Re: [SlimDevices: Audiophiles] Million dollars to prove cables areworth money

2007-10-12 Thread musiklov3r

I'm curious as to exactly what tests an engineer would enact to compare
two cables.  What specific measurements would be taken?  Are these
tests complete enough to truly be able to replicate all of the elements
involved in our hearing?

I'm reminded of the many debates that have been posted on this forum
about jitter.  If I remember correctly, someone posted that the ability
to test for jitter and in fact even the comprehension of the possibility
of such a phenomenon did not occur until sometime after digital audio
was created.  

During this time period did people argue about the sound of one
converter vs another?  If jitter was introduced into the signal path
(let's assume there was some sort of cause without getting caught up in
this detail) and was more prevalent in one design than another, it would
not have shown up in any tests during that time period.  Without a test
or a term for the difference in sound quality between the two units, an
argument could be made in a forum that if they had similar measurements
there should be no sonic difference between the two units.

Again, I'm not saying anything about the 7k cable.  I have no idea of
it's value or sonic impact.  But with regard to the ability to measure
the impact of one cable versus another, is it possible that we have not
yet identified the qualifying variable and as a result have not come up
with an appropriate test?

Food for thought?  Maybe I'm way off base.  It's late this evening...

__ 
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Re: [SlimDevices: Audiophiles] Million dollars to provecables areworth money

2007-10-12 Thread musiklov3r

If I had to guess at what the difference is between a better performing
cable and an inferior cable,  for instance the Belden 1800f vs Monster
cable or Whirlwind as the inferior cable, it would be a combination of
frequency response and distortion.  The more accurate the playback
equipment and room, the more influential small amounts of distortion or
frequency irregularities will impact the overall sound.

What I have found as that I have upgraded my system, new flaws that
were imperceptible (or masked by bigger problems) before are found and
become more difficult to solve.  For instance, upgrading to a more
expensive cd player or DAC like the SB3 to the Transporter is a fairly
easy change to make, it just requires additional funds and the
knowledge or experimentation to determine which of the more expensive
CD units are worth it.  Some companies are marketing based, others are
engineering based and if I'm spending a large amount of money on audio
gear, I'd rather buy one where the funds have gone into engineering. 
However, once you have high performance from your amps, speakers, and
source, and improved room acoustics, the cabling and power while making
less noticeable or less cost efficient differences in the beginning, now
must be focused on to improve the level of the system.

Just as acousticians discuss improving the acoustics so that the room
can handle higher levels of spl without adding acoustic distortion, as
you listen at higher volumes the impact of distortion and coloration by
cables becomes readily apparent.  

I'm not familiar with the measurements for distortion.  Can they
measure the full frequency spectrum?  If there is an analog form of
jitter induced by cabling that increases harshness on transients and
clouds the audio information by creating random electronic micro-echoes
of the signal due to timing irregularities of the signal, would this be
measured by today's distortion test?

I'd like to volunteer my system for testing if anyone else in the San
Francisco Bay Area would like to conduct these electrical tests or even
double blind testing.

The ATC speakers I use are known for their exceptionally low distortion
and uniquely precise accuracy and imaging, among other engineering
advances, and are used by top mastering engineers, recording engineers,
movie scoring stages, composers, and performers.  I'm including this as
both a shameless plug (I'm in the process of opening a showroom) and
because I think they are unique at highlighting sonic differences in
things like cables.  Speakers are only as good as the information you
feed them and the room they are in, and you will never be able to hear
what your speakers can't recreate accurately.

_
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Ayre C5xe - ATC SCA2 - ATC SCM100ASLT


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Re: [SlimDevices: Audiophiles] Integrated amp versus active speakers

2007-10-12 Thread musiklov3r

I think Adam's comment makes a lot of sense.  If you are not feeling
like something needs to be improved and aren't haunted by something
else that you have heard, you might just be in a perfect place to
really enjoy your music collection and add to it.  There is always
something better, but if I could go back in time and not be exposed to
better sound systems, I'd be enjoying my old system and would have a
lot more money...and perhaps be just as happy.  Reminds me of Pandora's
box.

