Re: Black on black

2006-12-13 Thread David Savage
On 12/13/06, William Robb [EMAIL PROTECTED] wrote:

 - Original Message -
 From: David Savage
 It needs one of the black limited lenses fitted. I recommend the 31mm.

 :-) Like this?
 http://users.accesscomm.ca/wrobb/pictures/i_suck/k1031.html

Yes.

That's a sweet looking combination. :-)


 Dave (doing his part for enablement)

 It's a noble cause.

I try.

Dave

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Re: Re: K10D at 'The Online Photographer'

2006-12-13 Thread David Savage
For those who don't frequent DPR, this is an interesting video of the
K100D's SR ina action:

http://pixinfo.com/img/Pentax/K100D/a/CCD_shift.mpg 

Dave

On 12/13/06, Digital Image Studio [EMAIL PROTECTED] wrote:
 On 13/12/06, DagT [EMAIL PROTECTED] wrote:
   Fra: Digital Image Studio [EMAIL PROTECTED]
  
   On 12/12/06, DagT [EMAIL PROTECTED] wrote:
  
If you have three sensors, and they have, the difference between two 
sensors with the same orientation but positioned on opposite sides of 
the frame they will be able to measure rotation.  It is not very clear 
from the document, but at least it is possible and I know this has been 
mentioned other places as well.
  
   It actually says:
  
   Based on a free-floating sensor design, PENTAX SR is superior to
   other sensor-moving systems because it uses no guide rails, allowing
   the sensor to oscillate in three directions?horizontally, vertically,
   and rotationally.
  
   But in this later document which includes references to the K10D:
  
   http://www.pentaxslr.com/files/scms_docs//PENTAX_SR_Description_091506.pdf
  
   Based on a free-floating sensor design, PENTAX SR is superior to
   other sensor-moving systems because it uses no guide rails, allowing
   the sensor to oscillate in three directions?horizontally, vertically,
   and diagonally.
  
   So it's clear as mud.
 
  Have you tried to explain rotation as a third dimension to marketing people 
  .-)
 
  That may explain some of the confusion. To me it makes more sense than the 
  third direction is a rotation than just a diagonal translation. The latter 
  would be possible with the right design of guide rails, but not the 
  rotation.

 I suspect that rotation and any other combination of parallel or
 diagonal movement would be possible using the combination of four
 motors that they have. The motors are the guide rails :-)

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Re: K10D at 'The Online Photographer'

2006-12-13 Thread DagT
It does rotate a little, thanks!

DagT

Den 13. des. 2006 kl. 09.42 skrev David Savage:

 For those who don't frequent DPR, this is an interesting video of the
 K100D's SR ina action:

 http://pixinfo.com/img/Pentax/K100D/a/CCD_shift.mpg 

 Dave

 On 12/13/06, Digital Image Studio [EMAIL PROTECTED] wrote:
 On 13/12/06, DagT [EMAIL PROTECTED] wrote:
 Fra: Digital Image Studio [EMAIL PROTECTED]

 On 12/12/06, DagT [EMAIL PROTECTED] wrote:

 If you have three sensors, and they have, the difference  
 between two sensors with the same orientation but positioned on  
 opposite sides of the frame they will be able to measure  
 rotation.  It is not very clear from the document, but at least  
 it is possible and I know this has been mentioned other places  
 as well.

 It actually says:

 Based on a free-floating sensor design, PENTAX SR is superior to
 other sensor-moving systems because it uses no guide rails,  
 allowing
 the sensor to oscillate in three directions?horizontally,  
 vertically,
 and rotationally.

 But in this later document which includes references to the K10D:

 http://www.pentaxslr.com/files/scms_docs// 
 PENTAX_SR_Description_091506.pdf

 Based on a free-floating sensor design, PENTAX SR is superior to
 other sensor-moving systems because it uses no guide rails,  
 allowing
 the sensor to oscillate in three directions?horizontally,  
 vertically,
 and diagonally.

 So it's clear as mud.

 Have you tried to explain rotation as a third dimension to  
 marketing people .-)

 That may explain some of the confusion. To me it makes more sense  
 than the third direction is a rotation than just a diagonal  
 translation. The latter would be possible with the right design  
 of guide rails, but not the rotation.

 I suspect that rotation and any other combination of parallel or
 diagonal movement would be possible using the combination of four
 motors that they have. The motors are the guide rails :-)


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Re: Request for photos

2006-12-13 Thread mike wilson

 
 From: Tom C [EMAIL PROTECTED]
 Date: 2006/12/12 Tue PM 11:46:55 GMT
 To: pdml@pdml.net
 Subject: Re: Request for photos
 
 In that case it was an e-mail that took over two weeks to reach my inbox, 
 because I just received it Sunday night.
 
 I went back and looked at the headers and it was sent Sunday November 26.
 
 Oh well, it show hows unprofessional the whole thing might have been.  I was 
 being given less than 24 hours notice before she needed to have the material 
 completed.

I wonder how long she had tried to make the free version acceptable?  8-))
 
 From: mike wilson [EMAIL PROTECTED]
 Reply-To: Pentax-Discuss Mail List pdml@pdml.net
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Request for photos
 Date: Tue, 12 Dec 2006 23:22:26 +
 
 Tom C wrote:
 
   I figure she made a typo somewhere.
  
 
   I need to finish editing by Monday 27th at 7am (CE time), and
 delivery of printed material for investors must be 7.12.2006.
 
 Guess what day 27th of November was?
 
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Re: K10D at 'The Online Photographer'

2006-12-13 Thread Peter Loveday
 For those who don't frequent DPR, this is an interesting video of the
 K100D's SR ina action:

 http://pixinfo.com/img/Pentax/K100D/a/CCD_shift.mpg 

 Dave

Interesting, thanks for the link.

I've just been playing with my K10D a little, set on 15sec exposure with no 
lens to see the sensor move.

I find that if I shake too much the sensor just  goes to one spot (usually 
some extremity) and stays there.  If its just a little shake, it generally 
seems okay.  Note I'm not talking violently shaking the camera, its quite 
easy to do just holding it not-so-still.

Either there is something wrong (which I've wondered about anyway, due to 
some unpredictability in my SR observations), or perhaps this is the camera 
giving up because theres just too much shake.  Though I would've thought 
it might centre the sensor in this case.

Has anyone else had a look at the SR operation like this?  If so, does this 
match up with what others are seeing?

Thanks!

- Peter Loveday



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ACR and K10D

2006-12-13 Thread Walter Hamler
Joe, I just tried again with 3.6. It would allow me to open, manipulate, 
save again as a dng file and then it would allow me to open to PE 4.0. Then 
I saved it as a png file, and reopened the png file. However, when I tried 
to open the newly saved dng file it would open to ACR but would not reopen 
to PE 4.0. I guess it wants me to remanipulate again???

Walt 


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Re: K10D in Israel

2006-12-13 Thread mike wilson

 
 From: Peter Lacus [EMAIL PROTECTED]
 Date: 2006/12/13 Wed AM 12:14:18 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: K10D in Israel
 
 Hi Rob,
 
 Bit of a premium to get it to Israel, eh?
 
 more precisely it's premium to get it _anywhere_ outside of the USA.
 Price here in the UK is about £600 which is almost the same. And if you
 add some lenses it's probably worth to fly across the ocean to get them.
  
  Hmm, they are selling here body for AU$1269 (~US$1000) which includes
  10% GST however that is not payable by buyers from outside the
  country.
 
 Good for you. I think the UK prices include VAT as well and I don't mind 
 to pay £600 right now but nobody here in London does have the camera in 
 stock. And as I wrote earlier, I'd like to grasp it first and look 
 through the viewfinder.
 
 But the difference in the price of some lenses is unbelievable - 77 Ltd. 
 can be had for less dollars than pounds!

Well, the camera is about 1/3rd cheaper in the US than the cheapest UK price.  
By the time you have added duty, postage and VAT it will be about the same, I 
suspect.  The advantage being that US stockists have some to sell.


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Re: street (random) portraits, my 2¢

2006-12-13 Thread David Savage
On 12/13/06, keith_w [EMAIL PROTECTED] wrote:
 Roman wrote:
  http://roman.blakout.net/?blog=20060820100454
  ^^^ Just my 2¢ for what year 2006 was... quite nice, no?

 Doesn't do anything for me...in any way.

 But, thanks for posting it.
 SOMEbody might be interested.  ;-)

Another poor soul with a tampon stuck in his ear.

Dave

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Re: backup K10D or ... ?

2006-12-13 Thread Jostein Øksne
Ops, sorry.
My question wasn't very well phrased.
With just one lens reversed (eg. with bellows), it doesn't matter what
kind of lens you use, since there's no communciation between the
camera and lens.

My query was for using two lenses. For example a 200mm and a reversed
50mm stacked via the filter rings. Since the stacking reduce the
working distance, there is potentially a problem when the straight
mounted lens communicate focal distance to the camera. If this info is
used in calculation of flash output, that is.

In my experience, this problem is real, but it is only based on
experience with one lens, the FA 100/2.8 macro. When using this lens
with eg. a 50mm reversed, I get massive overexposure with TTL flash.
When I use a A*200/4 and a reversed lens, it's OK. As Perry describes,
there's still a consistent tendency to overexposure, but it is
manageable.

So my question is basically if this is an issue with my FA100/28
macro, or if it's a general feature of all FA lenses...:-)

Cheers,
Jostein

On 12/12/06, Perry Pellechia [EMAIL PROTECTED] wrote:
 Jostein,
 I am not Mark, but I have used several lens reversed with the D and
 have gotten decent TTL exposures.  I have used a Vivitar 28.2.8, a
 Pentax A 50/1.7 and  Canon FD 50/1.8 reversed on the D.  I have even
 used these mounted on bellows and have managed pretty well.

 You are correct that these combinations will lead to extreme
 overexposure under default conditions.  However, I have found that you
 can dial in enough compensation so that position/distance changes will
 lead to correct TTL exposures.

 Perry,

 On 12/12/06, Jostein Øksne [EMAIL PROTECTED] wrote:
  Mark C.,
 
  May I ask which lens combinations you have used for reversals?
 
  In my experience, the *istD TTL flash metering would give strong
  overexposure with reverse mounted lenses when the straight-mounted
  lens was an FA, but correct exposure with older lenses.
 
