[mb-style] NGS guidelines

2011-05-24 Thread Brian Schweitzer
For a few reasons, I've been silent here for the past while.  However, I
feel I have to at least comment on the change in guidelines that has taken
place.  I may not be commenting on the list, but I do still at least skim
the style list to see what's happening.  Thus, when I saw an edit note
citing something in an entirely rewritten guideline, I was rather surprised.


Based on nikki's announcement (
http://lists.musicbrainz.org/pipermail/musicbrainz-style/2011-May/011267.html
),
it looked like a rewrite in progress, not a RFC, let alone a RFC that
changed every single style guideline.  I looked at the time with the
understanding that this was a work in progress, not something just days away
from being official.  Yet the change to the pages from being available for
review at User:kuno/Style to those same pages suddenly being the official
guidelines took place only 6 days later and with no RFC/RFV/etc, only
http://lists.musicbrainz.org/pipermail/musicbrainz-style/2011-May/011369.html
 .

So how did such a major and complete rewrite skip RFC/RFV, and become
official within 6 days of being announced (if you count nikki's May 10 email
as being the RFC, though not mentioned in the email's subject).

I won't email again, but this is important enough that I couldn't not say
something.  Every single style guideline has been changed, and there's more
than a few of the new guidelines which have dropped important items and/or
changed things counter to how they were decided back during RFCs for the
individual guidelines.

Brian
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Re: [mb-style] NGS guidelines

2011-05-24 Thread Philip Jägenstedt
On Tue, May 24, 2011 at 14:34, Brian Schweitzer
brian.brianschweit...@gmail.com wrote:
 For a few reasons, I've been silent here for the past while.  However, I
 feel I have to at least comment on the change in guidelines that has taken
 place.  I may not be commenting on the list, but I do still at least skim
 the style list to see what's happening.  Thus, when I saw an edit note
 citing something in an entirely rewritten guideline, I was rather surprised.

 Based on nikki's announcement
 ( http://lists.musicbrainz.org/pipermail/musicbrainz-style/2011-May/011267.html ),
 it looked like a rewrite in progress, not a RFC, let alone a RFC that
 changed every single style guideline.  I looked at the time with the
 understanding that this was a work in progress, not something just days away
 from being official.  Yet the change to the pages from being available for
 review at User:kuno/Style to those same pages suddenly being the official
 guidelines took place only 6 days later and with no RFC/RFV/etc, only
 http://lists.musicbrainz.org/pipermail/musicbrainz-style/2011-May/011369.html .
 So how did such a major and complete rewrite skip RFC/RFV, and become
 official within 6 days of being announced (if you count nikki's May 10 email
 as being the RFC, though not mentioned in the email's subject).
 I won't email again, but this is important enough that I couldn't not say
 something.  Every single style guideline has been changed, and there's more
 than a few of the new guidelines which have dropped important items and/or
 changed things counter to how they were decided back during RFCs for the
 individual guidelines.
 Brian

I'll let nikki and kuno speak for themselves, but just wanted to note
that I support the complete overhaul and that the normal process has
been circumvented. Most of the old guidelines don't make sense with
NGS, and doing such a big change by RFC/RFV would have been extremely
painful. I think we're much better off taking the rewrite and working
from there.

Getting people in sync with the changes is another matter, but I
expect we'll sort it out.

-- 
Philip Jägenstedt

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Re: [mb-style] NGS guidelines

2011-05-24 Thread Pete Marsh
I support the complete overhaul and that the normal process has been
circumvented. Most of the old guidelines don't make sense with NGS, and
doing such a big change by RFC/RFV would have been extremely painful. I
think we're much better off taking the rewrite and working from there.

I couldn't agree more. (I know, I've tried).
 

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Re: [mb-style] NGS guidelines

2011-05-24 Thread Dr Andrew John Hughes
On 24 May 2011 13:34, Brian Schweitzer brian.brianschweit...@gmail.com wrote:
 For a few reasons, I've been silent here for the past while.  However, I
 feel I have to at least comment on the change in guidelines that has taken
 place.  I may not be commenting on the list, but I do still at least skim
 the style list to see what's happening.  Thus, when I saw an edit note
 citing something in an entirely rewritten guideline, I was rather surprised.

 Based on nikki's announcement
 ( http://lists.musicbrainz.org/pipermail/musicbrainz-style/2011-May/011267.html ),
 it looked like a rewrite in progress, not a RFC, let alone a RFC that
 changed every single style guideline.  I looked at the time with the
 understanding that this was a work in progress, not something just days away
 from being official.  Yet the change to the pages from being available for
 review at User:kuno/Style to those same pages suddenly being the official
 guidelines took place only 6 days later and with no RFC/RFV/etc, only
 http://lists.musicbrainz.org/pipermail/musicbrainz-style/2011-May/011369.html .
 So how did such a major and complete rewrite skip RFC/RFV, and become
 official within 6 days of being announced (if you count nikki's May 10 email
 as being the RFC, though not mentioned in the email's subject).
 I won't email again, but this is important enough that I couldn't not say
 something.  Every single style guideline has been changed, and there's more
 than a few of the new guidelines which have dropped important items and/or
 changed things counter to how they were decided back during RFCs for the
 individual guidelines.
 Brian
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I couldn't agree more and I've raised this issue in at least one
discussion.  I didn't expect NGS to be an excuse to change the
guidelines by dictate rather than discussion.
-- 
Andrew :-)

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Contribute to GNU Classpath and IcedTea
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Re: [mb-style] NGS guidelines

2011-05-24 Thread Frederic Da Vitoria
2011/5/24 Philip Jägenstedt phi...@foolip.org

 On Tue, May 24, 2011 at 14:34, Brian Schweitzer
 brian.brianschweit...@gmail.com wrote:
  For a few reasons, I've been silent here for the past while.  However, I
  feel I have to at least comment on the change in guidelines that has
 taken
  place.  I may not be commenting on the list, but I do still at least skim
  the style list to see what's happening.  Thus, when I saw an edit note
  citing something in an entirely rewritten guideline, I was rather
 surprised.
 
  Based on nikki's announcement
  (
 http://lists.musicbrainz.org/pipermail/musicbrainz-style/2011-May/011267.html
  ),
  it looked like a rewrite in progress, not a RFC, let alone a RFC that
  changed every single style guideline.  I looked at the time with the
  understanding that this was a work in progress, not something just days
 away
  from being official.  Yet the change to the pages from being available
 for
  review at User:kuno/Style to those same pages suddenly being the official
  guidelines took place only 6 days later and with no RFC/RFV/etc, only
 
 http://lists.musicbrainz.org/pipermail/musicbrainz-style/2011-May/011369.html
  .
  So how did such a major and complete rewrite skip RFC/RFV, and become
  official within 6 days of being announced (if you count nikki's May 10
 email
  as being the RFC, though not mentioned in the email's subject).
  I won't email again, but this is important enough that I couldn't not say
  something.  Every single style guideline has been changed, and there's
 more
  than a few of the new guidelines which have dropped important items
 and/or
  changed things counter to how they were decided back during RFCs for the
  individual guidelines.
  Brian

 I'll let nikki and kuno speak for themselves, but just wanted to note
 that I support the complete overhaul and that the normal process has
 been circumvented. Most of the old guidelines don't make sense with
 NGS, and doing such a big change by RFC/RFV would have been extremely
 painful. I think we're much better off taking the rewrite and working
 from there.

 Getting people in sync with the changes is another matter, but I
 expect we'll sort it out.


If we had followed the usual process even for only a minimal set of guides,
we would have had to delay NGS for maybe a few months, which would have been
a pity, because installing such a big change without upgrading the guides
would have been madness and probably resulted in lots of bad data. I also
feel that the 2011-05-10 post actually said what was going to happen. I did
not realize it when I read it at that time, but it's there.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org
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Re: [mb-style] NGS guidelines

2011-05-24 Thread Dr Andrew John Hughes
On 24 May 2011 15:38, Philip Jägenstedt phi...@foolip.org wrote:

snip..