One positive for active speakers is that the manufacturer has matched
the amplifier to the speaker and possibly put the crossover before the
amplifiers so that the amplifiers are operating in a more efficient
manner.  IMHO I think this lends itself to a better cost to value ratio
than finding your own amp to match.

The Transporter makes a fantastic pre-amp to drive an amplifier or
active speakers directly, and a dedicated preamp that would surpass the
performance of this setup is extremely expensive, so I think you are
focusing on the right areas.  You might also want to review your
acoustics and see if minor, inexpensive changes might increase your
performance more than the other upgrades you mentioned.


Transporter - ATC SCA2 - ATC SCM100ASLT
Ayre C5xe - ATC SCA2 - ATC SCM100ASLT


adamslim;234685 Wrote: 
 Do you answer your own question?
 
 You can always get something better, but surely it's best to wait until
 you have heard something so hauntingly good that you've just got to have
 it?  In that case, rather than try to tweak what you have or undertake
 things that 'should' improve your system, you can make whatever step
 change is necessary.  I'd save your money right now.
 
 HTH
 
 Adam


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Re: [SlimDevices: Audiophiles] Integrated amp versus active speakers

2007-10-12 Thread musiklov3r

Yes, in a good active speaker design, they will put the crossover before
the amps.  

Running longer xlr interconnects is usually preferred to running long
speaker lines as there is less potential for interference due to the
balanced design and interconnects are usually cheaper than speaker
cable. 

With regard to amplification, Class A is considered to be the premium
analog amplifier design while Class D stands for digital amplification.


I don't believe that you will increase the distortion or power
consumption by using an amplifier in an active speaker.  While it is
true that the amps will be at full volume, typically this is done in a
separates setup anyway.  The amps are at full power and the pre-amp
is used to control the volume.  Currently you are using an integrated
pre-amp and amplifier which with regard to sound quality is considered
inferior to having the amps and pre-amp separated.  So to get to the
next level of amplifier/pre-amplifier performance you would be faced
with the power consumption issue either way.  Hopefully someone can
educate us as to the power consumption of amplifiers.  I don't believe
they consume as much left on with low volume playback or with nothing
on compared to playback at full volume.

Hope this helps,

Will


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Ayre C5xe - ATC SCA2 - ATC SCM100ASLT


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Re: [SlimDevices: Audiophiles] Million dollars to prove cables areworth money

2007-10-09 Thread musiklov3r
 of the
recording and experience any distortion or coloration that might mask
detail.  Sometimes just hitting a higher volume level will reveal a
cable's harshness on transients.

And for anyone in the San Francisco Bay Area, you are welcome to make
the tests at my home.  I do hope to have an audio showroom open one of
these days and I may even sell one brand of high end cables.  Then
again, I've never tested them against any other high end cables.  Might
there be a better cable at a lesser pricepoint?  ...another headache in
my quest to create a business based on my passion, music.

I hope I haven't branded myself negatively on this forum forever...

—Will
_
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Re: [SlimDevices: Audiophiles] Million dollars to prove cables areworth money

2007-10-09 Thread musiklov3r

Will your local dealers let you take home the power cables and test them
yourself?  If a dealer will let you take home a power conditioner and
all the cables you need to power your system with a no questions asked
return policy, why not take them home and try them.  Personally, I'm
very surprised at what a difference power conditioning and good power
cables make.  But I'm not sure how good my power is to begin with (if
that makes a difference), and I couldn't begin to explain why a power
cable would make a difference.  Nor could I tell you what brand is the
best.  But it makes a difference in my system that I can hear and I
really appreciate.  I would never go back to regular power or cables.

I wholeheartedly agree with your skepticism and belief that everyone
should think for oneself, and again I would add to listen as well.

My neck is starting to quiver.

—Will
_
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Ayre C5xe - ATC SCA2 - ATC SCM 100 ASLT

AngorWatts;233968 Wrote: 
 Ok so I have some mixed feelings on this whole cable thing, I have
 decent cables under $100 per cable/pair or half that price.  I have a
 lot of heartburn with all this smoke and mirrors routine for ultra
 expensive audio cables and now power cables are the flavor of the day.
 
