of any 313 sleep housers. From: Jonny McIntosh [EMAIL PROTECTED] Subject: Re: (313) 100 BEST DJ IN THE WORLD (Mills) Date: 05/11/2002 2:16:38 To: 313 Detroit 313@hyperreal.org Personally, I like to get the dancers dancing and the 'spotters 'spotting: I like having the whooping, screaming, yelling, jacking, climbing the walls AND the googly eyed what's he doing?!? What's that record?! You don't have to dance to recognise that it's a pretty similar achievement: everyone comes away saying, damn he/she banged it out - *that's* what I'm after. As to how you do it, do it any way you want to. I used to do tricks far more than I do now, I now never scratch beyond the odd second copy doubling up, and I pretty much conform to Cyclone's sleep house school of DJing. I certainly *wouldn't* say that the mix supercedes the records - quite the opposite - and in any case, it's just something that I have observed works better for the music I play. Some of the sleep house gang would say that mixing it up in the Mills style is mix over content, but they'd be equally wrong. It's horses for courses, and I suppose a good DJ will adapt accordingly. In my case, it's certainly not lack of skill - I'm relying on some charity here :) - nor is it some deeper than thou homage to the house canon, it just works for me. Not to say there aren't style over content DJs, but they're the *real* boring ones. All just IMHO. -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
[Pryor, Ryan N]: His 'Live @ Liquid Room Tokyo' and 'Live in Germany' sets are nearly identical. While the mixing on these performances is immaculate, And highly entertaining, I find it kind of discouraging that someone would practice a set and then continually play it over and over without shame. Tristan Watkins [EMAIL PROTECTED]: You could say the same about nearly every touring DJ, can't you? Too an extent, but when I said nearly identical, I wasn't kidding. These sets are so similar it's not even funny. Playing what you know works and what blows away the crowd is great, but where is the skill in that? It gets old after a while, not only for the listeners, but for yourself. By the way, I have Live in Germany on mixtape and you are more than welcome to a copy, to have a listen. Drop me an email. Ryan
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
-- Original Message -- From: Pryor, Ryan N [EMAIL PROTECTED] Too an extent, but when I said nearly identical, I wasn't kidding. These sets are so similar it's not even funny. Playing what you know works and what blows away the crowd is great, but where is the skill in that? It gets old after a while, not only for the listeners, but for yourself. aside from the fact that my question if people hold DMC style deejays to the same standards went unanswered, i have to point out that few if any people are following jeff mills around to Tokyo, Germany, wherever to hear him drop these similar sets. now if he was playing the same set multiple times in the same area over a long period of time, i might be able to see that argument. but to complain because he played the same set thousands of miles away from each other is moderately silly. i have an MP3 mix of Shake live at Hultfreds Festival that is damn near identical to a set he played here in pittsburgh near the end of 2000. im assuming this was at a similar time and it was very far away, and it made me happy to hear him play all those great tracks again. tom andythepooh.com
Re: (313) 100 BEST DJ IN THE WORLD....
[EMAIL PROTECTED] wrote: If the same magazine was to carry out an indepedent chart based on nothing more than a DJ's skills rather than just what overexposed DJ happens to get the majority of plastic clubbers 'jumpin' after 10 pints of Stella or a handfill of moody pills every saturday night... then you know the list would be quite different. I'd say making people dance is rather essential DJ skill... Everything else is secondary. Otto PS And last Friday, Alan Oldham's set in Utrecht certainly made me dance! Highlight: a 10-minute version of Blake Baxter's Visions of you near the end of his set.
Re: (313) 100 BEST DJ IN THE WORLD....
If the same magazine was to carry out an indepedent chart based on nothing more than a DJ's skills rather than just what overexposed DJ happens to get the majority of plastic clubbers 'jumpin' after 10 pints of Stella or a handfill of moody pills every saturday night... then you know the list would be quite different. I'd say making people dance is rather essential DJ skill... Everything else is secondary. A good and fair point Otto, you'll have to excuse my momentary lapse into musical snobbery :) ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
Re: (313) 100 BEST DJ IN THE WORLD....
PREthank god laurent garnier is in that list ...
Re: (313) 100 BEST DJ IN THE WORLD....
shit, I dont see my name on there. should I spend the weekend drunk and confused to make up for it? ok. - Original Message - From: [EMAIL PROTECTED] To: [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, November 01, 2002 7:02 PM Subject: Re: (313) 100 BEST DJ IN THE WORLD thank god laurent garnier is in that list ...
