Re: [arr] A.R.Rahman Unpopulared Movie Names
Brother Rawat... Vairamuthu is a world known lyricist, and he is very popular across the globe. His Lyrics are even admired by non Tamilians. His lyrics are electrifying... In fact, some of his lyrics have been more effective for the song situation than the HIndi Lyricists, as acknowledged by ARR himself, On Thu, Jun 5, 2008 at 1:00 AM, V S Rawat [EMAIL PROTECTED] wrote: On 6/4/2008 10:11 PM India Time, _Vinayakam Murugan_ wrote: More than anything, I think he is much more comfortable with the language now. The lyrics played a major role in negating the virtues of a masterpiece album like Duet . IMHO Rahman - Vairamuthu is right at the top when it comes to MD-Lyricist combos. K. And, in Hindi, it would be ARR - Gulzar right at the top. Does this Vairamuthu guy not know even 200 words of Hindi to pen the lyrics for at least one hindi album or even one hindi song of ARR? It is sad that nobody knows this guy outside the boundaries of Tamilnadu and that makes us wonder whether he could really be so great as you are crowning him to be. Lesson for the Tamilians. Learn Hindi if you want your art to cross the boundaries of Tamil Nadu otherwise while the 8 crore tamilians think u r the most gifted creation of the God, 112 crore non-tamilian Indians wud never have heard your name. ARR learnt this lesson and is shining through as the most well-known Tamilian alive on the Earth today. -- Rawat -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] All The Best, Rahmania!
All the very best to the Rahmania team.. Wish I could see this.. On Thu, Jun 5, 2008 at 9:17 AM, Amith Chandhran [EMAIL PROTECTED] wrote: Recently I came to know about this performance of Rahmania in Pune; and I went back into those nostalgic memories.. Jan-Feb 2007 were magical days. 'Rahmania' was the only name, in the city of Pune, that was being discussed everywhere. All the 3 performances literally 'rocked'. The Boss AR himself had sent wishes to the performing team members in these words: *Good luck to the guys.. Hope they retain the SOUL of the music.. God Bless !* (Notice: the team is called 'The Wandering *Souls*' and hence AR says, retain the *Soul *of music!!) ;-) Yes, they retained the soul of music. And then many souls started inquiring about the next schedules of the team. For those unfortunate souls, who missed all the last performances, Rahmania is back!! The most wonderful souls of Pune are coming together this time again, to perform Rahmania, the show, which is most popular live music show based on the music of the musical genius A.R.Rahman. So get ready, you should not miss this chance to know more about AR's journey thorough the life, music and philosophy. For tickets, venue, time, and other information regarding this show please find the attached poster. - The team has some of the best voices and the technicians. They make sure to give you a 100% flawless performance! *Singers: *Hrishikesh Ranade, Ashutosh joshi, Jasraj Joshi, Swarali Joshi, Swarada Kulkarni, Pallavi Paranjape, Rachana Phadke *Musicians:* - *Keyboards: *Pinak Agte, Tejas Lagwankar, Anmol Bhave. - *Accoustic Guitar: *Ajit Velankar. - *Bass Guitar: *Parikshit. - *Flute: *Satyajit Kelkar. - *Shehnai: *Pramod Gaekwad. - *Drums: *Hrishikesh Datar. - *Indian Rhythms: *Vivek Kodilkar. - *Duff: *Pravin Patil . - *Rhythm Programming: *Ajay Atre *Other:* - *Compere: *Gojira Jagtap, Akshay Phadkey - *Mixing Engineer: * Nikhil - *Art: *Lakshmi Keluskar. - *Lights: *Prabal Bose. - *Production: *Geetanjali Bhave, Prachi, Malavika Prabhune - *Event Organiser: *Sagar Chordia. - -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] [Semi-ARR]: Honda car designs are like ARR songs!!!
This is interesting.. Honda... POwer of Dreams.. ARR.. Power of Music. On Thu, Jun 5, 2008 at 5:08 AM, Thulasi Ram [EMAIL PROTECTED] wrote: nice comparison!!! see below! * Honda designs, more or less, are like A.R. Rehman songs - not everybody takes to them instantly, rather they grow on you with every passing day.* http://www.dnaindia.com/report.asp?newsid=1168772 -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
[arr] ADA JTYJN Review by a College Student
Hawa sun' sung by Sonu Nigam and Alka Yagnik is similar to Udhaya of Udhaya and, though soft, carries a heard-before feel. 'Gumsum' (again the same duo) is more like a rework of Sivaji's Vaaji. 'Gulfisha' (Nigam and Sunidhi Chauhan) is a typical Sunidhi song, butyou don't need a Rahman for this. 'Maherbaan', sung by the big man himself, is good, but the tune being that of Pray for me brother does irk you. 'Tu mera' (Chitra and Sukhwinder Singh) seems to have been inspired by Varugirai of Anbe Aruyire. 'Hai dardh' (Udit Narayanan) is not a great effort but takes you along thanks to the singer. The pick of the album is 'Ishq ada' (female version by Parul Mishra and the male by Rashid Ali). Rahman proves his talent in blending Sufi and western music. 'Muje milo' (Alka Yagnik and Jayachandran) is inspired by Kannathil Muthamittal, which took off from a R.D.Burman number. Rahman always hides his inspirations by rendering the notes in high pitch, this time it hasn't worked. Thanks to uncertainty over the album's release, these songs have been under covers for four years and so Rahman had every right to use these numbers elsewhere. But ARR fans don't want repetition. Rahman's interest over Devi Sri Prasad's music shows in 'Kabhi Kabhi '(Rashid Ali), a reworking of Apudo Ipudo of Bommarilu. 'Pappu can't dance' (Blaze, Aslam, Tanvi, Anupama, Benny, Tanvi, Darshana, Satish) sure makes your feet move but the tune and instruments aren't fresh. More like a Shankar-Eshan-Loy remix. 'Nazarein milana' (Swetha, Naresh and Satish) has great use of vocals blended with guitar. But the resemblance to Yuhi chala of Swades hampers your interest. 'Tu Bole' (Rahman himself) has a feel of the 1970s jazz but since the same feel and instrument arrangement were used in in Silunu Oru Kadhal and Iruvar, there isn't much new here. 'Kahin To' (Rashid Ali, Vasundhara Das) is definitely the pick of the album. The sadder version of 'Jaane Tu' (Sukhwinder Singh) doesn't bore you mainly due to Sukhwinder. The violin bit is again the heard-before variety, this time from Uyire in Bombay. It could have been a great album had Rahman shown more innovation. http://www.go-nxg.com/?p=956 -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
[arr] Help me Roja .......
hello ,Amith , sorry but i am eagarly waiting for Roja Marathi ... u have not replied me please give me that album I am requestig u if u give me that i will be very thankful to u . i ahve all albums except the rare one 50-50 , Muthu (telgu),Roja (marathi)and roja (Malyalam) , please please help me pleaseee thanks Amith Chandhran [EMAIL PROTECTED] wrote: Recently I came to know about this performance of Rahmania in Pune; and I went back into those nostalgic memories.. Jan-Feb 2007 were magical days. 'Rahmania' was the only name, in the city of Pune, that was being discussed everywhere. All the 3 performances literally 'rocked'. The Boss AR himself had sent wishes to the performing team members in these words: Good luck to the guys.. Hope they retain the SOUL of the music.. God Bless ! (Notice: the team is called 'The Wandering Souls' and hence AR says, retain the Soul of music!!) ;-) Yes, they retained the soul of music. And then many souls started inquiring about the next schedules of the team. For those unfortunate souls, who missed all the last performances, Rahmania is back!! The most wonderful souls of Pune are coming together this time again, to perform Rahmania, the show, which is most popular live music show based on the music of the musical genius A.R.Rahman. So get ready, you should not miss this chance to know more about AR's journey thorough the life, music and philosophy. For tickets, venue, time, and other information regarding this show please find the attached poster. - The team has some of the best voices and the technicians. They make sure to give you a 100% flawless performance! Singers: Hrishikesh Ranade, Ashutosh joshi, Jasraj Joshi, Swarali Joshi, Swarada Kulkarni, Pallavi Paranjape, Rachana Phadke Musicians: Keyboards: Pinak Agte, Tejas Lagwankar, Anmol Bhave. Accoustic Guitar: Ajit Velankar. Bass Guitar: Parikshit. Flute: Satyajit Kelkar. Shehnai: Pramod Gaekwad. Drums: Hrishikesh Datar. Indian Rhythms: Vivek Kodilkar. Duff: Pravin Patil . Rhythm Programming: Ajay Atre Other: Compere: Gojira Jagtap, Akshay Phadkey Mixing Engineer: Nikhil Art: Lakshmi Keluskar. Lights: Prabal Bose. Production: Geetanjali Bhave, Prachi, Malavika Prabhune Event Organiser: Sagar Chordia. - - Bollywood, fun, friendship, sports and more. You name it, we have it.
Re: [arr] From Where should I get songs from Vaishnavar(1993)
Can any one confirmitz rahmanic or Non-rahmanic(VAISHNAVAR) - Original Message From: Harish Jose [EMAIL PROTECTED] To: arrahmanfans@yahoogroups.com Sent: Wednesday, June 4, 2008 11:20:35 AM Subject: Re: [arr] From Where should I get songs from Vaishnavar(1993) Hi, I have this in audio cassette form in India. This had basically a few songs from Pavithra. This movie was shelved and did not release. This was supposed to be a malayalam movie and it had introductions by Mohanlal. -Harish --- On Wed, 6/4/08, mohammed sajin [EMAIL PROTECTED] com wrote: From: mohammed sajin [EMAIL PROTECTED] com Subject: Re: [arr] From Where should I get songs from Vaishnavar(1993) To: arrahmanfans@ yahoogroups. com Date: Wednesday, June 4, 2008, 3:25 PM No my friend, Itz our boss's.. ... if u have any doubt plz go and check our boss's official site there is the details. . !do u think they mistakenly put there... ..!!, . check the attachment Hopefully... .SAJIN __ Do You Yahoo!? Tired of spam? Yahoo! Mail has the best spam protection around http://mail.yahoo.com
Re:[arr] ARRs focus on solo instruments-overdoing on INDIAN MUSIC?
Friends i feel sorry to say this. CHord please stop as you said you know lot about INDIAN MUSIC. be realistic amp; true to yourself. are you for raghuman or for yourself just to do more posts amp; over do. by limited writing you wont lose importance. It looks pity. by over amp; over highlighting on same things you want to see posts-like from ricky pc speak for other mds amp; finally tapey falling into ilayaraja groove. Chord you are the one coming with music by other mds amp; as part of music lovers universally no one will deny if you wanna speak on other mds. My mom who is singing for Bharata Natyam performances asking this guy Chord to elaborate on beautiful Padams amp; Javalis please, as he claimed, know lot about Indian Music ? She is laughing at this guy of suddenly putting raghuman in high spirits as no other person in indian music amp; another day he bbrings in many recommendations for some old amp; new music of other mds he finds special in it only to insist not in raghumans. To keep on insisting, this is it, this is not, with their [know lot about INDIAN MUSIC attitude]nbsp;shows only immaturity with lack of exposure on INDIAN MUSIC BLENDED WITH CULTURES. if you want to claim anything kindly add [to my limited knowledge on hindi music amp; genres]. human minds are in sick arrangement when it finds something new amp; irresistible it is ready to throw other thingsnbsp;without realizing its existed value be it music or be crazy writing to forums to gain importance only to be seen obsessed. if inbsp;listen tonbsp;certain composers, in certain languages amp; certain genres, i cannot put views in public with a bold claim [i know lot about INDIAN MUSIC amp; this is it], to my limited exposure. both old amp; new worlds music has provided usnbsp;gems with variousnbsp;musicians in many genres. nbsp; dear friend for dance performances she used to give a mix ofnbsp;some nice hindi bhajans, marati abhangs, telugu kirtans, kannada dasar padams, viruttams in sanskrit shlokas with tamil padams amp; thillanas. it just not applies to her but to any vocal support singer for dance performances. My mom is a fan of sdburman, rdburmani, mohd rafi, mukesh,nbsp;lata mangeshkar, Kishori Amonkar, begum parveen sultana, pt.Jasraj, Bhimsen Joshi, jagjit singh, anup jalota, ghulam ali, G.N.Balasubramaniam, M.L.Vasantha Kumari, K.V.Mahadevan, M.S.V., Maragathamani, TMS, suseela, p.leela, spb, janaki, p.b.s., jesudas amp; ofcourse AR amp; Ilayaraja amp; many more of singers amp; composers amp; musicians that consume my time. She will find the ragas amp; taal in Michael Jacksons music amp; rhythms. She is a fan of beetles. She wont miss the news related to grammy awards. She will list out the ragas amp; their bhava family they belong from the mind blowing orchestrations amp; bgmsnbsp;in hollywood movies. Two americans are students to my mom learning how to vocal support for this classical form of art. Chord you dont have any other work amp; idling here only to create record on posts with ill intentions amp; not on facts. nbsp; Coming to limitations on another claim, tastes are changing to trends amp; generations. before raghuman era people were definitely enjoying raja's brilliance. Non-tamil fans who dont know about good amp; the best songs of other tamil mds cannot understand these facts sadly amp; for their limited exposure on richer side of tamil music on traditional, classical amp; by films. Raja may not be interested to learn urdu amp; hindi to jump into bollywood to try there. Raja just for a decade now stands 2nd to raghuman in creativity. I would ask why heros from various states dont try their luck in bollywood. Why even Kamal amp; Rajini could not find a constant place in bollywood with their talents. It is difficult business-wisenbsp;considering the style of living, languagenbsp;amp; what the society demand in films in that culture at that time. May be ilayaraja is satisfied with what he does at the period when raghuman is very junior amp; not in action. Raja is contented with the money amp; entertaining tamil fans as far as possible. I believe even if raja gets more hindi films he wont deviate or cheat tamil fans from giving best music also to tamil films at later stages in a way of thanking the soil amp; his first fans which is not in the case of raghuman. Like this guy Chord is sick of putting posts thinking himself as the best critic who learnt all forms of Indian Music, Raghuman is sick after money forgetting his good old tamil fans who want to listen to some best tunes even for that few tamil films he is working in. when fans claim Raja could not do what raghuman did in bollywood they forgot, what fans amp; critics in north claim as the famous A to Z of bollywood composers, why such bollywood composers could not step into Hollywood ? Or why the 60s, 70s amp; 80s of bollywood tunes could not impress any westerners to use them in Hollywood movies
Re: [arr] songs where ARR is not the main voice
oh yes how can we forget that one also i think we can add Chale Chalo from Lagaan to this list. On Wed, Jun 4, 2008 at 12:16 AM, Mohamed Hashir [EMAIL PROTECTED] wrote: hi guys its a nice list...but leaving the alaap from 'kahna hai kya' would be nothing short of a crime enjoy On Tue, Jun 3, 2008 at 9:01 PM, Reformed Sinner [EMAIL PROTECTED] wrote: thanks guys i have added your suggestions to the list 1. Piya Haji Ali (fiza) 2. Wedding Qawaali (Bombay Dreams) 3. Ishq Bina - Taal 4. Al Adath Maula - Mangal Pandey 5. Yelelo Yelelo - Chinna Chinna aasai 6. Kannalane song ( interlude ) 7. kabhi neem neem from yuva 8. chinna chinn aasai from roja 9. Roobaro -RDB 10. Halla Gulla - Bombay 11. Boom boom - Boys 12. Kappalyeri Poyachu - Indian 13. Ay Hairathe / Hey Manburu - Guru... 14. Mangta Hai Kya - Rangeela... 15. Sahana - Sivaji 16. Thee thee thithikkum thee - thirudathiruda 17. Kokku saiva kokku - muthu On Tue, Jun 3, 2008 at 1:18 PM, mb4zap [EMAIL PROTECTED] wrote: Fully agreed, arr pavan. But even if we skip those small details ARR used his exceptional voice at many songs as background or at interludes (or as alaap) without even being credited at CD. And they each stand out... ARR voice has certain quality to it that always creates magic in every song. Now enlist each and every one of those will be one heck of a task no doubt :) --- On *Mon, 6/2/08, arr pavan [EMAIL PROTECTED]* wrote: From: arr pavan [EMAIL PROTECTED] Subject: Re: [arr] songs where ARR is not the main voice To: arrahmanfans@yahoogroups.com Date: Monday, June 2, 2008, 10:11 PM Dude ! :) if that is the case, then you need to add almost all the songs. ARR's voice will be embedded inside layers that is hard to find in casual listening. If there are some layer separating software now thats going to be a treasure for AR fans. Imagine in every song if he adds his initial singing to show to the singers how to deliver interestingly he adds them in final mixing. Fans who are technically sound fans who do research on AR compositions will find these layers with AR's voice in it. --- On *Mon, 2/6/08, Reformed Sinner reformedsinner@ gmail.com* wrote: From: Reformed Sinner reformedsinner@ gmail.com Subject: [arr] songs where ARR is not the main voice To: arrahmanfans@ yahoogroups. com Date: Monday, 2 June, 2008, 7:34 PM i am trying to compile a list of songs where ARR's is not the main voice, but one among a group of voices. and even in these songs his voice stands out!! 1. Piya Haji Ali (fiza) 2. Wedding Qawaali (Bombay Dreams) 3. Ishq Bina - Taal 4. Al Adath Maula - Mangal Pandey guys n gals, - pls feel free to add to this list. --RS -- Best Jokes, Best Friends, Best Food. Get all this and more on Best of Yahoo! Groups.http://in.rd.yahoo.com/tagline_groups_11/*http://in.promos.yahoo.com/groups/bestofyahoo/
[arr] Re: Multiple emotions in single song of ARR???
Hey puttham pudhu boomi in thiruda thiruda has range of sounds from beat-less to dashing beats stirring emotions. minsara kanna (padayappa changing between western amp; classical) amp; udaya udaya song 4m mild 2 heavy arrangements amp; anjali anjanli pushpanjanli is a tricky composition of soft, medium amp; loud arrangements. VIC --- On Wed, 6/4/08, Tapey3 lt;[EMAIL PROTECTED]gt; wrote: From: Tapey3 lt;[EMAIL PROTECTED]gt; Subject: Multiple emotions in single song of ARR??? (Re: [arr] Re: A ditty to make aditi To: arrahmanfans@yahoogroups.com Date: Wednesday, June 4, 2008, 10:52 PM Hey Goodbye Nanba/Hey Khuda Hafis from Ayitha Ezhuthu/Yuva switched from mellow to fast. O Re Chori from Lagaan switched between Indian folk and Western classical. --- In arrahmanfans@ yahoogroups. com, Gomzy lt;gomtesh.upadhye@ ...gt; wrote: gt; gt; For your question if ARR has switched emotions, you can find out that gt; In Lamahon ke daman mein from JA is a very good example. gt; gt; gt; On 6/4/08, V S Rawat lt;[EMAIL PROTECTED] gt; wrote: gt; gt; gt; gt; On 6/3/2008 10:53 PM India Time, _Vinayakam Murugan_ wrote: gt; gt; gt; gt; gt; Vishal Bharadwaj is one of the most original composers in the industry, gt; gt; gt; gt; right. gt; gt; gt; gt; gt; right up there with ARR amp; SEL, who compose for the situation rather gt; gt; gt; than impose item music. gt; gt; gt; gt; could you please elaborate what is imposing an item music? gt; gt; gt; gt; gt; Mayya Mayya and Bidi were composed for two gt; gt; gt; totally different situations . Bidi suited the situation in the film to gt; gt; gt; the T. One would expect a nautanki number to be loud . gt; gt; gt; gt; gt; gt; gt; I don't subscribe to this situation bit. ARR has also composed songs gt; gt; which were loud and were good. (examaple? many, his earlier youth songs, gt; gt; like muqabla) gt; gt; gt; gt; VB has also composed songs which were subdued and contemplative (Machis gt; gt; - Pani Pani re) gt; gt; gt; gt; so both MDs are capable of giving both and all types of songs. As such, gt; gt; Omkara didn't really have a nautanki situation. It was VB who wisely gt; gt; composed a song having nautanki mahaul so the visuals were made in a gt; gt; nautanki situation. gt; gt; gt; gt; NOw, as for as mayya is concerned, it was exactly the similar situaion gt; gt; -- a professional girl dancing to public, in which various MDs have gt; gt; given Jumma Chumma de de which was loud, and Tezab's gt; gt; ek-do-teen-chaar- paanch-chh which was deafeningly loud. and we all know gt; gt; how popular these went to become. gt; gt; gt; gt; But is was probably the first time when such a subdued, almost at a gt; gt; whispering level, song was composed for such a public dance situation. gt; gt; ARR went against the established norms and still came out with a gem, gt; gt; a winner, a piece of art. gt; gt; gt; gt; I was just highlighting that in the same year, two songs composed by ARR gt; gt; and VB show that ARR's creation is miles ahead of VB's creation. gt; gt; gt; gt; I didn't say Bidi was bad song. I did mention that Bidi was a good song gt; gt; and I like that one also a lot. I like VB also, though far-second to ARR. gt; gt; gt; gt; OK, to give credit to VB, let me say that even ARR has never given a gt; gt; song in the genre of VB's Machis - Chhod aaye ham teri galiyaan. That gt; gt; song was complex in the sense that this single song had three songs gt; gt; basically -- a chorus mukdha, then solo stanzas, and then there is a gt; gt; sudden switch to a sad version at Dil Dard Ka Tukda Hai. And the gt; gt; freshness, the spontaneity conveyed by the song, it was just superb and gt; gt; ARR has not given any song like this. gt; gt; -- gt; gt; gt; gt; Back to ARR, which are ARR's song in which there is change of emotions gt; gt; in between? Not two different songs or different versions of same song gt; gt; separately shot in a movie, but a same, single continuous song showing gt; gt; two or more emotions, like VB's above song, say sadness and happiness, gt; gt; or anger and calm, or comedy and seriousness? Frankly, I am not able to gt; gt; come up with any single song of ARR that has switched emotions on-the-fly. gt; gt; gt; gt; To clarify, there was the song from movie Black Mail MD: KalyanJi gt; gt; AnandJi, naina mere rang bhare which starts with a happy note and in gt; gt; the middle switches to sad mode at kajra mera kajra. gt; gt; gt; gt; another one is Sharabi (one of the rare best of Bappi Lahiri) song gt; gt; Intehaa ho gayi intzaar ki which starts with a sad, lost-hope note but gt; gt; when Jayaprada comes it becomes all fun-and-dance at Lo main aa gai. gt; gt; gt; gt; So, has ARR given any such song(s) or has he always remained on single gt; gt; emotional track? gt; gt; gt; gt; -- gt; gt; Rawat gt; gt; gt; gt; gt; gt; - -
Re: [arr] ADA JTYJN Review by a College Student
Stupid Review...This person is in need of some serious help...Rahman should do some more innovation? He has gone nuts.. Vithur [EMAIL PROTECTED] wrote: Hawa sun' sung by Sonu Nigam and Alka Yagnik is similar to Udhaya of Udhaya and, though soft, carries a heard-before feel. 'Gumsum' (again the same duo) is more like a rework of Sivaji's Vaaji. 'Gulfisha' (Nigam and Sunidhi Chauhan) is a typical Sunidhi song, butyou don't need a Rahman for this. 'Maherbaan', sung by the big man himself, is good, but the tune being that of Pray for me brother does irk you. 'Tu mera' (Chitra and Sukhwinder Singh) seems to have been inspired by Varugirai of Anbe Aruyire. 'Hai dardh' (Udit Narayanan) is not a great effort but takes you along thanks to the singer. The pick of the album is 'Ishq ada' (female version by Parul Mishra and the male by Rashid Ali). Rahman proves his talent in blending Sufi and western music. 'Muje milo' (Alka Yagnik and Jayachandran) is inspired by Kannathil Muthamittal, which took off from a R.D.Burman number. Rahman always hides his inspirations by rendering the notes in high pitch, this time it hasn't worked. Thanks to uncertainty over the album's release, these songs have been under covers for four years and so Rahman had every right to use these numbers elsewhere. But ARR fans don't want repetition. Rahman's interest over Devi Sri Prasad's music shows in 'Kabhi Kabhi '(Rashid Ali), a reworking of Apudo Ipudo of Bommarilu. 'Pappu can't dance' (Blaze, Aslam, Tanvi, Anupama, Benny, Tanvi, Darshana, Satish) sure makes your feet move but the tune and instruments aren't fresh. More like a Shankar-Eshan-Loy remix. 'Nazarein milana' (Swetha, Naresh and Satish) has great use of vocals blended with guitar. But the resemblance to Yuhi chala of Swades hampers your interest. 'Tu Bole' (Rahman himself) has a feel of the 1970s jazz but since the same feel and instrument arrangement were used in in Silunu Oru Kadhal and Iruvar, there isn't much new here. 'Kahin To' (Rashid Ali, Vasundhara Das) is definitely the pick of the album. The sadder version of 'Jaane Tu' (Sukhwinder Singh) doesn't bore you mainly due to Sukhwinder. The violin bit is again the heard-before variety, this time from Uyire in Bombay. It could have been a great album had Rahman shown more innovation. http://www.go-nxg.com/?p=956 -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] ADA JTYJN Review by a College Student
Some loser for sure. On 6/5/08, Vithur [EMAIL PROTECTED] wrote: Hawa sun' sung by Sonu Nigam and Alka Yagnik is similar to Udhaya of Udhaya and, though soft, carries a heard-before feel. 'Gumsum' (again the same duo) is more like a rework of Sivaji's Vaaji. 'Gulfisha' (Nigam and Sunidhi Chauhan) is a typical Sunidhi song, butyou don't need a Rahman for this. 'Maherbaan', sung by the big man himself, is good, but the tune being that of Pray for me brother does irk you. 'Tu mera' (Chitra and Sukhwinder Singh) seems to have been inspired by Varugirai of Anbe Aruyire. 'Hai dardh' (Udit Narayanan) is not a great effort but takes you along thanks to the singer. The pick of the album is 'Ishq ada' (female version by Parul Mishra and the male by Rashid Ali). Rahman proves his talent in blending Sufi and western music. 'Muje milo' (Alka Yagnik and Jayachandran) is inspired by Kannathil Muthamittal, which took off from a R.D.Burman number. Rahman always hides his inspirations by rendering the notes in high pitch, this time it hasn't worked. Thanks to uncertainty over the album's release, these songs have been under covers for four years and so Rahman had every right to use these numbers elsewhere. But ARR fans don't want repetition. Rahman's interest over Devi Sri Prasad's music shows in 'Kabhi Kabhi '(Rashid Ali), a reworking of Apudo Ipudo of Bommarilu. 'Pappu can't dance' (Blaze, Aslam, Tanvi, Anupama, Benny, Tanvi, Darshana, Satish) sure makes your feet move but the tune and instruments aren't fresh. More like a Shankar-Eshan-Loy remix. 'Nazarein milana' (Swetha, Naresh and Satish) has great use of vocals blended with guitar. But the resemblance to Yuhi chala of Swades hampers your interest. 'Tu Bole' (Rahman himself) has a feel of the 1970s jazz but since the same feel and instrument arrangement were used in in Silunu Oru Kadhal and Iruvar, there isn't much new here. 'Kahin To' (Rashid Ali, Vasundhara Das) is definitely the pick of the album. The sadder version of 'Jaane Tu' (Sukhwinder Singh) doesn't bore you mainly due to Sukhwinder. The violin bit is again the heard-before variety, this time from Uyire in Bombay. It could have been a great album had Rahman shown more innovation. http://www.go-nxg.com/?p=956 -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] A.R.Rahman Unpopulared Movie Names
On 6/5/2008 9:35 AM India Time, _Vithur_ wrote: Brother Rawat... Vairamuthu is a world known lyricist, and he is very popular across the globe. His Lyrics are even admired by non Tamilians. His lyrics are electrifying... Dear Vithur, I would like to know what criteria you are using to assess his popularity across the globe? None of the people that I have come across have ever heard Vairamuthu's name, let alone know that he is a poet, let alone hear his lyrics. I myself heard his name only in this list in connection with ARR and have never heard his lyrics. Among Hindi music lovers, even Mehboob's name is more heard than Vairamuthu's name. Vairamuthu is not unpopular, Vairamuthu is totally unknown in cow belt. In fact, some of his lyrics have been more effective for the song situation than the HIndi Lyricists, as acknowledged by ARR himself, I have also heard about his greatness and I crave to listen to his lyrics. I wonder why doesn't he learn 200 words of Hindi to pen at least one Hindi original song for ARR so that we could also feel the greatness he is claimed to have. Maybe, ARR could take some initiative with the the help of bilinguals like Mehboob to give a glimpse of Vairamuthu's magic to Hindi music lovers. Like, Vairamuthu writes original tamil lyrics for a Hindi song of ARR, Mehboob translates it to Hindi, and then reverse translates it to Tamil to explain to Vairamuthu how his poem's various connotations are coming in hindi, depending of which Vairamuth modifies on and on and gives final approval to a Hindi lyrics that he feels conveys what he wished to convey. That will be a unique experiment. -- regards, Vithur -- Rawat
Re: [arr] ARRs focus on solo instruments-overdoing on INDIAN MUSIC?
