[SlimDevices: Audiophiles] Re: SB3 into DAC

2006-12-31 Thread adrianh1960

I have a similar problem with my Meridian DAC.  I'm using the Optical
interface between the DAC and the SB3 and the coax vetween it and a CD
player.  The Optical interface needs no signal to be present for the
co-axial input to work.  I have changed the setting as described but
still doesnt work so I'm wondering if the fibre is still lit.  Any
ideas?


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[SlimDevices: Audiophiles] Re: Transporter setup with Bryston - Balanced levels

2006-12-31 Thread forward1

Eric,

I use both outputs - Balanced XLR and Unbalanced RCA. They are directly
connected between the Transporter and the Bryston 4B-ST. 

The RCA is a entry-level MIT cable ($75?) and the XLR is a cheap
generic purchased at a musicians shop. 

The Bryston has a switch on the back that let's you toggle between the
two. The default sound levels are close, with the RCA output slightly
higher. 

I haven't changed the internal dip switches on the Transporter,  -
didn't see a need. I don't play music very loud, and a setting of
around -12 on the Transporter is working for me. 

What speakers do you use?

Ed Bennett
[EMAIL PROTECTED]


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[SlimDevices: Audiophiles] Re: FLAC signal levels

2006-12-31 Thread Phil Leigh

adamslim;165915 Wrote: 
 Radio 3.  Worth moving to the UK for :)

The Optimod is only off in the evenings.. :o)


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[SlimDevices: Audiophiles] Re: The origin of the urge to modify everything

2006-12-31 Thread jmourik

Pat Farrell;166028 Wrote: 
 
 I was going to demand timeslips or dyno charts to prove your claim of
 10 HP from just a pipe and jet kit.

Now you're talking! HA! Ye of little faith!

See attachment with before and after results:


+---+
|Filename: before_and_after_small.JPG   |
|Download: http://forums.slimdevices.com/attachment.php?attachmentid=2204|
+---+

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[SlimDevices: Audiophiles] Re: Are there any PRat's out there?

2006-12-31 Thread tomjtx

The TP has PRAT in spades IMO.
It gets the rythm and  articulation right.
Give it a listen.


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[SlimDevices: Audiophiles] Re: Are there any PRat's out there?

2006-12-31 Thread Patrick Dixon

ModelCitizen;165853 Wrote: 
 
 But, to put this into some sort of context, nothing I've tried sounds
 as good as my NAIM CDX CD player which just seems to have more depth,
 body, welly and sheer musicality than anything else I've heard.Fortunately I 
 just happen to have a CDX for Sale.  One owner, bought new
from Grahams in London around 2001 IIRC.

Why not have two?


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[SlimDevices: Audiophiles] Re: The origin of the urge to modify everything

2006-12-31 Thread Patrick Dixon

Looks like it was hardly worth bothering.  Nobody can -possibly- tell a
difference that small ...  ;-)


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[SlimDevices: Audiophiles] Re: The origin of the urge to modify everything

2006-12-31 Thread adamslim

jmourik;166111 Wrote: 
 Now you're talking! HA! Ye of little faith!
 
 See attachment with before and after results:

I'm sure that little burst of extra torque at 135mph makes all the
difference :)

Adam


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[SlimDevices: Audiophiles] Re: The origin of the urge to modify everything

2006-12-31 Thread tyler_durden

95bcwh;166021 Wrote: 
 Is this another thread intending at rediculing those who offers mods,
 and those who buy mods?

No.  I was trying to understand why so many people feel that everything
audio must be modified to get satisfactory performance.  Why does this
urge apply to only a few areas- audio and engines being the main ones I
can think of?

Is it more cost effective to modify a less expensive item or to buy an
item whose performance satisfies you without any modification?

What is the historical origin of the audio modification industry?  Is
the modification business as old as the hi-fi business?

TD


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[SlimDevices: Audiophiles] Re: The origin of the urge to modify everything

2006-12-31 Thread snarlydwarf

tyler_durden;166127 Wrote: 
 No.  I was trying to understand why so many people feel that everything
 audio must be modified to get satisfactory performance.  Why does this
 urge apply to only a few areas- audio and engines being the main ones I
 can think of?
 
 Is it more cost effective to modify a less expensive item or to buy an
 item whose performance satisfies you without any modification?
 
 What is the historical origin of the audio modification industry?  Is
 the modification business as old as the hi-fi business?
 
 TD

It's as old as Man... or at least Males.

Look at the people who Overclock and tweak every piece of PC hardware
imaginable.   That goes back to people playing with tubes and reading
Popular Mechanics in their basement...

Actually, that there may be the key: pick up a copy of PM and notice
that despite the name it isnt just about cars, it is about anything you
can take a screwdriver to and open up.  I never liked cars, but when I
was a kid I read PM every month for columns on electronics and
construction

Part of my Everything you want to know about people, you can learn
from TV: watch Home Improvement and you will understand males.

More Power is always better.

(Or listen to Ray Davies tell his story of the Little Green Amp on his
Storyteller cd.)


