Re: GESO 2012 - USS Hornet - GDG

2012-01-24 Thread Chris Mitchell
On 24 January 2012 07:36, Godfrey DiGiorgi ramar...@mac.com wrote:
 I took the M9 up to Alameda for a photo walk at the USS Hornet on Sunday. It 
 was really the wrong camera for the task, but I wanted to get to know it 
 better and push myself a bit.

 Quickie output ... thirty five photos in this set:

  http://gallery.me.com/godders#100435

 Hope you enjoy!

 Godfrey


Nice set. Proves the old adage the best camera is the one you've got with you.

Chris

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Sv: GESO 2012 - USS Hornet - GDG

2012-01-24 Thread jb.l...@telia.com
Hello Godfrey,

I am a long-time lurker on PDML and rarely write anything, but when I saw this 
very fine GESO I immediately thought that there would be interest for it on a 
history discussion forum I participate in. Very nice photos and double 
interest, both history and a nice ship (there are some real naval nerds). Would 
you mind if I post a link to your GESO on it (forum.skalman.nu)?

Thanks anyway for a nice GESO, I did enjoy it!

Best regards,
Jörgen

Ursprungligt meddelande
Från: ramar...@mac.com
Datum: 2012-01-24 08:36
Till: SeePhoto Talkseeph...@micapeak.com, PAW Picture-A-Week project
p...@micapeak.com, BAPhotoShooters BAPAbaphotoshoot...@yahoogroups.com, 
PDML ListPDML@pdml.net
Ärende: GESO 2012 - USS Hornet - GDG

I took the M9 up to Alameda for a photo walk at the USS Hornet on Sunday.
 It was really the wrong camera for the task, but I wanted to get to know it 
better and push myself a bit. 

Quickie output ... thirty five photos in this set: 

  http://gallery.me.com/godders#100435

Hope you enjoy! 
Godfrey


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OT: Some sellers ...

2012-01-24 Thread Collin Brendemuehl
I was watching a KEH-listed FA 35/2 @ $399.
The ad ended, but they relisted it @ $429.
Strange.
At least the relist has a make offer on it.

Sincerely, 

Collin Brendemuehl 
He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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Re: No discussion of the Olympus OM-D ?

2012-01-24 Thread Steven Desjardins
Body styling is obviously an important part of how a camera works
since you have to hold it to use it.  I'm not a fan of retro per se as
much as I'm not a fan of modern styling for the sake of being
different.  Body styling also affects compactness as a dove bar will
slide in your pocket whereas something with a big grip is easy to
hold.  I also like manual controls.  One person's styling is often
another person's function.  However, I will put up with a lot if the
IQ is really good.

On Tue, Jan 24, 2012 at 1:03 AM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:
 An exciting new camera is of more than passing interest to this group because 
 (and this is just my unscientific opinion) many here are photographers first, 
 Pentaxians second. That is evidenced by the fact that so many own other 
 brands along with their Pentaxes; some have even discarded their Pentaxes ~in 
 toto~ and remain on the list for reasons other than their loyalty to the 
 brand.

 You of all people, Godfrey, who look beyond Pentax to satisfy your 
 photographic needs, will understand that.

 If there's one thing that I've always liked about this list it's the 
 love/hate relationship that so many seem to have with Pentax. No blindly 
 spewing the company line, no my camera maker right or wrong, it's more 
 like, here's what I want and if you don't make it I'll still love you but I 
 will go elsewhere.

 There are very few measurebaters compared to other places; we're just people 
 who like taking pictures, on whatever equipment is out there that suits our 
 needs.

 That, I suppose, is why the latest Oly is of more than passing interest.

 Cheers,
 frank



 --- Original Message ---

 From: Godfrey DiGiorgi gdigio...@gmail.com
 Sent: January 23, 2012 1/23/12
 To: Pentax-Discuss Mail List pdml@pdml.net
 snip
 I don't know why speculation about an Olympus camera would be of more
 than just passing interest for the Pentax community, however.
 --
 Godfrey
   godfreydigiorgi.posterous.com

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Re: PESO: We don't need no steenking beach chairs

2012-01-24 Thread Steven Desjardins
That's great.  They look pretty happy about it as well.

On Tue, Jan 24, 2012 at 12:15 AM, Daniel J. Matyola
danmaty...@gmail.com wrote:
 Two young women dug into the sand to make their own beach chairs:

 http://photo.net/photodb/photo?photo_id=15039016

 Comments and criticisms invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: No discussion of the Olympus OM-D ?

2012-01-24 Thread Steven Desjardins
As for Olympus, I've noticed that many folks who use mu43 are current
or former Pentax users.  The most obvious overlap is a preference for
small SLRs.

On Tue, Jan 24, 2012 at 7:40 AM, Steven Desjardins drd1...@gmail.com wrote:
 Body styling is obviously an important part of how a camera works
 since you have to hold it to use it.  I'm not a fan of retro per se as
 much as I'm not a fan of modern styling for the sake of being
 different.  Body styling also affects compactness as a dove bar will
 slide in your pocket whereas something with a big grip is easy to
 hold.  I also like manual controls.  One person's styling is often
 another person's function.  However, I will put up with a lot if the
 IQ is really good.

 On Tue, Jan 24, 2012 at 1:03 AM, knarftheria...@gmail.com
 knarftheria...@gmail.com wrote:
 An exciting new camera is of more than passing interest to this group 
 because (and this is just my unscientific opinion) many here are 
 photographers first, Pentaxians second. That is evidenced by the fact that 
 so many own other brands along with their Pentaxes; some have even discarded 
 their Pentaxes ~in toto~ and remain on the list for reasons other than their 
 loyalty to the brand.

 You of all people, Godfrey, who look beyond Pentax to satisfy your 
 photographic needs, will understand that.

 If there's one thing that I've always liked about this list it's the 
 love/hate relationship that so many seem to have with Pentax. No blindly 
 spewing the company line, no my camera maker right or wrong, it's more 
 like, here's what I want and if you don't make it I'll still love you but I 
 will go elsewhere.

 There are very few measurebaters compared to other places; we're just people 
 who like taking pictures, on whatever equipment is out there that suits our 
 needs.

 That, I suppose, is why the latest Oly is of more than passing interest.

 Cheers,
 frank



 --- Original Message ---

 From: Godfrey DiGiorgi gdigio...@gmail.com
 Sent: January 23, 2012 1/23/12
 To: Pentax-Discuss Mail List pdml@pdml.net
 snip
 I don't know why speculation about an Olympus camera would be of more
 than just passing interest for the Pentax community, however.
 --
 Godfrey
   godfreydigiorgi.posterous.com

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 Steve Desjardins



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OT: largest digital camera in the world

2012-01-24 Thread Darren Addy
Perhaps of passing interest to the group is the largest digital camera
in the world: The Pan-STARRS
http://pan-starrs.ifa.hawaii.edu/public/


This is of interest (at least to me) on a couple of levels.
1) it uses over a Gigabyte of pixels in a sensor octagonal sensor
array (corners unimportant since the quality of the image circle is
lacking there) They call it a 64x64 sensor array, but it is not
square.
http://pan-starrs.ifa.hawaii.edu/public/design-features/cameras.html
2) it has discovered a comet (way way out) that may be our next
Hale-Bopp in 2013.
http://news.nationalgeographic.com/news/2011/06/110622-new-comet-found-2013-visible-space-science/

Not a lot has been written about the comet since its orbit was
determined, and it will probably be fine-tuned. However the JPL
Horizons prediction is that it will be
brightest between March 8-12, 2013 with a magnitude near -0.5. (about
the brightness of Arcturus... one of the night sky's guideposts). This
will be it's one and only trip through the solar system as it rounds
the sun and get's tossed out.

Enter
C/2011 L4 in the search box of the Small Objects Database browser
http://ssd.jpl.nasa.gov/sbdb.cgi
and then click Orbit Diagram and you can play its orbit forward and
backwards (zooming in and out, as necessary).
Java required to use the Small Objects Database browser.

I've long wondered what would prevent camera manufacturers from using
sensor arrays instead of single larger sensors.
I imagine that it is possible, but would require so much more from the
image processing engine (along with added complexities of bus channel
management, writing to card, etc.) that it just isn't worth it on a
small scale, when compared to using a single larger sensor.

Darren Addy
Kearney, Nebraska

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Re: OT: largest digital camera in the world

2012-01-24 Thread Matthew Hunt
On Tue, Jan 24, 2012 at 8:37 AM, Darren Addy pixelsmi...@gmail.com wrote:

 I've long wondered what would prevent camera manufacturers from using
 sensor arrays instead of single larger sensors.

For one thing, there's gaps between sensors due to the sensor
packaging. It's not a big deal for most astronomical applications,
because you typically combine multiple exposures, and offset the
telescope slightly between exposures to fill in the gaps.

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Re: All you WORK are belong to us! (Apple)

2012-01-24 Thread John Sessoms

From: Godfrey DiGiorgi


On Mon, Jan 23, 2012 at 10:43 AM, Larry Colen l...@red4est.com wrote:


On 1/23/2012 9:26 AM, Godfrey DiGiorgi wrote:


It's a business decision akin to signing a book contract with a
publisher on an exclusive basis, with the added bonus in that if you
don't want to sell your work, you can distribute it freely without
Apple's involvement at all, and you can transform it into a more
industry generic form and still sell it any other way you wish.


I read it that even if you transform it into an industry generic form, if
you used iBook author, you still have to sell it through the iBookstore.

Your notion seems to be in direct contradiction to this portion of the EULA:

B. Distribution of your Work. As a condition of this License and
provided you are in compliance with its terms, your Work may be
distributed as follows:
(i) if your Work is provided for free (at no charge), you may
distribute the Work by any available means; ...


However if you wish to SELL your work, you may only sell it through the 
iStore and only if Apple chooses your work to be sold.


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Re: PESO: We don't need no steenking beach chairs

2012-01-24 Thread David J Brooks
good one

dave

On Tue, Jan 24, 2012 at 12:15 AM, Daniel J. Matyola
danmaty...@gmail.com wrote:
 Two young women dug into the sand to make their own beach chairs:

 http://photo.net/photodb/photo?photo_id=15039016

 Comments and criticisms invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: GESO 2012 - USS Hornet - GDG

2012-01-24 Thread David J Brooks
Very enjoyable set.

Dave

On Tue, Jan 24, 2012 at 2:36 AM, Godfrey DiGiorgi ramar...@mac.com wrote:
 I took the M9 up to Alameda for a photo walk at the USS Hornet on Sunday. It 
 was really the wrong camera for the task, but I wanted to get to know it 
 better and push myself a bit.

 Quickie output ... thirty five photos in this set:

  http://gallery.me.com/godders#100435

 Hope you enjoy!

 Godfrey


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Re: GESO 2012 - USS Hornet - GDG

2012-01-24 Thread Godfrey DiGiorgi
Sure, no problem Jörgen! Thank you for the compliment.

Godfrey

On Tue, Jan 24, 2012 at 1:13 AM, jb.l...@telia.com jb.l...@telia.com wrote:
 Hello Godfrey,

 I am a long-time lurker on PDML and rarely write anything, but when I saw this
 very fine GESO I immediately thought that there would be interest for it on a
 history discussion forum I participate in. Very nice photos and double
 interest, both history and a nice ship (there are some real naval nerds). 
 Would
 you mind if I post a link to your GESO on it (forum.skalman.nu)?

 Thanks anyway for a nice GESO, I did enjoy it!