RE: (313) 100 BEST DJ IN THE WORLD....
let me think...good tracks...tricks...hmmm...so you just said he is terrible, and the contradicted yourself in the next line. you didn't even put a filler sentance in. I'm not going to argue with you, we all have our opinions, but there is something wrong with what you said. Elaborate a little more so others can argue with you... -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 5:38 PM To: Martijn de Blaauw; [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD mills is a terrible DJ. he just pics good tracks and has a bag of tricks. - Original Message - From: Martijn de Blaauw [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, November 01, 2002 8:47 AM Subject: RE: (313) 100 BEST DJ IN THE WORLD eeuhwhere´s Jeff Mills? tragic list this is...:-( M. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:32 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer
Re: (313) 100 BEST DJ IN THE WORLD....
ahem ironi! *cough* Christian Bloch http://christianbloch.com http://mp3.com/bloch http://www.mp313.com/christianblochmp313.htm Tresor/LL/Ungleich/AudioRiot/Restructured/Deep Night Essentials/Simple Muzik/Funque Droppings - Original Message - From: FC3 Richards [EMAIL PROTECTED] To: '::)' [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Friday, November 01, 2002 7:59 PM Subject: RE: (313) 100 BEST DJ IN THE WORLD let me think...good tracks...tricks...hmmm...so you just said he is terrible, and the contradicted yourself in the next line. you didn't even put a filler sentance in. I'm not going to argue with you, we all have our opinions, but there is something wrong with what you said. Elaborate a little more so others can argue with you... -Original Message- From: ::) [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 5:38 PM To: Martijn de Blaauw; [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD mills is a terrible DJ. he just pics good tracks and has a bag of tricks.
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
live at the liquid room is laden with errors. it is a classic set. but it has at least 5 big mistakes. for a recorded mix that is a lot. mills is a sloppy dj. but he can get away with it because of his record selection. Pryor, Ryan N [EMAIL PROTECTED] wrote: mills is a terrible DJ. he just pics good tracks and has a bag of tricks. Not too sure about the terrible DJ remark, but I will have to agree on the bag of tricks part. It seems he has a couple of trademark sets he likes to play. His 'Live @ Liquid Room Tokyo' and 'Live in Germany' sets are nearly identical. While the mixing on these performances is immaculate, And highly entertaining, I find it kind of discouraging that someone would practice a set and then continually play it over and over without shame. That's cheating in my book.
RE: (313) 100 BEST DJ IN THE WORLD....
let me think...good tracks...tricks...hmmm...so you just said he is terrible, and the contradicted yourself in the next line. you didn't even put a filler sentance in. I'm not going to argue with you, we all have our opinions, but there is something wrong with what you said. Elaborate a little more so others can argue with you... Oh dear! This is what is known as *sarcasm* FC3 .. to explain that means that Martijn thinks Mills is a brilliant DJ really and should be at the top (or at least near the top) of the list.
RE: (313) 100 BEST DJ IN THE WORLD (Mills)
live at the liquid room is laden with errors. it is a classic set. but it has at least 5 big mistakes. for a recorded mix that is a lot. mills is a sloppy dj. but he can get away with it because of his record selection. He can get away with it because he's so damn quick. When a DJ works the decks mixer as much and as quickly as Mills does then there's bound to be some mistakes.
Re: (313) 100 BEST DJ IN THE WORLD (Mills)
- Original Message - From: Pryor, Ryan N [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Saturday, November 02, 2002 3:19 AM Subject: (313) 100 BEST DJ IN THE WORLD (Mills) mills is a terrible DJ. he just pics good tracks and has a bag of tricks. Not too sure about the terrible DJ remark, but I will have to agree on the bag of tricks part. It seems he has a couple of trademark sets he likes to play. His 'Live @ Liquid Room Tokyo' and 'Live in Germany' sets are nearly identical. While the mixing on these performances is immaculate, And highly entertaining, I find it kind of discouraging that someone would practice a set and then continually play it over and over without shame. You could say the same about nearly every touring DJ, can't you? How many records can you bring with you unless you're using Final Scratch??? If you play at Mills speed and play for Mills length, you will literally play a full crate of records in one set. For the record, when he DJ'd at The End in London recently, he was definitely searching for records throughout his set. If it was planned, he is a great actor. Also, Derrick May does this more than anyone from what I can tell, but when I only see him in one port, I don't care. Tristan = Text/Mixes: http://phonopsia.tripod.com Music: http://www.mp313.com Contact: [EMAIL PROTECTED] New Mix in mp3, 'Live in Iowa City' available for a short time from http://phonopsia.isoprax.com
Re: (313) 100 BEST DJ IN THE WORLD....
This is an error, the list was not completed? I think this must be added? RIGHT??? -2. Ron Hardy -1. Larry Levan 0. Derrick May 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer
Re: (313) 100 BEST DJ IN THE WORLD....
MY point was that mills isnt great at mixing records. ifs its due to his speed, he should slow down a bit. quality over quantity. I think his track selection is great though, in terms of picking which record goes next. he does suck on a 909 too :) Im no mills hater by any means, I was at agents of change and enjoyed it set. -Joe - Original Message - From: [EMAIL PROTECTED] To: FC3 Richards [EMAIL PROTECTED] Cc: '::)' [EMAIL PROTECTED]; 313@hyperreal.org Sent: Saturday, November 02, 2002 5:36 AM Subject: RE: (313) 100 BEST DJ IN THE WORLD let me think...good tracks...tricks...hmmm...so you just said he is terrible, and the contradicted yourself in the next line. you didn't even put a filler sentance in. I'm not going to argue with you, we all have our opinions, but there is something wrong with what you said. Elaborate a little more so others can argue with you... Oh dear! This is what is known as *sarcasm* FC3 .. to explain that means that Martijn thinks Mills is a brilliant DJ really and should be at the top (or at least near the top) of the list.