  Jostein
 
 
  On 12/12/06, Mark Cassino [EMAIL PROTECTED] wrote:
   Bob Sullivan wrote:
G,
Remember TTL flash on the *ist DS bodies.
Regards,  Bob S.
   
   I'm not sure if I'm reading your comment correctly, but that is exactly
   why I'll be keeping the *ist-D. For some macro work I do where I need a
   reverse mounted lens, P-TTL does not work. The older TTL and the *ist-D
   work fine.
  
   Yes - its only 6 megapixels. But at extreme magnifications each pixel is
   covering such a tiny area, it works out fine.
  
- MCC
  
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 Alternate email: [EMAIL PROTECTED]
 Home Page: http://homer.chem.sc.edu/perry
 

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Re: K10D in Israel

2006-12-13 Thread Kostas Kavoussanakis
On Wed, 13 Dec 2006, mike wilson wrote:

 Well, the camera is about 1/3rd cheaper in the US than the cheapest 
 UK price.  By the time you have added duty, postage and VAT it will 
 be about the same, I suspect.  The advantage being that US stockists 
 have some to sell.

Last time I checked, digital cameras were exempt of duty, but that was 
a couple of years ago. The killer is VAT; have you checked prices in 
Europe? Warranty may also be more straightforward, I don't know, but 
in general sending something out to be fixed/replaced may be an issue.

Kostas

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Re: PESO: Girls, Girls, Girls

2006-12-13 Thread Paul Stenquist
That came later. I was wondering if someone was going to pick up on 
that.
Paul
On Dec 13, 2006, at 1:45 AM, Doug Franklin wrote:

 Paul Stenquist wrote:
 Another pic from the wedding shoot:
 http://www.photo.net/photodb/photo?photo_id=5321317size=lg
 K10D, DA 16-45, f4.5, 1/25th, ISO 100, flash bounced off the ceiling

 Wedding 69? None of them are upside down! :-)

 -- 
 Thanks,
 DougF (KG4LMZ)

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Re: K10D in Israel

2006-12-13 Thread mike wilson

 
 From: Kostas Kavoussanakis [EMAIL PROTECTED]
 Date: 2006/12/13 Wed AM 10:42:09 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: K10D in Israel
 
 On Wed, 13 Dec 2006, mike wilson wrote:
 
  Well, the camera is about 1/3rd cheaper in the US than the cheapest 
  UK price.  By the time you have added duty, postage and VAT it will 
  be about the same, I suspect.  The advantage being that US stockists 
  have some to sell.
 
 Last time I checked, digital cameras were exempt of duty, but that was 
 a couple of years ago. The killer is VAT; have you checked prices in 
 Europe? Warranty may also be more straightforward, I don't know, but 
 in general sending something out to be fixed/replaced may be an issue.
 

Don't get me wrong, Kostas.  _I'm_ not interested in buying one.  8-)))


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Re: K10D in Israel

2006-12-13 Thread Kostas Kavoussanakis
On Wed, 13 Dec 2006, mike wilson wrote:

 Don't get me wrong, Kostas.  _I'm_ not interested in buying one.  8-)))

Who cares; what does the wife say?

Kostas :-)

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Re: Pentax right angle viewer

2006-12-13 Thread Perry Pellechia
I bought a cheapo third party K series right angle finder.  Its
mounting clip was too small to fit the D, but it was nothing a little
filing could not fix.  If you do not care that it is a little loose on
the older camera then it is easy to get the finder working on the D
series or K series DSLRs.

On 12/13/06, John Celio [EMAIL PROTECTED] wrote:
  Does anybody know if the old Spotmatic era right angle magnified viewer
  will
  fit the K10D?

 It shouldn't.  The Spotmatic and K-series viewfinders are smaller than
 viewfinders on all M- and later models.  I have right angle finders for both
 and just double-checked.  You might be able to find a third-party angle
 finder for cheap out there if you don't want to pay a ton, as my M-based
 angle finder is not Pentax-brand.  I figure, you're not going to see a
 difference in the final photo, so why bother.

 John

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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Cory Papenfuss
 I didn't say no processing was done. You did. It was stated in one of
 the interviews with the engineers that Ken translated that they took
 opportunities to do signal processing due to the 22bit A-D that were
 not otherwise feasible.

... *before*.  The common thought previously was that RAW provided 
unaltered A/D data of the sensor.  That may or may not have been true, but 
at least it *could* have been.  Now with truncation necessary, it *cannot* 
be true that a RAW file contains unaltered digitzed sensor data.

  Yes, but no longer presumed to be an unaltered digitized version
 of exactly what the sensor sees.

 It never has been. Transformations occur between photosite and
 digital representation in all cases that I'm aware of ... that's what
 all the custom signal processing chips in these cameras are all
 about, in part at least.

I'm curious as to what these transformations are.  The only 
ones I can think of off the top of my head are dark-frame subtraction 
noise reduction and possibly hot/dead pixel removal.

  For the most part, this is speculation since nobody but the
 image-processing software guys at Pentax know for sure.  I'm just
 saying
 that not only is what I'm suggesting possible, it's rather *likely*
 given
 that they're trying to exploit the additional data available.


 But as I said above, the whole concern is nonsensical and pure
 speculation because you only get the RAW data the camera writes
 anyway. And the little working with the K10D that I have done so far
 indicates pretty clearly that it has exceptionally good image
 quality, even compared with the *ist DS which also has very very good
 image quality. The K10D has better 12 bit RAW data, in other words.
 I think that it is in part due to the 22bit A-D and whatever data
 massaging they do in that space, at least in part.

That's the point though... even as it is, there are some 
user-adjustments that likely may affect the RAW file.  Setting a different 
colorspace (sRGB vs. AdobeRGB), or setting a different white-balance will 
affect the conversion of 22-bit RAW to 12-bit RAW.  That flies in the face 
of the idea that one can, shoot in RAW and not worry about WB and other 
color settings.

 If you want to continue to speculate for no particular reason, well,
 be my guest.

It's not pure speculation.  When I first got my -DS, I dove into 
the color management and white balance stuff.  One of the things I did was 
add a white-balance (warming) filter on the lens and shoot a very cool 
color temp shot (overcast, evening approaching, etc).  Bottom line was 
that after adjusting the WB in the RAW conversion between the filtered and 
unfiltered version, there was less noise in the channels that were 
captured approximating 5500K color temp.

Bottom line:  It was better to filter out (via the lens filter) 
the light that would blow out a single channel (like blue on an overcast 
day or red for a sunset) and then increase the exposure to bring *all* the 
levels up.  Quantifiably less noise in the lower-level channels by doing 
that.

Sometimes being an engineer is a curse... :)

-Cory

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Re: PESO: Post-impressionist's motorcycle

2006-12-13 Thread SJ
On Wed, 13 Dec 2006 20:21:01 +1300
David Mann [EMAIL PROTECTED] wrote:

 On Dec 13, 2006, at 1:55 AM, SJ wrote:
 
  funnily enough :) the same thing happens with me too. can't ever  
  access
  robertstech.com from home but no problems at the workplace...
 
 It times out for me, but my ISP doesn't exactly have the best  
 reputation so it's probably been blacklisted.

can't think of any other reason. accessing it from the office is
mostly fine with me except for the times i get curious about mark's
songs. can't download them at work... :))

regards, subash

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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Cory Papenfuss
 If Pentax are using the Nucore NDX-2240 AFE on the front end of their
 PRIME Image Processor (which hasn't been denied and was rumored to be
 confirmed) the it provides what they deem as a color sensitive PGA
 prior to the input to the 22 bit ADC. You can read up more here:

 http://www.nucoretech.com/nu3/images/80_downloads/pres_technology.ppt.us.pdf

Pretty impressive stuff going on in there.  For the most part, 
seems to confirm my suspicions that some of the user-settings will likely 
affect the output RAW file.

-Cory

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Re: backup K10D or ... ?

2006-12-13 Thread Perry Pellechia
I never not tried these type of combinations so I am not sure I can
help.  However, can't you take the lens off the A position and fool
the camera to not use the focal distance?


On 12/13/06, Jostein Øksne [EMAIL PROTECTED] wrote:
 Ops, sorry.
 My question wasn't very well phrased.
 With just one lens reversed (eg. with bellows), it doesn't matter what
 kind of lens you use, since there's no communciation between the
 camera and lens.

 My query was for using two lenses. For example a 200mm and a reversed
 50mm stacked via the filter rings. Since the stacking reduce the
 working distance, there is potentially a problem when the straight
 mounted lens communicate focal distance to the camera. If this info is
 used in calculation of flash output, that is.

 In my experience, this problem is real, but it is only based on
 experience with one lens, the FA 100/2.8 macro. When using this lens
 with eg. a 50mm reversed, I get massive overexposure with TTL flash.
 When I use a A*200/4 and a reversed lens, it's OK. As Perry describes,
 there's still a consistent tendency to overexposure, but it is
 manageable.

 So my question is basically if this is an issue with my FA100/28
 macro, or if it's a general feature of all FA lenses...:-)

 Cheers,
 Jostein

 On 12/12/06, Perry Pellechia [EMAIL PROTECTED] wrote:
  Jostein,
  I am not Mark, but I have used several lens reversed with the D and
  have gotten decent TTL exposures.  I have used a Vivitar 28.2.8, a
  Pentax A 50/1.7 and  Canon FD 50/1.8 reversed on the D.  I have even
  used these mounted on bellows and have managed pretty well.
 
  You are correct that these combinations will lead to extreme
  overexposure under default conditions.  However, I have found that you
  can dial in enough compensation so that position/distance changes will
  lead to correct TTL exposures.
 
  Perry,
 
  On 12/12/06, Jostein Øksne [EMAIL PROTECTED] wrote:
   Mark C.,
  
   May I ask which lens combinations you have used for reversals?
  
   In my experience, the *istD TTL flash metering would give strong
   overexposure with reverse mounted lenses when the straight-mounted
   lens was an FA, but correct exposure with older lenses.
  
   Jostein
  
  
   On 12/12/06, Mark Cassino [EMAIL PROTECTED] wrote:
Bob Sullivan wrote:
 G,
 Remember TTL flash on the *ist DS bodies.
 Regards,  Bob S.