Whats wrong with the group these days? Why does one have to get so personal about things? The abusing here is not surprsing, but how this was moderated and sent across to the group is. On 6/5/08, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: Friends i feel sorry to say this. CHord please stop as you said you know lot about INDIAN MUSIC. be realistic amp; true to yourself. are you for raghuman or for yourself just to do more posts amp; over do. by limited writing you wont lose importance. It looks pity. by over amp; over highlighting on same things you want to see posts-like from ricky pc speak for other mds amp; finally tapey falling into ilayaraja groove. Chord you are the one coming with music by other mds amp; as part of music lovers universally no one will deny if you wanna speak on other mds. My mom who is singing for Bharata Natyam performances asking this guy Chord to elaborate on beautiful Padams amp; Javalis please, as he claimed, know lot about Indian Music ? She is laughing at this guy of suddenly putting raghuman in high spirits as no other person in indian music amp; another day he bbrings in many recommendations for some old amp; new music of other mds he finds special in it only to insist not in raghumans. To keep on insisting, this is it, this is not, with their [know lot about INDIAN MUSIC attitude]nbsp;shows only immaturity with lack of exposure on INDIAN MUSIC BLENDED WITH CULTURES. if you want to claim anything kindly add [to my limited knowledge on hindi music amp; genres]. human minds are in sick arrangement when it finds something new amp; irresistible it is ready to throw other thingsnbsp;without realizing its existed value be it music or be crazy writing to forums to gain importance only to be seen obsessed. if inbsp;listen tonbsp;certain composers, in certain languages amp; certain genres, i cannot put views in public with a bold claim [i know lot about INDIAN MUSIC amp; this is it], to my limited exposure. both old amp; new worlds music has provided usnbsp;gems with variousnbsp;musicians in many genres. nbsp; dear friend for dance performances she used to give a mix ofnbsp;some nice hindi bhajans, marati abhangs, telugu kirtans, kannada dasar padams, viruttams in sanskrit shlokas with tamil padams amp; thillanas. it just not applies to her but to any vocal support singer for dance performances. My mom is a fan of sdburman, rdburmani, mohd rafi, mukesh,nbsp;lata mangeshkar, Kishori Amonkar, begum parveen sultana, pt.Jasraj, Bhimsen Joshi, jagjit singh, anup jalota, ghulam ali, G.N.Balasubramaniam, M.L.Vasantha Kumari, K.V.Mahadevan, M.S.V., Maragathamani, TMS, suseela, p.leela, spb, janaki, p.b.s., jesudas amp; ofcourse AR amp; Ilayaraja amp; many more of singers amp; composers amp; musicians that consume my time. She will find the ragas amp; taal in Michael Jacksons music amp; rhythms. She is a fan of beetles. She wont miss the news related to grammy awards. She will list out the ragas amp; their bhava family they belong from the mind blowing orchestrations amp; bgmsnbsp;in hollywood movies. Two americans are students to my mom learning how to vocal support for this classical form of art. Chord you dont have any other work amp; idling here only to create record on posts with ill intentions amp; not on facts. nbsp; Coming to limitations on another claim, tastes are changing to trends amp; generations. before raghuman era people were definitely enjoying raja's brilliance. Non-tamil fans who dont know about good amp; the best songs of other tamil mds cannot understand these facts sadly amp; for their limited exposure on richer side of tamil music on traditional, classical amp; by films. Raja may not be interested to learn urdu amp; hindi to jump into bollywood to try there. Raja just for a decade now stands 2nd to raghuman in creativity. I would ask why heros from various states dont try their luck in bollywood. Why even Kamal amp; Rajini could not find a constant place in bollywood with their talents. It is difficult business-wisenbsp;considering the style of living, languagenbsp;amp; what the society demand in films in that culture at that time. May be ilayaraja is satisfied with what he does at the period when raghuman is very junior amp; not in action. Raja is contented with the money amp; entertaining tamil fans as far as possible. I believe even if raja gets more hindi films he wont deviate or cheat tamil fans from giving best music also to tamil films at later stages in a way of thanking the soil amp; his first fans which is not in the case of raghuman. Like this guy Chord is sick of putting posts thinking himself as the best critic who learnt all forms of Indian Music, Raghuman is sick after money forgetting his good old tamil fans who want to listen to some best tunes even for that few tamil films he is working in. when fans claim Raja could not do what raghuman did in bollywood they
Re: [arr] A.R.Rahman Unpopulared Movie Names
Vairamuthu's lyrics have been admired by Hindi poets and they have done translation for it too. If you didnt come across his name before this, its very unfortunate. By the way, who's Mehboob yar?? a Boy next door??. 2008/6/5 V S Rawat [EMAIL PROTECTED]: On 6/5/2008 9:35 AM India Time, _Vithur_ wrote: Brother Rawat... Vairamuthu is a world known lyricist, and he is very popular across the globe. His Lyrics are even admired by non Tamilians. His lyrics are electrifying... Dear Vithur, I would like to know what criteria you are using to assess his popularity across the globe? None of the people that I have come across have ever heard Vairamuthu's name, let alone know that he is a poet, let alone hear his lyrics. I myself heard his name only in this list in connection with ARR and have never heard his lyrics. Among Hindi music lovers, even Mehboob's name is more heard than Vairamuthu's name. Vairamuthu is not unpopular, Vairamuthu is totally unknown in cow belt. In fact, some of his lyrics have been more effective for the song situation than the HIndi Lyricists, as acknowledged by ARR himself, I have also heard about his greatness and I crave to listen to his lyrics. I wonder why doesn't he learn 200 words of Hindi to pen at least one Hindi original song for ARR so that we could also feel the greatness he is claimed to have. Maybe, ARR could take some initiative with the the help of bilinguals like Mehboob to give a glimpse of Vairamuthu's magic to Hindi music lovers. Like, Vairamuthu writes original tamil lyrics for a Hindi song of ARR, Mehboob translates it to Hindi, and then reverse translates it to Tamil to explain to Vairamuthu how his poem's various connotations are coming in hindi, depending of which Vairamuth modifies on and on and gives final approval to a Hindi lyrics that he feels conveys what he wished to convey. That will be a unique experiment. -- regards, Vithur -- Rawat -- All the good praise goes to the Almighty http://www.arrahman-online.com
Re: Multiple emotions in single song of ARR??? (Re: [arr] Re: A ditty to make aditi smile)
A song is not a pizza that has to eaten ovenfresh lest it will loose its taste. A tune is evergreen. When you hear remixes of not just RDB 70s songs but even the remixes of Johrabai Ambalewali's 50s songs, and like them and humm then, u r actually appreciating a 60 year old tune. I think there is nothing wrong in it. Very true. Though the tune needs to fit in the film situation and gel with the situation. Aashiqui for e.g had the film woven around the songs rather songs complimenting the situation. Though this is not entirely the MD's fault, the director / producer takes the call most of the times but ARR , SEL , VB tunes gel with the mood situation of the film. OK. we agree that apples and oranges are different. :-) Had Adam eaten an orange in the Eden garden, we would not have been here. :) -- Warm Regards ~~~ Vinayak http://theregoesanotherday.blogspot.com/ The father who does not teach his son his duties is equally guilty with the son who neglects them. Confucius -
RE: [arr] A.R.Rahman Unpopulared Movie Names
Vairamuthu and Javed Akhtar -share the record of most national awards(5 times) for best lyrics, Four out of five came in ARR's music... From: arrahmanfans@yahoogroups.com [mailto:[EMAIL PROTECTED] On Behalf Of Kumaresh-n Sent: Thursday, June 05, 2008 1:43 PM To: arrahmanfans@yahoogroups.com Subject: Re: [arr] A.R.Rahman Unpopulared Movie Names Vairamuthu's lyrics have been admired by Hindi poets and they have done translation for it too. If you didnt come across his name before this, its very unfortunate. By the way, who's Mehboob yar?? a Boy next door??. 2008/6/5 V S Rawat [EMAIL PROTECTED] mailto:[EMAIL PROTECTED] : On 6/5/2008 9:35 AM India Time, _Vithur_ wrote: Brother Rawat... Vairamuthu is a world known lyricist, and he is very popular across the globe. His Lyrics are even admired by non Tamilians. His lyrics are electrifying... Dear Vithur, I would like to know what criteria you are using to assess his popularity across the globe? None of the people that I have come across have ever heard Vairamuthu's name, let alone know that he is a poet, let alone hear his lyrics. I myself heard his name only in this list in connection with ARR and have never heard his lyrics. Among Hindi music lovers, even Mehboob's name is more heard than Vairamuthu's name. Vairamuthu is not unpopular, Vairamuthu is totally unknown in cow belt. In fact, some of his lyrics have been more effective for the song situation than the HIndi Lyricists, as acknowledged by ARR himself, I have also heard about his greatness and I crave to listen to his lyrics. I wonder why doesn't he learn 200 words of Hindi to pen at least one Hindi original song for ARR so that we could also feel the greatness he is claimed to have. Maybe, ARR could take some initiative with the the help of bilinguals like Mehboob to give a glimpse of Vairamuthu's magic to Hindi music lovers. Like, Vairamuthu writes original tamil lyrics for a Hindi song of ARR, Mehboob translates it to Hindi, and then reverse translates it to Tamil to explain to Vairamuthu how his poem's various connotations are coming in hindi, depending of which Vairamuth modifies on and on and gives final approval to a Hindi lyrics that he feels conveys what he wished to convey. That will be a unique experiment. -- regards, Vithur -- Rawat -- All the good praise goes to the Almighty http://www.arrahman-online.com http://www.arrahman-online.com
Re: [arr] dont comment on LOVE BIRDS music........the songs r awesome
It would be great if people could be encouraged to have and express their own opinion rather than being pounced upon whenever anything negative is being said. I would like to think that we are fans and not fanatics. On Wed, Jun 4, 2008 at 9:13 PM, Krayzie B [EMAIL PROTECTED] wrote: Sum ppls sense of music is too sickenin nwadayz...They cant even figure out wat r masterpieces!!..vr sadLove Birds songs r geniuses work.:)... harshal chavan [EMAIL PROTECTED] wrote: ashwini, I agree with you these 3 songs are amazing compositions by ARR... problem for listner may be bec of hindi lyrics. It was not good. - Original Message From: zlksru suresh [EMAIL PROTECTED] To: arrahmanfans@yahoogroups.com Sent: Tuesday, June 3, 2008 10:30:11 PM Subject: [arr] dont comment on LOVE BIRDS musicthe songs r awesome hey people one of our friends comments on love birds music saying tht the rap songs 'come on come on' , 'samba samba' ' no problem' are irritating my que s hav u ever realised the intelligence of music? samba samba ia a song which is actually a brilliant composition... the fusion of the western beat with the traffic horns and stuffs are not easy ones to compose... there s a song called nalai ulagam in the same movie... jus concentrate and listen to the song once.. u ll unstd the feel of it, and the hard work of it.the way the song starts (as if a world war is happening), and then it turns to be a soothing romantic song similar type of excellence is 'no problem' may be u were not impressed (which itself surprises) but dont tel they r not good , it irritates and stufs regards, ashwini Reformed Sinner [EMAIL PROTECTED] wrote: well said durba in fact Mr. Romeo Love Birds songs were a decent hit in Tamil Nadu On Tue, Jun 3, 2008 at 6:04 PM, durba bhattacharjee durba.bhattacharjee @yahoo.co. in wrote: Well said Rawat. There are more 'unpopulared' (unpopular) sound tracks by ARR like Mr Romeo Love Birds Khel Khiladi Ka Tu Hi Mera Dil But I would never tag them as unpopular or failed albums. The fact that they have come out of Tamil Nadu, got dubbed into Hindi and that those movies never released, speaks for the extreme popularity of ARR itself. Otherwise, for people like me, who stays millions miles away from TN and who has no conection to Tamil language, would never get the chance to listen to them. I have heard all of them and am proud to have them in my colection. V S Rawat [EMAIL PROTECTED] com wrote: On 6/3/2008 2:26 PM India Time, _Dastageer_ wrote: Hi, *Yodha - 1992* *Gangmaster - 1994* *Mona Lisa - 1997* The above were dubbed to hindi from other languages to cash on ARR's popularity, I think first two movies probably didn't get release in Hindi and though I had seen video's of third one's songs, i still don't remember having hearing about the movie. So these are not exactly ARR's failures but badly planned projects. *Vishwa Vidhaata - 1997* Sad that this album didn't become popular. Its Kal nahin jo kya hai aaj wo is such a lovely song, one of my favs. Kaliyon ke khilne se was also quite good. This album was ARR's high, not his failure. *Fiza - 2000* It added insult to injury when this album's best and most popular song Mehboob Mere was sadly not by our man but by Anu Malik. In any case, ARR's only song in the album was a religious Piya Hazi Ali and was a lovely sufi rendition but religious songs don't really become that popular. Failure but not ARR's. *Love You Hamesha - 2001* Sad that it had one of the last lyrics by the veteran Anand Bakshi, but didn't give any indication of his greatness. Mehboob could have penned much finer lyrics than the cheapness in botal tod de and sone ka palang. Indeed ARR's failure. *Lakeer - Forbidden Lines -2004* This would remain as an example of excess hype not getting met in the delivered product, be it movie or the music. ARR's first attempt at Punjabi music in Nachle didn't make the world say balle-balle, and his first attempt on cheerleaders music in rozana was just a dumb squib. Though he could do better with Punjabi music in RDB's title song, it is sad that ARR didn't attempt at rozana again. Indeed ARR's failure. You can add Muthu also in the list. outright ugly lyrics when the song speaks of making love 4 times a day as the method to keep wife happy. It was vulgur, it was cheap. Indeed ARR's failure. You can add Priyanka also which didn't find much takers which is so hurtingly sad because it would be one of the best album of ARR. Khili Chaandni and Thoda Thoda Pyar were heavenly and I don't think ARR has given Ye Jaati Paati Kaisi type of song in any other album. This was one of ARR's all time bests, not his failure. ** *Have you heared songs from this movies.* ** *by* *DAS* -- Rawat Explore your hobbies and interests. Click here to begin.
Re:[arr] ARRs focus on solo instruments-overdoing on INDIAN MUSIC?
Insane Grow Up dude... [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: Friends i feel sorry to say this. CHord please stop as you said you know lot about INDIAN MUSIC. be realistic amp; true to yourself. are you for raghuman or for yourself just to do more posts amp; over do. by limited writing you wont lose importance. It looks pity. by over amp; over highlighting on same things you want to see posts-like from ricky pc speak for other mds amp; finally tapey falling into ilayaraja groove. Chord you are the one coming with music by other mds amp; as part of music lovers universally no one will deny if you wanna speak on other mds. My mom who is singing for Bharata Natyam performances asking this guy Chord to elaborate on beautiful Padams amp; Javalis please, as he claimed, know lot about Indian Music ? She is laughing at this guy of suddenly putting raghuman in high spirits as no other person in indian music amp; another day he bbrings in many recommendations for some old amp; new music of other mds he finds special in it only to insist not in raghumans. To keep on insisting, this is it, this is not, with their [know lot about INDIAN MUSIC attitude]nbsp;shows only immaturity with lack of exposure on INDIAN MUSIC BLENDED WITH CULTURES. if you want to claim anything kindly add [to my limited knowledge on hindi music amp; genres]. human minds are in sick arrangement when it finds something new amp; irresistible it is ready to throw other thingsnbsp;without realizing its existed value be it music or be crazy writing to forums to gain importance only to be seen obsessed. if inbsp;listen tonbsp;certain composers, in certain languages amp; certain genres, i cannot put views in public with a bold claim [i know lot about INDIAN MUSIC amp; this is it], to my limited exposure. both old amp; new worlds music has provided usnbsp;gems with variousnbsp;musicians in many genres. nbsp; dear friend for dance performances she used to give a mix ofnbsp;some nice hindi bhajans, marati abhangs, telugu kirtans, kannada dasar padams, viruttams in sanskrit shlokas with tamil padams amp; thillanas. it just not applies to her but to any vocal support singer for dance performances. My mom is a fan of sdburman, rdburmani, mohd rafi, mukesh,nbsp;lata mangeshkar, Kishori Amonkar, begum parveen sultana, pt.Jasraj, Bhimsen Joshi, jagjit singh, anup jalota, ghulam ali, G.N.Balasubramaniam, M.L.Vasantha Kumari, K.V.Mahadevan, M.S.V., Maragathamani, TMS, suseela, p.leela, spb, janaki, p.b.s., jesudas amp; ofcourse AR amp; Ilayaraja amp; many more of singers amp; composers amp; musicians that consume my time. She will find the ragas amp; taal in Michael Jacksons music amp; rhythms. She is a fan of beetles. She wont miss the news related to grammy awards. She will list out the ragas amp; their bhava family they belong from the mind blowing orchestrations amp; bgmsnbsp;in hollywood movies. Two americans are students to my mom learning how to vocal support for this classical form of art. Chord you dont have any other work amp; idling here only to create record on posts with ill intentions amp; not on facts. nbsp; Coming to limitations on another claim, tastes are changing to trends amp; generations. before raghuman era people were definitely enjoying raja's brilliance. Non-tamil fans who dont know about good amp; the best songs of other tamil mds cannot understand these facts sadly amp; for their limited exposure on richer side of tamil music on traditional, classical amp; by films. Raja may not be interested to learn urdu amp; hindi to jump into bollywood to try there. Raja just for a decade now stands 2nd to raghuman in creativity. I would ask why heros from various states dont try their luck in bollywood. Why even Kamal amp; Rajini could not find a constant place in bollywood with their talents. It is difficult business-wisenbsp;considering the style of living, languagenbsp;amp; what the society demand in films in that culture at that time. May be ilayaraja is satisfied with what he does at the period when raghuman is very junior amp; not in action. Raja is contented with the money amp; entertaining tamil fans as far as possible. I believe even if raja gets more hindi films he wont deviate or cheat tamil fans from giving best music also to tamil films at later stages in a way of thanking the soil amp; his first fans which is not in the case of raghuman. Like this guy Chord is sick of putting posts thinking himself as the best critic who learnt all forms of Indian Music, Raghuman is sick after money forgetting his good old tamil fans who want to listen to some best tunes even for that few tamil films he is working in. when fans claim Raja could not do what raghuman did in bollywood they forgot, what fans amp; critics in north claim as the famous A to Z of bollywood composers, why such bollywood composers could not step into Hollywood ? Or why the 60s, 70s amp; 80s
[arr] GHAJINI
Any news on Ghajini-Hindi, few months back there was a news that theynbsp;are going to retain 2 popular songs from the original movie (Ghajini - Tamil). Isnbsp;that true, i hope they dont retain those 2 songs, the hindi version should have fresh tracks. Few years back there was remake ofnbsp;the filmnbsp;Sethu (Vikram)nbsp;that is Tere Naam (Salman Khan) which had fresh and new tracks. I hope they do the same for this movie(Ghajini-Hindi) as well.
Re: [arr] Tu Bole Main Boloon is inspired from which song?
Why is that people are always trying to look for every single note to try and say Rahman copies or plagiarizes! Why this obsession ! Is there anyone who wants us to stop listening to Rahman! Does anyone have a vengeance to take against rahman! what if his indeed inspired for one particular song(which isn't the case),does that remove the geniusness of whatever his accomplished.
Re: Multiple emotions in single song of ARR??? (Re: [arr] Re: A ditty to make aditi smile)
On 6/4/2008 12:58 PM India Time, _Gomzy_ wrote: For your question if ARR has switched emotions, you can find out that In Lamahon ke daman mein from JA is a very good example. Hi Gomzy, JA music somehow didn't click with me, and the movie was utterly stupid. Gowarikar wasted all the songs even worse than Deepa Mehta butchers our man's music. It will sad if JA's fate ends up strengthening ARR's resolve to abstain from period movie. I would say there is nothing wrong in period movie/ music, everything depends upon director. Gowarikar failed in JA, period theme did not fail. In Lamahon ke daman mein did has lovely and amazing changes pace and arrangements but it was a contemplative love song through out. Even when the female voice comes, it didn't even become seductive, nor switched from contemplative to consummation. i would say there are no switch in it to opposite emotions in it like from happiness to sadness, from calmness to agressiveness, from unification to solitude, etc. The song is good, nonetheless. -- Rawat
Re:[arr] ARRs focus on solo instruments-overdoing on INDIAN MUSIC?
Dude why r u so much agitated and overreacted...chord only said 'these' and these implies to the MDs ricky mentioned!and thats true..!I dont understand why you u have written so much abt ur mom likes and dislikes..and whos this Raghuman??neva heard his name b4:P nbsp; [EMAIL PROTECTED] lt;[EMAIL PROTECTED] comgt; wrote: Friends i feel sorry to say this. CHord please stop as you said you know lot about INDIAN MUSIC. be realistic amp;amp; true to yourself. are you for raghuman or for yourself just to do more posts amp;amp; over do. by limited writing you wont lose importance. It looks pity. by over amp;amp; over highlighting on same things you want to see posts-like from ricky pc speak for other mds amp;amp; finally tapey falling into ilayaraja groove. Chord you are the one coming with music by other mds amp;amp; as part of music lovers universally no one will deny if you wanna speak on other mds. My mom who is singing for Bharata Natyam performances asking this guy Chord to elaborate on beautiful Padams amp;amp; Javalis please, as he claimed, know lot about Indian Music ? She is laughing at this guy of suddenly putting raghuman in high spirits as no other person in indian music amp;amp; another day he bbrings in many recommendations for some old amp;amp; new music of other mds he finds special in it only to insist not in raghumans. To keep on insisting, this is it, this is not, with their [know lot about INDIAN MUSIC attitude]amp;nbsp; shows only immaturity with lack of exposure on INDIAN MUSIC BLENDED WITH CULTURES. if you want to claim anything kindly add [to my limited knowledge on hindi music amp;amp; genres]. human minds are in sick arrangement when it finds something new amp;amp; irresistible it is ready to throw other thingsamp;nbsp; without realizing its existed value be it music or be crazy writing to forums to gain importance only to be seen obsessed. if iamp;nbsp;listen toamp;nbsp;certain composers, in certain languages amp;amp; certain genres, i cannot put views in public with a bold claim [i know lot about INDIAN MUSIC amp;amp; this is it], to my limited exposure. both old amp;amp; new worlds music has provided usamp;nbsp;gems with variousamp;nbsp; musicians in many genres. amp;nbsp; dear friend for dance performances she used to give a mix ofamp;nbsp;some nice hindi bhajans, marati abhangs, telugu kirtans, kannada dasar padams, viruttams in sanskrit shlokas with tamil padams amp;amp; thillanas. it just not applies to her but to any vocal support singer for dance performances. My mom is a fan of sdburman, rdburmani, mohd rafi, mukesh,amp;nbsp; lata mangeshkar, Kishori Amonkar, begum parveen sultana, pt.Jasraj, Bhimsen Joshi, jagjit singh, anup jalota, ghulam ali, G.N.Balasubramaniam , M.L.Vasantha Kumari, K.V.Mahadevan, M.S.V., Maragathamani, TMS, suseela, p.leela, spb, janaki, p.b.s., jesudas amp;amp; ofcourse AR amp;amp; Ilayaraja amp;amp; many more of singers amp;amp; composers amp;amp; musicians that consume my time. She will find the ragas amp;amp; taal in Michael Jacksons music amp;amp; rhythms. She is a fan of beetles. She wont miss the news related to grammy awards. She will list out the ragas amp;amp; their bhava family they belong from the mind blowing orchestrations amp;amp; bgmsamp;nbsp;in hollywood movies. Two americans are students to my mom learning how to vocal support for this classical form of art. Chord you dont have any other work amp;amp; idling here only to create record on posts with ill intentions amp;amp; not on facts. amp;nbsp; Coming to limitations on another claim, tastes are changing to trends amp;amp; generations. before raghuman era people were definitely enjoying raja's brilliance. Non-tamil fans who dont know about good amp;amp; the best songs of other tamil mds cannot understand these facts sadly amp;amp; for their limited exposure on richer side of tamil music on traditional, classical amp;amp; by films. Raja may not be interested to learn urdu amp;amp; hindi to jump into bollywood to try there. Raja just for a decade now stands 2nd to raghuman in creativity. I would ask why heros from various states dont try their luck in bollywood. Why even Kamal amp;amp; Rajini could not find a constant place in bollywood with their talents. It is difficult business-wiseamp; nbsp;considering the style of living, languageamp;nbsp; amp;amp; what the society demand in films in that culture at that time. May be ilayaraja is satisfied with what he does at the period when raghuman is very junior amp;amp; not in action. Raja is contented with the money amp;amp; entertaining tamil fans as far as possible. I believe even if raja gets more hindi films he wont deviate or cheat tamil fans from giving best music also to tamil films at later stages in a way of thanking the soil amp;amp; his first fans which is not in the case of raghuman. Like this guy Chord is sick of putting posts thinking himself as the
[arr] ARR on Rolling Stone cover
Get your copy of the June issue of Rolling Stone magazine, India edition featuring ARR on the cover Rahman on Record: The Composer on his Life, Music and Spirituality http://www.flickr.com/photos/arrahmanfans/2553408114/ The magazine was supposed to debut in March with ARR on it's cover. However the story had to be pushed back owing to logistical reasons.