 I'll let nikki and kuno speak for themselves, but just wanted to note
 that I support the complete overhaul and that the normal process has
 been circumvented. Most of the old guidelines don't make sense with
 NGS, and doing such a big change by RFC/RFV would have been extremely
 painful. I think we're much better off taking the rewrite and working
 from there.

 Getting people in sync with the changes is another matter, but I
 expect we'll sort it out.


Sorry, but a process taking time or being painful is not a reason to impose
the views of a few people on everyone else.

 --
 Philip Jägenstedt

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-- 
Andrew :-)

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http://icedtea.classpath.org

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Re: [mb-style] NGS guidelines

2011-05-24 Thread Philipp Wolfer
On Tue, May 24, 2011 at 5:09 PM, Dr Andrew John Hughes
gnu_and...@member.fsf.org wrote:
 Sorry, but a process taking time or being painful is not a reason to impose
 the views of a few people on everyone else.

I don't think that the intent of the NGS guideline updates was to
impose someone's view on everyone else. But the NGS changes are huge,
and IMHO it would have been impossible to get the guidelines right in
advance. People have to actually work with the new data model.

I see the updated NGS guidelines as a starting point. What we now need
is the discussion here on the mailing list to improve the guidelines
and to work out how to handle all the style issues in NGS.

-- 
Philipp

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Re: [mb-style] NGS guidelines

2011-05-24 Thread Pete Marsh
and IMHO it would have been impossible to get the guidelines right in
advance 

I think it would have been possible, but we would still be waiting for
NGS two or three years down the line.

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Re: [mb-style] NGS guidelines

2011-05-24 Thread monxton
On 24/05/2011 16:59, Philipp Wolfer wrote:
 On Tue, May 24, 2011 at 5:09 PM, Dr Andrew John Hughes
 gnu_andrew-igugqlvvqircv4ilt04...@public.gmane.org  wrote:
 Sorry, but a process taking time or being painful is not a reason to impose
 the views of a few people on everyone else.

 I don't think that the intent of the NGS guideline updates was to
 impose someone's view on everyone else. But the NGS changes are huge,
 and IMHO it would have been impossible to get the guidelines right in
 advance. People have to actually work with the new data model.

 I see the updated NGS guidelines as a starting point. What we now need
 is the discussion here on the mailing list to improve the guidelines
 and to work out how to handle all the style issues in NGS.

I'm sure it wasn't the intent, and I agree that it's important for the 
editor population to have some guidelines in place from the start.

It's very important, certainly to me and I think also to others, that it 
is an open project that I am contributing to, and it's not good enough 
to have guidelines written by two dictators, however benign.

So now that we've reached this point, what will be the formal process by 
which the current provisional guidelines are validated and approved, and 
the arguments considered when developing previous guidelines not forgotten?


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Re: [mb-style] NGS guidelines

2011-05-24 Thread Nicolás Tamargo de Eguren
On Tue, May 24, 2011 at 7:13 PM, monxton musicbra...@jordan-maynard.org wrote:
 On 24/05/2011 16:59, Philipp Wolfer wrote:
 On Tue, May 24, 2011 at 5:09 PM, Dr Andrew John Hughes
 gnu_andrew-igugqlvvqircv4ilt04...@public.gmane.org  wrote:
 Sorry, but a process taking time or being painful is not a reason to 
 impose
 the views of a few people on everyone else.

 I don't think that the intent of the NGS guideline updates was to
 impose someone's view on everyone else. But the NGS changes are huge,
 and IMHO it would have been impossible to get the guidelines right in
 advance. People have to actually work with the new data model.

 I see the updated NGS guidelines as a starting point. What we now need
 is the discussion here on the mailing list to improve the guidelines
 and to work out how to handle all the style issues in NGS.

 I'm sure it wasn't the intent, and I agree that it's important for the
 editor population to have some guidelines in place from the start.

 It's very important, certainly to me and I think also to others, that it
 is an open project that I am contributing to, and it's not good enough
 to have guidelines written by two dictators, however benign.

 So now that we've reached this point, what will be the formal process by
 which the current provisional guidelines are validated and approved, and
 the arguments considered when developing previous guidelines not forgotten?

Well, this is the basic NGS set, and of course it is open to
modifications. If you don't agree with something and think it should
be done in other way, why am I not seeing any RFC about it? ;) Go
propose stuff!

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Nicolás Tamargo de Eguren

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Re: [mb-style] NGS guidelines

2011-05-24 Thread Robert Kaye

On May 24, 2011, at 8:04 AM, Dr Andrew John Hughes wrote:

 I couldn't agree more and I've raised this issue in at least one
 discussion.  I didn't expect NGS to be an excuse to change the
 guidelines by dictate rather than discussion.


I'd like to remind folks that Nikki and Warp are your BDFLs for all  
things style.

That said, I applaud their efforts (and financially supported them as  
well!) for making NGS style guidelines happen. At some point you have  
to put a few people together, get out of the way and let them revamp  
everything. This was one of those times and I support Warp and Nikki  
in their work -- thank you, you two!

This isn't to say that the NGS style guidelines didn't get at least a  
modicum of review by others -- they did. Nor is their work saying that  
we're going to ignore the input from the community -- we aren't. If  
something is broke now, lets use the community process to fix it.

--

--ruaokThe answer to whether or not something is a good idea  
should not be taken as an indication of whether I want to do it.

Robert Kaye -- r...@eorbit.net --http://mayhem-chaos.net




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Re: [mb-style] NGS guidelines

2011-05-24 Thread Kuno Woudt

Hello,

 So how did such a major and complete rewrite skip RFC/RFV, and become
 official within 6 days of being announced (if you count nikki's May 10 email
 as being the RFC, though not mentioned in the email's subject).

I think this misrepresents what nikki and I have done.  

No major changes were made to the guidelines.  In all cases where I wanted
to remove a guideline or change a guideline I have posted an RFC to mb-style.

What we did do is:

1. remove guidelines which no longer apply due to changes in NGS
2. add first versions of new guidelines for new elements of NGS
3. restructure everything so that it is no longer a jumble of
   tiny documents spread out over the wiki, but a set of guidelines
   with at least some structure to them.

This whole process started in january 2010, and I think everyone has had
enough time to participate in it or voice their objections.

If you (or anyone else) think either nikki or I have not acted properly
here I suggest you discuss that with ruaok.


None of the new guidelines we've written are intended to be final.  But we
needed to have a starting point, and now that NGS has been release and 
everyone is using it, we have a better foundation to discuss all of this
properly, and we can RFC/RFV any changes needed.

-- kuno / warp.

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Re: [mb-style] NGS guidelines

2011-05-12 Thread caramel
  And for classical releases, is there still an exception for track names
  (strictly conform to standard) ?
 
 Eventually no?
  from http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Title
 Classical track titles should be entered as they are on the liner,
 following normal MusicBrainz style guidelines, with the exceptions...

 Read it (proposal CSG v2)
Once again, the distinction between track, recording and work titles should
be introduced. There is a difference non-classical releases since it is
proposed to follow liner notes for recordings titles when it was said on
this thread that tracks titles are copied from back cover and recordings
titles are more standard.
I think recordings concept are much more important for classical because
recordings (obviously old ones) are used many times in different albums and
compilations. I think that the use of standard titles for recordings (same
title as works) should be applied.

About the doc itself, please correct the documentation for non-English
language. We already had a discussion on forum about the keys in German.
Please no C-dur or cis-moll but C-Dur and cis-Moll with upper-case.

About abbreviations : please use the right ortho-typography rules for the
language. I am sorry but there is no No. in French but no, Nr. in
German, no in Italian, Spanish... # in US English,... followed by
Arabian numbers.