 I have been to CES the last four years and have seen and listened to
 some amazing gear, and talked to the designers and owners of the
 companies. I get the The Absolute Sound, Stereo review and read like a
 fiend about audio on the internet.  I have a decent audio system. I
 truly love high end audio.  I write this to let everyone know I have
 some idea of the industry as a whole.
 
 Ok so when cables or equipment are reviewed, there are some
 prerequisites like you will advertise with the publication, as is seen
 with that companies who's equipment was just reviewed ad on the next
 page probably half the time. Coincedence? Things that make you go
 H?!  Also the reviewer should have to state a few facts besides
 what is his test gear that he is employing this test component or cable
 into, like does he live in an apartment(almost always yes!).Which leads
 me to the next disclosure, size of room that gear is in.  The
 enviroment of the review has a high possibility of being terrible.  But
 I guess as long as he has a $1700 Shunyata power chord it will magically
 overcome all this.
 
 And finally one of the biggest disclosures these audio reviewers should
 have to disclose is a recent hearing test to show where their hearing is
 lacking, if it is.  I mean Kal Ruben is how old?
 In your fifty's your upper frequency hearing loss can drop  down to
 somewhere below 10,000 hz. If we knew the reviewer lived in a little
 crappy apartment with a tiny listening room with a flawed apartment
 wiring in San Francisco or L.A., and has flawed hearing(ie hearing
 test). How much weight would that review hold for the majority.  No
 reviewer wants a blind a/b comparison there is nothing monitarily to
 gain for anyone except the buyer.  
 
 I am saying maybe we should think for ourselves, and not be told what
 we should like from someone who might not have the creditionals.


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Re: [SlimDevices: Audiophiles] Million dollars to prove cables areworth money

2007-10-02 Thread musiklov3r

When I set up my listening room, I read as many articles as I could on
whether power and cables make an impact on fidelity.  It was impossible
to determine which camp was right as both seemed to assert their
perspective.  When I finally listened and made my own comparisons, I
was shocked at the results.  

I think the key is to listen, in your own environment, or somewhere you
can take your time and be in control of the testing environment.  

Just my .02 for any one else who is seeking to answer this question for
themselves.


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Re: [SlimDevices: Audiophiles] Linn Klimax DS - Network Music Player

2007-09-29 Thread musiklov3r

A little surprised the reviewer used Yamaha NS1000M speaker... 

I think the Linn release  will be great for our community of users as
it might introduce a whole new group of high end listener types who
want the best performance from a  network music player.  I'm already
curious as to how our forum's jitter experts will break down the jitter
and distortion specifications listed in the Linn review.

Given the discussions about the desire for a less expensive Transporter
sans DAC that could be coupled with a higher grade* DAC than the
Transporter, perhaps this announcement will put into perspective the
price and functionality of the Transporter.  While it would be great if
Slim Devices were to create the slimmed down Transporter, and one
could wait  in hopes of its creation, maybe we are lucky to already
have the ability to match a word-clocked Transporter to an external DAC
of our choice.  Certainly the combination should cost significantly less
than $20k.

*Please note that I am in no way disparaging the quality of the
Transporter's built in DAC.  I think it is excellent for the
price-point.

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Re: [SlimDevices: Audiophiles] Parametric Equalizer?

2007-09-27 Thread musiklov3r

Thought you might like to know (if you don't already) that Meridian
handles room correction in the same way, focusing only on bass and
leaving all other frequencies unaffected.

darrenyeats;230598 Wrote: 
 I use a 33 band parametric equaliser with InguzEQ. This is because I
 have a Stereophile test disc with 31 tones on it and an SPL meter :-)
 You can enter as many bands as you like into the xml file and it works
 - you're not limited to the GUI plugin's 9 bands.
 
 Not ideal - I know EQ does not equal DRC - but it sounds better than
 without EQ *overall*. Definitely a stop-gap.
 
 Hugh is going to enhance InguzEQ at some point - there is a problem
 with localisation of the bands' effects. I think they stamp on each
 other too much at the moment. For example, in the bass where there are
 wild fluctuations in close proximity it's impossible to get precise
 cancellations.
 