Re: [arr] ARR on Rolling Stone cover
thanks gopal...
Re: [arr] A.R.Rahman Unpopulared Movie Names
On 6/5/2008 1:43 PM India Time, _Kumaresh-n_ wrote: Vairamuthu's lyrics have been admired by Hindi poets and they have done translation for it too. If you didnt come across his name before this, its very unfortunate. Indeed. By the way, who's Mehboob yar?? a Boy next door??. :-) You couldn't be serious. Tell me if u r so that I could tell who he is. Hai Khuda Hafiz Yuva Tu hi re Bombay hamma hamma Bombay Kehna hi kya Bombay O bhavare Daud Tar pum tar pum Doli sajake rakhna Kissa hum likhnege Doli sajake rakhna Tanha Tanha Rangeela pyaar yeh jane kaisa Rangeela ae nazneen suno na Dil hi Dil mein Dola dola Dil hi Dil mein Rang de Thakshak Maa Tujhe Salaam Vande Mataram Khamoshiyaa gungunane lagi One 2 ka four -- Rawat
Re: [arr] A.R.Rahman Unpopulared Movie Names
It's absolutely inappropriate to address Vairamuthu sir as something like 'Vairamuthu guy'... Show some respect for artists. If you don't know about them, please keep quiet? BTW, did someone ask why does not Gulzar / Javeed Akdhar write songs in Tamil / Telugu? What are you saying? And please don't bring language issues in this forum // Lesson for the Tamilians. Learn Hindi if you want your art to cross the boundaries of Tamil Nadu otherwise while the 8 crore tamilians think u r the most gifted creation of the God, 112 crore non-tamilian Indians wud never have heard your name. ARR learnt this lesson and is shining through as the most well-known Tamilian alive on the Earth today. People know what they have to do.. You don't have to worry about others and advice what they are supposed to do... Please limit your discussions only to Music, Lyrics... Don't unnecessarily bring Individuals, Region or Language issues when you post something in this forum. Thanks. On Wed, Jun 4, 2008 at 12:30 PM, V S Rawat [EMAIL PROTECTED] wrote: On 6/4/2008 10:11 PM India Time, _Vinayakam Murugan_ wrote: More than anything, I think he is much more comfortable with the language now. The lyrics played a major role in negating the virtues of a masterpiece album like Duet . IMHO Rahman - Vairamuthu is right at the top when it comes to MD-Lyricist combos. K. And, in Hindi, it would be ARR - Gulzar right at the top. Does this Vairamuthu guy not know even 200 words of Hindi to pen the lyrics for at least one hindi album or even one hindi song of ARR? It is sad that nobody knows this guy outside the boundaries of Tamilnadu and that makes us wonder whether he could really be so great as you are crowning him to be. Lesson for the Tamilians. Learn Hindi if you want your art to cross the boundaries of Tamil Nadu otherwise while the 8 crore tamilians think u r the most gifted creation of the God, 112 crore non-tamilian Indians wud never have heard your name. ARR learnt this lesson and is shining through as the most well-known Tamilian alive on the Earth today. -- Rawat
Re: [arr] A.R.Rahman Unpopulared Movie Names(Monalisa)
Hi I have some songs from the Movie Monalisa, In the Artist section it shows A. R. Rahman. After hearing the songs it sounds as an old stuff of ARR somtimes during the 1993 and above. Not sure it was done by ARR. 'Ajantha Ovium' is my favourite of this album. Is this actually done by ARR? Anybody can confirm? Regards Cyril Thomas Varghese www.ceegraphics.com www.cyrilthomasvarghese.blogspot.com - Original Message From: Kalimuthu [EMAIL PROTECTED] To: arrahmanfans@yahoogroups.com Sent: Thursday, 5 June, 2008 2:51:20 PM Subject: Re: [arr] A.R.Rahman Unpopulared Movie Names It's absolutely inappropriate to address Vairamuthu sir as something like 'Vairamuthu guy'... Show some respect for artists. If you don't know about them, please keep quiet? BTW, did someone ask why does not Gulzar / Javeed Akdhar write songs in Tamil / Telugu? What are you saying? And please don't bring language issues in this forum // Lesson for the Tamilians. Learn Hindi if you want your art to cross the boundaries of Tamil Nadu otherwise while the 8 crore tamilians think u r the most gifted creation of the God, 112 crore non-tamilian Indians wud never have heard your name. ARR learnt this lesson and is shining through as the most well-known Tamilian alive on the Earth today. People know what they have to do.. You don't have to worry about others and advice what they are supposed to do... Please limit your discussions only to Music, Lyrics... Don't unnecessarily bring Individuals, Region or Language issues when you post something in this forum. Thanks. On Wed, Jun 4, 2008 at 12:30 PM, V S Rawat [EMAIL PROTECTED] com wrote: On 6/4/2008 10:11 PM India Time, _Vinayakam Murugan_ wrote: More than anything, I think he is much more comfortable with the language now. The lyrics played a major role in negating the virtues of a masterpiece album like Duet . IMHO Rahman - Vairamuthu is right at the top when it comes to MD-Lyricist combos. K. And, in Hindi, it would be ARR - Gulzar right at the top. Does this Vairamuthu guy not know even 200 words of Hindi to pen the lyrics for at least one hindi album or even one hindi song of ARR? It is sad that nobody knows this guy outside the boundaries of Tamilnadu and that makes us wonder whether he could really be so great as you are crowning him to be. Lesson for the Tamilians. Learn Hindi if you want your art to cross the boundaries of Tamil Nadu otherwise while the 8 crore tamilians think u r the most gifted creation of the God, 112 crore non-tamilian Indians wud never have heard your name. ARR learnt this lesson and is shining through as the most well-known Tamilian alive on the Earth today. -- Rawat Send free SMS to your Friends on Mobile from your Yahoo! Messenger. Download Now! http://messenger.yahoo.com/download.php
Re: [arr] A.R.Rahman Unpopulared Movie Names
On 6/5/2008 2:13 PM India Time, _Vinayakam Murugan_ wrote: Boss None of the people that I have come across have ever heard Vairamuthu's name, let alone know that he is a poet, let alone hear his lyrics. I myself heard his name only in this list in connection with ARR and have never heard his lyrics. Is that the criteria to determine greatness? Not greatness, but popularity. Brother, the onus is on you to learn Tamil to understand his lyrics rather than the other way around. He would probably be least concerned if couple of people fail to acknowledge his talent. I hope that it was clear that it was not my individual liking because I can respect him hearing the good comments on him by you guys. I know where to find English translations of Vairamuthu's tamil lyrics and can go and read and understand them, though I never bothered. It was about his popularity and Hindi masses are not going to bother to learn and entire language to understand a poet's songs. ONly dedicated veterans go to such lengths but they are few. I am not sure how that would help. There was a naughty line in Telephone Manipol - Nee pogum idathil - aangalai vidamatten , sila pengalai vidamatten - meaning I will not let men and some women come to places where you go. In Hindi , it was translated to Teri raahon mein , koi mard na chodunga, aurat bhi na chodunga which while retaining most of the meaning didn't hit the point. Exactly. That is where Mehboob/ PK Mishra fail. that is why it would be helpful if the original poet is involved in the translation process. A translator lyrics might roughshod it as he is getting paid for any working translation, but the original poet's pride and literary standing is at repute so he would not agree to such prickly translations. And indeed, there are many other finer versions possible to which it could be translated to. Oh, just googled and found that Telephone Manipol is penned by Vairamuthu. My holy gawd. No hindi music lover is going to respect a poet who gives lyrics like Teri raahon mein koi mard na chodunga, aurat bhi na chodunga, even though it was P K Mishra's butchering knife. was Latka dikha diya hamne, jhatka dikha diya hamne also by Vairamuthu? I mean its tamil original? Ha ha ha, what a joke that the most respected Tamil writer pens streetspeak Latka Jhatka. At orkut, 13 year old kids are creating better lines for their profile titles. Each language has its idiosynchracies and elements which are unique to it , which would make sense only in that language. Indeed. But emotions are inherent in humans and go deeper and beyond the lyrics and music. Every language has expressed all emotions in great ways, so these could be translated from to each another to retain at least major part of the original feel. In recent times, I don't find such odd sounding lyrics in hindi songs that you guys even tell that are dubbed from tamil or other languages. Seems ARR is giving more emphasis to smooth flowing lyrics now, in dubbed songs. -- Rawat
Re:[arr] ARRs focus on solo instruments-overdoing on INDIAN MUSIC?
Great Vignesh, I revere your great knowledge on Indian Music and I admire for spinning such a nice story over a small point made by Chord, even though such a nice response was not required and sounds ir-relevant. Sorry to say this. I replied to your mail to point out this one: May be ilayaraja is satisfied with what he does at the period when raghuman is very junior amp; not in action. Raja is contented with the money amp; entertaining tamil fans as far as possible. I believe even if raja gets more hindi films he wont deviate or cheat tamil fans from giving best music also to tamil films at later stages in a way of thanking the soil amp; his first fans which is not in the case of raghuman. Like this guy Chord is sick of putting posts thinking himself as the best critic who learnt all forms of Indian Music, Raghuman is sick after money forgetting his good old tamil fans who want to listen to some best tunes even for that few tamil films he is working in. These statements on ARR was not required, he is giving best music to Tamil as well, get your ears tested and dont comment that ARR is cheating tamil fans and he is behind money. We are here to listen to his music and enjoy. Please do that and let us do that.. Thanks and Regards, NANDAKISHORE.S --- In arrahmanfans@yahoogroups.com, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: Friends i feel sorry to say this. CHord please stop as you said you know lot about INDIAN MUSIC. be realistic amp; true to yourself. are you for raghuman or for yourself just to do more posts amp; over do. by limited writing you wont lose importance. It looks pity. by over amp; over highlighting on same things you want to see posts-like from ricky pc speak for other mds amp; finally tapey falling into ilayaraja groove. Chord you are the one coming with music by other mds amp; as part of music lovers universally no one will deny if you wanna speak on other mds. My mom who is singing for Bharata Natyam performances asking this guy Chord to elaborate on beautiful Padams amp; Javalis please, as he claimed, know lot about Indian Music ? She is laughing at this guy of suddenly putting raghuman in high spirits as no other person in indian music amp; another day he bbrings in many recommendations for some old amp; new music of other mds he finds special in it only to insist not in raghumans. To keep on insisting, this is it, this is not, with their [know lot about INDIAN MUSIC attitude]nbsp;shows only immaturity with lack of exposure on INDIAN MUSIC BLENDED WITH CULTURES. if you want to claim anything kindly add [to my limited knowledge on hindi music amp; genres]. human minds are in sick arrangement when it finds something new amp; irresistible it is ready to throw other thingsnbsp;without realizing its existed value be it music or be crazy writing to forums to gain importance only to be seen obsessed. if inbsp;listen tonbsp;certain composers, in certain languages amp; certain genres, i cannot put views in public with a bold claim [i know lot about INDIAN MUSIC amp; this is it], to my limited exposure. both old amp; new worlds music has provided usnbsp;gems with variousnbsp;musicians in many genres. nbsp; dear friend for dance performances she used to give a mix ofnbsp;some nice hindi bhajans, marati abhangs, telugu kirtans, kannada dasar padams, viruttams in sanskrit shlokas with tamil padams amp; thillanas. it just not applies to her but to any vocal support singer for dance performances. My mom is a fan of sdburman, rdburmani, mohd rafi, mukesh,nbsp;lata mangeshkar, Kishori Amonkar, begum parveen sultana, pt.Jasraj, Bhimsen Joshi, jagjit singh, anup jalota, ghulam ali, G.N.Balasubramaniam, M.L.Vasantha Kumari, K.V.Mahadevan, M.S.V., Maragathamani, TMS, suseela, p.leela, spb, janaki, p.b.s., jesudas amp; ofcourse AR amp; Ilayaraja amp; many more of singers amp; composers amp; musicians that consume my time. She will find the ragas amp; taal in Michael Jacksons music amp; rhythms. She is a fan of beetles. She wont miss the news related to grammy awards. She will list out the ragas amp; their bhava family they belong from the mind blowing orchestrations amp; bgmsnbsp;in hollywood movies. Two americans are students to my mom learning how to vocal support for this classical form of art. Chord you dont have any other work amp; idling here only to create record on posts with ill intentions amp; not on facts. nbsp; Coming to limitations on another claim, tastes are changing to trends amp; generations. before raghuman era people were definitely enjoying raja's brilliance. Non-tamil fans who dont know about good amp; the best songs of other tamil mds cannot understand these facts sadly amp; for their limited exposure on
Re: [arr] ADA JTYJN Review by a College Studen
I was also shocked to see this review in today's Hindu Supplement...I didn't expect this from a reputed news paper. We can write back to Hindu regarding this. Infact, I'm going to do this... Madhavan.R Love, Music, Peace...and AR Rahman for Life. On 6/5/08, $ Pavan Kumar $ [EMAIL PROTECTED] wrote: Stupid Review...This person is in need of some serious help...Rahman should do some more innovation? He has gone nuts.. *Vithur [EMAIL PROTECTED]* wrote: Hawa sun' sung by Sonu Nigam and Alka Yagnik is similar to Udhaya of Udhaya and, though soft, carries a heard-before feel. 'Gumsum' (again the same duo) is more like a rework of Sivaji's Vaaji. 'Gulfisha' (Nigam and Sunidhi Chauhan) is a typical Sunidhi song, butyou don't need a Rahman for this. 'Maherbaan', sung by the big man himself, is good, but the tune being that of Pray for me brother does irk you. 'Tu mera' (Chitra and Sukhwinder Singh) seems to have been inspired by Varugirai of Anbe Aruyire. 'Hai dardh' (Udit Narayanan) is not a great effort but takes you along thanks to the singer. The pick of the album is 'Ishq ada' (female version by Parul Mishra and the male by Rashid Ali). Rahman proves his talent in blending Sufi and western music. 'Muje milo' (Alka Yagnik and Jayachandran) is inspired by Kannathil Muthamittal, which took off from a R.D.Burman number. Rahman always hides his inspirations by rendering the notes in high pitch, this time it hasn't worked. Thanks to uncertainty over the album's release, these songs have been under covers for four years and so Rahman had every right to use these numbers elsewhere. But ARR fans don't want repetition. Rahman's interest over Devi Sri Prasad's music shows in 'Kabhi Kabhi '(Rashid Ali), a reworking of Apudo Ipudo of Bommarilu. 'Pappu can't dance' (Blaze, Aslam, Tanvi, Anupama, Benny, Tanvi, Darshana, Satish) sure makes your feet move but the tune and instruments aren't fresh. More like a Shankar-Eshan-Loy remix. 'Nazarein milana' (Swetha, Naresh and Satish) has great use of vocals blended with guitar. But the resemblance to Yuhi chala of Swades hampers your interest. 'Tu Bole' (Rahman himself) has a feel of the 1970s jazz but since the same feel and instrument arrangement were used in in Silunu Oru Kadhal and Iruvar, there isn't much new here. 'Kahin To' (Rashid Ali, Vasundhara Das) is definitely the pick of the album. The sadder version of 'Jaane Tu' (Sukhwinder Singh) doesn't bore you mainly due to Sukhwinder. The violin bit is again the heard-before variety, this time from Uyire in Bombay. It could have been a great album had Rahman shown more innovation. http://www.go-nxg.com/?p=956 -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL http://www.mymailsignature.com/ http://www.mymailsignature.com/?partner=ZGzeb001
Re: [arr] A.R.Rahman Unpopulared Movie Names
On 6/5/2008 2:51 PM India Time, _Kalimuthu_ wrote: It's absolutely inappropriate to address Vairamuthu sir as something like 'Vairamuthu guy'... Show some respect for artists. If you don't know about them, please keep quiet? BTW, did someone ask why does not Gulzar / Javeed Akdhar write songs in Tamil / Telugu? What are you saying? You call Gulzar / Javeed Akdhar without any Ji, sir, saab; you even spell Javed's name wrongly, and you expect some particular individual to be termed sir??? and you advice to Show some respect for artists. And please don't bring language issues in this forum As long as people are discussing in a balanced manner, any issue related to ARR's music can come in this forum. With your entry, this thread seems heading exactly in such a direction that would make one wish that language issue, this issue, that issue and other 1000 issues should be banned in this forum to maintain decorum. ARR learnt this lesson and is shining through as the most well-known Tamilian alive on the Earth today. People know what they have to do.. You don't have to worry about others and advice what they are supposed to do... OK. I take back my advice. Let Vairamuthu sir remain unknown to 112 crore non-tamil indians, like Ilaiyaraja remains. For that matter, Ilaiyaraja did do a few hindi films giving the vast majority of hindi music lovers a glimpse of his greatness. A single Sadma got Ilaiyaraja more fans than his 800+ tamils movies had brought to him. Ilaiyaraja's not doing much in Hindi music reduced competition for ARR, so I am happy. :-) :-) :-) :-) Please limit your discussions only to Music, Lyrics... Don't unnecessarily bring Individuals, Region or Language issues when you post something in this forum. Thanks. You are most welcome, Kalimuthu sir. -- Rawat
Re: [arr] A.R.Rahman Unpopulared Movie Names
May I know where this thread is heading? If you guys working on this think its some intellectual thing that is happening, its not . On 6/5/08, V S Rawat [EMAIL PROTECTED] wrote: On 6/5/2008 2:13 PM India Time, _Vinayakam Murugan_ wrote: Boss None of the people that I have come across have ever heard Vairamuthu's name, let alone know that he is a poet, let alone hear his lyrics. I myself heard his name only in this list in connection with ARR and have never heard his lyrics. Is that the criteria to determine greatness? Not greatness, but popularity. Brother, the onus is on you to learn Tamil to understand his lyrics rather than the other way around. He would probably be least concerned if couple of people fail to acknowledge his talent. I hope that it was clear that it was not my individual liking because I can respect him hearing the good comments on him by you guys. I know where to find English translations of Vairamuthu's tamil lyrics and can go and read and understand them, though I never bothered. It was about his popularity and Hindi masses are not going to bother to learn and entire language to understand a poet's songs. ONly dedicated veterans go to such lengths but they are few. I am not sure how that would help. There was a naughty line in Telephone Manipol - Nee pogum idathil - aangalai vidamatten , sila pengalai vidamatten - meaning I will not let men and some women come to places where you go. In Hindi , it was translated to Teri raahon mein , koi mard na chodunga, aurat bhi na chodunga which while retaining most of the meaning didn't hit the point. Exactly. That is where Mehboob/ PK Mishra fail. that is why it would be helpful if the original poet is involved in the translation process. A translator lyrics might roughshod it as he is getting paid for any working translation, but the original poet's pride and literary standing is at repute so he would not agree to such prickly translations. And indeed, there are many other finer versions possible to which it could be translated to. Oh, just googled and found that Telephone Manipol is penned by Vairamuthu. My holy gawd. No hindi music lover is going to respect a poet who gives lyrics like Teri raahon mein koi mard na chodunga, aurat bhi na chodunga, even though it was P K Mishra's butchering knife. was Latka dikha diya hamne, jhatka dikha diya hamne also by Vairamuthu? I mean its tamil original? Ha ha ha, what a joke that the most respected Tamil writer pens streetspeak Latka Jhatka. At orkut, 13 year old kids are creating better lines for their profile titles. Each language has its idiosynchracies and elements which are unique to it , which would make sense only in that language. Indeed. But emotions are inherent in humans and go deeper and beyond the lyrics and music. Every language has expressed all emotions in great ways, so these could be translated from to each another to retain at least major part of the original feel. In recent times, I don't find such odd sounding lyrics in hindi songs that you guys even tell that are dubbed from tamil or other languages. Seems ARR is giving more emphasis to smooth flowing lyrics now, in dubbed songs. -- Rawat
Re: [arr] A.R.Rahman Unpopulared Movie Names
Mr. Rawat... I meant to say dat the BG SCORE of Yodha was greatI DID NOT criticize it... Please do read d entry before replying. YODHA had *GREAT WORLDCLASS BACKGROUND SCORE *by Rahman. Please see this VIDEO and tell your comment: http://youtube.com/watch?v=l0Pc2BmobGY OK??? On 6/3/08, V S Rawat [EMAIL PROTECTED] wrote: On 6/3/2008 5:51 PM India Time, _kishore parayath_ wrote: Yodha is a *Malayalam* movie. 1992. It had WORLDCLASS BACKGROUND SCORE It was in the league of John Williams...Or even superior... Its Hindi version Dharamyodha was also nothing great. That was ARR's starting album so discounts need to be given to our man. He was learning ropes. -- Rawat Experience it brothers... and write your reviews... http://youtube.com/watch?v=l0Pc2BmobGY Regards, Kishore.
[arr] Chords Classical Music
Dear Friends, nbsp; I am Visharad in Classical Music. But need to know some knowledge regarding western chords. nbsp; Is there any one who can tell (guide) me the link or a suggestions for compeering Indian classical music amp; chords. nbsp; Thanks..!! Unlimited freedom, unlimited storage. Get it now, on http://help.yahoo.com/l/in/yahoo/mail/yahoomail/tools/tools-08.html/
[arr] Do we need to alert someone?? (sakarakatti!)
Hey! With us counting the days to hear Sakarakatti someone came up with a joke-Good morning Tamilnade..which Gops confirmed is not by ARR and is a fake. However, one of the most popular online music sites musicindiaonline.com has fallen for this one.I was shocked when so many folks called me up and told me how excited they were to hear this song. Shocking it was! It was difficult to convince them that it was not an ARR number. http://www.musicindiaonline.com/music/tamil/s/movie_name.9769/ Do we need to alert the site? Lets not wish for more people to fall for this..
Re: [arr] From Where should I get songs from Vaishnavar(1993)
WellMany ppl have claimed to see cassettes with Tags: Music: A.R. RAHMAN ... while many other say the Music is by Ouseppachan... Only 2 ppl can answer.. Either..Ouseppachan or Rahman... IF waht haruish said is correct...Dat it had some pavitra songs...then, confirm dat it is an ARR MUSICAL...BTW..Harish, whose name is givn in d cassette for Music Director??
Re: [arr] Help me Roja .......
Ya... I also need Roja Malayalam... I just remember that, Kadhal Rojave/Roja Janemann in Malayalam was Omal Poonguyile...