I'm not sure if I'm reading your comment correctly, but that is exactly
why I'll be keeping the *ist-D. For some macro work I do where I need a
reverse mounted lens, P-TTL does not work. The older TTL and the *ist-D
work fine.
   
Yes - its only 6 megapixels. But at extreme magnifications each pixel is
covering such a tiny area, it works out fine.
   
 - MCC
   
--
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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Digital Image Studio
On 14/12/06, Cory Papenfuss [EMAIL PROTECTED] wrote:
 That flies in the face
 of the idea that one can, shoot in RAW and not worry about WB and other
 color settings.

The idea that RAW data is unaltered by WB settings etc isn't a rule it
was just a convention that was taken for granted when systems weren't
as highly developed. The fact is that given the option I would rather
that a little pre-precessing of the Bayer information is undertaken if
it ultimately provides improved final image quality.

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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Cory Papenfuss
 On 13/12/06, Cory Papenfuss [EMAIL PROTECTED] wrote:
 Now, for example, if one were to apply a cloudy WB vs. a tungsten
 WB, the red channel gain would likely be at least a bit (i.e. f-stop) or
 two different.  It makes sense to chose a different dynamic range for
 each channel based on things like WB (and by association colorspace).

 Just being pedantic but you allude in the above paragraph that
 Colorspace is dependent on dynamic range however it's not,
 inappropriate choice of WB may cause some colours to clip in certain
 circumstances but it doesn't alter the sensors colour response. Just
 consider the scenario of a sensor which has acute sensitivity to near
 UV and near visible IR but very poor green response. It could feed
 into a 4 bit ADC but would still require a very wide colorspace to
 adequately describe/contain it's colour response.

Isn't this whole discussion pedantic?  :)

What I *meant* to say was the the per-channel transfer function 
from input to output is a function of WB and colorspace.  Once the output 
has to be truncated to 12-bits, those parameters now affect the output 
dynamic range.

-Cory

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RE: The Film Look

2006-12-13 Thread Jack Davis
Perfect solution! =)

Jack
--- Jens Bladt [EMAIL PROTECTED] wrote:

 Adding a film look to ones photographs can easily be done (at the
 present
 moment) - by using film.
 These were - of course - done more than 30 years ago:
 http://www.flickr.com/photos/bladt/sets/72157594413264675/show/
 Regards
 
 Jens Bladt
 http://www.jensbladt.dk
 +45 56 63 77 11
 +45 23 43 85 77
 Skype: jensbladt248
 
 -Oprindelig meddelelse-
 Fra: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] vegne af
 Jack
 Davis
 Sendt: 12. december 2006 19:48
 Til: Pentax-Discuss Mail List
 Emne: The Film Look
 
 
 Pentax engineers (and others) refer to a desirable digital image goal
 as having a film look. To me, that means grain.
 Each viewer will have a somewhat different interpretation of such a
 statement, but is there some general generic understanding as to what
 that means?
 
 Jack
 
 
 
 


 
 Any questions? Get answers on any topic at www.Answers.yahoo.com. 
 Try it
 now.
 
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Re: Request for photos

2006-12-13 Thread Mark Roberts
Godfrey DiGiorgi wrote:

On Dec 12, 2006, at 3:46 PM, Tom C wrote:

 Oh well, it show hows unprofessional the whole thing might have  
 been.  I was being given less than 24 hours notice before she 
 needed to have the material completed.

Happens all the time. I had three people request usage rights for a  
couple of pictures. All three were from Australia ... by the time I  
got the email 10-12 hours later, their deadlines were up and they 
had to go with a different photo from a local photographer.

Indeed. It's sometimes the real professional outfits that come in 
closest to desperate deadlines. The shoot I did for Runner's World 
magazine came with just 24 hours notice and they were already *past* 
their official deadline for the issue in which the images were to 
appear. (They had been trying to find stock images that would fit their 
needs and couldn't come up with any.)

I've had similar situaltions with smaller, regional publications. 
Last-minute rushes are par for the course in the publishing business.



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Re: backup K10D or ... ?

2006-12-13 Thread David Savage
The contact that transmits lens data is independent of the A
contact.. Otherwise I would be able to manually set the SR focal
length on the K10D.

Adding the 1.7x AF adapter to any FA lens tricks the camera though.

Dave

On 12/13/06, Perry Pellechia [EMAIL PROTECTED] wrote:
 I never not tried these type of combinations so I am not sure I can
 help.  However, can't you take the lens off the A position and fool
 the camera to not use the focal distance?


 On 12/13/06, Jostein Øksne [EMAIL PROTECTED] wrote:
  Ops, sorry.
  My question wasn't very well phrased.
  With just one lens reversed (eg. with bellows), it doesn't matter what
  kind of lens you use, since there's no communciation between the
  camera and lens.
 
  My query was for using two lenses. For example a 200mm and a reversed
  50mm stacked via the filter rings. Since the stacking reduce the
  working distance, there is potentially a problem when the straight
  mounted lens communicate focal distance to the camera. If this info is
  used in calculation of flash output, that is.
 
  In my experience, this problem is real, but it is only based on
  experience with one lens, the FA 100/2.8 macro. When using this lens
  with eg. a 50mm reversed, I get massive overexposure with TTL flash.
  When I use a A*200/4 and a reversed lens, it's OK. As Perry describes,
  there's still a consistent tendency to overexposure, but it is
  manageable.
 
  So my question is basically if this is an issue with my FA100/28
  macro, or if it's a general feature of all FA lenses...:-)
 
  Cheers,
  Jostein

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Re: The Film Look

2006-12-13 Thread David Savage
I don't think they trying to make digital images look like film,
rather they're goal is to try and have the high ISO digital noise look
more like grain as opposed to pixels.

Dave



On 12/13/06, Jack Davis [EMAIL PROTECTED] wrote:
 Pentax engineers (and others) refer to a desirable digital image goal
 as having a film look. To me, that means grain.
 Each viewer will have a somewhat different interpretation of such a
 statement, but is there some general generic understanding as to what
 that means?

 Jack

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Re: PESO: Post-impressionist's motorcycle

2006-12-13 Thread Mark Roberts
David Mann wrote:

On Dec 13, 2006, at 1:55 AM, SJ wrote:

 funnily enough :) the same thing happens with me too. can't ever  
 access
 robertstech.com from home but no problems at the workplace...

It times out for me, but my ISP doesn't exactly have the best  
reputation so it's probably been blacklisted.

The only ISP's that would be blacklisted from reaching the web server 
would be those that have been the source of DOS attacks in the past. 
Unfortunately, I know that Israel, Australia and India are countries 
where this is the case. Still, it's only the individual ISP's that are 
blocked, not the entire country (except in extreme cases like some 
parts of eastern Europe). If anyone wants to send me a private email to 
tell me their provider I'll see if it can be whitelisted.


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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Digital Image Studio
On 14/12/06, Cory Papenfuss [EMAIL PROTECTED] wrote:

 Isn't this whole discussion pedantic?  :)

Quite.

 What I *meant* to say was the the per-channel transfer function
 from input to output is a function of WB and colorspace.  Once the output
 has to be truncated to 12-bits, those parameters now affect the output
 dynamic range.

However if the linear data has been subjected to some non-linear
compression (as per modification of the gamma transfer curve around
the noise floor and slightly before saturation) then the 12bits could
potentially represent the equivalent of 16 bits of linear data :-)

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Tel +61-2-9554-4110
UTC(GMT)  +10 Hours
[EMAIL PROTECTED]
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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread John Whittingham
   Bottom line:  It was better to filter out (via the lens filter) 
 the light that would blow out a single channel (like blue on an 
 overcast day or red for a sunset) and then increase the exposure to 
 bring *all* the levels up.  Quantifiably less noise in the lower-
 level channels by doing that.

I knew I'd find a use for all those filters I thought would be obsolete -:)

John 



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Re: The Film Look

2006-12-13 Thread Kostas Kavoussanakis
On Wed, 13 Dec 2006, David Savage wrote:

 I don't think they trying to make digital images look like film,
 rather they're goal is to try and have the high ISO digital noise look
 more like grain as opposed to pixels.

That's what I read in Ken's translation: film-grain-like noise.

Kostas

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Re: Pentax right angle viewer

2006-12-13 Thread John Whittingham
 Does anybody know if the old Spotmatic era right angle magnified viewer
 will
 fit the K10D?

No, but if you remove the fitting that attaches to the viewfinder (four 
screws) and substitute the back of eyecup 'M' (filed down flat) and 
superglue it in place it will fit all viewfinders after 'M' series but will 
be a litle loose on the 'K' series. Worked with the refconverter II for me 
until I came across refconverter 'A' cheap with fungus and had it cleaned -;)

John






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Re: Pentax right angle viewer

2006-12-13 Thread Carlos Royo
Bill Lawlor escribió:
 Does anybody know if the old Spotmatic era right angle magnified viewer will
 fit the K10D?
 
 Thanks, Bill Lawlor
 
 
 

You need an M or A Refconverter. The Spotmatic one will not fit. There 
is also a Chinese made refconverter (Seagull) which is said to fit 
Pentax and other cameras (I don't really know, I have an A refconverter).

Carlos

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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Cory Papenfuss
 What I *meant* to say was the the per-channel transfer function
 from input to output is a function of WB and colorspace.  Once the output
 has to be truncated to 12-bits, those parameters now affect the output
 dynamic range.

 However if the linear data has been subjected to some non-linear
 compression (as per modification of the gamma transfer curve around
 the noise floor and slightly before saturation) then the 12bits could
 potentially represent the equivalent of 16 bits of linear data :-)

... which would be rather nice.  Much better to disperse 
quantization throughout the (logarithmically-perceived) dynamic range.

-Cory

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* Electrical Engineering*
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RE: Pentax right angle viewer

2006-12-13 Thread J. C. O'Connell
Dont you mean the EYEPIECE where the viewfinder
attachments connect is different size, not the viewfinder
size itself? I wouldnt even call one smaller or larger,
they are about the same area, the spotmatic one is not
as wide but taller, while the M series and later is wider
but not as tall.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Celio
Sent: Wednesday, December 13, 2006 1:43 AM
To: Pentax-Discuss Mail List
Subject: Re: Pentax right angle viewer


 Does anybody know if the old Spotmatic era right angle magnified 
 viewer
 will
 fit the K10D?

