Re: Musings about image formats

2013-08-24 Thread Aahz Maruch
On Fri, Aug 23, 2013, Matthew Hunt wrote:
 On Fri, Aug 23, 2013 at 11:26 PM, John johnsess...@yahoo.com wrote:
 
 I've never heard of get it exact in the camera before.

 I've always heard get it right in camera ... not the same thing.
 
 I sure have. There are absolutely no-crop fetishists on the
 Internet... and there were in the film days, too (showing the edges of
 the frame as proof).

Wouldn't precisely call myself a fetishist, but until I started
shooting RAW, I treated digital the same way I treated film: WYSIWYG
(never had much darkroom access in my film days).  Now that I have to
use a digital darkroom I'm getting a bit looser in my editing
constraints, although I think I'll still end up on the minimal side.
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Re: Musings about image formats

2013-08-24 Thread Bob Sullivan
Cropping was a lot more exacting in the days before zooms.
You didn't just zoom in or out to get your cropping right.
You had to zoom with your feet.
Regards,  Bob S.

On Sat, Aug 24, 2013 at 12:53 AM, steve harley p...@paper-ape.com wrote:
 on 2013-08-23 21:34 Matthew Hunt wrote

 On Fri, Aug 23, 2013 at 11:26 PM, John johnsess...@yahoo.com wrote:

 I've never heard of get it exact in the camera before.

 I've always heard get it right in camera ... not the same thing.


 I sure have. There are absolutely no-crop fetishists on the
 Internet... and there were in the film days, too (showing the edges of
 the frame as proof).


 some did tremendous work within that constraint; while i'm not a purist
 about it myself, being close to someone who was (in the 1960s), i think it
 offers a certain simplicity - first thought, best thought


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Re: Musings about image formats

2013-08-24 Thread John

Or change to a prime with an appropriate focal length.

We were required to print full frame my first semester in school, just 
to demonstrate we had not inadvertently composed an image that cropped 
elements of the scene out of the image frame.


On 8/24/2013 1:11 PM, Bob Sullivan wrote:

Cropping was a lot more exacting in the days before zooms.
You didn't just zoom in or out to get your cropping right.
You had to zoom with your feet.
Regards,  Bob S.

On Sat, Aug 24, 2013 at 12:53 AM, steve harley p...@paper-ape.com wrote:

on 2013-08-23 21:34 Matthew Hunt wrote


On Fri, Aug 23, 2013 at 11:26 PM, John johnsess...@yahoo.com wrote:


I've never heard of get it exact in the camera before.

I've always heard get it right in camera ... not the same thing.



I sure have. There are absolutely no-crop fetishists on the
Internet... and there were in the film days, too (showing the edges of
the frame as proof).



some did tremendous work within that constraint; while i'm not a purist
about it myself, being close to someone who was (in the 1960s), i think it
offers a certain simplicity - first thought, best thought




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Re: Musings about image formats

2013-08-24 Thread Bob Sullivan
Yes, that's why Pentax made primes of 85mm, 100mm, 120mm, 135mm,150mm,
and 200mm.
From 50.mm down they made 40mm, 35mm, 30mm, 28mm, 20mm, and 15mm.
Regards,  Bob S.

On Sat, Aug 24, 2013 at 2:06 PM, John johnsess...@yahoo.com wrote:
 Or change to a prime with an appropriate focal length.

 We were required to print full frame my first semester in school, just to
 demonstrate we had not inadvertently composed an image that cropped elements
 of the scene out of the image frame.

 On 8/24/2013 1:11 PM, Bob Sullivan wrote:

 Cropping was a lot more exacting in the days before zooms.
 You didn't just zoom in or out to get your cropping right.
 You had to zoom with your feet.
 Regards,  Bob S.

 On Sat, Aug 24, 2013 at 12:53 AM, steve harley p...@paper-ape.com wrote:

 on 2013-08-23 21:34 Matthew Hunt wrote

 On Fri, Aug 23, 2013 at 11:26 PM, John johnsess...@yahoo.com wrote:

 I've never heard of get it exact in the camera before.

