Re: moving dynamics

2007-12-19 Thread Francisco Vila
2007/12/18, Mats Bengtsson [EMAIL PROTECTED]:
 I always remove the old version first when upgrading,
 don't remember if it's strictly necessary but I think so.

Yes, on install it refuses to continue if it finds an older version installed.
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Re: Ugly fonts in 2.11.36

2007-12-18 Thread Francisco Vila
2007/12/18, Risto Vääräniemi [EMAIL PROTECTED]:
 Please, see
 http://lists.gnu.org/archive/html/bug-lilypond/2007-12/msg00153.html for a
 temporary solution.

I have copied the eight type1\*.pfa files (24Kb each)  to
c:\windows\fonts directory. Now accented characters are properly
viewed but the font is still apparently Verdana.

No errors in log this time.

Am I copying the wrong files?
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Re: making the actual music

2007-12-18 Thread Francisco Vila
2007/12/18, henry [EMAIL PROTECTED]:
 i just downloaded this today, and tried fiddling with a few notes...i just
 can't figure out how to make the actual sheet music document.

What operating system do you use? If it's Windows, first locate your
saved score file, it looks as a black musical note. Then launch its
icon.
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Re: Centering common lyrics vertically

2007-12-18 Thread Francisco Vila
2007/12/18, Hannes Kuhnert [EMAIL PROTECTED]:
 I have lyrics in two staves and also common lyrics for both staves and I'd
 like to have that common lyrics vertically centered. I don't know yet how to
 do that. It would be easy if the number of staves was odd …

 I haven't found anything suitable in the snippet directory, but I have two
 ideas for getting it done:

 • One could use a third lyrics context for the common lyrics and get that
 context in the right position.

 • One could put the common lyrics in one of the staves and move that parts a
 bit up or down to get it centered.

 Can anyone tell my how to do that or something different to get the lyrics
 centered?

This is very possible and there are tricks to do it. This example
comes from Valentin Villenave, I think.

%begin
\version 2.11.34

%\include english.ly
%leftbrace = \markup { \override #'(font-encoding . fetaBraces)
\lookup #brace240 }
%rightbrace = \markup { \rotate #180 \leftbrace }

dropLyrics =
{
\override LyricText #'extra-offset = #'(0 . -5)
\override LyricHyphen #'extra-offset = #'(0 . -5)
\override LyricExtender #'extra-offset = #'(0 . -5)
}

raiseLyrics =
{
\revert LyricText #'extra-offset
\revert LyricHyphen #'extra-offset
\revert LyricExtender #'extra-offset
}

skipFour = \repeat unfold 4 { \skip 8 }

lyricsA = \lyricmode { The first verse has \dropLyrics the com -- mon
__ words \raiseLyrics used in all four. }
lyricsB = \lyricmode { In stan -- za two, \skipFour al -- so ap -- pear. }
lyricsC = \lyricmode { By the third verse, \skipFour are get -- ting dull. }
lyricsD = \lyricmode { Last stan -- za, and \skipFour get used once more. }

melody = \relative c' { c4 d e f g f e8( e f) d4 c e d c }

\score
{

\new Voice = m \melody
\new Lyrics \lyricsto m \lyricsA
\new Lyrics \lyricsto m \lyricsB
\new Lyrics \lyricsto m \lyricsC
\new Lyrics \lyricsto m \lyricsD

}
%end

I'm pretty sure that you'll want the common lyrics to be higher (i.e.
not centered but right below the staff) whnenever they are alone in a
system. And you'll want to do it automatically, this is: that LP
detects automatically when a system break has occurred and change the
baseline of the lyrics fot itself. This would be possible but very
deep knowledge of scheme is needed so I am out of this matter (still)


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Re: Ugly fonts in 2.11.36

2007-12-17 Thread Francisco Vila
2007/12/17, Cesar Penagos [EMAIL PROTECTED]:



 I'm win. XP user, and recently upgrade from 2.11.34 to 2.11.36. and for my
 surprise the fonts are totally changed in this version; from the very nice
 Century; to an horrendous Arial or maybe Courier font in the time
 signatures, the text all, and lyrics. Is this a new font to be used with LP?
 Is a Bug?.

I confirm the same here on wXP. Also accented characters or eñe 'ñÑ'
do not show. Error logs say something about Pango.

The latter is not new; accented characters broke in 2.11.35. The new
sans serif font is a nouveauté in 2.11.36.

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Re: dynamics used in MIDI output?

2007-12-11 Thread Francisco Vila
   I can't play any instrument, so I'm trying to use Lilypond to make
   accompaniment music to sing along to.
  
