RE: Re[2]: OT: Oh, I get it...

2002-03-11 Thread J. C. O'Connell

 Subject: Re[2]: OT: Oh, I get it...
 
 
 JCO,
 
 I am thinking about some longer glass for the 67.  My current longest
 is 165.  I would like more reach, but would also like it to be
 handholdable or monopodable (new words?).  What has been your
 experience with the 300?  I know there is an old and new version.  My
 understanding is the new version focuses much closer, but weighs more
 and costs lots more.  Have you tried using the 300 with an extension
 tube to bring the focus closer than 16 feet?
 
 
 Thanks,
 
 Bruce Dayton

I have the older 300 F4 (smct) and it's EXCELLENT just like
all of the P67 lenses I've bought. Yeah, the minimum
focus isnt that great, but thats why I bought the ext. tubes.
The 300 is very hand holdable and really sharp. I paid
$600 for mine in mint condition at ebay. I would recommend
it VERY highly for the money. I do not think I will buy
anything longer for the 67 as the cost and bulk of the
longer lenses is just too much. For long lengths, I'm 
gonna stick with 35mm. That why I just bought the 135-600
for 35mm.
JCO
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Re[2]: Interesting inkjet printer

2002-03-11 Thread Bob Walkden

Hi,

 Whats the deal with colour profiles?

This page is a very good introduction to colour spaces and colour
management which shows how and why profiles are useful:

http://www.barco.com/display_systems/support/colorthe/colorthe.htm

---

 Bob  

mailto:[EMAIL PROTECTED]


Monday, March 11, 2002, 7:09:59 AM, you wrote:

 - Original Message -
 From: T Rittenhouse
 Subject: Re: Interesting inkjet printer


 He had about 50 prints laying out on he table at the computer
 show. They
 looked good. And why would he need anything other than the
 epson .icc files.
 He is using the same print head. Might be slight differences
 in the ink, but
 I would think you could adjust for that.

 Whats the deal with colour profiles? I hear over and over about
 people plopping down money for colour profiles.
 The people that are teaching me this stuff (one has been working
 with Photoshop since version1) tell me to use the colour setting
 on the printer to dial it into the screen.
 Are they missing something?
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Re: remounting lenses for pentax

2002-03-11 Thread Frantisek Vlcek

MR Perhaps if you can live with manual diaphragm it might be more affordable to get
MR it converted to screw mount and use a K-M42 adapter,

When you are at it having it converted to M42, with manual diaphragm,
it's no problem and no additional bucks converting it to K in the
process. The machinists just drills TWO holes, screws on the adapter K
really tight, secures it with a worm screw, and the other drilled hole
is the K bayonet locking pin hole. That way, if you ever want to use
it on M42 camera, you just loosen the worm and unscrew the adapter
(using wooden sticks! That's the right tool to remove stuck adapters,
NOT metal!)


Good light,
   Frantisek Vlcek
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Re: Durst Laborator - My Favorite Enlarger

2002-03-11 Thread Frantisek Vlcek

Sunday, March 10, 2002, 7:51:36 AM, Shel wrote:
SB http://home.earthlink.net/~belinkoff/temp/5x7laborator.html

SB They used to have, and maybe still do, a similar model in 4x5 format. 
SB The adjustable table takes a vacuum attachment which holds the paper
SB perfectly flat and allows borderless, easel-less printing.  The table
SB raises and lowers electrically, and tilts in all planes.  The enlarger
SB head also tilts.  

Hi,
   I also made a mistake at looking at laborator-type enlargers
   (meopta's) once ;-( (really nice stuff! motordriven, apo lens, BIG
heavy...)BTW, some people on the Large format list have
   IIRC constructed vacuum easels themselves, you might check the web.

Good light,
   Frantisek Vlcek
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Re: Rights and police behaviour. (Was: Hello and a lens question)

2002-03-11 Thread Frantisek Vlcek

BR through the courts I'll have already gotten what I wanted. Creating a scene
BR with cops can also be risky business: That gash on his head? He tripped and
BR fell. The other three cops will swear to it also. 
BR Just a word to the wise.

Yes, I would be VERY careful with cops when there aren't no other
witnesses around, especially in present USA... (or anywhere in the world, if
you look even a bit different. Policemen are mostly not hired for their
tolerance you know, although there are /few/ exceptions)

I can easily remember police lines of the type the accosted on
purpose broke the police car's front glass with his head when struggling
to escape and the like. Isn't it a movie line that the good cop says
to the bad fella shut up or my gun will have a malfunction ?

Good light,
   Frantisek Vlcek
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Re: Thinking about Darkroom

2002-03-11 Thread Frantisek Vlcek

Saturday, March 09, 2002, 8:20:39 AM, tom wrote:
t On 8 Mar 2002 at 16:52, Shel Belinkoff wrote:

 What material did you use to block the light?

t I bought a roll of stuff from b+h which they called black out cloth but turned out 
to be very heavy trash bag material. Turned out to work fine...it seemed to totally 
t block out full sunlight even with just one layer.

t I use two just in case.

t It was this stuff:

t 
http://www02.bhphotovideo.com/default.sph/FrameWork.class?FNC=ProductActivator__Aproductlist_html___66796___DEBOC4___REG___CatID=541___SID=ECB07C247
t 30

t It blocks a double window. I use it that room to load film reels...it's black in 
there.

t tv

Just be careful when using IR film, if you ever do. I think to
remember that most black plastic sheet is trasnparent to IR...

Good light,
   Frantisek Vlcek
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Re: Rights and police behaviour. (Was: Hello and a lens question)

2002-03-11 Thread Frantisek Vlcek

MI you guys are right, i should have probably behaved differently, it's just
MI when, all over sudden, you get surrounded by cops... well i got really
MI nervous, to say the least -- not much experience in this department, not in
MI this country anyway. add to that that i am not an american, just a
MI permanent resident and there's always INS out there (guys in IRS are kids
MI compared to them), especially now after 9/11. makes you wonder just how many
MI things authorities can write off to this.

Hi Mike,
   I can feel what you were trough. The pain of knowing
   you have the right, that justice is on your_side, but power is on
   the side of the guys who are supposed to protect your rights...
   it's hard to think rationally. I guess you could have noted down
   their numbers at least (DO the cops in USA have numbers at least? God knows
   now in all the more security, just more security, damn the rights
   atmosphere). Although with your resident status, I guess you were
   better to be silent, even though it's sad.

   It's ugly how the powers that are abuse human tragedy (the 9/11
   events) to only gain more power, it's cynical and ugly.
   
MI anyhow, if any of you guys is in boston and likes industrial pics -- that's
MI one great place to shoot. assuming you are just a bit more careful.

BTW, what's so controversial about the construction site as somebody noted few
posts earlier? I would have gone there but I am a bit away (10 000
km g)

Good light,
   Frantisek Vlcek
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Re: Batteries for LX

2002-03-11 Thread mike wilson

Hi Fred,

Fred wrote:
 I obtained it through Peter of CamDir (who has helped
 many of us here on the PDML get hold of some of the hard-to-find
 Pentaxia).  So, I'm sorry to say that it's not just a stock item
 someplace (that I am aware of).

Thanks.  That will teach me to look on my own doorstep before
peering further afield..

mike
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RE: AF speed (was: Silly Photo.net thread)

2002-03-11 Thread Rob Brigham

But DOF is not an issue for focussing - the camera focusses wide open.
It doesnt stop down until you take the shot.  When you talk about the
subject leaving the plane of focus before the shutter fires this is
shutter lag.  Lens performance aside, the camer always gets the subject
in focus at f2.8 if it is an f2.8 lens.

 -Original Message-
 From: Bruce Rubenstein [mailto:[EMAIL PROTECTED]]
 Sent: 11 March 2002 01:03
 To: [EMAIL PROTECTED]
 Subject: RE: AF speed (was: Silly Photo.net thread)
 
 
 The issue is Depth Of Field. Shooting wide open with long 
 lenses gives a very
 shallow DOF. If the whole AF system (lens 
 speed/electronics/motor, etc.)
 doesn't work fast enough, the subject can past through the 
 range of apperent
 sharpness before the shutter fires. Before AF lenses were 
 stopped down for
 focus margin for shots like this. Lens performance aside, 
 it's harder to get
 a fast moving subject in focus at f2.8 than f11.
 
 
 --- Rob Brigham [EMAIL PROTECTED] wrote:
  I dont get this question.  The focussing aperture was 
 F/2.8, or possibly
  F/4 with the teleconvertor.  Since the shutter doesnt fire 
 unless the
  subject is in focus, the shooting aperture is pretty much 
 irrelevant.
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Re: Sigma 70-200mm f/2.8 APO

2002-03-11 Thread MPozzi

Hi Wendy,
I have the 70-200 f2.8 EX Sigma (one of the latest
models), and as a lens its fantastic in built,
sharpness, contrast and very slightly colder than SMC
glass.

HOWEVER (perhaps of general interest to the PDML), the
lens seems to be having a problem with my MZ-s in
terms of autofocus. It tends to be slightly out of
focus when using the Autofocus, especially noticeable
at the 200mm end.

Now, I've tried the lens on the z-1 and it works fine,
I've tried Pentax lenses ans the 28-70 f2.8 Sigma on
the MZ-s ad it works fine.

So: rapid conclusion is that there may be a problem
with the compatibility of this lens with the MZ-S.
I have sent it to Sigma Italy, they have verified the
presence of a problem (with more than one 70-200mm
f2.8 lens) and they are corresponding with Japan to
see if its a problem with lens software.

So far they cannot find out what's wrong. but are
working on it.

WIll keep the list posted

Michele



--- wendy beard [EMAIL PROTECTED] wrote:
 Hi All,
 
 First question:
 Does anyone have experience of the
 Sigma 70-200mm f/2.8 APO EX ?
 (or the older 82mm filter size 70-210)
 
 Second question:
 Cameraworld of Oregon - good, bad, indifferent?
 What's their relationship 
 with KEH?
 
 I have a pentax 80-320 already, but am looking for
 something a little 
 faster for the dog agility trials I go to.
 Unfortunately, I don't have an 
 unlimited budget!
 
 tia
 Wendy
 
 ---
 Wendy Beard
 Ottawa, Canada
 mailto:[EMAIL PROTECTED]
 home page http://www.beard-redfern.com
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OT: Kid's TV

2002-03-11 Thread mike wilson

Hi,

Cotty wrote:

 Why, Mike, I am surprised at you.

 I will double check with my source.