Re: (313) 100 BEST DJ IN THE WORLD....
this thread will never go anywhere. certain styles of djing make it easier for a dj to display their skills (as far as actual technical skills go). for example, mark farina can't use the decks like murat can. he plays records for a long time and doesn't mix them for the amount of time murat does. farina uses two where murat uses three. not that farina blows. but his style of music requires exquisite record selection for the main focus rather than hard work on the turntables. also, there is a conflict of interest in every reply to this thread. some people would rather see kirk degorgio before they would see dave angel. it all depends on your music of choice. what has moved people in the past is what they want to hear. so i am going to throw in my conflict of interest. of course i think i am right with, ben sims. there is no one who uses the turntables as a piece of production like this guy. you may not like his style. but show me a better dj (technically). none exist. he turns his dj sets into live acts, scratching, bomb tracks, energy. has he ever had a bad night? as far as mills goes, if he was just coming up as a dj now, would he gain the following he has today? i don't think so. he played the same set for about 8 years. now he realizes it's time for a change. he has always displayed this advancement for techno in his production. as a dj, he just began to diversify. that's weird. i am sure that someone will say, i saw mills play a deep techno set 4 years ago. well one out of 200 isn't an equal ratio. i love seeing mills. at the same time i think he is way overrated. a lot of the excitement in seeing him play is nostalgia. Maarten Baute [EMAIL PROTECTED] wrote: This is an error, the list was not completed? I think this must be added? RIGHT??? -2. Ron Hardy -1. Larry Levan 0. Derrick May 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer
Re: (313) 100 BEST DJ IN THE WORLD....
Why is it every year when the list is put together this thread refuses to die, maybe we should all go back and read last years archiveno new ground has been covered Trevor Wilkes
RE: (313) 100 BEST DJ IN THE WORLD....
Who? -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 2:32 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) 100 BEST DJ IN THE WORLD....
eeuhwhere´s Jeff Mills? tragic list this is...:-( M. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:32 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer
RE: (313) 100 BEST DJ IN THE WORLD....
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Re: (313) 100 BEST DJ IN THE WORLD....
mills is a terrible DJ. he just pics good tracks and has a bag of tricks. - Original Message - From: Martijn de Blaauw [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, November 01, 2002 8:47 AM Subject: RE: (313) 100 BEST DJ IN THE WORLD eeuhwhere´s Jeff Mills? tragic list this is...:-( M. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:32 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer
RE: (313) 100 BEST DJ IN THE WORLD....
here we go again... -Oorspronkelijk bericht- Van: ::) [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:38 Aan: Martijn de Blaauw; [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: Re: (313) 100 BEST DJ IN THE WORLD mills is a terrible DJ. he just pics good tracks and has a bag of tricks. - Original Message - From: Martijn de Blaauw [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, November 01, 2002 8:47 AM Subject: RE: (313) 100 BEST DJ IN THE WORLD eeuhwhere´s Jeff Mills? tragic list this is...:-( M. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:32 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer
Re: (313) 100 BEST DJ IN THE WORLD....
just explains why dj mag (www.djmag.com) is only good for the adverts in the backoh yeah and protecting the carpet behind my speakers from my kitten :) robin... 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer robin... -- Dr. Robin Pinning | E: [EMAIL PROTECTED] Manchester Computing, University of Manchester, | T: +44 161 275 7028 Manchester, M13 9PL, United Kingdom.| F: +44 161 275 6040 --www.mrccs.man.ac.uk-
RE: (313) 100 BEST DJ IN THE WORLD....
actually i got that jokeas in 90% of the djs on that list don't have the tunes or the tricks... robin... here we go again... -Oorspronkelijk bericht- Van: ::) [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:38 Aan: Martijn de Blaauw; [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: Re: (313) 100 BEST DJ IN THE WORLD mills is a terrible DJ. he just pics good tracks and has a bag of tricks. - Original Message - From: Martijn de Blaauw [EMAIL PROTECTED] To: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Friday, November 01, 2002 8:47 AM Subject: RE: (313) 100 BEST DJ IN THE WORLD eeuhwhere´s Jeff Mills? tragic list this is...:-( M. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:32 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer robin... -- Dr. Robin Pinning | E: [EMAIL PROTECTED] Manchester Computing, University of Manchester, | T: +44 161 275 7028 Manchester, M13 9PL, United Kingdom.| F: +44 161 275 6040 --www.mrccs.man.ac.uk-
Re: (313) 100 BEST DJ IN THE WORLD....
maybe we should have a 313 best DJs in the world instead.. - Original Message - From: robin pinning [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, November 01, 2002 2:39 PM Subject: Re: (313) 100 BEST DJ IN THE WORLD just explains why dj mag (www.djmag.com) is only good for the adverts in the backoh yeah and protecting the carpet behind my speakers from my kitten :) robin... 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer robin... -- Dr. Robin Pinning | E: [EMAIL PROTECTED] Manchester Computing, University of Manchester, | T: +44 161 275 7028 Manchester, M13 9PL, United Kingdom.| F: +44 161 275 6040 --www.mrccs.man.ac.uk-
RE: (313) 100 BEST DJ IN THE WORLD....