Abbreviation of opus is Op. in English but op. for Latin languages

In the example cited in the documentation Les nuits d'été, Op. 7: 2. Le
spectre de la rose (Alt), the space before semi-colon sign is missing while
it is mentioned that If French CSG is being used, the additional
punctuation spacing rules of
CapitalizationStandardFrenchhttp://wiki.musicbrainz.org/Capitalization_Standard_Frenchalso
apply.. and the French capitalization is missing too.
It should be :
Les Nuits d'été, op. 7 : 2. Le Spectre de la rose (Alt) if we apply French
capitalization, abbreviation and spacing rules
and far better with (alto) instead of (Alt)
while the work title could be
Les Nuits d'été, op. 7 H. 81 : II. Le Spectre de la rose (alto)
or
Mélodies pour voix et piano, op. 7 H. 81 « Les Nuits d'été »  : II. Le
Spectre de la rose (alto)

For works titles in CSG, we should use one language for one composer and
of course, it is better to use the native language of the composer (with
still some discussion for non Latin languages !). So the examples in
http://wiki.musicbrainz.org/Proposal:CSGv2/Work/Title and
http://wiki.musicbrainz.org/Proposal:CSGv2/Work/Title/Work_and_opus_identificationshould
reflect this position.
Ex: For Hector Berlioz, the language should be French. So instead of :
Correct: True and CSG for Works combined title Symphonie fantastique in C
major and minor, Op. 14 Episode de la vie d'un artiste... en cinq partes:
III. Scène aux champsI would prefer :Symphonie fantastique en do majeur et
mineur, op. 14 « Épisode de .
Same for Mozart and Bach : German language
obviously here :
Johann Sebastian Bach - Cantata for 2 voices, mixed chorus, and orchestra,
BWV 197a/7 *vel* 398 Ehre sei Gott in der Höhe
it is better to write Kantate für at least for the work title.
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Re: [mb-style] NGS guidelines

2011-05-12 Thread caramel
 'copy of back cover for track names (including spelling/grammar errors

  and capitalization effects)...'
 
  Please no.  No, no, no, no, no.  Do we really want to turn MB into the
  mess that is Discogs?

 Correcting mistakes is ok, we're just not attempting to standardise the
 titles.

 Why I prefer using MB that other database ? it is because, the track titles
are corrected, there is capitalization standards and good titles for
classical releases (a bit heavier... takes a long time to enter/correct
them). Up to now, we assumed that the style guidelines should be applied if
it is not proofed that there is an artist intent.

Now if one word is missing or weird capitalization is used in a track title,
It might happen for releases outside of the country of the artists... even
more for French, Spanish,... song names (no more accents, capitalization
standard and frequent spelling errors).
if we correct the error, we standardise the titles in fact.
The exceptions should be for translated or transliterated names, and when
the song is renamed. Best example is U2 - Pride, Pride is the official
title of the song... better known as In the Name of Love.

The guidelines should be precise on that.
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Re: [mb-style] NGS guidelines

2011-05-12 Thread caramel
2011/5/12 Frederic Da Vitoria davito...@gmail.com

 2011/5/12 caramel carame...@ymail.com


  And for classical releases, is there still an exception for track names
  (strictly conform to standard) ?
 
 Eventually no?
  from http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Title
 Classical track titles should be entered as they are on the liner,
 following normal MusicBrainz style guidelines, with the exceptions...

 Read it (proposal CSG v2)
 Once again, the distinction between track, recording and work titles
 should be introduced. There is a difference non-classical releases since it
 is proposed to follow liner notes for recordings titles when it was said on
 this thread that tracks titles are copied from back cover and recordings
 titles are more standard.
 I think recordings concept are much more important for classical because
 recordings (obviously old ones) are used many times in different albums and
 compilations. I think that the use of standard titles for recordings (same
 title as works) should be applied.

 About the doc itself, please correct the documentation for non-English
 language. We already had a discussion on forum about the keys in German.
 Please no C-dur or cis-moll but C-Dur and cis-Moll with upper-case.

 About abbreviations : please use the right ortho-typography rules for the
 language. I am sorry but there is no No. in French but no, Nr. in
 German, no in Italian, Spanish... # in US English,... followed by
 Arabian numbers.

 Abbreviation of opus is Op. in English but op. for Latin
 languages

 In the example cited in the documentation Les nuits d'été, Op. 7: 2. Le
 spectre de la rose (Alt), the space before semi-colon sign is missing while
 it is mentioned that If French CSG is being used, the additional
 punctuation spacing rules of 
 CapitalizationStandardFrenchhttp://wiki.musicbrainz.org/Capitalization_Standard_Frenchalso
  apply.. and the French capitalization is missing too.
 It should be :
 Les Nuits d'été, op. 7 : 2. Le Spectre de la rose (Alt) if we apply French
 capitalization, abbreviation and spacing rules
 and far better with (alto) instead of (Alt)
 while the work title could be
 Les Nuits d'été, op. 7 H. 81 : II. Le Spectre de la rose (alto)
 or
 Mélodies pour voix et piano, op. 7 H. 81 « Les Nuits d'été »  : II. Le
 Spectre de la rose (alto)

 For works titles in CSG, we should use one language for one composer
 and of course, it is better to use the native language of the composer (with
 still some discussion for non Latin languages !). So the examples in
 http://wiki.musicbrainz.org/Proposal:CSGv2/Work/Title and
 http://wiki.musicbrainz.org/Proposal:CSGv2/Work/Title/Work_and_opus_identificationshould
  reflect this position.
 Ex: For Hector Berlioz, the language should be French. So instead of :
 Correct: True and CSG for Works combined title Symphonie fantastique in C
 major and minor, Op. 14 Episode de la vie d'un artiste... en cinq partes:
 III. Scène aux champsI would prefer :Symphonie fantastique en do majeur
 et mineur, op. 14 « Épisode de .
 Same for Mozart and Bach : German language
 obviously here :
 Johann Sebastian Bach - Cantata for 2 voices, mixed chorus, and orchestra,
 BWV 197a/7 *vel* 398 Ehre sei Gott in der Höhe
 it is better to write Kantate für at least for the work title.


 I am not sure you are right about capitalization/punctuation rules. I
 believe there are 2 parts in a title:
 - the reference part, work type, catalog info etc...
 - the common name




 I agree the common name should be in the composer's language and follow
 that language's rules, but the reference part should not necessarily do so.
 Since Work titles are where we will apply the most normalization, part of
 the normalization rules could be that the reference part of a classical work
 should be written in English. Of all the works referenced from
 http://wiki.musicbrainz.org/CSG_Standard , only Bach, Britten and Satie
 are in the composer's language, all others seem to be in English. I am not
 saying this is right or wrong, but there are arguments for each way. I would
 have difficulties entering Чайковский, Пётр Ильич works or linking one of my
 albums to the correct works if his list was in Cyrillic. And I seriously
 doubt Béla Bartók would be easier.

I do not know why Bizet, Poulenc, Berlioz, Debussy works should not be
titled in French, de Falla in Spanish, WA Mozart and Beethoven in
German,
In the CSG doc, it is written that we should maintain the ArtistIntent too.
If the composer titled itself his works on the score, why should we
translate to English...

But I guess that the problem will be to clean the database... if I search on
ngs.musicbrainz.org the works for Symphony No. 9 in D minor, Op. 125, I
get about 400 works without taking into account other flavours Symphonie,
Sinfonie,... no key, no opus number So it will be a big job to merge the
works.
As you guess there is more Symphony than Sinfonie, but you can look at the

Re: [mb-style] NGS guidelines

2011-05-12 Thread Nicolás Tamargo de Eguren
On Thu, May 12, 2011 at 2:53 PM, caramel carame...@ymail.com wrote:


 2011/5/12 Frederic Da Vitoria davito...@gmail.com

 2011/5/12 caramel carame...@ymail.com

  And for classical releases, is there still an exception for track
  names
  (strictly conform to standard) ?
 
 Eventually no?
  from http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Title
 Classical track titles should be entered as they are on the liner,
 following normal MusicBrainz style guidelines, with the exceptions...

 Read it (proposal CSG v2)
 Once again, the distinction between track, recording and work titles
 should be introduced. There is a difference non-classical releases since it
 is proposed to follow liner notes for recordings titles when it was said on
 this thread that tracks titles are copied from back cover and recordings
 titles are more standard.
 I think recordings concept are much more important for classical because
 recordings (obviously old ones) are used many times in different albums and
 compilations. I think that the use of standard titles for recordings (same
 title as works) should be applied.

