RE: MD: Name Full!!!/The Mad Titler

1999-12-30 Thread Anthony Horan


Rodney typed,

 I run out of space frequently. In fact at times I have been referred to
 as "The Mad Titler" on this list. Here is an example of one particular
 title (and keep in mind I try to title all my tracks like this if there
 are enough characters:)

 STEAL MY SUNSHINE (Album Edit) / LEN November 1999 Billboard Hot 100
 Airplay No. 5 November 1999 Billboard No. 9 track from the LP's "You
 Can't Stop The Bum Rush" and the "Go" soundtrack BPM:118

 (There is also an LP Version of the same song)

Now, try doing *that* on an MZR-37 with the teensy remote and see if you
don't get RSI :)

I'm impressed - a title like that could well take more time than the length
of the song to scroll past on some portables..!

 Starting in the first week of December 1998 because of the growing trend
 of record labels releasing hit songs to radio without accompying retail
 singles, those songs were eligible to chart on the Billboard Hot 100
 without a retail single being available. This is why, in the example
 above, "Steal My Sunshine" has a higher airplay chart number (the
 airplay chart is still published) than a Hot 100 chart number, because
 all the song's points are from radio airplay and none from retail
 singles sales, since there is no U.S. retail single.

This is, to me, the height of absurdity, and good evidence that the "Hot
100" is worthless as an indicator of what's actually making its way into
people's homes in the US. There's a separate airplay chart for a reason.

What next - albums only released to radio, not to consumers?

Other songs like
 Lou Bega's "Mambo No. 5 (A Little Bit Of...)", although technically are
 retail singles, in all practicality, are not because the Lou Bega song
 is available in the U.S. only as a 12 inch VINYL single, a pretty
 miniscule sales market compared to commercially available CD singles.

There must be a good import market there for UK and Australian-originated CD
singles.


- Anthony


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RE: MD: Name Full!!!/The Mad Titler

1999-12-22 Thread Rodney Peterson


Ignore this post. I wrote it weeks ago and it never showed up. I rewrote
the same thing later basically and that did show up and to tell you the
truth it is more or less a waste of time, just something I did because I
wanted to write a long post on the subject. Actually, since my JA20ES is
still in for repairs or replacement I haven't done any titling updating
for a while nor do I paricuarly miss it.

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RE: MD: Name Full!!!/The Mad Titler

1999-12-22 Thread Rodney Peterson


I run out of space frequently. In fact at times I have been referred to
as "The Mad Titler" on this list. Here is an example of one particular
title (and keep in mind I try to title all my tracks like this if there
are enough characters:)

STEAL MY SUNSHINE (Album Edit) / LEN November 1999 Billboard Hot 100
Airplay No. 5 November 1999 Billboard No. 9 track from the LP's "You
Can't Stop The Bum Rush" and the "Go" soundtrack BPM:118

(There is also an LP Version of the same song)

or another example:

GENIE IN A BOTTLE (Eddy Arroyo Radio Club Mix) / CHRISTINA AGUILERA
August 1999 Billboard No. 1 (5 weeks) LP:"Christina Aguilera" BPM:125
September 1999 Billboard Hot 100 Airplay No. 1 (4 weeks)

It gets really involved when you have a song like "I'll Be There For
You" by the Rembrandts when the song was No. 1 on the Billboard Airplay
charts for about 13 weeks (or something like that) before being released
as a U.S. single, where it peaked at a comparatively lowly No. 19. Not
only do I note all the chart information and the BPM but also in this
case there is an album as well plus the folllowing must also be notated
in brackets after the title: (Theme from the NBC television series
"Friends"). Another example of this is Celine Dion's "My Heart Will Go
On" ("Love Theme From "Titanic") which spent many more weeks at No. 1 on
the Billboard Hot 100 Airplay charts than the actual Billboard Hot 100
chart, because it was released as a commercial single late in its peak
popularity period, but still managed to hold the No. 1 spot on the Hot
100 for 2 weeks (13 weeks or something like that on the Billboard Hot
100 Airplay chart) despite its being released as a limited edition
single with only 650,000 copies available at retail. Plus you have to
consider these factors as well if you wish to title all the information
properly: the song is found on two albums: the "Titanic" soundtrack, of
course, and "Let's Talk About Love". There are also a number of dance
versions of the song, which were not commercially available in the U.S.
as well as custom versions which interspersed dialogue from "Titanic"
throughout the song. Most of these dialogue versions were edited by
ambitious Top 40 Radio Station music programmers in various markets and
each had its own name as well, such as the "Titanic Z104 Mix" and
"Nick's KIIS Mix". There were several others as well.

