[LUTE] Re: sofracob prices

2007-02-09 Thread Anthony Hind
Dear David
Thank you for your reply which shows my memory did not completely  
fail me after all, but my lateral thinking nevertheless was a little  
too far to the side, not to say skew-whiff!
Do you use Nick's strings mainly on the top (high-twist, or also in  
the mid)? Is it fair to say that they are of similar durability, but  
a little softer to the touch than the Kuerschner?
I will drop into your site and listen to you with your Korean  
soprano. Those must be very pleasant evening meals with Toyohiko  
Satoh, including the gut talk.

I am glad to have made you a virtual 11c Baroque player; as it is  
said of the Kyudos archer A true shot is not just one that hits the  
center of the target, but one where the arrow can be said to exist in  
the target before its release; so perhaps a good Baroque lute player  
is one who is already playing in his mind's-eye even before he has  
obtained his Baroque lute.
No I am afraid that is my lateral thinking going awry again, or just  
my wishful thinking.
Regards
Anthony

Le 9 fevr. 07 =E0 17:04, LGS-Europe a ecrit :

 Dear Anthony


 ago, in which I thought you mentioned playing Baroque music in an
 ensemble; but now I think about it, could have been  any form of
 continuo playing

 Mostly on archlutes, some theorbo and 10-course.


 with Nick Baldock at the same time and I may be confusing the two
 messages. I know he (also?) spoke about the excellent projection of
 gut strings in ensemble playing, but of course in his case, it was


 His gut strings are superb!


 This error was reinforced, by hearing you accompany a singer with
 your arch lute (obviously not Baroque), but I could have sworn you
 ventured into Purcell territory.

 Guilty as charged. I think there's even a clip of mine playing  
 Music for a While on an all-gut archlute with an all-Korean soprano  
 on my website. She was gutsy, too, by the way. Never saw a lute  
 before, no rehearsal, immediate recording. Recording engineer loved  
 the strings, too.

 strongly associate you (I feel sure?) with Toyohiko Satoh (who does
 play Baroque lute?)

 He does, and in our conversations gut strings do tend to take the  
 place of the more obvious subjects sashimi and sake once in a  
 while. We meet over dinners a lot. :-)


 So now it seems I have made you a virtual Baroque lute player, as I

 It's the cheaper option for now, anyway. Occasionally I am asked to  
 play some Bach solo, and then I cheat on a 10-course or archlute. I  
 can get away with Bach, I feel, but the glorious French baroque  
 music does need an 11-course. So, I too will yield one day.

 David





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[LUTE] Re: sofracob prices

2007-02-08 Thread LGS-Europe
 I have not used gut strings on a Baroque instrument, however. It
 would be best to ask advice from those that have. I know that David
 van Ooijen amongst others, uses all gut on his Baroque lutes.

Dear Anthony

It's nice to know one doesn't even have to play a single baroque lute to be 
known as a player who plays more than one. I must confess to having rather 
many lutes, and, yes, all are strung in gut from varous makers like Gamut, 
Aquila, Kuerschner, Cathedrale and Sofracob, but none are baroque lutes, 
actually. I'll quote you on my CV from now on.

But more to the point, I tend to use Sofracob for courses two to four and 
for octave strings on the basses. They're cheap, have a good gutsy sound and 
come in 3 meter length. I you make a large enough order the 10 euro handling 
fee is no problem because the strings cheap. Furthermore, with _really_ 
large orders you'll get a discount. I even use 0.40 Sofracob as a first 
course for studying purposes. Life expectancy anything between 0.3 sec to 
three weeks. Sofracob strings have a good balance between mellow, warm sound 
and clear attack with 'clean' sound. Not as warm as Gamut, but treble gut by 
Gamut can be a bit too warm and therefore dull on some of my lutes, and not 
as sharp and thin as Kuerschner, although on some instruments I like to use 
Kuerschner for the first course.
My baroque guitar is all Sofracob. Perfect for the instrument.