 About the doc itself, please correct the documentation for non-English
 language. We already had a discussion on forum about the keys in German.
 Please no C-dur or cis-moll but C-Dur and cis-Moll with upper-case.

 About abbreviations : please use the right ortho-typography rules for the
 language. I am sorry but there is no No. in French but no, Nr. in
 German, no in Italian, Spanish... # in US English,... followed by
 Arabian numbers.

 Abbreviation of opus is Op. in English but op. for Latin
 languages

 In the example cited in the documentation Les nuits d'été, Op. 7: 2. Le
 spectre de la rose (Alt), the space before semi-colon sign is missing while
 it is mentioned that If French CSG is being used, the additional
 punctuation spacing rules of CapitalizationStandardFrench also apply.. and
 the French capitalization is missing too.
 It should be :
 Les Nuits d'été, op. 7 : 2. Le Spectre de la rose (Alt) if we apply
 French capitalization, abbreviation and spacing rules
 and far better with (alto) instead of (Alt)
 while the work title could be
 Les Nuits d'été, op. 7 H. 81 : II. Le Spectre de la rose (alto)
 or
 Mélodies pour voix et piano, op. 7 H. 81 « Les Nuits d'été »  : II. Le
 Spectre de la rose (alto)

 For works titles in CSG, we should use one language for one composer
 and of course, it is better to use the native language of the composer (with
 still some discussion for non Latin languages !). So the examples in
 http://wiki.musicbrainz.org/Proposal:CSGv2/Work/Title and
 http://wiki.musicbrainz.org/Proposal:CSGv2/Work/Title/Work_and_opus_identification
 should reflect this position.
 Ex: For Hector Berlioz, the language should be French. So instead of :
 Correct: True and CSG for Works combined title Symphonie fantastique in C
 major and minor, Op. 14 Episode de la vie d'un artiste... en cinq partes:
 III. Scène aux champsI would prefer :Symphonie fantastique en do majeur et
 mineur, op. 14 « Épisode de .
 Same for Mozart and Bach : German language
 obviously here :
 Johann Sebastian Bach - Cantata for 2 voices, mixed chorus, and
 orchestra, BWV 197a/7 vel 398 Ehre sei Gott in der Höhe
 it is better to write Kantate für at least for the work title.

 I am not sure you are right about capitalization/punctuation rules. I
 believe there are 2 parts in a title:
 - the reference part, work type, catalog info etc...
 - the common name



 I agree the common name should be in the composer's language and follow
 that language's rules, but the reference part should not necessarily do so.
 Since Work titles are where we will apply the most normalization, part of
 the normalization rules could be that the reference part of a classical work
 should be written in English. Of all the works referenced from
 http://wiki.musicbrainz.org/CSG_Standard , only Bach, Britten and Satie are
 in the composer's language, all others seem to be in English. I am not
 saying this is right or wrong, but there are arguments for each way. I would
 have difficulties entering Чайковский, Пётр Ильич works or linking one of my
 albums to the correct works if his list was in Cyrillic. And I seriously
 doubt Béla Bartók would be easier.

 I do not know why Bizet, Poulenc, Berlioz, Debussy works should not be
 titled in French, de Falla in Spanish, WA Mozart and Beethoven in
 German,
 In the CSG doc, it is written that we should maintain the ArtistIntent too.
 If the composer titled itself his works on the score, why should we
 translate to English...

 But I guess that the problem will be to clean the database... if I search on
 ngs.musicbrainz.org the works for Symphony No. 9 in D minor, Op. 125, I
 get about 400 works without taking into account other flavours Symphonie,
 Sinfonie,... no key, no opus number So it will be a big job to merge the
 works.
 As you guess there is more Symphony than Sinfonie, but you 

Re: [mb-style] NGS guidelines

2011-05-12 Thread caramel
2011/5/12 Nicolás Tamargo de Eguren reosare...@gmail.com

 On Thu, May 12, 2011 at 2:53 PM, caramel carame...@ymail.com wrote:
 
 
  2011/5/12 Frederic Da Vitoria davito...@gmail.com
 
  2011/5/12 caramel carame...@ymail.com
 
   And for classical releases, is there still an exception for track
   names
   (strictly conform to standard) ?
  
  Eventually no?
   from http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Title
  Classical track titles should be entered as they are on the liner,
  following normal MusicBrainz style guidelines, with the exceptions...
 
  Read it (proposal CSG v2)
  Once again, the distinction between track, recording and work titles
  should be introduced. There is a difference non-classical releases
 since it
  is proposed to follow liner notes for recordings titles when it was
 said on
  this thread that tracks titles are copied from back cover and
 recordings
  titles are more standard.
  I think recordings concept are much more important for classical
 because
  recordings (obviously old ones) are used many times in different albums
 and
  compilations. I think that the use of standard titles for recordings
 (same
  title as works) should be applied.
 
  About the doc itself, please correct the documentation for non-English
  language. We already had a discussion on forum about the keys in
 German.
  Please no C-dur or cis-moll but C-Dur and cis-Moll with upper-case.
 
  About abbreviations : please use the right ortho-typography rules for
 the
  language. I am sorry but there is no No. in French but no, Nr. in
  German, no in Italian, Spanish... # in US English,... followed by
  Arabian numbers.
 
  Abbreviation of opus is Op. in English but op. for Latin
  languages
 
  In the example cited in the documentation Les nuits d'été, Op. 7: 2.
 Le
  spectre de la rose (Alt), the space before semi-colon sign is missing
 while
  it is mentioned that If French CSG is being used, the additional
  punctuation spacing rules of CapitalizationStandardFrench also apply..
 and
  the French capitalization is missing too.
  It should be :
  Les Nuits d'été, op. 7 : 2. Le Spectre de la rose (Alt) if we apply
  French capitalization, abbreviation and spacing rules
  and far better with (alto) instead of (Alt)
  while the work title could be
  Les Nuits d'été, op. 7 H. 81 : II. Le Spectre de la rose (alto)
  or
  Mélodies pour voix et piano, op. 7 H. 81 « Les Nuits d'été »  : II. Le
  Spectre de la rose (alto)
 
  For works titles in CSG, we should use one language for one
 composer
  and of course, it is better to use the native language of the composer
 (with
  still some discussion for non Latin languages !). So the examples in
  http://wiki.musicbrainz.org/Proposal:CSGv2/Work/Title and
 
 http://wiki.musicbrainz.org/Proposal:CSGv2/Work/Title/Work_and_opus_identification
  should reflect this position.
  Ex: For Hector Berlioz, the language should be French. So instead of :
  Correct: True and CSG for Works combined title Symphonie fantastique in
 C
  major and minor, Op. 14 Episode de la vie d'un artiste... en cinq
 partes:
  III. Scène aux champsI would prefer :Symphonie fantastique en do majeur
 et
  mineur, op. 14 « Épisode de .
  Same for Mozart and Bach : German language
  obviously here :
  Johann Sebastian Bach - Cantata for 2 voices, mixed chorus, and
  orchestra, BWV 197a/7 vel 398 Ehre sei Gott in der Höhe
  it is better to write Kantate für at least for the work title.
 
  I am not sure you are right about capitalization/punctuation rules. I
  believe there are 2 parts in a title:
  - the reference part, work type, catalog info etc...
  - the common name
 
 
 
  I agree the common name should be in the composer's language and follow
  that language's rules, but the reference part should not necessarily do
 so.
  Since Work titles are where we will apply the most normalization, part
 of
  the normalization rules could be that the reference part of a classical
 work
  should be written in English. Of all the works referenced from
  http://wiki.musicbrainz.org/CSG_Standard , only Bach, Britten and Satie
 are
  in the composer's language, all others seem to be in English. I am not
  saying this is right or wrong, but there are arguments for each way. I
 would
  have difficulties entering Чайковский, Пётр Ильич works or linking one
 of my
  albums to the correct works if his list was in Cyrillic. And I seriously
  doubt Béla Bartók would be easier.
 
  I do not know why Bizet, Poulenc, Berlioz, Debussy works should not be
  titled in French, de Falla in Spanish, WA Mozart and Beethoven in
  German,
  In the CSG doc, it is written that we should maintain the ArtistIntent
 too.
  If the composer titled itself his works on the score, why should we
  translate to English...
 