  Although we _do_ support dynamics in MIDI, I can't claim that we
  have particularly good MIDI support... I hate to say it, but it
  might be better to look at using a different program if your
  primary goal is audio playback.

In my windows era, I used to do fairly complex MIDI arrangments and my
primary source of notes was a Finale score exported as MIDI.

I think you could very well use lilypond syntax only to enter notes
discarding any PDF output. Remember that LP is a valid coding scheme
for music, along with a typesetting engine.

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Re: Two output questions

2007-12-11 Thread Francisco Vila
2007/12/11, Jim Neubauer [EMAIL PROTECTED]:
 This program is wonderful. I really enjoy using it. I have two output
 questions however.
 I've written a very simple hymn and used lilypond to get it onto paper. I am
 wondering about the *.ps files that are generated. I think I've figured out
 that they are acutally image files. What is the minimum program I need from
 Adobe to view those images or use them directly outside of the pdf format?
 Right now I'm working around by using a pdf to tiff converter, but would like
 to create a 1/2 page insert for the bulletin in a more direct way.

Firstly, the PostScript file is an intermediate rendering of the
score, then used to obtain the PDF file from it. You can ignore or
delete it if you have got a proper PDF.

Secondly, if you need a bitmap image from the score, use the --png
commandline option,
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-program/Command_002dline-usage#Command_002dline-usage

With the ghostscript/gsview combination for Windows you can view the
PS files and also export to bitmap from them, from inside of this
program. It is not from Adobe.

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Re: lilypond slowness?

2007-11-30 Thread Francisco Vila
2007/11/30, Simon Dahlbacka [EMAIL PROTECTED]:
 ps. what funky business is the uninstaller up to, given that it seems to be
 a magnitude slower to uninstall the files than install them ?

True! but only in Windows. In Linux it is almost instantaneous.

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Re: Prall in brackets? (mordents as well)

2007-11-27 Thread Francisco Vila
2007/11/27, Boris Dušek [EMAIL PROTECTED]:
 Hi,

 typesetting prall works just fine, but what should I do if I want to
 typeset the prall in brackets? I got inspired by the dynamics
 documentation on forte in brackets[1], but that did not work:

 a \markup{\bracket{\prall}}

Try
a^\markup{\bracket{\musicglyph #scripts.prall }}

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Re: barline thickness

2007-11-25 Thread Francisco Vila
2007/11/25, till [EMAIL PROTECTED]:
 Francisco Vila-5 wrote:
 
  Here I attach two samples scanned from paper. Details below. My
  question is simply: am I the only person with this problem? Others
  would be, Is lilypond generating wrong PDFs? Is my printer wrong? Is
  ubuntu gutsy evince wrongly printing PDFs?
 
 
  I had the same problem today and it is clearly a bug of the pdf rendering
 library of evince. I manage to print with kpdf and acroread nowadays. Look
 also at the staff braces at the beginning of a vocal score: the small
 brackets at the top and bottom are not cleanly aligned to the black vertical
 bar in a print from within evince. When printing with kpdf this problem
 dissappeares. (The bar lines are still a bit thicker than the horizontal
 lines, but it looks as if this is intended.)

Thank you very much. BTW, strange enough, that nobody else noticed
this until today, being Evince the standard PDF viewer in Gnome.

Today, while searching for a solution, I've noticed that the page
preview of Evince already showed the problem, before the actual
printing. So it is clear that it was not a driver- or printer- problem
(provided that print preview is not done using the PPD of the printer
in some strange way, sorry for my naïveness about this)

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Re: Downloading music encoded in LilyPad

2007-11-24 Thread Francisco Vila
2007/11/24, Roger and Myra [EMAIL PROTECTED]:
 I often download music from CPDL and other places.
 Sometimes, the music is available as LilyPad as well as midi  PDF.
 I downloaded the LilyPad program so I could get music in a form
 where I can transpose, extract parts etc., but I can't make it go!
 When I click on LilyPad after a score I want, I get a bunch of
 text.  Is that normal?  If so, then what?

This text is your music, coded in a form (called LilyPond input
language, not LilyPad) that the LilyPond program itself compiles into
the PDF and MIDI forms.

In theory you could save the file with a .ly extension and make
LilyPond to process it. If you want to learn the language, please read
carefully the tutorials and other documentation in the lilypond.org
website, and you'll certainly be able to do whatever you want with
these scores. Ask here for further clarifying.

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Re: 2.11.35 does not run

2007-11-23 Thread Francisco Vila
2007/11/22, Han-Wen Nienhuys [EMAIL PROTECTED]:
 I just verified that 2.11.35-2 (I released a -2 yesterday)...