 Once this is there, I plan to upgrade my system to get as flat a
 response as possible. I imagine the bass will be impossible...and I'll
 use the Inguz for that.
 
 I am not embarking on DRC until I can do it only in the bass...and I
 KNOW I have a properly calibrated mic. Otherwise I don't see the
 point.
 
 Standing where I am now, ideally I would use neither DRC nor EQ above
 the bass...but I'll test things out when the time comes.
 Darren


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Re: [SlimDevices: Audiophiles] Parametric Equalizer?

2007-09-27 Thread musiklov3r

I'm having a hard time finding references on the web to the phase
accuracy of the VST plug-ins from Sonnox Oxford (formerly Sony Oxford)
so I can't verify if they are phase accurate.  They have a George
Massenburg option (emulates a GML 8200) for Protools.  From what I've
heard they are excellent software equalizers.  

A linear phase accurate software equalizer that high-end listeners
could use for program eq and if necessary, room eq (I fall into the
acoustic treatment is better category), would be a great addition to
the network music player world.

Wouldn't it be great to have the capability to occasionally re-eq an
old recording that was transferred poorly to cd?  If you had a
mastering quality equalizer in software, this might just be possible. 


You can run the above VST plugin in DJ software from companies like
M-Audio but obviously not the Pro Tools plugin.  Perhaps someday they
will be available for something like Slim Server.


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Re: [SlimDevices: Audiophiles] What is connected to your Transporter?

2007-09-20 Thread musiklov3r

ATC produces speakers for different budgets starting from $1,000 up to
the million dollar system they installed at the Walt Disney Concert
Hall in Los Angeles.  If you are curious about any of them I'd be happy
to provide more information if you'd like to pm me.  

I am an ATC dealer in the San Francisco Bay area and I like to think of
myself as someone who is looking to make new friends and share knowledge
rather than convince someone to buy something.  I found a product that I
really like and realized that in the USA there aren't a lot of people
outside of the professional world that have even heard of the name
ATC.

I think the Transporter is an amazing product and I hate having to
fumble through cd's when I use my cd player.  The Transporter - ATC
active speaker  is an excellent, minimal signal-path combination.

If anyone is bothered by my post, please pm me and let me know what I
should do differently or how I should edit this post to make it more
appropriate.  I don't like annoying salespeople or spam either, and I
hope this doesn't qualify as either.

Thanks,

Will



jaysung;228458 Wrote: 
 Hey Mike,
 what do you mean by bridge mode and how does this effect bi-amping? 
 How much are the maridian? How much the Vandersteen? I read about atc
 100 in this thread? Seem to be active speakers? This would involve
 replacing my dali speakers. I am satisfied with them.
 Oops looking at the atc scm 100 gave me a good laugh. And I thought I
 was crazzy! $22k for speakers. Nope. Definitely out of range! And happy
 about it! Will look at the other two to get an idea if I can tune my
 setup within a reasonable range. Any suggestions gratefully received.


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Re: [SlimDevices: Audiophiles] itunes v SB3

2007-09-20 Thread musiklov3r

Maybe this is a dumb question.  What if lossless formats change over
time so that in five or ten years the players are using a different
format?  Will it be possible to convert from one lossless format to
another?  

opaqueice;228457 Wrote: 
 Why not compress to a lossless format?
 
 
 
 But 250GB/2 is even more free.
 
 
 
 Same with any lossless format.  Check.
 
 
 
 Check.
 
 
 
 Check.
 
 
 
 
 Using a lossless format, right.  Check.
 
 Sorry, what was your point?


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Re: [SlimDevices: Audiophiles] What is connected to your Transporter?

2007-09-18 Thread musiklov3r

I hadn't thought about it that way.  That's why I love these forums. 
There's so much to learn from people who take the time to share their
knowledge...

cliveb;227122 Wrote: 
 Regardless of how the system is set up, a phono preamp is of course
 required. From then on, we have two choices:
 
 1. phono preamp - analogue preamp - power amp
 2. phono preamp - A/D converter - Transporter - power amp
 
 I think you are saying that you feel setup #1 will give superior sound
 quality. Intuitively one would expect this to be the case, as it avoids
 the A/D and D/A conversions. But I personally feel that setup #2 will
 sound better because in my experience, at a given price point, A/D
 converters are more transparent than preamps.