No 56. I don't know why it is tragic. These are all POPULAR commercial DJs who have been voted for by the people. Underground Techno DJs will never be popular amongst the masses, so why do people get upset/surprised when Mills appears at 56 while Splasha and Dickweed appear in the top 10? -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 1:48 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD eeuhwhere´s Jeff Mills? tragic list this is...:-( M. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:32 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) 100 BEST DJ IN THE WORLD....
And i can't say that i am really proud to see 3 dutch DJ's in the top 10 :) [EMAIL PROTECTED] No 56. I don't know why it is tragic. These are all POPULAR commercial DJs who have been voted for by the people. Underground Techno DJs will never be popular amongst the masses, so why do people get upset/surprised when Mills appears at 56 while Splasha and Dickweed appear in the top 10? -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 1:48 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD eeuhwhere´s Jeff Mills? tragic list this is...:-( M. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:32 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] -- DISCLAIMER De gemeente Almelo aanvaardt voor haar medewerkers geen enkele aansprakelijkheid voor eventueel onjuist, onrechtmatig of ontoelaatbaar geacht gebruik van e-mail (inclusief bijlagen). Dit e-mail bericht is door de gemeente Almelo gecontroleerd op de aanwezigheid van eventuele virussen. Wij kunnen echter geen garantie afgeven dat al onze e-mail berichten volledig virus vrij zijn. Het is daarom verstandig uw binnenkomende e-mail berichten zelf op de mogelijke aanwezigheid van virussen te controleren. --
RE: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE
I think there's a few people missing here. Like Ouchy the Clown (http://www.ouchytheclown.com/) and Uberbalisubramanian Smith. 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer
RE: (313) 100 BEST DJ IN THE WORLD....
oops, should have looked a bit better..sorry! But anyway, who the f**k is Lisa Lashes... -Oorspronkelijk bericht- Van: Robert Taylor [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:42 Aan: 'Martijn de Blaauw'; [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: RE: (313) 100 BEST DJ IN THE WORLD No 56. I don't know why it is tragic. These are all POPULAR commercial DJs who have been voted for by the people. Underground Techno DJs will never be popular amongst the masses, so why do people get upset/surprised when Mills appears at 56 while Splasha and Dickweed appear in the top 10? -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 1:48 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD eeuhwhere´s Jeff Mills? tragic list this is...:-( M. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:32 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) 100 BEST DJ IN THE WORLD....
100 _MOST POPULAR_ DJ IN THE WORLD actually rob you have a point tho r No 56. I don't know why it is tragic. These are all POPULAR commercial DJs who have been voted for by the people. Underground Techno DJs will never be popular amongst the masses, so why do people get upset/surprised when Mills appears at 56 while Splasha and Dickweed appear in the top 10? -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 1:48 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD eeuhwhere´s Jeff Mills? tragic list this is...:-( M. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:32 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] robin... -- Dr. Robin Pinning | E: [EMAIL PROTECTED] Manchester Computing, University of Manchester, | T: +44 161 275 7028 Manchester, M13 9PL, United Kingdom.| F: +44 161 275 6040 --www.mrccs.man.ac.uk-
Re: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE
Memo from Alex Bond of PricewaterhouseCoopers Start of message text erm, who is this head and why is he sending this sh**e. Is it some sort of virus or something? why is he sending it to individuals? [EMAIL PROTECTED] on 01/11/2002 14:41:13 To:[EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org cc: Subject:(313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
RE: (313) 100 BEST DJ IN THE WORLD....
She's a tarty UK 'ard 'ouse DJ who gets a lot of gigs based on her rather ropey and tawdry looks. And I'm not being sexist as this seems to be the case for a lot of young male trance/ hard house DJs too. -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 1:57 PM To: Robert Taylor; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD oops, should have looked a bit better..sorry! But anyway, who the f**k is Lisa Lashes... -Oorspronkelijk bericht- Van: Robert Taylor [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:42 Aan: 'Martijn de Blaauw'; [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: RE: (313) 100 BEST DJ IN THE WORLD No 56. I don't know why it is tragic. These are all POPULAR commercial DJs who have been voted for by the people. Underground Techno DJs will never be popular amongst the masses, so why do people get upset/surprised when Mills appears at 56 while Splasha and Dickweed appear in the top 10? -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 1:48 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD eeuhwhere´s Jeff Mills? tragic list this is...:-( M. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:32 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED] Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE
Take a chill pill bill -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 2:46 PM To: 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE Memo from Alex Bond of PricewaterhouseCoopers Start of message text erm, who is this head and why is he sending this sh**e. Is it some sort of virus or something? why is he sending it to individuals? [EMAIL PROTECTED] on 01/11/2002 14:41:13 To:[EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org cc: Subject:(313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE
36. J00F 100. Dave The Drummer who are these monkeys ? 100. Dave my mate down the pub on the honkytonk piano and more importantly WHERES DJ GODFATHER ? -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) 100 BEST DJ IN THE WORLD....