I was a bit old for the joys of Supermarionation by that time. 
Caught up with some of it at University (actually Polytechnic)
second time round. 8-)

Sorry for the delay replying.  Don't have mail access at home -
I spend enough time in front of a CRT during the week, so I like
to see that yellow thing in the sky at weekends.  Not that it's
been around much recently.

mike
whiter than driven snow
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RE: Sigma 70-200mm f/2.8 APO

2002-03-11 Thread Rob Brigham

Sounds a bit like my Ef430 flash.  This had problems on the MZ-S where
it kept cycling through the focal lengths non stop.  Sigma had not tried
it on the MZ-S as it had only just come out at the time, but they got
one and confirmed the problem.  The flash needed a new chip and I had to
send it to Sigma Uk who sent it to Japan as they had only just developed
the new chips and had to fit them there at the time.  Shame it didnt
work to start with, but then Pentax must have changed what seemed like a
relatively simple communication mechanism - not really Sigma's fault.
Sigma were almost flawless in dealing with the problem, and it now works
fine.  They didnt even ask for proof of warranty or anything - just did
it.  The only slight hassle was that Sigma UK messed up the customs
forms slightly and it was delayed for a while, but then they were a new
company (just taken over from Jenoptic) at the time.

This is useful as I was just about to buy a 70-200 for my MZ-S.  I will
now wait - please keep us updated.

I have no problem with the Sigma 17-35EX, 28-70EX, or 70-300APO so
surely there is no inherent flaw in Sigma's programming?  I dont quite
see what the problem is, especially if it has happenned in multiple
(all?) samples.

 -Original Message-
 From: MPozzi [mailto:[EMAIL PROTECTED]]
 Sent: 11 March 2002 10:43
 To: [EMAIL PROTECTED]
 Subject: Re: Sigma 70-200mm f/2.8 APO 
 
 
 Hi Wendy,
 I have the 70-200 f2.8 EX Sigma (one of the latest
 models), and as a lens its fantastic in built,
 sharpness, contrast and very slightly colder than SMC
 glass.
 
 HOWEVER (perhaps of general interest to the PDML), the
 lens seems to be having a problem with my MZ-s in
 terms of autofocus. It tends to be slightly out of
 focus when using the Autofocus, especially noticeable
 at the 200mm end.
 
 Now, I've tried the lens on the z-1 and it works fine,
 I've tried Pentax lenses ans the 28-70 f2.8 Sigma on
 the MZ-s ad it works fine.
 
 So: rapid conclusion is that there may be a problem
 with the compatibility of this lens with the MZ-S.
 I have sent it to Sigma Italy, they have verified the
 presence of a problem (with more than one 70-200mm
 f2.8 lens) and they are corresponding with Japan to
 see if its a problem with lens software.
 
 So far they cannot find out what's wrong. but are
 working on it.
 
 WIll keep the list posted
 
 Michele
 
 
 
 --- wendy beard [EMAIL PROTECTED] wrote:
  Hi All,
  
  First question:
  Does anyone have experience of the
  Sigma 70-200mm f/2.8 APO EX ?
  (or the older 82mm filter size 70-210)
  
  Second question:
  Cameraworld of Oregon - good, bad, indifferent?
  What's their relationship 
  with KEH?
  
  I have a pentax 80-320 already, but am looking for
  something a little 
  faster for the dog agility trials I go to.
  Unfortunately, I don't have an 
  unlimited budget!
  
  tia
  Wendy
  
  ---
  Wendy Beard
  Ottawa, Canada
  mailto:[EMAIL PROTECTED]
  home page http://www.beard-redfern.com
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Re: Making Large Prints (Was nice ebay buy)

2002-03-11 Thread Paul Stenquist

I'll try to post some pics later this week.
Paul

Shel Belinkoff wrote:

 Cool!  Ain't it grand when an idea comes together and you can make it
 happen just by using things around the house?  When are we going to see
 some photos of your darkroom?

 Paul Stenquist wrote:
 
  Well, I went for the second level table with the reversed enlarger. I was
  ready to head for Home Depot to look for something that might serve as a
  pedestal mount or, alternatively, a low table that I could use with the
  enlarger reversed. Then I looked out my patio doors and spotted an old
  piece of patio furniture: a coffee table sized table with a glass top and
  metal framework. It was part of a set of patio furniture that is long
  gone, and it's become somewhat of an eyesore. However, it's stoutly built,
  22 inches wide, and 30 inches long. It stands about 15 inches high. It
  turns out to be the perfect height to serve as a second level enlarging
  table. With the enlarger mounted on the forward edge of the primary table,
  which stands about 30 inches high, I can rotate it to face outward and
  print on the 15 inch high table. This gives me a range of print sizes from
  11x14 to 20x24 with the 100mm lens and 6x7 neg. Of course I can use a
  longer lens to pring smaller.. Rotating the enlarger column 180 degrees
  (as the Omega allows), I can print from about 4x6 up to 11x14 on the
  primary table with the 100mm lens. The enlarger is bolted solidly to the
  primary table, which is attached to the foundation of the house. It was a
  simple matter to align the surface of the lower level table with the
  enlarger head. All it required was one .060 inch shim under one leg of the
  table. I also found I can print 16x20 and still adjust focus without an
  extension. For now, that's as big as I'm going to go, so I'm in business.
  As soon as my 135 lens arrives, I'll see how it all works out with 4x5

 --
 Shel Belinkoff
 mailto:[EMAIL PROTECTED]
 http://home.earthlink.net/~belinkoff/
 http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: Ebay question (was: 6x7 questions)

2002-03-11 Thread Dan Kirsch

Looks like you got a heck of a buy, and great that she did take the PayPal and even 
offer inspection time.  Those are the kind of buys that keep you looking on eBay.  
Lately there have been some crazy buyers on eBay willing to pretty much pay full price 
for used when they could get the same new.  It's been tough finding some
good bargains lately but it sounds like you definitely got one.

Dan Kirsch


Mike Ignatiev [EMAIL PROTECTED] wrote:

Got the sucker!!!
I asked a couple of questions the seller and got a quick reply. She sounded
an honest and accomodating person (she agreed to set up a paypal acct for
payment and granted a week for inspection), so I took the risk.
Congratulate me now in a week or two, when I will actually have the beast in
my hands.
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RE: Hams awake!

2002-03-11 Thread Paris, Leonard

Congratulations, Collin!

Len - KD9S
---

-Original Message-
From: Collin Brendemuehl [mailto:[EMAIL PROTECTED]]
Sent: Saturday, March 09, 2002 4:50 PM
To: [EMAIL PROTECTED]
Subject: Hams awake!


I passed my Tech test today.
Now just gotta wait for the paperwork.

Who are the rest of US, the true bubbahood?

Post your call signs, please.

Thanks,

Collin

*
Get over it.
  Dr. Laura

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Re: OT: Oh, I get it...

2002-03-11 Thread Bob Rapp

JCO wrote:
 I bought 67 body, prism, grip, ext. tubes,
 strap, and 8 lenses 45,55,75,90LS,105,135,200,
 300. Total outlay $4000. Everything is is
 excellent to mint shape. Cost would have been
 WAY more if I had gone all newBelieve me
 I have spent alot more on screwmount 35mm, probably
gloat, gloat!

Hey, who got the quartz Takumar? I just bid on a really old pentax - and -
if I get it (no clues), I will gloat too.

Bob
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Re: Sigma 70-200mm f/2.8 APO

2002-03-11 Thread LM

Hello Wendy, the sigma lens you speak of is an excellent lens.   I have read
many reviews and I own one myself.   There are some people who go as far as
to rate it above the pentax and nikon equivalent.   Personally, I have taken
beautiful photos with this lens and I find it very reasonably priced.   You
can pick it up for about $626 US at Delta International, I'm not sure what
CameraWorld is selling for.That's where I purchased mine.   They throw
in a 3 year Mack warranty aswell.

Luis


- Original Message -
From: wendy beard [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Sunday, March 10, 2002 9:05 PM
Subject: Sigma 70-200mm f/2.8 APO


 Hi All,

 First question:
 Does anyone have experience of the
 Sigma 70-200mm f/2.8 APO EX ?
 (or the older 82mm filter size 70-210)

 Second question:
 Cameraworld of Oregon - good, bad, indifferent? What's their relationship
 with KEH?

 I have a pentax 80-320 already, but am looking for something a little
 faster for the dog agility trials I go to. Unfortunately, I don't have an
 unlimited budget!

 tia
 Wendy

 ---
 Wendy Beard
 Ottawa, Canada
 mailto:[EMAIL PROTECTED]
 home page http://www.beard-redfern.com
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Re: Consume yourself happy with instant gratification (WAS: Silly Photo.net t...

2002-03-11 Thread Rfsindg

Doug,

I suppose the other interpretation is that we are all ignorant Philistines 
here in North America who have too much money to spend.

Regards,  Bob S.

[EMAIL PROTECTED] writes:

 Pål,
 
 Let's see. You're saying that, based on the preferences of Photo.Net 
regulars, all North American nature photographers travel in packs and shoot 
nothing they can't see from the pavement.
 
 By that logic, all nature photographers use Nikon and Canon, because that's 
the preference of the Photo.Net regulars.
 
 hmmm. How does this work out?
 
 Doug 
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Re: subtrifuge WAS: Singing the praises of KEH

2002-03-11 Thread CBWaters

I'm DEFIANTLY going to try that!
- Original Message -
From: Paul F. Stregevsky [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Thursday, March 07, 2002 11:25 PM
Subject: Re: Singing the praises of KEH


 Yep, that's why I order from Adorama whenever possible. They'll ship USPS
 so I can put a hold on the box at the post office and sneak it in the
house
 when my wife isn't looking.

 Hmmm... Now if I could only convince KEH to be willing to ship via
 the USPS, rather than by UPS, I'd ~really~ be singing praises - g.
 Fred


 Paul Franklin Stregevsky
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UK PDML Meet

2002-03-11 Thread jbrooks

Cotty
You can count on me as a definitely interested and will make it if at all
possible for the PDMLUK gathering. 

My sister is getting married one weekend in July, but hasn't yet decided
which one (!) so that's the only thing that will stop me at this stage. My
SO Vanessa loves planes so she may well be up for this also, and she can
bring her 5n. 

Thanks are definitely due to you and Malcolm for taking the time to organise
this. 

One question - does John Dickens (Pentax UK Marketing Manager) know what
he's in for??? Does he read the PDML? 

Looking forward to it already. I reckon we'll be a better looking bunch than
the Canadians as well g,d  r 

Regards
Jim Brooks 
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Re: Consume yourself happy with instant gratification (WAS: Silly Photo.net t...

2002-03-11 Thread Rfsindg

[EMAIL PROTECTED] writes:

 or those damned bears catching salmon in that waterfall somewhere up 
north. 

laugh Yes, I bought a picture of those bears ~15 years ago.  It comes from 
Kodiac Island in Alaska and I read that there was a platform set-up for 
photographers to shoot from.  It is actually a very remote national park, at 
least 1,000 miles from the 'lower 48' states and getting to the island is a 
day trip from anywhere accessible by commercial jet airliner.  These folks 
may be Nikon and Canon shooters, but they aren't casual 'from the road' 
nature photographers.

Regards,  Bob S.
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RE: AF speed

2002-03-11 Thread Pål Audun Jensen

Rob wrote:


But DOF is not an issue for focussing - the camera focusses wide open.
It doesnt stop down until you take the shot.


DOF can theoretically compensate for slight focusing errors but usually it 
doesn't come into play because AF system takes  it into consideration. See 
below...