Thank you, now it works and it seems to be much faster. Or, is it only
a sensation of mine?

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barline thickness

2007-11-21 Thread Francisco Vila
Here I attach two samples scanned from paper. Details below. My
question is simply: am I the only person with this problem? Others
would be, Is lilypond generating wrong PDFs? Is my printer wrong? Is
ubuntu gutsy evince wrongly printing PDFs?

Details:

laserjet-png.png comes from a PNG generated by LilyPond with the --png
-dresolution=600 commandline options.

laserjet-pdf.png comes from a PDF generated by LilyPond.

Both images are printed on a laserjet P2015dn at the default
resolution (FastRes). This is 600dpi I think. Then I scanned the
printed papers at 300 dpi.

Clearly the PDF has a barline MUCH thicker than the PNG and it's not a
matter of resolution (other vertical lines look fine).

Wider views are available in:
http://www.paconet.org/laserjet-png.png
http://www.paconet.org/laserjet-pdf.png

Thank you. My workaround these days is to generate and print only
PNGs, but windows users also report this problem in other systems and
printers.

2007/11/19, Paco Vila [EMAIL PROTECTED]:
 El Sun, 18 de Nov de 2007, a las 10:50:47PM +0100, Mats Bengtsson dijo:
  Paco Vila wrote:
 
  In 2.11.34, I've found that default barline thickness is a bit too thick,
  even printed at 1200 dpi.
 
  Where is this default set? I'm sorry but I still have not managed to
  override it thinner.
 
  In the section on Bar Lines in the on-line manual, click on BarLine
  at the bottom of the page to see a list of properties that are set
  by default on the BarLine object. This includes, among others
  a property called hair-thickness with default value 1.9.
  To change that setting, add
  \override Score.BarLine #'hair-thickness = #1.5
  in your code...

 Yes, thank you, but I think my problem is more serious than I thought. 
 Barlines appear much, much thicker on printed paper
 than on PDF or PNG!

 Leftmost barline (the one on the left edge of the staff) appears thin, just 
 like the staff lines. But standard barlines seem to be five or six times
 as thick; moreover, (try to explain well, Paco) their top and bottom ends are 
 higher (and lower, respectively) than the topmost (resp. lowest) staff
 line, surpassing the system in length, as if they were surrounded by a 
 rounded outline.

 On next days I'll try to scan a prined copy to show you what I'm saying.

 I have a recent Laserjet driven by PS drivers (I've heard that it works 
 internally with PCL anyway).

 Has anybody a similar problem?

 Maybe it's just my printer. She doesn't seem to like LP too much.

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Re: Spanning bar lines in mensural notation

2007-11-21 Thread Francisco Vila
2007/11/21, erminia [EMAIL PROTECTED]:

 Using StaffGroup was already a first step, thank you.

 Now I am still worried about lyrics clashing with bar lines as in the
 following example:

Here is a smaller one:

%begin

\version 2.11.34

\new StaffGroup 
\new Staff { c'8 c' c' c' c' c' c' c'
   c' c' c' c' c' c' c' c' }
 \addlyrics { a a a a a a a a schwartz c c c c c c c }

\new Staff { c'1 c'1 } \addlyrics { a schwartz  }

%\layout{
%\context {
%  \Lyrics
%\consists Bar_engraver
%}
%  }


% see bug 501 http://code.google.com/p/lilypond/issues/detail?id=501
% end

If you uncomment the layout block (what means to welcome the bar
engraver into the lyrics context) there is no clashing. Be careful
because this causes tiny barlines of one dot in height to be printed.

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Re: 2.11.35 does not run

2007-11-21 Thread Francisco Vila
2007/11/21, Stan Sanderson [EMAIL PROTECTED]:
 On Nov 21, 2007, at 2:28 PM, Paul Scott wrote:
  Paco Vila wrote:
  GNU LilyPond 2.11.35
  ERROR: In procedure primitive-load-path:
  ERROR: Unable to find file ice-9/boot-9.scm in load path
  I promise further testing.
  switching back to .De34 works fine.
  Works fine on my Debian sid system.
  Paul
 I get the same error reported by Paco on Macintosh PPC-Darwin,
 OS 10.4.11.
 Stan

Does not work in Windows XP either. Guile library not found, IIRC, I'm
sorry for not being more precise.
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barline thickness

2007-11-19 Thread Francisco Vila
El Sun, 18 de Nov de 2007, a las 10:50:47PM +0100, Mats Bengtsson dijo:
 Paco Vila wrote:

 In 2.11.34, I've found that default barline thickness is a bit too thick,
 even printed at 1200 dpi.