yeah bleeding trance masters at work there.. apparently he won by 6000 more votes than Paul Van Dyke, so its not really relevant me thinks as Trance is the generation of 18-25 year olds ( not everyone before you jump on me :) but they love it at the mo.. Yep lets have a 313 Top DJ.. ok so where do we start and who wants to compile it? -Original Message- From: Toby Frith [mailto:[EMAIL PROTECTED] Sent: 01 November 2002 14:40 To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD maybe we should have a 313 best DJs in the world instead.. - Original Message - From: robin pinning [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Friday, November 01, 2002 2:39 PM Subject: Re: (313) 100 BEST DJ IN THE WORLD just explains why dj mag (www.djmag.com) is only good for the adverts in the backoh yeah and protecting the carpet behind my speakers from my kitten :) robin... 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer robin... -- Dr. Robin Pinning | E: [EMAIL PROTECTED] Manchester Computing, University of Manchester, | T: +44 161 275 7028 Manchester, M13 9PL, United Kingdom.| F: +44 161 275 6040 --www.mrccs.man.ac.uk- --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02
RE: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE
Memo from Alex Bond of PricewaterhouseCoopers Start of message text I don't understand though - I got this mail personally and through the list and I don't know the guy. I notice other people have been sent it too. It's also a load of irrelevant bul***it that makes me feel sick. Sorry - it's just I'm not that computer literate and this is my work's computer, so if it was some way of sending a virus.. and how did he get our mail addresses? and why didn't he say Hey I'm MrX and I thought this may interest you etc? Did Martijn or r3dshift request it? Robert Taylor [EMAIL PROTECTED] on 01/11/2002 14:48:39 To:Alex Bond/UK/INF/PwC, 313@hyperreal.org cc: Subject:RE: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE Take a chill pill bill -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 2:46 PM To: 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE Memo from Alex Bond of PricewaterhouseCoopers Start of message text erm, who is this head and why is he sending this sh**e. Is it some sort of virus or something? why is he sending it to individuals? [EMAIL PROTECTED] on 01/11/2002 14:41:13 To:[EMAIL PROTECTED], [EMAIL PROTECTED], 313@hyperreal.org cc: Subject:(313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer. Any views or opinions are solely those of the author and do not necessarily represent those of Channel
RE: (313) 100 BEST DJ IN THE WORLD....
She's a tarty UK 'ard 'ouse DJ who gets a lot of gigs based on her rather ropey and tawdry looks. And I'm not being sexist as this seems to be the case for a lot of young male trance/ hard house DJs too. fergie? actually i heard radio one calling him a techno dj all the time the other morningi hate it when the radio makes me shout obscenities before i've had chance to wake up... ok i think we're way off topic now :) robin...
RE: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE
Dave the Drummer is with the Liberator-posse..squat techno..can be fun sometimes (drunk or so:) -Oorspronkelijk bericht- Van: Langsman, Marc [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:54 Aan: '[EMAIL PROTECTED]'; [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: RE: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE 36. J00F 100. Dave The Drummer who are these monkeys ? 100. Dave my mate down the pub on the honkytonk piano and more importantly WHERES DJ GODFATHER ? -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
RE: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE
D.A.V.E. The Drummer is a Brit Acid Tekno DJ. 'Nuff said. -Original Message- From: Langsman, Marc [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 2:54 PM To: '[EMAIL PROTECTED]'; [EMAIL PROTECTED]; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE 36. J00F 100. Dave The Drummer who are these monkeys ? 100. Dave my mate down the pub on the honkytonk piano and more importantly WHERES DJ GODFATHER ? -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice. Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
RE: (313) 100 BEST DJ IN THE WORLD....