 Best regards,
 Jörgen

Ursprungligt meddelande
Från: ramar...@mac.com
Datum: 2012-01-24 08:36
Till: SeePhoto Talkseeph...@micapeak.com, PAW Picture-A-Week project
 p...@micapeak.com, BAPhotoShooters BAPAbaphotoshoot...@yahoogroups.com,
 PDML ListPDML@pdml.net
Ärende: GESO 2012 - USS Hornet - GDG

I took the M9 up to Alameda for a photo walk at the USS Hornet on Sunday.
 It was really the wrong camera for the task, but I wanted to get to know it
 better and push myself a bit.

Quickie output ... thirty five photos in this set:

  http://gallery.me.com/godders#100435

Hope you enjoy!
Godfrey


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Stouffville camera club

2012-01-24 Thread David J Brooks
Hey gang.

Well i signed up over the holidays. First meeting was two weeks ago
just as an intro and to see what level(s) every one was at, and what
people wanted ot learn and do. We are a group of eight, the group of
seven has already been done, with every one but myself and the
president owner of the group as pretty much raw newbies. Every one
wanted to learn how to get out of auto mode and use the cameras they
have at full potential, which was good to hear. We have a dedicated
website hosted by a company that specializes in camera clubs so we can
do galleries contests etc.

http://www.stouffvillecameraclub.ca/

I will be helping out with the monthly discussions and learning
cureves with the other members, so that is kinda exciting., Several
walks and hikes are being schedules to practice what Ken and i preach.

So far so good i'd say.

Dave


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first images @ work

2012-01-24 Thread Collin Brendemuehl

Lighting is Interfit CoolLite 6 on a white table.

This one uses  the on-camera flash for fill as it is a darker unit.
http://www.brendemuehl.net/IMGP6653r.jpg

This one has a little reflection glare that is not a real problem,
but I'm still going to get control of it.
http://www.brendemuehl.net/IMGP6655r.jpg

Here I used a polarizer.  The loss of glare is good, but it needs more light. 
I'll try going to a longer shutter speed.
http://www.brendemuehl.net/IMGP6649r.jpg

Still a few adjustments to make.  But overall it is coming along just fine.


Sincerely, 

Collin Brendemuehl 
He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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Re: Fun with 100mm

2012-01-24 Thread David J Brooks
Thanks for reminding me. I still have to test my FA 100 macro on the K-5.

dave

On Mon, Jan 23, 2012 at 12:20 PM, Tim Bray tb...@textuality.com wrote:
 So, here's how to have some fun at a social gathering or business
 meeting. Take your K-5 along, (or some other camera, if there is one,
 that combines unobtrusiveness, image stabilization, and is happy up to
 ISO3200).  Mount a 100mm prime on it, e.g. the D-FA 100mm or the fancy
 new WR; once again, small and unobtrusive win.
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Re: Stouffville camera club

2012-01-24 Thread Bran Everseeking
On Tue, 24 Jan 2012 10:00:19 -0500
David J Brooks pentko...@gmail.com wrote:

 I will be helping out with the monthly discussions and learning
 cureves with the other members, so that is kinda exciting., Several
 walks and hikes are being schedules to practice what Ken and i preach.
 
 So far so good i'd say.
 
 Dave

Hi my name is bran and i am a social media addict.  either that or it
is morning.  

I was looking for some form of a button to click to indicate my
approval for this message.

While I have never become a good photographer I have learnt how it
should work and love sharing that with people. In many ways I should
have taught as a profession but have very much enjoyed it as a
secondary hobby along the way.

Have much fun.

Bran

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Re: Pentax Forums, looking for all images by a certain lens

2012-01-24 Thread Sam L
On Mon, Jan 23, 2012 at 3:14 PM, Brian Walters apathy...@lyons-ryan.org wrote:
 Quoting Sam L samthegr...@gmail.com:

 Hi all,

 I know the Pentax Forum site is strictly verboten, but does anyone
 know how to search for images by a certain lens?
 I think I saw an email recently saying that you could find all photos
 by lex X for example.


 I don't know if you can do this in Pentax Forums but you can in the Pentax
 Photo Gallery.

 I case you don't know about this feature, go to the PPG, and select 'Cameras
 and Lenses' from the top right.

I thought I was thinking PF, but maybe I was really thinking PPG.
Thanks for that pointer!

(Not that I have any business browser photos by lens as I lack both
time and money!).

---
Sam

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Re: OT: largest digital camera in the world

2012-01-24 Thread Paul Stenquist

On Jan 24, 2012, at 8:50 AM, Matthew Hunt wrote:

 On Tue, Jan 24, 2012 at 8:37 AM, Darren Addy pixelsmi...@gmail.com wrote:
 
 I've long wondered what would prevent camera manufacturers from using
 sensor arrays instead of single larger sensors.
 
 For one thing, there's gaps between sensors due to the sensor
 packaging. It's not a big deal for most astronomical applications,
 because you typically combine multiple exposures, and offset the
 telescope slightly between exposures to fill in the gaps.

Sensor arrays are used on large format backs. I watched a shooter work with a 4 
x 5 camera and a digital back tethered to a computer. The complete image, 
without gaps, resolved almost immediately on the monitor screen. I don't know 
if the back was gap free or if software corrections were made. But the results 
were outstanding.
Paul
 
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Re: OT: largest digital camera in the world

2012-01-24 Thread Matthew Hunt
On Tue, Jan 24, 2012 at 10:45 AM, Paul Stenquist
pnstenqu...@comcast.net wrote:

 Sensor arrays are used on large format backs. I watched a shooter work with a 
 4 x 5 camera and a digital back tethered to a computer. The complete image, 
 without gaps, resolved almost immediately on the monitor screen. I don't know 
 if the back was gap free or if software corrections were made. But the 
 results were outstanding.

You're sure it was a mosaic of sensors, and not a scanning back?

It's possible that someone's come up with gapless packaging for
sensors, but in the photographs of the Pan-STARRS focal plane, you can
see the blind margin at each edge of the chips.

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Re: GESO 2012 - USS Hornet - GDG

2012-01-24 Thread kwaller

Nice collection of images.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Godfrey DiGiorgi ramar...@mac.com

Subject: GESO 2012 - USS Hornet - GDG


I took the M9 up to Alameda for a photo walk at the USS Hornet on Sunday. 
It was really the wrong camera for the task, but I wanted to get to know it 
better and push myself a bit.


Quickie output ... thirty five photos in this set:

 http://gallery.me.com/godders#100435

Hope you enjoy!

Godfrey



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Re: OT: largest digital camera in the world

2012-01-24 Thread Paul Stenquist

On Jan 24, 2012, at 11:10 AM, Matthew Hunt wrote:

 On Tue, Jan 24, 2012 at 10:45 AM, Paul Stenquist
 pnstenqu...@comcast.net wrote:
 
 Sensor arrays are used on large format backs. I watched a shooter work with 
 a 4 x 5 camera and a digital back tethered to a computer. The complete 
 image, without gaps, resolved almost immediately on the monitor screen. I 
 don't know if the back was gap free or if software corrections were made. 
 But the results were outstanding.
 
 You're sure it was a mosaic of sensors, and not a scanning back?

Yes, the shooter told me it was a four-sensor array. This was about a dozen 
years ago. We were shooting a Dodge Nascar vehicle in a Michigan studio.

 
 It's possible that someone's come up with gapless packaging for
 sensors, but in the photographs of the Pan-STARRS focal plane, you can
 see the blind margin at each edge of the chips.
 
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OT: Steve jobs-looked-to-reinvent-apples-iphone-photography

2012-01-24 Thread kwaller
My son keeps amazing me with what he's able to do with his i-phone and the 
photo apps he has. He sent me this and I thought some on the list might 
enjoy.


http://9to5mac.com/2012/01/23/steve-jobs-looked-to-reinvent-apples-iphone-photography-with-instant-capture-system-advanced-light-field-sensors/


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller 



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Re: OT: largest digital camera in the world

2012-01-24 Thread Paul Stenquist
Based on the year that this was done, it must have been what they call a 
multiple-exposure single-shot back, generating one image each for RGB. I think 
I remember the shooter telling me that it was an array, but I can't find any 
evidence to support the existence of such a back at that point in history. 

 
On Jan 24, 2012, at 11:18 AM, Paul Stenquist wrote:

 
 On Jan 24, 2012, at 11:10 AM, Matthew Hunt wrote:
 
 On Tue, Jan 24, 2012 at 10:45 AM, Paul Stenquist
 pnstenqu...@comcast.net wrote:
 
 Sensor arrays are used on large format backs. I watched a shooter work with 
 a 4 x 5 camera and a digital back tethered to a computer. The complete 
 image, without gaps, resolved almost immediately on the monitor screen. I 
 don't know if the back was gap free or if software corrections were made. 
 But the results were outstanding.
 
 You're sure it was a mosaic of sensors, and not a scanning back?
 
 Yes, the shooter told me it was a four-sensor array. This was about a dozen 
 years ago. We were shooting a Dodge Nascar vehicle in a Michigan studio.
 
 
 It's possible that someone's come up with gapless packaging for
 sensors, but in the photographs of the Pan-STARRS focal plane, you can
 see the blind margin at each edge of the chips.
 
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Re: GESO 2012 - USS Hornet - GDG

2012-01-24 Thread Paul Stenquist
What Ken said. Focusing on details served you well.
Paul
On Jan 24, 2012, at 11:16 AM, kwal...@peoplepc.com kwal...@peoplepc.com 
wrote:

 Nice collection of images.
 
 Kenneth Waller
 http://www.pentaxphotogallery.com/kennethwaller
 
 - Original Message - From: Godfrey DiGiorgi ramar...@mac.com
 Subject: GESO 2012 - USS Hornet - GDG
 
 
 I took the M9 up to Alameda for a photo walk at the USS Hornet on Sunday. It 
 was really the wrong camera for the task, but I wanted to get to know it 
 better and push myself a bit.
 
 Quickie output ... thirty five photos in this set:
 
 http://gallery.me.com/godders#100435
 
 Hope you enjoy!
 
 Godfrey
 
 
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Re: PESO - Back Alley

2012-01-24 Thread knarftheria...@gmail.com
Thanks, Steve!

cheers,
frank

--- Original Message ---

From: steve harley p...@paper-ape.com
Sent: January 23, 2012 1/23/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO - Back Alley

on 2012-01-22 19:40 frank theriault wrote
 We got a dusting of snow on the weekend, too.  Maybe the second or
 third light snowfall this year, only an inch or so fell, but it was
 nice.  Taken on Friday night during the gentle snowfall:

 http://knarfinthecity.blogspot.com/2012/01/back-alley.html

i really like it; i see the person helplessly deposited into a great 
oppositional dance of light (freedom) and dark (constraint)

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Re: first images @ work

2012-01-24 Thread Bruce Walker
Looking very good, Collin, especially #3.

But if that's a white table your subjects are parked on, these are all
quite underexposed. Have you a meter?

On Tue, Jan 24, 2012 at 10:02 AM, Collin Brendemuehl
coll...@brendemuehl.net wrote:


 Lighting is Interfit CoolLite 6 on a white table.

 This one uses  the on-camera flash for fill as it is a darker unit.
 http://www.brendemuehl.net/IMGP6653r.jpg

 This one has a little reflection glare that is not a real problem,
 but I'm still going to get control of it.
 http://www.brendemuehl.net/IMGP6655r.jpg

 Here I used a polarizer.  The loss of glare is good, but it needs more light. 
 I'll try going to a longer shutter speed.
 http://www.brendemuehl.net/IMGP6649r.jpg

 Still a few adjustments to make.  But overall it is coming along just fine.