 Where is this default set? I'm sorry but I still have not managed to
 override it thinner.

 In the section on Bar Lines in the on-line manual, click on BarLine
 at the bottom of the page to see a list of properties that are set
 by default on the BarLine object. This includes, among others
 a property called hair-thickness with default value 1.9.
 To change that setting, add
 \override Score.BarLine #'hair-thickness = #1.5
 in your code...

Yes, thank you, but I think my problem is more serious than I thought.
Barlines appear much, much thicker on printed paper than on PDF or
PNG!

Leftmost barline (the one on the left edge of the staff) appears thin,
just like the staff lines. But standard barlines seem to be five or
six times as thick; moreover, (try to explain well, Paco) their top
and bottom ends are higher (and lower, respectively) than the topmost
(resp. lowest) staff line, surpassing the system in length, as if they
were surrounded by a rounded outline.

On next days I'll try to scan a prined copy to show you what I'm saying.

I have a recent Laserjet driven by PS drivers (I've heard that it
works internally with PCL anyway).

Has anybody a similar problem?

Maybe it's just my printer. She doesn't seem to like LP too much.

UPDATE: other vertical lines look fine. Only barlines are almost as
heavy as beams, if not equal.
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Re: GDP: keep separate pdf files?

2007-11-15 Thread Francisco Vila
2007/11/15, Mats Bengtsson [EMAIL PROTECTED]:
 Graham Percival wrote:

  Since the GDP docs are spread over the LM, NR, AU, and snippets -- not
  to mention MG and IR -- what about making a tarball / zip  which
  contained all these manuals, and removing the download links for
  individual PDFs?  This would avoid problems with people downloading only
  the LM and discovering all the links which wouldn't work.

 True! On the other hand, downloading a ZIP requires somewhat
 more computer experience than just clicking on a link to a PDF file,
 so I'm not sure we should remove the current links.

/Mats

Please remember that Adobe reader can be installed as a browser
plugin, in this case PDF links between different documents would work.
I have seen links into PDFs that even have javascript scripts, e.g.
history-go-back to the previous document.

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Re: GDP: church rests

2007-11-15 Thread Francisco Vila
2007/11/15, Hans Aberg [EMAIL PROTECTED]:
 On 15 Nov 2007, at 14:24, Mats Bengtsson wrote:

  Hindemith suggests using |---| with a number over for rests of
  nine measures or longer.
  9
|---|
  The default rule in LilyPond is to do this for 11 measures or
  longer, see
  section Multi measure rests in the manual for information on how to
  change this value.

For the term church rests, Finale for example simply says use
symbols for multimeasure rests up to nine measures

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Re: GDP: church rests

2007-11-15 Thread Francisco Vila
2007/11/15, Hans Aberg [EMAIL PROTECTED]:
 On 15 Nov 2007, at 17:19, Francisco Vila wrote:
  For the term church rests, Finale for example simply says use
  symbols for multimeasure rests up to nine measures
 

 Hindemith's book has the diagram above, so it is clear that he would
 use it for rests of length 9 measures.

Hans Åberg

Here I do not advocate for the number 9, but for the word symbols

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Re: LilyPond in the AEC congress, Strasbourg

2007-11-14 Thread Francisco Vila
2007/11/14, Valentin Villenave [EMAIL PROTECTED]:
 I'd be very much interested in translating your presentation in
 French; could you tell me if it would be possible? The best would be
 to make it as a multimedia file; if you have a recording of your
 presentation I'd be glad to add French subtitles and synchronize it
 with the translated slides.

Consider it as Public Domain. Here is a link to the latex-beamer source code:

http://www.paconet.org/lilypond-translation-es/aec-congress-lilypond.lytex

I'm afraid all I have are some out-of-focus pictures, no video. For a
live presentation you could add it is..., it has..., it has
been... before each line and very short comments after.

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Re: LilyPond in the AEC congress, Strasbourg

2007-11-14 Thread Francisco Vila
2007/11/14, Valentin Villenave [EMAIL PROTECTED]:
 2007/11/14, Francisco Vila [EMAIL PROTECTED]:

  Consider it as Public Domain. Here is a link to the latex-beamer source 
  code:
 
  http://www.paconet.org/lilypond-translation-es/aec-congress-lilypond.lytex

 Great! I have translated it, but AFAICT a picture is missing: imagen1.png

Put whatever PNG image you want here: it will appear on front cover.
It was a draft for the one appearing in our home page (which I also
built and maintain) http://www.dip-badajoz.es/cultura/conservatorio


  I'm afraid all I have are some out-of-focus pictures, no video. For a
  live presentation you could add it is..., it has..., it has
  been... before each line and very short comments after.