Starting in the first week of December 1998 because of the growing trend
of record labels releasing hit songs to radio without accompying retail
singles, those songs were eligible to chart on the Billboard Hot 100
without a retail single being available. This is why, in the example
above, "Steal My Sunshine" has a higher airplay chart number (the
airplay chart is still published) than a Hot 100 chart number, because
all the song's points are from radio airplay and none from retail
singles sales, since there is no U.S. retail single. Other songs like
Lou Bega's "Mambo No. 5 (A Little Bit Of...)", although technically are
retail singles, in all practicality, are not because the Lou Bega song
is available in the U.S. only as a 12 inch VINYL single, a pretty
miniscule sales market compared to commercially available CD singles.
Thus, while it charted at No. 1 on the Billboard Hot 100 Airplay chart
for 6 weeks, the best "Mambo No. 5 (A Little Bit Of...)" could do on the
Billboard Hot 100 chart was No. 3

I always update the latest chart numbers each week on my MD recorder,
thereby doing a LOT of TOC updates, which has caused my MDS-JA20ES to be
replaced under warranty three times in a little under a year, no problem
since the deck has a five year warranty and is supposed to be able to
handle rigorous recording and editing sessions like this. My MZR55 is
also back in service for a different reason (spinning discs without
playing them at times.) This will be the fifth or sixth MZR55 replaced
by Sony in a little less than a year. Obviuosly, the Sony Service people
know me well and I get good service from them. I also buy a LOT of Sony
products.

I always make a habit of having the more cooler and popular tracks
towards the beginning of the disc, even if it means moving them weeks
after they are recorded. Sometimes I use so much titling information on
the big hit songs, I have to relegate a forgettable song like "Do I Love
You" by Paul Anka  Anthea Anka Featuring Kenny G  Barry Gibb to be
titled simply as "309A5" which refers to the HitDisc weekly series
(309), the disc of that series (A) and the track number (5). Of course,
that's providing I ever play the song. Songs like that are rarely played
and shoved towards the back of the disc, where the "sucky" material is.
I can always refer to the master HitDisc (I've been a subscriber to that
weekly service for over ten years and they send me four CD's a week
covering all the latest hits in all the popular (and not so popular)
radio formats as well as the latest club music from the dance, disco and
techno artists and labels) if I forget 

Re: MD: Name Full!!!/The Mad Titler

1999-12-22 Thread Magic


From: Rodney Peterson [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Saturday, December 11, 1999 12:43 PM
Subject: RE: MD: Name Full!!!/"The Mad Titler"

 STEAL MY SUNSHINE (Album Edit) / LEN November 1999 Billboard Hot 100
 Airplay No. 5 November 1999 Billboard No. 9 track from the LP's "You
 Can't Stop The Bum Rush" and the "Go" soundtrack BPM:118

STEAL MY SUNSHINE (Album Edit) / LEN 11/99 B/Board Hot 100 AP#5 11/99
B/Board #9 trk from LP's "You Can't Stop The Burn Rush" + "Go" S/trk BPM:118

 GENIE IN A BOTTLE (Eddy Arroyo Radio Club Mix) / CHRISTINA AGUILERA
 August 1999 Billboard No. 1 (5 weeks) LP:"Christina Aguilera" BPM:125
 September 1999 Billboard Hot 100 Airplay No. 1 (4 weeks)


GENIE IN A BOTTLE (Eddy Arroyo Radio Club Mix) / CHRISTINA AGUILERA 08/99
B/Board #1 (5wks) LP:"Christina Aguilera" BPM:125 09/99 B/Voard Hot 100 AP#1
(4wks)


Never heard of abbreviations?

Magic
--
"Creativity is more a birthright than an acquisition, and the power of sound
is wisdom and understanding applied to the power of vibration."