U know what people? Who gives a flying ph#*chk which latest muppet some plastic, so-called DJ magazine or (whatever it is) votes as top DJ. I don't (In think I've made *that* much clear!:o) k -Original Message- From: Martijn de Blaauw [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 1:48 PM To: [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD eeuhwhere´s Jeff Mills? tragic list this is...:-( M. -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: vrijdag 1 november 2002 15:32 Aan: [EMAIL PROTECTED]; 313@hyperreal.org Onderwerp: (313) 100 BEST DJ IN THE WORLD 1.Tiesto 2. Sasha 3. John Digweed 4. Paul Van Dyk 5. Armin Van Burren 6. Paul Oakenfold 7.Judge Jules 8. Carl Cox 9. Ferry Corsten 10. Lee Burridge 11. Danny Tenaglia 12. Danny Howells 13. Steve Lawler 14. Mauro Picotto 15. Sander Kleinenberg 16. Deep Dish 17. Erick Morillo 18. Lisa Lashes 19. Hernan Cattaneo 20. Roger Sanchez 21. Fergie 22. Fatboy Slim 23. Dave Clarke 24. Richie Hawtin 25. Derrick Carter 26. Pete Tong 27. Anne Savage 28. Andy C 29. Marco V 30. Satoshi Tomiie 31. MAW 32. Seb Fontaine 33. Darren Emerson 34. Craig Richards 35.Eddie Halliwell 36. J00F 37. Nick Warren 38. Dave Seamen 39. James Sir Wheeler Zabiela 40. Scott Bond 41. Tom Stephan 42. John Kelly 43. Scot Project 44. Terry Francis 45. Lottie 46. Laurent Garnier 47. Guy Ornadel 48. Lisa Pin Up 49. Anthony Pappa 50. Johan Gielen 51. Dave Lee 52. Marky 53. Andy Farley 54. Yousef 55. Sven Vath 56. Layo Bushwacka 57. Timo Mass 58. Jeff Mills 59. Matt Hardwick 60. Christopher Lawrence 61. Jimmy Van M 62. Plump Djs 63. Tidy Boys 64. Hype 65. Chris Fortier 66. Norman Jay 67. JFK 68. Bad Boy Bill 69. Danny Rampling 70. Chris Liberation 71. Bk 72. X-Press 2 73. Frankie Knuckles 74. Krafty Kuts 75. Umek 76. Tall Paul 77. Mark Parina 78. Ashley Casselle 79. Mistress Barbra 80. Max Graham 81. Tony Humphries 82. Adam Freeland 83. George Acosta 84. Mario Piu 85. David Morales 86. Stanton Warriors 87. Alan Thompson 88. Paul Glazby 89. Giles Peterson 90. Mr Scuff 91. Hybrid 92. Dave Pearce 93. Tim Delux 94. Zinc 95. Joy Kitikonti 96. Smokin Jo 97. Grooverider 98. Slam 99. Tom Middleton 100. Dave The Drummer
RE: (313) 100 BEST DJ IN THE WORLD....
Ian Cheshire wrote: Yep lets have a 313 Top DJ.. ok so where do we start and who wants to compile it? I say, let's just have a top (whatever, 30? 50?) of DJs from anywhere we like. Of course many will be from Detroit but many won't which is fair I think. k
Re: (313) 100 BEST DJ IN THE WORLD....
This sort of meaningless rubbish used to annoy me as well, but you have to see it for what it is. The chart is compiled based on readers votes, so rather than being a true chart of the the best DJs in the world, its really just an indication of what DJ magazine's readers are generally into, basically cheesy commercial house and trance, on the whole, with the odd token techno head who is able to throw in a few predictable names like Clarke, Mills and Hawtin into the hat. If the same magazine was to carry out an indepedent chart based on nothing more than a DJ's skills rather than just what overexposed DJ happens to get the majority of plastic clubbers 'jumpin' after 10 pints of Stella or a handfill of moody pills every saturday night...then you know the list would be quite different. Read it, laugth, then bin it. On the subject of Eddie Fowlkes, surprised noone has mentioned the two tracks he dropped on the True People album, TMF 60 and 61. Two of my favouriate Fowlkes tunes and always mixed into eachother really well! Stewart ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890
Re: (313) 100 BEST DJ IN THE WORLD....
ask yourself what makes us think we should put favourite artists into any kind of hierarchy ? reflect the routines Ian Cheshire wrote: Yep lets have a 313 Top DJ.. ok so where do we start and who wants to compile it? I say, let's just have a top (whatever, 30? 50?) of DJs from anywhere we like. Of course many will be from Detroit but many won't which is fair I think. k
RE: (313) 100 BEST DJ IN THE WORLD....
ok so who's gona do it? nice suggestion Ken :) -Original Message- From: Odeluga, Ken [mailto:[EMAIL PROTECTED] Sent: 01 November 2002 15:03 To: ian cheshire; Toby Frith; [EMAIL PROTECTED]; 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD Ian Cheshire wrote: Yep lets have a 313 Top DJ.. ok so where do we start and who wants to compile it? I say, let's just have a top (whatever, 30? 50?) of DJs from anywhere we like. Of course many will be from Detroit but many won't which is fair I think. k --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02
Re: (313) 100 BEST DJ IN THE WORLD....