  But I guess that the problem will be to clean the database... if I search
 on
  ngs.musicbrainz.org the works for Symphony No. 9 in D minor, Op. 125,
 I
  get about 400 works without taking 

Re: [mb-style] NGS guidelines

2011-05-12 Thread symphonick
On Thu, 12 May 2011 14:00:43 +0200, Nicolás Tamargo de Eguren  
reosare...@gmail.com wrote:

 On Thu, May 12, 2011 at 2:53 PM, caramel carame...@ymail.com wrote:


 2011/5/12 Frederic Da Vitoria davito...@gmail.com

 2011/5/12 caramel carame...@ymail.com

  And for classical releases, is there still an exception for track
  names
  (strictly conform to standard) ?
 
 Eventually no?
  from http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Title
 Classical track titles should be entered as they are on the liner,
 following normal MusicBrainz style guidelines, with the  
 exceptions...

 Read it (proposal CSG v2)
 Once again, the distinction between track, recording and work titles
 should be introduced. There is a difference non-classical releases  
 since it
 is proposed to follow liner notes for recordings titles when it was  
 said on
 this thread that tracks titles are copied from back cover and  
 recordings
 titles are more standard.
 I think recordings concept are much more important for classical  
 because
 recordings (obviously old ones) are used many times in different  
 albums and
 compilations. I think that the use of standard titles for  
 recordings (same
 title as works) should be applied.

 About the doc itself, please correct the documentation for non-English
 language. We already had a discussion on forum about the keys in  
 German.
 Please no C-dur or cis-moll but C-Dur and cis-Moll with upper-case.

 About abbreviations : please use the right ortho-typography rules for  
 the
 language. I am sorry but there is no No. in French but no, Nr.  
 in
 German, no in Italian, Spanish... # in US English,... followed by
 Arabian numbers.

 Abbreviation of opus is Op. in English but op. for Latin
 languages

 In the example cited in the documentation Les nuits d'été, Op. 7: 2.  
 Le
 spectre de la rose (Alt), the space before semi-colon sign is  
 missing while
 it is mentioned that If French CSG is being used, the additional
 punctuation spacing rules of CapitalizationStandardFrench also  
 apply.. and
 the French capitalization is missing too.
 It should be :
 Les Nuits d'été, op. 7 : 2. Le Spectre de la rose (Alt) if we apply
 French capitalization, abbreviation and spacing rules
 and far better with (alto) instead of (Alt)
 while the work title could be
 Les Nuits d'été, op. 7 H. 81 : II. Le Spectre de la rose (alto)
 or
 Mélodies pour voix et piano, op. 7 H. 81 « Les Nuits d'été »  : II. Le
 Spectre de la rose (alto)

 For works titles in CSG, we should use one language for one  
 composer
 and of course, it is better to use the native language of the  
 composer (with
 still some discussion for non Latin languages !). So the examples in
 http://wiki.musicbrainz.org/Proposal:CSGv2/Work/Title and
 http://wiki.musicbrainz.org/Proposal:CSGv2/Work/Title/Work_and_opus_identification
 should reflect this position.
 Ex: For Hector Berlioz, the language should be French. So instead of :
 Correct: True and CSG for Works combined title Symphonie fantastique  
 in C
 major and minor, Op. 14 Episode de la vie d'un artiste... en cinq  
 partes:
 III. Scène aux champsI would prefer :Symphonie fantastique en do  
 majeur et
 mineur, op. 14 « Épisode de .
 Same for Mozart and Bach : German language
 obviously here :
 Johann Sebastian Bach - Cantata for 2 voices, mixed chorus, and
 orchestra, BWV 197a/7 vel 398 Ehre sei Gott in der Höhe
 it is better to write Kantate für at least for the work title.

 I am not sure you are right about capitalization/punctuation rules. I
 believe there are 2 parts in a title:
 - the reference part, work type, catalog info etc...
 - the common name



 I agree the common name should be in the composer's language and follow
 that language's rules, but the reference part should not necessarily  
 do so.
 Since Work titles are where we will apply the most normalization, part  
 of
 the normalization rules could be that the reference part of a  
 classical work
 should be written in English. Of all the works referenced from
 http://wiki.musicbrainz.org/CSG_Standard , only Bach, Britten and  
 Satie are
 in the composer's language, all others seem to be in English. I am not
 saying this is right or wrong, but there are arguments for each way. I  
 would
 have difficulties entering Чайковский, Пётр Ильич works or linking one  
 of my
 albums to the correct works if his list was in Cyrillic. And I  
 seriously
 doubt Béla Bartók would be easier.

 I do not know why Bizet, Poulenc, Berlioz, Debussy works should not be
 titled in French, de Falla in Spanish, WA Mozart and Beethoven in
 German,
 In the CSG doc, it is written that we should maintain the ArtistIntent  
 too.
 If the composer titled itself his works on the score, why should we
 translate to English...

 But I guess that the problem will be to clean the database... if I  
 search on
 ngs.musicbrainz.org the works for Symphony No. 9 in D minor, Op. 125,  
 I
 get about 400 works without taking into 

Re: [mb-style] NGS guidelines

2011-05-12 Thread Samuel Barbaud
On 12 May 2011 14:19, symphonick symphon...@gmail.com wrote:
 I assume that if we don't default to original titles, we would always
 get partly translated titles derived from works? Let's say some of
 Tchaikovsky's works are in French, but I'd have to somehow manually select
 aliases if I don't want everything in French?
 I'm just guessing here, it would be interesting to know how Picard would
 handle this.

Well, that's a very important point, having a clean database with
titles in the original language and a translated alias is great, but
it's important to normalize how this is handled to have an automation
in the tagging of our favourite ID3 tagger.
I would love to have an option in Jaikoz/Picard to say that I want the
tagging in english or say romaji when I'm managing Japanese albums
(note that for languages requiring UTF8 the issue is even worse: many
players do not display properly the original language).

Regards,

-- 
http://transparency.org/ The global coalition against corruption

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Re: [mb-style] NGS guidelines

2011-05-12 Thread Frederic Da Vitoria
2011/5/12 Wieland Hoffmann themi...@googlemail.com

 Hello, caramel:

  I agree that I prefer languages using Latin script but not to
  discriminate our Russian friends for Tchaikovsky, Shostakovitch,
  Moussorgsky,... I am not closing the debate here. And there is always
  the possibility to add aliases for the work names. It is a pretty
  solution to maintain the original title in its language and to add at
  least the English translation as alias name.

AFAICS (http://wiki.musicbrainz.org/-/images/5/52/ngs.png) work
 aliases don't have any attribute indicating  work_alias.name is a
 translation of work.name (or even the language used in
 work_alias.name) which would make it hard to use this in e.g. picard
 to automatically choose the correct language.


I guess internationalization should be the next major step for MB. I wrote
major because this is definitely not going to be easy.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org
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Re: [mb-style] NGS guidelines

2011-05-12 Thread caramel
2011/5/12 Frederic Da Vitoria davito...@gmail.com

 2011/5/12 caramel carame...@ymail.com


 2011/5/12 Frederic Da Vitoria davito...@gmail.com


 I am not sure you are right about capitalization/punctuation rules. I
 believe there are 2 parts in a title:
 - the reference part, work type, catalog info etc...
 - the common name




 I agree the common name should be in the composer's language and follow
 that language's rules, but the reference part should not necessarily do so.
 Since Work titles are where we will apply the most normalization, part of
 the normalization rules could be that the reference part of a classical work
 should be written in English. Of all the works referenced from
 http://wiki.musicbrainz.org/CSG_Standard , only Bach, Britten and Satie
 are in the composer's language, all others seem to be in English. I am not
 saying this is right or wrong, but there are arguments for each way. I would
 have difficulties entering Чайковский, Пётр Ильич works or linking one of my
 albums to the correct works if his list was in Cyrillic. And I seriously
 doubt Béla Bartók would be easier.