David - should get a baroque lute, one day



David van Ooijen
[EMAIL PROTECTED]
www.davidvanooijen.nl
 




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[LUTE] Re: sofracob prices

2007-02-08 Thread Anthony Hind
David
When I think about it, I suppose stringing an archlute in gut would  
be similar in difficulty to striging a Baroque lute, if string length  
and the number of courses is the problem.
Thus if you can keep an archlute strung in gut, it should be possible  
to do the same with a Baroque lute. I hope this reasoning is correct.
Regards
Anthony

Le 8 févr. 07 à 10:11, LGS-Europe a écrit :

 I have not used gut strings on a Baroque instrument, however. It
 would be best to ask advice from those that have. I know that David
 van Ooijen amongst others, uses all gut on his Baroque lutes.

 Dear Anthony

 It's nice to know one doesn't even have to play a single baroque  
 lute to be
 known as a player who plays more than one. I must confess to having  
 rather
 many lutes, and, yes, all are strung in gut from varous makers like  
 Gamut,
 Aquila, Kuerschner, Cathedrale and Sofracob, but none are baroque  
 lutes,
 actually. I'll quote you on my CV from now on.

 But more to the point, I tend to use Sofracob for courses two to  
 four and
 for octave strings on the basses. They're cheap, have a good gutsy  
 sound and
 come in 3 meter length. I you make a large enough order the 10 euro  
 handling
 fee is no problem because the strings cheap. Furthermore, with  
 _really_
 large orders you'll get a discount. I even use 0.40 Sofracob as a  
 first
 course for studying purposes. Life expectancy anything between 0.3  
 sec to
 three weeks. Sofracob strings have a good balance between mellow,  
 warm sound
 and clear attack with 'clean' sound. Not as warm as Gamut, but  
 treble gut by
 Gamut can be a bit too warm and therefore dull on some of my lutes,  
 and not
 as sharp and thin as Kuerschner, although on some instruments I  
 like to use
 Kuerschner for the first course.
 My baroque guitar is all Sofracob. Perfect for the instrument.

 David - should get a baroque lute, one day


 
 David van Ooijen
 [EMAIL PROTECTED]
 www.davidvanooijen.nl
 




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[LUTE] Re: sofracob prices

2007-02-07 Thread Anthony Hind
You can email them here [EMAIL PROTECTED] At one time they sold  
almost in bulk, not really individual strings, but this may have  
changed.
Regards
Anthony

Le 7 févr. 07 à 13:02, Stephan Olbertz a écrit :

 Dear all,

 the bridge of my baroque lute came off recently (ouch), but it has  
 been
 fixed and I would like to take the opportunity to put new strings  
 on and
 maybe switch to gut. Dan Larsons strings would sum up to about 360  
 $ (ouch
 again), Aquila is about the same. Does anyone know what Sofracob  
 charges
 for a (13c) set? I couldn't find any information on the web...

 Regards,

 Stephan





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[LUTE] Re: sofracob prices

2007-02-07 Thread Edward Martin
Most people use some metal in the gut basses, such as loaded or gimped 
strings.  I do not think Sofracob makes those kind of strings.

One player, Toyohiko Satoh, uses plain gut, even to the 13th course.  But, 
Toyohiko uses smaller diameter strings, as he uses a very low tension indeed.

I use gimped basses, and I am very happy with them.

ed



At 01:02 PM 2/7/2007 +0100, Stephan Olbertz wrote:
Dear all,

the bridge of my baroque lute came off recently (ouch), but it has been
fixed and I would like to take the opportunity to put new strings on and
maybe switch to gut. Dan Larsons strings would sum up to about 360 $ (ouch
again), Aquila is about the same. Does anyone know what Sofracob charges
for a (13c) set? I couldn't find any information on the web...

Regards,

Stephan





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Edward Martin
2817 East 2nd Street
Duluth, Minnesota  55812
e-mail:  [EMAIL PROTECTED]
voice:  (218) 728-1202






[LUTE] Re: sofracob prices

2007-02-07 Thread Anthony Hind
If price is the only determining factor you could try some banjo  
strings, but I understand they do not last very long.
Have a look at the prices at http://gourdbanjo.com/GBhtml/gut.html

I think you can buy Sofracob also from http://www.londonviolins.com/ 
Accessories/Baroque_Classical_Strings/baroque_classical_strings.html
and probably from Martin Haycock.

Some lutists mix Sofracob on top strings with Gamut on low, but I  
recently replaced some Sofracob strings with more expensive  
Kuerschners and they lasted at least twice as long.
Selling price might not mean best value.