 I've always heard get it right in camera ... not the same thing.



 I sure have. There are absolutely no-crop fetishists on the
 Internet... and there were in the film days, too (showing the edges of
 the frame as proof).



 some did tremendous work within that constraint; while i'm not a purist
 about it myself, being close to someone who was (in the 1960s), i think
 it
 offers a certain simplicity - first thought, best thought



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Re: Musings about image formats

2013-08-24 Thread Bob Sullivan
OOps, frogot the 24mm.  Bob S.

On Sat, Aug 24, 2013 at 2:55 PM, Bob Sullivan rf.sulli...@gmail.com wrote:
 Yes, that's why Pentax made primes of 85mm, 100mm, 120mm, 135mm,150mm,
 and 200mm.
 From 50.mm down they made 40mm, 35mm, 30mm, 28mm, 20mm, and 15mm.
 Regards,  Bob S.

 On Sat, Aug 24, 2013 at 2:06 PM, John johnsess...@yahoo.com wrote:
 Or change to a prime with an appropriate focal length.

 We were required to print full frame my first semester in school, just to
 demonstrate we had not inadvertently composed an image that cropped elements
 of the scene out of the image frame.

 On 8/24/2013 1:11 PM, Bob Sullivan wrote:

 Cropping was a lot more exacting in the days before zooms.
 You didn't just zoom in or out to get your cropping right.
 You had to zoom with your feet.
 Regards,  Bob S.

 On Sat, Aug 24, 2013 at 12:53 AM, steve harley p...@paper-ape.com wrote:

 on 2013-08-23 21:34 Matthew Hunt wrote

 On Fri, Aug 23, 2013 at 11:26 PM, John johnsess...@yahoo.com wrote:

 I've never heard of get it exact in the camera before.

 I've always heard get it right in camera ... not the same thing.



 I sure have. There are absolutely no-crop fetishists on the
 Internet... and there were in the film days, too (showing the edges of
 the frame as proof).



 some did tremendous work within that constraint; while i'm not a purist
 about it myself, being close to someone who was (in the 1960s), i think
 it
 offers a certain simplicity - first thought, best thought



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Re: Musings about image formats

2013-08-24 Thread Stan Halpin
And the 77, 55, 43, and 31mm.

On Aug 24, 2013, at 3:56 PM, Bob Sullivan wrote:

 OOps, frogot the 24mm.  Bob S.
 
 On Sat, Aug 24, 2013 at 2:55 PM, Bob Sullivan rf.sulli...@gmail.com wrote:
 Yes, that's why Pentax made primes of 85mm, 100mm, 120mm, 135mm,150mm,
 and 200mm.
 From 50.mm down they made 40mm, 35mm, 30mm, 28mm, 20mm, and 15mm.
 Regards,  Bob S.
 
 On Sat, Aug 24, 2013 at 2:06 PM, John johnsess...@yahoo.com wrote:
 Or change to a prime with an appropriate focal length.
 
 We were required to print full frame my first semester in school, just to
 demonstrate we had not inadvertently composed an image that cropped elements
 of the scene out of the image frame.
 
 On 8/24/2013 1:11 PM, Bob Sullivan wrote:
 
 Cropping was a lot more exacting in the days before zooms.
 You didn't just zoom in or out to get your cropping right.
 You had to zoom with your feet.
 Regards,  Bob S.
 
 On Sat, Aug 24, 2013 at 12:53 AM, steve harley p...@paper-ape.com wrote:
 
 on 2013-08-23 21:34 Matthew Hunt wrote
 
 On Fri, Aug 23, 2013 at 11:26 PM, John johnsess...@yahoo.com wrote:
 
 I've never heard of get it exact in the camera before.
 
 I've always heard get it right in camera ... not the same thing.
 
