RE: Paparazzi or street shooter?

2009-03-21 Thread Bob W
 

 -Original Message-
 From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On 
 Behalf Of Cesar Matamoros II
[...]
 The one thing I found interesting was the fact that it was 
 just street 
 scenes.  Not all photography has to be of some big event or some 
 monumental scene or moment.  [...]
  
 http://www.dagbladet.no/2009/03/19/magasinet/dokumentar/fotogr
 afi/film/ibsen/5351234/
[...]

I have an interesting exhibition catalogue about Hungarian photography and
the origins of photojornalism. It discusses what it terms 'little moments',
and how photographing small scenes of everyday life was a strong theme of
early Hungarian photography, which found its way to the rest of the world in
the 1920s and 30s when there was an exodus of Hungarians under political
pressure and led to the formation of many of the best know press agencies
and the use of the Leica for its unobtrusiveness. 

The detective camera served a similar role, although it seems that the
photographer in the link preferred it more the Victorian equivalent of
'upskirting' and papping! 

Bob


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Re: Paparazzi or street shooter?

2009-03-21 Thread Tim Øsleby
The photographer was a young science student, and he photographed in
the university area of the town. What we see is just a fragment of his
pictures, but the comment tells us that he photographed mainly pretty
young girls and male celebrities.

We know very little about his background. But the motifs suggests that
he was fascinated by uptown life. Oslo was a very small town back
then, he could have found working people just a few hundred meters
away.

-- 
MaritimTim

2009/3/21 Bob Sullivan rf.sulli...@gmail.com:
 Cesar,
 I know the principle of dressing up to leave the house, or go
 downtown, or go to church, or ride on a plane.
 I liked the pictures shown, but thought they were of 'uptown' streets.
 They were interesting, but all the women and men were so well dressed.
 I contrast this with my hobby interests in railroading.
 Pictures of railroad folks from the 1850's thru 1900's are very different.
 It's a whole different reality and a much grittier life.
 Regards,  Bob S.


 On Fri, Mar 20, 2009 at 9:41 PM, Cesar Matamoros II
 cesar_ab...@mindspring.com wrote:
 Thank you for the link.  I finally had some time to look at it.
 The one thing I found interesting was the fact that it was just street
 scenes.  Not all photography has to be of some big event or some monumental
 scene or moment.  These types of shots provides information to the present
 time as to what people looked like when they took to the streets.
 I know that 'culturally' while I was growing up we had clothes that we wore
 at home and what we wore when we went 'out' of the house.  It came from when
 my parents grew up.  You dressed 'up' to go to the 'city' to hide your
 'lower' economic status.
 I recall having to 'dress up' while traveling on a plane.  It shocked me the
 first time I saw my father board a plane without a tie and suit.
 These types of shots shows the world as it was.
 I often liked going to the Leica Gallery in NYC for that very reason.  The
 shots may not have been the sharpest, but they were a snapshot of the world
 as it truly was...

 César
 Panama City, Florida

 Tim Øsleby wrote:

 Found three fascinating video clips about a young man Carl Størmer who
 photographed young girls and celebrities with a hidden camera at the
 streets of Oslo in 1893-96. For some obscure reason he ended his
 street photography after 3 years.
 The camera he used had a disk of six circular frames. He his it under
 his vest, and often approached his victim with a smile.

 The third clip shows a gost like image of author Henrik Ibsen. Carl
 Størmer must have been very fasinated by Ibsen, he is the subject in
 eight pictures.


 http://www.dagbladet.no/2009/03/19/magasinet/dokumentar/fotografi/film/ibsen/5351234/
 There are three film clips here. Hopefully you will be able to find
 them at this norwegian page.
 The red rectangle in ULH shows the clips into full screen.


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Re: Paparazzi or street shooter?

2009-03-21 Thread mike wilson

Bob W wrote:


I think I'd trade that. Cars pollute far more than horses do, and at least
horse-shit helps the roses. Cars also pollute visually because of the


H.  In the late 1980s, one of the London hospitals was having 
problems with corrosion of the cast iron pillars supporting the 
building, sited under what had been the main entrance.  Analysis of the 
corroding fluid showed that its main constituent was horse urine..



congestion, the pollute aurally, they bring with them the need for signs and
other street furniture which is generally as ugly as sin, they keep people
hemmed in on the pavement. They lead to ugly architecture, and despoil
beautiful old architecture with their presence, their fumes and their
dangerous speeds. Look at almost any old photo or movie which was shot at a
speed fast enough to capture people, and the built environment and obvious
socialising going on is so much more beautiful than what we have now, and
the car is solely responsible for its destruction.