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Re: [SlimDevices: Audiophiles] Does the Squeezebox 3 benefit from a Big Ben?

2007-09-17 Thread musiklov3r

Perhaps another way to phrase it is that cables can't remove jitter from
a jittery source unit, but they can add jitter if the cables are not of
high enough quality.  In this way cables can add jitter and they are
not capable of removing existing jitter from a system (unless replacing
a poor cable).


Robin Bowes;227675 Wrote: 
 Phil Leigh wrote:
 
  Cables can't fix jitter. They can add to it but they can't take it
  away.
 
 That statement is questionable.
 
 A good cable will reduce jitter compared to a bad cable. TO my
 mind
 that's taking away jitter.
 
 R.


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Re: [SlimDevices: Audiophiles] Does the Squeezebox 3 benefit from a Big Ben?

2007-09-17 Thread musiklov3r

So I have an SACD player and to my ear it is superior to cd.  But I am
concerned about the depreciation on the player when various audiophile
formats become available on Blu-ray or HDDVD.  And what about the
depreciation on a Transporter if a new model is created that will
decode SACD or another new high-res format?  It's difficult to afford
to be at the cutting edge for just a couple years.

My theory is that the record labels have hurt themselves by failing to
create a standard for higher def playback and are responsible for their
own declining revenues.  

I would be curious to hear if GDG has compared the output from his
Benchmark using the Big Ben vs without.  The Benchmark is advertised as
re-clocking incoming signals and being immune to jitter, which would
make the Big Ben unnecessary.  And then there is the perspective that
an external clock will be subject to too many interim steps that
degrade timing before reaching the DAC to benefit performance.  But
it's all theory until you hear it yourself... 

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Re: [SlimDevices: Audiophiles] itunes v SB3

2007-09-13 Thread musiklov3r

Benchmark has a good wiki with regard to outputting digital audio from a
computer.  On the following page they graph the distortion that iTunes
creates when the volume is less than 100%:

http://extra.benchmarkmedia.com/wiki/index.php/ITunes_Distortion_Measurements

I do not know how the SB3 handles digital volume adjustments and
whether it suffers from the same problems as iTunes.  

If the external DAC that you mention has a volume control, it may
alleviate the issue with iTunes.

Hope this helps,

Will


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Re: [SlimDevices: Audiophiles] What is connected to your Transporter?

2007-09-13 Thread musiklov3r

I would think that adding an a/d converter so that you can feed your
vinyl through the Transporter dac in order to use the Transporter as a
preamp would work for convenience, but it would be counterintuitive for
audio quality.  

The benefit of vinyl is that it is analog and was never subject to an
a/d conversion nor an eventual d/a conversion.  Unless you only care
about the convenience of accessing your records and not their audio
quality, I would suggest another route.

A simple preamp with phono stage should sound much better, however, you
would need to switch your SCM100 interconnects to change sources...

-Will


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Re: [SlimDevices: Audiophiles] What is connected to your Transporter?

2007-09-13 Thread musiklov3r

Good points.  I don't know if I could tell the difference unless I
tried, either.  ; )


Phil Leigh;227010 Wrote: 
 erm...well that is true if you ignore a lot of what was recorded in the
 Eighties onwards...lots of really nasty 14-bit! digital gear started
 creeping into studios at that point...
 
 Oh and I bet you couldn't reliably tell the difference between raw
 vinyl and the same vinyl via a 24/44.1 ADC/DAC... I know I couldn't!


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Re: [SlimDevices: Audiophiles] itunes v SB3

2007-09-13 Thread musiklov3r

the chart looks like it has a few peaks closer to 104-106db, to my eyes.
I do hit 104db or higher...then again, I'm not an engineer and I don't
know what peculiarities an analogue pot or switched resistor ladder
might create.

Phil Leigh;227009 Wrote: 
 hmmm - apparently this distortion is -120dB down...
 personally I'd rather live with that than the peculiarities of an
 analogue pot or switched resistor ladder.
 Can your system or ears resolve -120dB? - I'm not sure mine can...


-- 
musiklov3r

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