 Yes, I get it. I will (but I don't know how to make the presentation
 as a video file, all I can get is a PDF; how do you manage the slides
 etc? What's needed?).

You need one of these: http://images.google.com/images?q=multimedia%20projector

Connect it to the monitor output of a PC. Just open the file with your
favourite PDF viewer. With evince you can press F5 to switch on
presentation mode. Pass slides witk the spacebar, rigth arrow, down
arrow, or Return keys.

I must say that fot the Strasbourg presentation they converted my neat
PDF to PowerPoint, and overlays (\pauses) were lost. Not a grave
issue, though.

 Besides, I could use more informations about the situation at Badajoz;
 do pupils use LilyPond?

What else could they use? ;-) Students do not have the money to buy
Finale and nor I neither my institution are going to give them it.
And, I think LilyPond is better.

Are there political decisions behind it?

As for the statement in page 24 of 29 of my PDF, yes. They even made a
new Linux distribution, gnuLinEx. Then I said to myself: if public
elementary schools dive into Linux, I could dive into LilyPond! It has
been a decission only of me and AFAICT we are the first conservatoire
in Spain to do it.

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LilyPond in the AEC congress, Strasbourg

2007-11-13 Thread Francisco Vila
Last Saturday I had the opportunity to give a short presentation on a
real-world case of the use of free software for music education, in
the frame of the 2007 AEC [1] congress, Strasbourg. The PDF is
viewable through [2]

I know that LP is a 10+ years old project but in my social environment
it is a very new option to say hasta la vista to proprietary
software in --music-- education.

Next year I hope to be able to present the outcomes of this year's experience.

Maybe I should have waited to your comments on the presentation before
exposing it but I had not the time. I even don't know how to properly
pronounce LilyPond in English! :-)

Comments are welcome. Thank you!

[1] The European Association of Conservatoires, http://www.aecinfo.org/
[2] http://www.paconet.org/csmb/aec-congress-lilypond.pdf
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Re: Concept for Newbies

2007-11-06 Thread Francisco Vila
2007/11/6, Francois Planiol-Auger [EMAIL PROTECTED]:

 So know I still good remember this begin and can offer to help that kind of
 people, one at a time. The topics are: Who feels like me here? And: How will
 musicians know of it?

I think some things you can do are:
- Promote this list, invite potential users and answer their questions.
- Build CD-ROMs complete with binaries and documentation, and give
them to interested people, as a gift
- Write your own tutorials and publish them in the LilyPondWiki.
- Share printed examples and web links with your friends.
- Offer yourself to retranscribe existing music thus improving its look
- Learn yourself as much as you can, to quickly resolve problems from
others, write how to turn yourself into a lilypond guru in ten
lessons
- Retain the complete manuals in your memory, if you can (CAUTION: not
before the GDP is finished :-)

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Re: \fermata and \markup over a note

2007-10-22 Thread Francisco Vila
This works:

{
a, e2\fermata-\markup { div. }
}

You have to attach the markup with the '-' just like an articulation.

2007/10/22, Charles Gran [EMAIL PROTECTED]:
 I need to have booth a fermata and a div. sign over a diad, how do I
 get this?

 a, e2\fermata\markup { div. }

 gives me an error message.


 Charles


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Re: GDP: introducing examples

2007-10-19 Thread Francisco Vila
2007/10/19, Hans Aberg [EMAIL PROTECTED]:
 On 19 Oct 2007, at 14:37, Mats Bengtsson wrote:

  What you describe sounds like the LSR, which already now has free
  text search facilities (at least if you stay connected).

 So how do you find the LSR?...

You have the link into the main documentaion page
http://lilypond.org/web/documentation
and it links to http://lsr.dsi.unimi.it/

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Re: Church Rests

2007-10-19 Thread Francisco Vila
2007/10/19, Trevor Daniels [EMAIL PROTECTED]:

 In the section on multi-measure rests the manual talks about
 church rests, meaning the use of increasing numbers of
 little rectangles to indicate how many measures are included
 in the multi-measure rest.  In this a generally accepted
 musical term, or one invented for lily?

They are completely usual in orchestral parts since I can remember.

Possibly their origin are the choral parts, but as you probably know,
choral scores are now usually read in full score, not parts.

Church rests were best read in past centuries when the typical written
note durations were longer than now are.

I can be wrong, though.
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Re: forum?