 I do not know why Bizet, Poulenc, Berlioz, Debussy works should not be
 titled in French, de Falla in Spanish, WA Mozart and Beethoven in
 German,
 In the CSG doc, it is written that we should maintain the ArtistIntent
 too. If the composer titled itself his works on the score, why should we
 translate to English...


 JSB never heard of BWV, nor WAM of K :-) In many cases if we were to follow
 ArtistIntent strictly, we should remove catalog mentions. And we should
 restore archaic spellings too. For example some countries artificially
 changed spelling rules at the beginning of 20th century
 http://en.wikipedia.org/wiki/Reforms_of_Portuguese_orthography, so should
 19th century Portuguese Works be entered in their original spelling or with
 modern spelling? Of course, this question would also apply to works by more
 well known composers such as Marin Marais or Scarlatti. Once again, I am not
 saying you are wrong, it certainly would be consistent with other MB rules,
 but we should examine the consequences. Should we record Works using the
 exact name the composer used (which would mean eventually checking on the
 manuscript) or a normalized modern name? Or something in between. Frankly, I
 don't know which to choose, there are arguments for each option.

 But I guess that the problem will be to clean the database... if I search
 on ngs.musicbrainz.org the works for Symphony No. 9 in D minor, Op.
 125, I get about 400 works without taking into account other flavours
 Symphonie, Sinfonie,... no key, no opus number So it will be a big job
 to merge the works.
 As you guess there is more Symphony than Sinfonie, but you can look at the
 Beethoven's manuscript of the first edition of the score on IMSLP or read
 the web (English) pages of the Beethoven's house museum (
 http://www.beethoven-haus-bonn.de/sixcms/detail.php?id=15241template=werkseite_digitales_archiv_en_eid=1510_ug=Symphonies_werkid=127_mid=Works%20by%20Ludwig%20van%20Beethovensuchparameter=_seite=1)
 given the correct name is Sinfonie Nr. 9 (d-Moll) op. 125 with key in
 parenthesis since it was not given by the author, and opus abbreviation with
 lower case (German !). We can derive a CSG compliant name from this but
 since we will have to do the work for all the works and all the composers
 and merge all the fake works to the correct and attach the recordings
 without works (eg.
 http://ngs.musicbrainz.org/recording/0160bf56-1c40-4a02-84f1-ee675c568d56and 
 many others). I think we can propose a language for each composer,
 before to initiate the enormous work for the next months.


 I agree that I prefer languages using Latin script but not to discriminate
 our Russian friends for Tchaikovsky, Shostakovitch, Moussorgsky,... I am not
 closing the debate here. And there is always the possibility to add aliases
 for the work names. It is a pretty solution to maintain the original title
 in its language and to add at least the English translation as alias name.


 You prefer Latin script like me, but Russian users would probably disagree.
 If we follow ArtistIntent strictly, clearly Russian Works should be entered
 in Cyrillic.

Yes with aliases names in at least one Latin language. For classical
composers, there are lot of resources available (eg.
http://www.tchaikovsky-research.net/en/Works/) to know the original titles
and to choose between all common names found in the database. But it will
last months and more to enter all the information and link the recordings.

And as already said, there is no attributes about the language used for the
name, so it won't be straightforward to choose between the OT and all
alternate titles given as aliases.


 --
 Frederic Da Vitoria
 (davitof)

 Membre de l'April - « promouvoir et défendre le logiciel libre » -
 http://www.april.org


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Re: [mb-style] NGS guidelines

2011-05-12 Thread Frederic Da Vitoria
2011/5/12 caramel carame...@ymail.com


 2011/5/12 Frederic Da Vitoria davito...@gmail.com


 You prefer Latin script like me, but Russian users would probably
 disagree. If we follow ArtistIntent strictly, clearly Russian Works should
 be entered in Cyrillic.

 Yes with aliases names in at least one Latin language. For classical
 composers, there are lot of resources available (eg.
 http://www.tchaikovsky-research.net/en/Works/) to know the original titles
 and to choose between all common names found in the database. But it will
 last months and more to enter all the information and link the recordings.


I don't think there is an easy and quick way to do it. The only sure thing
is that more we wait, more releases are entered and more work there is to do
:-) Now that NGS is here with Works support, we should go on. But you I
agree we must do it carefully. I believe/hope there will be new data schemas
better suited for classical music, and if we do it carefully we will make
the work for that next step easier.

-- 
Frederic Da Vitoria
(davitof)

Membre de l'April - « promouvoir et défendre le logiciel libre » -
http://www.april.org
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Re: [mb-style] NGS guidelines

2011-05-12 Thread caramel
 Same here (bar the classical stuff which I don't work on and thus
 don't know too much about).  To expand on my point, I can see cases
 where you would want track names to differ
 e.g.

 * Crediting a track differently depending on the release such as
 having Queen as a featured artist on Under Pressure for a Bowie
 release.
 * Allowing The Detroit Spinners to be used on UK releases rather
 than The Spinners.

In these examples, you are talking about artist credits more than track
names.

Under Pressure is credited to Queen  David Bowie in MB.


 But keeping something like Madonna being spelt Madona on a release
 doesn't make any sense to me.  This is especially true as most
 consumers will get track-level only for the time being.


I agree. But for example, I enter a release Demis Roussos - 20 Golden
Hits. There are spelling error in French, grammar error for a Spanish, no
accents of course, and all words with cap as first letter. The corresponding
freeDB record is even worst. I corrected errors, put accents, changed the
capitalization accordingly to the title language of the track.
For me, I did a standardisation of the track names and did not follow the
back cover.
I prefer.

So the cases of different names between tracks and recordings would be very
very limited... except for translated and transliterated recording names.
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Re: [mb-style] NGS guidelines

2011-05-12 Thread Nikki
Wieland Hoffmann wrote:

 AFAICS (http://wiki.musicbrainz.org/-/images/5/52/ngs.png) work
 aliases don't have any attribute indicating  work_alias.name is a
 translation of work.name (or even the language used in
 work_alias.name) which would make it hard to use this in e.g. picard
 to automatically choose the correct language.

This file hasn't been updated since September, so there are some things 
missing from it (I've asked Lukáš to update it, so hopefully we'll have 
an up-to-date version soon :)). All aliases can have a locale (see [1] 
for example) and once Picard has been updated to use the new webservice, 
it should be able to use that information.

Nikki

[1] 
http://test.musicbrainz.org/work/5f73a558-0ad8-3c93-b2a0-81c7da297af0/aliases

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Re: [mb-style] NGS guidelines

2011-05-12 Thread Wieland Hoffmann
Hallo, Nikki:

Wieland Hoffmann wrote:

 AFAICS (http://wiki.musicbrainz.org/-/images/5/52/ngs.png) work
 aliases don't have any attribute indicating  work_alias.name is a
 translation of work.name (or even the language used in
 work_alias.name) which would make it hard to use this in e.g.
 picard to automatically choose the correct language.

This file hasn't been updated since September, so there are some
things missing from it (I've asked Lukáš to update it, so hopefully
we'll have an up-to-date version soon :)). All aliases can have a
locale (see [1] for example) and once Picard has been updated to use
the new webservice, it should be able to use that information.

  Thanks! That makes things certainly much easier.

-- 
Wieland / Mineo


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Re: [mb-style] NGS guidelines

2011-05-11 Thread caramel
Hello,

The documentation page about Works are missing.

In this page
http://wiki.musicbrainz.org/User:kuno/Style/Track_and_release_titles, we are
talking about track titles but there are no more tracks titles in NGS
but recordings titles. The link between track / recording / work might be
presented briefly.

Olivier
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Re: [mb-style] NGS guidelines

2011-05-11 Thread Nicolás Tamargo de Eguren
On Wed, May 11, 2011 at 10:10 AM, caramel carame...@ymail.com wrote:
 Hello,

 The documentation page about Works are missing.