 
 
 I sure have. There are absolutely no-crop fetishists on the
 Internet... and there were in the film days, too (showing the edges of
 the frame as proof).
 
 
 
 some did tremendous work within that constraint; while i'm not a purist
 about it myself, being close to someone who was (in the 1960s), i think
 it
 offers a certain simplicity - first thought, best thought
 
 
 
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 PDML@pdml.net
 http://pdml.net/mailman/listinfo/pdml_pdml.net
 to UNSUBSCRIBE from the PDML, please visit the link directly above and
 follow the directions.
 
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Re: Musings about image formats

2013-08-24 Thread Stan Halpin
Actually, I have more problems with zooms than with primes. With primes, I know 
that I am most likely going to be cropping later and I can deal with that. With 
zooms, I try to get it just right in the frame. I have trouble convincing 
myself to back off a bit, sacrifice just a touch of close-up detail to give 
me breathing room in later cropping. 

I don't remember anyone ever telling me that I should get it exact in the 
camera, but over the decades of photo books and articles, it seems to have 
become a habit. I can remember even 40+ years ago, in my relatively early days 
of SLR usage, feeling very put upon when I had to put crop marks on my slide 
mount to indicate how Kodak should crop when printing. 

stan

On Aug 24, 2013, at 1:11 PM, Bob Sullivan wrote:

 Cropping was a lot more exacting in the days before zooms.
 You didn't just zoom in or out to get your cropping right.
 You had to zoom with your feet.
 Regards,  Bob S.
 
 On Sat, Aug 24, 2013 at 12:53 AM, steve harley p...@paper-ape.com wrote:
 on 2013-08-23 21:34 Matthew Hunt wrote
 
 On Fri, Aug 23, 2013 at 11:26 PM, John johnsess...@yahoo.com wrote:
 
 I've never heard of get it exact in the camera before.
 
 I've always heard get it right in camera ... not the same thing.
 
 
 I sure have. There are absolutely no-crop fetishists on the
 Internet... and there were in the film days, too (showing the edges of
 the frame as proof).
 
 
 some did tremendous work within that constraint; while i'm not a purist
 about it myself, being close to someone who was (in the 1960s), i think it
 offers a certain simplicity - first thought, best thought
 
 


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Re: Musings about image formats

2013-08-24 Thread Boris Liberman

On 8/23/2013 7:42 PM, Stan Halpin wrote:

Paper can be trimmed, mats and frames can be custom cut. But it is
still a nuisance.  I would love to have firmware in the camera that
would show the viewing area with an 4x5 ratio (or other selectable
ratio) partial mask. Many PS cameras have a selectable format ratio
when taking the photo;  I wouldn't want that. But if I am thinking
this shot could make a nice print, I would like a viewfinder
reminder of the area(s) that would correspond to print format ratios.
If I decide on a different presentation mode later, I would still
have the full-frame image to work with, unlike with the PS
approach.


Fascinating. I never thought of this notion in the manner you present 
it, Stan. I normally try to frame exactly how I would like the picture 
to be while I shoot. I know some call it fetish, some call it silliness, 
but I don't care - it is just more fun this way. As for different 
formats - well, I totally don't mind cropping after I shoot if I see it 
fit and then in LR it has a number of predefined aspect ratios, plus it 
allows me to define my own ones... So, it seems to cover it in terms of 
shooting and processing.


I should add here that starting from K-7 I assign extreme value to 100% 
viewfinder.


As for books... Hmmm, again in LR the integrated Blurb book module is 
very convenient. Although indeed having all kinds of crops in the book 
may either present a challenge for the editor, or even worse make it not 
work, so to say...


Boris


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Musings about image formats

2013-08-23 Thread Stan Halpin
Rick Wormer recently posted a very nice PESO:

http://photo.net/photodb/photo?photo_id=17505433size=lg

Comments he has received so far mention the good composition. I totally agree - 
it is a boffo shot as presented.