2007-10-18 Thread Francisco Vila
There is http://blog.gmane.org/gmane.comp.gnu.lilypond.general as well.

2007/10/18, Graham Percival [EMAIL PROTECTED]:
 What, like this?

 http://www.nabble.com/Gnu---Lilypond---User-f1722.html

 Cheers,
 - Graham
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Re: is it possible to glue two staff's together? (hymn solution)

2007-10-17 Thread Francisco Vila
 {
 }
 
 

 --
There's a party in your skull.  And you're invited!

 Name:Ted Walther
 Phone:   778-320-0644
 Email:   [EMAIL PROTECTED]
 Skype:   tederific
 Address: 3422 Euclid Ave, Vancouver, BC V5R4G4 (Canada)


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Re: C Cleft

2007-10-05 Thread Francisco Vila
2007/10/5, Tim Litwiller [EMAIL PROTECTED]:
 If I make a song with \clef c  a flat  on the top staff the notes are
 1/2 line off from where they are expected to be.

The notes in C clef are 1/2 line off from where they are expected to
be in G clef, but they are exactly where they are expected to be in C
clef.
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Re: make score be line break aware

2007-10-02 Thread Francisco Vila
2007/10/1, Joe Neeman [EMAIL PROTECTED]:
 On Mon, 1 Oct 2007 17:55:46 Francisco Vila wrote:
  Hello.
  Is this possible? I want to typeset something (like a spanner or a
  different height of the lyrics baseline) that I want to last only
  until it reaches the next line break.
 
  If only I could explain it well, it would be a sort of intelligent
  tweak that 'knows' when a line break has happened and it then kills
  himself. There would be as liquid layout as possible meaning that
  layout does not interfere with content, i.e. making an explicit \break
  would not be an optimal solution.

 Does the Difficult Tweaks section in the manual have the sort of thing you
 want?

Yes! Only that's too much Scheme for me. Thank you! I'll try to dive
into Scheme sooner or later.
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Re: Lilypond-book -- almost there...

2007-10-02 Thread Francisco Vila
2007/10/2, Eyolf Østrem [EMAIL PROTECTED]:
 2. Is there a way to automatize the process? E.g. in Kile, vim, or

You can obtain a reasonable degree of automation using the 'make'
utility. Search for Marcus Brinkmann, (marcus dot brinkmann at rub dot
de) for a nice example of how to use it on a complete book (Slave
Songs of the United States, 1867)

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make score be line break aware

2007-10-01 Thread Francisco Vila
Hello.
Is this possible? I want to typeset something (like a spanner or a
different height of the lyrics baseline) that I want to last only
until it reaches the next line break.

If only I could explain it well, it would be a sort of intelligent
tweak that 'knows' when a line break has happened and it then kills
himself. There would be as liquid layout as possible meaning that
layout does not interfere with content, i.e. making an explicit \break
would not be an optimal solution.

BTW this is about my project with alternate lyrics. The original score
I have does this because the mid-hight lyrics baseline (after the two
alternatives) is not needed anymore after the line break. I could
attach a scan if you want.

Thank you!
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Re: Proper use of Devnull

2007-10-01 Thread Francisco Vila
2007/10/1, Mats Bengtsson [EMAIL PROTECTED]:
 Quoting Francisco Vila [EMAIL PROTECTED]:
 I hope you have read section Lyrics to multiple notes of a melisma
 which (in spite of its name) also deals with the situation you are
 asking about.

You're right. I was mistaken in belief that the only approach was
Divisi lyrics that deals with different melodies, not a single one
as I wanted.

  My second question is, how to change the default left alignment for
  melismata texts? Imagine the situation I mentioned where alternate lyrics
  with different melismata want to be equally centered on their noteheads. I'd
  like to center all of them regardless of this. In fact I'dl like to center
  all texts, all the time. Is it possible?

 In some recent development version, 2.11.x, a new context property has
 been added lyricMelismaAlignment, which seems to answer this question.
 Try \set lyricMelismaAlignment = #CENTER
 at the top of your lyrics (I haven't tried it myself).

It works, thank you. It was the last modification to
lyric-engraver.cc, 2007-07-29 and appeared in LP 2.11.29. I think it
is not in the manual.

When I finish the transcription I'll send to you, it's a beautiful duo
of Juan Vázquez, born in Badajoz.

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Proper use of Devnull

2007-09-29 Thread Francisco Vila
Hello all,

I'm trying to typeset a song that has two lyrics with different melismata in
the same melody.
I've found that the Devnull context may help, but I don't know why the
lyrics associated to it appears with a slight displacement to the right (see
attached PNG).