When you talk about the
subject leaving the plane of focus before the shutter fires this is
shutter lag.  Lens performance aside, the camer always gets the subject
in focus at f2.8 if it is an f2.8 lens.


For moving systems you use predictive AF. It takes subject movement, AF 
speed and shutter lag into consideration when calculate the plane of focus. 
If you use this feature every image will seem unsharp in the viewfinder but 
every image should be sharp on the film. This is because the image is only 
in focus the moment when the shutter opens. I wonder if many who dismiss AF 
systems are just testing them out with no film in the camera. A Pentax 
camera like the Z-1p and the MZ-S will seem hopeless for moving subjects in 
the viewfinder, never getting the image in focus, but the resultant image 
should be just fine.


Pål
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Re: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread Pål Audun Jensen

BTW  Interestingly enough, and also a point that underlines the consumerist 
nature of photo.net, is the fact that there's a anti medium format 
undercurrent on the nature section. Pretty weird considering that MF is the 
most popular format globally for landscape, which is the most popular area 
of nature photography.
Of course, anything that can, in one way or another, be considered better 
than the consensus products is in effect a threat to happy consumerism for 
the majority of the posters. MF need to be dismissed as ok for weddings, 
which is apparently the grosses insult there is, but not for serious 
photography.


Pål
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Sigma 70-200mm f/2.8 APO

2002-03-11 Thread oscar . 7300

Wendy,

My wife and I have the 70-200 2.8 EX.  An excellent 
lens, works without a problem on the ZX-5n.  It also has 
a nice manual focus feel for an AF lens, so it gets good 
use on the LX too.  Lens is sharp and crisp/contrasty, 
more so than the Pentax 80-320.  The removable tripod 
mount is good and allows easy rotation between portrait 
and landscape orientation.  The matching 1.4x EX 
teleconvertor [there's a 2x too, but I have no 
experience with it] seems to work with no noticable 
image quality loss.  The lens comes with a hood and a 
case.

Two complaints:  [1] the AF/MF clutch does not affect 
the AF/MF setting on the ZX-5n, so you have to change 
both, and [2] flare resistance is good, but not up to 
SMC standards.


Steve


Hi All,

  First question:
  Does anyone have experience of the
  Sigma 70-200mm f/2.8 APO EX ?
  (or the older 82mm filter size 70-210)
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RE: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread Alan Abbott

Is this the same magazine as we have in the UK called Outdoor Photography?
The one where Andy Rouse uses a 645NII.
Alan
 
Pål wrote:
 

 
 Sorry for the sarcasm but this is the essence of what you get 
 from reading 
 the nature section on Photo.net for awhile. Besides, you get the same 
 impression from reading Outdoor Photographer magazine.
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Re: OT: Oh, I get it...

2002-03-11 Thread Mike Ignatiev

My reasoning behind buying a 6x7 outfit was almost opposite: I was
getting a lpmm paranoia and was considering paying serious money for
the 85mm/1.4 (I have seen one on ebay lately going for $650, maybe more
now), until I realized that (1) to get the best quality out of it
tripod is definitely a must, (2) those kind of lenses are not exactly
lightweight (3) and neither are they cheap.

So here's when 67 enters. f/2.x is most likely fast enough to use 400
film and kick ass of anything 35 mm has to offer, so when quality
comes first this is probably hard to beat. And the
weight/price/convenience should be comparable at least. OTOH, I have my
lightweight 35mm kit (along with a MES/pancake, my point and shoot on
steroids) which is *very* handy and which I just toss in any bag along
with a tabletop tripod without giving much thought for weight/size/etc. 

Oh, and with all that discussion about viewfinders -- it totally
escapes me why the removable finders in 35mm format are gone with LX
and F3. I am totally in love with FE-1 for LX -- 1.3 magnification
gives a truly gorgeous picture. And this is what ruled out a P645
option for me: I wouldn't even consider anything that costs that much
and wouldn't have a waistlevel viewing option. 
Just my 2c.

 Date: Mon, 11 Mar 2002 14:16:12 +0100
 From: =?iso-8859-1?Q?P=E5l?= Audun Jensen [EMAIL PROTECTED]
 Subject: Re: OT: Oh, I get it...
 
 Well, personally I got more critical after starting using medium format. So 
 now my 35mm lenses better be good to make me happy. I try to get the best 
 out of my 35mm system by using the best lenses. In that way I won't be that 
 sorry when I have a good shot on 35mm instead of on MF.
 
 Pel
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RE: AF speed

2002-03-11 Thread Mark Roberts

Pål wrote:

For moving systems you use predictive AF. It takes subject movement, AF

speed and shutter lag into consideration when calculate the plane of focus.
If you use this feature every image will seem unsharp in the viewfinder
but
every image should be sharp on the film. This is because the image is only
in focus the moment when the shutter opens. I wonder if many who dismiss
AF systems are just testing them out with no film in the camera. A Pentax

camera like the Z-1p and the MZ-S will seem hopeless for moving subjects
in the viewfinder, never getting the image in focus, but the resultant
image
should be just fine.

This is exactly what happened when I shot motorcycle racing last summer.
I thought very few of my photos were in focus. When I got the slides done
I found every one was in focus.

I'm looking forward to shooting some more of this kind of stuff this year,
but with the MZ-S this time.


-- 
Mark Roberts
www.robertstech.com
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Re: AF speed

2002-03-11 Thread Aaron Reynolds

On Monday, March 11, 2002, at 08:56  AM, Pål Audun Jensen wrote:

  I wonder if many who dismiss AF systems are just testing them out with 
 no film in the camera. A Pentax camera like the Z-1p and the MZ-S will 
 seem hopeless for moving subjects in the viewfinder, never getting the 
 image in focus, but the resultant image should be just fine.

Perhaps Bruce can enlighten us about the details of his head to head 
with the Z-1p and 28-105 vs. the Nikon body he used and Nikkor 28-105.

-Aaron
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New Toys

2002-03-11 Thread Camdir

These now belong to us (temporarily, I am sure).

LX Soft Leather Case 
24mm F2.8M
28mm F2.8A
135mm F3.5M
50mm F1.4M (has coating marks)
Rect Hood for above
75-150 boxed
KT6 2x cased
Autobellows A (no dcr)
Slide Copier A
49mm reverse ring
AF200T
AFW1 Diffuser
Hot Shoe Grip x2
4P Sync Cord B 5m
4P Sync Cord A 50cm
4P TTL Multicord 5M
TTL Distributor
3P 5m Remote Cord (LX/ME2 winders)
...
and an LX winder that only works in reverse! - Might get this repaired or 
offers.

Toodle Pip
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Re: PDML UK meeting

2002-03-11 Thread Camdir

Sounds promising

Kind regards from sunny Brighton

Peter
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RE: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread Mick Maguire

Alan wrote:

Is this the same magazine as we have in the UK called Outdoor Photography?
The one where Andy Rouse uses a 645NII.

Yup, and I agree with Pal on that one. I get said magazine and it seems
mostly gear oriented (including SUV's), although there are very good columns
by very good photographers interspersed. The article on taking a Jeep
liberty on a photo-shoot in Arizona was a good example of what Pal was
getting at I think.


Regards,
/\/\ick...
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Re: AF speed (was: Silly Photo.net thread)

2002-03-11 Thread William Robb

- Original Message -
From: Rob Brigham
Subject: RE: AF speed (was: Silly Photo.net thread)


 But DOF is not an issue for focussing - the camera focusses
wide open.
 It doesnt stop down until you take the shot.  When you talk
about the
 subject leaving the plane of focus before the shutter fires
this is
 shutter lag.  Lens performance aside, the camer always gets
the subject
 in focus at f2.8 if it is an f2.8 lens.

DOF is an issue for focussing. You are treating the subject as
if it is two separate issues, and you are wrong. Focus with an
AF (or any) camera is dependant upon the subject being within
the plane of acceptable focus at the moment of exposure.
This is an interpendant issue of camera and lens, as they work
as a single unit. With an AF camera, the sensor must be
perfectly aligned to the focal plane to achieve perfect focus.
This means absolutely no allowable margin of error. Remember, we
are talking about wavelengths of light here, so any error, even
a few millionths of an inch will make focus dependant on DOF.
Then the focus electronics must be fast enough to make focus
decisions, and be able to actuate the AF motor, which in turn
must transfer that torque to the lens's focussing elements.
Now focus is also dependant upon motor torque and AF gear
ratios.
Focus is also dependant on how fast the subject moves after the
camera has confimed focus and begins the exposure cycle, as
after the mirror starts to move, AF measurment is impossible.
Predictive AF is the camera guessing about where the subject
will be, based on where the subject has been. It may or may not
be accurate.
Most likely, not.
Oh yes, since it is a mechanism, there must be an element of
slop involved to allow the moving parts to move. Not much, but
we are talking about wavelengths of light as being the limiting
factor for allowable error.
There is a reason for why Nikon F5's cost a lot of money. It has
very little do do with the nameplate, and very much to do with
how the body handles the tasks presented to it.
I have been in situations with my MZ-5 where the camera has been
unable to secure focus on a dog running towards me in a daylit
outdoor area.
I have found Pentax AF performance rather dissapointing.

William Robb
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Favorite Enlarger

2002-03-11 Thread MacBurt

In a message dated 3/11/02 8:39:56 AM, [EMAIL PROTECTED] 
writes:

 From: Frantisek Vlcek [EMAIL PROTECTED]
Subject: Re: Durst Laborator - My Favorite Enlarger

Sunday, March 10, 2002, 7:51:36 AM, Shel wrote:
SB http://home.earthlink.net/~belinkoff/temp/5x7laborator.html

SB They used to have, and maybe still do, a similar model in 4x5 format. 
SB The adjustable table takes a vacuum attachment which holds the paper
SB perfectly flat and allows borderless, easel-less printing.  The table
SB raises and lowers electrically, and tilts in all planes.  The enlarger
SB head also tilts.  

Hi,
   I also made a mistake at looking at laborator-type enlargers
   (meopta's) once ;-( (really nice stuff! motordriven, apo lens, BIG
heavy...)BTW, some people on the Large format list have
   IIRC constructed vacuum easels themselves, you might check the web. 

Years ago I had a Durst M35. One beauty. I sold it; the mistake of my 
photographic life. I've since contacted Durst. They have no units. To me it 
was the perfect machine. I made one big mistake selling it.
Burt
NYC
USA
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Re: Pentax prices

2002-03-11 Thread Bruce Rubenstein

A pro body, in and of itself, won't do much good for image and increased
sales. Witness the Maxxum 9, which hasn't changed the perception of Minolta as
being a maker of mass market/amature cameras. Contax certainly makes cameras
that some pros use, but that hasn't given them widespread name recognition
among non-enthusasists. The way that Nikon and Canon have gotten pros to use
their equipment is by making a suitable product and by supporting pros. This
takes a solid product, an extensive product line (lenses), good repair
facilities and the budget for the maker to pay for it. Even when Canon game out
with their far advanced AF they had to spend a small fortune, up front, to get
pros to switch. It's tough to get a sizeable portion of the 35mm pro market
(Minolta gave up on it). A company may be able to sell a lot more non-pro,
amature bodies, because they have the right name on it, but that's just cashing
in on your investment. Pentax persued the 35mm pro market the same way they did
the MF market by making a good product (LX) and letting it sell itself: doesn't
work in the 35mm market.
A highend image body, that's not widely used by pros, will be mostly noticed
by people already using that camera brand. It won't get you many new customers.
To the general public, all you need to look like a pro is a SLR, a big lens and
flash and a camera bag. I am sure that there are people with the means who
decide to get a camera, want the best and buy a $3,000 Nikon system with
little idea of how to use it well. I'm sure Pentax would like to sell to that
customer too: sales are sales. It takes a lot of time and money to establish
that kind of reputation.