It shouldn't.  The Spotmatic and K-series viewfinders are smaller than 
viewfinders on all M- and later models.  I have right angle finders for
both 
and just double-checked.  You might be able to find a third-party angle 
finder for cheap out there if you don't want to pay a ton, as my M-based

angle finder is not Pentax-brand.  I figure, you're not going to see a 
difference in the final photo, so why bother.

John

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Re: Request for photos

2006-12-13 Thread ann sanfedele
oops
I thought she wrote the letter in December  um I confess i didnt respond 
to the number 7.12.2006 as a date
when skimming.  

sorry mike -- my glasses are clean but my mind isnt

ann :)

mike wilson wrote:

Tom C wrote:

  

I figure she made a typo somewhere.




 I need to finish editing by Monday 27th at 7am (CE time), and 
delivery of printed material for investors must be 7.12.2006.

Guess what day 27th of November was?

  




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Re: TV 7's wedding...

2006-12-13 Thread ann sanfedele
Hail , Cesar!

I'm barely lurking myself - I am remembering that you are a 
co-Sagitarian but can't remember the date. Happy
Birthday anyway :)

regarding the TV nuptuals -  I thought I remembered there being a number 
8.  

note I have a new email addie -
hope to see you sometime on one of your visits - we had a mini NY and 
Calif meet a couple of weeks ago.

fun to see the wedding shots - TV looks pretty happy

best,
ann

[EMAIL PROTECTED] wrote:

Hi there!

I must apologize for not only be silent on the list but not even being able to 
lurk :-(

I am now situated in Baltimore, Maryland - DCPDML gatherings abound :-)

I will be back in the warmer confines of Florida starting next week through 
the New Year though...

Anyhow, I really should have posted this sooner...

The weekend I arrived in the DC area, to begin this hopefully short phase of 
my career, coincided with Tom VanVeen and Ashlee's (#7) wedding in DC.  Okay, 
so I did a bit of juggling to make this all happen but ssshhh, don't tell 
them...

I arrived just in time to precede Tom's walk.  I did not have a chance to pick 
camera gear and I even forgot my coat in the car!  I think they were both 
shocked and happy to see me.
I took the liberty to convert a few of my *ist D shots to bw - mainly due to 
the lighting in the place and my lack of using flash - and posted a few on the 
web.

Take a look at:

http://groups.msn.com/MyRugbyPictures/7tv.msnw

to see them.

It was a nice ceremony.  My favorite part was seeing the couple grab 
instruments and joining in on the music.  Tom asked if I was going to report 
it to the list.  Let him know that I finally did - my apologies for being 
late.  I am looking forward to spending more time with them this coming year.  
Hmmm, let me see if I can get him to show up at GFMtn for the NPW...

NYCPDML beware, I do try to make frequent trips up that way.  It has been too 
long since our last gathering.  I may even break out the medium format gear 
for that gathering :-0

All those within reach of Baltimore, D.C, NYC, etc. please get with me.  I 
will probably be up here until next summer.  I would really enjoy getting 
together with any PDMLers I can.

I brought all my digital, medium format, screwmount, and most k-mount Pentax 
gear up with me, along with all my photos and slides - I hope to catalog, or 
at least put these shots in albums while I am up here.

The *ist D continues to take great shots (at my direction),

Cesar
Panama City, Florida
in Baltimore, Maryland
occasionally in NYC

  




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Re: K10D in Israel

2006-12-13 Thread mike wilson

 
 From: Kostas Kavoussanakis [EMAIL PROTECTED]
 Date: 2006/12/13 Wed PM 12:20:26 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: K10D in Israel
 
 On Wed, 13 Dec 2006, mike wilson wrote:
 
  Don't get me wrong, Kostas.  _I'm_ not interested in buying one.  8-)))
 
 Who cares; what does the wife say?

Over my dead body.  Not hers.  Mine.


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Re: PESO: Girls, Girls, Girls

2006-12-13 Thread Rick Womer
Nice, Paul!  I like the way you used bounce flash but
were able to avoid raccoon eyes or a bright white
ceiling.  How did you do that?

Rick

--- Paul Stenquist [EMAIL PROTECTED] wrote:

 Another pic from the wedding shoot:

http://www.photo.net/photodb/photo?photo_id=5321317size=lg
 K10D, DA 16-45, f4.5, 1/25th, ISO 100, flash bounced
 off the ceiling
 
 
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Re: Pentax right angle viewer

2006-12-13 Thread Godfrey DiGiorgi

On Dec 13, 2006, at 7:28 AM, Carlos Royo wrote:

 Does anybody know if the old Spotmatic era right angle magnified  
 viewer will
 fit the K10D?

 You need an M or A Refconverter. The Spotmatic one will not fit. There
 is also a Chinese made refconverter (Seagull) which is said to fit
 Pentax and other cameras (I don't really know, I have an A  
 refconverter).

Yes, that's the one my friend in the UK has. I think he showed it to  
me, and it looked to be very good quality.
I looked for it:

  http://www.goshotcamera.com/product/CAF003S2X-AMZ

Only $70 ... a great deal.

Godfrey

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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Godfrey DiGiorgi
I did the same thing, Cory, and found no practical difference in the  
results.

I've not suffered from excessive noise in any event ...

G

On Dec 13, 2006, at 5:28 AM, Cory Papenfuss wrote:

   It's not pure speculation.  When I first got my -DS, I dove into
 the color management and white balance stuff.  One of the things I  
 did was
 add a white-balance (warming) filter on the lens and shoot a very cool
 color temp shot (overcast, evening approaching, etc).  Bottom line was
 that after adjusting the WB in the RAW conversion between the  
 filtered and
 unfiltered version, there was less noise in the channels that were
 captured approximating 5500K color temp.

   Bottom line:  It was better to filter out (via the lens filter)
 the light that would blow out a single channel (like blue on an  
 overcast
 day or red for a sunset) and then increase the exposure to bring  
 *all* the
 levels up.  Quantifiably less noise in the lower-level channels by  
 doing
 that.

   Sometimes being an engineer is a curse... :)


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Re: TV 7's wedding...

2006-12-13 Thread Mark Roberts
[EMAIL PROTECTED] wrote:

http://groups.msn.com/MyRugbyPictures/7tv.msnw

Damndest rugby photos I've ever seen!
(Seems the game isn't as rough as it used to be...)


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Re: The Film Look

2006-12-13 Thread Jack Davis
As long as PS allows me to effectively reduce objectionable levels of
grain (film like), I'll be fine.

Jack
--- Kostas Kavoussanakis [EMAIL PROTECTED] wrote:

 On Wed, 13 Dec 2006, David Savage wrote:
 
  I don't think they trying to make digital images look like film,
  rather they're goal is to try and have the high ISO digital noise
 look
  more like grain as opposed to pixels.
 
 That's what I read in Ken's translation: film-grain-like noise.
 
 Kostas
 
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Re: Request for photos

2006-12-13 Thread mike wilson

 
 From: ann sanfedele [EMAIL PROTECTED]
 Date: 2006/12/13 Wed PM 02:50:46 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Request for photos
 
 oops
 I thought she wrote the letter in December  um I confess i didnt respond 
 to the number 7.12.2006 as a date
 when skimming.  
 
 sorry mike -- my glasses are clean but my mind isnt
 
 ann :)

It was only a temporary lucid moment.  Back to normal service shortly.
8-))

 
 mike wilson wrote:
 
 Tom C wrote:
 
   
 
 I figure she made a typo somewhere.
 
 
 
 
  I need to finish editing by Monday 27th at 7am (CE time), and 
 delivery of printed material for investors must be 7.12.2006.
 
 Guess what day 27th of November was?
 
   
 
 
 
 
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Re: Dave's new bike (was: The momentous day is here)

2006-12-13 Thread Godfrey DiGiorgi

On Dec 12, 2006, at 11:25 PM, David Mann wrote:

 I've also seen some funky old motorcycles that have an in-hub
 engine.  Not to mention those crazy contraptions where the rider sits
 inside the wheel.

I forget the name of that one. It had a 7 cylinder radial engine in  
the front wheel ... talk about heavy steering, eh? ;-)

 http://www.diseno-art.com/encyclopedia/strange_vehicles/ 
 mclean_v8_monowheel.html

Pretty cool looking ... silly as all heck though.

Godfrey


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Re: PESO: Girls, Girls, Girls

2006-12-13 Thread P. J. Alling
I just knew someone would point this out.

Doug Franklin wrote:
 Paul Stenquist wrote:
   
 Another pic from the wedding shoot:
 http://www.photo.net/photodb/photo?photo_id=5321317size=lg
 K10D, DA 16-45, f4.5, 1/25th, ISO 100, flash bounced off the ceiling
 

 Wedding 69? None of them are upside down! :-)

   


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Re: PESO: Girls, Girls, Girls

2006-12-13 Thread pnstenquist
I shot this with a Lumiquest Omnibounce attached to the head of the flash and 
the head tilted to a straight up position.  This bounces the majority of the 
light off the surface of the  reflector, but also spills some light onto the 
ceiling, which softens the look.
Paul
 -- Original message --
From: Rick Womer [EMAIL PROTECTED]
 Nice, Paul!  I like the way you used bounce flash but
 were able to avoid raccoon eyes or a bright white
 ceiling.  How did you do that?
 
 Rick
 
 --- Paul Stenquist [EMAIL PROTECTED] wrote:
 
  Another pic from the wedding shoot:
 
 http://www.photo.net/photodb/photo?photo_id=5321317size=lg
  K10D, DA 16-45, f4.5, 1/25th, ISO 100, flash bounced
  off the ceiling
  
  
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Re: TV 7's wedding...

2006-12-13 Thread mike wilson

 
 From: Mark Roberts [EMAIL PROTECTED]
 Date: 2006/12/13 Wed PM 03:55:56 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: TV  7's wedding...
 
 [EMAIL PROTECTED] wrote:
 
 http://groups.msn.com/MyRugbyPictures/7tv.msnw
 
 Damndest rugby photos I've ever seen!
 (Seems the game isn't as rough as it used to be...)