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Re: Paparazzi or street shooter?

2009-03-21 Thread John Francis
On Sat, Mar 21, 2009 at 06:19:11PM +, mike wilson wrote:
 Bob W wrote:

 I think I'd trade that. Cars pollute far more than horses do, and at least
 horse-shit helps the roses. Cars also pollute visually because of the

 H.  In the late 1980s, one of the London hospitals was having  
 problems with corrosion of the cast iron pillars supporting the  
 building, sited under what had been the main entrance.  Analysis of the  
 corroding fluid showed that its main constituent was horse urine..

Quite.

One of the benefits of the horseless carriage was the elimination (sic)
of the problem of horse effluent on the streets.

While the total amount of pollution from cars and trucks today may well
exceed that from horses a century ago that's mostly due to the vast
increase in travel.


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RE: Paparazzi or street shooter?

2009-03-21 Thread Bob W
 Bob W wrote:
 
  I think I'd trade that. Cars pollute far more than horses 
 do, and at least
  horse-shit helps the roses. Cars also pollute visually 
 because of the
 
 H.  In the late 1980s, one of the London hospitals was having 
 problems with corrosion of the cast iron pillars supporting the 
 building, sited under what had been the main entrance.  
 Analysis of the 
 corroding fluid showed that its main constituent was horse urine..
 

I imagine the last horse to piss on the pillars probably did so around the
time of WW1, so 70 years for it to take effect doesn't sound bad to me,
considering they must have been pissing on them for 30-50 years before that.


Bob


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RE: Paparazzi or street shooter?

2009-03-21 Thread Bob W
 
 One of the benefits of the horseless carriage was the 
 elimination (sic)
 of the problem of horse effluent on the streets.
 
 While the total amount of pollution from cars and trucks 
 today may well
 exceed that from horses a century ago that's mostly due to the vast
 increase in travel.
 

That's highly unlikely, even disregarding the fact that the cars enabled the
increase in travel. Comparing the total amount like that doesn't really mean
anything anyway. Probably the best way to do it would be by comparing the
pollution cost of carrying the same loads for the same period of time - eg
the capacity of a truck for the lifetime of the truck, against the number of
horses required to carry the same capacity for as long. Bearing in mind, of
course, that what goes into and comes out of horses is entirely organic,
sustainable and recyclable, which is not the case with cars. And also taking
into account the pollution costs of producing what goes in, getting it to
the consumer (truck or horse), and dealing with what comes out.

Bob


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Re: Paparazzi or street shooter?

2009-03-21 Thread mike wilson

Bob W wrote:


Bob W wrote:


I think I'd trade that. Cars pollute far more than horses 


do, and at least

horse-shit helps the roses. Cars also pollute visually 


because of the

H.  In the late 1980s, one of the London hospitals was having 
problems with corrosion of the cast iron pillars supporting the 
building, sited under what had been the main entrance.  
Analysis of the 
corroding fluid showed that its main constituent was horse urine..





I imagine the last horse to piss on the pillars probably did so around the
time of WW1, so 70 years for it to take effect doesn't sound bad to me,
considering they must have been pissing on them for 30-50 years before that.


If not longer.  There was a huge reservoir of the stuff in the ground, 
that was seeping out and rotting the fabric of the building.  The 
effects of horse (or, indeed, any other organism in high quantity) 
effluvium are not totally beneficial.


The real problem is too many humans and who is going to grasp that 
particular nettle?


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Re: Paparazzi or street shooter?

2009-03-21 Thread Joseph McAllister
You left out the increase in population, and the dispersion of same  
from the cities to the spreading suburbs, which increased everything  
in your hypothesis of the modern.


On Mar 21, 2009, at 11:43 , Bob W wrote:


One of the benefits of the horseless carriage was the
elimination (sic)
of the problem of horse effluent on the streets.

While the total amount of pollution from cars and trucks
today may well
exceed that from horses a century ago that's mostly due to the vast
increase in travel.



That's highly unlikely, even disregarding the fact that the cars  
enabled the
increase in travel. Comparing the total amount like that doesn't  
really mean
anything anyway. Probably the best way to do it would be by  
comparing the
pollution cost of carrying the same loads for the same period of  
time - eg
the capacity of a truck for the lifetime of the truck, against the  
number of
horses required to carry the same capacity for as long. Bearing in  
mind, of
course, that what goes into and comes out of horses is entirely  
organic,
sustainable and recyclable, which is not the case with cars. And  
also taking
into account the pollution costs of producing what goes in, getting  
it to

the consumer (truck or horse), and dealing with what comes out.