--- frank theriault [EMAIL PROTECTED] wrote:
 
 Your post got me to thinking, however.  Could it be that the lack of a pro
 35mm camera is the reason?  I don't want to get into what a pro camera is
 (please!), but let's face it, when we see a PJ in a media scrum on the news,
 or
 on the street, he/she invariably has an F5 or an EOS.  I'm sure that the
 public
 sees that as well.
 
 I think that the fact that Pentax really hasn't catered to pros (PJ's at
 least) since the LX has hurt Pentax immeasurably.  Or, maybe the converse is
 true:  the fact (or at least the perception) that PJ's use C and N
 almost exclusively is a huge marketing coup for those two companies.
 
 As wonderful and capable a body as the MZ S is, PJ's aren't using it - not
 surprising, because I don't think they are necessarily who it is aimed at. 
 But
 it's also not surprising that the public thinks, Wanna look like a pro?  I
 will
 if I buy C or N.
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Re: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread Pål Audun Jensen

I wrote:


One of the more interesting technique are the arguments
against eg. brand y, and even if this has nothing to do with the consensus
brands, it used anyway as an argument as why you should buy those brands.
These argument have almost never any contextual basis, like what the
photographer prefers or what needs he/she has.



One example of this is that a rank amateur considering a Pentax MZ-5n 
should buy a Nikon or a Canon because you can't rent a Pentax 600/4 in 
Florida.
It is of course of no consequence to this rational argument that 99,99% of 
the worlds population have never been to Florida or that 99,99% of Pentax 
users in Florida never considers renting a 600/4.


Pål
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Re: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread William Robb

- Original Message -
From: Aaron Reynolds
Subject: Re: Consume yourself happy with instant gratification
(WAS: Silly Photo.net thread)


 On Sunday, March 10, 2002, at 08:22  PM, Bruce Rubenstein
wrote:

  The original snippy remark applied to Vivitar and Kiron
lenses with
  Konica
  mounts. Aside from the Series 1 lenses, Vivitar lenses along
with Kiron
  are
  best known for being inexpensive. If they have Konica
mounts, they're
  probably
  older than a number of members on this list. My assumption
was that
  they were
  probably cheap, old lenses.

 Perhaps this would be easier to understand for me if you could
give me a
 sampling of the ones you've used that were optically poor.
After all,
 your assumption is based on having used at least one of them,
right?

I had a Vivitar 135mm f/2.8 lens that was so bad I took the
glass out of it and made a flower pot out of.

William Robb
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Re: OT: Oh, I get it...

2002-03-11 Thread William Robb

- Original Message -
From: Mike Ignatiev
Subject: Re: OT: Oh, I get it...



 Oh, and with all that discussion about viewfinders -- it
totally
 escapes me why the removable finders in 35mm format are gone
with LX
 and F3.

The F5 has interchangable finders. I expect the F4 did as well.

William Robb
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Re: Thinking about Darkroom

2002-03-11 Thread tom

On 10 Mar 2002 at 11:03, Frantisek Vlcek wrote:
 
 Just be careful when using IR film, if you ever do. I think to
 remember that most black plastic sheet is trasnparent to IR...


Thanks, I did...that stuff goes into the changing bag inside the darkroom. 

tv
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RE: Interesting inkjet printer

2002-03-11 Thread Butch Black

There is a difference between looking good and looking correct. I would
expect anyone trying to sell a system like that to have good looking prints
on display. What is not known is how they looked on the computer screen
compared to how they printed out, or whether he used a monitor calibration
and profile system like ColorVision to get the output correct. The ICC
profiles would be important to get proper color and that would change with
using a different ink, although the company does claim their inks are very
close to the Epson inks. They would also be important if using Photoshop
versions that support color management. The problem would be similar to
printing a Fuji neg on a Kodak film channel. The print would probably look
acceptable, but compared to a print made on the correct channel it would no
be as good. One other question that begs to be asked is what happens if this
company folds, or quits making the inks. Are you forced to go back to
regular Epson cartridges?

I am not necessarily knocking this company, but where a similar product is
being made by a long established company (Luminous) with archival inks, ICC
profiles available, at about $100 less then this system, I would think twice
about using them over Luminous.

BUTCH

Each man had only one genuine vocation - to find the way to himself
Hermann Hesse (Demian)
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Re: Re[2]: 6x7 questions

2002-03-11 Thread tom

On 10 Mar 2002 at 23:16, Bruce Dayton wrote:

 tom,
 
 That was one other thing that I liked about the 67 as I handled the
 two formats. I'm not admitting that I like square pictures, but the
 35mm ratio seems a bit too wide to my liking.  I found the 67 in
 viewfinder and negative feel more comfortable than 35mm or 645.  The
 645 is also a bit wider than 67.

Well, I *like* the dimensions, I think 6x4.5 is about perfect, and 6x7 is too square.

What Bill and I are talking about is the fact you have to turn the easel vertically 
when printing. It feels weird and fouls the column.

tv
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Re: Consume yourself happy with instant gratification (WAS:Silly Photo.net thread)

2002-03-11 Thread Shel Belinkoff

And how is Photo.net different than any mailing list that espouses a
particular brand of cameras and attenuate accessories.  There's an awful
lot of enabling going on on this list, and not only for the 67
cameras.  IMO, the truth is that the internet encourages consumerism in
these instances, with groups of people with similar interests getting
together and, essentially, congratulating one another on their
cleverness.  I see it on the Leica list, the CV list, the RF list, and
so on.  Individuals now often make buying decisions based on touts from
their own group - after all, who knows a particular brand of product
better than the people who use it, notwithstanding the fact that many of
those users may not be familiar or experienced with similar, competing
products.

I recognize that these comments are a bit of a generalization, but no
more so than Pål's comments, and I believe that, while there are
certainly exceptions to this way of going about making purchasing
decisions, there are, nonetheless, many decisions made in this fashion. 
Witness the spate of 67 purchases after Aaron waxed so ecstatic about
his find. Of those who subsequently purchased a 67, how many actually
went out and physically compared the Pentax to other brands - actually
using several (not just holding them and dry-firing them in a camera
shop), making direct comparisons, and determining *from that experience*
which 6x7 format camera was ideal for them?  How many, after hearing the
praises heaped on the 67 by those who already owned one, bought one on
eBay or elsewhere without ever having made the comparison, or even
spending a day or so with a 67?

Pål Audun Jensen wrote:
 
 BTW  Interestingly enough, and also a point that underlines the consumerist
 nature of photo.net, is the fact that there's a anti medium format
 undercurrent on the nature section. Pretty weird considering that MF is the
 most popular format globally for landscape, which is the most popular area
 of nature photography.
 Of course, anything that can, in one way or another, be considered better
 than the consensus products is in effect a threat to happy consumerism for
 the majority of the posters. MF need to be dismissed as ok for weddings,
 which is apparently the grosses insult there is, but not for serious
 photography.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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RE: AF speed (was: Silly Photo.net thread)

2002-03-11 Thread Bruce Rubenstein

Take a f2.8 telephoto lens, shoot a quick moving subject at f2.8 and f11 and
see what the percentage of in focus shoots you get at both apertures. If
they're both %100, find a more difficult subject. If they're both 0% find an
easier subject. I already know the answer, because I've done it.


--- Rob Brigham [EMAIL PROTECTED] wrote:
 But DOF is not an issue for focussing - the camera focusses wide open.
 It doesnt stop down until you take the shot.  When you talk about the
 subject leaving the plane of focus before the shutter fires this is
 shutter lag.  Lens performance aside, the camer always gets the subject
 in focus at f2.8 if it is an f2.8 lens.
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RE: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread Alan Abbott

I must get a different magazine to you because I would say that it carries
very little about gear and morwe about locations to shoot!
Alan (very confused!)

 -Original Message-
 From: Mick Maguire [mailto:[EMAIL PROTECTED]]
 Sent: Monday, March 11, 2002 2:20 PM
 To: [EMAIL PROTECTED]
 Subject: RE: Consume yourself happy with instant gratification (WAS:
 Silly Photo.net thread)
 
 
 Alan wrote:
 
 Is this the same magazine as we have in the UK called 
 Outdoor Photography?
 The one where Andy Rouse uses a 645NII.
 
 Yup, and I agree with Pal on that one. I get said magazine 
 and it seems
 mostly gear oriented (including SUV's), although there are 
 very good columns
 by very good photographers interspersed. The article on taking a Jeep
 liberty on a photo-shoot in Arizona was a good example of what Pal was
 getting at I think.
 
 
 Regards,
 /\/\ick...
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Re: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread Steve Larson

Tiny little flowers, eh?
 I had one too, but it was a very early one, and was quite good.
Steve Larson
Redondo Beach, California

 I had a Vivitar 135mm f/2.8 lens that was so bad I took the
 glass out of it and made a flower pot out of.
 
 William Robb
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Re: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread Bruce Rubenstein

Vivitar 75-205 f3.8 circa 1979 that was middle of the Vivitar line back then
(less than the Series 1, more than the more common f4.5's). Nothing special
performance, and about equivalent to a current $125 70-200. Not something worth
having the lens mount converted, IMO.

--- Aaron Reynolds [EMAIL PROTECTED] wrote:
 Perhaps this would be easier to understand for me if you could give me a 
 sampling of the ones you've used that were optically poor.  After all, 
 your assumption is based on having used at least one of them, right?
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Re:: 6x7 questions

2002-03-11 Thread Pål Audun Jensen

Tom wrote:


Well, I *like* the dimensions, I think 6x4.5 is about perfect, and 6x7 is 
too square.


I agree. 67 is too square to my taste. 35mm is too rectangular. 645 is perfect.

Pål
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Re: Re[2]: OT: Oh, I get it...

2002-03-11 Thread tom

On 11 Mar 2002 at 8:07, Aaron Reynolds wrote:
  Was there an M series 35mm f2.0? 
 I'd be up for one of those, too.

Yeah, there was. It was good, too.

tv
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RE: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread Pål Audun Jensen

Alan wrote:


Is this the same magazine as we have in the UK called Outdoor Photography?
The one where Andy Rouse uses a 645NII.


Not that's Outdoor Photography (British). Outdoor Photographer (US) is 
another magazine.