It was a place before it was a game.

I can't see them yet - msngroups is one of the many blocked websites from work. 
8-((


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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Cory Papenfuss
 I did the same thing, Cory, and found no practical difference in the
 results.

 I've not suffered from excessive noise in any event ...

I didn't say practical... I said quantifiable.  Revert to previous 
post about this being a pedantic discussion... :)


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Another Panorama PESO...

2006-12-13 Thread Cory Papenfuss
Finally getting around to finishing up the mountain/glacier 
panorama I started working on in July.

http://www.ee.vt.edu/~mythtv/PESO/4/

Comments welcome.

-Cory

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Re: The Film Look

2006-12-13 Thread graywolf
Luckily we can adjust that in Photoshop. It does help some.


J. C. O'Connell wrote:
 But the look is similar. I forgot to 
 post that in either of these cases
 the film grain is NOT an issue. Its more
 the tonal range captured and the look
 of the extreme highlights. Film captures
 more but the curves are not straight,
 there is a knee on the hightlights. Whereas
 digital can't capture as much range but there
 isnt a knee, its straight right up to
 the point of clipping...
 jco
 
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 Jack Davis
 Sent: Tuesday, December 12, 2006 9:15 PM
 To: Pentax-Discuss Mail List
 Subject: RE: The Film Look
 
 
 I've had the same experience. Stills, by their nature, may lend
 themselves to more scrutiny.
 
 Jack
 --- J. C. O'Connell [EMAIL PROTECTED] wrote:
 
 My interpretation of the film look is like
 watching a high quality movie ( 70mm print )
 vs. a high defintion live video broadcast
 ( more like the digital look ).
 jco


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RE: Another Panorama PESO...

2006-12-13 Thread Tom C
Very Nice!

Tom C.




From: Cory Papenfuss [EMAIL PROTECTED]
Reply-To: Pentax-Discuss Mail List pdml@pdml.net
To: pdml@pdml.net
Subject: Another Panorama PESO...
Date: Wed, 13 Dec 2006 11:19:40 -0500 (EST)

   Finally getting around to finishing up the mountain/glacier
panorama I started working on in July.

http://www.ee.vt.edu/~mythtv/PESO/4/

   Comments welcome.

-Cory

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Re: Dave's new bike (was: The momentous day is here)

2006-12-13 Thread K.Takeshita
On 12/13/06 11:07 AM, mike wilson, [EMAIL PROTECTED] wrote:

 http://www.diseno-art.com/encyclopedia/strange_vehicles/
 mclean_v8_monowheel.html
 
 Pretty cool looking ... silly as all heck though.
 
 Ever seen one try to emergency brake?
 8-

I saw just that in one of those Amazing Video type clip (I think)
recently.
This McLean guy was showing off his toy on streets, but had to stop quite
abruptly when oncoming car was too close.  He lost control, fell and damaged
(or destroyed) it.  But he did not do 360 degree.
But I admire his ingenuity and sense of humour :-).

Ken


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Re: Dave's new bike (was: The momentous day is here)

2006-12-13 Thread mike wilson

 
 From: Godfrey DiGiorgi [EMAIL PROTECTED]
 Date: 2006/12/13 Wed PM 03:51:42 GMT
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: Dave's new bike (was: The momentous day is here)
 
 
 On Dec 12, 2006, at 11:25 PM, David Mann wrote:
 
  I've also seen some funky old motorcycles that have an in-hub
  engine.  Not to mention those crazy contraptions where the rider sits
  inside the wheel.
 
 I forget the name of that one. It had a 7 cylinder radial engine in  
 the front wheel ... talk about heavy steering, eh? ;-)

There were a number; Singer was one of the most popular but that only had a 
single cylinder engine.  The one you are thinking of was probably the Megola.
http://www.cybermotorcycle.com/euro/brands/megola.htm

 
  http://www.diseno-art.com/encyclopedia/strange_vehicles/ 
  mclean_v8_monowheel.html
 
 Pretty cool looking ... silly as all heck though.

Ever seen one try to emergency brake?
8-


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Re: Another Panorama PESO...

2006-12-13 Thread Ken Takeshita
On 12/13/06, Cory Papenfuss [EMAIL PROTECTED] wrote:
 Finally getting around to finishing up the mountain/glacier
 panorama I started working on in July.

 http://www.ee.vt.edu/~mythtv/PESO/4/

 Comments welcome.

Specutacular!
I see the glacier is ending into a lake or fjord which gives a good perspective.
Nice;

Ken

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Re: Another Panorama PESO...

2006-12-13 Thread pnstenquist
Gorgeous. Excellent work. I'd love to see a ten-foot long print.
Paul
 -- Original message --
From: Cory Papenfuss [EMAIL PROTECTED]
   Finally getting around to finishing up the mountain/glacier 
 panorama I started working on in July.
 
 http://www.ee.vt.edu/~mythtv/PESO/4/
 
   Comments welcome.
 
 -Cory
 
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Re: Another Panorama PESO...

2006-12-13 Thread Godfrey DiGiorgi

On Dec 13, 2006, at 8:19 AM, Cory Papenfuss wrote:

   Finally getting around to finishing up the mountain/glacier
 panorama I started working on in July.

 http://www.ee.vt.edu/~mythtv/PESO/4/

Nice job!

Godfrey

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Re: Dave's new bike (was: The momentous day is here)

2006-12-13 Thread Godfrey DiGiorgi

On Dec 13, 2006, at 8:07 AM, mike wilson wrote:

 I forget the name of that one. It had a 7 cylinder radial engine in
 the front wheel ... talk about heavy steering, eh? ;-)

 There were a number; Singer was one of the most popular but that  
 only had a single cylinder engine.  The one you are thinking of was  
 probably the Megola.
 http://www.cybermotorcycle.com/euro/brands/megola.htm

That was it. I saw it at a museum somewhere, I think it was the one  
in Munich.

Godfrey



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Re: TV 7's wedding...

2006-12-13 Thread Mark Roberts
mike wilson wrote:

 From: Mark Roberts [EMAIL PROTECTED]
 
 [EMAIL PROTECTED] wrote:
 
 http://groups.msn.com/MyRugbyPictures/7tv.msnw
 
 Damndest rugby photos I've ever seen!
 (Seems the game isn't as rough as it used to be...)

It was a place before it was a game.

I know, I used to live there! On Rupert Brooke Road, no less ;-)

I can't see them yet - msngroups is one of the many blocked websites 
from work. 8-((

You'll have to come to GFM in June and see the prints.
Hope we can convince Tom to come in person this year.


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RE: The Film Look

2006-12-13 Thread J. C. O'Connell
You may be able to undo the knee on
the film captures but its going to be
impossible to undo the clipping on
the digital capture when the dynamic
range of the scene exceeds the digital system's
(sensor) recording capability.
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
graywolf
Sent: Wednesday, December 13, 2006 11:21 AM
To: Pentax-Discuss Mail List
Subject: Re: The Film Look


Luckily we can adjust that in Photoshop. It does help some.


J. C. O'Connell wrote:
 But the look is similar. I forgot to
 post that in either of these cases
 the film grain is NOT an issue. Its more
 the tonal range captured and the look
 of the extreme highlights. Film captures
 more but the curves are not straight,
 there is a knee on the hightlights. Whereas
 digital can't capture as much range but there
 isnt a knee, its straight right up to
 the point of clipping...
 jco
 
 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
 Of Jack Davis
 Sent: Tuesday, December 12, 2006 9:15 PM
 To: Pentax-Discuss Mail List
 Subject: RE: The Film Look
 
 
 I've had the same experience. Stills, by their nature, may lend 
 themselves to more scrutiny.
 
 Jack
 --- J. C. O'Connell [EMAIL PROTECTED] wrote:
 
 My interpretation of the film look is like
 watching a high quality movie ( 70mm print )
 vs. a high defintion live video broadcast
 ( more like the digital look ).
 jco


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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread John Francis
On Wed, Dec 13, 2006 at 08:28:30AM -0500, Cory Papenfuss wrote:

   ... *before*.  The common thought previously was that RAW provided 
 unaltered A/D data of the sensor.  That may or may not have been true, but 
 at least it *could* have been.  Now with truncation necessary, it *cannot* 
 be true that a RAW file contains unaltered digitzed sensor data.

You seem to believe that putting a 22-bit digital signal processor in the
data path somehow affects the need for truncation of the data from the
sensor.   That isn't true.  Either the sensor+ADC combination is capable
of delivering more than 12 bits of signal (in which case truncation will
be necessary somewhere), or it isn't.


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Re: TV 7's wedding...

2006-12-13 Thread Scott Loveless
On 12/13/06, Mark Roberts [EMAIL PROTECTED] wrote:
 mike wilson wrote:

  From: Mark Roberts [EMAIL PROTECTED]
 
  [EMAIL PROTECTED] wrote:
 
  http://groups.msn.com/MyRugbyPictures/7tv.msnw
 
  Damndest rugby photos I've ever seen!
  (Seems the game isn't as rough as it used to be...)
 
 It was a place before it was a game.

 I know, I used to live there! On Rupert Brooke Road, no less ;-)

 I can't see them yet - msngroups is one of the many blocked websites
 from work. 8-((

 You'll have to come to GFM in June and see the prints.
 Hope we can convince Tom to come in person this year.

If he doesn't, most of us have phones that work at 2am.

-- 
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http://www.twosixteen.com
Shoot more film!

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Re: Another Panorama PESO...

2006-12-13 Thread Cory Papenfuss
On Wed, 13 Dec 2006, [EMAIL PROTECTED] wrote:

 Gorgeous. Excellent work. I'd love to see a ten-foot long print.
 Paul

Thanks... that's why I've been trying to finish it up... to make 
prints for the family.  The ones I'm giving away I printed at 8x52 at 
466 dpi.

What's the commonly accepted minimum resolution for a personal 
print like that?  For some reason, 150 dpi comes to mind... that'd be 
almost 20 feet long at that.  Yikes!

-Cory

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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Cory Papenfuss
  ... *before*.  The common thought previously was that RAW provided
 unaltered A/D data of the sensor.  That may or may not have been true, but
 at least it *could* have been.  Now with truncation necessary, it *cannot*
 be true that a RAW file contains unaltered digitzed sensor data.

