Re: Ultra-wide zooms

2010-04-18 Thread Margus Männik

Hi there,

I have tested DA15 Limited vs DA14 some time ago (wrote a review). Many 
have said that DA14 is better simply because it is a stop faster. Me 
personally, I would avoid it at f/2.8 unless absolutely necessary. Test 
it as much as you like - it's still soft and vignetting full open. At 
f/4 it's much better and outperforms DA15 Limited a bit. At f/5.6 there 
was no difference between 'em. Is it worth to have a MUCH larger and 
heavier lens, that performs quite sluggish full-open?
One more thing - I never use DA14 without a hood. Never, even indoors. 
DA15 Limited also needs protection from side-light, but at least the 
hood is built-in.

The conclusion? If I wouldn't already own the DA14, I'd go for DA15 Limited.

BR, Margus

Adam Maas wrote:

All the reviews I've read indicate a slight decrease in performance
for the 15/4 over the 14/2.8 at the edge, which is consistent with the
design differences. While the 15 is slower, it's also a far less
complex (8/6) design than the 14 is (12/11) so it will remain less
well corrected. The differences in focal length is very minor and
won't have a serious impact on the design complexity.

-Adam

On Thu, Apr 15, 2010 at 11:31 PM, J.C. O'Connell  wrote:
  

I read a review on the da15 and they said it outperformed
the earlier da14 lens, which wouldn’t surprise me, its
not as wide and slower than the da14.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Adam
Maas
Sent: Thursday, April 15, 2010 9:12 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms


New design, optimized for size over performance. Quite a good lens, but
inferior in performance to both the DA 14/2.8 and DA 12-24/4. Smaller than a
FA 50/1.4 though. Like the DA 21/3.2 it's marginally inferior to the older
and larger equivalent design.

-Adam

On Thu, Apr 15, 2010 at 8:51 PM, J.C. O'Connell  wrote:


what about the DA 15mm?

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
Of P. J. Alling
Sent: Thursday, April 15, 2010 7:32 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms


Unfortunatly it hasn't been done. Most prime designs are at least 10
years old. In the case of the DA 40mm limited it looks like it's about
thirty years old, (see the M 40mm f2.8).

On 4/15/2010 1:35 PM, J.C. O'Connell wrote:
  

How many times do I have to tell you to make the point?
A zoom has to do much more than a prime so the zoom cannot be
"better" or even equal to a prime with BOTH using state of the art
designs and optics, period. Whatever they do to improve zoom
performance over the years can also be applied to primes.


 the PDML, please visit the link directly above and follow the
directions.


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RE: Ultra-wide zooms [Scanned][Spam score:8%]

2010-04-17 Thread John Whittingham
"As far as my very limited experience allows me to opine, people don't
like primes because they don't like changing lenses."

-- Graydon

I love primes, but use a Sigma 10-20 f/4-5.6 for the wide end. I could have 
bought a DA 14 f/2.8 but I'd be limited to 14mm. Now if all the primes covered 
by the Sigma 10-20mm were available, which they're not I still wouldn't buy 
them because I couldn't fir them in the kit bag! My standard kit consists of 
the following:

Sigma EX 10-20 OR Pentax DA*16-50
Sigma AF 24/2.8
Pentax FA 28/2.8
Pentax FA 35/2
Pentax FA 50/1.4
Pentax DA 70/2.4 Limited 
Tamron Di 90/2.8 Macro
Pentax FA 135/2.8

The DA 14/2.8 is roughly the size of the Sigma 10-20 and offers very little in 
th way of extra IQ, it gains a faster aperture but looses flexibility in 
spades. But I have to agrree with JC on this, a modern prime will beat a modern 
zoom every time if made to the same standard. I have the DA*200/2.8 and DA 
300/4 and they're just awesome!!!


John
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Re: Ultra-wide zooms

2010-04-17 Thread P. J. Alling

On 4/17/2010 9:59 AM, Graydon wrote:

On Thu, Apr 15, 2010 at 07:32:26PM -0400, P. J. Alling scripsit:
   

Unfortunatly it hasn't been done. Most prime designs are at least 10
years old. In the case of the DA 40mm limited it looks like it's about
thirty years old, (see the M 40mm f2.8).
 

[256 lines snipped]

DA 35 Ltd. would appear to be a new design and both a very capable one
and one that is, in the context of "Limited" branded lenses, affordable.

As far as my very limited experience allows me to opine, people don't
like primes because they don't like changing lenses.

-- Graydon

   

I did say /most/ some designs are brand new, and Pentax has a lot of them.

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Re: Ultra-wide zooms

2010-04-17 Thread Graydon
On Thu, Apr 15, 2010 at 07:32:26PM -0400, P. J. Alling scripsit:
> Unfortunatly it hasn't been done. Most prime designs are at least 10
> years old. In the case of the DA 40mm limited it looks like it's about
> thirty years old, (see the M 40mm f2.8).
[256 lines snipped]

DA 35 Ltd. would appear to be a new design and both a very capable one
and one that is, in the context of "Limited" branded lenses, affordable.

As far as my very limited experience allows me to opine, people don't
like primes because they don't like changing lenses.