Pål
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RE: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread Pål Audun Jensen

Theres a significant difference. Photo.net isn't supposed to be a brand 
oriented or indeed a equipment oriented forum. In fact, they goes to great 
length saying that this vs. that brand is unwanted. This is just fluff of 
course. In reality its only the way it's done that has been changed. I've 
nothing against fandom or brand loyality as long as it is presented as 
such. I don't go to a Pentax forum believing I'll get a fair assessment on 
Pentax vs. Nikon.
It's just the ulterior motives behind what's presented as fact on Photo.net 
that makes it so funny.

Pål



Shel wrote:

And how is Photo.net different than any mailing list that espouses a
particular brand of cameras and attenuate accessories.  There's an awful
lot of enabling going on on this list, and not only for the 67
cameras.  IMO, the truth is that the internet encourages consumerism in
these instances, with groups of people with similar interests getting
together and, essentially, congratulating one another on their
cleverness.  I see it on the Leica list, the CV list, the RF list, and
so on.  Individuals now often make buying decisions based on touts from
their own group - after all, who knows a particular brand of product
better than the people who use it, notwithstanding the fact that many of
those users may not be familiar or experienced with similar, competing
products.
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Re: pentax-discuss-digest V1 #2292

2002-03-11 Thread Mike Ignatiev

Yeah, I know. What I meant is it seems like it was rather a norm back
in 80s (not that I remeber that that well) to make interchangeable
finders on higher end cameras (OM, Nikon Fs, LX -- you name it) and it
definitely is an exception now. I don't get it. It is so damn
convenient, especially for those low-angle, your camera upside-down on
a tripod macro kinds of shots. If nothing else, this is a good enough
reason for me to keep the action finder for LX. Did I mention I love
FE-1 with its huge picture?

 Date: Mon, 11 Mar 2002 08:37:17 -0600
 From: William Robb [EMAIL PROTECTED]
 Subject: Re: OT: Oh, I get it...
  Oh, and with all that discussion about viewfinders -- it totally
  escapes me why the removable finders in 35mm format are gone with LX
  and F3.
 
 The F5 has interchangable finders. I expect the F4 did as well.

 William Robb
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the tamron 70-210 - I put it on ebay...

2002-03-11 Thread Ann Sanfedele

... Since I got no nibbles from you guys.  Its Adaptal-2 adapter (as
those of you who have too much time on your hands and read everything on
PDML) being for MINOLTA is listed under lenses for same - but in the
description I mentioned it could be removed and changed to Pentax and
others, of course. 

For those who told me what camera it went on, here is a chuckle -
if I had looked at back of the rear cap it says Minolta right on it...
no
magnifier needed on my part. Duh. 

http://cgi.ebay.com/aw-cgi/eBayISAPI.dll?ViewItemitem=1338721773

things are slw on ebay _ I started the lens at $30.00 , which is
what
I understand the approximate price is for the Adaptal-2 alone.  NO
reserve
and no BIN.  annsan gambles.

Ta,
annsan
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Re: AF speed

2002-03-11 Thread Bruce Rubenstein

I had a ZX-5 (Actually still do, my 9 year old uses it like a MZ - no AF). The
N80 is a bit better, but still limited by the AF motor. The F100 is a whole
'nuther ballgame. If I know I'm going to need fast AF, or the light is low I
don't use the N80 so I don't run up against its limits as often as I did with
the ZX.

--- Aaron Reynolds [EMAIL PROTECTED] wrote:
 On Monday, March 11, 2002, at 08:56  AM, Pål Audun Jensen wrote:
 Perhaps Bruce can enlighten us about the details of his head to head 
 with the Z-1p and 28-105 vs. the Nikon body he used and Nikkor 28-105.
 
 -Aaron
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Re: Consume yourself happy with instant gratification (WAS:Silly Photo.net thread)

2002-03-11 Thread Shel Belinkoff

Just because something's supposed to be one way, doesn't mean in
reality it is.  IAC, since Photo.net seems to have a disposition towards
certain brands, it is, as I suggested, no different than equipment
oriented forums, regardless of how it's supposed to be.

IAC, my comment was more generally directed to consumerism on the
internet than specific situations.  Certain circumstances were mentioned
only as examples.  Consumerism, brand bias, peer pressure, and the like,
may even be greater on the net than it is in the general population. 
Certainly it's quite strong. 

Pål Audun Jensen wrote:
 
 Theres a significant difference. Photo.net isn't supposed to be a brand
 oriented or indeed a equipment oriented forum. In fact, they goes to great
 length saying that this vs. that brand is unwanted. This is just fluff of
 course. In reality its only the way it's done that has been changed. I've
 nothing against fandom or brand loyality as long as it is presented as
 such. I don't go to a Pentax forum believing I'll get a fair assessment on
 Pentax vs. Nikon.
 It's just the ulterior motives behind what's presented as fact on Photo.net
 that makes it so funny.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: Hello and a lens question

2002-03-11 Thread Peter Alling

I'm all for security, however did you get the cop's information, badge, etc.
under the constitution they are not allowed to confiscate anything from you
without compensation.  If they did you should file a complaint with their
superiors.   This seems like stupid officiousness to me and should be 
challenged.

At 05:20 PM 3/9/2002 -0500, you wrote:
Thanks everyone for the input.
To close the story, I showed the lenses to a guy in a local store and his
opinion was that it's fungus. In both. I am returning them first thing
monday.

On an unrelated topic: today I went shooting to check out these two lenses,
to Charlestown (I live in Boston area). There's quite a spectacular
industrial view: a multi-tier highway, a huge (almost finished) bridge, with
Boston downtown skyline as a background. I was taking pictures when a guy
came by and told me that I have walked into a restricted construction area
where no pictures is allowed. I said sorry, and moved back a dozen feet
away, where's a public park. Then I went on shooting from the park, under
the bridge, when the same guy together with 3 or 4 cops stopped me, searched
me, wrote down everything from my driver's license, asked a lot of questions
and took the film from the camera. They admitted that from where I was, it
wasn't prohibited to shoot -- but the highway and the bridge is sensitive
area, and the argument ended there.
I guess what I want to say, now that I am at home, after a drink -- I'm
happy I'm not an arab... Just needed to share with someone.
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Re: Consume yourself happy with instant gratification (WAS:Silly Photo.net thread)

2002-03-11 Thread Bruce Rubenstein

Spending money on camera equipment is consumerism when you buy Nikon and Canon
(because you're stupid), and isn't when you buy Pentax (because you're smart). 
Pal just wants the people on pnoto.net to be smarter.

--- Shel Belinkoff [EMAIL PROTECTED] wrote:
 
 IAC, my comment was more generally directed to consumerism on the
 internet than specific situations.  Certain circumstances were mentioned
 only as examples.  Consumerism, brand bias, peer pressure, and the like,
 may even be greater on the net than it is in the general population. 
 Certainly it's quite strong. 
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Re: LX is dressed up to go out thanks to Peter

2002-03-11 Thread Bmacrae

Does that thing get in the way when you are shooting?

William,

No, thankfully it doesn't. I wondered about that, too. where I grip the camera is well 
below where the strap attaches so there's no problem.

I was worried at first that I had set the lug to far back on the grip itself so that 
when it was attached to the camera the strap would rub...but I forgot that the grip is 
actually proud of the surface when mounted to the body (not flush) so this gives a 
little wiggle room for the strap to hang freely.

Brendan MacRae
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Re: pentax-discuss-digest V1 #2292

2002-03-11 Thread William Robb

- Original Message -
From: Mike Ignatiev
Subject: Re: pentax-discuss-digest V1 #2292


 Yeah, I know. What I meant is it seems like it was rather a
norm back
 in 80s (not that I remeber that that well) to make
interchangeable
 finders on higher end cameras (OM, Nikon Fs, LX -- you name
it) and it
 definitely is an exception now. I don't get it. It is so damn
 convenient, especially for those low-angle, your camera
upside-down on
 a tripod macro kinds of shots. If nothing else, this is a good
enough
 reason for me to keep the action finder for LX. Did I mention
I love
 FE-1 with its huge picture?

There have actually been very few 35mm cameras with
interchangable finders.
The entire Nikon F line (F, F2, F3, F4, F5) has had
interchangable finders. The Canon F1 series, which i believe
comprised 3 different models over the years, a few Topcons, and
I think the Minolta XK are the only 35mm SLR cameras other than
the LX to have removable finders.
There may be a few others, but it was never a feature that sold
in great numbers, I expect because of the effect it had on
either the price of the camera, or viewfinder accuracy, these
being closely related criteria. I don't think Olympus OM had an
interchangable viewfinder camera. I had an OM-1 and an OM-2s,
both had fixed prisms

William Robb
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Re: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread Aaron Reynolds

On Monday, March 11, 2002, at 09:29  AM, William Robb wrote:

 I had a Vivitar 135mm f/2.8 lens that was so bad I took the
 glass out of it and made a flower pot out of.

HAR!  Now THAT is a lens review.

-Aaron
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Re: Soft Release for LX and MX

2002-03-11 Thread Peter Alling

Any you can use it as a lapel pin!  (AFAHMISP).

At 05:51 PM 3/9/2002 -0800, you wrote:
Don't complain too much about the price of a genuine Pentax softie ...

http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1336752690

William Robb wrote:

  Paul, it may or may not be that different. If it meets the
  criteria that Shel listed, then you got a hell of a good
  bargain, if the intention is to use it on an LX.
  I actually quite like the new style LX shutter release as it
  comes from the factory. Unfortunately, two of my LX's are the
  old style release, which is not as nice.

--
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: Odd binocular

2002-03-11 Thread Peter Alling

Isn't that really technically a monocular?

At 08:26 PM 3/9/2002 -0500, you wrote:
Read the note on this ad.  Weirdest looking binocular I've ever seen :-)

http://www.pentax.com/products/cameras/camera_pricelist.cfm?productid=15722

Bill
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Re: AF speed

2002-03-11 Thread Brendan

I can say the MZ-3 does a very good job in low light
and consistantly gets me sharp photos of performers in
nightclubs. I have been there with other photographers
that used canon, nikon nad minolta systems and in
comparison it is equal or better than the similar
priced models. This is with the spot beam on th AF500
at times and yes I have thought some photos would be
out of focus just to be surprised when they turned out
to be in foucs on the print. I also noticed that some
lenses are just plain dogs AF speed wise ( 28-80,
sigma 70-300 ) while others are much faster like the
sigma 28-105 IF and toikna 400 ATX ( which focuses
faster than the F 50mm F1.7 )


--- Bruce Rubenstein [EMAIL PROTECTED] wrote:
 I had a ZX-5 (Actually still do, my 9 year old uses
 it like a MZ - no AF). The
 N80 is a bit better, but still limited by the AF
 motor. The F100 is a whole
 'nuther ballgame. If I know I'm going to need fast
 AF, or the light is low I
 don't use the N80 so I don't run up against its
 limits as often as I did with
 the ZX.
 