 Sincerely,

 Collin Brendemuehl
 He is no fool who gives what he cannot keep to gain what he cannot lose
 -- Jim Elliott

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PESO: Wind Farm

2012-01-24 Thread Daniel J. Matyola
http://photo.net/photodb/photo?photo_id=15039215

Comments and criticisms are appreciated.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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Re: PESO - Back Alley

2012-01-24 Thread knarftheria...@gmail.com
Thanks Brian. That's very kind of you.

Cheers,
frank 

--- Original Message ---

From: Brian Walters apathy...@lyons-ryan.org
Sent: January 23, 2012 1/23/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: PESO - Back Alley

Quoting frank theriault knarftheria...@gmail.com:

 We got a dusting of snow on the weekend, too.  Maybe the second or
 third light snowfall this year, only an inch or so fell, but it was
 nice.  Taken on Friday night during the gentle snowfall:

 http://knarfinthecity.blogspot.com/2012/01/back-alley.html

 Hope you enjoy.  Comments welcome.



One of your recent best.  The person walking, although small in the  
frame, adds a bit of extra 'mood' to the shot.

Excellent!



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Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/


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Re: OT: largest digital camera in the world

2012-01-24 Thread John Francis
On Tue, Jan 24, 2012 at 11:18:39AM -0500, Paul Stenquist wrote:
 
 On Jan 24, 2012, at 11:10 AM, Matthew Hunt wrote:
 
  On Tue, Jan 24, 2012 at 10:45 AM, Paul Stenquist
  pnstenqu...@comcast.net wrote:
  
  Sensor arrays are used on large format backs. I watched a shooter work 
  with a 4 x 5 camera and a digital back tethered to a computer. The 
  complete image, without gaps, resolved almost immediately on the monitor 
  screen. I don't know if the back was gap free or if software corrections 
  were made. But the results were outstanding.
  
  You're sure it was a mosaic of sensors, and not a scanning back?
 
 Yes, the shooter told me it was a four-sensor array. This was about a dozen 
 years ago. We were shooting a Dodge Nascar vehicle in a Michigan studio.

I've heard of these - that's mostly a mechanical (or cost) limitation.

It's all but impossible to make a reasonanbly defect-free sensor above
a certain size (although the limiting size changes with the technology).
But it is possible to design a sensor so that all the connections, c.
are made along one or two edges, with only a very thin gap between the
edge of the package and the actual sensor cells on the other two edges.
That means you can combine four sensors into a larger composite unit.

This is almost as good as a single sensor of the same size, but has
the advantage that it's a whole lot cheaper.  For example, I think
the sensor used in the 645D was initially priced at around $1000.
That means you could probably make a four-sensor array of comparable
chips for somewhere around $5000.  I'd expect a single sensor design
to be at least an order of magnitude more expensive, simply due to
the mathematics of yield rate in chip manufacture.


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Re: All you WORK are belong to us! (Apple)

2012-01-24 Thread P. J. Alling

On 1/24/2012 9:34 AM, John Sessoms wrote:

From: Godfrey DiGiorgi


On Mon, Jan 23, 2012 at 10:43 AM, Larry Colen l...@red4est.com wrote:


On 1/23/2012 9:26 AM, Godfrey DiGiorgi wrote:


It's a business decision akin to signing a book contract with a
publisher on an exclusive basis, with the added bonus in that if you
don't want to sell your work, you can distribute it freely without
Apple's involvement at all, and you can transform it into a more
industry generic form and still sell it any other way you wish.


I read it that even if you transform it into an industry generic 
form, if
you used iBook author, you still have to sell it through the 
iBookstore.
Your notion seems to be in direct contradiction to this portion of 
the EULA:


B. Distribution of your Work. As a condition of this License and
provided you are in compliance with its terms, your Work may be
distributed as follows:
(i) if your Work is provided for free (at no charge), you may
distribute the Work by any available means; ...


However if you wish to SELL your work, you may only sell it through 
the iStore and only if Apple chooses your work to be sold.


They're taking the prerogatives of a publisher without doing any of the 
work.


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Re: OT: largest digital camera in the world

2012-01-24 Thread Matthew Hunt
On Tue, Jan 24, 2012 at 12:54 PM, John Francis jo...@panix.com wrote:

 But it is possible to design a sensor so that all the connections, c.
 are made along one or two edges, with only a very thin gap between the
 edge of the package and the actual sensor cells on the other two edges.
 That means you can combine four sensors into a larger composite unit.

To give a sense of the numbers, I worked on a 6-CCD mosaic imaging
camera at Palomar Observatory. The CCDs were arranged as you describe,
with the readout edges at the periphery, not between chips, to
minimize the gap. The effective gap between chips was about 80 pixels,
each pixel being 15 microns.

This instrument was built around 1998-99, so improvements to the
packaging may have slimmed down that gap in newer designs.

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Re: No discussion of the Olympus OM-D ?

2012-01-24 Thread P. J. Alling
For me the styling is unimportant.  Retro that works is controls and 
ergonomics.  Since it's a m43 camera I doubt it will allow the use of 
legacy lenses better than any other m43 system camera so I'm not 
particularly excited.  I don't own any OM-Zuiko glass anyway, but many 
were outstanding lenses.


I have friends who have OM systems, and they are a bit disappointed that 
Olympus didn't make as much effort as Pentax did to keep their old 
lenses compatible.  Most have moved on to low to mid level Canons...


Using my existing lens kit is much more important than what the camera 
looks like.  Right now I have a system that can use every single bit of 
legacy gl\ass I own.


If you want retro for retro sake, look at the Epson RD-1, now that's 
retro, even more so than the Leica M-9.


On 1/24/2012 7:48 AM, Steven Desjardins wrote:

As for Olympus, I've noticed that many folks who use mu43 are current
or former Pentax users.  The most obvious overlap is a preference for
small SLRs.

On Tue, Jan 24, 2012 at 7:40 AM, Steven Desjardinsdrd1...@gmail.com  wrote:

Body styling is obviously an important part of how a camera works
since you have to hold it to use it.  I'm not a fan of retro per se as
much as I'm not a fan of modern styling for the sake of being
different.  Body styling also affects compactness as a dove bar will
slide in your pocket whereas something with a big grip is easy to
hold.  I also like manual controls.  One person's styling is often
another person's function.  However, I will put up with a lot if the
IQ is really good.

On Tue, Jan 24, 2012 at 1:03 AM, knarftheria...@gmail.com
knarftheria...@gmail.com  wrote:

An exciting new camera is of more than passing interest to this group because 
(and this is just my unscientific opinion) many here are photographers first, 
Pentaxians second. That is evidenced by the fact that so many own other brands 
along with their Pentaxes; some have even discarded their Pentaxes ~in toto~ 
and remain on the list for reasons other than their loyalty to the brand.

You of all people, Godfrey, who look beyond Pentax to satisfy your photographic 
needs, will understand that.

If there's one thing that I've always liked about this list it's the love/hate relationship that so 
many seem to have with Pentax. No blindly spewing the company line, no my camera maker right 
or wrong, it's more like, here's what I want and if you don't make it I'll still love 
you but I will go elsewhere.

There are very few measurebaters compared to other places; we're just people 
who like taking pictures, on whatever equipment is out there that suits our 
needs.

That, I suppose, is why the latest Oly is of more than passing interest.

Cheers,
frank



--- Original Message ---

From: Godfrey DiGiorgigdigio...@gmail.com
Sent: January 23, 2012 1/23/12
To: Pentax-Discuss Mail Listpdml@pdml.net
snip
I don't know why speculation about an Olympus camera would be of more
than just passing interest for the Pentax community, however.
--
Godfrey
   godfreydigiorgi.posterous.com

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Re: OT: Some sellers ...

2012-01-24 Thread P. J. Alling

Makes me wish I'd  bought one when BH had them new at $299.

On 1/24/2012 6:58 AM, Collin Brendemuehl wrote:

I was watching a KEH-listed FA 35/2 @ $399.
The ad ended, but they relisted it @ $429.
Strange.
At least the relist has a make offer on it.

Sincerely,

Collin Brendemuehl
He is no fool who gives what he cannot keep to gain what he cannot lose
-- Jim Elliott









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Re: No discussion of the Olympus OM-D ?

2012-01-24 Thread Steven Desjardins
Agreed. I like my old cameras because the controls worked so well.
The presence of automatic modes makes these controls an afterthought,
and this becomes clear when you use the camera.  Most shots work fine
on auto but that actually makes it worse.  You don't' use the manual
controls as often, and when needed it's hard to react quickly.

On Tue, Jan 24, 2012 at 1:29 PM, P. J. Alling
webstertwenty...@gmail.com wrote:
 For me the styling is unimportant.  Retro that works is controls and
 ergonomics.  Since it's a m43 camera I doubt it will allow the use of legacy
 lenses better than any other m43 system camera so I'm not particularly
 excited.  I don't own any OM-Zuiko glass anyway, but many were outstanding
 lenses.

 I have friends who have OM systems, and they are a bit disappointed that
 Olympus didn't make as much effort as Pentax did to keep their old lenses
 compatible.  Most have moved on to low to mid level Canons...

 Using my existing lens kit is much more important than what the camera looks
 like.  Right now I have a system that can use every single bit of legacy
 gl\ass I own.

 If you want retro for retro sake, look at the Epson RD-1, now that's retro,
 even more so than the Leica M-9.


 On 1/24/2012 7:48 AM, Steven Desjardins wrote:

 As for Olympus, I've noticed that many folks who use mu43 are current
 or former Pentax users.  The most obvious overlap is a preference for
 small SLRs.

 On Tue, Jan 24, 2012 at 7:40 AM, Steven Desjardinsdrd1...@gmail.com
  wrote:

 Body styling is obviously an important part of how a camera works
 since you have to hold it to use it.  I'm not a fan of retro per se as
 much as I'm not a fan of modern styling for the sake of being
 different.  Body styling also affects compactness as a dove bar will
 slide in your pocket whereas something with a big grip is easy to
 hold.  I also like manual controls.  One person's styling is often
 another person's function.  However, I will put up with a lot if the
 IQ is really good.

 On Tue, Jan 24, 2012 at 1:03 AM, knarftheria...@gmail.com
 knarftheria...@gmail.com  wrote:

 An exciting new camera is of more than passing interest to this group
 because (and this is just my unscientific opinion) many here are
 photographers first, Pentaxians second. That is evidenced by the fact that
 so many own other brands along with their Pentaxes; some have even 
 discarded
 their Pentaxes ~in toto~ and remain on the list for reasons other than 
 their
 loyalty to the brand.

 You of all people, Godfrey, who look beyond Pentax to satisfy your
 photographic needs, will understand that.

 If there's one thing that I've always liked about this list it's the
 love/hate relationship that so many seem to have with Pentax. No blindly
 spewing the company line, no my camera maker right or wrong, it's more
 like, here's what I want and if you don't make it I'll still love you but 
 I
 will go elsewhere.

 There are very few measurebaters compared to other places; we're just
 people who like taking pictures, on whatever equipment is out there that
 suits our needs.

 That, I suppose, is why the latest Oly is of more than passing interest.

 Cheers,
 frank



 --- Original Message ---

 From: Godfrey DiGiorgigdigio...@gmail.com
 Sent: January 23, 2012 1/23/12
 To: Pentax-Discuss Mail Listpdml@pdml.net
 snip
 I don't know why speculation about an Olympus camera would be of more
 than just passing interest for the Pentax community, however.
 --
 Godfrey
   godfreydigiorgi.posterous.com

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Re: OT: Some sellers ...

2012-01-24 Thread Steven Desjardins
Amen, brother.   Easily the dumbest lens non-purchase I ever made.