Location : Portsmouth, England, UK
Homepage : http://www.mattnet.freeserve.co.uk
EMail : [EMAIL PROTECTED]


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Re: MD: Name Full!!!

1999-12-15 Thread Ralph Smeets


[EMAIL PROTECTED] wrote:
 
 I'm suprised no one has taken CaliforniaRod to task for suggesting that his
 recording library would require a laptop with at least 4GB of memory. At
 1800 bytes per minidisc, he would need ~2.3 million MD's to store that much
 title info, which would occupy a 9 metre (30 foot) cube without cases.
 
 Also Dan Frakes wrote:
 
  Calculators? I'll take a single HP over ten Casio's any day ;-)
 
 And that's how many you'd get for the price of an HP. (reverse Polish
 notation)
 
 simon

Hmmm,

I must yet see the first NON HP calculator that can title a MiniDisc.

Face it, HP calculators are just the best. And if you get used to RPN,
you don't want to go back!!!

Cheers,
Ralph - Titling his MDs with a HP48S!
-- 
===
Ralph SmeetsFunctional Verification Centre Of Competence -  CMG
Voice:  (+33) (0)4 76 58 44 46   STMicroelectronics
Fax:(+33) (0)4 76 58 40 11   5, chem de la Dhuy
Mobile: (+33) (0)6 82 66 62 70 38240 MEYLAN
E-Mail: [EMAIL PROTECTED]  FRANCE
===
  "For many years, mankind lived just like the animals. And then 
   something happened that unleashed the powers of our imagination: 
   We learned to talk."
-- Stephen Hawking, later used by Pink Floyd --
===
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Re: MD: Name Full!!!

1999-12-15 Thread matthew c. mead


On Wed, Dec 15, 1999 at 10:39:04AM +0100, Ralph Smeets wrote:
 I must yet see the first NON HP calculator that can title a MiniDisc.
 
 Face it, HP calculators are just the best. And if you get used to RPN,
 you don't want to go back!!!
 
 Cheers,
 Ralph - Titling his MDs with a HP48S!

Hmm.  I've got the JVC XU-301.  I also happen to have an HP48SX
laying around that I haven't used for a long time.  Does it make
titling easier?  What software is out there to do this?

-matt

-- 
matthew c. mead

[EMAIL PROTECTED]
http://www.goof.com/~mmead/
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RE: MD: Name Full!!!

1999-12-14 Thread Simon Barnes


I'm suprised no one has taken CaliforniaRod to task for suggesting that his
recording library would require a laptop with at least 4GB of memory. At
1800 bytes per minidisc, he would need ~2.3 million MD's to store that much
title info, which would occupy a 9 metre (30 foot) cube without cases.

Also Dan Frakes wrote:

 Calculators? I'll take a single HP over ten Casio's any day ;-)

And that's how many you'd get for the price of an HP. (reverse Polish
notation)

simon

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Re: MD: Name Full!!!

1999-12-14 Thread Jerry Jelinek


"Steven Brooks" [EMAIL PROTECTED] writes:

Let's see... if you had songs like that (40 characters long,
including apostrophes and spaces) on an MD, you would have to title 42.5
songs, a feat few Md-er's have achieved up until now...

Well I regularily have 40-50 tracks per CD.   In fact I fit 5 complete 
mono jazz LPs on 1 minidisc earlier this year.  If I remember it had
over 60 tracks on the disc.  

But the 40 limit is nothing new to me for the number of tracks on a disc.

One of the biggest features on MD for me is mono recording for old mono
jazz LPs. 

FYI,

Jerry


Jerry Jelinek at work via OS/2[EMAIL PROTECTED]
http://junior.apk.net/~centaurs - My Favorite Web Links

"..I wasn't meant to be a bandleader.  I don't have a personality
and I'm not good looking and I don't have all the things that go to
make a glamorous bandleader."  - Stan Kenton around 1938.  


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RE: MD: Name Full!!!