 --- Aaron Reynolds [EMAIL PROTECTED] wrote:
  On Monday, March 11, 2002, at 08:56  AM, Pål Audun
 Jensen wrote:
  Perhaps Bruce can enlighten us about the details
 of his head to head 
  with the Z-1p and 28-105 vs. the Nikon body he
 used and Nikkor 28-105.
  
  -Aaron
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Re: AF speed (was: Silly Photo.net thread)

2002-03-11 Thread Bruce Rubenstein

I used trap focus with the ZX-5, which drops motor/lens speed out of the
equation, and the plane of focus still falls behind where the subject is when
the shutter fires.

--- William Robb [EMAIL PROTECTED] wrote:
 Focus is also dependant on how fast the subject moves after the
 camera has confimed focus and begins the exposure cycle, as
 after the mirror starts to move, AF measurment is impossible.
 Predictive AF is the camera guessing about where the subject
 will be, based on where the subject has been. It may or may not
 be accurate.
 Most likely, not.
 Oh yes, since it is a mechanism, there must be an element of
 slop involved to allow the moving parts to move. Not much, but
 we are talking about wavelengths of light as being the limiting
 factor for allowable error.
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Re: OT: You with the Speed Graphic

2002-03-11 Thread Peter Alling

Looks like you did.

At 12:40 AM 3/10/2002 -0500, gfen wrote:
On Sat, 9 Mar 2002, Collin Brendemuehl wrote:

  http://cgi.ebay.com/ws/eBayISAPI.dll?ViewItemitem=1336923602

OK, I can't resist at least TRYING for this thing...

--
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  The destructive character is cheerful.  - Walter Benjamin
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Re: AF280T and M lenses

2002-03-11 Thread Peter Alling

Yes just set it to M H or L and the finder check to OFF.

At 06:22 PM 3/9/2002 -0500, you wrote:
I now have the above mentioned flash and a
M50mm f 1.7 on my newly aquired Super
Program.If i understand the flash manual,i
would only be able to use the flash in manula
mode and no auto modes??Is this correct.

Dave


Pentax User
Stouffville Ontario Canada

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Re: 6x7 Problem

2002-03-11 Thread Daniel J. Matyola

I've been pretty busy the past few months, and have'nt taken as many photos as I would 
have liked.  What I did during that period was with
my SuperProgram or my Spotmatics, rather than my old non-MLU 6x7.

Over the weekend I had a project for which I wanted to use the 6x7.  I had the 
metering prism finder on the camera, and the needle was
pegged to the top of its range, no mater what speed and aperture I used.  I replaced 
the battery with a fresh one, but the result was the
same.  While fiddling around with the camera, I noticed that occasionally, when I 
touched the disk on the finder on which the shutter
speeds are marked, the needle would suddenly pop back into the proper range, usually 
just momentarily, but once or twice for a second or
two as I held my left finger on the disk.

Has anyone had this strange behavior before?  Any ideas what the problem might be and 
what the solution could be?  I shot a roll of Supra
with the waist level finder and a hand-held meter just to make sure it was the finder 
that was the only problem, and that there wasn't also
a problem in the body as well.  It will take a few days to get the film back.

Any thoughts and advice will be gratefully appreciated.

Dan
--
Daniel J. Matyola  mailto:[EMAIL PROTECTED]
Stanley, Powers  Matyola  mailto:[EMAIL PROTECTED]
Suite203, 1170 US Highway 22 East  http://danmatyola.com
Bridgewater, NJ 08807  (908)725-3322  fax: (908)707-0399
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Re[2]: OT: Oh, I get it...

2002-03-11 Thread Bruce Dayton

Pål,

I guess I should clarify more.  The only reason that I mentioned the
Limiteds is because of optical quality along with reasonable
size/weight.  It would mean for me, changing from FA 85 to 77 Limited
and getting rid of FA 28, 35 and getting the 31 Limited.  Then the kit
would probably be Fisheye 17-35, FA 20, 31 Limited, 43 Limited, 77
Limited, FA 100 Macro and FA 200.


Bruce Dayton



Monday, March 11, 2002, 5:16:12 AM, you wrote:

PAJ Bruce wrote:


Perhaps it is time to get the companion limiteds to keep my 43 company
and sell off some of the other stuff.  What to do...


PAJ Well, personally I got more critical after starting using medium format. So 
PAJ now my 35mm lenses better be good to make me happy. I try to get the best 
PAJ out of my 35mm system by using the best lenses. In that way I won't be that 
PAJ sorry when I have a good shot on 35mm instead of on MF.

PAJ Pål
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Re: I want LX!

2002-03-11 Thread Aaron Reynolds

On Sunday, March 10, 2002, at 06:12  PM, Shel Belinkoff wrote:

 It's funny, for I've been a champion of the LX for quite some time.  It
 is a lovely camera.  But since I've obtained a really sweet example of
 the MX, the LX gets less and less use.

I briefly played with Frank's MX at the PDML Toronto meet.  It was 
really quite nice, felt good in the hands, and the motor drive was much 
more substantial than the winder ME II I have for my ME Super.  I'd 
probably be really tempted if I saw one for sale at a good price.  
Still, I really love the meter in my LX, and I've come to trust it more 
than any other TTL meter I've ever used.

-Aaron
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RE: AF speed (was: Silly Photo.net thread)

2002-03-11 Thread Rob Brigham

Any difference must be due to AF innacuracy, shutter lag or a wrong
prediction being masked by the DOF.  IF the AF SPEED was not good enough
then the shutter would not have fired as it would not have achieved
FOCUS WIDE OPEN.  The shot taken at F11 was still focussed as far as the
camera was concerned before the aperture blades were closed - ie at
f2.8.

 -Original Message-
 From: Bruce Rubenstein [mailto:[EMAIL PROTECTED]]
 Sent: 11 March 2002 14:45
 To: [EMAIL PROTECTED]
 Subject: RE: AF speed (was: Silly Photo.net thread)
 
 
 Take a f2.8 telephoto lens, shoot a quick moving subject at 
 f2.8 and f11 and
 see what the percentage of in focus shoots you get at both 
 apertures. If
 they're both %100, find a more difficult subject. If they're 
 both 0% find an
 easier subject. I already know the answer, because I've done it.
 
 
 --- Rob Brigham [EMAIL PROTECTED] wrote:
  But DOF is not an issue for focussing - the camera focusses 
 wide open.
  It doesnt stop down until you take the shot.  When you talk 
 about the
  subject leaving the plane of focus before the shutter fires this is
  shutter lag.  Lens performance aside, the camer always gets 
 the subject
  in focus at f2.8 if it is an f2.8 lens.
 Try FREE Yahoo! Mail - the world's greatest free email!
 http://mail.yahoo.com/
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Re: Buying/Selling online vs Buying/Selling offline

2002-03-11 Thread T Rittenhouse

The short answer is all of the above.

The long answer is that it depends. Sometimes you can get a better price
only, sometimes offline. You can dicker offline and your buy/sell price is
to some extent based upon how well you do that. Online prices seem to be
take it or leave it in the case of listings, and dependent on how badly
someone else wants it in the case of auctions.

Location and availability drive offline prices. Availability is higher
online, but that is offset by people who are out of your local market
driving prices up or down.

It amazed me how quickly some of the lenses I had on my website sold. It
amazes me that I have not had a nibble on the 28mm despite having it listed
cheaper than both local and online competitors. The 50/f2 is a bit high and
I will probably drop it some. The 28/3.5 Takumar lens hood is a bit of a
collectors item and I would expect it to take awhile to sell. The website is
my first online selling experience.

So, as I said, in the short answer, there is no particular answer.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Alexandre Gaudeul [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, March 11, 2002 8:21 AM
Subject: Buying/Selling online vs Buying/Selling offline


 I have seen very interesting discussion here about how the ability to
trade
 photographic equipment online has affected the way you, and camera
outfits,
 do business (buying, selling your gear).
 I was especially interested by how this benefits camera outfits (they can
 offer more trade in, sell their stock quicker) but also how this steals
 business from them. I was also interested by the advantages for buyers
 (They have more choice at better (?) price), and disadvantages (they do
not
 get to manipulate the product)
 I would like to have some of your opinions on how different the prices are
 online and offline, and where the difference stems from. For example, have
 you ever been able to negotiate offline a price down (if you were the
 buyer) or up (if you were the seller), or was the price a take it or
leave
 it offer ? Do you think it is easier and less costly (in terms of
 reputation and hassle) to return a good you were not happy with online or
 offline ? Do you think you get better deals as a buyer or a seller online
 or offline ? What do you look at when trying to know if you made a good
 deal or a bad deal ?
 What type of strategies have you seen used by camera experts (like you or
 your preferred camera dealer) to take advantage of any possible
discrepancy
 between the two ways to buy and sell camera and lenses ?
 I already have gained much insight from your discussions, but i would be
 happy to see if there are something I missed or you would like to add in
 that debate.
 My motive for asking all this is economic research as i am doing a thesis
 on how internet changes the way to do business. I am also a Pentax user,
as
 some of you may know.


 Alexandre Gaudeul
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Re: LX vs MX vs KX (was Re: I want LX!)

2002-03-11 Thread gfen

On Mon, 11 Mar 2002, gfen wrote:
 The LX is out of the question. I'm not spending that much, but I notice
 people continually chatting up the KX and the MX, and was wondering which
 one people tend to prefer. I was intrigued by some messages in the best
 body thread going around that the KX has got all the features of the LX,
 except for the metering.

I should've mentioned, also, that price DOES play a big part of this. I
don't want to spend a ton of cash on anything, because I can't really
imagine needing anything higher end. My ZX-5n does everything I need it
to, I just want an alternate body, and am considering things besides the
ZX-M, which is the fall back choice.

-- 
http://www.infotainment.org
 The destructive character is cheerful.  - Walter Benjamin
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Re:LX is dressed up to go out thanks to

2002-03-11 Thread Camdir

Brendan has accurately replicated the positioning of the top lug on the 
LX2000. 

A Top Bloke.

Kind regards

Peter
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RE: LX vs MX vs KX

2002-03-11 Thread Mark Roberts

gfen wrote:

I'm considering another body to add to my collection (actually, to replace
the ZX-50, which gets passed on to a friend).

The LX is out of the question. I'm not spending that much, but I notice
people continually chatting up the KX and the MX, and was wondering which
one people tend to prefer. I was intrigued by some messages in the best
body thread going around that the KX has got all the features of the LX,
except for the metering.

Well, neither the KX nor the MX has automatic exposure or any kind of TTL
flash capability. They both have cloth focal plane shutters that are limited
to 1/1000 sec as their fastest speed. The KX can't take a winder or motor
drive (unless you can find the rare and pricey motor drive version). The
MX has an optional winder (2 fps) and a motor drive (5 fps) if you can find
them. The MX doesn't have mirror lock-up (although you cantrick it into
doing so with a little practice).

But they're both great cameras: I have two MXs and one KX ;-)

An MX with a 43/1.9 is a gerat almost-pocket-sized kit.


-- 
Mark Roberts
www.robertstech.com
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Re: OT: You with the Speed Graphic

2002-03-11 Thread gfen

On Mon, 11 Mar 2002, Christian Skofteland wrote:

 You think that's bad.