However, viewing it quickly brought to mind some mild struggles I have been 
having. The recent workshop I attended yielded several shots I have been 
motivated to print, and I have started layout of a Blurb book based on that 
week's shots. The problem I am having is that many of my compositions, as seen 
through the viewfinder and as captured by the sensor, and as viewed on my 
monitor, are just about exactly the way I want them. But the format is not an 
8x10 nor 11x14 nor 13x17. So I need to print with too wide margins top or 
bottom. Same problem with Blurb layouts. Looking at Rick's image, I cannot see 
how he would be able to print the image in any standard format; any cropping on 
the sides would damage/destroy his composition. 

Paper can be trimmed, mats and frames can be custom cut. But it is still a 
nuisance.  I would love to have firmware in the camera that would show the 
viewing area with an 4x5 ratio (or other selectable ratio) partial mask. Many 
PS cameras have a selectable format ratio when taking the photo;  I wouldn't 
want that. But if I am thinking this shot could make a nice print, I would 
like a viewfinder reminder of the area(s) that would correspond to print format 
ratios. If I decide on a different presentation mode later, I would still have 
the full-frame image to work with, unlike with the PS approach.

stan
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Re: Musings about image formats

2013-08-23 Thread George Sinos
Hi Stan

The problem you present is one of the reasons I don't agree with the
get it exact in the camera philosophy.  My theory is that a lot of
that type of thinking was a result of technology limitations of
historic days.  There was a time when the only thing most people could
make from a large format negative was a contact print.  More recently,
many of us shot transparency film.  You exposed and framed to get it
exact in the camera because the original image was the only image.

Today, especially with digital, the image you capture on the sensor is
only one step in the processing chain.  When you don't know the final
use (and there may be many) you need to shoot pretty loose to give you
freedom to crop the final image.  I felt the same way when I shot BW
35mm negative film.

You might want an 8x10 enlargement, a 5x7 or Square to more easily fit
a printed book page and something along a 16:9 ratio to be sent to
your TV screen.

None of those are the same aspect ratio as your 2x3 viewfinder or
original image.

When you don't know what your going to do with the final image, shoot
loose and crop later.

One of the cameras I use has an option to project guidelines for
different aspect ratios on the viewfinder image.  I seldom use the
feature because I usually don't know what aspect ratio I need for the
final image.  I use the full image size capability of the camera and
shoot loose.

gs


George Sinos

www.GeorgesPhotos.net
www.GeorgeSinos.com


On Fri, Aug 23, 2013 at 11:42 AM, Stan Halpin
s...@stans-photography.info wrote:
 Rick Wormer recently posted a very nice PESO:

 http://photo.net/photodb/photo?photo_id=17505433size=lg

 Comments he has received so far mention the good composition. I totally agree 
 - it is a boffo shot as presented.

 However, viewing it quickly brought to mind some mild struggles I have been 
 having. The recent workshop I attended yielded several shots I have been 
 motivated to print, and I have started layout of a Blurb book based on that 
 week's shots. The problem I am having is that many of my compositions, as 
 seen through the viewfinder and as captured by the sensor, and as viewed on 
 my monitor, are just about exactly the way I want them. But the format is not 
 an 8x10 nor 11x14 nor 13x17. So I need to print with too wide margins top or 
 bottom. Same problem with Blurb layouts. Looking at Rick's image, I cannot 
 see how he would be able to print the image in any standard format; any 
 cropping on the sides would damage/destroy his composition.

 Paper can be trimmed, mats and frames can be custom cut. But it is still a 
 nuisance.  I would love to have firmware in the camera that would show the 
 viewing area with an 4x5 ratio (or other selectable ratio) partial mask. Many 
 PS cameras have a selectable format ratio when taking the photo;  I wouldn't 
 want that. But if I am thinking this shot could make a nice print, I would 
 like a viewfinder reminder of the area(s) that would correspond to print 
 format ratios. If I decide on a different presentation mode later, I would 
 still have the full-frame image to work with, unlike with the PS approach.

 stan
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Re: Musings about image formats

2013-08-23 Thread Godfrey DiGiorgi
I dont worry about standard formats. I format image proportions suitable to the 
visual language I'm constructing and lay out book pages (or exhibition framing) 
to suit. 