 In this page
 http://wiki.musicbrainz.org/User:kuno/Style/Track_and_release_titles, we are
 talking about track titles but there are no more tracks titles in NGS
 but recordings titles. The link between track / recording / work might be
 presented briefly.
Untrue. There *are* track titles. They are not the same as recording
titles or work titles. For example:
Track title 1 in
http://test.musicbrainz.org/release/df025315-4897-4759-ba77-d2cd09b5b4b6
(that I just edited for the example) is different from its associated
recording title in
http://test.musicbrainz.org/recording/46fed65e-5031-423f-998b-a3cda367e78b
 Olivier

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Re: [mb-style] NGS guidelines

2011-05-11 Thread symphonick
On Tue, 10 May 2011 08:39:37 +0200, Nikki aei...@gmail.com wrote:

 Hello,

 As you probably know, Kuno and I have been working [snip]

I'm not sure it's a good idea w. only separate pages for everything; it's
a lot of clicking back  forth now. I'd like an overview of the concept of
releases/release groups/recordings first. Or a page with all the basic  
stuff. As it is now, title formatting
comes first, and later we explain what a release group is?

Maybe something like:
1. Recordings, releases and release groups [overview]
1. Release Group
2. Release
3. Recording

Really just brainstorming - maybe the quick start guide will solve this?

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Re: [mb-style] NGS guidelines

2011-05-11 Thread symphonick
On Wed, 11 May 2011 13:22:22 +0200, Nicolás Tamargo de Eguren  
reosare...@gmail.com wrote:

 On Wed, May 11, 2011 at 10:10 AM, caramel carame...@ymail.com wrote:
 Hello,

 The documentation page about Works are missing.

 In this page
 http://wiki.musicbrainz.org/User:kuno/Style/Track_and_release_titles,  
 we are
 talking about track titles but there are no more tracks titles in  
 NGS
 but recordings titles. The link between track / recording / work might  
 be
 presented briefly.
 Untrue. There *are* track titles. They are not the same as recording
 titles or work titles. For example:
 Track title 1 in
 http://test.musicbrainz.org/release/df025315-4897-4759-ba77-d2cd09b5b4b6
 (that I just edited for the example) is different from its associated
 recording title in
 http://test.musicbrainz.org/recording/46fed65e-5031-423f-998b-a3cda367e78b
 Olivier

On http://wiki.musicbrainz.org/Image:ngs.png they're the same field?  
Track_name

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Re: [mb-style] NGS guidelines

2011-05-11 Thread symphonick
On Wed, 11 May 2011 13:58:46 +0200, symphonick symphon...@gmail.com  
wrote:

 On Tue, 10 May 2011 08:39:37 +0200, Nikki aei...@gmail.com wrote:

 Hello,

 As you probably know, Kuno and I have been working [snip]

 I'm not sure it's a good idea w. only separate pages for everything; it's
 a lot of clicking back  forth now. I'd like an overview of the concept  
 of
 releases/release groups/recordings first. Or a page with all the basic  
 stuff. As it is now, title formatting
 comes first, and later we explain what a release group is?

 Maybe something like:
 1. Recordings, releases and release groups [overview]
   1. Release Group
   2. Release
   3. Recording

 Really just brainstorming - maybe the quick start guide will solve this?


like a slightly modified version of  
http://wiki.musicbrainz.org/Next_Generation_Schema

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Re: [mb-style] NGS guidelines

2011-05-11 Thread caramel
So if there are track titles, recording titles and works titles for the same
song, it really will be a big job to check and fix the database records,
link them through ARs (manually since there is no webservice yet), if the
different names differ without any justification (not a remix, alternate
version,...).



2011/5/11 Nicolás Tamargo de Eguren reosare...@gmail.com

 On Wed, May 11, 2011 at 10:10 AM, caramel carame...@ymail.com wrote:
  Hello,
 
  The documentation page about Works are missing.
 
  In this page
  http://wiki.musicbrainz.org/User:kuno/Style/Track_and_release_titles, we
 are
  talking about track titles but there are no more tracks titles in NGS
  but recordings titles. The link between track / recording / work might be
  presented briefly.
 Untrue. There *are* track titles. They are not the same as recording
 titles or work titles. For example:
 Track title 1 in
 http://test.musicbrainz.org/release/df025315-4897-4759-ba77-d2cd09b5b4b6
 (that I just edited for the example) is different from its associated
 recording title in
 http://test.musicbrainz.org/recording/46fed65e-5031-423f-998b-a3cda367e78b
  Olivier
 
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Re: [mb-style] NGS guidelines

2011-05-11 Thread Nicolás Tamargo de Eguren
On Wed, May 11, 2011 at 4:20 PM, caramel carame...@ymail.com wrote:
 So if there are track titles, recording titles and works titles for the same
 song, it really will be a big job to check and fix the database records,
 link them through ARs (manually since there is no webservice yet), if the
 different names differ without any justification (not a remix, alternate
 version,...).

There *is* a justification: track titles are supposed to follow what
is printed on the release, while recording / work titles will be
standards.


 2011/5/11 Nicolás Tamargo de Eguren reosare...@gmail.com

 On Wed, May 11, 2011 at 10:10 AM, caramel carame...@ymail.com wrote:
  Hello,
 
  The documentation page about Works are missing.
 
  In this page
  http://wiki.musicbrainz.org/User:kuno/Style/Track_and_release_titles, we
  are
  talking about track titles but there are no more tracks titles in
  NGS
  but recordings titles. The link between track / recording / work might
  be
  presented briefly.
 Untrue. There *are* track titles. They are not the same as recording
 titles or work titles. For example:
 Track title 1 in
 http://test.musicbrainz.org/release/df025315-4897-4759-ba77-d2cd09b5b4b6
 (that I just edited for the example) is different from its associated
 recording title in
 http://test.musicbrainz.org/recording/46fed65e-5031-423f-998b-a3cda367e78b
  Olivier
 
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Re: [mb-style] NGS guidelines

2011-05-11 Thread caramel
Ok seems clear...  for new releases !

so no artist intent (at all) for recordings and works names, and copy of
back cover for track names (including spelling/grammar errors and
capitalization effects)... may be a rough and a bit extreme understanding !
So the new style guidelines should reflect better this distinction.

And for classical releases, is there still an exception for track names
(strictly conform to standard) ?

Olivier

2011/5/11 Nicolás Tamargo de Eguren reosare...@gmail.com

 On Wed, May 11, 2011 at 4:20 PM, caramel carame...@ymail.com wrote:
  So if there are track titles, recording titles and works titles for the
 same
  song, it really will be a big job to check and fix the database records,
  link them through ARs (manually since there is no webservice yet), if the
  different names differ without any justification (not a remix, alternate
  version,...).

 There *is* a justification: track titles are supposed to follow what
 is printed on the release, while recording / work titles will be
 standards.


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Re: [mb-style] NGS guidelines

2011-05-11 Thread caramel
The differences between artist credits on tracks and artist credits on
recordings should be explained too

Olivier
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Re: [mb-style] NGS guidelines

2011-05-11 Thread symphonick
On Wed, 11 May 2011 16:07:46 +0200, caramel carame...@ymail.com wrote:

 Ok seems clear...  for new releases !

 so no artist intent (at all) for recordings and works names, and copy  
 of
 back cover for track names (including spelling/grammar errors and
 capitalization effects)... may be a rough and a bit extreme  
 understanding !
 So the new style guidelines should reflect better this distinction.

 And for classical releases, is there still an exception for track names
 (strictly conform to standard) ?

Eventually no?
 from http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Title
Classical track titles should be entered as they are on the liner,  
following normal MusicBrainz style guidelines, with the exceptions...

I'm OK with moving old CSG to works and using that proposal (needs some  
work) for track names. But we haven't had a RFC process yet  I haven't  
seen Brian around lately, he's the champion for that proposal.

/symphonick

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Re: [mb-style] NGS guidelines

2011-05-11 Thread Nicolás Tamargo de Eguren
On Wed, May 11, 2011 at 8:01 PM, symphonick symphon...@gmail.com wrote:
 On Wed, 11 May 2011 16:07:46 +0200, caramel carame...@ymail.com wrote:

 Ok seems clear...  for new releases !

 so no artist intent (at all) for recordings and works names, and copy
 of
 back cover for track names (including spelling/grammar errors and
 capitalization effects)... may be a rough and a bit extreme
 understanding !
 So the new style guidelines should reflect better this distinction.