Bob


Joseph McAllister
pentax...@mac.com

http://gallery.me.com/jomac
http://web.me.com/jomac/show.me/Blog/Blog.html






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RE: Paparazzi or street shooter?

2009-03-21 Thread Bob W
 
 If not longer.  There was a huge reservoir of the stuff in 
 the ground, 
 that was seeping out and rotting the fabric of the building.  The 
 effects of horse (or, indeed, any other organism in high quantity) 
 effluvium are not totally beneficial.
 
 The real problem is too many humans and who is going to grasp that 
 particular nettle?
 

Not necessarily too many people, but overconsumption by some of us. One the
things that annoys me about the Dail Mail readers who bang on about
population control in the third world is that it's not the people in the
third world who are eating the planet, it's the Daily Mail readers. They
should all be lined up against the wall and shot for being so intolerant.

Bob


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RE: Paparazzi or street shooter?

2009-03-21 Thread Bob W
Probably, yes. It's all far too complicated to sort out by email.

Bob

 
 You left out the increase in population, and the dispersion of same  
 from the cities to the spreading suburbs, which increased everything  
 in your hypothesis of the modern.
 


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Re: Paparazzi or street shooter?

2009-03-20 Thread Eactivist
In a message dated 3/19/2009 5:57:41 P.M.  Pacific Daylight Time, 
maritim...@gmail.com writes:
Found three fascinating  video clips about a young man Carl Størmer who
photographed young girls and  celebrities with a hidden camera at the
streets of Oslo in 1893-96. For some  obscure reason he ended his
street photography after 3 years.
The camera  he used had a disk of six circular frames. He his it under
his vest, and  often approached his victim with a smile.

The third clip shows a gost  like image of author Henrik Ibsen. Carl
Størmer must have been very fasinated  by Ibsen, he is the subject in
eight  pictures.

http://www.dagbladet.no/2009/03/19/magasinet/dokumentar/fotografi/film/ibsen/5
351234/
There  are three film clips here. Hopefully you will be able to find
them at this  norwegian page.
The red rectangle in ULH shows the clips into full  screen.

-- 
MaritimTim

===
This was very  interesting, thanks for sharing. What he used was so weird 
looking, sort of an  old-fashioned PS that I wonder if all the people he 
approached KNEW it was  a camera. Most look like they did, but still I wonder.

Street  photography, obviously, goes way back.

Marnie aka Doe  :-)

-
Warning: I am now  filtering my email, so you may be censored.  

**Feeling the pinch at the grocery store?  Make meals for Under 
$10. (http://food.aol.com/frugal-feasts?ncid=emlcntusfood0002)

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Re: Paparazzi or street shooter?

2009-03-20 Thread Tim Øsleby
I've never seen a similar camera.
According the voice in the clip it was called a detectives camera,
whatever that means.
He hid it under his west, with the lens sticking out of a button hole.
The third clip shows three pictures of a person who caught him red handed.

I think I can see a strong sense of timing in many of these pictures.

Later he moved on from capturing the fragrant smiles of young women,
and Henrik Ibsen strolling down the streets, to capturing the secrets
of Aorora solaris http://en.wikipedia.org/wiki/Carl_St%C3%B8rmer

-- 
MaritimTim

2009/3/20  eactiv...@aol.com:
 In a message dated 3/19/2009 5:57:41 P.M.  Pacific Daylight Time,
 maritim...@gmail.com writes:

 http://www.dagbladet.no/2009/03/19/magasinet/dokumentar/fotografi/film/ibsen/5
 351234/
 --
 MaritimTim

 ===
 This was very  interesting, thanks for sharing. What he used was so weird
 looking, sort of an  old-fashioned PS that I wonder if all the people he
 approached KNEW it was  a camera. Most look like they did, but still I wonder.

 Street  photography, obviously, goes way back.

 Marnie aka Doe  :-)


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Re: Paparazzi or street shooter?

2009-03-20 Thread frank theriault
On Thu, Mar 19, 2009 at 8:56 PM, Tim Øsleby maritim...@gmail.com wrote:
 Found three fascinating video clips about a young man Carl Størmer who
 photographed young girls and celebrities with a hidden camera at the
 streets of Oslo in 1893-96. For some obscure reason he ended his
 street photography after 3 years.
 The camera he used had a disk of six circular frames. He his it under
 his vest, and often approached his victim with a smile.