Of course, there are those occasions when having a regular format throughout a 
particular exhibit or book makes good sense. But I don't need to be reminded of 
this in the camera viewfinder when I'm framing. I've gotten into the habit of 
framing a little 'loose' when making the exposure to ensure that I can set the 
format proportions as desired when I'm preparing to output finished work. 

In conflict with that, the Olympus E-PL1 that I picked up (so as to play with 
some oddball lenses) has been set to record and display square format since I 
got it. I'm anything but consistent, eh? 0;-) 

Godfrey


On Aug 23, 2013, at 9:42 AM, Stan Halpin s...@stans-photography.info wrote:

 Rick Wormer recently posted a very nice PESO:
 
 http://photo.net/photodb/photo?photo_id=17505433size=lg
 
 Comments he has received so far mention the good composition. I totally agree 
 - it is a boffo shot as presented.
 
 However, viewing it quickly brought to mind some mild struggles I have been 
 having. The recent workshop I attended yielded several shots I have been 
 motivated to print, and I have started layout of a Blurb book based on that 
 week's shots. The problem I am having is that many of my compositions, as 
 seen through the viewfinder and as captured by the sensor, and as viewed on 
 my monitor, are just about exactly the way I want them. But the format is not 
 an 8x10 nor 11x14 nor 13x17. So I need to print with too wide margins top or 
 bottom. Same problem with Blurb layouts. Looking at Rick's image, I cannot 
 see how he would be able to print the image in any standard format; any 
 cropping on the sides would damage/destroy his composition. 
 
 Paper can be trimmed, mats and frames can be custom cut. But it is still a 
 nuisance.  I would love to have firmware in the camera that would show the 
 viewing area with an 4x5 ratio (or other selectable ratio) partial mask. Many 
 PS cameras have a selectable format ratio when taking the photo;  I wouldn't 
 want that. But if I am thinking this shot could make a nice print, I would 
 like a viewfinder reminder of the area(s) that would correspond to print 
 format ratios. If I decide on a different presentation mode later, I would 
 still have the full-frame image to work with, unlike with the PS approach.


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Re: Musings about image formats

2013-08-23 Thread Aahz Maruch
On Fri, Aug 23, 2013, Stan Halpin wrote:

 However, viewing it quickly brought to mind some mild struggles I have
 been having. The recent workshop I attended yielded several shots I
 have been motivated to print, and I have started layout of a Blurb
 book based on that week's shots. The problem I am having is that many
 of my compositions, as seen through the viewfinder and as captured by
 the sensor, and as viewed on my monitor, are just about exactly the
 way I want them. But the format is not an 8x10 nor 11x14 nor 13x17. So
 I need to print with too wide margins top or bottom. Same problem with
 Blurb layouts. Looking at Rick's image, I cannot see how he would be
 able to print the image in any standard format; any cropping on the
 sides would damage/destroy his composition.

Haven't done anything about it yet, but I've been thinking some about
the same issues.  I just crop my images so they look good and when it
comes time to print, I'll print them with the properly-composed crop and
deal with either cutting or whitespace.
-- 
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  *   *   *
Help a hearing-impaired person: http://rule6.info/hearing.html

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Re: Musings about image formats

2013-08-23 Thread Darren Addy
Book page formats have (next-to) nothing to do with the aspect ratio
of the images put on those pages.
White Space Is Your Friend™.