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[SlimDevices: Audiophiles] Re: The origin of the urge to modify everything

2006-12-31 Thread adamslim

I think you're limiting the scope of what people mod.  Anything where
people want performance, but the product is expensive, is modded:

Hifi and cars for sure, but also computers, houses (I've just been
DIY-ing!).

What about artists?  Where would we be if they didn't experiment with
media (even just combining paints)?

Music - ever heard a prepared piano?  How many ways are there to mute a
trumpet?

People mod their bed with feather mattress covers.  I'm sure it gives a
performance boost ;)

Sure you don't do much with your fridge (you'll adjust the shelves to
your liking, but that's within the design), but such a commodity item
has no real performance element.  To get an improvement, you need a
bigger and more stylish model, which can't be achieved with a mod.

So I don't think audio is unique in any way.  I think it's nice that
you can make subtle changes to something you like to improve it (or
just make you happier with it), and completely consistent with people's
desire to improve their lives within their limited means.

Adam


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[SlimDevices: Audiophiles] Re: Are there any PRat's out there?

2006-12-31 Thread vdorta

wdrazek;166108 Wrote: 
 Intitially I thought I might try the Bolder mods and see if that would
 work but it seems like everyone here recommends getting a DAC first.
This is the only place where I have seen that, maybe due to a
preponderance of objectivist audiophiles (an oxymoron?) here. If you
go to AudioCircles, for example, you'll find the opposite and many
review and comparison threads. It seems to me that going the SB mod
route (digital mods at a minimum if you have decided on a DAC) is the
logical thing to do, because a DAC by itself can't improve on the
source.


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Silent computer (Chenming MATX-118, Yate Loon case fan on rubber
grommets  Zalman Fan-Mate, Asus A8N-VM CSM, AMD Athlon 64 X2 4800+,
2GB Corsair XMS, Hitachi 250GB SATA II on rubber grommets, Zalman
7000-AlCu, EAC/FLAC) -- Inguz Room Correction -- wireless SB2 (Bolder
digital  analog mods, Sonicap Platinum bypass caps, Bolder Deluxe Power
Supply) -- Stello M200 monos -- ACI Sapphire XLs + REL Storm III |
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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread lafayette

This is all interesting.  However, the picture I'm getting here is that
these kinds of recordings are the exception, not the rule.  Moreover,
it has to do with a perceptual trick and not the actual physics of how
point source sound waves hit your ears.

Still, I was unaware of these recording techniques and will seek out
some of the recommendations.  Again, in my experience, and from what i
have learned, the rule and not the exception is that good stereo
imaging pretty much happens between the speakers.  The stuff you beyond
that is artifice (as above) or reflection.

This leads to one obvious question: how to judge, given specs, how a
particular speaker, in a particular (generic) room will handle such
recordings.  I would imagine that the speaker and not the electronics
is paramount is achieving the effect.

Happy New Year from way down south!


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread snarlydwarf

lafayette;166146 Wrote: 
 This is all interesting.  However, the picture I'm getting here is that
 these kinds of recordings are the exception, not the rule.  Moreover,
 it has to do with a perceptual trick and not the actual physics of how
 point source sound waves hit your ears.

But Stereo itself is a perceptual trick.


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Re: [SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread Pat Farrell
lafayette wrote:
 This is all interesting.  However, the picture I'm getting here is that
 these kinds of recordings are the exception, not the rule.  Moreover,
 it has to do with a perceptual trick and not the actual physics of how
 point source sound waves hit your ears.

Snarly beat me to it, all stereo is a perceptual trick.

And there are nearly no point sources in the world. Look at an acoustic
guitar. You get sound from the fingerboard, body, strings themselves,
sound hole, etc. The body radiates different sounds from the front,
sides, and back.

Phase is how humans hear. It is critical to identifying location, it is
how we knew where the lion was.

Phase is not talked about a lot because it is hard to get right

 This leads to one obvious question: how to judge, given specs, how a
 particular speaker, in a particular (generic) room will handle such
 recordings.  I would imagine that the speaker and not the electronics
 is paramount is achieving the effect.

You can't judge speakers by specs. You have to listen to them. You
should listen to them in your room. Or at least a room like where you
will be listening. You need to listen to music that you know and like.

Getting the phase right is what Quad ESLs and Maggies do right.
Getting it nearly right is what mini-monitors do much better than full
range speakers. But neither mini-monitors nor flat panels can deliver
much bass, or have the bass be seamless with the mid-bass on up.


I think one or two of the uber expensive speakers, like the $50,000
PipeDreams are reviewed to have both imaging and continuousness, but
they are way out of my budget and flunk WAF too much for me to even find
a dealer to listen to them.

You pays your money and you makes your choices.

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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread geraint smith

lafayette;166146 Wrote: 
 ..in my experience, and from what i have learned, the rule and not
 the exception is that good stereo imaging pretty much happens between
 the speakers.  The stuff you beyond that is artifice (as above) or
 reflection.