Re: [arr] Dharam Yodha Background Scores
Dear Vithur Dharam Yodha, is ORIGINALLY the MALAYALAM *YODHA (1992)* . It was dubbed into Tamil as ASOKAN in 1993 and later into Hindi as Dharam Yodha... So..I request you to please give the Original title... And Thank You for the BGM pieces...since I had earlier asked for it... Also try to get the songs of the unreleased 1993 Malayalam movie Vaishnavar, which is said to have Music by ARR, and which is said to have the Sevvanam song from Pavitra. If u can... Thank you brother.. *Kishore.*
Re: [arr] A.R.Rahman Unpopulared Movie Names
well well well ,its so sad that some has to speak something about vairamuthu like this ,any way my dear friend vairamuthu did not get the limelight cuz of rahman nor wud i say the vice versa ..vairamuthu is some one who fed tamil the language to many a tamilians so plz show some respect . --- On Wed, 6/4/08, Vinayakam Murugan lt;[EMAIL PROTECTED]gt; wrote: From: Vinayakam Murugan lt;[EMAIL PROTECTED]gt; Subject: Re: [arr] A.R.Rahman Unpopulared Movie Names To: arrahmanfans@yahoogroups.com Date: Wednesday, June 4, 2008, 8:43 PM Boss gt; gt; None of the people that I have come across have ever heard Vairamuthu's gt; name, let alone know that he is a poet, let alone hear his lyrics. I gt; myself heard his name only in this list in connection with ARR and have gt; never heard his lyrics. Is that the criteria to determine greatness? gt; gt; Among Hindi music lovers, even Mehboob's name is more heard than gt; Vairamuthu's name. Vairamuthu is not unpopular, Vairamuthu is totally gt; unknown in cow belt. gt; gt;gt; In fact, some of his lyrics have been more effective for the song gt;gt; situation than the HIndi Lyricists, as acknowledged by ARR himself, gt; gt; I have also heard about his greatness and I crave to listen to his gt; lyrics. I wonder why doesn't he learn 200 words of Hindi to pen at least gt; one Hindi original song for ARR so that we could also feel the greatness gt; he is claimed to have. gt; Brother, the onus is on you to learn Tamil to understand his lyrics rather than the other way around. He would probably be least concerned if couple of people fail to acknowledge his talent. gt; Maybe, ARR could take some initiative with the the help of bilinguals gt; like Mehboob to give a glimpse of Vairamuthu's magic to Hindi music gt; lovers. Like, Vairamuthu writes original tamil lyrics for a Hindi song gt; of ARR, Mehboob translates it to Hindi, and then reverse translates it gt; to Tamil to explain to Vairamuthu how his poem's various connotations gt; are coming in hindi, depending of which Vairamuth modifies on and on and gt; gives final approval to a Hindi lyrics that he feels conveys what he gt; wished to convey. That will be a unique experiment. I am not sure how that would help. There was a naughty line in Telephone Manipol - Nee pogum idathil - aangalai vidamatten , sila pengalai vidamatten - meaning I will not let men and some women come to places where you go. In Hindi , it was translated to Teri raahon mein , koi mard na chodunga, aurat bhi na chodunga which while retaining most of the meaning didn't hit the point. Each language has its idiosynchracies and elements which are unique to it , which would make sense only in that language. -- Warm Regards ~~~ Vinayak http://theregoesano therday.blogspot .com/ - - - - - - The father who does not teach his son his duties is equally guilty with the son who neglects them. Confucius - - - - - -
Re:[arr] ARRs focus on solo instruments-overdoing on INDIAN MUSIC?
LOL..I knew someone was going to overreact and take this personally. I was just counting the days. And to top it off, your post doesn't even make sense! --- In arrahmanfans@yahoogroups.com, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: Friends i feel sorry to say this. CHord please stop as you said you know lot about INDIAN MUSIC. be realistic amp; true to yourself. are you for raghuman or for yourself just to do more posts amp; over do. by limited writing you wont lose importance. It looks pity. by over amp; over highlighting on same things you want to see posts-like from ricky pc speak for other mds amp; finally tapey falling into ilayaraja groove. Chord you are the one coming with music by other mds amp; as part of music lovers universally no one will deny if you wanna speak on other mds. My mom who is singing for Bharata Natyam performances asking this guy Chord to elaborate on beautiful Padams amp; Javalis please, as he claimed, know lot about Indian Music ? She is laughing at this guy of suddenly putting raghuman in high spirits as no other person in indian music amp; another day he bbrings in many recommendations for some old amp; new music of other mds he finds special in it only to insist not in raghumans. To keep on insisting, this is it, this is not, with their [know lot about INDIAN MUSIC attitude]nbsp;shows only immaturity with lack of exposure on INDIAN MUSIC BLENDED WITH CULTURES. if you want to claim anything kindly add [to my limited knowledge on hindi music amp; genres]. human minds are in sick arrangement when it finds something new amp; irresistible it is ready to throw other thingsnbsp;without realizing its existed value be it music or be crazy writing to forums to gain importance only to be seen obsessed. if inbsp;listen tonbsp;certain composers, in certain languages amp; certain genres, i cannot put views in public with a bold claim [i know lot about INDIAN MUSIC amp; this is it], to my limited exposure. both old amp; new worlds music has provided usnbsp;gems with variousnbsp;musicians in many genres. nbsp; dear friend for dance performances she used to give a mix ofnbsp;some nice hindi bhajans, marati abhangs, telugu kirtans, kannada dasar padams, viruttams in sanskrit shlokas with tamil padams amp; thillanas. it just not applies to her but to any vocal support singer for dance performances. My mom is a fan of sdburman, rdburmani, mohd rafi, mukesh,nbsp;lata mangeshkar, Kishori Amonkar, begum parveen sultana, pt.Jasraj, Bhimsen Joshi, jagjit singh, anup jalota, ghulam ali, G.N.Balasubramaniam, M.L.Vasantha Kumari, K.V.Mahadevan, M.S.V., Maragathamani, TMS, suseela, p.leela, spb, janaki, p.b.s., jesudas amp; ofcourse AR amp; Ilayaraja amp; many more of singers amp; composers amp; musicians that consume my time. She will find the ragas amp; taal in Michael Jacksons music amp; rhythms. She is a fan of beetles. She wont miss the news related to grammy awards. She will list out the ragas amp; their bhava family they belong from the mind blowing orchestrations amp; bgmsnbsp;in hollywood movies. Two americans are students to my mom learning how to vocal support for this classical form of art. Chord you dont have any other work amp; idling here only to create record on posts with ill intentions amp; not on facts. nbsp; Coming to limitations on another claim, tastes are changing to trends amp; generations. before raghuman era people were definitely enjoying raja's brilliance. Non-tamil fans who dont know about good amp; the best songs of other tamil mds cannot understand these facts sadly amp; for their limited exposure on richer side of tamil music on traditional, classical amp; by films. Raja may not be interested to learn urdu amp; hindi to jump into bollywood to try there. Raja just for a decade now stands 2nd to raghuman in creativity. I would ask why heros from various states dont try their luck in bollywood. Why even Kamal amp; Rajini could not find a constant place in bollywood with their talents. It is difficult business-wisenbsp;considering the style of living, languagenbsp;amp; what the society demand in films in that culture at that time. May be ilayaraja is satisfied with what he does at the period when raghuman is very junior amp; not in action. Raja is contented with the money amp; entertaining tamil fans as far as possible. I believe even if raja gets more hindi films he wont deviate or cheat tamil fans from giving best music also to tamil films at later stages in a way of thanking the soil amp; his first fans which is not in the case of raghuman. Like this guy Chord is sick of putting posts thinking himself as the best critic who learnt all forms of Indian Music, Raghuman is sick after money forgetting his good old tamil fans who want to listen to some best tunes even for that few tamil films he is working in. when fans claim Raja could not do what raghuman did in bollywood they forgot,
Re: [arr] Prema Desam Themes
Sorry Gopal..I didnt know...Please forgive... BTW, Iam very well aware about Puli... But Naani is a remake of the Tamil Superhit NEW. If then, Kannada ppl will start saying dat Sajni is a complete Kannada movie by ARRActually its a remake of the Tamil Movie Jodi, and the same songs were repeated... And I heard ARR only came to about it during the AUDIO release...where he gave a TAPED best wishes msg to d crew of d movie during d AUDIO LAUNCH... My dad is a close friend of playback singer Sujatha And Sujatha still says her daughter Swetha has not yet sung for a straight Rahman movie... i.e, she hasnt sung a Rahman song under Rahman. But she sung for Sajni, but ARR was not there Also heard through another source that Praveen Mani made the SINGER selection for Sajni.
Re:[arr] ARRs focus on solo instruments-overdoing on INDIAN MUSIC?
By the way, who the heck is Raghuman? LOL! --- In arrahmanfans@yahoogroups.com, [EMAIL PROTECTED] [EMAIL PROTECTED] wrote: Friends i feel sorry to say this. CHord please stop as you said you know lot about INDIAN MUSIC. be realistic amp; true to yourself. are you for raghuman or for yourself just to do more posts amp; over do. by limited writing you wont lose importance. It looks pity. by over amp; over highlighting on same things you want to see posts-like from ricky pc speak for other mds amp; finally tapey falling into ilayaraja groove. Chord you are the one coming with music by other mds amp; as part of music lovers universally no one will deny if you wanna speak on other mds. My mom who is singing for Bharata Natyam performances asking this guy Chord to elaborate on beautiful Padams amp; Javalis please, as he claimed, know lot about Indian Music ? She is laughing at this guy of suddenly putting raghuman in high spirits as no other person in indian music amp; another day he bbrings in many recommendations for some old amp; new music of other mds he finds special in it only to insist not in raghumans. To keep on insisting, this is it, this is not, with their [know lot about INDIAN MUSIC attitude]nbsp;shows only immaturity with lack of exposure on INDIAN MUSIC BLENDED WITH CULTURES. if you want to claim anything kindly add [to my limited knowledge on hindi music amp; genres]. human minds are in sick arrangement when it finds something new amp; irresistible it is ready to throw other thingsnbsp;without realizing its existed value be it music or be crazy writing to forums to gain importance only to be seen obsessed. if inbsp;listen tonbsp;certain composers, in certain languages amp; certain genres, i cannot put views in public with a bold claim [i know lot about INDIAN MUSIC amp; this is it], to my limited exposure. both old amp; new worlds music has provided usnbsp;gems with variousnbsp;musicians in many genres. nbsp; dear friend for dance performances she used to give a mix ofnbsp;some nice hindi bhajans, marati abhangs, telugu kirtans, kannada dasar padams, viruttams in sanskrit shlokas with tamil padams amp; thillanas. it just not applies to her but to any vocal support singer for dance performances. My mom is a fan of sdburman, rdburmani, mohd rafi, mukesh,nbsp;lata mangeshkar, Kishori Amonkar, begum parveen sultana, pt.Jasraj, Bhimsen Joshi, jagjit singh, anup jalota, ghulam ali, G.N.Balasubramaniam, M.L.Vasantha Kumari, K.V.Mahadevan, M.S.V., Maragathamani, TMS, suseela, p.leela, spb, janaki, p.b.s., jesudas amp; ofcourse AR amp; Ilayaraja amp; many more of singers amp; composers amp; musicians that consume my time. She will find the ragas amp; taal in Michael Jacksons music amp; rhythms. She is a fan of beetles. She wont miss the news related to grammy awards. She will list out the ragas amp; their bhava family they belong from the mind blowing orchestrations amp; bgmsnbsp;in hollywood movies. Two americans are students to my mom learning how to vocal support for this classical form of art. Chord you dont have any other work amp; idling here only to create record on posts with ill intentions amp; not on facts. nbsp; Coming to limitations on another claim, tastes are changing to trends amp; generations. before raghuman era people were definitely enjoying raja's brilliance. Non-tamil fans who dont know about good amp; the best songs of other tamil mds cannot understand these facts sadly amp; for their limited exposure on richer side of tamil music on traditional, classical amp; by films. Raja may not be interested to learn urdu amp; hindi to jump into bollywood to try there. Raja just for a decade now stands 2nd to raghuman in creativity. I would ask why heros from various states dont try their luck in bollywood. Why even Kamal amp; Rajini could not find a constant place in bollywood with their talents. It is difficult business-wisenbsp;considering the style of living, languagenbsp;amp; what the society demand in films in that culture at that time. May be ilayaraja is satisfied with what he does at the period when raghuman is very junior amp; not in action. Raja is contented with the money amp; entertaining tamil fans as far as possible. I believe even if raja gets more hindi films he wont deviate or cheat tamil fans from giving best music also to tamil films at later stages in a way of thanking the soil amp; his first fans which is not in the case of raghuman. Like this guy Chord is sick of putting posts thinking himself as the best critic who learnt all forms of Indian Music, Raghuman is sick after money forgetting his good old tamil fans who want to listen to some best tunes even for that few tamil films he is working in. when fans claim Raja could not do what raghuman did in bollywood they forgot, what fans amp; critics in north claim as the famous A to Z of bollywood composers, why such bollywood composers
Re: [arr] Tu Bole Main Boloon is inspired from which song?
My original post was only related to what Rahman said in the interview and not accusing him of anything. --- In arrahmanfans@yahoogroups.com, Ashish G [EMAIL PROTECTED] wrote: Why is that people are always trying to look for every single note to try and say Rahman copies or plagiarizes! Why this obsession ! Is there anyone who wants us to stop listening to Rahman! Does anyone have a vengeance to take against rahman! what if his indeed inspired for one particular song(which isn't the case),does that remove the geniusness of whatever his accomplished.
Re:[arr] ARRs focus on solo instruments-overdoing on INDIAN MUSIC?
Because your (south indian) music knowledge is much much greater than all of ours put together I have great faith in your taste and would like to know who this Raghuman you are referring to? Your insults to R-a-h-m-a-n looks more like something that's coming out of frustration due to the lack of Illaiyaraja in H/Bollywood. Btw, Rahman does not need to be faithful to anyone or any fanbase. He only needs to be faithful to MUSIC and he's doing a damn good job of that. If you think he's not delivering in the tamil industry as he did in the 90s then you were never a Rahman fan. You were only a fan of the new sensation that his music brought you in the 90s. So just grow up! On Thu, 6/5/08, [EMAIL PROTECTED] lt;[EMAIL PROTECTED]gt; wrote: From: [EMAIL PROTECTED] lt;[EMAIL PROTECTED]gt; Subject: Re:[arr] ARRs focus on solo instruments-overdoing on INDIAN MUSIC? To: arrahmanfans@yahoogroups.com Date: Thursday, June 5, 2008, 6:48 AM Friends i feel sorry to say this. CHord please stop as you said you know lot about INDIAN MUSIC. be realistic amp;amp; true to yourself. are you for raghuman or for yourself just to do more posts amp;amp; over do. by limited writing you wont lose importance. It looks pity. by over amp;amp; over highlighting on same things you want to see posts-like from ricky pc speak for other mds amp;amp; finally tapey falling into ilayaraja groove. Chord you are the one coming with music by other mds amp;amp; as part of music lovers universally no one will deny if you wanna speak on other mds. My mom who is singing for Bharata Natyam performances asking this guy Chord to elaborate on beautiful Padams amp;amp; Javalis please, as he claimed, know lot about Indian Music ? She is laughing at this guy of suddenly putting raghuman in high spirits as no other person in indian music amp;amp; another day he bbrings in many recommendations for some old amp;amp; new music of other mds he finds special in it only to insist not in raghumans. To keep on insisting, this is it, this is not, with their [know lot about INDIAN MUSIC attitude]amp;nbsp; shows only immaturity with lack of exposure on INDIAN MUSIC BLENDED WITH CULTURES. if you want to claim anything kindly add [to my limited knowledge on hindi music amp;amp; genres]. human minds are in sick arrangement when it finds something new amp;amp; irresistible it is ready to throw other thingsamp;nbsp; without realizing its existed value be it music or be crazy writing to forums to gain importance only to be seen obsessed. if iamp;nbsp;listen toamp;nbsp;certain composers, in certain languages amp;amp; certain genres, i cannot put views in public with a bold claim [i know lot about INDIAN MUSIC amp;amp; this is it], to my limited exposure. both old amp;amp; new worlds music has provided usamp;nbsp;gems with variousamp;nbsp; musicians in many genres. amp;nbsp; dear friend for dance performances she used to give a mix ofamp;nbsp;some nice hindi bhajans, marati abhangs, telugu kirtans, kannada dasar padams, viruttams in sanskrit shlokas with tamil padams amp;amp; thillanas. it just not applies to her but to any vocal support singer for dance performances. My mom is a fan of sdburman, rdburmani, mohd rafi, mukesh,amp;nbsp; lata mangeshkar, Kishori Amonkar, begum parveen sultana, pt.Jasraj, Bhimsen Joshi, jagjit singh, anup jalota, ghulam ali, G.N.Balasubramaniam , M.L.Vasantha Kumari, K.V.Mahadevan, M.S.V., Maragathamani, TMS, suseela, p.leela, spb, janaki, p.b.s., jesudas amp;amp; ofcourse AR amp;amp; Ilayaraja amp;amp; many more of singers amp;amp; composers amp;amp; musicians that consume my time. She will find the ragas amp;amp; taal in Michael Jacksons music amp;amp; rhythms. She is a fan of beetles. She wont miss the news related to grammy awards. She will list out the ragas amp;amp; their bhava family they belong from the mind blowing orchestrations amp;amp; bgmsamp;nbsp;in hollywood movies. Two americans are students to my mom learning how to vocal support for this classical form of art. Chord you dont have any other work amp;amp; idling here only to create record on posts with ill intentions amp;amp; not on facts. amp;nbsp; Coming to limitations on another claim, tastes are changing to trends amp;amp; generations. before raghuman era people were definitely enjoying raja's brilliance. Non-tamil fans who dont know about good amp;amp; the best songs of other tamil mds cannot understand these facts sadly amp;amp; for their limited exposure on richer side of tamil music on traditional, classical amp;amp; by films. Raja may not be interested to learn urdu amp;amp; hindi to jump into bollywood to try there. Raja just for a decade now stands 2nd to raghuman in creativity. I would ask why heros from various states dont try their luck in bollywood. Why even Kamal amp;amp; Rajini could not find a constant place in bollywood with their
Re: [arr] GHAJINI
*No This is a GOSSIP..* Tamil soundtrack was composed by Harris jayaraj, who was ARR's keyboardist for a very short period. The two popular tracks which u say are Suttum Vizhi and Oru Malai and ARR in an interview in November 2007, said that he had then completed composing 4 tracks, which includes the corresponding ones of Suttum Vizhi and Oru Malai. And the recent news is, GHAJINI is the album from which ARR expects the MOST, this year... So brother..dont go after rumours and gossips,_._,___
[arr] Muthu in Japanese - what about its music?
http://en.wikipedia.org/wiki/Muthu_(film) The above link reads: -- The film was later released in Telugu and in Japanese in Japan as Muthu Odoru Maharaja (lit. Muthu - The Dancing Maharaja, Muthu Odoru Maharaja?). The film was acclaimed and became a huge hit with the Japanese when released in the country in 1998 and grossed $3 million USD in Japan - the most by any Indian film in Japan -- Did the Japanese version also have the music by ARR? In Japanese? If so, where to listen? -- Rawat
Re: [arr] songs where ARR is not the main voice
Piya Haji Ali (fiza) Wedding Qawaali (Bombay Dreams) Ishq Bina - Taal Al Adath Maula - Mangal Pandey Yelelo Yelelo - Chinna Chinna aasai Kannalane song ( interlude ) kabhi neem neem from yuva chinna chinn aasai from roja Roobaro -RDB Halla Gulla - Bombay Boom boom - Boys Kappalyeri Poyachu - Indian Ay Hairathe / Hey Manburu - Guru... Mangta Hai Kya - Rangeela... Sahana - Sivaji Thee thee thithikkum thee - thirudathiruda Kokku saiva kokku - muthu URVASI URVASI (Premikudu(Telugu)) --- On Thu, 6/5/08, Reformed Sinner lt;[EMAIL PROTECTED]gt; wrote: From: Reformed Sinner lt;[EMAIL PROTECTED]gt; Subject: Re: [arr] songs where ARR is not the main voice To: arrahmanfans@yahoogroups.com Date: Thursday, June 5, 2008, 1:51 AM oh yes how can we forget that one also i think we can add Chale Chalo from Lagaan to this list. On Wed, Jun 4, 2008 at 12:16 AM, Mohamed Hashir lt;[EMAIL PROTECTED] comgt; wrote: hi guys its a nice list...but leaving the alaap from 'kahna hai kya' would be nothing short of a crime nbsp; enjoy On Tue, Jun 3, 2008 at 9:01 PM, Reformed Sinner lt;reformedsinner@ gmail.comgt; wrote: thanks guys i have added your suggestions to the list Piya Haji Ali (fiza) Wedding Qawaali (Bombay Dreams) Ishq Bina - Taal Al Adath Maula - Mangal Pandey Yelelo Yelelo - Chinna Chinna aasai Kannalane song ( interlude ) kabhi neem neem from yuva chinna chinn aasai from roja Roobaro -RDB Halla Gulla - Bombay Boom boom - Boys Kappalyeri Poyachu - Indian Ay Hairathe / Hey Manburu - Guru... Mangta Hai Kya - Rangeela... Sahana - Sivaji Thee thee thithikkum thee - thirudathiruda Kokku saiva kokku - muthu On Tue, Jun 3, 2008 at 1:18 PM, mb4zap lt;moinboss4zap@ yahoo.comgt; wrote: Fully agreed, arr pavan. nbsp; But even if we skip those small details ARR used his exceptional voice at many songs as background or at interludes (or as alaap) without even being credited at CD. And they each stand out... ARR voice has certain quality to it that always creates magic in every song. Now enlist each and every one of those will be one heck of a task no doubt :) --- On Mon, 6/2/08, arr pavan lt;[EMAIL PROTECTED] co.ingt; wrote: From: arr pavan lt;[EMAIL PROTECTED] co.ingt; Subject: Re: [arr] songs where ARR is not the main voice To: arrahmanfans@ yahoogroups. com Date: Monday, June 2, 2008, 10:11 PM Dude ! :) if that is the case, then you need to add almost all the songs. ARR's voice will be embedded inside layers that is hard to find in casual listening. If there are some layer separating software now thats going to be a treasure for AR fans. Imagine in every song if he adds his initial singing to show to the singersnbsp;how to deliver amp; interestingly he adds them in final mixing. Fans who are technically sound amp; fans who donbsp;researchnbsp;onnbsp;AR compositions will find these layers with AR's voice in it. nbsp; nbsp; --- On Mon, 2/6/08, Reformed Sinner lt;reformedsinner@ gmail.comgt; wrote: From: Reformed Sinner lt;reformedsinner@ gmail.comgt; Subject: [arr] songs where ARR is not the main voice To: arrahmanfans@ yahoogroups. com Date: Monday, 2 June, 2008, 7:34 PM i am trying to compile a list of songs where ARR's is not the main voice, but one among a group of voices. and even in these songs his voice stands out!! Piya Haji Ali (fiza) Wedding Qawaali (Bombay Dreams) Ishq Bina - Taal Al Adath Maula - Mangal Pandeyguys n gals, - pls feel free to add to this list. --RS Best Jokes, Best Friends, Best Food. Get all this and more on Best of Yahoo! Groups.
Re: [arr] Prema Desam Themes
I reiterate my suggestion about getting facts right. Naani was made first and then remade into Tamil as New. NMNT was conceived as a Telugu project and simultaneously released in the Tamil dubbed version, E20U18. As for the baseless speculation about Sajni, I will not even venture into responding to it. For the others, please stop getting personal, it's easy to delete such emails but it's harder to be civilized on a public forum. - Original Message From: kishore parayath [EMAIL PROTECTED] To: arrahmanfans@yahoogroups.com Sent: Thursday, June 5, 2008 4:44:35 PM Subject: Re: [arr] Prema Desam Themes Sorry Gopal..I didnt know...Please forgive... BTW, Iam very well aware about Puli... But Naani is a remake of the Tamil Superhit NEW. If then, Kannada ppl will start saying dat Sajni is a complete Kannada movie by ARRActually its a remake of the Tamil Movie Jodi, and the same songs were repeated... And I heard ARR only came to about it during the AUDIO release...where he gave a TAPED best wishes msg to d crew of d movie during d AUDIO LAUNCH.. . My dad is a close friend of playback singer Sujatha And Sujatha still says her daughter Swetha has not yet sung for a straight Rahman movie... i.e, she hasnt sung a Rahman song under Rahman. But she sung for Sajni, but ARR was not there Also heard through another source that Praveen Mani made the SINGER selection for Sajni.
Re: [arr] Muthu in Japanese - what about its music?
Heard dat d Tamil Music was repeated as a novelty... Not sure though..
Re: [arr] A.R.Rahman Unpopulared Movie Names
On 6/5/2008 2:13 PM India Time, _Vinayakam Murugan_ wrote: I am not sure how that would help. There was a naughty line in Telephone Manipol - Nee pogum idathil - aangalai vidamatten , sila pengalai vidamatten - meaning I will not let men and some women come to places where you go. In Hindi , it was translated to Teri raahon mein , koi mard na chodunga, aurat bhi na chodunga which while retaining most of the meaning didn't hit the point. Oh. just googled and found that Muthu lyrics were also by Vairamuthu sir. an example: uupar cha.Dh ke rahanaa ek pal na Dhiilii chho.Danaa joruu ko apanii tum puure din me.n ##I love you I love you## pachiis baar bolanaa din bhar me.n pyaar se bhaiyaa chummaa das baar le lenaa din me.n rozaanaa tiin baar khaTiyaa pe usako le jaanaa meraa ye nusKaa roz aajamaaye to lugaa_ii hameshaa tere bas me.n rahegii translations: PK MIshra. -- Rawat
Re: [arr] Do we need to alert someone?? (sakarakatti!)
May be its deliberate to increase the hits of the site! --- On Thu, 6/5/08, naztitude lt;[EMAIL PROTECTED]gt; wrote: From: naztitude lt;[EMAIL PROTECTED]gt; Subject: [arr] Do we need to alert someone?? (sakarakatti!) To: arrahmanfans@yahoogroups.com Date: Thursday, June 5, 2008, 5:43 AM Hey! With us counting the days to hear Sakarakatti someone came up with a joke-Good morning Tamilnade.. which Gops confirmed is not by ARR and is a fake. However, one of the most popular online music sites musicindiaonline. com has fallen for this one.I was shocked when so many folks called me up and told me how excited they were to hear this song. Shocking it was! It was difficult to convince them that it was not an ARR number. http://www.musicind iaonline. com/music/ tamil/s/movie_ name.9769/ Do we need to alert the site? Lets not wish for more people to fall for this..
Re: [arr] Prema Desam Themes
Sorry Mr.Gopal... And thanx for the information.. Waiting for Puli's Music as SJ SURYAH-ARR combination has always been great...
[arr] Sivaji Songs?
Anyone here still have the sivaji songs that were out in the net before the official release? Please send them to me... Thank you...