On Fri, Aug 23, 2013 at 2:37 PM, Aahz Maruch a...@pobox.com wrote:
 On Fri, Aug 23, 2013, Stan Halpin wrote:

 However, viewing it quickly brought to mind some mild struggles I have
 been having. The recent workshop I attended yielded several shots I
 have been motivated to print, and I have started layout of a Blurb
 book based on that week's shots. The problem I am having is that many
 of my compositions, as seen through the viewfinder and as captured by
 the sensor, and as viewed on my monitor, are just about exactly the
 way I want them. But the format is not an 8x10 nor 11x14 nor 13x17. So
 I need to print with too wide margins top or bottom. Same problem with
 Blurb layouts. Looking at Rick's image, I cannot see how he would be
 able to print the image in any standard format; any cropping on the
 sides would damage/destroy his composition.

 Haven't done anything about it yet, but I've been thinking some about
 the same issues.  I just crop my images so they look good and when it
 comes time to print, I'll print them with the properly-composed crop and
 deal with either cutting or whitespace.
 --
 Hugs and backrubs -- I break Rule 6http://rule6.info/
   *   *   *
 Help a hearing-impaired person: http://rule6.info/hearing.html

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Peter Galassi

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Re: Musings about image formats

2013-08-23 Thread Rick Womer
Stan,

Thanks for the compliment on the pic!

I get my prints done by Denver Digital Imaging (slideprinter.com), which 
consistently produces prints that match what's on my screen (they honor color 
space).  I can get 10 x 15, 11 x 16, 12 x 18, 16 x 24... aspect ratio is not a 
problem.  I order mats several at a time in my favorite sizes.

In short, not a problem.

Rick
 
http://photo.net/photos/RickW


- Original Message -
From: Stan Halpin s...@stans-photography.info
To: Pentax-Discuss Mail List PDML@pdml.net
Cc: 
Sent: Friday, August 23, 2013 12:42 PM
Subject: Musings about image formats

Rick Wormer recently posted a very nice PESO:

http://photo.net/photodb/photo?photo_id=17505433size=lg

Comments he has received so far mention the good composition. I totally agree - 
it is a boffo shot as presented.

However, viewing it quickly brought to mind some mild struggles I have been 
having. The recent workshop I attended yielded several shots I have been 
motivated to print, and I have started layout of a Blurb book based on that 
week's shots. The problem I am having is that many of my compositions, as seen 
through the viewfinder and as captured by the sensor, and as viewed on my 
monitor, are just about exactly the way I want them. But the format is not an 
8x10 nor 11x14 nor 13x17. So I need to print with too wide margins top or 
bottom. Same problem with Blurb layouts. Looking at Rick's image, I cannot see 
how he would be able to print the image in any standard format; any cropping on 
the sides would damage/destroy his composition. 

Paper can be trimmed, mats and frames can be custom cut. But it is still a 
nuisance.  I would love to have firmware in the camera that would show the 
viewing area with an 4x5 ratio (or other selectable ratio) partial mask. Many 
PS cameras have a selectable format ratio when taking the photo;  I wouldn't 
want that. But if I am thinking this shot could make a nice print, I would 
like a viewfinder reminder of the area(s) that would correspond to print format 
ratios. If I decide on a different presentation mode later, I would still have 
the full-frame image to work with, unlike with the PS approach.

stan
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Re: Musings about image formats

2013-08-23 Thread John

I've never heard of get it exact in the camera before.

I've always heard get it right in camera ... not the same thing.

I've always interpreted that to mean expose it properly  frame it so
that you don't chop off heads  feet or any other features you might
want in your print later.

You can always crop down to get the image you want, but it's hard to
crop up.

On 8/23/2013 2:12 PM, George Sinos wrote:

Hi Stan

The problem you present is one of the reasons I don't agree with the
get it exact in the camera philosophy.  My theory is that a lot of
that type of thinking was a result of technology limitations of
historic days.  There was a time when the only thing most people could
make from a large format negative was a contact print.  More recently,
many of us shot transparency film.  You exposed and framed to get it
exact in the camera because the original image was the only image.