1999-12-14 Thread Rodney Peterson


I don't understand. What do you mean by needing a laptop with 4GB to
store titles? If you mean for the purpose of keeping a word processing
type document so I would know where each track is without searching my
memory or the discs themselves, you're right. There's no way a Psion or
Palm could store that much information. However, if I know approximately
when a song was released say August 1999 I know it will be somewhere in
Dance Hits Volumes 145-150 or thereabouts if it is a dance song. If it
is a very popular song, it will be at or near the front of the disc. If
it is a song like "Faceplant (Edit)" by Videodrone it will be towards
the back. That particular track will also be found on New Wave, New
Rock, Modern Dance and Grunge Hits somewhere around volume 57 as it is a
crossover. Sometimes I'll take a song like Limp Bizkit's "Nookie" and
put it on four discs because it fits the catergories of Dance, Rap, Rock
and the aforementioned New Wave although it obviously is closer to the
last than any of the other three. I would estimate I have recorded
500-600 MiniDiscs so far. By a library of 30,000 titles I am referring
to individual tracks on CD's-it is closer to 3,000 CD's but I consider
each track a title particularly since the vast majority are various
artists HitDiscs. If you are interested in seeing what HitDiscs are or
are a professional or semi professional go to

http://www.tmcentury.com

and click on HitDiscs, then click the bottom of that page and any of the
corresponding numbered and lettered boxes on the page following. It is
an amazing music service, worth every last penny of the 235 dollars a
month it costs. It is by far better than any of its competitors. 

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Re: MD: Name Full!!!

1999-12-14 Thread Simon Gardner


 I'm suprised no one has taken CaliforniaRod to task for suggesting that
his
 recording library would require a laptop with at least 4GB of memory. At
 1800 bytes per minidisc, he would need ~2.3 million MD's to store that
much
 title info, which would occupy a 9 metre (30 foot) cube without cases.

I think he said the whole Hitdisc library would take up that much, not what
he has.

I think 4gig is pushing it a bit though...

Simon


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Re: MD: Name Full!!!

1999-12-14 Thread Rodney Peterson


Right. I wouldn't need the entire 4GB but I would need something with
more than 16MB or so, which I think is the limit of the current Psions
(but I don't know.) Jusrt read a blurb in Mobile Computer yesterday
about the Psion 7 series, which is in use right now in Europe. Evidently
they are much more popular there. The Psion 7 series sounds pretty
amazing. Since I'm thinking amazing right now, if I were nominating a
product of the year like E-Town, it would most assuredly NOT be TIVO,
which will have far better competitors within a year (HDTV decoders with
built in web connectivity, satellite, caller ID, TIVO type features,
etc.) I would nominate Sony's robot dog AIBO (page 74, current edition
of Sony Style) not because a $2500 computerized walking almost living
dog is such a useful thing to have but because it is basically a
consumer prototype of amazing robotic technology to come. This is one
thing they did right, unlike the MiniDisc Camcorder where they neglected
to insert a digital I/O interface.

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Re: MD: Name Full!!!

1999-12-14 Thread Dan Frakes


Simon Barnes [EMAIL PROTECTED] wrote:
Calculators? I'll take a single HP over ten Casio's any day ;-)

And that's how many you'd get for the price of an HP. (reverse Polish
notation)

Probably true :-) But you can't get RPN on a Casio, can you? I've 
forgotten how to use a "normal" calculator...
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Re: MD: Name full

1999-12-13 Thread David W. Tamkin


Joost asked,

| I read in the sony folder that you can store 1700 characters
| on a 74 min. MD. Is this the same on a 80 min MD?

It would have to be, since the TOC is the same size; only the audio area is
larger.

Rick had explained,

 1) There are 255 "name blocks" available, each one able to hold 7
characters, so the absolute maximum for all tracks [plus the disc
name] combined is 255*7=1785 characters.

 2) The number of name blocks used by a track is:
(title characters+6)/7 (rounding quotient down to nearest integer).

So titling space is allocated in seven-character blocks.  Thanks for the
word on that, Rick.

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Re: MD: Name Full!!!

1999-12-12 Thread Simon Gardner


 Rodney Peterson wrote in detail about how he puts a lot of information
into
 track titles.

 So Rodney, back to the subject: about how many tracks do you commonly get
 onto a disc before filling the titling space?  When the titling space is
full
 or too nearly full to accommodate another long track name, do you leave
the
 rest of the disc's audio capacity empty or do you use it for tracks that
 don't need detailed titles?