 % \version 2.11.32

one = { c'1 }
two = { d'1 }
oneLyrics = \lyricmode { One }
twoLyrics = \lyricmode { Two }

\score {


\new Voice { \one } \addlyrics { \oneLyrics }
\new Devnull = hidden { \two }% \addlyrics { \twoLyrics }
\new Lyrics \lyricsto hidden { \twoLyrics }

}


From my limited knowledge it appears to be in voiceTwo, how is it forced to
be voiceOne?

Also, if I uncomment the \addlyrics of the hidden part (and comment out the
third line instead), then the hidden staff gets printed on its own staff
(and properly aligned as a voiceOne). Why?

I'd thank a clue for learning it by myself, but maybe the manual is too
terse in this matter.
Thank you!
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Re: Proper use of Devnull

2007-09-29 Thread Francisco Vila
2007/9/29, Graham Percival [EMAIL PROTECTED]:

 According to some bug reports (specifically about shifted lyrics with
 devnull), devnull is not the proper solution to use.


Oh. I've seen it (your last comment is only two days old). I see this is
not  a Medium priority Defect anymore but a Low priority Enhancement. A
pity, IMO.

Anyway, I still have two questions. From the great examples around I still
cannot see how to do alternate Lyrics when the melody is the same but
melismata are different fot each one.

My second question is, how to change the default left alignment for
melismata texts? Imagine the situation I mentioned where alternate lyrics
with different melismata want to be equally centered on their noteheads. I'd
like to center all of them regardless of this. In fact I'dl like to center
all texts, all the time. Is it possible?

Thank you.

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Re: tuplets

2007-09-26 Thread Francisco Vila
2007/9/26, Diosnel Herrnsdorf [EMAIL PROTECTED]:

 Doesn't anybody use the term irregular values/figures? That's the
 general
 term I learned waay back (actually, it was figuras irregulares).



I'd not recommend that term because these note values can, in fact, be
perfectly regular, i.e. evenly spaced.
Being widely used, I think it's incorrect.

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Re: translations

2007-09-25 Thread Francisco Vila
2007/9/25, michał poręba [EMAIL PROTECTED]:


 Then I will start translating the web page as you say. And later we will
 see if there is still time to do tutorial translation. I see that you are
 hard working on documentation, reorganising everything. How may I fit in it
 with my translation? Should I work as a easy helper? Should I send my
 translations every week?

 Francisco, how do you check (and how often) if the page you have
 translated has changed?


Well, I didn't really translate the webpage. Daniel Tonda did. I have been
working on the docs and I have to stop now because of the reorganisation.

Please note again that the webpage is not the same as the documentation, and
they build from different source files. I mean, the online HTML docs under
the Documentation link _is_ built from the same source as the printable PDF,
but the front webpage outside Documentation is different. They both share
parts with slightly different writing, eg. Introducion chapter.

The webpage outside Documentation does not seem to change too frequently.
Docs are!

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Re: tuplets (was: GDP for kids :)

2007-09-24 Thread Francisco Vila
2007/9/24, Valentin Villenave [EMAIL PROTECTED]:

 In French, no generic term exist; when we translated the documentation
 we had to create a rather ugly mathematical word:
 since the terms we use are
 triolet == meaning triplet
 quartolet
 quintolet
 etc...


In Spanish there is a generic term but it's a bit long: grupos de
valoración especial which I'd reverse translate to special timing groups.
In the manual I have abbreviated it as grupos especiales

Now maybe it would be the time to invent the word N-illo meaning
TRESillo, CUATRillo etc.

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Re: songbooks with guitar tablature

2007-08-23 Thread Francisco Vila
2007/8/23, Jack Cooper [EMAIL PROTECTED]:

 If you wish to take a look at my songbook, go to
 www.jack-cooper.com/songbook and enter guest and guest
 as the userid and password.  The songbook file is called
 lop_songbook.pdf.


Great. But lilypond.com is a mixing tanks company, please change the URL in
the book to lilypond.org !

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Re: simple postscript question

2007-07-04 Thread Francisco Vila
El Wed, 04 de Jul de 2007, a las 03:49:26PM -0600, Neil Thornock dijo:
 So, when I run the following postscript code from a .ps file, the line comes
 out square at the ends.
 
 Why, in Lily, does it appear rounded on the ends?  How would I square off
 the ends in Lily?
 

Postscript manual says

setlinecap
int setlinecap 
- 
sets shape of line ends (0=butt,1=round,2=square)

Summary of all PostScript Commands 
http://www.ugrad.math.ubc.ca/Flat/summary.html 

I don't know if it will work in Lily.