[arr] Chinna Chinna Aasai to Gulfisha - A different compilation :)
Guys, I've been wanting to compile this list since Minsara kanavu days.. well don't ask me `So what?'.. just struck to me as a strange pattern so here goes.. Sorry that the focus has been mainly in Tamil songs. And No price for guessing the trend J 1. Chinna Chinna Aasai (Roja) 2. Rukumani Rukumani (Roja) 3. Thamizha Thamizha (Roja) 4. Paarkadhe Paarkadhe (Gentleman) 5. Kannum Kannum Kolaiyadhital (Thiruda Thiruda) 6. Thi Thi Thithikkum Thi (Thiruda Thiruda) 7. Pennalla Pennalla (Uzhavan) 8 . Kaathu Kaathu pudhu kaathu (Uzhavan) 9. Ennavale (adi) Ennavale (Kadhalan) 10. Urvasi Urvasi (Kadhalan) 11. Kuchi Kuchi Rakkamma (Bombay) 12. Uyire Uyire (Bombay) 13. Ruck Ja Ruck Ja (Bombay) 14. Thoda Thoda Malardhathenna (Indira) 15. Oruvan Oruvan (Muthu) 16. Thillana Thillana (Muthu) 17. Tanha Tanha (Rangeela) 18. Yahire Yahire (Rangeela) 19. Mustafa Mustafa (Kadhal Desam) 20. Muthu Muthu Mazhai (Mr. Romeo) 21. Monalisa Monalisa (Mr. Romeo) 22. Shabba Shabba (Daud) 23. Narumugaye Narumugaye (Iruvar) 24. Vennilave Vennilave (Minsara Kanavu) 25. Lucky Lucky (Ratchagan) 26. Nenjae Nenjae (Ratchagan) 27. Soniya Soniya (Ratchagan) 28. Tauba Tauba (Vande Mataram) 29. Anjali Anjali (Duet) 30. Kathirikka Kathirikka (Duet) 31. Mettupodu Mettupodu (Duet) 32. Columbus Columbus (Jeans) 33. Anbae Anbae Kolladhe (Jeans) 34. Mil Gayee Mil Gayee (Kabhi Na Kabhi) 35. ComeOn ComeOn (Love Birds) 36. Malargale Malargale (Love Birds) 37. Sambo Sambo (Love Birds) 38. Ennuyire Ennuyire (Uyire) 39. Nenjinile Nenjinile (Uyire) 40. Thaiyya Thaiyya (Dilse) 41. Chaiyya Chaiyya (Dilse) 42. Dheemi Dheemi (1947 Earth) 43. Chinna Chinna Mazhai thuli (En Swasa Katre) 44. Jumbalika Jumbalika (En Swasa Katre/Thakshak) 45. Roja Roja (Kadhalar Dinam) 46. Nenachapadi Nenachapadi (Kadhalar Dinam) 47. Suthi Suthi Vandhega (Padayappa) 48. Mazhaithuli Mazhaithuli (Sangamam) 49. Kandukondein Kandukondein (Kandukondein Kandukondein) 50. Nathiye Nathiye (Rhythm) 51. Chotta Chotta (Tajmahal) 52. Karusu Karusu (Tajmahal) 53. Injerungo Injerungo (Thenali) 54. Swasame Swasame (Thenali) 55. Snegithane Snegithane (Alaipayuthey) 56. Dheeme Dheeme Gayoon (Zubeidaa) 57. Nendhukitean Nendhukitean (Star) 58. Ghanan Ghanan (Lagaan) 59. Mitwa (chal) Mitwa (lagaan) 60. Tippu Tippu Tippukumare (Baba) 61. Maya Maya Ellam Maya (Baba) 62. Ye Ye Enna Achu unakku (Kadhal Virus) 63. Senjore Senjore (Kannathil Muthamittal) 64. Desmere Desmere Mere Jaan Hi Tu (The Legend of Bhagat singh) 65. Jogiya Jogiya Ve (The Legend of Bhagat singh) 66. Boom Boom (Boys) 67. Maro Maro (Boys) 68. Please sir Please sir (Boys) 69. Kama Kama (Ennakku 20 Unnaku 18) 70. Yedho Yedho onru (Ennakku 20 Unnaku 18) 71. Asathura Asathura (Ennakku 20 Unnaku 18) 72. Enge Enge orumurai par (Dolna) (Parasuram) 73. Kathakali Kathakali (Parasuram) 74. Meherubaan Meherubaan (Tehzeeb) 75. Enna Enna Adhu Enna Enna (Udhaya) 76. Udhaya Udhaya (Udhaya) 77. Saawariya Saawariya (Swades) 78. Aahista Aahista (Swades) 79. Dol Dol (Ayudha Ezhuthu) 80. Spiderman Spiderman (New) 81. Mayilirage Mayilirage (Anbe Aruyire) 82. Marangothiye Marangothiye Woodpecker (Anbe Aruyire) 83. Thigu Thigu (Anbe Aruyire) 84. Kadam Kadam (Bose) 85. Mangal Mangal (Mangal Pandey) 86. Takey Takey (Mangal Pandey) 87. Kummiadi Kummiadi (Sillunu oru Kadhal) 88. Machakari Machakari (Sillunu oru Kadhal) 89. Maja Maja (Sillunu oru Kadhal) 90. Vaaji Vaaji (Sivaji) 91. Balleilakka Balleilakka (Sivaji) 92. Shillong Shillong (Provoked) 93. Mayya Mayya (Guru) 94. Kabhi Kabhi Aditi (Jaane Tu Jaane Na) 95. Gumsum Gumsum (Ada) 96. Gulfisha Gulfisha (Ada) .. J Srini
Re: [arr] Muthu in Japanese - what about its music?
The Japanese version retained the same songs with Japanese subtitles. On 6/5/08, V S Rawat [EMAIL PROTECTED] wrote: http://en.wikipedia.org/wiki/Muthu_(film) The above link reads: -- The film was later released in Telugu and in Japanese in Japan as Muthu Odoru Maharaja (lit. Muthu - The Dancing Maharaja, Muthu Odoru Maharaja?). The film was acclaimed and became a huge hit with the Japanese when released in the country in 1998 and grossed $3 million USD in Japan - the most by any Indian film in Japan -- Did the Japanese version also have the music by ARR? In Japanese? If so, where to listen? -- Rawat
Re: [arr] Dharam Yodha Background Scores
Kishore, What if he has ripped from Dharam Yodha and not Yodha? Whats with the original title thing that you are so behind? Please note that he is doing a favor to all of us by providing the BGMs. Hope you know how much patience and time is required to do it. And regrading Vaishnavar, the music is NOT by ARR . memorise the previous sentence. Agreed that he was part of the crew, but that doesnt count. On 6/5/08, kishore parayath [EMAIL PROTECTED] wrote: Dear Vithur Dharam Yodha, is ORIGINALLY the MALAYALAM *YODHA (1992) * . It was dubbed into Tamil as ASOKAN in 1993 and later into Hindi as Dharam Yodha... So..I request you to please give the Original title... And Thank You for the BGM pieces...since I had earlier asked for it... Also try to get the songs of the unreleased 1993 Malayalam movie Vaishnavar, which is said to have Music by ARR, and which is said to have the Sevvanam song from Pavitra. If u can... Thank you brother.. *Kishore.*
[arr] Thank You Vithur
Vithur, Thank you very much for continuing to selflessly spend time and share all the BGMs And I really admire your patience in handling all the 'enthusiastic' responses Keep smiling :-) Warm regards PV
Re: [arr] Dharam Yodha Background Scores
Thanks Gomzy... Kishore... I dont understand why U are so attached to these titles and languages... Vaishanavar is not by ARR , and moreover, we are not supposed to circulate songs.. Only Background Scores can be circulated.. On Thu, Jun 5, 2008 at 6:59 PM, Gomzy [EMAIL PROTECTED] wrote: Kishore, What if he has ripped from Dharam Yodha and not Yodha? Whats with the original title thing that you are so behind? Please note that he is doing a favor to all of us by providing the BGMs. Hope you know how much patience and time is required to do it. And regrading Vaishnavar, the music is NOT by ARR . memorise the previous sentence. Agreed that he was part of the crew, but that doesnt count. On 6/5/08, kishore parayath [EMAIL PROTECTED] wrote: Dear Vithur Dharam Yodha, is ORIGINALLY the MALAYALAM *YODHA (1992)* . It was dubbed into Tamil as ASOKAN in 1993 and later into Hindi as Dharam Yodha... So..I request you to please give the Original title... And Thank You for the BGM pieces...since I had earlier asked for it... Also try to get the songs of the unreleased 1993 Malayalam movie Vaishnavar, which is said to have Music by ARR, and which is said to have the Sevvanam song from Pavitra. If u can... Thank you brother.. *Kishore.* -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] Chinna Chinna Aasai to Gulfisha - A different compilation :)
Brother Srini I think ARR was even criticised by some people, for his songs have been having repetitive words :-( On Thu, Jun 5, 2008 at 6:41 PM, Srini [EMAIL PROTECTED] wrote: Guys, I've been wanting to compile this list since Minsara kanavu days.. well don't ask me `So what?'.. just struck to me as a strange pattern so here goes.. Sorry that the focus has been mainly in Tamil songs. And No price for guessing the trend J 1. Chinna Chinna Aasai (Roja) 2. Rukumani Rukumani (Roja) 3. Thamizha Thamizha (Roja) 4. Paarkadhe Paarkadhe (Gentleman) 5. Kannum Kannum Kolaiyadhital (Thiruda Thiruda) 6. Thi Thi Thithikkum Thi (Thiruda Thiruda) 7. Pennalla Pennalla (Uzhavan) 8 .… Kaathu Kaathu pudhu kaathu (Uzhavan) 9. Ennavale (adi) Ennavale (Kadhalan) 10. Urvasi Urvasi (Kadhalan) 11. Kuchi Kuchi Rakkamma (Bombay) 12. Uyire Uyire (Bombay) 13. Ruck Ja Ruck Ja (Bombay) 14. Thoda Thoda Malardhathenna (Indira) 15. Oruvan Oruvan (Muthu) 16. Thillana Thillana (Muthu) 17. Tanha Tanha (Rangeela) 18. Yahire Yahire (Rangeela) 19. Mustafa Mustafa (Kadhal Desam) 20. Muthu Muthu Mazhai (Mr. Romeo) 21. Monalisa Monalisa (Mr. Romeo) 22. Shabba Shabba (Daud) 23. Narumugaye Narumugaye (Iruvar) 24. Vennilave Vennilave (Minsara Kanavu) 25. Lucky Lucky (Ratchagan) 26. Nenjae Nenjae (Ratchagan) 27. Soniya Soniya (Ratchagan) 28. Tauba Tauba (Vande Mataram) 29. Anjali Anjali (Duet) 30. Kathirikka Kathirikka (Duet) 31. Mettupodu Mettupodu (Duet) 32. Columbus Columbus (Jeans) 33. Anbae Anbae Kolladhe (Jeans) 34. Mil Gayee Mil Gayee (Kabhi Na Kabhi) 35. ComeOn ComeOn (Love Birds) 36. Malargale Malargale (Love Birds) 37. Sambo Sambo (Love Birds) 38. Ennuyire Ennuyire (Uyire) 39. Nenjinile Nenjinile (Uyire) *40. Thaiyya Thaiyya (Dilse)* *41. Chaiyya Chaiyya (Dilse)* 42. Dheemi Dheemi (1947 Earth) 43. Chinna Chinna Mazhai thuli (En Swasa Katre) 44. Jumbalika Jumbalika (En Swasa Katre/Thakshak) 45. Roja Roja (Kadhalar Dinam) 46. Nenachapadi Nenachapadi (Kadhalar Dinam) 47. Suthi Suthi Vandhega (Padayappa) 48. Mazhaithuli Mazhaithuli (Sangamam) 49. Kandukondein Kandukondein (Kandukondein Kandukondein) 50. Nathiye Nathiye (Rhythm) 51. Chotta Chotta (Tajmahal) 52. Karusu Karusu (Tajmahal) 53. Injerungo Injerungo (Thenali) 54. Swasame Swasame (Thenali) 55. Snegithane Snegithane (Alaipayuthey) 56. Dheeme Dheeme Gayoon (Zubeidaa) 57. Nendhukitean Nendhukitean (Star) 58. Ghanan Ghanan (Lagaan) 59. Mitwa (chal) Mitwa (lagaan) 60. Tippu Tippu Tippukumare (Baba) 61. Maya Maya Ellam Maya (Baba) 62. Ye Ye Enna Achu unakku (Kadhal Virus) 63. Senjore Senjore (Kannathil Muthamittal) 64. Desmere Desmere Mere Jaan Hi Tu (The Legend of Bhagat singh) 65. Jogiya Jogiya Ve (The Legend of Bhagat singh) 66. Boom Boom (Boys) 67. Maro Maro (Boys) 68. Please sir Please sir (Boys) 69. Kama Kama (Ennakku 20 Unnaku 18) 70. Yedho Yedho onru (Ennakku 20 Unnaku 18) 71. Asathura Asathura (Ennakku 20 Unnaku 18) 72. Enge Enge orumurai par (Dolna) (Parasuram) 73. Kathakali Kathakali (Parasuram) 74. Meherubaan Meherubaan (Tehzeeb) 75. Enna Enna Adhu Enna Enna (Udhaya) 76. Udhaya Udhaya (Udhaya) 77. Saawariya Saawariya (Swades) 78. Aahista Aahista (Swades) 79. Dol Dol (Ayudha Ezhuthu) 80. Spiderman Spiderman (New) 81. Mayilirage Mayilirage (Anbe Aruyire) 82. Marangothiye Marangothiye – Woodpecker (Anbe Aruyire) 83. Thigu Thigu (Anbe Aruyire) 84. Kadam Kadam (Bose) 85. Mangal Mangal (Mangal Pandey) 86. Takey Takey (Mangal Pandey) 87. Kummiadi Kummiadi (Sillunu oru Kadhal) 88. Machakari Machakari (Sillunu oru Kadhal) 89. Maja Maja (Sillunu oru Kadhal) 90. Vaaji Vaaji (Sivaji) 91. Balleilakka Balleilakka (Sivaji) 92. Shillong Shillong (Provoked) 93. Mayya Mayya (Guru) 94. Kabhi Kabhi Aditi (Jaane Tu Jaane Na) 95. Gumsum Gumsum (Ada) 96. Gulfisha Gulfisha (Ada) ….. J Srini -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] Do we need to alert someone?? (sakarakatti!)
We need to do something,, as so many guys keep posting it even in orkut... On Thu, Jun 5, 2008 at 4:13 PM, naztitude [EMAIL PROTECTED] wrote: Hey! With us counting the days to hear Sakarakatti someone came up with a joke-Good morning Tamilnade..which Gops confirmed is not by ARR and is a fake. However, one of the most popular online music sites musicindiaonline.com has fallen for this one.I was shocked when so many folks called me up and told me how excited they were to hear this song. Shocking it was! It was difficult to convince them that it was not an ARR number. http://www.musicindiaonline.com/music/tamil/s/movie_name.9769/ Do we need to alert the site? Lets not wish for more people to fall for this.. -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] Chinna Chinna Aasai to Gulfisha - A different compilation :)
Whats this 13. Ruck Ja Ruck Ja (Bombay) ? On 6/5/08, Vithur [EMAIL PROTECTED] wrote: Brother Srini I think ARR was even criticised by some people, for his songs have been having repetitive words :-( On Thu, Jun 5, 2008 at 6:41 PM, Srini [EMAIL PROTECTED] wrote: Guys, I've been wanting to compile this list since Minsara kanavu days.. well don't ask me `So what?'.. just struck to me as a strange pattern so here goes.. Sorry that the focus has been mainly in Tamil songs. And No price for guessing the trend J 1. Chinna Chinna Aasai (Roja) 2. Rukumani Rukumani (Roja) 3. Thamizha Thamizha (Roja) 4. Paarkadhe Paarkadhe (Gentleman) 5. Kannum Kannum Kolaiyadhital (Thiruda Thiruda) 6. Thi Thi Thithikkum Thi (Thiruda Thiruda) 7. Pennalla Pennalla (Uzhavan) 8 .… Kaathu Kaathu pudhu kaathu (Uzhavan) 9. Ennavale (adi) Ennavale (Kadhalan) 10. Urvasi Urvasi (Kadhalan) 11. Kuchi Kuchi Rakkamma (Bombay) 12. Uyire Uyire (Bombay) 13. Ruck Ja Ruck Ja (Bombay) 14. Thoda Thoda Malardhathenna (Indira) 15. Oruvan Oruvan (Muthu) 16. Thillana Thillana (Muthu) 17. Tanha Tanha (Rangeela) 18. Yahire Yahire (Rangeela) 19. Mustafa Mustafa (Kadhal Desam) 20. Muthu Muthu Mazhai (Mr. Romeo) 21. Monalisa Monalisa (Mr. Romeo) 22. Shabba Shabba (Daud) 23. Narumugaye Narumugaye (Iruvar) 24. Vennilave Vennilave (Minsara Kanavu) 25. Lucky Lucky (Ratchagan) 26. Nenjae Nenjae (Ratchagan) 27. Soniya Soniya (Ratchagan) 28. Tauba Tauba (Vande Mataram) 29. Anjali Anjali (Duet) 30. Kathirikka Kathirikka (Duet) 31. Mettupodu Mettupodu (Duet) 32. Columbus Columbus (Jeans) 33. Anbae Anbae Kolladhe (Jeans) 34. Mil Gayee Mil Gayee (Kabhi Na Kabhi) 35. ComeOn ComeOn (Love Birds) 36. Malargale Malargale (Love Birds) 37. Sambo Sambo (Love Birds) 38. Ennuyire Ennuyire (Uyire) 39. Nenjinile Nenjinile (Uyire) *40. Thaiyya Thaiyya (Dilse)* *41. Chaiyya Chaiyya (Dilse)* 42. Dheemi Dheemi (1947 Earth) 43. Chinna Chinna Mazhai thuli (En Swasa Katre) 44. Jumbalika Jumbalika (En Swasa Katre/Thakshak) 45. Roja Roja (Kadhalar Dinam) 46. Nenachapadi Nenachapadi (Kadhalar Dinam) 47. Suthi Suthi Vandhega (Padayappa) 48. Mazhaithuli Mazhaithuli (Sangamam) 49. Kandukondein Kandukondein (Kandukondein Kandukondein) 50. Nathiye Nathiye (Rhythm) 51. Chotta Chotta (Tajmahal) 52. Karusu Karusu (Tajmahal) 53. Injerungo Injerungo (Thenali) 54. Swasame Swasame (Thenali) 55. Snegithane Snegithane (Alaipayuthey) 56. Dheeme Dheeme Gayoon (Zubeidaa) 57. Nendhukitean Nendhukitean (Star) 58. Ghanan Ghanan (Lagaan) 59. Mitwa (chal) Mitwa (lagaan) 60. Tippu Tippu Tippukumare (Baba) 61. Maya Maya Ellam Maya (Baba) 62. Ye Ye Enna Achu unakku (Kadhal Virus) 63. Senjore Senjore (Kannathil Muthamittal) 64. Desmere Desmere Mere Jaan Hi Tu (The Legend of Bhagat singh) 65. Jogiya Jogiya Ve (The Legend of Bhagat singh) 66. Boom Boom (Boys) 67. Maro Maro (Boys) 68. Please sir Please sir (Boys) 69. Kama Kama (Ennakku 20 Unnaku 18) 70. Yedho Yedho onru (Ennakku 20 Unnaku 18) 71. Asathura Asathura (Ennakku 20 Unnaku 18) 72. Enge Enge orumurai par (Dolna) (Parasuram) 73. Kathakali Kathakali (Parasuram) 74. Meherubaan Meherubaan (Tehzeeb) 75. Enna Enna Adhu Enna Enna (Udhaya) 76. Udhaya Udhaya (Udhaya) 77. Saawariya Saawariya (Swades) 78. Aahista Aahista (Swades) 79. Dol Dol (Ayudha Ezhuthu) 80. Spiderman Spiderman (New) 81. Mayilirage Mayilirage (Anbe Aruyire) 82. Marangothiye Marangothiye – Woodpecker (Anbe Aruyire) 83. Thigu Thigu (Anbe Aruyire) 84. Kadam Kadam (Bose) 85. Mangal Mangal (Mangal Pandey) 86. Takey Takey (Mangal Pandey) 87. Kummiadi Kummiadi (Sillunu oru Kadhal) 88. Machakari Machakari (Sillunu oru Kadhal) 89. Maja Maja (Sillunu oru Kadhal) 90. Vaaji Vaaji (Sivaji) 91. Balleilakka Balleilakka (Sivaji) 92. Shillong Shillong (Provoked) 93. Mayya Mayya (Guru) 94. Kabhi Kabhi Aditi (Jaane Tu Jaane Na) 95. Gumsum Gumsum (Ada) 96. Gulfisha Gulfisha (Ada) ….. J Srini -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] From Where should I get songs from Vaishnavar(1993)
Gopal has confirmed that its not by ARR. What more U want ... Gopal and Vijay are the encyclopaedia of ARR related information ( as far as this group is concerned ) .. So, Its not by ARR, and Ousepachan had composed it.. On Thu, Jun 5, 2008 at 4:16 PM, kishore parayath [EMAIL PROTECTED] wrote: WellMany ppl have claimed to see cassettes with Tags: Music: A.R. RAHMAN ... while many other say the Music is by Ouseppachan... Only 2 ppl can answer.. Either..Ouseppachan or Rahman... IF waht haruish said is correct...Dat it had some pavitra songs...then, confirm dat it is an ARR MUSICAL...BTW..Harish, whose name is givn in d cassette for Music Director?? -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] Chords Classical Musi
HI Do yu need Chords for ARR songs ??. What exactly do you want ? On Thu, Jun 5, 2008 at 3:57 PM, saurabh andharia [EMAIL PROTECTED] wrote: *Dear Friends,* * * *I am Visharad in Classical Music. But need to know some knowledge regarding western chords.* * * *Is there any one who can tell (guide) me the link or a suggestions for compeering Indian classical music chords.* * * *Thanks..!!* -- Unlimited freedom, unlimited storage. Get it nowhttp://in.rd.yahoo.com/tagline_mail_2/*http://help.yahoo.com/l/in/yahoo/mail/yahoomail/tools/tools-08.html/ -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
[arr] Priyamani to be directed by Maniratnam ( SEMI ARR )
http://www.indiaglitz.com/channels/tamil/article/39118.html Priyamani to be directed by Maniratnam IndiaGlitz [Thursday, June 05, 2008] [image: View Priyamani Gallery]http://www.indiaglitz.com/channels/tamil/gallery/Actress/4253.html *View Priyamani Gallery http://www.indiaglitz.com/channels/tamil/gallery/Actress/4253.html* The dusky actress Priyamani celebrated her birthday earlier this week and get just about the perfect gift. News reached her that ace director Maniratnam had chosen her to play a very vital role in his next project. The film that is to be made simultaneously in Tamil and Hindi will feature Vikram as hero in Tamil, while Abhishek Bachchan will feature in the Hindi version. Aishwarya Rai plays heroine in both versions. Prithiviraj will be playing a role that has negative shades and Priyamani has been chosen to pair up with him. Maniratnam's handling of characters have always been mighty beneficial to his actors' image in the public eye and in that sense, Priyamani's career could very well be poised for greater heights. Sources reveal that Priyamani was ecstatic once she heard the news. -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
[arr] Rahman turns producer with MARAMYOGI
Rahman turns producer with MARAMYOGI -- June 5, 2008 7:56:16 PM IST Rachana, Bollywood Trade News Network [image: Send to Friend]http://www.glamsham.com/sendlink.asp?page=http://www.glamsham.com/movies/scoops/08/jun/05-rahman-turns-producer-with-maramyogi-060806.asptitle=Rahman turns producer with MARAMYOGI [image: A R Rahman]The music maestro A R Rahman seems to be in a mood to add a new feather to his cap. According to the grapevine ace music director Rahman who enchanted souls with his melodious music is now gearing up to step into the producers� shoes. The buzz is that A R Rahman has now turned producer. In fact he has signed none other than Kamal Hassan to direct and act for his film tentatively titled MARAMYOGI. Rahamn will also compose music for his home production MARAMYOGI. The film will be made in Hindi and later on dubbed in other regional Languages. http://www.glamsham.com/movies/scoops/08/jun/05-rahman-turns-producer-with-maramyogi-060806.asp -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] Thank You Vithur
not only that...b'coz of him..most of our mobile phones ringing with Rahman sir's music!! great job Vithur..really2 appreciate that!! with love; Rihana Rahman. --- On Thu, 6/5/08, Prasad Varma lt;[EMAIL PROTECTED]gt; wrote: From: Prasad Varma lt;[EMAIL PROTECTED]gt; Subject: [arr] Thank You Vithur To: arrahmanfans@yahoogroups.com Date: Thursday, June 5, 2008, 7:31 AM Vithur, Thank you very much for continuing to selflessly spend time and share all the BGMs And I really admire your patience in handling all the 'enthusiastic' responses Keep smiling :-) Warm regards PV
Re: [arr] A.R.Rahman Unpopulared Movie Names
I wasn't commenting to your liking of it. you have all the rights to your likings. you mentioned the movie and I added my appraisal of its hindi version which was not great, but I think even that is ok for first few releases of a new composer. Hope that clarifies. I do read before replying. you can also start doing the same now. -- Rawat On 6/5/2008 3:52 PM India Time, _kishore parayath_ wrote: Mr. Rawat... I meant to say dat the BG SCORE of Yodha was greatI DID NOT criticize it... Please do read d entry before replying. YODHA had *GREAT WORLDCLASS BACKGROUND SCORE *by Rahman. On 6/3/08, *V S Rawat* [EMAIL PROTECTED] mailto:[EMAIL PROTECTED] wrote: On 6/3/2008 5:51 PM India Time, _kishore parayath_ wrote: Yodha is a *Malayalam* movie. 1992. It had WORLDCLASS BACKGROUND SCORE It was in the league of John Williams...Or even superior... Its Hindi version Dharamyodha was also nothing great. That was ARR's starting album so discounts need to be given to our man. He was learning ropes. -- Rawat
Re: [arr] Re: Multiple emotions in single song of ARR???