 You seem to believe that putting a 22-bit digital signal processor in the
 data path somehow affects the need for truncation of the data from the
 sensor.   That isn't true.  Either the sensor+ADC combination is capable
 of delivering more than 12 bits of signal (in which case truncation will
 be necessary somewhere), or it isn't.

Of course it doesn't.  What it *does* allow for is a different 
gain for the three different channels for wider dynamic range.  That 
gain is a function of settings like colorspace and white balance.

-Cory

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Re: TV 7's wedding...

2006-12-13 Thread P. J. Alling
If he's smart, he has his turned off at 2AM.  (Have you ever gotten good 
news, at 2AM?  I thought not.)

Scott Loveless wrote:
 On 12/13/06, Mark Roberts [EMAIL PROTECTED] wrote:
   
 mike wilson wrote:

 
 From: Mark Roberts [EMAIL PROTECTED]

 [EMAIL PROTECTED] wrote:

 
 http://groups.msn.com/MyRugbyPictures/7tv.msnw
   
 Damndest rugby photos I've ever seen!
 (Seems the game isn't as rough as it used to be...)
 
 It was a place before it was a game.
   
 I know, I used to live there! On Rupert Brooke Road, no less ;-)

 
 I can't see them yet - msngroups is one of the many blocked websites
   
 from work. 8-((

 You'll have to come to GFM in June and see the prints.
 Hope we can convince Tom to come in person this year.
 

 If he doesn't, most of us have phones that work at 2am.

   


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Re: Another Panorama PESO...

2006-12-13 Thread Cory Papenfuss
 I see the glacier is ending into a lake or fjord which gives a good 
 perspective.
 Nice;

Technically, it's a lake on the right.  Drains right into the 
ocean a couple miles away.  The water on the left is the ocean.

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Re: K10D at 'The Online Photographer'

2006-12-13 Thread Charles Robinson
On Dec 13, 2006, at 2:42, David Savage wrote:

 For those who don't frequent DPR, this is an interesting video of the
 K100D's SR ina action:

 http://pixinfo.com/img/Pentax/K100D/a/CCD_shift.mpg 


I had to remove the trailing space from your link to get it to work -  
but once I did that: That was cool!

  -Charles

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Re: PESO: Girls, Girls, Girls

2006-12-13 Thread Rick Womer
Aha!

I've got one of those--makes the camera look really
imposing and works pretty well too.

Rick

--- [EMAIL PROTECTED] wrote:

 I shot this with a Lumiquest Omnibounce attached to
 the head of the flash and the head tilted to a
 straight up position.  This bounces the majority of
 the light off the surface of the  reflector, but
 also spills some light onto the ceiling, which
 softens the look.
 Paul
  -- Original message
 --
 From: Rick Womer [EMAIL PROTECTED]
  Nice, Paul!  I like the way you used bounce flash
 but
  were able to avoid raccoon eyes or a bright
 white
  ceiling.  How did you do that?
  
  Rick
  
  --- Paul Stenquist [EMAIL PROTECTED]
 wrote:
  
   Another pic from the wedding shoot:
  
 

http://www.photo.net/photodb/photo?photo_id=5321317size=lg
   K10D, DA 16-45, f4.5, 1/25th, ISO 100, flash
 bounced
   off the ceiling
   
   
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Re: PESO: Obsolete

2006-12-13 Thread Boris Liberman
Hi!

 G'day All,
 
 Not a true PESO, just a silly shot I took while goofing around:
 
 http://www.arach.net.au/~savage/Misc/Images/_IGP0547.jpg
 
 Pentax K10D, FA 100mm f2.8 Macro with 1.7x AF Adapter, 1/180 @ f10,
 ISO 1600, AF-540 FGZ flash.

Dave, I definitely disagree with the sentiment here, unless there was a 
smiley attached which I missed somehow.

But why would you have to do it at ISO 1600?

Cool shot anyway!

Boris

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Re: TV 7's wedding...

2006-12-13 Thread Boris Liberman
Hi!

Cesar, if you have a chance - please pass to Tom my congratulations. 
That of course, unless he is reading the list or archives ;-).

Boris

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Re: New (old stock) Pentax DSLR kits even lower prices?

2006-12-13 Thread John Whittingham
 From: J. C. O'Connell
 Subject: RE: New (old stock) Pentax DSLR kits even lower prices?
 
  NO, my point is they are essentially worthless
  once you get better model IN HAND because it's
  just plain dumb to keep using your old inferior
  DSLR camera when you have **already got** a
  signifigantly better one in your bag of tools IMHO.

Hardly, one *ist D sold for £249.99 on Ebay UK Buy it Now body only EX++, 
only lasted a day (Item number: 110067571682) that's US$491

John 





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Re: my first shots with the Pentax K10D

2006-12-13 Thread Boris Liberman
Hi!

 Can you please elaborate further about the improvement over the
 DS part?
 - more pixel resolution
 - more dynamic range
 
 Har! Now, kind sir, will you please tell me what kind of  
 improvement in
 dynamic range you observe so far?
 
 I have not done quantified evaluations, Boris, that I can quote  
 numbers to you. I have taken test exposures in similar lighting that  
 demonstrate to me quite clearly that I get more shadow and highlight  
 detail to work with at identical exposure settings with the identical  
 lens on the K10D vs the *ist DS. The differences are on the order of  
 nuances, but when the base your comparing against is quite good to  
 begin with, nuances count for a lot. When and if I do formal testing,  
 I will probably put it on a web page for everyone to see and comment  
 on, including the test methodology (as I usually do).

I will be looking forward to that.

 Yes.  So? It's the significant incremental advantages I was hoping  
 for. What else is important?

Price, may be ;-).

 It sounds like you are on the threshold of new understandings about  
 photography. Keep going! :-)

I sure will.

 The per-frame fine tuning will always be necessary for best results,  
 depending upon how discriminating you are about image quality. How  
 much fine tuning will be lessened by the consistency of the camera's  
 systems, your understanding of their behaviors and your skill in  
 using them.

I don't try to get away from per-frame fine tuning but I admit that I am 
trying to minimize it.

Having said that, I should mention that I placed a pre-order with one of 
the two shops that sell K10D locally. All are sold now here. The new 
shipment is scheduled to arrive roughly in a month from now. By then I 
will have decide if I want one, which as well I might.

Cheers.

Boris

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Re: Pentax F 50mm f/1.4 is same lens of FA 50mm f/1.4 or a differentglass?

2006-12-13 Thread Peter Lacus
Adam,

 Even SMC coating technology has been continuously updated over the 
 years, as improved production technology has become available. As good 
 as SMC was at inctroduction, it's better now.

this is not necessarily true - may be just as good but cheaper to 
manufacture, for example. Actually I still prefer blue/pink coating on 
my M50/1.4 over green/yellow one of my A50/1.4. It's also very similar 
to the coating on my Carl Zeiss glasses. ;-)

Cheers,

Peter


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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Godfrey DiGiorgi

On Dec 13, 2006, at 9:59 AM, Cory Papenfuss wrote:

 ... *before*.  The common thought previously was that RAW provided
 unaltered A/D data of the sensor.  That may or may not have been  
 true, but
 at least it *could* have been.  Now with truncation necessary, it  
 *cannot*
 be true that a RAW file contains unaltered digitzed sensor data.

 You seem to believe that putting a 22-bit digital signal processor  
 in the
 data path somehow affects the need for truncation of the data from  
 the
 sensor.   That isn't true.  Either the sensor+ADC combination is  
 capable
 of delivering more than 12 bits of signal (in which case  
 truncation will
 be necessary somewhere), or it isn't.

   Of course it doesn't.  What it *does* allow for is a different
 gain for the three different channels for wider dynamic range.  That
 gain is a function of settings like colorspace and white balance.

Or it might not be anything user adjustable at all. You're making  
assumptions here.

Godfrey



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Re: TV 7's wedding...

2006-12-13 Thread Scott Loveless
Especially if it's Norm on the other end.

On 12/13/06, P. J. Alling [EMAIL PROTECTED] wrote:
 If he's smart, he has his turned off at 2AM.  (Have you ever gotten good
 news, at 2AM?  I thought not.)

 Scott Loveless wrote:
  On 12/13/06, Mark Roberts [EMAIL PROTECTED] wrote:
 
  mike wilson wrote:
 
 
  From: Mark Roberts [EMAIL PROTECTED]
 
  [EMAIL PROTECTED] wrote:
 
 
  http://groups.msn.com/MyRugbyPictures/7tv.msnw
 
  Damndest rugby photos I've ever seen!
  (Seems the game isn't as rough as it used to be...)
 
  It was a place before it was a game.
 
  I know, I used to live there! On Rupert Brooke Road, no less ;-)
 
 
  I can't see them yet - msngroups is one of the many blocked websites
 
  from work. 8-((
 
  You'll have to come to GFM in June and see the prints.
  Hope we can convince Tom to come in person this year.
 
 
  If he doesn't, most of us have phones that work at 2am.
 
 


 --
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Re: Another Panorama PESO...

2006-12-13 Thread Godfrey DiGiorgi

On Dec 13, 2006, at 9:55 AM, Cory Papenfuss wrote:

 On Wed, 13 Dec 2006, [EMAIL PROTECTED] wrote:

 Gorgeous. Excellent work. I'd love to see a ten-foot long print.
 Paul

   Thanks... that's why I've been trying to finish it up... to make
 prints for the family.  The ones I'm giving away I printed at  
 8x52 at
 466 dpi.

   What's the commonly accepted minimum resolution for a personal
 print like that?  For some reason, 150 dpi comes to mind... that'd be
 almost 20 feet long at that.  Yikes!

I prefer to stick to about 200 ppi, but for a very very large print  
150 would be fine. :-)

Godfrey

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Re: PESO - Motherly Kiss

2006-12-13 Thread Peter Lacus
 http://not.contaxg.com/document.php?id=15884
 
 I generally refrain from publishing a shot that is obviously made in the 
 zoo, but this time I'll made an exception.

very nice 'street' photo, Boris. I like it very much.

Cheers,

Peter

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RE: New (old stock) Pentax DSLR kits even lower prices?