I counted about 180 characters in that Jennifer Lopez track - so I'm
guessing about 9ish tracks (?) before filling all of the space. I wonder if
there's a way to increase titling space by writing onto the music area
(kinda the opposite to the trick where you write over titling space to
increase capacity).

Another question for Rodney: as you clearly need to have such information
about the tracks you play, why not use a PDA like a Palm or Psion to keep a
database of all this information (and details of which disc the track is
on)? It could be kept to hand, and could be fully searchable.

Titling all that info onto discs must be a horrendous chore - even when I
have access to a deck I only use the most basic titles (and often shorten
long words/titles), and I hate doing "various artists" compilations because
it's more to do..

Simon


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Re: MD: Name Full!!!

1999-12-12 Thread Rodney Peterson


It depends on the disc as to how many songs are used before full name
capacity is used. If I have an important song with 200 or so characters
needed before the title is complete, I "code" the really comparably
horrible songs at the back of the disc with titles like "333B14"
(Meaning Hit Disc Series 333, Disc B, Track 14). Usually I'll never play
these songs, but if I do, and I can't recall what they are while
listening I refer to the Master HitDisc CD Library (over 2,000 HitDiscs
so far which are stored in organized numerical order) and look at the
information there to dechiper what "333B14" is. If I'm out and the
library is not available to me since I store it at home, especially on a
DJ gig, there's a 99.99% chance the song isn't worth playing anyway-but
once I record a song onto MD, I rarely erase it-if it turns out to be
more of a "stiff" than a hit I just move it to the back of the disc,
where the "crappy" stuff is usually stored. Of course, there are many
exceptions, where every song on the disc is a legitimate hit. 

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Re: MD: Name Full!!!

1999-12-12 Thread Rodney Peterson


A Psion or a Palm simply would not have enough memory. At one time, I
had the entire HitDisc library stored on word processor (but name, title
and location only.) I think there were about 25 or so 1.44 MB discs
fllled before the word processor could take it no more and blew up. I
would have to use a laptop with at least 4GB of memory to do the job and
it would take forever to input the information again, although I imagine
I'll get around to it one of these days. 

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Re: MD: Name Full!!! [getting a bit OT]

1999-12-12 Thread Simon Gardner


 A Psion or a Palm simply would not have enough memory. At one time, I
 had the entire HitDisc library stored on word processor (but name, title
 and location only.) I think there were about 25 or so 1.44 MB discs
 fllled before the word processor could take it no more and blew up. I
 would have to use a laptop with at least 4GB of memory to do the job and
 it would take forever to input the information again, although I imagine
 I'll get around to it one of these days.

An idea might be to use one of the new IBM Microdrive discs - they fit in a
CompactFlash slot and offer (at the moment) up to 340mb, at reasonable
prices (under 1UKP per Mb). They're planning to get up to several gigabytes
next year.

Might be a technology to keep an eye on - one of the proposed uses is for
keeping large databases on hand for sales people, field engineers, etc.

http://www.storage.ibm.com/hardsoft/diskdrdl/micro/

Simon


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RE: MD: Name Full!!!

1999-12-11 Thread Tony Antoniou


Only when I copied TDK's guide to amazing sound (as it is an excellent
series of tests for all sound systems - home, car, studio or even hall). The
disc has about 43 tracks and it wasn't long before the 255 character limit
was reached.

Adios,
LarZ

---  TAMA - The Strongest Name in Drums  ---


-Original Message-
From:   [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]] On Behalf
Of metatron
Sent:   Saturday, 11 December 1999 6:05
To: [EMAIL PROTECTED]
Subject:MD: Name Full!!!


While titling a recording of Handel's 'Semele' , which contains lots of
snappy numbers like
'Ah, wretched prince... Wing'd with our fearsO prodigy, to me of dire
portent!'
on my Sony deck, I received the 'Name Full !!!' message. I like to pack the
info in when titling, and with opera, you can really get carried away, but
to my amazement, this is the first time I've ever exceeded the limit. Just
wondered if anyone else had ever run out of space in normal use?