On Tue, Jan 24, 2012 at 1:31 PM, P. J. Alling
webstertwenty...@gmail.com wrote:
 Makes me wish I'd  bought one when BH had them new at $299.


 On 1/24/2012 6:58 AM, Collin Brendemuehl wrote:

 I was watching a KEH-listed FA 35/2 @ $399.
 The ad ended, but they relisted it @ $429.
 Strange.
 At least the relist has a make offer on it.

 Sincerely,

 Collin Brendemuehl
 He is no fool who gives what he cannot keep to gain what he cannot lose
 -- Jim Elliott








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Re: PESO: We don't need no steenking beach chairs

2012-01-24 Thread Daniel J. Matyola
Thanks, Steve.  They were happy and proud, and loved it that I wanted
to take a photo of their entrenchment.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



On Tue, Jan 24, 2012 at 7:45 AM, Steven Desjardins drd1...@gmail.com wrote:
 That's great.  They look pretty happy about it as well.

 On Tue, Jan 24, 2012 at 12:15 AM, Daniel J. Matyola
 danmaty...@gmail.com wrote:
 Two young women dug into the sand to make their own beach chairs:

 http://photo.net/photodb/photo?photo_id=15039016

 Comments and criticisms invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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Re: PESO: We don't need no steenking beach chairs

2012-01-24 Thread Daniel J. Matyola
Thanks, Dave.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



On Tue, Jan 24, 2012 at 9:53 AM, David J Brooks pentko...@gmail.com wrote:
 good one

 dave

 On Tue, Jan 24, 2012 at 12:15 AM, Daniel J. Matyola
 danmaty...@gmail.com wrote:
 Two young women dug into the sand to make their own beach chairs:

 http://photo.net/photodb/photo?photo_id=15039016

 Comments and criticisms invited.

 Dan Matyola
 http://www.pentaxphotogallery.com/danieljmatyola

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 Documenting Life in Rural Ontario.
 www.caughtinmotion.com
 http://brooksinthecountry.blogspot.com/
 York Region, Ontario, Canada

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Re: first images @ work

2012-01-24 Thread Collin Brendemuehl
Looking very good, Collin, especially #3.

But if that's a white table your subjects are parked on, these are all
quite underexposed. Have you a meter?

That very subject is detailed in the book I mentioned earlier.
I don't need the white table to come out white, but the unit to be exposed 
properly.  Then I can magic-wand cut the table out.  It works really well.

I am going to give a try with a digital PL as they do allow more light to pass.

Sincerely, 

Collin Brendemuehl 
He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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Re: All you WORK are belong to us! (Apple)

2012-01-24 Thread Godfrey DiGiorgi
On Tue, Jan 24, 2012 at 10:08 AM, P. J. Alling
webstertwenty...@gmail.com wrote:
 They're taking the prerogatives of a publisher without doing any of the work.

As I mentioned previously, the iBookstore team curates, tests,
promotes and distributes submissions offered for sale. They also run
the accounting, handle customer payments, and delivers income to
authors. That is the basis of the fees charged per item sold.

What other work do you expect the iBookstore team to do for their
$0.30 on the dollar?

Oh yes:
Unlike a publisher, they don't vet whether your book is salable,
supply advances, or charge you for leftover/excess/returned inventory.
Nor do they expect you to store the excess inventory of your product,
or take a year to deliver any payments on sales, or expect you to take
returns and do reimbursements up to three years later.

-- 
Godfrey
  godfreydigiorgi.posterous.com

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Re: All you WORK are belong to us! (Apple)

2012-01-24 Thread steve harley

on 2012-01-24 11:08 P. J. Alling wrote

They're taking the prerogatives of a publisher without doing any of the work.


none of the work, really? it seems like Apple has a made big investment in the 
the publishing system, facilitating the process and offering an audience in a 
way different from, but clearly parallel to how print publishers work



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Re: No discussion of the Olympus OM-D ?

2012-01-24 Thread Godfrey DiGiorgi
On Tue, Jan 24, 2012 at 10:40 AM, Steven Desjardins drd1...@gmail.com wrote:
 Agreed. I like my old cameras because the controls worked so well.
 The presence of automatic modes makes these controls an afterthought,
 and this becomes clear when you use the camera.  Most shots work fine
 on auto but that actually makes it worse.  You don't' use the manual
 controls as often, and when needed it's hard to react quickly.

One of the reasons I fell in love all over again with the M4-2, which
led to my buying the M9, is that I find I get better results, more
consistently, with all manual controls on cameras that are designed
with manual control as a priority. Using manual controls on cameras
primarily designed to be used with automation invariably presents some
awkwardness in use, which makes using manual control less effective
and obtaining top notch results less consistent.

-- 
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  godfreydigiorgi.posterous.com

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RE: No discussion of the Olympus OM-D ?

2012-01-24 Thread Bob W
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 P. J. Alling

 
 If you want retro for retro sake, look at the Epson RD-1, now that's
 retro, even more so than the Leica M-9.
 

The Epson RD-1's not retro, it's steampunk. 

The M9 is not retro either, any more than the M7 was retro, it's simply the
continuation of a successful design. If it was retro it would be more like
the recent MP, which was styled to look like the M3.

B




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Re: PESO: Wind Farm

2012-01-24 Thread Jack Davis
Nice sky to horizon balance, Dan. Have to admit I'd preferred the frame include 
all blades on the far left charger and the right edge cropped a bit.
Rich sky and foreground colors.

Jack


- Original Message -
From: Daniel J. Matyola danmaty...@gmail.com
To: Pentax-Discuss Mail List pdml@pdml.net
Cc: 
Sent: Tuesday, January 24, 2012 9:46 AM
Subject: PESO: Wind Farm

http://photo.net/photodb/photo?photo_id=15039215

Comments and criticisms are appreciated.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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The marching band king.

2012-01-24 Thread Don Guthrie

Something different for me.
I don't like to make photos of someone's art, but I do like this 
rendering of Karl King the famous bandmaster. He was a student of John 
Phillips Sousa and wrote many band classics that are still played today. 
This statue stands on the town square of his hometown Ft Dodge IA.


http://donspix.posterous.com/the-statue-in-the-park-karl-king-marching-ban#!/

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Re: The marching band king.

2012-01-24 Thread Paul Stenquist
Very nice. You've gone way beyond taking a picture of someone's art with your 
positioning of the out-of-focus lamp and pole.An excellent composition, nicely 
rendered. Well done.
Paul

On Jan 24, 2012, at 3:12 PM, Don Guthrie wrote:

 Something different for me.
 I don't like to make photos of someone's art, but I do like this rendering of 
 Karl King the famous bandmaster. He was a student of John Phillips Sousa and 
 wrote many band classics that are still played today. This statue stands on 
 the town square of his hometown Ft Dodge IA.
 
 http://donspix.posterous.com/the-statue-in-the-park-karl-king-marching-ban#!/
 
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GESO - Sand Sculpting

2012-01-24 Thread Brian Walters

G'day all

Just a few shots from the sand sculpting competition being held at  
Windsor, New South Wales on the banks of the Hawkesbury River.


I'm pretty much in awe of the artists involved - it's a long way from  
a plastic bucket at the beach!


Each sculpture was created in 4 days using 20 tonnes of sand.

http://dl.dropbox.com/u/1370864/Windsor-Sand-Sculptures/index.html


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Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: GESO - Sand Sculpting

2012-01-24 Thread Paul Stenquist
Amazing art and well recorded by you. Will they be washed away by the rain?

Paul
On Jan 24, 2012, at 3:20 PM, Brian Walters wrote:

 G'day all
 
 Just a few shots from the sand sculpting competition being held at Windsor, 
 New South Wales on the banks of the Hawkesbury River.
 
 I'm pretty much in awe of the artists involved - it's a long way from a 
 plastic bucket at the beach!
 
 Each sculpture was created in 4 days using 20 tonnes of sand.
 
 http://dl.dropbox.com/u/1370864/Windsor-Sand-Sculptures/index.html
 
 
 -- 
 Cheers
 
 Brian
 
 ++
 Brian Walters
 Western Sydney Australia
 http://lyons-ryan.org/southernlight/
 
 
 
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Re: No discussion of the Olympus OM-D ?

2012-01-24 Thread Sam L
On Mon, Jan 23, 2012 at 5:48 PM, Darren Addy pixelsmi...@gmail.com wrote:
 Given this groups propensity to enjoy retro, i'm a bit surprised that
 no one has yet said anything about the upcoming Olympus OM-D (or did I
 just miss it?).

 http://www.digphoto.org/content/olympus-om-d-camera-leaked-photo-revealed/71710031
 http://news.cnet.com/8301-30685_3-57360493-264/olympus-going-even-more-retro-with-om-d-camera/
 http://www.43rumors.com/ft5-oh-my-goodness-olympus-is-coming-big/

 I'm not into 4/3, but something tells me that his could be a home run
 in attention-getting for Olympus.
 Will probably be headline competition for whatever it is that Pentax
 announces around the same timeframe.


Link #2 mentions the expectation that the new OM-D camera will have a
weather sealed body.
That is one area that will cause a more direct competition with Pentax.

I am a new camera slut.  I want to hold them, feel them, and twist their knobs.

---
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Re: More than rumor?

2012-01-24 Thread Sam L
On Mon, Jan 23, 2012 at 4:45 PM, Steven Desjardins drd1...@gmail.com wrote:
 Well, it will be a nice counterpoint to all those retro designs . . .

 On Mon, Jan 23, 2012 at 4:13 PM, Darren Addy pixelsmi...@gmail.com wrote:
 I'm sure the design standpoint comment has to do with Marc Newson's
 hand and it is the mirrorless k-5 sensor camera that has been
 rumored...
 http://www.marc-newson.com/ProjectMosaic.aspx?GroupSelected=0

I hope the design keeps the ergonomics and ease of use as a primary goal.

If they do a great job, then this can attract lots of buyers.  I have
bumped into a bunch of people now who are considering the Nikon 1
series cameras because they are cute.  These people have no desire to
change lenses and have no clue about photography.  They just want a
nice cute camera.

---
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Re: first images @ work

2012-01-24 Thread Larry Colen

On Jan 24, 2012, at 7:02 AM, Collin Brendemuehl wrote:

 
 Lighting is Interfit CoolLite 6 on a white table.
 
 This one uses  the on-camera flash for fill as it is a darker unit.
 http://www.brendemuehl.net/IMGP6653r.jpg
 
 This one has a little reflection glare that is not a real problem,
 but I'm still going to get control of it.
 http://www.brendemuehl.net/IMGP6655r.jpg
 
 Here I used a polarizer.  The loss of glare is good, but it needs more light. 
 I'll try going to a longer shutter speed.
 http://www.brendemuehl.net/IMGP6649r.jpg

Interesting. I seem to remember from Light Science and Magic that light coming 
off a conductive surface is never polarized.


 
 Still a few adjustments to make.  But overall it is coming along just fine.
 
 
 Sincerely, 
 
 Collin Brendemuehl 
 He is no fool who gives what he cannot keep to gain what he cannot lose 
 -- Jim Elliott 
 
 
 
 
 
 
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Re: GESO - Sand Sculpting

2012-01-24 Thread Brian Walters

Quoting Paul Stenquist pnstenqu...@comcast.net:


Amazing art and well recorded by you. Will they be washed away by the rain?



Thanks, Paul.

I wondered about how 'rain-proof' they might be especially as we had  
some torrential rain here a few days after the sculptures were  
created.  I was amazed how stable they were.  When we went a few days  
after the rain, all the sculptures looked fine.  According to the info  
I received the sculptures are sprayed with a water repellent  
substance.  Apparently it works really well!