 The third clip shows a gost like image of author Henrik Ibsen. Carl
 Størmer must have been very fasinated by Ibsen, he is the subject in
 eight pictures.

 http://www.dagbladet.no/2009/03/19/magasinet/dokumentar/fotografi/film/ibsen/5351234/
 There are three film clips here. Hopefully you will be able to find
 them at this norwegian page.
 The red rectangle in ULH shows the clips into full screen.


Very cool stuff!

cheers,
frank


-- 
Sharpness is a bourgeois concept.  -Henri Cartier-Bresson

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Re: Paparazzi or street shooter?

2009-03-20 Thread Bob Sullivan
Hey Bob, I bet you miss the horse shit and the smells too.  :-)
Regards,  Bob S.

On Thu, Mar 19, 2009 at 11:30 PM, Bob W p...@web-options.com wrote:
 This is one of the things that always strikes me about old
 photos - how much we've sacrificed to the internal combustion god.

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RE: Paparazzi or street shooter?

2009-03-20 Thread Bob W
I think I'd trade that. Cars pollute far more than horses do, and at least
horse-shit helps the roses. Cars also pollute visually because of the
congestion, the pollute aurally, they bring with them the need for signs and
other street furniture which is generally as ugly as sin, they keep people
hemmed in on the pavement. They lead to ugly architecture, and despoil
beautiful old architecture with their presence, their fumes and their
dangerous speeds. Look at almost any old photo or movie which was shot at a
speed fast enough to capture people, and the built environment and obvious
socialising going on is so much more beautiful than what we have now, and
the car is solely responsible for its destruction.

 
 Hey Bob, I bet you miss the horse shit and the smells too.  :-)
 Regards,  Bob S.
 
 On Thu, Mar 19, 2009 at 11:30 PM, Bob W p...@web-options.com wrote:
  This is one of the things that always strikes me about old
  photos - how much we've sacrificed to the internal combustion god.
 


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RE: Paparazzi or street shooter?

2009-03-20 Thread Bob W
I think Walker Evans or someone of that ilk took a famous series of
photographs on the New York subway with a detective camera. They've since
been hommaged by one of the Magnum photographers, but I can't remember which
one.

Bob

 I've never seen a similar camera.
 According the voice in the clip it was called a detectives camera,
 whatever that means.
 He hid it under his west, with the lens sticking out of a button hole.
 The third clip shows three pictures of a person who caught 
 him red handed.
 
 I think I can see a strong sense of timing in many of these pictures.
 
 Later he moved on from capturing the fragrant smiles of young women,
 and Henrik Ibsen strolling down the streets, to capturing the secrets
 of Aorora solaris http://en.wikipedia.org/wiki/Carl_St%C3%B8rmer
 
 -- 
 MaritimTim
 
 2009/3/20  eactiv...@aol.com:
  In a message dated 3/19/2009 5:57:41 P.M.  Pacific Daylight Time,
  maritim...@gmail.com writes:
 
  
 http://www.dagbladet.no/2009/03/19/magasinet/dokumentar/fotogr
 afi/film/ibsen/5
  351234/


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Re: Paparazzi or street shooter?

2009-03-20 Thread Cesar Matamoros II

Thank you for the link.  I finally had some time to look at it.
The one thing I found interesting was the fact that it was just street 
scenes.  Not all photography has to be of some big event or some 
monumental scene or moment.  These types of shots provides information 
to the present time as to what people looked like when they took to the 
streets.
I know that 'culturally' while I was growing up we had clothes that we 
wore at home and what we wore when we went 'out' of the house.  It came 
from when my parents grew up.  You dressed 'up' to go to the 'city' to 
hide your 'lower' economic status.
I recall having to 'dress up' while traveling on a plane.  It shocked me 
the first time I saw my father board a plane without a tie and suit.

These types of shots shows the world as it was.
I often liked going to the Leica Gallery in NYC for that very reason.  
The shots may not have been the sharpest, but they were a snapshot of 
the world as it truly was...


César
Panama City, Florida

Tim Øsleby wrote:

Found three fascinating video clips about a young man Carl Størmer who
photographed young girls and celebrities with a hidden camera at the
streets of Oslo in 1893-96. For some obscure reason he ended his
street photography after 3 years.
The camera he used had a disk of six circular frames. He his it under
his vest, and often approached his victim with a smile.