 And for classical releases, is there still an exception for track names
 (strictly conform to standard) ?

 Eventually no?
  from http://wiki.musicbrainz.org/Proposal:CSGv2/Recording/Title
 Classical track titles should be entered as they are on the liner,
 following normal MusicBrainz style guidelines, with the exceptions...

 I'm OK with moving old CSG to works and using that proposal (needs some
 work) for track names. But we haven't had a RFC process yet  I haven't
 seen Brian around lately, he's the champion for that proposal.

Brian is no longer involved in the style process. CSGv2 is currently
being worked at by caller#6, and you should probably contact him for
any suggestions / ideas in that front.


 /symphonick

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Re: [mb-style] NGS guidelines

2011-05-11 Thread Nikki
symphonick wrote:

 I'd like an overview of the concept of
 releases/release groups/recordings first. Or a page with all the basic  
 stuff. As it is now, title formatting
 comes first, and later we explain what a release group is?

Right now we're missing documentation that explains what things are 
(which wouldn't be part of the guidelines), which is part of the problem 
(I'll see what I can do about that).

 Maybe something like:
 1. Recordings, releases and release groups [overview]
   1. Release Group
   2. Release
   3. Recording
 
 Really just brainstorming - maybe the quick start guide will solve this?

The quick start guide is supposed to do something like that, yes. :)

Nikki

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Re: [mb-style] NGS guidelines

2011-05-11 Thread Nikki
Dr Andrew John Hughes wrote:

 Live Track Style, Featuring Artist Style and Versus Style still haven't
 been incorporated. If any other official pages are missing, please let
 us know.

 
 Is this just due to lack of time?  I think any discussion to drop/change these
 needs discussion and, personally, I'd prefer we avoided doing it at
 the same time
 as the move to NGS.  That's going to cause enough change on its own.

Mostly because we haven't figured out what should happen. Trying to 
apply the current Live Track Style and Featuring Artist Style to 
recordings is complicated because a single recording can be used across 
a range of different releases, so something that depends on the other 
tracks on the release (in the former case) or how it's credited on the 
release (in the latter case) is tricky. For Versus Style, I believe the 
issue was more to do with how much of it even applies in NGS.

Nikki

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Re: [mb-style] NGS guidelines

2011-05-11 Thread Dr Andrew John Hughes
On 11 May 2011 15:07, caramel carame...@ymail.com wrote:

'copy of back cover for track names (including spelling/grammar errors
and capitalization effects)...'

Please no.  No, no, no, no, no.  Do we really want to turn MB into the
mess that is Discogs?
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Re: [mb-style] NGS guidelines

2011-05-11 Thread Nikki
Dr Andrew John Hughes wrote:
 On 11 May 2011 15:07, caramel carame...@ymail.com wrote:
 
 'copy of back cover for track names (including spelling/grammar errors
 and capitalization effects)...'
 
 Please no.  No, no, no, no, no.  Do we really want to turn MB into the
 mess that is Discogs?

Correcting mistakes is ok, we're just not attempting to standardise the 
titles.

Nikki

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[mb-style] NGS guidelines

2011-05-10 Thread Nikki
Hello,

As you probably know, Kuno and I have been working on adapting the 
guidelines for NGS. We wanted to finish before sending an email, but 
it's getting rather late (sorry), so I figured something is better than 
nothing...
By the way, the idea is that these guidelines will become official with 
NGS and then people can change them as they would any other guideline if 
they want to. We don't want a repeat of the release group situation 
(still no official guidelines, two years on...)

You can see what we have right now here - 
http://wiki.musicbrainz.org/User:kuno/Style For the most part, we've not 
been trying to change guidelines, except where things are added or 
change because of NGS. Many of the pages have comments by me in 
【brackets like these】 with some explanations. Obviously they will be 
removed.

We've tried to incorporate all of the current official guidelines. Disc 
Number Style and Box Set Name Style will be deprecated, for hopefully 
obvious reasons (we may need new guidelines for box sets once people 
have had chance to try entering them in NGS).
Live Track Style, Featuring Artist Style and Versus Style still haven't 
been incorporated. If any other official pages are missing, please let 
us know.

Nikki

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Re: [mb-style] NGS guidelines

2011-05-10 Thread caramel
Hello,

I wanted to discover the new NGS style guideline...
In my first page read
http://wiki.musicbrainz.org/User:kuno/Style/Track_and_release_titles, there
are some problems...

About the examples for capitalization:
confusion the waitress is not in lower-cases in MB but follows the English
rules (
http://musicbrainz.org/search/textsearch.html?type=trackquery=confusion+the+waitresshandlearguments=1
)
and the problem of artistIntent always raise !!

The first multi-lines example is not so clear too
in MB (
http://musicbrainz.org/release/aee61e32-40bf-43ad-b5ee-a7a6572e69a3.html ),
we find Final Fantasy Crystal Chronicles: Ring of Fates instead of the
example.
The main title all-in-caps is here considered because it is a Japanese
release but the justification to keep this capitalization is discussable...
and it is the same about the use or not of Original Soundtrack.

It is better to use clear examples that match with the MB database records.

Olivier

2011/5/10 Nikki aei...@gmail.com

 Hello,

 As you probably know, Kuno and I have been working on adapting the
 guidelines for NGS. We wanted to finish before sending an email, but
 it's getting rather late (sorry), so I figured something is better than
 nothing...
 By the way, the idea is that these guidelines will become official with
 NGS and then people can change them as they would any other guideline if
 they want to. We don't want a repeat of the release group situation
 (still no official guidelines, two years on...)

 You can see what we have right now here -
 http://wiki.musicbrainz.org/User:kuno/Style For the most part, we've not
 been trying to change guidelines, except where things are added or
 change because of NGS. Many of the pages have comments by me in
 【brackets like these】 with some explanations. Obviously they will be
 removed.

 We've tried to incorporate all of the current official guidelines. Disc
 Number Style and Box Set Name Style will be deprecated, for hopefully
 obvious reasons (we may need new guidelines for box sets once people
 have had chance to try entering them in NGS).
 Live Track Style, Featuring Artist Style and Versus Style still haven't
 been incorporated. If any other official pages are missing, please let
 us know.

 Nikki

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Re: [mb-style] NGS guidelines

2011-05-10 Thread caramel
I forgot to mention the third example in multi-lines
The actual title of the release is This Is the Modern World / All Mod Cons
instead of This is the Modern World and All Mod Cons:
The two songs are separated by a slash following the general rules even if
on the cover there is a and and the English capitalization is applied Is
and not is.

Olivier

2011/5/10 Nikki aei...@gmail.com

 Hello,

 As you probably know, Kuno and I have been working on adapting the
 guidelines for NGS. We wanted to finish before sending an email, but
 it's getting rather late (sorry), so I figured something is better than
 nothing...
 By the way, the idea is that these guidelines will become official with
 NGS and then people can change them as they would any other guideline if
 they want to. We don't want a repeat of the release group situation
 (still no official guidelines, two years on...)

 You can see what we have right now here -
 http://wiki.musicbrainz.org/User:kuno/Style For the most part, we've not
 been trying to change guidelines, except where things are added or
 change because of NGS. Many of the pages have comments by me in
 【brackets like these】 with some explanations. Obviously they will be
 removed.

 We've tried to incorporate all of the current official guidelines. Disc
 Number Style and Box Set Name Style will be deprecated, for hopefully
 obvious reasons (we may need new guidelines for box sets once people
 have had chance to try entering them in NGS).
 Live Track Style, Featuring Artist Style and Versus Style still haven't
 been incorporated. If any other official pages are missing, please let
 us know.

 Nikki

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Re: [mb-style] NGS guidelines

2011-05-10 Thread Dr Andrew John Hughes
On 10 May 2011 07:39, Nikki aei...@gmail.com wrote:

snip...

 Live Track Style, Featuring Artist Style and Versus Style still haven't
 been incorporated. If any other official pages are missing, please let
 us know.


Is this just due to lack of time?  I think any discussion to drop/change these
needs discussion and, personally, I'd prefer we avoided doing it at
the same time
as the move to NGS.  That's going to cause enough change on its own.

 Nikki

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