Memo from Alex Bond of PricewaterhouseCoopers Start of message text Couldn't agree more Stewart. Sorry to the list about the over reaction. seeing my name, and others listed seperately freaked me out a bit + the guy is someone who doesn't contribute too often. (and I haven't got a clue as far as computers are concerned, thought I'd been infiltrated!?) + bad day at work and it's raining (again). Does it ever stop raining in Manchester? [EMAIL PROTECTED] on 01/11/2002 15:17:00 To:313@hyperreal.org cc: Subject:Re: (313) 100 BEST DJ IN THE WORLD This sort of meaningless rubbish used to annoy me as well, but you have to see it for what it is. The chart is compiled based on readers votes, so rather than being a true chart of the the best DJs in the world, its really just an indication of what DJ magazine's readers are generally into, basically cheesy commercial house and trance, on the whole, with the odd token techno head who is able to throw in a few predictable names like Clarke, Mills and Hawtin into the hat. If the same magazine was to carry out an indepedent chart based on nothing more than a DJ's skills rather than just what overexposed DJ happens to get the majority of plastic clubbers 'jumpin' after 10 pints of Stella or a handfill of moody pills every saturday night...then you know the list would be quite different. Read it, laugth, then bin it. On the subject of Eddie Fowlkes, surprised noone has mentioned the two tracks he dropped on the True People album, TMF 60 and 61. Two of my favouriate Fowlkes tunes and always mixed into eachother really well! Stewart ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890 - End of message text This e-mail is intended only for the person to whom it is addressed. If an addressing or transmission error has misdirected this e-mail, please notify the author by replying to this e-mail. If you are not the intended recipient you must not use, disclose, copy, print or rely on this e-mail. The principal place of business of PricewaterhouseCoopers and its associate partnerships is 1 Embankment Place, London WC2N 6RH where lists of the partners' names are available for inspection. All partners in the associate partnerships are authorised to conduct business as agents of, and all contracts for services to clients are with, PricewaterhouseCoopers. The UK firm of PricewaterhouseCoopers is authorised by the Financial Services Authority for investment business activities. PricewaterhouseCoopers is a member of the world-wide PricewaterhouseCoopers organisation. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring. Visit our website http://www.pwcglobal.com _ The information transmitted is intended only for the person or entity to which it is addressed and may contain confidential and/or privileged material. Any review, retransmission, dissemination or other use of, or taking of any action in reliance upon, this information by persons or entities other than the intended recipient is prohibited. If you received this in error, please contact the sender and delete the material from any computer.
Re: (313) 100 BEST DJ IN THE WORLD....
On the subject of Eddie Fowlkes, surprised noone has mentioned the two tracks he dropped on the True People album, TMF 60 and 61. Two of my favouriate Fowlkes tunes and always mixed into eachother really well! yeah too right...i'd forgotten them...brilliant robin...
RE: (313) 100 BEST DJ IN THE WORLD - DJ MAGAZINE
I think there's a few people missing here. Like Ouchy the Clown (http://www.ouchytheclown.com/) and Uberbalisubramanian Smith. oh dear.. many thanks for that one rob ;) [EMAIL PROTECTED] _ Choose an Internet access plan right for you -- try MSN! http://resourcecenter.msn.com/access/plans/default.asp
RE: (313) 100 BEST DJ IN THE WORLD....
so in that respect, is trance the biggest its been? or is Teisto playing other tunes as well..sorry to ask and its off topic as I mention Trance but I am intrigued as it seems history is repeating itself as it does with war etc...cos if it is then may be it woould explain why Techno ( like in DJ mag ) is getting more exposure now as this could be next? Does anyone feel that Techno is slightly aquirign that hip thing to do at the mo. like being into Techno. Someone mentioned Radio 1 saying Fergie was a Techno DJ, ah my sympathy goes out to you ( I think it was you Marc or Johnnny) :) hey maybe someone should sample it and add like Fergie thinks he's a Techno DJ the air that to the nations :) Sorry it Friday and I am rambling but I feel after being up since 5 I have to say these things :) -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: 01 November 2002 15:17 To: 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD This sort of meaningless rubbish used to annoy me as well, but you have to see it for what it is. The chart is compiled based on readers votes, so rather than being a true chart of the the best DJs in the world, its really just an indication of what DJ magazine's readers are generally into, basically cheesy commercial house and trance, on the whole, with the odd token techno head who is able to throw in a few predictable names like Clarke, Mills and Hawtin into the hat. If the same magazine was to carry out an indepedent chart based on nothing more than a DJ's skills rather than just what overexposed DJ happens to get the majority of plastic clubbers 'jumpin' after 10 pints of Stella or a handfill of moody pills every saturday night...then you know the list would be quite different. Read it, laugth, then bin it. On the subject of Eddie Fowlkes, surprised noone has mentioned the two tracks he dropped on the True People album, TMF 60 and 61. Two of my favouriate Fowlkes tunes and always mixed into eachother really well! Stewart ___ Freeserve AnyTime, only £13.99 per month with one month's FREE trial! For more information visit http://www.freeserve.com/time/ or call free on 0800 970 8890 --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02
RE: (313) 100 BEST DJ IN THE WORLD....
so in that respect, is trance the biggest its been? or is Teisto playing other tunes as well..sorry to ask and its off topic as I mention Trance but I am intrigued as it seems history is repeating itself as it does with war etc...cos if it is then may be it woould explain why Techno ( like in DJ mag ) is getting more exposure now as this could be next? i think the more techno oriented electroclash stuff (stuff like vitalic, kiko) could be next based on how popular it is in the magstechnoclash anyone? :) Does anyone feel that Techno is slightly aquirign that hip thing to do at the mo. like being into Techno. Someone mentioned Radio 1 saying Fergie was a Techno DJ, ah my sympathy goes out to you ( I think it was you Marc or Johnnny) :) it was me... robin...
RE: (313) 100 BEST DJ IN THE WORLD....