Kuerschners are rather hard in texture, however, and some people  
might not like that. http://www.kuerschner-saiten.de/
I undesrtand that Nick Baldock's strings are of similar quality but  
softer ; Kathedrale Strings, Nicholas Baldock
e'mail: [EMAIL PROTECTED]

Having said that, I do seem to remember that Jakob Lindberg had  
completely strung his Rauwolf in Sofracob, so there may have been  
progress in their string quality.

Jacob Heringman, I believe, likes Stoppani strings  for pistoy types.  
but I think they are quite expensive  http://www.stoppani.co.uk/ 
Real_Gut_Strings.htm.
However, the lower strings do last much longer anyway.

I have not used gut strings on a Baroque instrument, however. It  
would be best to ask advice from those that have. I know that David  
van Ooijen amongst others, uses all gut on his Baroque lutes.
Regards
Anthony

Le 7 févr. 07 à 13:02, Stephan Olbertz a écrit :

 Dear all,

 the bridge of my baroque lute came off recently (ouch), but it has  
 been
 fixed and I would like to take the opportunity to put new strings  
 on and
 maybe switch to gut. Dan Larsons strings would sum up to about 360  
 $ (ouch
 again), Aquila is about the same. Does anyone know what Sofracob  
 charges
 for a (13c) set? I couldn't find any information on the web...

 Regards,

 Stephan





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[LUTE] Re: sofracob prices

2007-02-07 Thread Andrew Gibbs
Do any serious players use nylgut synthetic strings? perhaps more for  
renaissance than baroque lutes...

Andrew

On 7 Feb 2007, at 12:02, Stephan Olbertz wrote:

 Dear all,

 the bridge of my baroque lute came off recently (ouch), but it has  
 been
 fixed and I would like to take the opportunity to put new strings  
 on and
 maybe switch to gut. Dan Larsons strings would sum up to about 360  
 $ (ouch
 again), Aquila is about the same. Does anyone know what Sofracob  
 charges
 for a (13c) set? I couldn't find any information on the web...

 Regards,

 Stephan





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[LUTE] Re: sofracob prices

2007-02-07 Thread Mathias Rösel
Andrew Gibbs [EMAIL PROTECTED] schrieb:
 Do any serious players use nylgut synthetic strings? perhaps more for  
 renaissance than baroque lutes...

Not being a pro, I for one use nylgut on almost every lute,
nevertheless:

13c lute on courses 1 to 5 (rest is organic plain gut from Aquila)
8c lute on courses 1 to 5 and octaves 6, 7, 8
mandora on each course except for the fundamentals of courses 4 to 8
descant lute, 1st course
chitarrone on courses 1 to 7 (rest is Kürschner plain gut)
-- 
Mathias

http://mathiasroesel.livejournal.com 



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[LUTE] Re: sofracob prices

2007-02-07 Thread chriswilke
Andrew,


I know Nigel North had nylgut and Savarez
synthetics on his ten-course last time I saw him. 
baroque lute I don't remember.


Chris


--- Andrew Gibbs [EMAIL PROTECTED]
wrote:

 Do any serious players use nylgut synthetic strings?
 perhaps more for  
 renaissance than baroque lutes...
 
 Andrew
 
 On 7 Feb 2007, at 12:02, Stephan Olbertz wrote:
 
  Dear all,
 
  the bridge of my baroque lute came off recently
 (ouch), but it has  
  been
  fixed and I would like to take the opportunity
 to put new strings  
  on and
  maybe switch to gut. Dan Larsons strings would sum
 up to about 360  
  $ (ouch
  again), Aquila is about the same. Does anyone know
 what Sofracob  
  charges
  for a (13c) set? I couldn't find any information
 on the web...
 
  Regards,
 
  Stephan
 
 
 
 
 
  To get on or off this list see list information at
 

http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 
 



 

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[LUTE] Re: sofracob prices

2007-02-07 Thread Andrew Gibbs
That's serious enough for me!

thanks
Andrew

On 7 Feb 2007, at 15:15, [EMAIL PROTECTED]  
[EMAIL PROTECTED] wrote:

 Andrew,


 I know Nigel North had nylgut and Savarez
 synthetics on his ten-course last time I saw him.
 baroque lute I don't remember.