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Re: transpose

2007-06-13 Thread Francisco Vila
El Wed, 13 de Jun de 2007, a las 04:35:47PM +0200, lara diamand dijo:
 So sorry to bother again, but it doesn't work.
 I wrote:
 
 \version 2.10.20
  { \transpose c' a
  \key c \major
  \time 4/4
 {a b a }
 }
 And now I get an extra clef with 3 sharps and underneath the normal music.
 Weird...

This is not what David wrote. Read it carefully and note that the the 
transpose{} block includes the \key statement, that way you can transpose both 
the notes and the key.

 ...Change this part
 of your input:
 
 \version 2.10.20
 {\key c \major
 \time 4/4
 \transpose c' a
 
 To this:
 
 \version 2.10.20
 \transpose c' a  %% The \transpose must precede the \key etc.
 {\key c \major
 \time 4/4

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Re: parts from score or score from parts?

2007-04-09 Thread Francisco Vila
El lun, 09 de abr de 2007, a las 06:50:40 +0200, Peter Mogensen dijo:
 
 I usually maintain a seperate section defining the score from the 
 different voice, which I edit when I need a different extract.
 
 However... this editing of the score file is tedious. Why not add a 
 feature to lilypond where you can select to mute certain staffs or 
 voices with a command line switch?

If your parts are in a variable each, this score editing reduces to
start the line with a '%' to hide a voice.

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Re: How to start Lilypond

2007-03-19 Thread Francisco Vila
El lun, 19 de mar de 2007, a las 01:33:45 +0100, Francisco Vila dijo:

 If you do this, you WILL have a test.ly.txt file and it will NOT be
 associated with lilypond because of its extension.

Really you can simply open notepad and save the document as
whatever.ly and it will keep its given filename extension, so it
should work as a lilypond file.

It would be nice if LilyPond, besides its context menu entry generate
PDF... would also add a new-lilypond text file entry in the
right-click mouse menu. This would simplify things a lot, I think.

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Re: How to start Lilypond

2007-03-18 Thread Francisco Vila
El sáb, 17 de mar de 2007, a las 10:48:24 +, Ed Ardzinski dijo:
  From: [EMAIL PROTECTED]
  I downloaded the Lilypond today, but the exe-file eludes me. How do I 
  start the Lilypond programme? I use Microsoft xp.
 You can read the manual, but I understand that it's sometimes tough to get 
 started.  Lilypond works more like a programming language.  I am assuming 
 that the newer version work similar to the version I use (2.6.5).
  
 You create your script file with any text editor, but make sure it is plain 
 text (a word processing program will add garbage that LP will not recognize). 
  Save the text file with a .ly extension, and if the program is installed 
 correctly you should be able to double click on the file icon in Windows 
 Explorer to invoke Lilypond.  You can also right click on the file and you 
 should see Generate PDF.

Maybe it needs to be clearer in the manual how to be sure that your
file calls test.ly and not test.ly.txt on Windows.

It's important if you are a smart user, to view the extension of the
filenames (those three or more characters after a dot) and to be able
to modify them. This is not the default in Windows after installing
it, so you simply cannot install lilypond, create a .ly file on your
desktop by right-click - new - text file and pretend it is a
lilypond document.

If you do this, you WILL have a test.ly.txt file and it will NOT be
associated with lilypond because of its extension.

So you'd have to go first to the tools menu in an explorer window,
then choose Directroy options... (or whatever it is called in the
english version of windows) and go to the view label, there you have
to unselect the checkbox marked with something like hide extension
from file types known to Windows.

As the hide checkbox is unchecked you'll now be able to see and
modify the filename extensions just by renaming the files.

Now you can right-click - new - text file and call it test.ly,
you'll get a warning but don't be scared, it really will not become
unusable, rather it will now be associated with lilypond. Its icon
will look like a somewhat ugly black-coloured eight-note.

To edit them with the program of chioce, right-click on it and choose
Open with... Notepad or whatever. You can also place a shortcut icon
in the sendTo directory and then right-click -- send to... this
entry. Or, first open your editor, then drag and drop your file icon
inside it.

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Spanish-speaking users

2007-02-28 Thread Francisco Vila
I would like to contact all spanish-speaking users in this list, just
to have an estimation of how many of us are there, and possibly
foundate a lilypond-user-spanish list.

Here at the Conservatorio Superior de Musica de Badajoz we are
teaching LilyPond to many students as an optative subject, both in
mid-level studies (pre-college) and higher education.

Thank you,
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