On 6/5/2008 12:29 PM India Time, [EMAIL PROTECTED] wrote: Hey puttham pudhu boomi in thiruda thiruda has range of sounds from beat-less to dashing beats stirring emotions. minsara kanna (padayappa changing between western classical) udaya udaya song 4m mild 2 heavy arrangements anjali anjanli pushpanjanli is a tricky composition of soft, medium loud arrangements. VIC Sorry guys, I understand only hindi so I have not heard tamil/ telugu songs mentioned as having multiple emotions. May be some bilingual in this list could explain that or if there is a Hindi dubbed version of that song, if you mention the hindi album name and hindi song mukhda, then I could recall it. Though music can create the emotion, understanding the lyrics will help largely in identifying the prevalent emotion. thanks. -- Rawat
[arr] Re: A.R.Rahman Unpopulared Movie Names
Well, the originals of these albums u mentioned were all a MAJOR BLOCKBUSTER hit though --- In arrahmanfans@yahoogroups.com, Pravinder Sheoran [EMAIL PROTECTED] wrote: Hi, Add these in your list as well: Love birds Tu hi mera dil Khel khiladi ka Mr. Romeo Muthu maharaja Priyanka. How many people outside our group will have heard these songs. Pravinder. --- In arrahmanfans@yahoogroups.com, Dastageer kdastageer@ wrote: Hi, Yodha - 1992 Gangmaster - 1994 Mona Lisa - 1997 Vishwa Vidhaata - 1997 Fiza - 2000 Love You Hamesha - 2001 Lakeer - Forbidden Lines -2004 Have you heared songs from this movies. by DAS
Re: [arr] Chinna Chinna Aasai to Gulfisha - A different compilation :)
Gomzy... Its that song.. Rukku Ja Rukku Ja. Havent u heard that ???.. In Tamil, it comes as Yudhathai Nirutthu.. Atlast a song that Gomzy hasnt heard of ARRs.. :-) On Thu, Jun 5, 2008 at 8:31 PM, Gomzy [EMAIL PROTECTED] wrote: Whats this 13. Ruck Ja Ruck Ja (Bombay) ? On 6/5/08, Vithur [EMAIL PROTECTED] wrote: Brother Srini I think ARR was even criticised by some people, for his songs have been having repetitive words :-( On Thu, Jun 5, 2008 at 6:41 PM, Srini [EMAIL PROTECTED] wrote: Guys, I've been wanting to compile this list since Minsara kanavu days.. well don't ask me `So what?'.. just struck to me as a strange pattern so here goes.. Sorry that the focus has been mainly in Tamil songs. And No price for guessing the trend J 1. Chinna Chinna Aasai (Roja) 2. Rukumani Rukumani (Roja) 3. Thamizha Thamizha (Roja) 4. Paarkadhe Paarkadhe (Gentleman) 5. Kannum Kannum Kolaiyadhital (Thiruda Thiruda) 6. Thi Thi Thithikkum Thi (Thiruda Thiruda) 7. Pennalla Pennalla (Uzhavan) 8 .… Kaathu Kaathu pudhu kaathu (Uzhavan) 9. Ennavale (adi) Ennavale (Kadhalan) 10. Urvasi Urvasi (Kadhalan) 11. Kuchi Kuchi Rakkamma (Bombay) 12. Uyire Uyire (Bombay) 13. Ruck Ja Ruck Ja (Bombay) 14. Thoda Thoda Malardhathenna (Indira) 15. Oruvan Oruvan (Muthu) 16. Thillana Thillana (Muthu) 17. Tanha Tanha (Rangeela) 18. Yahire Yahire (Rangeela) 19. Mustafa Mustafa (Kadhal Desam) 20. Muthu Muthu Mazhai (Mr. Romeo) 21. Monalisa Monalisa (Mr. Romeo) 22. Shabba Shabba (Daud) 23. Narumugaye Narumugaye (Iruvar) 24. Vennilave Vennilave (Minsara Kanavu) 25. Lucky Lucky (Ratchagan) 26. Nenjae Nenjae (Ratchagan) 27. Soniya Soniya (Ratchagan) 28. Tauba Tauba (Vande Mataram) 29. Anjali Anjali (Duet) 30. Kathirikka Kathirikka (Duet) 31. Mettupodu Mettupodu (Duet) 32. Columbus Columbus (Jeans) 33. Anbae Anbae Kolladhe (Jeans) 34. Mil Gayee Mil Gayee (Kabhi Na Kabhi) 35. ComeOn ComeOn (Love Birds) 36. Malargale Malargale (Love Birds) 37. Sambo Sambo (Love Birds) 38. Ennuyire Ennuyire (Uyire) 39. Nenjinile Nenjinile (Uyire) *40. Thaiyya Thaiyya (Dilse)* *41. Chaiyya Chaiyya (Dilse)* 42. Dheemi Dheemi (1947 Earth) 43. Chinna Chinna Mazhai thuli (En Swasa Katre) 44. Jumbalika Jumbalika (En Swasa Katre/Thakshak) 45. Roja Roja (Kadhalar Dinam) 46. Nenachapadi Nenachapadi (Kadhalar Dinam) 47. Suthi Suthi Vandhega (Padayappa) 48. Mazhaithuli Mazhaithuli (Sangamam) 49. Kandukondein Kandukondein (Kandukondein Kandukondein) 50. Nathiye Nathiye (Rhythm) 51. Chotta Chotta (Tajmahal) 52. Karusu Karusu (Tajmahal) 53. Injerungo Injerungo (Thenali) 54. Swasame Swasame (Thenali) 55. Snegithane Snegithane (Alaipayuthey) 56. Dheeme Dheeme Gayoon (Zubeidaa) 57. Nendhukitean Nendhukitean (Star) 58. Ghanan Ghanan (Lagaan) 59. Mitwa (chal) Mitwa (lagaan) 60. Tippu Tippu Tippukumare (Baba) 61. Maya Maya Ellam Maya (Baba) 62. Ye Ye Enna Achu unakku (Kadhal Virus) 63. Senjore Senjore (Kannathil Muthamittal) 64. Desmere Desmere Mere Jaan Hi Tu (The Legend of Bhagat singh) 65. Jogiya Jogiya Ve (The Legend of Bhagat singh) 66. Boom Boom (Boys) 67. Maro Maro (Boys) 68. Please sir Please sir (Boys) 69. Kama Kama (Ennakku 20 Unnaku 18) 70. Yedho Yedho onru (Ennakku 20 Unnaku 18) 71. Asathura Asathura (Ennakku 20 Unnaku 18) 72. Enge Enge orumurai par (Dolna) (Parasuram) 73. Kathakali Kathakali (Parasuram) 74. Meherubaan Meherubaan (Tehzeeb) 75. Enna Enna Adhu Enna Enna (Udhaya) 76. Udhaya Udhaya (Udhaya) 77. Saawariya Saawariya (Swades) 78. Aahista Aahista (Swades) 79. Dol Dol (Ayudha Ezhuthu) 80. Spiderman Spiderman (New) 81. Mayilirage Mayilirage (Anbe Aruyire) 82. Marangothiye Marangothiye – Woodpecker (Anbe Aruyire) 83. Thigu Thigu (Anbe Aruyire) 84. Kadam Kadam (Bose) 85. Mangal Mangal (Mangal Pandey) 86. Takey Takey (Mangal Pandey) 87. Kummiadi Kummiadi (Sillunu oru Kadhal) 88. Machakari Machakari (Sillunu oru Kadhal) 89. Maja Maja (Sillunu oru Kadhal) 90. Vaaji Vaaji (Sivaji) 91. Balleilakka Balleilakka (Sivaji) 92. Shillong Shillong (Provoked) 93. Mayya Mayya (Guru) 94. Kabhi Kabhi Aditi (Jaane Tu Jaane Na) 95. Gumsum Gumsum (Ada) 96. Gulfisha Gulfisha (Ada) ….. J Srini -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] Thank You Vithur
Thanks Rihana, Prasad Verma Humbly yours.. On Thu, Jun 5, 2008 at 8:50 PM, rihana yasmin [EMAIL PROTECTED] wrote: not only that...b'coz of him..most of our mobile phones ringing with Rahman sir's music!! great job Vithur..really2 appreciate that!! with love; Rihana Rahman. --- On *Thu, 6/5/08, Prasad Varma [EMAIL PROTECTED]* wrote: From: Prasad Varma [EMAIL PROTECTED] Subject: [arr] Thank You Vithur To: arrahmanfans@yahoogroups.com Date: Thursday, June 5, 2008, 7:31 AM Vithur, Thank you very much for continuing to selflessly spend time and share all the BGMs And I really admire your patience in handling all the 'enthusiastic' responses Keep smiling :-) Warm regards PV -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
[arr] Jaane Tu Ya Jaane Na : Movie Preview / Slideshow
*Jaane Tu Ya Jaane Na : Movie Preview / Slideshow *04th June 2008 23.00 IST By ApunKaChoice Opposites attract. But they do repel as well. Such is the story of Jai and Aditi, the protagonists of 'Jaane Tu Ya Jaane Na'. The movie introduces Aamir Khan's nephew Imran Khanhttp://www.apunkachoice.com/celebrities/imran_khan/opposite Genelia D'Souza http://www.apunkachoice.com/celebrities/genelia_d_souza/ , who has already acted in a couple of Bollywood films. Don't miss the film's slideshow (story in pictures) at Jaane Tu Ya Jaane Nahttp://www.apunkachoice.com/dyn/movies/hindi/jaane_tu_ya_jaane_na/. Set in a college campus, the film is a tale of friendship, bonding and love. It is about discovering love in one's heart. Imran Khan as Jai Singh Rathore Jai is a Rajput, but he can't even kill an ant. He is perhaps the most non-violent Rajput you would find in either side of the Aravallis. Genelia as Aditi Aditi is the diametric opposite of Jai. She is violent and over-passionate. The most unfortunate thing a person can do is pick a fight with her. When Aditi shoots off her mouth, there is no stopping her. Synopsis: For all the right reasons, Jai thinks Aditi's parents should have rinsed her mouth with soap when she was a kid. Then, perhaps, she would have been mellower. On the other hand, Aditi thinks Jai is a coward. There is nothing Rajput-like in him. Two distinct personalities at the same place and same time. Heaven seems to have mixed up apples with oranges. And there are others as well in the campus group. There is Rotlu who weeps secretly for Aditi. There is Bombs whose heart throbs for Jai. There is Jiggy who applies golden mascara to his hair. And there is Shaleen, the ever-enthusiastic guitar player. Everybody thinks Jai and Aditi are perfect for each other despite their contrasting personalities. But do Aditi and Jai think so? Do they really know what their hearts desire? Will they find love in each other? 'Jaane Tu Ya Jaane Na' marks the directorial debut of Abbas Tyrewalahttp://www.apunkachoice.com/celebrities/abbas_tyrewala/who has written films like Maqbool http://www.apunkachoice.com/dyn/movies/hindi/maqbool/ , Munnabhai MBBS http://www.apunkachoice.com/dyn/movies/hindi/munnabhai_mbbs/ and Main Hoon Na http://www.apunkachoice.com/dyn/movies/hindi/main_hoon_na/ . The movie also brought back the prodigal director Mansoor Khan from his self-chosen hibernation. Mansoor is the film's producer along with Aamir Khan http://www.apunkachoice.com/celebrities/aamir_khan/ . The film's music is given by A R Rahmanhttp://www.apunkachoice.com/celebrities/a_r_rahman/while the songs are written by Abbas Tyrewala. The movie also has special appearances by a host of actors like Naseeruddin Shah http://www.apunkachoice.com/celebrities/naseeruddin_shah/ , Arbaaz Khan http://www.apunkachoice.com/celebrities/arbaaz_khan/ , Sohail Khanhttp://www.apunkachoice.com/celebrities/sohail_khan/, Arshad Warsi http://www.apunkachoice.com/celebrities/arshad_warsi/ and Paresh Rawal http://www.apunkachoice.com/celebrities/paresh_rawal/ . 'Jaane Tu Ya Jaane Na' will hit the theatres on July 4, 2008. http://www.apunkachoice.com/scoop/bollywood/20080604-4.html -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] Chinna Chinna Aasai to Gulfisha - A different compilation :)
Hey Gomzy, Its Ruk Jao Ruk Jao[Bombay] Its not released in Hindi Cd or Cassettes. But in Tamil Extra 2 songs were released. the ruk jao is the last part of Bombay.. Thanks Sirish On Thu, Jun 5, 2008 at 8:31 PM, Gomzy [EMAIL PROTECTED] wrote: Whats this 13. Ruck Ja Ruck Ja (Bombay) ? On 6/5/08, Vithur [EMAIL PROTECTED] wrote: Brother Srini I think ARR was even criticised by some people, for his songs have been having repetitive words :-( On Thu, Jun 5, 2008 at 6:41 PM, Srini [EMAIL PROTECTED] wrote: Guys, I've been wanting to compile this list since Minsara kanavu days.. well don't ask me `So what?'.. just struck to me as a strange pattern so here goes.. Sorry that the focus has been mainly in Tamil songs. And No price for guessing the trend J 1. Chinna Chinna Aasai (Roja) 2. Rukumani Rukumani (Roja) 3. Thamizha Thamizha (Roja) 4. Paarkadhe Paarkadhe (Gentleman) 5. Kannum Kannum Kolaiyadhital (Thiruda Thiruda) 6. Thi Thi Thithikkum Thi (Thiruda Thiruda) 7. Pennalla Pennalla (Uzhavan) 8 .… Kaathu Kaathu pudhu kaathu (Uzhavan) 9. Ennavale (adi) Ennavale (Kadhalan) 10. Urvasi Urvasi (Kadhalan) 11. Kuchi Kuchi Rakkamma (Bombay) 12. Uyire Uyire (Bombay) 13. Ruck Ja Ruck Ja (Bombay) 14. Thoda Thoda Malardhathenna (Indira) 15. Oruvan Oruvan (Muthu) 16. Thillana Thillana (Muthu) 17. Tanha Tanha (Rangeela) 18. Yahire Yahire (Rangeela) 19. Mustafa Mustafa (Kadhal Desam) 20. Muthu Muthu Mazhai (Mr. Romeo) 21. Monalisa Monalisa (Mr. Romeo) 22. Shabba Shabba (Daud) 23. Narumugaye Narumugaye (Iruvar) 24. Vennilave Vennilave (Minsara Kanavu) 25. Lucky Lucky (Ratchagan) 26. Nenjae Nenjae (Ratchagan) 27. Soniya Soniya (Ratchagan) 28. Tauba Tauba (Vande Mataram) 29. Anjali Anjali (Duet) 30. Kathirikka Kathirikka (Duet) 31. Mettupodu Mettupodu (Duet) 32. Columbus Columbus (Jeans) 33. Anbae Anbae Kolladhe (Jeans) 34. Mil Gayee Mil Gayee (Kabhi Na Kabhi) 35. ComeOn ComeOn (Love Birds) 36. Malargale Malargale (Love Birds) 37. Sambo Sambo (Love Birds) 38. Ennuyire Ennuyire (Uyire) 39. Nenjinile Nenjinile (Uyire) *40. Thaiyya Thaiyya (Dilse)* *41. Chaiyya Chaiyya (Dilse)* 42. Dheemi Dheemi (1947 Earth) 43. Chinna Chinna Mazhai thuli (En Swasa Katre) 44. Jumbalika Jumbalika (En Swasa Katre/Thakshak) 45. Roja Roja (Kadhalar Dinam) 46. Nenachapadi Nenachapadi (Kadhalar Dinam) 47. Suthi Suthi Vandhega (Padayappa) 48. Mazhaithuli Mazhaithuli (Sangamam) 49. Kandukondein Kandukondein (Kandukondein Kandukondein) 50. Nathiye Nathiye (Rhythm) 51. Chotta Chotta (Tajmahal) 52. Karusu Karusu (Tajmahal) 53. Injerungo Injerungo (Thenali) 54. Swasame Swasame (Thenali) 55. Snegithane Snegithane (Alaipayuthey) 56. Dheeme Dheeme Gayoon (Zubeidaa) 57. Nendhukitean Nendhukitean (Star) 58. Ghanan Ghanan (Lagaan) 59. Mitwa (chal) Mitwa (lagaan) 60. Tippu Tippu Tippukumare (Baba) 61. Maya Maya Ellam Maya (Baba) 62. Ye Ye Enna Achu unakku (Kadhal Virus) 63. Senjore Senjore (Kannathil Muthamittal) 64. Desmere Desmere Mere Jaan Hi Tu (The Legend of Bhagat singh) 65. Jogiya Jogiya Ve (The Legend of Bhagat singh) 66. Boom Boom (Boys) 67. Maro Maro (Boys) 68. Please sir Please sir (Boys) 69. Kama Kama (Ennakku 20 Unnaku 18) 70. Yedho Yedho onru (Ennakku 20 Unnaku 18) 71. Asathura Asathura (Ennakku 20 Unnaku 18) 72. Enge Enge orumurai par (Dolna) (Parasuram) 73. Kathakali Kathakali (Parasuram) 74. Meherubaan Meherubaan (Tehzeeb) 75. Enna Enna Adhu Enna Enna (Udhaya) 76. Udhaya Udhaya (Udhaya) 77. Saawariya Saawariya (Swades) 78. Aahista Aahista (Swades) 79. Dol Dol (Ayudha Ezhuthu) 80. Spiderman Spiderman (New) 81. Mayilirage Mayilirage (Anbe Aruyire) 82. Marangothiye Marangothiye – Woodpecker (Anbe Aruyire) 83. Thigu Thigu (Anbe Aruyire) 84. Kadam Kadam (Bose) 85. Mangal Mangal (Mangal Pandey) 86. Takey Takey (Mangal Pandey) 87. Kummiadi Kummiadi (Sillunu oru Kadhal) 88. Machakari Machakari (Sillunu oru Kadhal) 89. Maja Maja (Sillunu oru Kadhal) 90. Vaaji Vaaji (Sivaji) 91. Balleilakka Balleilakka (Sivaji) 92. Shillong Shillong (Provoked) 93. Mayya Mayya (Guru) 94. Kabhi Kabhi Aditi (Jaane Tu Jaane Na) 95. Gumsum Gumsum (Ada) 96. Gulfisha Gulfisha (Ada) ….. J Srini -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL -- Friendship is not about finding the right person, but creating the right relationship. Its not how much we care in the beginning, but how much we care till the end. Sirish Musician.
Re: [arr] Re: Multiple emotions in single song of ARR???
I think another song to mention is Thamizha Thamizha from Roja. It starts off gently and beautifully and the rest is magic! Sorry, Rawat since you don't understand Tamil or Telugu (for that matter don't listen to these songs either), I am afraid you won't be able to appreciate this gem either. nbsp; --- On Thu, 6/5/08, V S Rawat lt;[EMAIL PROTECTED]gt; wrote: From: V S Rawat lt;[EMAIL PROTECTED]gt; Subject: Re: [arr] Re: Multiple emotions in single song of ARR??? To: arrahmanfans@yahoogroups.com Date: Thursday, June 5, 2008, 3:25 PM On 6/5/2008 12:29 PM India Time, [EMAIL PROTECTED] wrote: gt; Hey puttham pudhu boomi in thiruda thiruda has range of sounds from gt; beat-less to dashing beats stirring emotions. minsara kanna (padayappa gt; changing between western amp; classical) amp; udaya udaya song 4m mild 2 heavy gt; arrangements amp; anjali anjanli pushpanjanli is a tricky composition of gt; soft, medium amp; loud arrangements. VIC Sorry guys, I understand only hindi so I have not heard tamil/ telugu songs mentioned as having multiple emotions. May be some bilingual in this list could explain that or if there is a Hindi dubbed version of that song, if you mention the hindi album name and hindi song mukhda, then I could recall it. Though music can create the emotion, understanding the lyrics will help largely in identifying the prevalent emotion. thanks. -- Rawat
Re: [arr] Chinna Chinna Aasai to Gulfisha - A different compilation :)
That's one of the small song in Bombay which comes in the background.The other one is Malarodu which uses the Bombay Theme as music. --- In arrahmanfans@yahoogroups.com, Gomzy [EMAIL PROTECTED] wrote: Whats this 13. Ruck Ja Ruck Ja (Bombay) ? On 6/5/08, Vithur [EMAIL PROTECTED] wrote: Brother Srini I think ARR was even criticised by some people, for his songs have been having repetitive words :-( On Thu, Jun 5, 2008 at 6:41 PM, Srini [EMAIL PROTECTED] wrote: Guys, I've been wanting to compile this list since Minsara kanavu days.. well don't ask me `So what?'.. just struck to me as a strange pattern so here goes.. Sorry that the focus has been mainly in Tamil songs. And No price for guessing the trend J 1. Chinna Chinna Aasai (Roja) 2. Rukumani Rukumani (Roja) 3. Thamizha Thamizha (Roja) 4. Paarkadhe Paarkadhe (Gentleman) 5. Kannum Kannum Kolaiyadhital (Thiruda Thiruda) 6. Thi Thi Thithikkum Thi (Thiruda Thiruda) 7. Pennalla Pennalla (Uzhavan) 8 .� Kaathu Kaathu pudhu kaathu (Uzhavan) 9. Ennavale (adi) Ennavale (Kadhalan) 10. Urvasi Urvasi (Kadhalan) 11. Kuchi Kuchi Rakkamma (Bombay) 12. Uyire Uyire (Bombay) 13. Ruck Ja Ruck Ja (Bombay) 14. Thoda Thoda Malardhathenna (Indira) 15. Oruvan Oruvan (Muthu) 16. Thillana Thillana (Muthu) 17. Tanha Tanha (Rangeela) 18. Yahire Yahire (Rangeela) 19. Mustafa Mustafa (Kadhal Desam) 20. Muthu Muthu Mazhai (Mr. Romeo) 21. Monalisa Monalisa (Mr. Romeo) 22. Shabba Shabba (Daud) 23. Narumugaye Narumugaye (Iruvar) 24. Vennilave Vennilave (Minsara Kanavu) 25. Lucky Lucky (Ratchagan) 26. Nenjae Nenjae (Ratchagan) 27. Soniya Soniya (Ratchagan) 28. Tauba Tauba (Vande Mataram) 29. Anjali Anjali (Duet) 30. Kathirikka Kathirikka (Duet) 31. Mettupodu Mettupodu (Duet) 32. Columbus Columbus (Jeans) 33. Anbae Anbae Kolladhe (Jeans) 34. Mil Gayee Mil Gayee (Kabhi Na Kabhi) 35. ComeOn ComeOn (Love Birds) 36. Malargale Malargale (Love Birds) 37. Sambo Sambo (Love Birds) 38. Ennuyire Ennuyire (Uyire) 39. Nenjinile Nenjinile (Uyire) *40. Thaiyya Thaiyya (Dilse)* *41. Chaiyya Chaiyya (Dilse)* 42. Dheemi Dheemi (1947 Earth) 43. Chinna Chinna Mazhai thuli (En Swasa Katre) 44. Jumbalika Jumbalika (En Swasa Katre/Thakshak) 45. Roja Roja (Kadhalar Dinam) 46. Nenachapadi Nenachapadi (Kadhalar Dinam) 47. Suthi Suthi Vandhega (Padayappa) 48. Mazhaithuli Mazhaithuli (Sangamam) 49. Kandukondein Kandukondein (Kandukondein Kandukondein) 50. Nathiye Nathiye (Rhythm) 51. Chotta Chotta (Tajmahal) 52. Karusu Karusu (Tajmahal) 53. Injerungo Injerungo (Thenali) 54. Swasame Swasame (Thenali) 55. Snegithane Snegithane (Alaipayuthey) 56. Dheeme Dheeme Gayoon (Zubeidaa) 57. Nendhukitean Nendhukitean (Star) 58. Ghanan Ghanan (Lagaan) 59. Mitwa (chal) Mitwa (lagaan) 60. Tippu Tippu Tippukumare (Baba) 61. Maya Maya Ellam Maya (Baba) 62. Ye Ye Enna Achu unakku (Kadhal Virus) 63. Senjore Senjore (Kannathil Muthamittal) 64. Desmere Desmere Mere Jaan Hi Tu (The Legend of Bhagat singh) 65. Jogiya Jogiya Ve (The Legend of Bhagat singh) 66. Boom Boom (Boys) 67. Maro Maro (Boys) 68. Please sir Please sir (Boys) 69. Kama Kama (Ennakku 20 Unnaku 18) 70. Yedho Yedho onru (Ennakku 20 Unnaku 18) 71. Asathura Asathura (Ennakku 20 Unnaku 18) 72. Enge Enge orumurai par (Dolna) (Parasuram) 73. Kathakali Kathakali (Parasuram) 74. Meherubaan Meherubaan (Tehzeeb) 75. Enna Enna Adhu Enna Enna (Udhaya) 76. Udhaya Udhaya (Udhaya) 77. Saawariya Saawariya (Swades) 78. Aahista Aahista (Swades) 79. Dol Dol (Ayudha Ezhuthu) 80. Spiderman Spiderman (New) 81. Mayilirage Mayilirage (Anbe Aruyire) 82. Marangothiye Marangothiye � Woodpecker (Anbe Aruyire) 83. Thigu Thigu (Anbe Aruyire) 84. Kadam Kadam (Bose) 85. Mangal Mangal (Mangal Pandey) 86. Takey Takey (Mangal Pandey) 87. Kummiadi Kummiadi (Sillunu oru Kadhal) 88. Machakari Machakari (Sillunu oru Kadhal) 89. Maja Maja (Sillunu oru Kadhal) 90. Vaaji Vaaji (Sivaji) 91. Balleilakka Balleilakka (Sivaji) 92. Shillong Shillong (Provoked) 93. Mayya Mayya (Guru) 94. Kabhi Kabhi Aditi (Jaane Tu Jaane Na) 95. Gumsum Gumsum (Ada) 96. Gulfisha Gulfisha (Ada) �.. J Srini -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] Chords Classical Musi
You can learn carnatic music from the follwing sites http://www.rasikas.org http://www.sruti.com http://www.carnaticindia.com/ http://www.sangeethapriya.org/ http://www.hummaa.com http://www.karnatik.com/ On Thu, Jun 5, 2008 at 3:57 PM, saurabh andharia lt;saurabh_sur123@ yahoo.co. ingt; wrote: Dear Friends, nbsp; I am Visharad in Classical Music. But need to know some knowledge regarding western chords. nbsp; Is there any one who can tell (guide) me the link or a suggestions for compeering Indian classical music amp; chords. nbsp; Thanks..!! Unlimited freedom, unlimited storage. Get it now -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] A.R.Rahman Unpopulared Movie Names
I did not ask you to address him with sir. Rather,I was against addressing him as 'vairamuthu guy'. Ask anyone in this forum or your friends. It's not correct. Btw, that misspell was not intentional and I did not mean to disrespect JA anyway with that. It will not make it a healthy discussion just because you think it is. And you mail wasn't about music, as you try to justify. And about getting more fame from 110 crores people, I still think, your point is non-sense. He is a poet. Just because another langage is spoken by more number of people, one not necessarily start writing in that language for fame or something. First of all, even the native speakers can't write poems without the love for that language and practice. If this point were wrong, all 110 crores people would have been poets now. Even you. Comparing poets to music directors is not at all correct and asking a writer to learn another language to get more fame is irresponsible. They will do it themselves if they want. Will you ask JA / Gulsar to start writing songs in English (say for U2, Weezer), Spanish or chinese just because it's spoken by more number of people. JA / Gulsar may have written English poems but writing for Pop artist will truly get them more fame. Will you ask them to do that? Does that sound logical? No, right? So let's cut this out and start discussing about music. I don't want to argue with you anymore and this is my last mail in this subject. Have fun! Does of On 6/5/08, V S Rawat [EMAIL PROTECTED] wrote: On 6/5/2008 2:51 PM India Time, _Kalimuthu_ wrote: It's absolutely inappropriate to address Vairamuthu sir as something like 'Vairamuthu guy'... Show some respect for artists. If you don't know about them, please keep quiet? BTW, did someone ask why does not Gulzar / Javeed Akdhar write songs in Tamil / Telugu? What are you saying? You call Gulzar / Javeed Akdhar without any Ji, sir, saab; you even spell Javed's name wrongly, and you expect some particular individual to be termed sir??? and you advice to Show some respect for artists. And please don't bring language issues in this forum As long as people are discussing in a balanced manner, any issue related to ARR's music can come in this forum. With your entry, this thread seems heading exactly in such a direction that would make one wish that language issue, this issue, that issue and other 1000 issues should be banned in this forum to maintain decorum. ARR learnt this lesson and is shining through as the most well-known Tamilian alive on the Earth today. People know what they have to do.. You don't have to worry about others and advice what they are supposed to do... OK. I take back my advice. Let Vairamuthu sir remain unknown to 112 crore non-tamil indians, like Ilaiyaraja remains. For that matter, Ilaiyaraja did do a few hindi films giving the vast majority of hindi music lovers a glimpse of his greatness. A single Sadma got Ilaiyaraja more fans than his 800+ tamils movies had brought to him. Ilaiyaraja's not doing much in Hindi music reduced competition for ARR, so I am happy. :-) :-) :-) :-) Please limit your discussions only to Music, Lyrics... Don't unnecessarily bring Individuals, Region or Language issues when you post something in this forum. Thanks. You are most welcome, Kalimuthu sir. -- Rawat
[arr] Rahman turns producer with MARAMYOGI ?