There are also a couple of artists on hand to carry out repairs of any  
minor damage.



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/




Paul
On Jan 24, 2012, at 3:20 PM, Brian Walters wrote:


G'day all

Just a few shots from the sand sculpting competition being held at  
Windsor, New South Wales on the banks of the Hawkesbury River.


I'm pretty much in awe of the artists involved - it's a long way  
from a plastic bucket at the beach!


Each sculpture was created in 4 days using 20 tonnes of sand.

http://dl.dropbox.com/u/1370864/Windsor-Sand-Sculptures/index.html





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Re: No discussion of the Olympus OM-D ?

2012-01-24 Thread Brian Walters

Quoting Sam L samthegr...@gmail.com:

snip



I am a new camera slut.  I want to hold them, feel them, and twist  
their knobs.




Well - that's a MARK.



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++
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Western Sydney Australia
http://lyons-ryan.org/southernlight/


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Re: first images @ work

2012-01-24 Thread Collin Brendemuehl
Interesting. I seem to remember from Light Science and Magic that light coming 
off a conductive surface is never polarized.

The effort may prove to be futile for that reason.
But there is something about a vertical reflection from a cylinder.  It's not 
the same as polarization, but it is has more directionality than a flat surface 
and that appears controllable.


Sincerely, 

Collin Brendemuehl 
He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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Re: first images @ work

2012-01-24 Thread Darren Addy
On Tue, Jan 24, 2012 at 12:59 PM, Collin Brendemuehl
coll...@brendemuehl.net wrote:
Looking very good, Collin, especially #3.

But if that's a white table your subjects are parked on, these are all
quite underexposed. Have you a meter?

 That very subject is detailed in the book I mentioned earlier.
 I don't need the white table to come out white, but the unit to be exposed 
 properly.  Then I can magic-wand cut the table out.  It works really well.


Believe me, as someone who has magic-wanded out more backgrounds that
I care to admit... it works really well SOME of the time. Other times
you a messing around with the magic wand sensitivity setting to keep
it from grabbing portions of your object.

Bruce is correct. Your images are seriously underexposed. The light
table should be white. It's the same principle as shooting something
on a snow bank. The meter will make the snowbank 18% grey and
underexpose the subject. That's what you've got here. You'll save a
lot of work in post if you expose correctly. Either get off automatic
to manual or use exposure compensation.

Also, if you have photoshop you may find that working with levels or
curves (to define your white) will save you a lot of time with the
magic wand. Trust me, you don't want to rely on the magic wand.

Darren Addy
Kearney, Nebraska

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Re: first images @ work

2012-01-24 Thread Darren Addy
Other times
you a messing around with the magic wand sensitivity

should be

Other times
you are messing around with the magic wand sensitivity

:\

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Re: No discussion of the Olympus OM-D ?

2012-01-24 Thread P. J. Alling

On 1/24/2012 3:41 PM, Sam L wrote:

I want to hold them, feel them, and twist their knobs.


Mark!!

--
Don't lose heart!  They might want to cut it out, and they'll want to avoid a 
lengthily search.


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Re: No discussion of the Olympus OM-D ?

2012-01-24 Thread P. J. Alling

On 1/24/2012 4:00 PM, Brian Walters wrote:

Quoting Sam L samthegr...@gmail.com:

snip



I am a new camera slut.  I want to hold them, feel them, and twist 
their knobs.




Well - that's a MARK.




Not enough editing.

--
Don't lose heart!  They might want to cut it out, and they'll want to avoid a 
lengthily search.


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Re: No discussion of the Olympus OM-D ?

2012-01-24 Thread Brian Walters

Quoting P. J. Alling webstertwenty...@gmail.com:


On 1/24/2012 4:00 PM, Brian Walters wrote:

Quoting Sam L samthegr...@gmail.com:

snip



I am a new camera slut.  I want to hold them, feel them, and twist  
their knobs.




Well - that's a MARK.




Not enough editing.




True.  But this being a photography list.




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Western Sydney Australia
http://lyons-ryan.org/southernlight/


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RE: No discussion of the Olympus OM-D ?

2012-01-24 Thread Bob W
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
 Sam L
 
 Link #2 mentions the expectation that the new OM-D camera will have a
 weather sealed body.
 That is one area that will cause a more direct competition with Pentax.
 
 I am a new camera slut.  I want to hold them, feel them, and twist
 their knobs.
 

the top-end 4/3rds bodies (E-1, E-3, E-5) and the medium- and top-end lenses
have always been weather-sealed. They've been ahead of Pentax for years in
that respect.

B


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Re: Wind Farm

2012-01-24 Thread kwaller
Not having been there I don't know what you were dealing with lighting wise, 
but I would have tried for a brighter foreground and definitely would have 
given more room on the LH edge to the nearest wind turbine.

Metering off the foreground would have helped the exposure issue.

Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Daniel J. Matyola danmaty...@gmail.com

Subject: PESO: Wind Farm



http://photo.net/photodb/photo?photo_id=15039215

Comments and criticisms are appreciated.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola



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Re: All you WORK are belong to us! (Apple)

2012-01-24 Thread P. J. Alling
Apple doesn't do any individual work on your project.  For them it's 
cookie cutter.  The framework exists weather your work gets accepted or 
not.  Apple has almost none of the costs associated with publishing, and 
reaps more of the profits.  Their restrictions are, well onerous.  A 
good publisher will supply an editor, (human, not software), to shepherd 
your project to completion.in a form suitable to be published.  So 
without help you put your blood sweat and tears into producing a work, 
which Apple's representatives decide for some reason cannot be sold 
through their store.  So now you've got no ability to try to sell it on 
your own?  Bullshit.



On 1/24/2012 2:21 PM, steve harley wrote:

on 2012-01-24 11:08 P. J. Alling wrote
They're taking the prerogatives of a publisher without doing any of 
the work.


none of the work, really? it seems like Apple has a made big 
investment in the the publishing system, facilitating the process and 
offering an audience in a way different from, but clearly parallel to 
how print publishers work






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lengthily search.


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Re: No discussion of the Olympus OM-D ?

2012-01-24 Thread Larry Colen



On 1/24/2012 1:00 PM, Brian Walters wrote:

Quoting Sam L samthegr...@gmail.com:

snip



I am a new camera slut. I want to hold them, feel them, and twist
their knobs.




Well - that's a MARK.


That's Mark-baiting.







--
Larry Colen l...@red4est.com (from dos4est)

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Re: GESO - Sand Sculpting

2012-01-24 Thread kwaller

Good captures of some talented sculptor's work.

All the sand sculptures I've ever seen have been on the beach - these look 
like they were in a park.


Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - 
From: Brian Walters apathy...@lyons-ryan.org

Subject: GESO - Sand Sculpting



G'day all

Just a few shots from the sand sculpting competition being held at 
Windsor, New South Wales on the banks of the Hawkesbury River.


I'm pretty much in awe of the artists involved - it's a long way from  a 
plastic bucket at the beach!


Each sculpture was created in 4 days using 20 tonnes of sand.

http://dl.dropbox.com/u/1370864/Windsor-Sand-Sculptures/index.html


--
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: Stouffville camera club

2012-01-24 Thread Brian Walters

Quoting David J Brooks pentko...@gmail.com:


Hey gang.

Well i signed up over the holidays. First meeting was two weeks ago
just as an intro and to see what level(s) every one was at, and what
people wanted ot learn and do. We are a group of eight, the group of
seven has already been done, with every one but myself and the
president owner of the group as pretty much raw newbies. Every one
wanted to learn how to get out of auto mode and use the cameras they
have at full potential, which was good to hear. We have a dedicated
website hosted by a company that specializes in camera clubs so we can
do galleries contests etc.

http://www.stouffvillecameraclub.ca/

I will be helping out with the monthly discussions and learning
cureves with the other members, so that is kinda exciting., Several
walks and hikes are being schedules to practice what Ken and i preach.

So far so good i'd say.

Dave



Good luck with it.

It looks like cat photography features prominently.



--
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/


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Re: GESO - Sand Sculpting

2012-01-24 Thread Brian Walters

Quoting kwal...@peoplepc.com:


Good captures of some talented sculptor's work.

All the sand sculptures I've ever seen have been on the beach -  
these look like they were in a park.



They were (or 'are' actually - they'll be there until the coming  
weekend) - and about 60 km inland.  The sand was trucked in from local  
quarries and will be stored for use next year, so I'm told.



Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/




Kenneth Waller
http://www.pentaxphotogallery.com/kennethwaller

- Original Message - From: Brian Walters apathy...@lyons-ryan.org
Subject: GESO - Sand Sculpting



G'day all

Just a few shots from the sand sculpting competition being held at  
Windsor, New South Wales on the banks of the Hawkesbury River.


I'm pretty much in awe of the artists involved - it's a long way  
from  a plastic bucket at the beach!


Each sculpture was created in 4 days using 20 tonnes of sand.

http://dl.dropbox.com/u/1370864/Windsor-Sand-Sculptures/index.html





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Re: first images @ work

2012-01-24 Thread Collin Brendemuehl
Believe me, as someone who has magic-wanded out more backgrounds that
I care to admit... it works really well SOME of the time. Other times
you a messing around with the magic wand sensitivity setting to keep
it from grabbing portions of your object.

Bruce is correct. Your images are seriously underexposed. The light
table should be white. It's the same principle as shooting something
on a snow bank. The meter will make the snowbank 18% grey and
underexpose the subject. That's what you've got here. You'll save a
lot of work in post if you expose correctly. Either get off automatic
to manual or use exposure compensation.

Also, if you have photoshop you may find that working with levels or
curves (to define your white) will save you a lot of time with the
magic wand. Trust me, you don't want to rely on the magic wand.

Darren Addy
Kearney, Nebraska


I am shooting in Manual mode.
Yes, the Magic Wand has been useful.  So many circular objects are more easily 
cut with the oval selection tool.

As to the exposure, I only saw that on a couple of shots, obvious on the #3 
with the PL.  I took it off and have not put it back on.

Shots #1  #2, once separated from the background (about 10 seconds of work) 
displays the detail perfectly for the customer's application.  The sense of 
being underexposed went away with the image on a different background -- pure 
white.

The paper should not be all white, but perhaps white-er than it is.  I will be 
adding some reflectors in the next day.  Still, the boss is more than happy 
with the results achieved.  

Tomorrow I will put up one of the better, later pics with improved exposure.


Sincerely, 

Collin Brendemuehl 
He is no fool who gives what he cannot keep to gain what he cannot lose 
-- Jim Elliott 






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OT: A PDMLer's dirty little secret finally outed

2012-01-24 Thread Bob W
Imagine my surprise when I found the following about William Robb:

From a humble background, Robb spent his formative years in Aberdeen, as an
apprentice to a lithographer, before developing his artistic skills in Paris
and London. A part of the 'New Romantic' movement', he exhibited at Aberdeen
Artist's Society, the Royal Academy in London., and the Paris Salon. He
specialised in still life portraits, later painting idyllic musical
soiree's

And there was I thinking he just did home renovations and nekkid beauties.

http://www.theantiquedealers.com/product.php?cat=37

B


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Re: OT: A PDMLer's dirty little secret finally outed

2012-01-24 Thread P. J. Alling

Semi-nekkid if you please.