2006-12-13 Thread J. C. O'Connell
I guess you missed my earlier post(s), I stated
its worthless to someone who's aleady got a better
body in hand because they are not really going
to want to use it anymore, and I also posted that these are selling
brand new kits for less than what you quoted (also on ebay)
so lone buyer does not make a true market value
price...
jco
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
John Whittingham
Sent: Wednesday, December 13, 2006 2:12 PM
To: Pentax-Discuss Mail List
Subject: Re: New (old stock) Pentax DSLR kits even lower prices?


 From: J. C. O'Connell
 Subject: RE: New (old stock) Pentax DSLR kits even lower prices?
 
  NO, my point is they are essentially worthless
  once you get better model IN HAND because it's
  just plain dumb to keep using your old inferior
  DSLR camera when you have **already got** a
  signifigantly better one in your bag of tools IMHO.

Hardly, one *ist D sold for £249.99 on Ebay UK Buy it Now body only
EX++, 
only lasted a day (Item number: 110067571682) that's US$491

John 






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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Cory Papenfuss
  Of course it doesn't.  What it *does* allow for is a different
 gain for the three different channels for wider dynamic range.  That
 gain is a function of settings like colorspace and white balance.

 Or it might not be anything user adjustable at all. You're making
 assumptions here.

So adjusting white balance and camera colorspace isn't 
user-adjustable anymore?  Hrm...

-Cory

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* Electrical Engineering*
* Virginia Polytechnic Institute and State University   *
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Re: K10D in Israel

2006-12-13 Thread Peter Lacus
Kostas,

 Last time I checked, digital cameras were exempt of duty, but that was 
 a couple of years ago. The killer is VAT; have you checked prices in 
 Europe? Warranty may also be more straightforward, I don't know, but 
 in general sending something out to be fixed/replaced may be an issue.

warranty is a good point and it's also one of the principal reasons why 
I'd like to buy the camera locally. OTOH there are not many things that 
could go wrong with the lenses so I may get them in the USA later on 
some occasion (GFM coming to my mind).

Cheers,

Peter

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Pentax DSLR timing test page updated

2006-12-13 Thread Godfrey DiGiorgi
I decided to add the performance testing I did with the K10D to the  
page I did on the *ist DS bodies last July. Updated and QuickTime  
movies of the capture included ... you can see how the cameras'  
buffer size and write speed to the cards affects the distribution of  
sequence captures explicitly that way.

http://homepage.mac.com/godders/Pentax-DS-150x-timing/

enjoy,
Godfrey

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Re: Re[2]: Understanding ProPhoto RGB - or not

2006-12-13 Thread Godfrey DiGiorgi

On Dec 13, 2006, at 12:14 PM, Cory Papenfuss wrote:

 Of course it doesn't.  What it *does* allow for is a different
 gain for the three different channels for wider dynamic range.  That
 gain is a function of settings like colorspace and white balance.

 Or it might not be anything user adjustable at all. You're making
 assumptions here.

   So adjusting white balance and camera colorspace isn't
 user-adjustable anymore?  Hrm...

That's not what I said.

The adjustments and tuning provided by the 22bit A-D could be fixed  
and not affected by user selection of color space or adjustments to  
white balance, and therefore independent of what gets written in a  
RAW file. It will take testing to determine exactly what does happen  
to the RAW file with these adjustments, if anything. And to determine  
whether it is of practical significance to a photographer or to image  
quality, not just a quantifiable change.

The K10D is, after all, supposed to be a camera ... not an exercise  
in Digital Systems Engineering 101.

Godfrey


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Re: OT Another sad Photographers rights story

2006-12-13 Thread Norm Baugher
They thought the Hasselblad was some sort of trick camera because they 
couldn't find a display screen, he said. They wouldn't believe it 
wasn't a digital camera.

That cracks me up...
Norm

Digital Image Studio wrote:
 http://www.theaustralian.news.com.au/story/0,20867,20895457-5006784,00.html

   


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Re: TV 7's wedding...

2006-12-13 Thread Jostein Øksne
Hey, big congrats from me too!

I met TvV (aka Gateboy) at GFM in 2004. Was that is last appearance there?

Jostein

On 12/13/06, Boris Liberman [EMAIL PROTECTED] wrote:
 Hi!

 Cesar, if you have a chance - please pass to Tom my congratulations.
 That of course, unless he is reading the list or archives ;-).

 Boris

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Re: The Film Look

2006-12-13 Thread Jostein Øksne
I take it you never shot slide film, JCO.
I did, and the dynamic range of the *istD was a welcome increase.

Jostein


On 12/13/06, J. C. O'Connell [EMAIL PROTECTED] wrote:
 You may be able to undo the knee on
 the film captures but its going to be
 impossible to undo the clipping on
 the digital capture when the dynamic
 range of the scene exceeds the digital system's
 (sensor) recording capability.
 jco

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 graywolf
 Sent: Wednesday, December 13, 2006 11:21 AM
 To: Pentax-Discuss Mail List
 Subject: Re: The Film Look


 Luckily we can adjust that in Photoshop. It does help some.


 J. C. O'Connell wrote:
  But the look is similar. I forgot to
  post that in either of these cases
  the film grain is NOT an issue. Its more
  the tonal range captured and the look
  of the extreme highlights. Film captures
  more but the curves are not straight,
  there is a knee on the hightlights. Whereas
  digital can't capture as much range but there
  isnt a knee, its straight right up to
  the point of clipping...
  jco
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
  Of Jack Davis
  Sent: Tuesday, December 12, 2006 9:15 PM
  To: Pentax-Discuss Mail List
  Subject: RE: The Film Look
 
 
  I've had the same experience. Stills, by their nature, may lend
  themselves to more scrutiny.
 
  Jack
  --- J. C. O'Connell [EMAIL PROTECTED] wrote:
 
  My interpretation of the film look is like
  watching a high quality movie ( 70mm print )
  vs. a high defintion live video broadcast
  ( more like the digital look ).
  jco
 
 
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RE: street (random) portraits, my 2¢

2006-12-13 Thread Bob W
  Roman wrote:
   http://roman.blakout.net/?blog=20060820100454
   ^^^ Just my 2¢ for what year 2006 was... quite nice, no?
 
  Doesn't do anything for me...in any way.
 
  But, thanks for posting it.
  SOMEbody might be interested.  ;-)
 
 Another poor soul with a tampon stuck in his ear.
 

iPax?

Bob


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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Joseph Tainter
http://homepage.mac.com/godders/Pentax-DS-150x-timing/

-

A valuable test, Godfrey. Interesting that with the K10D the 150x gives 
so little improvement over the 60x. Is the difference due to different 
brands of card? Or is 150x overkill for the K10D?

Joe

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Re: Understanding ProPhoto RGB - or not

2006-12-13 Thread Jostein Øksne
Mark R. wrote:

 Trivia: Approximately 1% of women have tetrachromatic color vision -
 that is, four different types of cone cells in their retinas - and can
 see a vastly broader gamut than normal people. Exactly 0% of men have
 this ability; you need two X chromasomes to get it.

Add their ability to focus on details, and call it X chromo-zooms. :-(

Jostein

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Re: BH's weird ordering blackouts

2006-12-13 Thread Norm Baugher
I refer to the store as Temple BH...
Norm

gfen wrote:
 snip
 As to BH being an interesting sight, you're right. When I first went 
 there, it reminded me of what the North Pole might look like if the elves 
 were all Orthodox Jews. A constant train of little baskets moving on lines 
 overhead, loaded with camera bits. Its pretty intense to watch, and I 
 believe that I've never seen a non-Orthdox Jew workign anywhere in the 
 store. Beards, yamulkas, and the sideburns as far as they eye can see. Its 
 a good time. :)

   


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Re: TV 7's wedding...

2006-12-13 Thread Norm Baugher
Definitively congrats from me too. He better be there next year or I'm 
gonna bring extra batteries for my phone...actually, that threat is 
directed at a lot of you last year no shows. Norm has phone numbers, 
lots of numbers... insert evil laugh here
Norm

Jostein Øksne wrote:
 Hey, big congrats from me too!

 I met TvV (aka Gateboy) at GFM in 2004. Was that is last appearance there?


   


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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Peter Fairweather
 Here we have actual evidence from Godfrey. Whatever happened to idle
speculation and blind prejudice, the mainstay of many a lengthy
thread!

All I need now is the money for the camera, I already have the 150x card

Thanks Godfrey

Peter

On 12/13/06, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
 I decided to add the performance testing I did with the K10D to the
 page I did on the *ist DS bodies last July. Updated and QuickTime
 movies of the capture included ... you can see how the cameras'
 buffer size and write speed to the cards affects the distribution of
 sequence captures explicitly that way.

 http://homepage.mac.com/godders/Pentax-DS-150x-timing/

 enjoy,
 Godfrey

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RE: The Film Look

2006-12-13 Thread J. C. O'Connell
I was reffering to color or BW neg film. Can you
get slides from digital files and are
they any wider dynamic range than shooting
slide film in the first place? If you
dont really need slides, then there 
isnt much point in shooting slide film
unless you really want a certain look
not available in neg films IMHO...
jco

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
Jostein Øksne
Sent: Wednesday, December 13, 2006 4:28 PM
To: Pentax-Discuss Mail List
Subject: Re: The Film Look


I take it you never shot slide film, JCO.
I did, and the dynamic range of the *istD was a welcome increase.

Jostein


On 12/13/06, J. C. O'Connell [EMAIL PROTECTED] wrote:
 You may be able to undo the knee on
 the film captures but its going to be
 impossible to undo the clipping on
 the digital capture when the dynamic
 range of the scene exceeds the digital system's
 (sensor) recording capability.
 jco

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf 
 Of graywolf
 Sent: Wednesday, December 13, 2006 11:21 AM
 To: Pentax-Discuss Mail List
 Subject: Re: The Film Look


 Luckily we can adjust that in Photoshop. It does help some.


 J. C. O'Connell wrote:
  But the look is similar. I forgot to
  post that in either of these cases
  the film grain is NOT an issue. Its more
  the tonal range captured and the look
  of the extreme highlights. Film captures
  more but the curves are not straight,
  there is a knee on the hightlights. Whereas
  digital can't capture as much range but there
  isnt a knee, its straight right up to
  the point of clipping...
  jco
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf

  Of Jack Davis
  Sent: Tuesday, December 12, 2006 9:15 PM
  To: Pentax-Discuss Mail List
  Subject: RE: The Film Look
 
 
  I've had the same experience. Stills, by their nature, may lend 
  themselves to more scrutiny.
 