So is this true or just another rumour spurned out by the media? http://www.glamsham.com/movies/scoops/08/jun/05-rahman-turns-producer-with-maramyogi-060806.asp June 5, 2008 7:56:16 PM IST Rachana, Bollywood Trade News Network The music maestro A R Rahman seems to be in a mood to add a new feather to his cap. According to the grapevine ace music director Rahman who enchanted souls with his melodious music is now gearing up to step into the producers� shoes. The buzz is that A R Rahman has now turned producer. In fact he has signed none other than Kamal Hassan to direct and act for his film tentatively titled MARAMYOGI. Rahamn will also compose music for his home production MARAMYOGI. The film will be made in Hindi and later on dubbed in other regional Languages.
Re: [arr] Recommended Playlist
Also,nbsp;Mera Yaar Mila De from Saathiya... IMHO, it is one of the best songs sung by ARR... another one of those ARR's underrated gems... --- On Sun, 1/6/08, Gopal Anandan lt;[EMAIL PROTECTED]gt; wrote: From: Gopal Anandan lt;[EMAIL PROTECTED]gt; Subject: Re: [arr] Recommended Playlist To: arrahmanfans@yahoogroups.com Date: Sunday, 1 June, 2008, 11:44 AM How come you missed Ye Jo Des Hai Tera? --- On Sun, 1/6/08, Chord lt;[EMAIL PROTECTED] comgt; wrote: From: Chord lt;[EMAIL PROTECTED] comgt; Subject: [arr] Recommended Playlist To: arrahmanfans@ yahoogroups. com Date: Sunday, 1 June, 2008, 9:11 AM Rahman as singer. Khwaja Mere Khwaja Meherbaan Main Boloon New York Nagaram Tere Bina Vellai Pookal Theeyil Dil Se Re Vande Mataram How do you feel after listening to this? nbsp; . Share files, take polls, and make new friends - all under one roof. Go to http://in.promos.yahoo.com/groups/
Re: [arr] Chinna Chinna Aasai to Gulfisha - A different compilation :)
It should be Ruk Jao, Ruk Jao. It comes during thenbsp;last few minuites of the movie, during the riot scenes where all mumbai is burning n ppl are just itching tonbsp;bash each other... --- On Thu, 5/6/08, Gomzy lt;[EMAIL PROTECTED]gt; wrote: From: Gomzy lt;[EMAIL PROTECTED]gt; Subject: Re: [arr] Chinna Chinna Aasai to Gulfisha - A different compilation :) To: arrahmanfans@yahoogroups.com Date: Thursday, 5 June, 2008, 8:31 PM Whats this 13. Ruck Ja Ruck Ja (Bombay) ? On 6/5/08, Vithur lt;[EMAIL PROTECTED] comgt; wrote: Brother Srini nbsp; I think ARR was even criticised by some people, for his songs have been having repetitive words :-( nbsp; On Thu, Jun 5, 2008 at 6:41 PM, Srini lt;[EMAIL PROTECTED] comgt; wrote: Guys, nbsp; I've been wanting to compile this list since Minsara kanavu days.. well don't ask me `So what?'.. nbsp;just struck to me as a strange pattern so here goes.. Sorry that the focus has been mainly in Tamil songs. And No price for guessing the trend J nbsp; 1. nbsp;Chinna Chinna Aasai (Roja) 2. nbsp;Rukumani Rukumani (Roja) 3. nbsp;Thamizha Thamizha (Roja) 4. nbsp;Paarkadhe Paarkadhe (Gentleman) 5. nbsp;Kannum Kannum Kolaiyadhital (Thiruda Thiruda) 6. nbsp;Thi Thi Thithikkum Thi (Thiruda Thiruda) 7. nbsp;Pennalla Pennalla (Uzhavan) 8nbsp; nbsp;.… Kaathu Kaathu pudhu kaathu (Uzhavan) 9. nbsp;Ennavale (adi) Ennavale (Kadhalan) 10. Urvasi Urvasi (Kadhalan) 11. Kuchi Kuchi Rakkamma (Bombay) 12. Uyire Uyire (Bombay) 13. Ruck Ja Ruck Ja (Bombay) 14. Thoda Thoda Malardhathenna (Indira) 15. Oruvan Oruvan (Muthu) 16. Thillana Thillana (Muthu) 17. Tanha Tanha (Rangeela) 18. Yahire Yahire (Rangeela) 19. Mustafa Mustafa (Kadhal Desam) 20. Muthu Muthu Mazhai (Mr. Romeo) 21. Monalisa Monalisa (Mr. Romeo) 22. Shabba Shabba (Daud) 23. Narumugaye Narumugaye (Iruvar) 24. Vennilave Vennilave (Minsara Kanavu) 25. Lucky Lucky (Ratchagan) 26. Nenjae Nenjae (Ratchagan) 27. Soniya Soniya (Ratchagan) 28. Tauba Tauba (Vande Mataram) 29. Anjali Anjali (Duet) 30. Kathirikka Kathirikka (Duet) 31. Mettupodu Mettupodu (Duet) 32. Columbus Columbus (Jeans) 33. Anbae Anbae Kolladhe (Jeans) 34. Mil Gayee Mil Gayee (Kabhi Na Kabhi) 35. ComeOn ComeOn (Love Birds) 36. Malargale Malargale (Love Birds) 37. Sambo Sambo (Love Birds) 38. Ennuyire Ennuyire (Uyire) 39. Nenjinile Nenjinile (Uyire) 40. Thaiyya Thaiyya (Dilse) 41. Chaiyya Chaiyya (Dilse) 42. Dheemi Dheemi (1947 Earth) 43. Chinna Chinna Mazhai thuli (En Swasa Katre) 44. Jumbalika Jumbalika (En Swasa Katre/Thakshak) 45. Roja Roja (Kadhalar Dinam) 46. Nenachapadi Nenachapadi (Kadhalar Dinam) 47. Suthi Suthi Vandhega (Padayappa) 48. Mazhaithuli Mazhaithuli (Sangamam) 49. Kandukondein Kandukondein (Kandukondein Kandukondein) 50. Nathiye Nathiye (Rhythm) 51. Chotta Chotta (Tajmahal) 52. Karusu Karusu (Tajmahal) 53. Injerungo Injerungo (Thenali) 54. Swasame Swasame (Thenali) 55. Snegithane Snegithane (Alaipayuthey) 56. Dheeme Dheeme Gayoon (Zubeidaa) 57. Nendhukitean Nendhukitean (Star) 58. Ghanan Ghanan (Lagaan) 59. Mitwa (chal) Mitwa (lagaan) 60. Tippu Tippu Tippukumare (Baba) 61. Maya Maya Ellam Maya (Baba) 62. Ye Ye Enna Achu unakku (Kadhal Virus) 63. Senjore Senjore (Kannathil Muthamittal) 64. Desmere Desmere Mere Jaan Hi Tu (The Legend of Bhagat singh) 65. Jogiya Jogiya Ve (The Legend of Bhagat singh) 66. Boom Boom (Boys) 67. Maro Maro (Boys) 68. Please sir Please sir (Boys) 69. Kama Kama (Ennakku 20 Unnaku 18) 70. Yedho Yedho onru (Ennakku 20 Unnaku 18) 71. Asathura Asathura (Ennakku 20 Unnaku 18) 72. Enge Enge orumurai par (Dolna) (Parasuram) 73. Kathakali Kathakali (Parasuram) 74. Meherubaan Meherubaan (Tehzeeb) 75. Enna Enna Adhu Enna Enna (Udhaya) 76. Udhaya Udhaya (Udhaya) 77. Saawariya Saawariya (Swades) 78. Aahista Aahista (Swades) 79. Dol Dol (Ayudha Ezhuthu) 80. Spiderman Spiderman (New) 81. Mayilirage Mayilirage (Anbe Aruyire) 82. Marangothiye Marangothiye – Woodpecker (Anbe Aruyire) 83. Thigu Thigu (Anbe Aruyire) 84. Kadam Kadam (Bose) 85. Mangal Mangal (Mangal Pandey) 86. Takey Takey (Mangal Pandey) 87. Kummiadi Kummiadi (Sillunu oru Kadhal) 88. Machakari Machakari (Sillunu oru Kadhal) 89. Maja Maja (Sillunu oru Kadhal) 90. Vaaji Vaaji (Sivaji) 91. Balleilakka Balleilakka (Sivaji) 92. Shillong Shillong (Provoked) 93. Mayya Mayya (Guru) 94. Kabhi Kabhi Aditi (Jaane Tu Jaane Na) 95. Gumsum Gumsum (Ada) 96. Gulfisha Gulfisha (Ada) …..nbsp; nbsp; J Srini . From Chandigarh to Chennai - find friends all over India. Go to http://in.promos.yahoo.com/groups/citygroups/
[arr] GVM on COM and ARR
Speaking of Rahman, there’s been a lot of talk about the switch from your regular, Harris Jayaraj. It’s not a switch, because I am doing a film with Harris in December, which stars Ajit (for Sivaji productions). We work really well together. I think we’re the only team that works really well together, because I know how he works with the other guys, and I know how I work with him. But I always wanted to work with Rahman, right from the word go, right from when Minnale happened – and Harris knows that. Yes, he said, “People will think we have a problem. Why do you want to do this now?” But I told him I need to do this because… You can always do a film with Surya but you still want to work with Kamal Hassan. It’s like that. When I pitched it to Rahman, the first thing he asked was, “You have a great record with Harris. They’ll think I’ve done something to that. I don’t want to get into the bad books of people. Are you sure it’s okay?” Secondly, he said, “There’s bound to be tremendous expectation. We need to live up to that. Do you think we will do that?” I told him. “Come on, let’s not worry about all that. What the film demands, we’ll do.” He’s pretty cool – very humble, very nice. I think we share a great rapport. http://www.desipundit.com/baradwajrangan/2008/06/05/interview-gautam-vasudev-menon/
[arr] Rahaman defined music and instrumentation afresh
Friends, I do not know how much I am qualified or not qualified to say some thing on this knowledge forum. Though I am with the group for months on, this is my first posting. My favorites are almost all the songs of ARR. As a matter of fact I am, eminently placed to get disqualified from belonging to this Group. I do not know Hindi. I do not Know Tamil. I do not have any knowledge of Music. Above all this, I am aged all of 72 years. But I have a gut feeling about and instant reaction to good tunes, good instrumentation and calm, soothing and vibrant music. That day ages back when I first heard songs from Roja, I instinctively knew that this gentleman arrived to thrill us forever and take us on a musical raid of un-scalable and unimaginable heights. He elevated cine music to unattainable heights. I have a good collection of his Tamil songs which I love many, I like all. Daily, I listen to these songs for 2 to 4 hours. They refresh me, keep me fit and energetic. Arr's uniquness, according to me, I repeat, according to me,, lies in: 1. Treating voice [male or female] as yet another instrument, to be played upon. 2. Each of his song is a symphony. To reach those heights and lows in 3/4 minutes is possible only to him. 3. He is a master at creating heavenly interludes which are more often than not are the highlights of many songs. 4. I had never heard any one using drums [or allied instruments], shehnai, [I am not worried about exact names, as long as I enjoy them], flute to this advantage. How he introduces weaving them in to the voice, takes them, leaving the voice behind, to a solo crescendo and taper off, very effectively, yet all in a fraction of a minute, which is humanly impossible. He is Blessed, if not he himself is Divine. 5. I divide the Indian cine music era in to two segments. PreARR and PostARR eras. In the PreARR era we used to ask who sang that song? Rafi or Kishore. Now we ask who composed it? That is the power duly acquired and got by our honored ARR. I have my own two Play-lists of ARR's Tamil songs. One I play in whichever mood I am in. These songs are level-all gems. The second list I play when I feel I am in good and high spirit! In other words, what I am saying is that I adore those, around 70, Tamil songs tuned by ARR, even though I do not know the language. Proving, if proof is needed, music has no language. Rather It is ARR who proved it through millions like me. Let us not enter in to Lilliputian arguments over that GIANT Musician whose presence amongst us we are fortunate to have. The Beauty is I hear his songs even when I am not listening to them!!! Thanks to those haunting and teasing melodies and tunes. csrao
Re: [arr] From Where should I get songs from Vaishnavar(1993)
I think the problem happened because the audio cassette had two movies in it. It was a combo cassette in malayalam. The flip side was done by Ousepachan. I do not have the cassette with me to check out the other movie. The name was some Putri or Malakha... In Malayalam it meant daughter or angel. One of the songs was thumba Poovin sung by S. Janaki, I think - which was Chevvanam from pavithra. --- On Thu, 6/5/08, kishore parayath lt;[EMAIL PROTECTED]gt; wrote: From: kishore parayath lt;[EMAIL PROTECTED]gt; Subject: Re: [arr] From Where should I get songs from Vaishnavar(1993) To: arrahmanfans@yahoogroups.com Date: Thursday, June 5, 2008, 10:46 AM WellMany ppl have claimed to see cassettes with Tags: Music: A.R. RAHMAN ... while many other say the Music is by Ouseppachan... Only 2 ppl can answer.. Either..Ouseppachan or Rahman... IF waht haruish said is correct...Dat it had some pavitra songs...then, confirm dat it is an ARR MUSICAL...BTW..Harish, whose name is givn in d cassettenbsp;for Music Director??
[arr] Re: GVM on COM and ARR
Damn! The moment I read that on Baradwaj's blog, I wanted to post it here and you beat me to it. You have a great record with Harris. They'll think I've done something to that. I don't want to get into the bad books of people. Are you sure it's okay? Reading this just reiterates how genuinely humble and nice this man is. Kaushik http://www.thekingofdreamers.blogspot.com/ --- In arrahmanfans@yahoogroups.com, Gopal Srinivasan [EMAIL PROTECTED] wrote: Speaking of Rahman, thereâs been a lot of talk about the switch from your regular, Harris Jayaraj. Itâs not a switch, because I am doing a film with Harris in December, which stars Ajit (for Sivaji productions). We work really well together. I think weâre the only team that works really well together, because I know how he works with the other guys, and I know how I work with him. But I always wanted to work with Rahman, right from the word go, right from when Minnale happened â and Harris knows that. Yes, he said, âPeople will think we have a problem. Why do you want to do this now?â But I told him I need to do this because⦠You can always do a film with Surya but you still want to work with Kamal Hassan. Itâs like that. When I pitched it to Rahman, the first thing he asked was, âYou have a great record with Harris. Theyâll think Iâve done something to that. I donât want to get into the bad books of people. Are you sure itâs okay?â Secondly, he said, âThereâs bound to be tremendous expectation. We need to live up to that. Do you think we will do that?â I told him. âCome on, letâs not worry about all that. What the film demands, weâll do.â Heâs pretty cool â very humble, very nice. I think we share a great rapport. http://www.desipundit.com/baradwajrangan/2008/06/05/interview-gautam-vasudev-menon/
Re: [arr] Rahaman defined music and instrumentation afresh
Sir, You aptly put it 'Music' has no language. It doesn't matter whether or not u understand Hindi or Tamil or for that matter any language - to appreciate music and most of all ARR's music. Thank you for this post ...the first post and please do continue to post your thoughts. -A On Thu, Jun 5, 2008 at 12:14 PM, csrao [EMAIL PROTECTED] wrote: Friends, I do not know how much I am qualified or not qualified to say some thing on this knowledge forum. Though I am with the group for months on, this is my first posting. My favorites are almost all the songs of ARR. As a matter of fact I am, eminently placed to get disqualified from belonging to this Group. I do not know Hindi. I do not Know Tamil. I do not have any knowledge of Music. Above all this, I am aged all of 72 years. But I have a gut feeling about and instant reaction to good tunes, good instrumentation and calm, soothing and vibrant music. That day ages back when I first heard songs from Roja, I instinctively knew that this gentleman arrived to thrill us forever and take us on a musical raid of un-scalable and unimaginable heights. He elevated cine music to unattainable heights. I have a good collection of his Tamil songs which I love many, I like all. Daily, I listen to these songs for 2 to 4 hours. They refresh me, keep me fit and energetic. Arr's uniquness, according to me, I repeat, according to me,, lies in: 1. Treating voice [male or female] as yet another instrument, to be played upon. 2. Each of his song is a symphony. To reach those heights and lows in 3/4 minutes is possible only to him. 3. He is a master at creating heavenly interludes which are more often than not are the highlights of many songs. 4. I had never heard any one using drums [or allied instruments], shehnai, [I am not worried about exact names, as long as I enjoy them], flute to this advantage. How he introduces weaving them in to the voice, takes them, leaving the voice behind, to a solo crescendo and taper off, very effectively, yet all in a fraction of a minute, which is humanly impossible. He is Blessed, if not he himself is Divine. 5. I divide the Indian cine music era in to two segments. PreARR and PostARR eras. In the PreARR era we used to ask who sang that song? Rafi or Kishore. Now we ask who composed it? That is the power duly acquired and got by our honored ARR. I have my own two Play-lists of ARR's Tamil songs. One I play in whichever mood I am in. These songs are level-all gems. The second list I play when I feel I am in good and high spirit! In other words, what I am saying is that I adore those, around 70, Tamil songs tuned by ARR, even though I do not know the language. Proving, if proof is needed, music has no language. Rather It is ARR who proved it through millions like me. Let us not enter in to Lilliputian arguments over that GIANT Musician whose presence amongst us we are fortunate to have. The Beauty is I hear his songs even when I am not listening to them!!! Thanks to those haunting and teasing melodies and tunes. csrao -- -A http://viewsnmuse.blogspot.com
Re: [arr] Rahaman defined music and instrumentation afresh
And You have defined who a true Music Fan is. and also defined the meaning of a real ARR Fan :)) On Thu, Jun 5, 2008 at 3:14 PM, csrao [EMAIL PROTECTED] wrote: Friends, I do not know how much I am qualified or not qualified to say some thing on this knowledge forum. Though I am with the group for months on, this is my first posting. My favorites are almost all the songs of ARR. As a matter of fact I am, eminently placed to get disqualified from belonging to this Group. I do not know Hindi. I do not Know Tamil. I do not have any knowledge of Music. Above all this, I am aged all of 72 years. But I have a gut feeling about and instant reaction to good tunes, good instrumentation and calm, soothing and vibrant music. That day ages back when I first heard songs from Roja, I instinctively knew that this gentleman arrived to thrill us forever and take us on a musical raid of un-scalable and unimaginable heights. He elevated cine music to unattainable heights. I have a good collection of his Tamil songs which I love many, I like all. Daily, I listen to these songs for 2 to 4 hours. They refresh me, keep me fit and energetic. Arr's uniquness, according to me, I repeat, according to me,, lies in: 1. Treating voice [male or female] as yet another instrument, to be played upon. 2. Each of his song is a symphony. To reach those heights and lows in 3/4 minutes is possible only to him. 3. He is a master at creating heavenly interludes which are more often than not are the highlights of many songs. 4. I had never heard any one using drums [or allied instruments], shehnai, [I am not worried about exact names, as long as I enjoy them], flute to this advantage. How he introduces weaving them in to the voice, takes them, leaving the voice behind, to a solo crescendo and taper off, very effectively, yet all in a fraction of a minute, which is humanly impossible. He is Blessed, if not he himself is Divine. 5. I divide the Indian cine music era in to two segments. PreARR and PostARR eras. In the PreARR era we used to ask who sang that song? Rafi or Kishore. Now we ask who composed it? That is the power duly acquired and got by our honored ARR. I have my own two Play-lists of ARR's Tamil songs. One I play in whichever mood I am in. These songs are level-all gems. The second list I play when I feel I am in good and high spirit! In other words, what I am saying is that I adore those, around 70, Tamil songs tuned by ARR, even though I do not know the language. Proving, if proof is needed, music has no language. Rather It is ARR who proved it through millions like me. Let us not enter in to Lilliputian arguments over that GIANT Musician whose presence amongst us we are fortunate to have. The Beauty is I hear his songs even when I am not listening to them!!! Thanks to those haunting and teasing melodies and tunes. csrao -- Cheers, Pradeepan. All you need to do is, decide what to do with the time that is given to you !
Re: [arr] ADA JTYJN Review by a College Studen
I listened to Appudo Ippudo from Bomarillu a few times and I hear no resemblance. I think the resemblance is totally overblown. --- In arrahmanfans@yahoogroups.com, Madhavan Rajan [EMAIL PROTECTED] wrote: I was also shocked to see this review in today's Hindu Supplement...I didn't expect this from a reputed news paper. We can write back to Hindu regarding this. Infact, I'm going to do this... Madhavan.R Love, Music, Peace...and AR Rahman for Life. On 6/5/08, $ Pavan Kumar $ [EMAIL PROTECTED] wrote: Stupid Review...This person is in need of some serious help...Rahman should do some more innovation? He has gone nuts.. *Vithur [EMAIL PROTECTED]* wrote: Hawa sun' sung by Sonu Nigam and Alka Yagnik is similar to Udhaya of Udhaya and, though soft, carries a heard-before feel. 'Gumsum' (again the same duo) is more like a rework of Sivaji's Vaaji. 'Gulfisha' (Nigam and Sunidhi Chauhan) is a typical Sunidhi song, butyou don't need a Rahman for this. 'Maherbaan', sung by the big man himself, is good, but the tune being that of Pray for me brother does irk you. 'Tu mera' (Chitra and Sukhwinder Singh) seems to have been inspired by Varugirai of Anbe Aruyire. 'Hai dardh' (Udit Narayanan) is not a great effort but takes you along thanks to the singer. The pick of the album is 'Ishq ada' (female version by Parul Mishra and the male by Rashid Ali). Rahman proves his talent in blending Sufi and western music. 'Muje milo' (Alka Yagnik and Jayachandran) is inspired by Kannathil Muthamittal, which took off from a R.D.Burman number. Rahman always hides his inspirations by rendering the notes in high pitch, this time it hasn't worked. Thanks to uncertainty over the album's release, these songs have been under covers for four years and so Rahman had every right to use these numbers elsewhere. But ARR fans don't want repetition. Rahman's interest over Devi Sri Prasad's music shows in 'Kabhi Kabhi '(Rashid Ali), a reworking of Apudo Ipudo of Bommarilu. 'Pappu can't dance' (Blaze, Aslam, Tanvi, Anupama, Benny, Tanvi, Darshana, Satish) sure makes your feet move but the tune and instruments aren't fresh. More like a Shankar-Eshan-Loy remix. 'Nazarein milana' (Swetha, Naresh and Satish) has great use of vocals blended with guitar. But the resemblance to Yuhi chala of Swades hampers your interest. 'Tu Bole' (Rahman himself) has a feel of the 1970s jazz but since the same feel and instrument arrangement were used in in Silunu Oru Kadhal and Iruvar, there isn't much new here. 'Kahin To' (Rashid Ali, Vasundhara Das) is definitely the pick of the album. The sadder version of 'Jaane Tu' (Sukhwinder Singh) doesn't bore you mainly due to Sukhwinder. The violin bit is again the heard-before variety, this time from Uyire in Bombay. It could have been a great album had Rahman shown more innovation. http://www.go-nxg.com/?p=956 -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL http://www.mymailsignature.com/ http://www.mymailsignature.com/?partner=ZGzeb001
Re: [arr] Tu Bole Main Boloon is inspired from which song?