On 1/24/2012 4:55 PM, Bob W wrote:

Imagine my surprise when I found the following about William Robb:

From a humble background, Robb spent his formative years in Aberdeen, as an
apprentice to a lithographer, before developing his artistic skills in Paris
and London. A part of the 'New Romantic' movement', he exhibited at Aberdeen
Artist's Society, the Royal Academy in London., and the Paris Salon. He
specialised in still life portraits, later painting idyllic musical
soiree's

And there was I thinking he just did home renovations and nekkid beauties.

http://www.theantiquedealers.com/product.php?cat=37

B





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Re: All you WORK are belong to us! (Apple)

2012-01-24 Thread steve harley

on 2012-01-24 14:33 P. J. Alling wrote

Apple doesn't do any individual work on your project.


i don't think that matters; the work Apple does is to create a process which is 
an alternative to traditional publishers, and the user must decide if the 
tradeoffs are worth it; if not, skip it — there are plenty of other options — 
but i predict there will be some very successful authors who may not have done 
so well with a traditional publisher




Apple has
almost none of the costs associated with publishing, and reaps more of the
profits.


i don't see how that would be so; do you have any idea how little most authors 
make with traditional publishers? they are lucky to get 15% of the sales, and 
there are all kinds of ifs  whens; if they play it well with Apple's system, 
they'll get 70%, and Apple may be able to give them a bigger market than other 
self-publishing venues


i'm a little cautious about it myself, but the theory is that the iBooks 
ecosystem will work as well as the App Store has for small app makers (some of 
whose products are actually more like interactive books); for example the maker 
of Camera+, a simple camera app, has _netted_ over $5 million in about a year 
and a half; without the help of the App Store what do you suppose this small 
company would have earned? and assuming their sales would have been anywhere 
near as high, how much more would it have cost to manage all parts of the sales 
process for 6 million units?




A good publisher will supply an
editor, (human, not software), to shepherd your project to completion.in a form
suitable to be published.


absolutely true, that's a major difference; and publishers may also decide your 
book is not worth publishing; editors need not be employed by a publisher to do 
good work, however, and i can foresee a good market for the services of 
freelance editors and iBooks packagers; even though Apple has big publishers on 
board, they are probably quite afraid that their control over the industry will 
slip; my guess is they realized it will slip whether or not they work with Apple




So without help you put your blood sweat and tears
into producing a work, which Apple's representatives decide for some reason
cannot be sold through their store.So now you've got no ability to try to sell
it on your own?


for most books, the real work is in authorship; the only thing you can't sell 
on your own is the widgety stuff, and you can make those other ways if you want 
to; so write the book, wrap it in iBooks format, and if Apple declines to sell 
it, you haven't given up the copyright on the text, so package it some other 
way (even the widgety stuff can be done without Apple's tools, but perhaps it 
will be more work)




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Re: All you WORK are belong to us! (Apple)

2012-01-24 Thread Paul Ewins

On 25/01/2012, at 9:24 AM, steve harley wrote:
 for most books, the real work is in authorship; the only thing you can't sell 
 on your own is the widgety stuff, and you can make those other ways if you 
 want to; so write the book, wrap it in iBooks format, and if Apple declines 
 to sell it, you haven't given up the copyright on the text, so package it 
 some other way (even the widgety stuff can be done without Apple's tools, but 
 perhaps it will be more work)

And that is the crux of it. This isn't a multi-platform tool, it is just for 
iBooks.  If you are wanting to sell an e-book nowadays you have to reformat for 
multiple file formats and then navigate the submission processes for the 
various platforms which is not as straight forward as you might think. 
Basically, almost all of your work should be done in your favourite text editor 
(Word or whatever) and then tweaked separately for each different platform. The 
i-books app sounds like it will allow you to go a lot further than you could on 
a Kindle for instance. This is Apple's way of fighting back against Amazon's 
desire for an e-book monopoly, by allowing the author to create works that look 
much better than those on Amazon, so it is no surprise that they don't allow 
you to sell the end product outside the i-books store. It isn't a copyright 
grab, just a restriction on how you use the output of a free product. There is 
nothing stopping you using some other tool to create the same product and 
selling it elsewhere.

Paul
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Hey, Wendy! Great dog photo on NatGeo's cover of current issue!

2012-01-24 Thread Christine Aguila
Just an FYI.  The article looks interesting as well!  Hope all is well with you 
and the dog world!  Cheers, Christine/Chicago

http://ngm.nationalgeographic.com/2012/02/table-of-contents
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Re: first images @ work

2012-01-24 Thread Larry Colen



On 1/24/2012 1:48 PM, Collin Brendemuehl wrote:

Believe me, as someone who has magic-wanded out more backgrounds that
I care to admit... it works really well SOME of the time. Other times
you a messing around with the magic wand sensitivity setting to keep
it from grabbing portions of your object.

Bruce is correct. Your images are seriously underexposed. The light
table should be white. It's the same principle as shooting something
on a snow bank. The meter will make the snowbank 18% grey and
underexpose the subject. That's what you've got here. You'll save a
lot of work in post if you expose correctly. Either get off automatic
to manual or use exposure compensation.

Also, if you have photoshop you may find that working with levels or
curves (to define your white) will save you a lot of time with the
magic wand. Trust me, you don't want to rely on the magic wand.

Darren Addy
Kearney, Nebraska



I am shooting in Manual mode.
Yes, the Magic Wand has been useful.  So many circular objects are more easily 
cut with the oval selection tool.

As to the exposure, I only saw that on a couple of shots, obvious on the #3 
with the PL.  I took it off and have not put it back on.

Shots #1  #2, once separated from the background (about 10 seconds of work) 
displays the detail perfectly for the customer's application.  The sense of being 
underexposed went away with the image on a different background -- pure white.

The paper should not be all white, but perhaps white-er than it is.  I will be 
adding some reflectors in the next day.  Still, the boss is more than happy 
with the results achieved.

Tomorrow I will put up one of the better, later pics with improved exposure.


Since you are shooting in manual mode (and I presume RAW), until you get 
the system dialed in, why not try some shots where you keep cranking up 
the exposure?


I would suggest two variations on expose to the right:

1) simply looking at the histogram, this will probably put the table 
just under clipping.


2) Expose to the right based on the object and let the table clip.
The histogram should be bi-modal. There should be a peak for the table, 
and one for the object. When you expose to the right, ignore the the 
bump for the table and just keep increasing your exposure until the 
object itself is exposed to the right.


This, of course, has issues if there are sections of your object that 
are close in albedo to that of the table.  The alternative would be to 
put your subject on a dark background, do your test shots to expose to 
the right and set your exposure, then remove the dark background, and 
let the exposure of the table fall where it may.


I do hope that you are keeping a notebook with good notes on your 
different lighting setups. Once you get things dialed in, you should 
have some base settings that are very close to perfect, and will 
probably be good enough for most of your subjects.







Sincerely,

Collin Brendemuehl
He is no fool who gives what he cannot keep to gain what he cannot lose
-- Jim Elliott








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Re: GESO - Sand Sculpting

2012-01-24 Thread Larry Colen



On 1/24/2012 12:20 PM, Brian Walters wrote:

G'day all

Just a few shots from the sand sculpting competition being held at
Windsor, New South Wales on the banks of the Hawkesbury River.


Very nice.  I'm glad that you don't have compunctions about 
photographing other people's artwork.


:-)



I'm pretty much in awe of the artists involved - it's a long way from a
plastic bucket at the beach!

Each sculpture was created in 4 days using 20 tonnes of sand.

http://dl.dropbox.com/u/1370864/Windsor-Sand-Sculptures/index.html




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Re: All you WORK are belong to us! (Apple)

2012-01-24 Thread steve harley

on 2012-01-24 14:33 P. J. Alling wrote

A good publisher will supply an
editor, (human, not software), to shepherd your project to completion.in a form
suitable to be published.


for more perspective what benefits a publisher gives an author, check out this 
first hand account:


http://dimsumthinking.com/2012/01/21/a-writers-eula/

it gets more to the point in paragraph nine, and the last five (short) 
paragraphs are particularly telling


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Re: New Pentax EVIL rumor, with specs

2012-01-24 Thread Miserere
On 22 January 2012 16:31, Brian Walters apathy...@lyons-ryan.org wrote:
 Quoting kwal...@peoplepc.com:

 I'd like to know the price tag :-)


 Since its a rumor, make it anything you want !




 OK.  I'd like it to be in K-r replacement territory (where I'm interested)
 rather than K-5 replacement territory (where I'm not).


 Cheers

 Brian


Your wish might be granted!

More rumours, and this time from someone who appears to have seen the
camera. Valentín Sama, the editor of DSLR Magazine and originator of
the rumour, is a respected Spanish journalist who often gets previews
of new gear, so I have no reason to doubt him. What he said (tweeted)
today about the Pentax mirrorless:

* It's slightly smaller than the K-r
* It's butt-ugly
* It has a K mount able to accept current Pentax lenses
* It has no eye-level viewfinder

No info on the price, Brian, so continue to make it whatever you wish.

Cheers,


   —M.

\/\/o/\/\ -- http://WorldOfMiserere.com

http://EnticingTheLight.com
A Quest for Photographic Enlightenment

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Re: GESO - Sand Sculpting

2012-01-24 Thread David J Brooks
Great art and great pictures

Dave

On Tue, Jan 24, 2012 at 3:20 PM, Brian Walters apathy...@lyons-ryan.org wrote:
 G'day all

 Just a few shots from the sand sculpting competition being held at Windsor,
 New South Wales on the banks of the Hawkesbury River.

 I'm pretty much in awe of the artists involved - it's a long way from a
 plastic bucket at the beach!

 Each sculpture was created in 4 days using 20 tonnes of sand.

 http://dl.dropbox.com/u/1370864/Windsor-Sand-Sculptures/index.html


 --
 Cheers

 Brian

 ++
 Brian Walters
 Western Sydney Australia
 http://lyons-ryan.org/southernlight/



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York Region, Ontario, Canada

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Re: 2012 PDML Photo Annual: Week three report

2012-01-24 Thread Miserere
On 21 January 2012 22:10, Matthew Hunt m...@pobox.com wrote:
 On Sat, Jan 21, 2012 at 6:41 PM, Mark Roberts
 postmas...@robertstech.com wrote:

 We have reached the Heinz point: 57 images submitted so far.

 I hope mine cut the mustard.


Good job February is a leap year or I mayonaised have had time to
submit my picks.


   —M.

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Re: New Pentax EVIL rumor, with specs

2012-01-24 Thread P. J. Alling
Just what the camera buying public wants a  butt ugly interchangeable 
lens camera with no viewfinder...


(Can somebody remind me why I stick with Pentax again?)

On 1/24/2012 6:04 PM, Miserere wrote:

On 22 January 2012 16:31, Brian Waltersapathy...@lyons-ryan.org  wrote:

Quoting kwal...@peoplepc.com:


I'd like to know the price tag :-)


Since its a rumor, make it anything you want !




OK.  I'd like it to be in K-r replacement territory (where I'm interested)
rather than K-5 replacement territory (where I'm not).


Cheers

Brian


Your wish might be granted!

More rumours, and this time from someone who appears to have seen the
camera. Valentín Sama, the editor of DSLR Magazine and originator of
the rumour, is a respected Spanish journalist who often gets previews
of new gear, so I have no reason to doubt him. What he said (tweeted)
today about the Pentax mirrorless:

 * It's slightly smaller than the K-r
 * It's butt-ugly
 * It has a K mount able to accept current Pentax lenses
 * It has no eye-level viewfinder

No info on the price, Brian, so continue to make it whatever you wish.

Cheers,


—M.

 \/\/o/\/\ --  http://WorldOfMiserere.com

 http://EnticingTheLight.com
 A Quest for Photographic Enlightenment




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lengthily search.


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Re: New Pentax EVIL rumor, with specs

2012-01-24 Thread Tim Øsleby
2012/1/25 P. J. Alling webstertwenty...@gmail.com:

 (Can somebody remind me why I stick with Pentax again?)