  Jack
  --- J. C. O'Connell [EMAIL PROTECTED] wrote:
 
  My interpretation of the film look is like
  watching a high quality movie ( 70mm print )
  vs. a high defintion live video broadcast
  ( more like the digital look ).
  jco
 
 
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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Godfrey DiGiorgi

On Dec 13, 2006, at 1:27 PM, Joseph Tainter wrote:

 http://homepage.mac.com/godders/Pentax-DS-150x-timing/

 A valuable test, Godfrey. Interesting that with the K10D the 150x  
 gives
 so little improvement over the 60x. Is the difference due to different
 brands of card? Or is 150x overkill for the K10D?

You're entitled to your opinion, but I don't think 18% RAW/12% JPEG  
improvement is so little. Two digit percentage improvements I would  
deem to be significant even in a conservative evaluation.

It demonstrates that the 150x card is probably close to the fastest  
card that will make a significant improvement in the K10D's  
performance, but I don't know of any faster ones to test against just  
yet. I would expect, given these numbers, that a 300x card would  
likely see the very small, single digit percentage improvement  
similar to the 60x vs 150x for the DS model.

With 2G capacity 150x cards costing only around $43, and 45x cards  
costing $32, whether they're overkill or not is of little practical  
importance anyway. ;-)

Godfrey

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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Godfrey DiGiorgi
LOL ... I like to think that I'm not being innovative, Peter. ;-)

you're welcome.

Godfrey

On Dec 13, 2006, at 1:45 PM, Peter Fairweather wrote:

  Here we have actual evidence from Godfrey. Whatever happened to idle
 speculation and blind prejudice, the mainstay of many a lengthy
 thread!

 All I need now is the money for the camera, I already have the 150x  
 card

 Thanks Godfrey

 Peter

 On 12/13/06, Godfrey DiGiorgi [EMAIL PROTECTED] wrote:
 I decided to add the performance testing I did with the K10D to the
 page I did on the *ist DS bodies last July. Updated and QuickTime
 movies of the capture included ... you can see how the cameras'
 buffer size and write speed to the cards affects the distribution of
 sequence captures explicitly that way.

 http://homepage.mac.com/godders/Pentax-DS-150x-timing/


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Re: Pentax DSLR timing test page updated

2006-12-13 Thread Adam Maas
Joseph Tainter wrote:
 http://homepage.mac.com/godders/Pentax-DS-150x-timing/
 
 -
 
 A valuable test, Godfrey. Interesting that with the K10D the 150x gives 
 so little improvement over the 60x. Is the difference due to different 
 brands of card? Or is 150x overkill for the K10D?
 
 Joe
 

I'd hardly call a nearly 20% difference 'so little improvement'.

-Adam


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Re: PESO: Obsolete

2006-12-13 Thread David Savage
On 12/14/06, Boris Liberman [EMAIL PROTECTED] wrote:
 Hi!

  G'day All,
 
  Not a true PESO, just a silly shot I took while goofing around:
 
  http://www.arach.net.au/~savage/Misc/Images/_IGP0547.jpg

 Dave, I definitely disagree with the sentiment here, unless there was a
 smiley attached which I missed somehow.

The title was tongue in cheek :-)

 But why would you have to do it at ISO 1600?

Before I put the flash on the camera I was testing SR doing some hand
held macro.

When I put the flash on I changed it back to ISO 100 but because of
the way I was bouncing the flash off the wall  ceiling,  because I
was shooting at f10 the shots at ISO 100 were quite under exposed. SO
I switched back.

To be honest because of the subjects texture any noise is invisible anyway.

 Cool shot anyway!

Thank you.

Cheers,

Dave

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Re: street (random) portraits, my 2¢

2006-12-13 Thread David Savage
On 12/14/06, Bob W [EMAIL PROTECTED] wrote:
   Roman wrote:
http://roman.blakout.net/?blog=20060820100454
^^^ Just my 2¢ for what year 2006 was... quite nice, no?
  
   Doesn't do anything for me...in any way.
  
   But, thanks for posting it.
   SOMEbody might be interested.  ;-)
 
  Another poor soul with a tampon stuck in his ear.
 

 iPax?

LOL

Dave

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RE: Another Panorama PESO...

2006-12-13 Thread Markus Maurer
Hi Cory
a very nice panorama!
I would cut the last part because of the different lightning or try to
correct it.
I have the same problem with one of my panos from Mt. Pilatus, one shot is
darker than the other 5.
greetings
Markus


-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
Cory Papenfuss
Sent: Wednesday, December 13, 2006 5:20 PM
To: pdml@pdml.net
Subject: Another Panorama PESO...


Finally getting around to finishing up the mountain/glacier
panorama I started working on in July.

http://www.ee.vt.edu/~mythtv/PESO/4/

Comments welcome.

-Cory

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* Cory Papenfuss, Ph.D., PPSEL-IA   *
* Electrical Engineering*
* Virginia Polytechnic Institute and State University   *
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RE: Another Panorama PESO...

2006-12-13 Thread Markus Maurer
But Cory, Im' I really the only one seing it beeing darker at the right end?
Before printing you should equalize the lightning or cut that part IMHO

greetings
Markus

-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Behalf Of
Cory Papenfuss
Sent: Wednesday, December 13, 2006 6:56 PM
To: Pentax-Discuss Mail List
Subject: Re: Another Panorama PESO...


On Wed, 13 Dec 2006, [EMAIL PROTECTED] wrote:

 Gorgeous. Excellent work. I'd love to see a ten-foot long print.
 Paul

Thanks... that's why I've been trying to finish it up... to make 
prints for the family.  The ones I'm giving away I printed at 8x52 at 
466 dpi.

What's the commonly accepted minimum resolution for a personal 
print like that?  For some reason, 150 dpi comes to mind... that'd be 
almost 20 feet long at that.  Yikes!

-Cory

-- 

*
* Cory Papenfuss, Ph.D., PPSEL-IA   *
* Electrical Engineering*
* Virginia Polytechnic Institute and State University   *
*


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Re: PESO: Obsolete

2006-12-13 Thread David Savage
Thanks Adam.

Cheers,

Dave

On 12/12/06, Adam Maas [EMAIL PROTECTED] wrote:
 Heh

 Nice.

 -Adam


 David Savage wrote:
  G'day All,
 
  Not a true PESO, just a silly shot I took while goofing around:
 
  http://www.arach.net.au/~savage/Misc/Images/_IGP0547.jpg

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Re: PESO: Obsolete

2006-12-13 Thread David Savage
That's why I'm holding onto it.

Who knows, in 20 years it might be woth $25 as opposed to 50c?

:-)

Cheers,

Dave

On 12/12/06, Perry Pellechia [EMAIL PROTECTED] wrote:
 That might be true of the plain old white lettered version.  The gold
 one is a collecter item ;-)

 On 12/12/06, David Savage [EMAIL PROTECTED] wrote:
  G'day All,
 
  Not a true PESO, just a silly shot I took while goofing around:
 
  http://www.arach.net.au/~savage/Misc/Images/_IGP0547.jpg
 
  Pentax K10D, FA 100mm f2.8 Macro with 1.7x AF Adapter, 1/180 @ f10,
  ISO 1600, AF-540 FGZ flash.
 
  Cheers,
 
  Dave

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Re: Another Panorama PESO...

2006-12-13 Thread David Savage
That's lovely Cory.

Nicely done,

Cheers,

Dave

On 12/14/06, Cory Papenfuss [EMAIL PROTECTED] wrote:
 Finally getting around to finishing up the mountain/glacier
 panorama I started working on in July.

 http://www.ee.vt.edu/~mythtv/PESO/4/

 Comments welcome.

 -Cory

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Re: The Film Look

2006-12-13 Thread David Savage
On 12/14/06, J. C. O'Connell [EMAIL PROTECTED] wrote:
 I was reffering to color or BW neg film. Can you
 get slides from digital files

Yes

 and are
 they any wider dynamic range than shooting
 slide film in the first place?

I don't know.

 If you
 dont really need slides, then there
 isnt much point in shooting slide film
 unless you really want a certain look
 not available in neg films IMHO...
 jco

 -Original Message-
 From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf Of
 Jostein Øksne
 Sent: Wednesday, December 13, 2006 4:28 PM
 To: Pentax-Discuss Mail List
 Subject: Re: The Film Look


 I take it you never shot slide film, JCO.
 I did, and the dynamic range of the *istD was a welcome increase.

 Jostein


 On 12/13/06, J. C. O'Connell [EMAIL PROTECTED] wrote:
  You may be able to undo the knee on
  the film captures but its going to be
  impossible to undo the clipping on
  the digital capture when the dynamic
  range of the scene exceeds the digital system's
  (sensor) recording capability.
  jco
 
  -Original Message-
  From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf
  Of graywolf
  Sent: Wednesday, December 13, 2006 11:21 AM
  To: Pentax-Discuss Mail List
  Subject: Re: The Film Look
 
 
  Luckily we can adjust that in Photoshop. It does help some.
 
 
  J. C. O'Connell wrote:
   But the look is similar. I forgot to
   post that in either of these cases
   the film grain is NOT an issue. Its more
   the tonal range captured and the look
   of the extreme highlights. Film captures
   more but the curves are not straight,
   there is a knee on the hightlights. Whereas
   digital can't capture as much range but there
   isnt a knee, its straight right up to
   the point of clipping...
   jco
  
   -Original Message-
   From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] On Behalf

   Of Jack Davis
   Sent: Tuesday, December 12, 2006 9:15 PM
   To: Pentax-Discuss Mail List
   Subject: RE: The Film Look
  
  
   I've had the same experience. Stills, by their nature, may lend
   themselves to more scrutiny.
  
   Jack
   --- J. C. O'Connell [EMAIL PROTECTED] wrote:
  
   My interpretation of the film look is like
   watching a high quality movie ( 70mm print )
   vs. a high defintion live video broadcast
   ( more like the digital look ).
   jco

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