But (to augment SnarlyDwarf's and Pat Farell's responses still
further), it is all artifice - every bit of it, the whole shebang, from
musician to speakers. What is music, if not artifice? And that's before
you go anywhere near the Black Stereophonic Arts. This is no more
artifice than any of the other tricks practised in the attempt to
create perfection in an imperfect world, to restore Nature to what it
was as somebody wrote 400 years ago. If we all wanted to eschew
artifice, we'd be sitting in fields and listening to blackbirds, not in
padded cells to loud amplified noises. (Although one might be drawn
while there to reflect that even that isn't such certain advice as
would have been thought a few years ago, given all we've found out in
the last few years about the individuality and practiced skills
inherent in birdsong).

Anyway, enough of the metaphysical ramblings. A Happy and prosperous
New Year to all!


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[SlimDevices: Audiophiles] Re: Transporter setup with Bryston - Balanced levels

2006-12-31 Thread Eric Carroll

I have on order the Paradigm Referene Studio 60 v.4 based on an audition
and some research I did. 

I see from the Bryston manual web page the 4B-ST does not have the gain
switch on it that I am wondering about on the 3B-SST... interesting. You
can select balanced or unbalanced but not the input sensitivity. The
professional version of the 4B-ST has a pot on the front to select
gain but no switch.

Based on reading I have been doing in this forum I think I understand
the issue better now. The problems are basically:

1. amp clipping due to overdrive of amp input
2. speaker risk due to overdriving amp input
3. Risk to wife's ears due to accidentally setting the volume too
high due to too high input sensitivity 
4. possible issues of operating the Tp 40dB or more down on the digital
volume control as routine (risk of loss of SNR)

So I think I will hook it up, try it on 2V setting and see what the
volume control says in comparison to 0dB.

If I have to run the Tp volume control really far down, I will perhaps
shift over to unbalanced and use the built in manual attenuators.

If you are running your Tp at -12dB (or is -12 actually -6dB, not sure)
then hopefully I won't have any issues at all, since, as far as I can
tell, the 4B-ST is using the equivalent of the 1V setting on the
3B-SST.

Thanks for the input!


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[SlimDevices: Audiophiles] Re: Transporter setup with Bryston - Balanced levels

2006-12-31 Thread Eric Carroll

Ed,

Another question for you.

Did your post early mean that you can hear the difference between
balanced and unbalanced and that you prefer balanced?


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[SlimDevices: Audiophiles] Re: Are there any PRat's out there?

2006-12-31 Thread sonofcolin

wdrazek;166108 Wrote: 
  
 Sonofcolin:
 Sounds like you have a sweet setup. I looked into the Ack and although
 it looks  sweet I'm a little nervous about draining the battery. Friday
 night my wife left the music on all night. Would doing that once or
 twice fry the battery? And, do you know the price or availability of
 replacements? I didn't see any info on the Ack website. I'll be
 interested to know how the Bolder mods effect the SB3 in transport
 mode. 
 

The battery isn't an issue. You shouldn't leave the DAC on for more
than 8 hours (10 max) to conserve battery life. You can't kill it in 1
session. New battery pack is about $70.  I have a TT and I never forget
to remove the arm after playing a record. Easy concept to apply to the
dAck!

If your interested in the dAck! you should contact Christopher Own - Mr
dAck! He's very good at answering your questions or concerns and has
experience with NAIM setups.

The digital outs on the SB3 are excellent. Feed a good DAC and you have
a top notch digital source, no question. The mods bring clear refinement
to my ears. YMMV.

To my ears (and my wifes) the SB3/dAck! 2.0 has greater resolution and
subtlety compared to the CDX/XPS. Both have big expansive sounds and
great rhythm. The SB3 combo makes live performances sound much more
'real.' If I only listened to techno  DB I would quite happily live
with the CDX/XPS for ever!


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[SlimDevices: Audiophiles] Re: The origin of the urge to modify everything

2006-12-31 Thread jmourik

My latest mod, Eight Nerve triangles and rectangles...


+---+
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[SlimDevices: Audiophiles] Re: The origin of the urge to modify everything

2006-12-31 Thread 95bcwh

jmourik;166190 Wrote: 
 My latest mod, Eight Nerve triangles and rectangles...


Jan...you gotta do one more mod - adding carpet to the floor..


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[SlimDevices: Audiophiles] Re: The origin of the urge to modify everything

2006-12-31 Thread jmourik

95bcwh;166196 Wrote: 
 Jan...you gotta do one more mod - adding carpet to the floor..
Somehow I don't think that will fly with the wife...


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread The Smokester

lafayette,
This phenomena requires the preservation of phase coherence. You are
quite right that the reflections coming from objects in and walls of
the room will diminish or destroy the regular stereo, as well as this
interesting phase, effect.

Air's Carmel Prisoner on the album 10,000 Hz Legend is another
great example with a tone near the end that sounds like it circles your
head.


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[SlimDevices: Audiophiles] Re: sound stage width

2006-12-31 Thread Mike Anderson

Pat Farrell;165528 Wrote: 
 Pot, hemp, weed, MJ, Acapulco Gold, etc.

OH.  You mean...  (looks around furtively)...  -Mary Jane!-


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