 Chris


 --- Andrew Gibbs [EMAIL PROTECTED]
 wrote:

 Do any serious players use nylgut synthetic strings?
 perhaps more for
 renaissance than baroque lutes...

 Andrew

 On 7 Feb 2007, at 12:02, Stephan Olbertz wrote:

 Dear all,

 the bridge of my baroque lute came off recently
 (ouch), but it has
 been
 fixed and I would like to take the opportunity
 to put new strings
 on and
 maybe switch to gut. Dan Larsons strings would sum
 up to about 360
 $ (ouch
 again), Aquila is about the same. Does anyone know
 what Sofracob
 charges
 for a (13c) set? I couldn't find any information
 on the web...

 Regards,

 Stephan





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 __
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Andrew Gibbs

Public Works Office
30 Townmead Business Centre
William Morris Way
London SW6 2SZ
Telephone +44 (0)20 7731 9440
Mobile +44 (0)7973 655759

[EMAIL PROTECTED]

www.publicworksoffice.co.uk



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[LUTE] Re: sofracob prices

2007-02-07 Thread Andrew Gibbs
thanks - what are you using for bass strings on the 8c?

On 7 Feb 2007, at 13:40, Mathias Rösel wrote:

 Andrew Gibbs [EMAIL PROTECTED] schrieb:
 Do any serious players use nylgut synthetic strings? perhaps more for
 renaissance than baroque lutes...

 Not being a pro, I for one use nylgut on almost every lute,
 nevertheless:

 13c lute on courses 1 to 5 (rest is organic plain gut from Aquila)
 8c lute on courses 1 to 5 and octaves 6, 7, 8
 mandora on each course except for the fundamentals of courses 4 to 8
 descant lute, 1st course
 chitarrone on courses 1 to 7 (rest is Kürschner plain gut)
 -- 
 Mathias

 http://mathiasroesel.livejournal.com



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[LUTE] Re: sofracob prices

2007-02-07 Thread Mathias Rösel
Andrew Gibbs [EMAIL PROTECTED] schrieb:
 thanks - what are you using for bass strings on the 8c?

Copper wound (6th to 8th courses). Oh, and I forgot to mention the 11c
lute: Nylgut for 1st to 5th courses, copper wound for fundamentals of
6th to 11th courses with nylgut octaves. Works very well.
--
Mathias


  Andrew Gibbs [EMAIL PROTECTED] schrieb:
  Do any serious players use nylgut synthetic strings? perhaps more for
  renaissance than baroque lutes...
 
  Not being a pro, I for one use nylgut on almost every lute,
  nevertheless:
 
  13c lute on courses 1 to 5 (rest is organic plain gut from Aquila)
  8c lute on courses 1 to 5 and octaves 6, 7, 8
  mandora on each course except for the fundamentals of courses 4 to 8
  descant lute, 1st course
  chitarrone on courses 1 to 7 (rest is Kürschner plain gut)



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[LUTE] Re: sofracob prices

2007-02-07 Thread Denys Stephens
Dear Andrew,
Take a look at Ed Durbrow's interview with Paul O'Dette
in the September 2004 LSA Quarterly where he confirms
he uses Nylgut for performing. 

I use Nylgut too, and love the sound it makes on my
lutes, but I would hate to be taken too seriously.

Best wishes,

Denys



- Original Message - 
From: Andrew Gibbs [EMAIL PROTECTED]
To: Stephan Olbertz [EMAIL PROTECTED]
Cc: lute@cs.dartmouth.edu
Sent: Wednesday, February 07, 2007 1:22 PM
Subject: [LUTE] Re: sofracob prices


 Do any serious players use nylgut synthetic strings? perhaps more for  
 renaissance than baroque lutes...
 
 Andrew
 
 On 7 Feb 2007, at 12:02, Stephan Olbertz wrote:
 
  Dear all,
 
  the bridge of my baroque lute came off recently (ouch), but it has  
  been
  fixed and I would like to take the opportunity to put new strings  
  on and
  maybe switch to gut. Dan Larsons strings would sum up to about 360  
  $ (ouch
  again), Aquila is about the same. Does anyone know what Sofracob  
  charges
  for a (13c) set? I couldn't find any information on the web...
 