Eddie Fowlkes is loved in Germay , yep the recent release of the Tresor one went down like a treat..I saw Marco remus paly it , man its sometimes to see a big and I mean big guy go mad and dancing and gettign into the vibe..oh and drink and no joke drank 1 .5 litres of Bacradi and 4 litres of coke..oh and he was only on for 2 hours! -Original Message- From: robin pinning [mailto:[EMAIL PROTECTED] Sent: 01 November 2002 15:47 To: 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD On the subject of Eddie Fowlkes, surprised noone has mentioned the two tracks he dropped on the True People album, TMF 60 and 61. Two of my favouriate Fowlkes tunes and always mixed into eachother really well! yeah too right...i'd forgotten them...brilliant robin... --- Incoming mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02 --- Outgoing mail is certified Virus Free. Checked by AVG anti-virus system (http://www.grisoft.com). Version: 6.0.408 / Virus Database: 230 - Release Date: 24/10/02
Re: (313) 100 BEST DJ IN THE WORLD....
Hi everyone Just joined the list, seems like a good source of info... so in that respect, is trance the biggest its been? This seems weird as I really thought trance had had its day. I mean it was massive in 1999-2000 at least in the UK but now, it doesn't seem that big at all. And whoever mentioned Vitalic, his EP is excellent techno IMO. Not to be lumped in with the likes of Fischerspooner under the electroclash tag... Erik
RE: (313) 100 BEST DJ IN THE WORLD....
Pony rocks -Original Message- From: Erik Jälevik [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 4:19 PM To: 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD Hi everyone Just joined the list, seems like a good source of info... so in that respect, is trance the biggest its been? This seems weird as I really thought trance had had its day. I mean it was massive in 1999-2000 at least in the UK but now, it doesn't seem that big at all. And whoever mentioned Vitalic, his EP is excellent techno IMO. Not to be lumped in with the likes of Fischerspooner under the electroclash tag... Erik Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
(313) Re: Pony rocks (was RE: (313) 100 BEST DJ IN THE WORLD....)
It's got a magnificient chaotic noise. First time I heard it played by Richie Hawtin and it really sounded something special. A sort of discordant noise that seemed pretty unique to me. -Original Message- From: Robert Taylor [mailto:[EMAIL PROTECTED] Sent: 01 November 2002 16:20 To: 'Erik Jälevik'; 313@hyperreal.org Subject: RE: (313) 100 BEST DJ IN THE WORLD Pony rocks -Original Message- From: Erik Jälevik [mailto:[EMAIL PROTECTED] Sent: Friday, November 01, 2002 4:19 PM To: 313@hyperreal.org Subject: Re: (313) 100 BEST DJ IN THE WORLD Hi everyone Just joined the list, seems like a good source of info... so in that respect, is trance the biggest its been? This seems weird as I really thought trance had had its day. I mean it was massive in 1999-2000 at least in the UK but now, it doesn't seem that big at all. And whoever mentioned Vitalic, his EP is excellent techno IMO. Not to be lumped in with the likes of Fischerspooner under the electroclash tag... Erik Any views or opinions are solely those of the author and do not necessarily represent those of Channel Four Television Corporation unless specifically stated. This email and any files transmitted are confidential and intended solely for the use of the individual or entity to which they are addressed. If you have received this email in error, please notify [EMAIL PROTECTED]
Re: (313) Re: Pony rocks (was RE: (313) 100 BEST DJ IN THE WORLD....)
- Original Message - From: Robertson, Steven [EMAIL PROTECTED] It's got a magnificient chaotic noise. First time I heard it played by Richie Hawtin and it really sounded something special. A sort of discordant noise that seemed pretty unique to me. Agreed. It's one of my absolute favourite records of the last year or so. I think La Rock 01 has to be the best track though. It's got everything, that noise, melody, energy and that little vocoder voice... Erik
RE: (313) 100 BEST DJ IN THE WORLD....
I think noadays trance has transmutated into the genre I generally refer to as 'progressive-nonsense' I think if you take a trance tune, make it 3 times longer (hence 3 times less tracks per mix) and add lots of tribal type stuff then you're in the right arena. Not to be lumped in with the likes of Fischerspooner under the electroclash tag... I have to admit I quite like that fischerspooner track doing the rounds- first heard it on the dave clarke album but seems to be on the radio like every 10 seconds by the looks of things. Actually I had a look on slsk to see if theyd done anything else worth listening too but I wasnt too impressed to be honest. friday afternoon waffle overout Marc :] -- This message is intended only for the personal and confidential use of the designated recipient(s) named above. If you are not the intended recipient of this message you are hereby notified that any review, dissemination, distribution or copying of this message is strictly prohibited. This communication is for information purposes only and should not be regarded as an offer to sell or as a solicitation of an offer to buy any financial product, an official confirmation of any transaction, or as an official statement of Lehman Brothers. Email transmission cannot be guaranteed to be secure or error-free. Therefore, we do not represent that this information is complete or accurate and it should not be relied upon as such. All information is subject to change without notice.