Plain stupidity?

(Like the rest of us)

--
MaritimTim

My private photo blog: http://maritimtim.blogspot.com/
My photo class blog: http://z-fotokurs.blogspot.com/


To err is human
to arr is pirate


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Re: New Pentax EVIL rumor, with specs

2012-01-24 Thread Larry Colen



On 1/24/2012 3:10 PM, P. J. Alling wrote:

Just what the camera buying public wants a butt ugly interchangeable
lens camera with no viewfinder...

(Can somebody remind me why I stick with Pentax again?)


Because they're a company willing to take risks on products that don't 
just appeal to the lowest common denominator, and some of the things 
they produce are cameras that appeal to you, even if they don't 
necessarily appeal to Joe Sixpack?


As for myself, I don't much care what the camera looks like, I mostly 
care what the pictures I get from it look like.  I already have a camera 
with a great viewfinder, what I don't have is a camera with a good 
sensor and live view that works well. If the body works with my lenses, 
has performance on a par with the K-5, and gives me good functionality 
with live view (i.e. not two seconds of shutter lag while it changes 
modes three times), I might actually be interested in it.


If it's ugly, I hope I can just push that ugliness over the top and get 
it in Hello Kitty pink.


--
Larry Colen l...@red4est.com (from dos4est)

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Re: PESO: We don't need no steenking beach chairs

2012-01-24 Thread Larry Colen



On 1/24/2012 10:43 AM, Daniel J. Matyola wrote:

Thanks, Steve.  They were happy and proud, and loved it that I wanted
to take a photo of their entrenchment.


I'm envious. I've never had the never to go up to a woman I don't know 
on the beach and ask if I could take pictures of her trench.


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Re: Fuji X Pro 1 (X100 + interchangeable lenses)

2012-01-24 Thread Miserere
On 12 January 2012 04:12,  li...@thrane.name wrote:

Brian Walters wrote:

 Well, I dunno.  I'm not a fan of the fad for ever smaller cameras.  My
 K200D is about right.  I've handled a K-r and it's too small.  An APS
 mirrorless camera of any size has an advantage over a DSLR in being able
 to accept virtually any lens (provided appropriate adapters are
 available).  To me, that's the main advantage.  Size isn't an issue.
 Price is.  :-(

Brian, don't mistake me for a Q-size fan, which I'm far from being. For a
rangefinder-style camera, I'd like a size comparable to the E-P3, or an MX,
if you prefer. In fact, I'm still waiting for an MX-D (now possible, by
using the mirrorless technology).
Assuming that one already owns a medium-size APS DSLR system, I don't see
the point of the X-Pro 1 because it does not give noticeable size/weight
advantage. Oh, and I can already use all of my lenses on a K-5 ;-)

Dario


 I agree. I was a little excited about the X Pro 1, until I discovered that it 
 is almost the same size as K-5.

 DagT

That was my feeling too, Dag. Although the lack of a grip and
pentaprism hump might make it a lot more carryable.

I'm now waiting for the CP+ show where Samsung is meant to announce
the new NX20. I'm hoping it'll be the size of the NX10, which I find
near perfect (size-wise) for a MILC, though I do hate the DSLR shape
and much prefer the EVF in the corner, as the NEX-7 and X-Pro 1 have.

Cheers,

   —M.

\/\/o/\/\ -- http://WorldOfMiserere.com

http://EnticingTheLight.com
A Quest for Photographic Enlightenment

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Re: GESO: MARK!!! (London PDML meet)

2012-01-24 Thread Miserere
Thanks for the gallery, Chris. Good seeing Karin again...can't say the
same for you! I thought there would've been at least ONE group shot.
Don't be shy!  :-)

It's been a LONG time since I went to Greenwich and jumped over the
meridian. Made me nostalgic now. I think I'll take a break and have a
good cry.

Cheers,

   —M.

    \/\/o/\/\ -- http://WorldOfMiserere.com

    http://EnticingTheLight.com
    A Quest for Photographic Enlightenment




On 9 January 2012 15:33, Chris Mitchell chris.mitch...@which.net wrote:
 Hi all

 Just a few snaps to show that we got together on a rather dull day in
 Greenwich on Sunday.
 http://www.mitch.myzen.co.uk/mark/

 And most enjoyable it was too. A good chat, a stroll through the
 clocks and telescopes and the camera obscura at the Royal Observatory
 and a spot of lunch in an excellent pub.

 Cheers

 Chris

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What has happened to Ned Bunnell?

2012-01-24 Thread Darren Addy
Strikes me as odd that Ned Bunnell has gone so silent.
Used to be a fairly regular blogger at blogspot. Then moved to Posterous.
http://nedbunnell.posterous.com/
Virtually all Posterous posts are about the Q. Last one: Oct. 9, 2011.

He has a Twitter account, but only tweet of even minimal substance
(since the Oct. 9/10 polarizer filter) is an iPhone photo of the
Pentax booth at CES on 1/11/2012

For a guy who supposedly enjoys photography and blogging he certainly
not showing much lately, let alone representing Pentax publicly in
much of a meaningful way.

Darren Addy
Kearney, Nebraska

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Re: GESO - Sand Sculpting

2012-01-24 Thread Brian Walters

Quoting Larry Colen l...@red4est.com:



On 1/24/2012 12:20 PM, Brian Walters wrote:

G'day all

Just a few shots from the sand sculpting competition being held at
Windsor, New South Wales on the banks of the Hawkesbury River.


Very nice.  I'm glad that you don't have compunctions about  
photographing other people's artwork.


:-)




Not at all - but but I like to credit the original artist.

;-)




Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/






I'm pretty much in awe of the artists involved - it's a long way from a
plastic bucket at the beach!

Each sculpture was created in 4 days using 20 tonnes of sand.

http://dl.dropbox.com/u/1370864/Windsor-Sand-Sculptures/index.html








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Re: What has happened to Ned Bunnell?

2012-01-24 Thread Miserere
On 24 January 2012 18:47, Darren Addy pixelsmi...@gmail.com wrote:
 Strikes me as odd that Ned Bunnell has gone so silent.
 Used to be a fairly regular blogger at blogspot. Then moved to Posterous.
 http://nedbunnell.posterous.com/
 Virtually all Posterous posts are about the Q. Last one: Oct. 9, 2011.

 He has a Twitter account, but only tweet of even minimal substance
 (since the Oct. 9/10 polarizer filter) is an iPhone photo of the
 Pentax booth at CES on 1/11/2012

 For a guy who supposedly enjoys photography and blogging he certainly
 not showing much lately, let alone representing Pentax publicly in
 much of a meaningful way.

 Darren Addy
 Kearney, Nebraska


I exchanged e-mails with him some time before the Q announcement and
he was very busy with the Ricoh buyout.

I know nothing else.

I wonder if he was politely asked by a Japanese boss to stop being so
open online...?


   —M.

\/\/o/\/\ -- http://WorldOfMiserere.com

http://EnticingTheLight.com
A Quest for Photographic Enlightenment

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The K-r has arrived and I'm quite impressed

2012-01-24 Thread Ralf R. Radermacher
What a cute little camera. I wasn't aware that it's so much smaller than
my K-5. It snuggles in to my hand just like my *istDS used to do.

If it weren't for the second thumbwheel, the bigger viewfinder, and the
top display, I'd really be tempted to use one instead of the K-5 which
still causes cramps in my right hand during intense shooting sessions. 

Michael seems to be quite impressed, at least by his standards. Unlike
myself, he usually has a totally unemotional attitude towards technical
equipment. He's spent the whole evening with the manual and testing the
video functions. 

At least I can now send my K-5 for some long overdue service attention
and use the K-r as a back-up.

Ralf

-- 
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Audio : http://aporee.org/maps/projects/fotoralf
Web   : http://www.fotoralf.de

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Re: first images @ work

2012-01-24 Thread Bruce Walker
You could do all that fiddling and tweaking, or, since this is a
budgeted project, you could spring for an incident light meter.
(Sekonic L-308S: $199 at BH)

1. place lightmeter on table and arm it.
2. fire flash(es).
3. read meter and set camera accordingly.
4. take one perfectly exposed shot.
5. swap subject part for another part ... go to step 4.

If you alter the lighting, go to step 1.

Now with all the time you've saved, take more shots of more subjects,
or savour a coffee.


Since you are doing cutouts, you might consider using green screen
techniques. Either paint your background with green chroma-key paint
(eg Rosco 5711) or just get a roll of green screen background.

You'd have to make sure that none of the green reflects back onto your
subjects, so this idea may not work well for you.


On Tue, Jan 24, 2012 at 5:58 PM, Larry Colen l...@red4est.com wrote:


 On 1/24/2012 1:48 PM, Collin Brendemuehl wrote:

 Believe me, as someone who has magic-wanded out more backgrounds that
 I care to admit... it works really well SOME of the time. Other times
 you a messing around with the magic wand sensitivity setting to keep
 it from grabbing portions of your object.

 Bruce is correct. Your images are seriously underexposed. The light
 table should be white. It's the same principle as shooting something
 on a snow bank. The meter will make the snowbank 18% grey and
 underexpose the subject. That's what you've got here. You'll save a
 lot of work in post if you expose correctly. Either get off automatic
 to manual or use exposure compensation.

 Also, if you have photoshop you may find that working with levels or
 curves (to define your white) will save you a lot of time with the
 magic wand. Trust me, you don't want to rely on the magic wand.

 Darren Addy
 Kearney, Nebraska



 I am shooting in Manual mode.
 Yes, the Magic Wand has been useful.  So many circular objects are more
 easily cut with the oval selection tool.

 As to the exposure, I only saw that on a couple of shots, obvious on the
 #3 with the PL.  I took it off and have not put it back on.

 Shots #1  #2, once separated from the background (about 10 seconds of
 work) displays the detail perfectly for the customer's application.  The
 sense of being underexposed went away with the image on a different
 background -- pure white.


 The paper should not be all white, but perhaps white-er than it is.  I
 will be adding some reflectors in the next day.  Still, the boss is more
 than happy with the results achieved.

 Tomorrow I will put up one of the better, later pics with improved
 exposure.


 Since you are shooting in manual mode (and I presume RAW), until you get the
 system dialed in, why not try some shots where you keep cranking up the
 exposure?

 I would suggest two variations on expose to the right:

 1) simply looking at the histogram, this will probably put the table just
 under clipping.

 2) Expose to the right based on the object and let the table clip.
 The histogram should be bi-modal. There should be a peak for the table, and
 one for the object. When you expose to the right, ignore the the bump for
 the table and just keep increasing your exposure until the object itself is
 exposed to the right.

 This, of course, has issues if there are sections of your object that are
 close in albedo to that of the table.  The alternative would be to put your
 subject on a dark background, do your test shots to expose to the right and
 set your exposure, then remove the dark background, and let the exposure of
 the table fall where it may.

 I do hope that you are keeping a notebook with good notes on your different
 lighting setups. Once you get things dialed in, you should have some base
 settings that are very close to perfect, and will probably be good enough
 for most of your subjects.

-- 
-bmw

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Re: first images @ work

2012-01-24 Thread Darren Addy
Back in my strobe days, we'd use a Wein WP500

Manuals: 
http://www.butkus.org/chinon/flashes_meters/honeywell_wp500p_wp1000/honeywell_wp500b_wp1000.htm

They are dirt cheap on ebay these days.

Darren Addy
Kearney, Nebraska

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RE: PESO: We don't need no steenking beach chairs

2012-01-24 Thread knarftheria...@gmail.com
Love the bright colours. Also like the beach activities going on behind them. 