 A friend of mine just bought a set of bagpipes from eBay. whilst
 intoxicated!

See, that I'd be very proud of...

-- 
http://www.infotainment.org
 The destructive character is cheerful.  - Walter Benjamin
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FS: Super Program body, ME II winder, winder cord, front grip

2002-03-11 Thread Joe Wilensky

I've lowered my asking prices and I'm offering these items again, 
together (discounts possible) or individually:

-- A Super Program camera body in full working condition, including 
the accessory front grip, a body cap, and an original instruction 
manual.
This body is well used, and has a significant abrasion and small 
crack on the top left (looking at front of camera) of the top plate 
chrome, on the edge past the wind lever and exposure window. The 
crack, which was there when I purchased this camera, has had some 
sealant applied to it at some point in the past, and this damage has 
no effect on operation and causes no light leakage. I had something 
invovling the wind mechanism replaced in this camera about a year ago.
I can have photos of this camera body available in the next week or 
so if I get inquiries.
The rest of the body has some small nicks and marks, but looks good overall.
$100 plus shipping to list members.

-- A Pentax Winder ME II, in perfect condition. It was essentially 
new in the box when I got it a couple of years ago, and it has only 
seen light use since then. It includes the box (even the styrofoam 
inserts in the box), the instruction manual, and it even has the 
little cap that covers the remote cord terminal. It fits the ME, 
MV-1, MG, ME-F, ME Super, Program Plus, Super Program, P5, and P50 
cameras. Takes four AA batteries. Up to 2 fps in consecutive mode. 
$75 plus shipping to list members.

-- The Remote Control Cord for the ME II winder (it also fits the LX 
winder), which is new in the box and even has the original twist tie 
still on the wrapped cord. Pentax lists it as 5 meters long. $25 plus 
shipping to list members.

-- A front grip that fits the Super Program (Super A) or Program Plus 
(Program A), in fine condition. $10 plus shipping for list members.

Joe
-- 

Joe Wilensky
Staff Writer
Media and Technology Services - Cornell University
1150 Comstock Hall
Ithaca, NY 14853-0901
e-mail: [EMAIL PROTECTED]
tel: 607-255-1575
fax: 607-255-9873
Please visit our Web site at http://www.mediasrv.cornell.edu
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Re: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread dave o'brien

On Mon, 11 Mar 2002, Pål Audun Jensen wrote:

If you really want a low impression of the photo.net readership, go read 
the article about his (philip greenspun's) Acura NSX.  I think it may be 
on philip.greenspun.com by now.

dave
-- 
dave o'brien - http://www.diaspoir.net
So I'm ugly.  So what?  I never saw anyone hit with his face.
-- Yogi Berra
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RE: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread Mick Maguire

Mick wrote: Yup!

Doh! I knew I shouldnt have chipped in!

Regards,
/\/\ick... 
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Re: OT: Oh, I get it...

2002-03-11 Thread dave o'brien

On Mon, 11 Mar 2002, Aaron Reynolds wrote:
 Yep, Chris ain't the only one who's brought his 67 to a party for 
 snapshots.

Snapshots, *ptui* My 6x7 gets used in darkened pubs.

dave
-- 
dave o'brien - http://www.diaspoir.net
I called my parents the other night, but I forgot about the time difference.
They're still living in the fifties.
-- Strange de Jim
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Re: OT: Oh, I get it...

2002-03-11 Thread Mike Ignatiev

Here you go: you just named 4 brands (although I got OM wrong). Now F5
is the only game in town, and that *is* a behemoth of a camera.  


 Date: Mon, 11 Mar 2002 09:38:42 -0600
 From: William Robb [EMAIL PROTECTED]
 Subject: Re: pentax-discuss-digest V1 #2292
 
 - - Original Message -
 From: Mike Ignatiev
 Subject: Re: pentax-discuss-digest V1 #2292
 
 
  Yeah, I know. What I meant is it seems like it was rather a norm back
  in 80s (not that I remeber that that well) to make interchangeable
  finders on higher end cameras (OM, Nikon Fs, LX -- you name it) and it
  definitely is an exception now. I don't get it. It is so damn
  convenient, especially for those low-angle, your camera upside-down on
  a tripod macro kinds of shots. If nothing else, this is a good enough
  reason for me to keep the action finder for LX. Did I mention I love
  FE-1 with its huge picture?
 
 There have actually been very few 35mm cameras with
 interchangable finders.
 The entire Nikon F line (F, F2, F3, F4, F5) has had
 interchangable finders. The Canon F1 series, which i believe
 comprised 3 different models over the years, a few Topcons, and
 I think the Minolta XK are the only 35mm SLR cameras other than
 the LX to have removable finders.
 There may be a few others, but it was never a feature that sold
 in great numbers, I expect because of the effect it had on
 either the price of the camera, or viewfinder accuracy, these
 being closely related criteria. I don't think Olympus OM had an
 interchangable viewfinder camera. I had an OM-1 and an OM-2s,
 both had fixed prisms
 
 William Robb
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Re: LX vs MX vs KX

2002-03-11 Thread Shel Belinkoff

And an MX with a K35/3.5 or an M50/2.0 *is* pretty much a pocket-sized
kit g.

Mark Roberts wrote:

 An MX with a 43/1.9 is a gerat almost-pocket-sized kit.

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: AF speed

2002-03-11 Thread dave o'brien

On Mon, 11 Mar 2002, Aaron Reynolds wrote:
 Perhaps Bruce can enlighten us about the details of his head to head 
 with the Z-1p and 28-105 vs. the Nikon body he used and Nikkor 28-105.

It's been my (albeit limited) experience with Nikons that they'll focus on 
something in the viewfinder with very little hunting.  Whether they focus 
on the right thing, I couldn't say - My Nikon using friend could produce 
equally sharp and well composed pictures with my MZ-5 as with his Nikons. 

I'd be far more inclined to blame different final results with user error 
than with camera error.

dave
-- 
dave o'brien - http://www.diaspoir.net
Familiarity breeds contempt -- and children.
-- Mark Twain
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Re: Hams awake!

2002-03-11 Thread T Rittenhouse

Just to balance things out, I let mine lapse.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message - 
From: Paris, Leonard [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, March 11, 2002 7:06 AM
Subject: RE: Hams awake!


 Congratulations, Collin!
 
 Len - KD9S
 ---
 
 -Original Message-
 From: Collin Brendemuehl [mailto:[EMAIL PROTECTED]]
 Sent: Saturday, March 09, 2002 4:50 PM
 To: [EMAIL PROTECTED]
 Subject: Hams awake!
 
 
 I passed my Tech test today.
 Now just gotta wait for the paperwork.
 
 Who are the rest of US, the true bubbahood?
 
 Post your call signs, please.
 
 Thanks,
 
 Collin
 
 *
 Get over it.
   Dr. Laura
 
 ---
 [This E-mail scanned for viruses by Declude Virus]
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Re: Consume yourself happy with instant gratification (WAS: Silly Photo.net thread)

2002-03-11 Thread dave o'brien

On Mon, 11 Mar 2002, Pål Audun Jensen wrote:
 One example of this is that a rank amateur considering a Pentax MZ-5n 
 should buy a Nikon or a Canon because you can't rent a Pentax 600/4 in 
 Florida.
 It is of course of no consequence to this rational argument that 99,99% of 
 the worlds population have never been to Florida or that 99,99% of Pentax 
 users in Florida never considers renting a 600/4.

This is one of the more bizarre photo.net arguments.  You can't rent
Pentax gear.  So what?  I, personally, have never rented any camera gear
at all.  In the monumentally unlikely circumstances that I'd need to rent
a 600/4 lens for something, I'm sure I could rent the Nikon or Canon body
as easily as the lens.

Of course I could always buy one for my 6x7 and use it on my MX with the
6x7 adapter, which is not something you can say for Nikkor (or Canon)  
lenses.

dave
-- 
o'brien - http://www.diaspoir.net 
To love is good, love being difficult.
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super-wide-angle options?

2002-03-11 Thread Mark Erickson

All,

I'd like to add super-wide-angle capability to my photo setup.  I've been 
mulling over the options, and I'm hoping to get some advice from the list.  
I'd like to go rectilinear rather than fisheye, and here are the options I'm 
considering: 

Cheap:
 --
Vivitar 19mm or Russian/Ukranian 20mm
(are either of these worth considering?) 

Medium:
 ---
Tokina 20-35 zoom  (in the $200's)
Used SMC-M 20mm F4 (around $350) 

Expensive:
 --
SMC-A or FA 20mm F2.8 ($400-500)
FA 20-35mm F4 ($450?) 

Insanely Expensive
 ---
Used SMC or SMC-A 15mm ($750-900) 

With the above options in mind, here are my questions: 

 1) Are the MIR or Vivitars even worth considering? 

 2) Is the Pentax 20-35 that much better than the Tokina? 

 3) Are the primes that much better than the zooms? 

 4) Anyone out there have experience with the 15mm? 

Thanks a lot in advance!  TTYL, 

 --Mark (KE6NJ, inactive for more than a decade)
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Re: LX vs MX vs KX (was Re: I want LX!)

2002-03-11 Thread Bmacrae

The MX is lighter than the KX. Both have real similar features but you can change out 
the screens on the MX. KX has a higher ISO range.

Were it me, I have to say I'd wait and spend a little more for the LX. It's a nearly 
perfect camera.

Brendan MacRae
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Re: MX viewfinder diopter: -1 or -0.5?

2002-03-11 Thread T Rittenhouse

I guess I can't see what it matters. The viewfinder is set up to appear
approximately one meter away. The diopter they had to use to do that is kind
of irrelevant, it was an engineering decision.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, March 11, 2002 8:02 AM
Subject: MX viewfinder diopter: -1 or -0.5?


 Hi, gang
 The manual says -1 but a brochure from its era says -0.5
 What's the real diopter of MX viewfinder?
 Regards

 Albano
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Re:LX is dressed up to go out thanks to

2002-03-11 Thread Bmacrae

Peter...

You know the old saying, Where there's a will, there's a crazy SOB willing to take 
power tools to his photo gear!

Thanks again, man!

Brendan MacRae
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RE: LX vs MX vs KX

2002-03-11 Thread gfen

On Mon, 11 Mar 2002, Mark Roberts wrote:
 Well, neither the KX nor the MX has automatic exposure or any kind of TTL
 flash capability. They both have cloth focal plane shutters that are limited
 to 1/1000 sec as their fastest speed. The KX can't take a winder or motor
 drive (unless you can find the rare and pricey motor drive version). The
 MX has an optional winder (2 fps) and a motor drive (5 fps) if you can find

These are, for the most part, easily dispensed with. I don't mind winding
by hand, and while I always end up with 400 speed film, and thus 1/1000
would be a bit confining, it just propels me to use slower film.

 them. The MX doesn't have mirror lock-up (although you cantrick it into
 doing so with a little practice).