  Regards,
 
  Stephan
 
 
 
 
 
  To get on or off this list see list information at
  http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 
 
 




[LUTE] Re: sofracob prices

2007-02-07 Thread chriswilke
Denys,


--- Denys Stephens [EMAIL PROTECTED]
wrote:
 
 I use Nylgut too, and love the sound it makes on my
 lutes, but I would hate to be taken too seriously.

..But how are you ever going to get EM street cred if
you don't take yourself too seriously? :)


CW 



 

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[LUTE] Re: sofracob prices

2007-02-07 Thread Denys Stephens
Dear Chris,
Quite so! But I guess I have already blown it by
confessing to using Nylgut
:-)

Best wishes,

Denys


- Original Message -
From: [EMAIL PROTECTED]
To: Denys Stephens [EMAIL PROTECTED]; lute net
lute@cs.dartmouth.edu
Sent: Wednesday, February 07, 2007 9:13 PM
Subject: [LUTE] Re: sofracob prices


 Denys,


 --- Denys Stephens [EMAIL PROTECTED]
 wrote:

  I use Nylgut too, and love the sound it makes on my
  lutes, but I would hate to be taken too seriously.

 ..But how are you ever going to get EM street cred if
 you don't take yourself too seriously? :)


 CW







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[LUTE] Re: sofracob prices

2007-02-07 Thread Stephen Fryer
Denys Stephens wrote:

 I would hate to be taken too seriously.

For most people the problem is not being taken seriously enough ;-)

-- 
Stephen Fryer

**
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[LUTE] Re: sofracob prices

2007-02-07 Thread Edward Martin
Andrew,

Actually, many professionals use nylgut - Paul O'Dette, Nigel North, 
Hopkinson Smith.  I think (but, I am uncertain) that Rolf Lislevand uses 
them as well.  I know Jakob Lindberg used to use them.

I have my renaissance 8 course in partial nylgut, because I have to use 
that instrument under difficult situations.  Otherwise, I mostly use gut, 
for vihuela, 10 course, baroque guitar, 11 course, and my 13 course.  Yes, 
the tuning is sometimes an issue, along with treble string breakage, but 
the wonderful rich sound of gut makes it all worth while.  If one 
equilibrates the instrument to the room, tuning works well. When I perform 
in gut, I must get to the hall 3 hours in advance to insure good tuning.

Sometimes I regret not using synthetics, but gut is the most satisfying 
sound of all, so I stick with it.

Someone said earlier today that the 5th course is a problem, but the Pistoy 
5th is, in my opinion, the most beautiful string imaginable, for either a 
renaissance or baroque lute.

ed




At 01:22 PM 2/7/2007 +, Andrew Gibbs wrote:
Do any serious players use nylgut synthetic strings? perhaps more for
renaissance than baroque lutes...

Andrew

On 7 Feb 2007, at 12:02, Stephan Olbertz wrote:

  Dear all,
 
  the bridge of my baroque lute came off recently (ouch), but it has
  been
  fixed and I would like to take the opportunity to put new strings
  on and
  maybe switch to gut. Dan Larsons strings would sum up to about 360
  $ (ouch
  again), Aquila is about the same. Does anyone know what Sofracob
  charges
  for a (13c) set? I couldn't find any information on the web...
 
  Regards,
 
  Stephan
 
 
 
 
 
  To get on or off this list see list information at
  http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html



Edward Martin
2817 East 2nd Street
Duluth, Minnesota  55812
e-mail:  [EMAIL PROTECTED]
voice:  (218) 728-1202






[LUTE] Re: sofracob prices

2007-02-07 Thread David Rastall
On Feb 7, 2007, at 6:33 PM, Edward Martin wrote:

 I have my renaissance 8 course in partial nylgut, because I have to  
 use
 that instrument under difficult situations.  Otherwise, I mostly  
 use gut,
 for vihuela, 10 course, baroque guitar, 11 course, and my 13 course.

When I bought my theorbo back in November (from Jason Petty in  
Brooklyn) it was strung with the first five strings in nylgut.  It  
sounds fine.  When the nylgut finally needs replacement, I'll  
probably try something else, like carbon fibre maybe, but just to see  
what the difference is.  Basically, I think nylgut works on some  
lutes, but not on others.  Of course, if I didn't have classical  
guitar obligations from time to time, I would string entirely in gut!

David R
[EMAIL PROTECTED]
www.rastallmusic.com




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