Especially like that bright sunshine!

cheers,
frank, on another grey, wet Toronto winter day

--- Original Message ---

From: Daniel J. Matyola danmaty...@gmail.com
Sent: January 24, 2012 1/24/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: PESO: We don't need no steenking beach chairs

Two young women dug into the sand to make their own beach chairs:

http://photo.net/photodb/photo?photo_id=15039016

Comments and criticisms invited.

Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola

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RE: GESO - Sand Sculpting

2012-01-24 Thread knarftheria...@gmail.com


--- Original Message ---

From: Brian Walters apathy...@lyons-ryan.org
Sent: January 24, 2012 1/24/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: GESO - Sand Sculpting

G'day all

Just a few shots from the sand sculpting competition being held at  
Windsor, New South Wales on the banks of the Hawkesbury River.

I'm pretty much in awe of the artists involved - it's a long way from  
a plastic bucket at the beach!

Each sculpture was created in 4 days using 20 tonnes of sand.

http://dl.dropbox.com/u/1370864/Windsor-Sand-Sculptures/index.html


-- 
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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RE: GESO - Sand Sculpting

2012-01-24 Thread knarftheria...@gmail.com
Wow! Those are amazing! And wonderfully captured by you.

Fun gallery.

Cheers,
frank

--- Original Message ---

From: Brian Walters apathy...@lyons-ryan.org
Sent: January 24, 2012 1/24/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: GESO - Sand Sculpting

G'day all

Just a few shots from the sand sculpting competition being held at  
Windsor, New South Wales on the banks of the Hawkesbury River.

I'm pretty much in awe of the artists involved - it's a long way from  
a plastic bucket at the beach!

Each sculpture was created in 4 days using 20 tonnes of sand.

http://dl.dropbox.com/u/1370864/Windsor-Sand-Sculptures/index.html


-- 
Cheers

Brian

++
Brian Walters
Western Sydney Australia
http://lyons-ryan.org/southernlight/



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Re: New Pentax EVIL rumor, with specs

2012-01-24 Thread knarftheria...@gmail.com
You stick with Pentax because of the lenses.

Cheers,
frank 

--- Original Message ---

From: P. J. Alling webstertwenty...@gmail.com
Sent: January 24, 2012 1/24/12
To: Pentax-Discuss Mail List pdml@pdml.net
Subject: Re: New Pentax EVIL rumor, with specs

Just what the camera buying public wants a  butt ugly interchangeable 
lens camera with no viewfinder...

(Can somebody remind me why I stick with Pentax again?)

On 1/24/2012 6:04 PM, Miserere wrote:
 On 22 January 2012 16:31, Brian Waltersapathy...@lyons-ryan.org  wrote:
 Quoting kwal...@peoplepc.com:

 I'd like to know the price tag :-)

 Since its a rumor, make it anything you want !



 OK.  I'd like it to be in K-r replacement territory (where I'm interested)
 rather than K-5 replacement territory (where I'm not).


 Cheers

 Brian

 Your wish might be granted!

 More rumours, and this time from someone who appears to have seen the
 camera. Valentín Sama, the editor of DSLR Magazine and originator of
 the rumour, is a respected Spanish journalist who often gets previews
 of new gear, so I have no reason to doubt him. What he said (tweeted)
 today about the Pentax mirrorless:

  * It's slightly smaller than the K-r
  * It's butt-ugly
  * It has a K mount able to accept current Pentax lenses
  * It has no eye-level viewfinder

 No info on the price, Brian, so continue to make it whatever you wish.

 Cheers,


 —M.

  \/\/o/\/\ --  http://WorldOfMiserere.com

  http://EnticingTheLight.com
  A Quest for Photographic Enlightenment



-- 
Don't lose heart!  They might want to cut it out, and they'll want to avoid a 
lengthily search.


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Re: OT: A PDMLer's dirty little secret finally outed

2012-01-24 Thread Steven Desjardins
OMG!  Pentax is so bad it drove Bill to painting!


On Tue, Jan 24, 2012 at 4:59 PM, P. J. Alling
webstertwenty...@gmail.com wrote:
 Semi-nekkid if you please.


 On 1/24/2012 4:55 PM, Bob W wrote:

 Imagine my surprise when I found the following about William Robb:

 From a humble background, Robb spent his formative years in Aberdeen, as
 an
 apprentice to a lithographer, before developing his artistic skills in
 Paris
 and London. A part of the 'New Romantic' movement', he exhibited at
 Aberdeen
 Artist's Society, the Royal Academy in London., and the Paris Salon. He
 specialised in still life portraits, later painting idyllic musical
 soiree's

 And there was I thinking he just did home renovations and nekkid beauties.

 http://www.theantiquedealers.com/product.php?cat=37

 B




 --
 Don't lose heart!  They might want to cut it out, and they'll want to avoid
 a lengthily search.



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-- 
Steve Desjardins

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Re: New Pentax EVIL rumor, with specs

2012-01-24 Thread Steven Desjardins
 (Can somebody remind me why I stick with Pentax again?)

Because you can't paint like Bill.

One advantage of retro is that it is easier to avoid butt ugly.

On Tue, Jan 24, 2012 at 7:58 PM, knarftheria...@gmail.com
knarftheria...@gmail.com wrote:
 You stick with Pentax because of the lenses.

 Cheers,
 frank

 --- Original Message ---

 From: P. J. Alling webstertwenty...@gmail.com
 Sent: January 24, 2012 1/24/12
 To: Pentax-Discuss Mail List pdml@pdml.net
 Subject: Re: New Pentax EVIL rumor, with specs

 Just what the camera buying public wants a  butt ugly interchangeable
 lens camera with no viewfinder...

 (Can somebody remind me why I stick with Pentax again?)

 On 1/24/2012 6:04 PM, Miserere wrote:
 On 22 January 2012 16:31, Brian Waltersapathy...@lyons-ryan.org  wrote:
 Quoting kwal...@peoplepc.com:

 I'd like to know the price tag :-)

 Since its a rumor, make it anything you want !



 OK.  I'd like it to be in K-r replacement territory (where I'm interested)
 rather than K-5 replacement territory (where I'm not).


 Cheers

 Brian

 Your wish might be granted!

 More rumours, and this time from someone who appears to have seen the
 camera. Valentín Sama, the editor of DSLR Magazine and originator of
 the rumour, is a respected Spanish journalist who often gets previews
 of new gear, so I have no reason to doubt him. What he said (tweeted)
 today about the Pentax mirrorless:

      * It's slightly smaller than the K-r
      * It's butt-ugly
      * It has a K mount able to accept current Pentax lenses
      * It has no eye-level viewfinder

 No info on the price, Brian, so continue to make it whatever you wish.

 Cheers,


     —M.

      \/\/o/\/\ --  http://WorldOfMiserere.com

      http://EnticingTheLight.com
      A Quest for Photographic Enlightenment



 --
 Don't lose heart!  They might want to cut it out, and they'll want to avoid a 
 lengthily search.


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RE: OT: A PDMLer's dirty little secret finally outed

2012-01-24 Thread knarftheria...@gmail.com
I believe that Bill is the only one painting Regina, Saskatchewan's idyllic 
musical soirees. 

Cheers,
frank

--- Original Message ---

From: Bob W p...@web-options.com
Sent: January 24, 2012 1/24/12
To: 'Pentax-Discuss Mail List' pdml@pdml.net
Subject: OT: A PDMLer's dirty little secret finally outed

Imagine my surprise when I found the following about William Robb:

From a humble background, Robb spent his formative years in Aberdeen, as an
apprentice to a lithographer, before developing his artistic skills in Paris
and London. A part of the 'New Romantic' movement', he exhibited at Aberdeen
Artist's Society, the Royal Academy in London., and the Paris Salon. He
specialised in still life portraits, later painting idyllic musical
soiree's

And there was I thinking he just did home renovations and nekkid beauties.

http://www.theantiquedealers.com/product.php?cat=37

B


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Re: New Pentax EVIL rumor, with specs

2012-01-24 Thread P. J. Alling

On 1/24/2012 6:24 PM, Tim Øsleby wrote:

2012/1/25 P. J. Allingwebstertwenty...@gmail.com:


(Can somebody remind me why I stick with Pentax again?)


Plain stupidity?

(Like the rest of us)


Thanks Tim, now I remember, it's like hitting myself on the head with a 
hammer, it feels so good when I stop.



--
MaritimTim

My private photo blog: http://maritimtim.blogspot.com/
My photo class blog: http://z-fotokurs.blogspot.com/


To err is human
to arr is pirate





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Re: New Pentax EVIL rumor, with specs

2012-01-24 Thread Mark Roberts
knarftheria...@gmail.com wrote:

You stick with Pentax because of the lenses.

And because of the fine people of the PDML.

 
-- 
Mark Roberts - Photography  Multimedia
www.robertstech.com





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RE: Stouffville camera club

2012-01-24 Thread knarftheria...@gmail.com
They'll be needing a spelling co-ordinator and you'll be the man for the jib!

:-)

Seriously, sounds like fun. I know they'll learn a great deal from you.

Cheers,
frank


What can be asserted without proof can be dismissed without proof. -- 
Christopher Hitchens

--- Original Message ---

From: David J Brooks pentko...@gmail.com
Sent: January 24, 2012 1/24/12
To: Pentax Discuss pdml@pdml.net, Barbara Brooks bbaro...@gmail.com
Subject: Stouffville camera club

Hey gang.

Well i signed up over the holidays. First meeting was two weeks ago
just as an intro and to see what level(s) every one was at, and what
people wanted ot learn and do. We are a group of eight, the group of
seven has already been done, with every one but myself and the
president owner of the group as pretty much raw newbies. Every one
wanted to learn how to get out of auto mode and use the cameras they
have at full potential, which was good to hear. We have a dedicated
website hosted by a company that specializes in camera clubs so we can
do galleries contests etc.

http://www.stouffvillecameraclub.ca/

I will be helping out with the monthly discussions and learning
cureves with the other members, so that is kinda exciting., Several
walks and hikes are being schedules to practice what Ken and i preach.

So far so good i'd say.

Dave


-- 
Documenting Life in Rural Ontario.
www.caughtinmotion.com
http://brooksinthecountry.blogspot.com/
York Region, Ontario, Canada

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Re: New Pentax EVIL rumor, with specs

2012-01-24 Thread P. J. Alling
eI don't care how good the damned things imaging capabilities are if no 
one, (relatively speaking), buys it and Pentax Ricoh stops building K 
mount cameras and lenses.  Hasn't Pentax done that already, except the Q 
is cute as a button. Except for WW I don't think any serious 
photographer has bought one.  Well no one else on this list anyway.


On 1/24/2012 6:26 PM, Larry Colen wrote:



On 1/24/2012 3:10 PM, P. J. Alling wrote:

Just what the camera buying public wants a butt ugly interchangeable
lens camera with no viewfinder...

(Can somebody remind me why I stick with Pentax again?)


Because they're a company willing to take risks on products that don't 
just appeal to the lowest common denominator, and some of the things 
they produce are cameras that appeal to you, even if they don't 
necessarily appeal to Joe Sixpack?


As for myself, I don't much care what the camera looks like, I mostly 
care what the pictures I get from it look like.  I already have a 
camera with a great viewfinder, what I don't have is a camera with a 
good sensor and live view that works well. If the body works with my 
lenses, has performance on a par with the K-5, and gives me good 
functionality with live view (i.e. not two seconds of shutter lag 
while it changes modes three times), I might actually be interested in 
it.


If it's ugly, I hope I can just push that ugliness over the top and 
get it in Hello Kitty pink.





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lengthily search.


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