Today, especially with digital, the image you capture on the sensor is
only one step in the processing chain.  When you don't know the final
use (and there may be many) you need to shoot pretty loose to give you
freedom to crop the final image.  I felt the same way when I shot BW
35mm negative film.

You might want an 8x10 enlargement, a 5x7 or Square to more easily fit
a printed book page and something along a 16:9 ratio to be sent to
your TV screen.

None of those are the same aspect ratio as your 2x3 viewfinder or
original image.

When you don't know what your going to do with the final image, shoot
loose and crop later.

One of the cameras I use has an option to project guidelines for
different aspect ratios on the viewfinder image.  I seldom use the
feature because I usually don't know what aspect ratio I need for the
final image.  I use the full image size capability of the camera and
shoot loose.

gs


George Sinos

www.GeorgesPhotos.net
www.GeorgeSinos.com


On Fri, Aug 23, 2013 at 11:42 AM, Stan Halpin
s...@stans-photography.info wrote:

Rick Wormer recently posted a very nice PESO:

http://photo.net/photodb/photo?photo_id=17505433size=lg

Comments he has received so far mention the good composition. I totally agree - 
it is a boffo shot as presented.

However, viewing it quickly brought to mind some mild struggles I have been 
having. The recent workshop I attended yielded several shots I have been 
motivated to print, and I have started layout of a Blurb book based on that 
week's shots. The problem I am having is that many of my compositions, as seen 
through the viewfinder and as captured by the sensor, and as viewed on my 
monitor, are just about exactly the way I want them. But the format is not an 
8x10 nor 11x14 nor 13x17. So I need to print with too wide margins top or 
bottom. Same problem with Blurb layouts. Looking at Rick's image, I cannot see 
how he would be able to print the image in any standard format; any cropping on 
the sides would damage/destroy his composition.

Paper can be trimmed, mats and frames can be custom cut. But it is still a nuisance.  I would 
love to have firmware in the camera that would show the viewing area with an 4x5 ratio (or other 
selectable ratio) partial mask. Many PS cameras have a selectable format ratio when taking 
the photo;  I wouldn't want that. But if I am thinking this shot could make a nice 
print, I would like a viewfinder reminder of the area(s) that would correspond to print 
format ratios. If I decide on a different presentation mode later, I would still have the 
full-frame image to work with, unlike with the PS approach.

stan
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Re: Musings about image formats

2013-08-23 Thread Matthew Hunt
On Fri, Aug 23, 2013 at 11:26 PM, John johnsess...@yahoo.com wrote:

 I've never heard of get it exact in the camera before.

 I've always heard get it right in camera ... not the same thing.

I sure have. There are absolutely no-crop fetishists on the
Internet... and there were in the film days, too (showing the edges of
the frame as proof).

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Re: Musings about image formats

2013-08-23 Thread steve harley

on 2013-08-23 21:34 Matthew Hunt wrote

On Fri, Aug 23, 2013 at 11:26 PM, John johnsess...@yahoo.com wrote:


I've never heard of get it exact in the camera before.

I've always heard get it right in camera ... not the same thing.


I sure have. There are absolutely no-crop fetishists on the
Internet... and there were in the film days, too (showing the edges of
the frame as proof).


some did tremendous work within that constraint; while i'm not a purist about 
it myself, being close to someone who was (in the 1960s), i think it offers a 
certain simplicity - first thought, best thought


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Re: Musings about image formats

2013-08-23 Thread steve harley

on 2013-08-23 19:01 Rick Womer wrote

Stan,

Thanks for the compliment on the pic!

I get my prints done by Denver Digital Imaging (slideprinter.com), which 
consistently produces prints that match what's on my screen (they honor color 
space).  I can get 10 x 15, 11 x 16, 12 x 18, 16 x 24... aspect ratio is not a 
problem.  I order mats several at a time in my favorite sizes.


i know they have a good reputation, but that's good to hear; i am finally going 
to use them for some printing; they are a short walk from my house



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