This is why I was leaning towards the KX, since none of the other
reasonably priced ZX bodies contain this feature. :) I also figured that
the viewfinder would be much nicer on one of the older bodies, verus the
new.

The other main concern with this is in regards to just how they use their
batteries. Does these cameras need batteries to operate anything other
than the light meter?


-- 
http://www.infotainment.org
 The destructive character is cheerful.  - Walter Benjamin
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Re: Hams awake!

2002-03-11 Thread Ryan K. Brooks

N9YBX.

-R
!
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Re: LX vs MX vs KX

2002-03-11 Thread Shel Belinkoff

Not for the MX.

gfen wrote:

 The other main concern with this is in regards to just how they use their
 batteries. Does these cameras need batteries to operate anything other
 than the light meter?

-- 
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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Re: Silly Photo.net thread

2002-03-11 Thread Ryan K. Brooks

Wow.. there's a ton of (most likely) hand held 67 shots on there.

And a fair amount of 35mm with 600mm/4.

-R
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Re: LX vs MX vs KX (was Re: I want LX!)

2002-03-11 Thread Shel Belinkoff

Unless you want a smaller, lighter, simpler, and less expensive camera. 
A good LX is about 3X or more the price of a good MX ... that's more
than a little more.

[EMAIL PROTECTED] wrote:

 Were it me, I have to say I'd wait and 
 spend a little more for the LX. It's a 
 nearly perfect camera.

---
Shel Belinkoff
mailto:[EMAIL PROTECTED]
http://home.earthlink.net/~belinkoff/
http://home.earthlink.net/~belinkoff/darkroom-rentals/index.html
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RE: AF speed

2002-03-11 Thread Paris, Leonard

Mark, did you shoot in AF Servo mode or in Single AF mode?  Just curious.

Len
---

-Original Message-
From: Mark Roberts [mailto:[EMAIL PROTECTED]]
Sent: Monday, March 11, 2002 8:13 AM
To: [EMAIL PROTECTED]
Subject: RE: AF speed

This is exactly what happened when I shot motorcycle racing last summer.
I thought very few of my photos were in focus. When I got the slides done
I found every one was in focus.

I'm looking forward to shooting some more of this kind of stuff this year,
but with the MZ-S this time.


-- 
Mark Roberts
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RE: super-wide-angle options?

2002-03-11 Thread Rob Brigham

1  2 The Vivitar is better than the Tokina optically.  The Tokina is
not great.  The Fa 20-35 is MUCH BETTER, as is the Sigma 17-35 EX for
about the same price.  Here, the Sigma gives greater range, and is f2.8
at 17mm, but the pentax is far more flare resistant than any 3rd party
lens.

For a prime lens I would SERIOUSLY consider the FA 24 f2.0.

A good value combo might be rge FA 24 f2.0 and the Vivitar 19-35.  This
give flexibility and ultimate quality.

 -Original Message-
 From: Mark Erickson [mailto:[EMAIL PROTECTED]]
 Sent: 11 March 2002 17:14
 To: pentax-discuss
 Subject: super-wide-angle options?
 
 
 All,
 
 I'd like to add super-wide-angle capability to my photo 
 setup.  I've been 
 mulling over the options, and I'm hoping to get some advice 
 from the list.  
 I'd like to go rectilinear rather than fisheye, and here are 
 the options I'm 
 considering: 
 
 Cheap:
  --
 Vivitar 19mm or Russian/Ukranian 20mm
 (are either of these worth considering?) 
 
 Medium:
  ---
 Tokina 20-35 zoom  (in the $200's)
 Used SMC-M 20mm F4 (around $350) 
 
 Expensive:
  --
 SMC-A or FA 20mm F2.8 ($400-500)
 FA 20-35mm F4 ($450?) 
 
 Insanely Expensive
  ---
 Used SMC or SMC-A 15mm ($750-900) 
 
 With the above options in mind, here are my questions: 
 
  1) Are the MIR or Vivitars even worth considering? 
 
  2) Is the Pentax 20-35 that much better than the Tokina? 
 
  3) Are the primes that much better than the zooms? 
 
  4) Anyone out there have experience with the 15mm? 
 
 Thanks a lot in advance!  TTYL, 
 
  --Mark (KE6NJ, inactive for more than a decade)
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Little Help with Super Program

2002-03-11 Thread Christopher Lillja

I just got a nice Super Program! Looks great and now I'll be able to leave the screw 
mount adapter in my ME...

Since it's one of the few Pentaxes for which there is no manual available for free on 
the Pentax website, could one of you folks help me with a couple of quick questions?

1. The little display on the top deck just below the mode switch/shutter release. What 
does it display, other than P for program mode and the shutter speed? There seems to 
be a little rectangular bar in the upper right hand corner of the display, what does 
this indicate?

2. There's what looks like a little button just below the PC socket on the left side 
of lens mount (left side as you look through the viewfinder). What does it do? Battery 
check? If not, where is the battery check and how does it indicate battery condition?

3. Anything else that might not be obvious to someone who's only used a K1000, MZ5, 
and an ME?

Please respond directly as I am in digest mode and I'd like to burn some film in 
this puppy right now! Many thanks!

Chris L.
School Publications Guy
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Re: Sigma 70-200mm f/2.8 APO

2002-03-11 Thread Ryan K. Brooks

I'll second that.   It's the only non-pentax lens I use on a regular basis.
Beautifully sharp, nicely constructed.  Works fine on my MZ-S, unless I'm
missing something.

I just did some tests with it and a teleconverter, and I'll make some
available via the web this week.

-R
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Re: Pentax prices

2002-03-11 Thread T Rittenhouse

The way Nikon and Canon got to be recognized is by giving equipment away to
the wire services and major news media. Then you see their pros using the
equipment and say. Wow, look all the pros are using Nikon and Canon, they
must be the best.

Information source: a former Nikon Rep who serviced the Washington, DC area
doing just that.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message -
From: Bruce Rubenstein [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, March 11, 2002 9:24 AM
Subject: Re: Pentax prices


 A pro body, in and of itself, won't do much good for image and increased
 sales. Witness the Maxxum 9, which hasn't changed the perception of
Minolta as
 being a maker of mass market/amature cameras. Contax certainly makes
cameras
 that some pros use, but that hasn't given them widespread name recognition
 among non-enthusasists. The way that Nikon and Canon have gotten pros to
use
 their equipment is by making a suitable product and by supporting pros.
This
 takes a solid product, an extensive product line (lenses), good repair
 facilities and the budget for the maker to pay for it. Even when Canon
game out
 with their far advanced AF they had to spend a small fortune, up front, to
get
 pros to switch. It's tough to get a sizeable portion of the 35mm pro
market
 (Minolta gave up on it). A company may be able to sell a lot more non-pro,
 amature bodies, because they have the right name on it, but that's just
cashing
 in on your investment. Pentax persued the 35mm pro market the same way
they did
 the MF market by making a good product (LX) and letting it sell itself:
doesn't
 work in the 35mm market.
 A highend image body, that's not widely used by pros, will be mostly
noticed
 by people already using that camera brand. It won't get you many new
customers.
 To the general public, all you need to look like a pro is a SLR, a big
lens and
 flash and a camera bag. I am sure that there are people with the means who
 decide to get a camera, want the best and buy a $3,000 Nikon system with
 little idea of how to use it well. I'm sure Pentax would like to sell to
that
 customer too: sales are sales. It takes a lot of time and money to
establish
 that kind of reputation.

 --- frank theriault [EMAIL PROTECTED] wrote:
 
  Your post got me to thinking, however.  Could it be that the lack of a
pro
  35mm camera is the reason?  I don't want to get into what a pro camera
is
  (please!), but let's face it, when we see a PJ in a media scrum on the
news,
  or
  on the street, he/she invariably has an F5 or an EOS.  I'm sure that the
  public
  sees that as well.
 
  I think that the fact that Pentax really hasn't catered to pros (PJ's
at
  least) since the LX has hurt Pentax immeasurably.  Or, maybe the
converse is
  true:  the fact (or at least the perception) that PJ's use C and
N
  almost exclusively is a huge marketing coup for those two companies.
 
  As wonderful and capable a body as the MZ S is, PJ's aren't using it -
not
  surprising, because I don't think they are necessarily who it is aimed
at.
  But
  it's also not surprising that the public thinks, Wanna look like a pro?
I
  will
  if I buy C or N.
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Re: Re[2]: OT: Oh, I get it...

2002-03-11 Thread T Rittenhouse

M 35/2.0? Yep! Was my most used lens back in the old days.

Ciao,
Graywolf
http://pages.prodigy.net/graywolfphoto



- Original Message - 
From: Aaron Reynolds [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Monday, March 11, 2002 8:07 AM
Subject: Re: Re[2]: OT: Oh, I get it...


 On Monday, March 11, 2002, at 02:13  AM, Bruce Dayton wrote:
 
  I can say that I am re-evaluating my assortment of lenses for the
  35mm.  Previously I had been trying to build up the highest optical
  quality and full range that I could find - regardless of cost.  Now
  I'm thinking of small and lightweight as the 67 covers high quality
  much better.
 
 My 35mm kit is oriented around two things -- lenses that are 
 significantly faster than what I have in 67 (there's nothing slower than 
 f2.8 in my 35mm kit now), and size.  I'm semi-actively seeking an M 
 series 50mm f1.4 in good shape to replace the one that, uh, had an 
 unfortunate accident a while ago.  Was there an M series 35mm f2.0?  I'd 
 be up for one of those, too.
 
 Actually, if anyone has either of those and wants to trade for a Pentax 
 2X-S in great shape (but no caps or box) or the dreaded M 28mm f2.8, 
 drop me a line.
 
 -Aaron
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Antelope Canyon

2002-03-11 Thread Richard Chu

Has anyone been to Antelope Canyon recently?  It is
located at Page, Arizona.  I am hoping to visit it in
late April.  Can anyone give me any information such
as price and procedures?  I read in the internet that
the entrance fee is collected at the gate ($10 for
entering and then $10 every hour?).  Thanks.
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Re: LX vs MX vs KX (was Re: I want LX!)

2002-03-11 Thread gfen

On Mon, 11 Mar 2002 [EMAIL PROTECTED] wrote:

 The MX is lighter than the KX. Both have real similar features but you can change 
out the screens on the MX. KX has a higher ISO range.

Does the KX have a split screen?

 Were it me, I have to say I'd wait and spend a little more for the LX. It's a nearly 
perfect camera.

No interest in it, at all. If I were spending that much, I'd buy an MZ-S
probably. Or med format camera.

I think what holds my interest is a cheap body with MLU and one that
doesn't have a serious reliance on battery power. I'd like to do some
astrophotography someday. As I said, failing that, I'll get a ZX-M.



-- 
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 The destructive character is cheerful.  - Walter Benjamin
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RE: AF speed (was: Silly Photo.net thread)

2002-03-11 Thread Bruce Rubenstein

...and use gaussian blur on the backgrond in PS.

--- Brendan [EMAIL PROTECTED] wrote:
 Set it to F 8 and it will be in focus 
 :)
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