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RE: MD: Name Full!!!/E Bay

1999-12-11 Thread Rodney Peterson


Oh, incidentially, I have a number of things for auction currently on
E-Bay if anyone wishes to check them out. They include a mint condition
JVC-XMD1 MiniDisc Recorder, a Geffen Records publicity photo signed by
every member of the band Guns N' Roses from the "Appetite For
Destruction" era, approximately three hours of behnd the scenes high
resolution home video shot on Mini DV with a 3CCD Mini DV Camcorder of
my friend /neighbor /accquaintance Fred Durst (of Limp Bizkit), two
8x10's signed by Kate Winslet, one framed 8x10 lobby card from "Titanic"
signed by Leonardo DiCaprio and Kate Winslet, a brand new THX WOW!
LaserDisc (not commercially available) and a very rare, completely
genuine, absolutely not bootlegged 2 CD set of Michael Jackson
performing a private concert for the Sultan of Brunei and his friends
and family, which was pressed for concert goers and given to me by a
friend of mine who was one of the members of the Sultan Of Brunei's
"harem" of young American and European girls he pays handsomely for
various "services". And if you think that's something, I gotta tell you
this part. He also gave her a six million dollar necklace and a $750,000
watch. (Don't forget, he was the wealthiest man in the world. Now, he's
No. 2 behind-you guessed it-Bill Gates. (GO, BILL!!! F**k the Sultan!).
Unfortunately, I don't own the jewelry nor have it up for auction. Damn!
The Sultan is also a control freak. After having been the guest of his
entourage at the 1996 Atlanta Olympics, my friend was in her hotel room
talking to her boyfriend (a pop star from Norway named Sway (a/k/a Espin
Lind now) when her call waiting kicked in and she decided to continue
talking to her boyfriend. After she was done, she called to find out who
it was and it turned out to be the Sultan or Prince Jeffri (I forget
which.) To make a long story short, he had $250,000 in cash waiting for
her but because she did not pick up the phone the Sultan (or Prince
Jeffri) decided she did not want to talk to him and therefore did not
want and did not receive the $250,000 cash. How's that for an a**hole?
Anyway, enough of that interesting story. (There's lots more.) If any of
the auction items sound interesting to you, please go to E-Bay and do a
search for my seller name, [EMAIL PROTECTED] Thanks!

Rodney 

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Re: MD: Name Full!!!

1999-12-10 Thread Steven Brooks


You actually run OUT of characters on your disc?  Do you really need more
than 1700 characters (AFAIK, the maximum limit)? Exactly how much time DO
you have on your hands for these marathon titling sessions?  :-)

Throwing in my 2 cents, I get irked when I have to title a track like the
Quad City DJ's "C'mon Ride It (The Train)" especially if I'm including the
Band's name... Let's see... if you had songs like that (40 characters long,
including apostrophes and spaces) on an MD, you would have to title 42.5
songs, a feat few Md-er's have achieved up until now...

As far as the eight- or ten-line LCD on the MD, I suppose it might be
practical for showing the preceding song, the current song playing, and the
next song; for more long-winded titles, it would display the current title
in however many lines needed.

Steve

"We found you in the spare room with your eyes no longer there / The lamp
flex led up to your heart like a divers cord for air / We
electrolysed your mind / And analysed your limbs / Escapist rap --
I've had all that / Now it's me that's going to win" 'Pressure'
(Sunscreem)


Please respond to [EMAIL PROTECTED]

To:   [EMAIL PROTECTED]
cc:(bcc: Steven Brooks/HOME_OFF/AGLIFE)
Subject:  MD: Name Full!!!





While titling a recording of Handel's 'Semele' , which contains lots of
snappy numbers like
'Ah, wretched prince... Wing'd with our fearsO prodigy, to me of dire
portent!'
on my Sony deck, I received the 'Name Full !!!' message. I like to pack the
info in when titling, and with opera, you can really get carried away, but
to my amazement, this is the first time I've ever exceeded the limit. Just
wondered if anyone else had ever run out of space in normal use?

The titling feature seems to me to be one of the major glories of the
format, and high on my wish list is for some manufacturer to produce a deck
with either a small eight or ten line LCD screen, or a thin display that
runs the width of the unit. The truncated titles that you end up looking at
really get on my tits. Maybe Japanese is less verbose.

John

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