The third clip shows a gost like image of author Henrik Ibsen. Carl
Størmer must have been very fasinated by Ibsen, he is the subject in
eight pictures.

http://www.dagbladet.no/2009/03/19/magasinet/dokumentar/fotografi/film/ibsen/5351234/
There are three film clips here. Hopefully you will be able to find
them at this norwegian page.
The red rectangle in ULH shows the clips into full screen.

  


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Re: Paparazzi or street shooter?

2009-03-20 Thread Bob Sullivan
Cesar,
I know the principle of dressing up to leave the house, or go
downtown, or go to church, or ride on a plane.
I liked the pictures shown, but thought they were of 'uptown' streets.
They were interesting, but all the women and men were so well dressed.
I contrast this with my hobby interests in railroading.
Pictures of railroad folks from the 1850's thru 1900's are very different.
It's a whole different reality and a much grittier life.
Regards,  Bob S.


On Fri, Mar 20, 2009 at 9:41 PM, Cesar Matamoros II
cesar_ab...@mindspring.com wrote:
 Thank you for the link.  I finally had some time to look at it.
 The one thing I found interesting was the fact that it was just street
 scenes.  Not all photography has to be of some big event or some monumental
 scene or moment.  These types of shots provides information to the present
 time as to what people looked like when they took to the streets.
 I know that 'culturally' while I was growing up we had clothes that we wore
 at home and what we wore when we went 'out' of the house.  It came from when
 my parents grew up.  You dressed 'up' to go to the 'city' to hide your
 'lower' economic status.
 I recall having to 'dress up' while traveling on a plane.  It shocked me the
 first time I saw my father board a plane without a tie and suit.
 These types of shots shows the world as it was.
 I often liked going to the Leica Gallery in NYC for that very reason.  The
 shots may not have been the sharpest, but they were a snapshot of the world
 as it truly was...

 César
 Panama City, Florida

 Tim Øsleby wrote:

 Found three fascinating video clips about a young man Carl Størmer who
 photographed young girls and celebrities with a hidden camera at the
 streets of Oslo in 1893-96. For some obscure reason he ended his
 street photography after 3 years.
 The camera he used had a disk of six circular frames. He his it under
 his vest, and often approached his victim with a smile.

 The third clip shows a gost like image of author Henrik Ibsen. Carl
 Størmer must have been very fasinated by Ibsen, he is the subject in
 eight pictures.


 http://www.dagbladet.no/2009/03/19/magasinet/dokumentar/fotografi/film/ibsen/5351234/
 There are three film clips here. Hopefully you will be able to find
 them at this norwegian page.
 The red rectangle in ULH shows the clips into full screen.



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Paparazzi or street shooter?

2009-03-19 Thread Tim Øsleby
Found three fascinating video clips about a young man Carl Størmer who
photographed young girls and celebrities with a hidden camera at the
streets of Oslo in 1893-96. For some obscure reason he ended his
street photography after 3 years.
The camera he used had a disk of six circular frames. He his it under
his vest, and often approached his victim with a smile.

The third clip shows a gost like image of author Henrik Ibsen. Carl
Størmer must have been very fasinated by Ibsen, he is the subject in
eight pictures.

http://www.dagbladet.no/2009/03/19/magasinet/dokumentar/fotografi/film/ibsen/5351234/
There are three film clips here. Hopefully you will be able to find
them at this norwegian page.
The red rectangle in ULH shows the clips into full screen.

-- 
MaritimTim

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RE: Paparazzi or street shooter?

2009-03-19 Thread Bob W
 Found three fascinating video clips about a young man Carl Størmer who
 photographed young girls and celebrities with a hidden camera at the
 streets of Oslo in 1893-96. For some obscure reason he ended his
 street photography after 3 years.
 The camera he used had a disk of six circular frames. He his it under
 his vest, and often approached his victim with a smile.
 
 The third clip shows a gost like image of author Henrik Ibsen. Carl
 Størmer must have been very fasinated by Ibsen, he is the subject in
 eight pictures.
 
 http://www.dagbladet.no/2009/03/19/magasinet/dokumentar/fotogr
 afi/film/ibsen/5351234/
 There are three film clips here. Hopefully you will be able to find
 them at this norwegian page.
 The red rectangle in ULH shows the clips into full screen.
 

Beautiful, beautiful, beautiful! What a fantastic set of pictures and a
great insight into people of the time. The streets look wonderful without
cars and all the street furniture and related crap and detritus that
accompanies them. This is one of the things that always strikes me about old
photos - how much we've sacrificed to the internal combustion god.

Bob


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