The lyrics are inspired by Let's Call the Whole Thing Off but the music is original. --- In arrahmanfans@yahoogroups.com, Ashish G [EMAIL PROTECTED] wrote: Why is that people are always trying to look for every single note to try and say Rahman copies or plagiarizes! Why this obsession ! Is there anyone who wants us to stop listening to Rahman! Does anyone have a vengeance to take against rahman! what if his indeed inspired for one particular song(which isn't the case),does that remove the geniusness of whatever his accomplished.
Re: [arr] From Where should I get songs from Vaishnavar(1993)
I got the songs wrong --- On Thu, 6/5/08, Harish Jose lt;[EMAIL PROTECTED]gt; wrote: From: Harish Jose lt;[EMAIL PROTECTED]gt; Subject: Re: [arr] From Where should I get songs from Vaishnavar(1993) To: arrahmanfans@yahoogroups.com Date: Thursday, June 5, 2008, 7:02 PM I think the problem happened because the audio cassette had two movies in it. It was a combo cassette in malayalam. The flip side was done by Ousepachan. I do not have the cassette with me to check out the other movie. The name was some Putri or Malakha... In Malayalam it meant daughter or angel. One of the songs was thumba Poovin sung by S. Janaki, I think - which was Chevvanam from pavithra. --- On Thu, 6/5/08, kishore parayath lt;[EMAIL PROTECTED]gt; wrote: From: kishore parayath lt;[EMAIL PROTECTED]gt; Subject: Re: [arr] From Where should I get songs from Vaishnavar(1993) To: arrahmanfans@yahoogroups.com Date: Thursday, June 5, 2008, 10:46 AM WellMany ppl have claimed to see cassettes with Tags: Music: A.R. RAHMAN ... while many other say the Music is by Ouseppachan... Only 2 ppl can answer.. Either..Ouseppachan or Rahman... IF waht haruish said is correct...Dat it had some pavitra songs...then, confirm dat it is an ARR MUSICAL...BTW..Harish, whose name is givn in d cassettenbsp;for Music Director??
Re: [arr] Rahaman defined music and instrumentation afresh
Such a refreshing post..Amazing... We would like to hear more from you Sir... I really enjoyed your post.Thanks Again... csrao [EMAIL PROTECTED] wrote: Friends, I do not know how much I am qualified or not qualified to say some thing on this knowledge forum. Though I am with the group for months on, this is my first posting. My favorites are almost all the songs of ARR. As a matter of fact I am, eminently placed to get disqualified from belonging to this Group. I do not know Hindi. I do not Know Tamil. I do not have any knowledge of Music. Above all this, I am aged all of 72 years. But I have a gut feeling about and instant reaction to good tunes, good instrumentation and calm, soothing and vibrant music. That day ages back when I first heard songs from Roja, I instinctively knew that this gentleman arrived to thrill us forever and take us on a musical raid of un-scalable and unimaginable heights. He elevated cine music to unattainable heights. I have a good collection of his Tamil songs which I love many, I like all. Daily, I listen to these songs for 2 to 4 hours. They refresh me, keep me fit and energetic. Arr's uniquness, according to me, I repeat, according to me,, lies in: 1. Treating voice [male or female] as yet another instrument, to be played upon. 2. Each of his song is a symphony. To reach those heights and lows in 3/4 minutes is possible only to him. 3. He is a master at creating heavenly interludes which are more often than not are the highlights of many songs. 4. I had never heard any one using drums [or allied instruments], shehnai, [I am not worried about exact names, as long as I enjoy them], flute to this advantage. How he introduces weaving them in to the voice, takes them, leaving the voice behind, to a solo crescendo and taper off, very effectively, yet all in a fraction of a minute, which is humanly impossible. He is Blessed, if not he himself is Divine. 5. I divide the Indian cine music era in to two segments. PreARR and PostARR eras. In the PreARR era we used to ask who sang that song? Rafi or Kishore. Now we ask who composed it? That is the power duly acquired and got by our honored ARR. I have my own two Play-lists of ARR's Tamil songs. One I play in whichever mood I am in. These songs are level-all gems. The second list I play when I feel I am in good and high spirit! In other words, what I am saying is that I adore those, around 70, Tamil songs tuned by ARR, even though I do not know the language. Proving, if proof is needed, music has no language. Rather It is ARR who proved it through millions like me. Let us not enter in to Lilliputian arguments over that GIANT Musician whose presence amongst us we are fortunate to have. The Beauty is I hear his songs even when I am not listening to them!!! Thanks to those haunting and teasing melodies and tunes. csrao
[arr] Re: Rahaman defined music and instrumentation afresh
Fantastic post! Loved your insights and sentiments! Please post more in this group! As a senior member, your contributions will be appreciated by me and others. --- In arrahmanfans@yahoogroups.com, csrao [EMAIL PROTECTED] wrote: Friends, I do not know how much I am qualified or not qualified to say some thing on this knowledge forum. Though I am with the group for months on, this is my first posting. My favorites are almost all the songs of ARR. As a matter of fact I am, eminently placed to get disqualified from belonging to this Group. I do not know Hindi. I do not Know Tamil. I do not have any knowledge of Music. Above all this, I am aged all of 72 years. But I have a gut feeling about and instant reaction to good tunes, good instrumentation and calm, soothing and vibrant music. That day ages back when I first heard songs from Roja, I instinctively knew that this gentleman arrived to thrill us forever and take us on a musical raid of un-scalable and unimaginable heights. He elevated cine music to unattainable heights. I have a good collection of his Tamil songs which I love many, I like all. Daily, I listen to these songs for 2 to 4 hours. They refresh me, keep me fit and energetic. Arr's uniquness, according to me, I repeat, according to me,, lies in: 1. Treating voice [male or female] as yet another instrument, to be played upon. 2. Each of his song is a symphony. To reach those heights and lows in 3/4 minutes is possible only to him. 3. He is a master at creating heavenly interludes which are more often than not are the highlights of many songs. 4. I had never heard any one using drums [or allied instruments], shehnai, [I am not worried about exact names, as long as I enjoy them], flute to this advantage. How he introduces weaving them in to the voice, takes them, leaving the voice behind, to a solo crescendo and taper off, very effectively, yet all in a fraction of a minute, which is humanly impossible. He is Blessed, if not he himself is Divine. 5. I divide the Indian cine music era in to two segments. PreARR and PostARR eras. In the PreARR era we used to ask who sang that song? Rafi or Kishore. Now we ask who composed it? That is the power duly acquired and got by our honored ARR. I have my own two Play-lists of ARR's Tamil songs. One I play in whichever mood I am in. These songs are level-all gems. The second list I play when I feel I am in good and high spirit! In other words, what I am saying is that I adore those, around 70, Tamil songs tuned by ARR, even though I do not know the language. Proving, if proof is needed, music has no language. Rather It is ARR who proved it through millions like me. Let us not enter in to Lilliputian arguments over that GIANT Musician whose presence amongst us we are fortunate to have. The Beauty is I hear his songs even when I am not listening to them!!! Thanks to those haunting and teasing melodies and tunes. csrao
[arr] Re: Rahaman defined music and instrumentation afresh
it is a true honor for me to read this wonderful post. thank you, u showed that arr not only surpasses language barriers but also age barriers. truly an honor. --- In arrahmanfans@yahoogroups.com, csrao [EMAIL PROTECTED] wrote: Friends, I do not know how much I am qualified or not qualified to say some thing on this knowledge forum. Though I am with the group for months on, this is my first posting. My favorites are almost all the songs of ARR. As a matter of fact I am, eminently placed to get disqualified from belonging to this Group. I do not know Hindi. I do not Know Tamil. I do not have any knowledge of Music. Above all this, I am aged all of 72 years. But I have a gut feeling about and instant reaction to good tunes, good instrumentation and calm, soothing and vibrant music. That day ages back when I first heard songs from Roja, I instinctively knew that this gentleman arrived to thrill us forever and take us on a musical raid of un-scalable and unimaginable heights. He elevated cine music to unattainable heights. I have a good collection of his Tamil songs which I love many, I like all. Daily, I listen to these songs for 2 to 4 hours. They refresh me, keep me fit and energetic. Arr's uniquness, according to me, I repeat, according to me,, lies in: 1. Treating voice [male or female] as yet another instrument, to be played upon. 2. Each of his song is a symphony. To reach those heights and lows in 3/4 minutes is possible only to him. 3. He is a master at creating heavenly interludes which are more often than not are the highlights of many songs. 4. I had never heard any one using drums [or allied instruments], shehnai, [I am not worried about exact names, as long as I enjoy them], flute to this advantage. How he introduces weaving them in to the voice, takes them, leaving the voice behind, to a solo crescendo and taper off, very effectively, yet all in a fraction of a minute, which is humanly impossible. He is Blessed, if not he himself is Divine. 5. I divide the Indian cine music era in to two segments. PreARR and PostARR eras. In the PreARR era we used to ask who sang that song? Rafi or Kishore. Now we ask who composed it? That is the power duly acquired and got by our honored ARR. I have my own two Play-lists of ARR's Tamil songs. One I play in whichever mood I am in. These songs are level-all gems. The second list I play when I feel I am in good and high spirit! In other words, what I am saying is that I adore those, around 70, Tamil songs tuned by ARR, even though I do not know the language. Proving, if proof is needed, music has no language. Rather It is ARR who proved it through millions like me. Let us not enter in to Lilliputian arguments over that GIANT Musician whose presence amongst us we are fortunate to have. The Beauty is I hear his songs even when I am not listening to them!!! Thanks to those haunting and teasing melodies and tunes. csrao
[arr] Re: Multiple emotions in single song of ARR???
Rawat, Here are some Hindi equivalents: Anjali Anjali (Duet) = Mil Gayi Mil Gayi (Kabhi Na Kabhi, orchestration modified from the original) Putham Puthu Bhoomi (Thiruda Thiruda) = Jhoom Jhoom Nache Hum (Chor Chor) Thamizha Thamizha (Roja) = Bharat Humko (Roja --- In arrahmanfans@yahoogroups.com, V S Rawat [EMAIL PROTECTED] wrote: On 6/5/2008 12:29 PM India Time, [EMAIL PROTECTED] wrote: Hey puttham pudhu boomi in thiruda thiruda has range of sounds from beat-less to dashing beats stirring emotions. minsara kanna (padayappa changing between western classical) udaya udaya song 4m mild 2 heavy arrangements anjali anjanli pushpanjanli is a tricky composition of soft, medium loud arrangements. VIC Sorry guys, I understand only hindi so I have not heard tamil/ telugu songs mentioned as having multiple emotions. May be some bilingual in this list could explain that or if there is a Hindi dubbed version of that song, if you mention the hindi album name and hindi song mukhda, then I could recall it. Though music can create the emotion, understanding the lyrics will help largely in identifying the prevalent emotion. thanks. -- Rawat
[arr] Nazren milana HQ trailer
http://www.jaanetu.com/medium4.htm watch and enjoy this bubbly song! fun-loving orchestration. ARRs orchestration is unique and splendid, as always...
Re: [arr] Rahaman defined music and instrumentation afresh
Dear Sir, nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp;nbsp; that was a lovely post..I thoroughly enjoyed reading after a long time in the group..Do post more :) csrao lt;[EMAIL PROTECTED] comgt; wrote: Friends, I do not know how much I am qualified or not qualified to say some thing on this knowledge forum. Though I am with the group for months on, this is my first posting. My favorites are almost all the songs of ARR. As a matter of fact I am, eminently placed to get disqualified from belonging to this Group. I do not know Hindi. I do not Know Tamil. I do not have any knowledge of Music. Above all this, I am aged all of 72 years. But I have a gut feeling about and instant reaction tonbsp; good tunes, good instrumentation and calm, soothing and vibrant music. That day ages back when I first heard songs from Roja, I instinctively knew that this gentleman arrived to thrill us forevernbsp; and take us on a musicalnbsp; raid ofnbsp; un-scalable and unimaginable heights.nbsp; He elevated cine music to unattainable heights. nbsp;I have a good collection of his Tamil songs which I love many, I like all.nbsp; Daily, I listen to these songs for 2 to 4 hours. They refresh me, keep me fit and energetic. Arr's uniquness, according to me, I repeat, according to me,, lies in: 1. Treating voice [male or female] as yet another instrument, to be played upon. 2. Each of his song is a symphony. To reach those heights and lows in 3/4 minutes is possible only to him. 3. He is a master at creating heavenly interludes which are more often than not are the highlights of many songs. 4. I had never heard any one using drums [or allied instruments] ,nbsp; shehnai,nbsp; [I am not worried about exact names, as long as I enjoy them],nbsp; flute to this advantage. How he introduces weaving them in to the voice, takes them, leaving the voice behind, tonbsp; a solo crescendo and tapernbsp; off, very effectively, yet all in a fraction of a minute, which is humanly impossible. He is Blessed, if not he himself is Divine. 5. I divide the Indian cine music era in to two segments. PreARR and PostARR eras. In the PreARR era we used to ask who sang that song?nbsp; Rafi or Kishore. Now we ask who composed it? That is the power duly acquired and got by our honored ARR. I have my own two Play-lists of ARR's Tamil songs. One I play in whichever mood I am in. These songs are level-all gems. The second list I play when I feel I am in good and high spirit! In other words, what I am saying is that I adore those, around 70, Tamil songs tuned by ARR, even though I do not know the language.nbsp; Proving, if proof is needed, music has no language. Rather It is ARR who proved it through millions like me. Let us not enter in to Lilliputian arguments over that GIANT Musician whose presence amongst us we are fortunate to have. The Beauty is I hear his songs even when I am not listening to them!!! Thanks to those haunting and teasing melodies and tunes. csrao nbsp; nbsp;
[arr] Re: Rahaman defined music and instrumentation afresh
Sir, Thank you so much for such a wonderful post. Your post reminds again that we all are here just becaue we love ARR. And your saying The Beauty is I hear his songs even when I am not listening to them is so true :) thank you again :) --- In arrahmanfans@yahoogroups.com, csrao [EMAIL PROTECTED] wrote: Friends, I do not know how much I am qualified or not qualified to say some thing on this knowledge forum. Though I am with the group for months on, this is my first posting. My favorites are almost all the songs of ARR. As a matter of fact I am, eminently placed to get disqualified from belonging to this Group. I do not know Hindi. I do not Know Tamil. I do not have any knowledge of Music. Above all this, I am aged all of 72 years. But I have a gut feeling about and instant reaction to good tunes, good instrumentation and calm, soothing and vibrant music. That day ages back when I first heard songs from Roja, I instinctively knew that this gentleman arrived to thrill us forever and take us on a musical raid of un-scalable and unimaginable heights. He elevated cine music to unattainable heights. I have a good collection of his Tamil songs which I love many, I like all. Daily, I listen to these songs for 2 to 4 hours. They refresh me, keep me fit and energetic. Arr's uniquness, according to me, I repeat, according to me,, lies in: 1. Treating voice [male or female] as yet another instrument, to be played upon. 2. Each of his song is a symphony. To reach those heights and lows in 3/4 minutes is possible only to him. 3. He is a master at creating heavenly interludes which are more often than not are the highlights of many songs. 4. I had never heard any one using drums [or allied instruments], shehnai, [I am not worried about exact names, as long as I enjoy them], flute to this advantage. How he introduces weaving them in to the voice, takes them, leaving the voice behind, to a solo crescendo and taper off, very effectively, yet all in a fraction of a minute, which is humanly impossible. He is Blessed, if not he himself is Divine. 5. I divide the Indian cine music era in to two segments. PreARR and PostARR eras. In the PreARR era we used to ask who sang that song? Rafi or Kishore. Now we ask who composed it? That is the power duly acquired and got by our honored ARR. I have my own two Play-lists of ARR's Tamil songs. One I play in whichever mood I am in. These songs are level-all gems. The second list I play when I feel I am in good and high spirit! In other words, what I am saying is that I adore those, around 70, Tamil songs tuned by ARR, even though I do not know the language. Proving, if proof is needed, music has no language. Rather It is ARR who proved it through millions like me. Let us not enter in to Lilliputian arguments over that GIANT Musician whose presence amongst us we are fortunate to have. The Beauty is I hear his songs even when I am not listening to them!!! Thanks to those haunting and teasing melodies and tunes. csrao
[arr] poor review........
hey rahmaniacs did anyone see the music reviews of JTYJN and ADA in hindu-nxg(5/6/08)...its one of the poor reviews.totally atrocious,written as though to de-fame our god.The reviewer has written like every song of ada n jtyjn has been an inspiraton fron some otherhe infact went on to say dat rahmannbsp; copied fromnbsp; devi-sri prasad...inbsp; dunno how he gets dat weird imaginations comparing kabhi kabhi aditiand adada adada(santhosh sub.).pls do look to it...n comment on it Meet people who discuss and share your passions. Go to http://in.promos.yahoo.com/groups/bestofyahoo/
Re: [arr] Rahaman defined music and instrumentation afresh
Thank you sir... Gentle and sweet words from a gentleman... On Fri, Jun 6, 2008 at 12:44 AM, csrao [EMAIL PROTECTED] wrote: Friends, I do not know how much I am qualified or not qualified to say some thing on this knowledge forum. Though I am with the group for months on, this is my first posting. My favorites are almost all the songs of ARR. As a matter of fact I am, eminently placed to get disqualified from belonging to this Group. I do not know Hindi. I do not Know Tamil. I do not have any knowledge of Music. Above all this, I am aged all of 72 years. But I have a gut feeling about and instant reaction to good tunes, good instrumentation and calm, soothing and vibrant music. That day ages back when I first heard songs from Roja, I instinctively knew that this gentleman arrived to thrill us forever and take us on a musical raid of un-scalable and unimaginable heights. He elevated cine music to unattainable heights. I have a good collection of his Tamil songs which I love many, I like all. Daily, I listen to these songs for 2 to 4 hours. They refresh me, keep me fit and energetic. Arr's uniquness, according to me, I repeat, according to me,, lies in: 1. Treating voice [male or female] as yet another instrument, to be played upon. 2. Each of his song is a symphony. To reach those heights and lows in 3/4 minutes is possible only to him. 3. He is a master at creating heavenly interludes which are more often than not are the highlights of many songs. 4. I had never heard any one using drums [or allied instruments], shehnai, [I am not worried about exact names, as long as I enjoy them], flute to this advantage. How he introduces weaving them in to the voice, takes them, leaving the voice behind, to a solo crescendo and taper off, very effectively, yet all in a fraction of a minute, which is humanly impossible. He is Blessed, if not he himself is Divine. 5. I divide the Indian cine music era in to two segments. PreARR and PostARR eras. In the PreARR era we used to ask who sang that song? Rafi or Kishore. Now we ask who composed it? That is the power duly acquired and got by our honored ARR. I have my own two Play-lists of ARR's Tamil songs. One I play in whichever mood I am in. These songs are level-all gems. The second list I play when I feel I am in good and high spirit! In other words, what I am saying is that I adore those, around 70, Tamil songs tuned by ARR, even though I do not know the language. Proving, if proof is needed, music has no language. Rather It is ARR who proved it through millions like me. Let us not enter in to Lilliputian arguments over that GIANT Musician whose presence amongst us we are fortunate to have. The Beauty is I hear his songs even when I am not listening to them!!! Thanks to those haunting and teasing melodies and tunes. csrao -- regards, Vithur HELP EVER; HURT NEVER; LOVE ALL; SERVE ALL
Re: [arr] Reviving Again-Hyderabad Fans meet- what say
A reminder again to all the hyderabad fans for this casual meet :) We shall go ahead with the meet tomm. Time and Venue Details: 7th June, 6:00 PM EatStreet, Necklace Road --- In arrahmanfans@yahoogroups.com, vedrag2000 [EMAIL PROTECTED] wrote: I dont see any more members interested in the meet. pls update on the orkut community soon so that we can meet up this saturday --- In arrahmanfans@yahoogroups.com, fani kalyan rythmdivine2001@ wrote: Thanks , I have joined with the Id Rahmantic fella.on orkut..and nobody has jojned yet!lets hope for more members --- On Sat, 5/31/08, vedrag2000 vedrag2000@ wrote: From: vedrag2000 vedrag2000@ Subject: Re: [arr] Reviving Again-Hyderabad Fans meet- what say To: arrahmanfans@yahoogroups.com Date: Saturday, May 31, 2008, 10:19 AM Hi fani Thts a nice input. I created this community on orkut and facebook as well. This is the orkut commnity link http://www.orkut. co.in/Community. aspx?cmm= 52393494 and this is the facebook groups link http://www.facebook .com/group. php?gid=15108258 079 Im not very much comfortable with orkut,plz let me know if u find any issues/modification s with the community. --- In arrahmanfans@ yahoogroups. com, fani kalyan lt;rythmdivine2001@ ...gt; wrote: gt; gt; Oh atleast this time it gets materialised. .sureamp;nbsp; Im in ...anytime..ved. .whay cant we create an orkut community for this meet..it will be amp;nbsp;more user friendly and can easily interact with eachother! gt; gt; --- On Fri, 5/30/08, vedrag2000 vedrag2000@ .. wrote: gt; gt; From: vedrag2000 vedrag2000@ .. gt; Subject: [arr] Reviving Again-Hyderabad Fans meet- what say gt; To: arrahmanfans@ yahoogroups. com gt; Date: Friday, May 30, 2008, 12:44 PM gt; gt; gt; gt; gt; gt; gt; Hi guys, gt; gt; Hope all are hooked to Ada and JTYJN. gt; By the way the last time we planned for an outing there was not many gt; ppl who were interested and I am sorry for not taking enuf initiative gt; and meeting up atleast the interested ppl. gt; gt; This time around we will plan it well and have a great meet. gt; Let me know ur inputs. gt; gt; We shall plan for the outing on 7th June, saturday gt; gt; Regards, gt; Madhu gt;
Re: [arr] Reviving Again-Hyderabad Fans meet- what say
Ok done, lets wait opp the cafe cofee day..as the mobile network is very bad there! --- On Thu, 6/5/08, vedrag2000 lt;[EMAIL PROTECTED]gt; wrote: From: vedrag2000 lt;[EMAIL PROTECTED]gt; Subject: Re: [arr] Reviving Again-Hyderabad Fans meet- what say To: arrahmanfans@yahoogroups.com Date: Thursday, June 5, 2008, 11:29 PM A reminder again to all the hyderabad fans for this casual meet :) We shall go ahead with the meet tomm. Time and Venue Details: 7th June, 6:00 PM EatStreet, Necklace Road --- In arrahmanfans@ yahoogroups. com, vedrag2000 lt;vedrag2000@ ...gt; wrote: gt; gt; I dont see any more members interested in the meet. gt; pls update on the orkut community soon so that we can meet up this gt; saturday gt; gt; gt; --- In arrahmanfans@ yahoogroups. com, fani kalyan lt;rythmdivine2001@ gt; gt; wrote: gt; gt; gt; gt; Thanks , I have joined with the Id Rahmantic fella.on orkut..and gt; nobody has jojned yet!lets hope for more members gt; gt; gt; gt; --- On Sat, 5/31/08, vedrag2000 vedrag2000@ wrote: gt; gt; gt; gt; From: vedrag2000 vedrag2000@ gt; gt; Subject: Re: [arr] Reviving Again-Hyderabad Fans meet- what say gt; gt; To: arrahmanfans@ yahoogroups. com gt; gt; Date: Saturday, May 31, 2008, 10:19 AM gt; gt; gt; gt; gt; gt; gt; gt; gt; gt; gt; gt; gt; gt; Hi fani gt; gt; gt; gt; Thts a nice input. I created this community on orkut and facebook as gt; well. gt; gt; gt; gt; This is the orkut commnity link gt; gt; http://www.orkut. co.in/Community. aspx?cmm= 52393494 gt; gt; and this is the facebook groups link gt; gt; gt; gt; http://www.facebook .com/group. php?gid=15108258 079 gt; gt; gt; gt; Im not very much comfortable with orkut,plz let me know if u find any gt; gt; issues/modification s with the community. gt; gt; gt; gt; --- In arrahmanfans@ yahoogroups. com, fani kalyan gt; amp;lt;rythmdivine2001 @ ...amp;gt; gt; gt; wrote: gt; gt; amp;gt; gt; gt; amp;gt; Oh atleast this time it gets materialised. .sureamp;amp;nbsp; Im in gt; gt; ...anytime.. ved. .whay cant we create an orkut community for this gt; gt; meet..it will be amp;amp;nbsp;more user friendly and can easily gt; interact with gt; gt; eachother! gt; gt; amp;gt; gt; gt; amp;gt; --- On Fri, 5/30/08, vedrag2000 vedrag2000@ .. wrote: gt; gt; amp;gt; gt; gt; amp;gt; From: vedrag2000 vedrag2000@ .. gt; gt; amp;gt; Subject: [arr] Reviving Again-Hyderabad Fans meet- what say gt; gt; amp;gt; To: arrahmanfans@ yahoogroups. com gt; gt; amp;gt; Date: Friday, May 30, 2008, 12:44 PM gt; gt; amp;gt; gt; gt; amp;gt; gt; gt; amp;gt; gt; gt; amp;gt; gt; gt; amp;gt; gt; gt; amp;gt; gt; gt; amp;gt; Hi guys, gt; gt; amp;gt; gt; gt; amp;gt; Hope all are hooked to Ada and JTYJN. gt; gt; amp;gt; By the way the last time we planned for an outing there was not gt; many gt; gt; amp;gt; ppl who were interested and I am sorry for not taking enuf gt; initiative gt; gt; amp;gt; and meeting up atleast the interested ppl. gt; gt; amp;gt; gt; gt; amp;gt; This time around we will plan it well and have a great meet. gt; gt; amp;gt; Let me know ur inputs. gt; gt; amp;gt; gt; gt; amp;gt; We shall plan for the outing on 7th June, saturday gt; gt; amp;gt; gt; gt; amp;gt; Regards, gt; gt; amp;gt; Madhu gt; gt; amp;gt; gt; gt; gt;