-- Graydon

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Re: Ultra-wide zooms

2010-04-16 Thread Adam Maas
All the reviews I've read indicate a slight decrease in performance
for the 15/4 over the 14/2.8 at the edge, which is consistent with the
design differences. While the 15 is slower, it's also a far less
complex (8/6) design than the 14 is (12/11) so it will remain less
well corrected. The differences in focal length is very minor and
won't have a serious impact on the design complexity.

-Adam

On Thu, Apr 15, 2010 at 11:31 PM, J.C. O'Connell  wrote:
> I read a review on the da15 and they said it outperformed
> the earlier da14 lens, which wouldn’t surprise me, its
> not as wide and slower than the da14.
>
> --
> J.C. O'Connell (mailto:hifis...@gate.net)
> Join the CD PLAYER & DISC Discussions :
> http://tech.groups.yahoo.com/group/cdplayers/
> http://launch.groups.yahoo.com/group/cdsound/
>
>
> -Original Message-
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Adam
> Maas
> Sent: Thursday, April 15, 2010 9:12 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
>
> New design, optimized for size over performance. Quite a good lens, but
> inferior in performance to both the DA 14/2.8 and DA 12-24/4. Smaller than a
> FA 50/1.4 though. Like the DA 21/3.2 it's marginally inferior to the older
> and larger equivalent design.
>
> -Adam
>
> On Thu, Apr 15, 2010 at 8:51 PM, J.C. O'Connell  wrote:
>> what about the DA 15mm?
>>
>> --
>> J.C. O'Connell (mailto:hifis...@gate.net)
>> Join the CD PLAYER & DISC Discussions :
>> http://tech.groups.yahoo.com/group/cdplayers/
>> http://launch.groups.yahoo.com/group/cdsound/
>>
>>
>> -Original Message-----
>> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
>> Of P. J. Alling
>> Sent: Thursday, April 15, 2010 7:32 PM
>> To: Pentax-Discuss Mail List
>> Subject: Re: Ultra-wide zooms
>>
>>
>> Unfortunatly it hasn't been done. Most prime designs are at least 10
>> years old. In the case of the DA 40mm limited it looks like it's about
>> thirty years old, (see the M 40mm f2.8).
>>
>> On 4/15/2010 1:35 PM, J.C. O'Connell wrote:
>>> How many times do I have to tell you to make the point?
>>> A zoom has to do much more than a prime so the zoom cannot be
>>> "better" or even equal to a prime with BOTH using state of the art
>>> designs and optics, period. Whatever they do to improve zoom
>>> performance over the years can also be applied to primes.
>>  the PDML, please visit the link directly above and follow the
>> directions.
>>
>>
>> --
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>> to UNSUBSCRIBE from the PDML, please visit the link directly above and
>> follow the directions.
>>
>
>
>
> --
> M. Adam Maas
> http://www.mawz.ca
> Explorations of the City Around Us.
>
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RE: Ultra-wide zooms

2010-04-15 Thread J.C. O'Connell
I read a review on the da15 and they said it outperformed
the earlier da14 lens, which wouldn’t surprise me, its
not as wide and slower than the da14.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Adam
Maas
Sent: Thursday, April 15, 2010 9:12 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms


New design, optimized for size over performance. Quite a good lens, but
inferior in performance to both the DA 14/2.8 and DA 12-24/4. Smaller than a
FA 50/1.4 though. Like the DA 21/3.2 it's marginally inferior to the older
and larger equivalent design.

-Adam

On Thu, Apr 15, 2010 at 8:51 PM, J.C. O'Connell  wrote:
> what about the DA 15mm?
>
> --
> J.C. O'Connell (mailto:hifis...@gate.net)
> Join the CD PLAYER & DISC Discussions : 
> http://tech.groups.yahoo.com/group/cdplayers/
> http://launch.groups.yahoo.com/group/cdsound/
>
>
> -Original Message-
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf 
> Of P. J. Alling
> Sent: Thursday, April 15, 2010 7:32 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
>
> Unfortunatly it hasn't been done. Most prime designs are at least 10 
> years old. In the case of the DA 40mm limited it looks like it's about 
> thirty years old, (see the M 40mm f2.8).
>
> On 4/15/2010 1:35 PM, J.C. O'Connell wrote:
>> How many times do I have to tell you to make the point?
>> A zoom has to do much more than a prime so the zoom cannot be 
>> "better" or even equal to a prime with BOTH using state of the art 
>> designs and optics, period. Whatever they do to improve zoom 
>> performance over the years can also be applied to primes.
>  the PDML, please visit the link directly above and follow the 
> directions.
>
>
> --
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> follow the directions.
>



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Re: Ultra-wide zooms

2010-04-15 Thread Keith Whaley

John Sessoms wrote:

From: Keith Whaley

[...]

How the H*** can anyone BUY one if nobody will MAKE one?

That?s a real head-shaker...



I think you might not have picked up on just a touch of irony.


Happens from time to time...

keith



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Re: Ultra-wide zooms

2010-04-15 Thread Keith Whaley

Charles Robinson wrote:

On Apr 15, 2010, at 15:40, Keith Whaley wrote:


[...]


How the H*** can anyone BUY one if nobody will MAKE one?

That�s a real head-shaker...



Keith -

Perhaps you didn't read the same tone of irony in Larry's post that I did.

 -Charles


Perhaps.

keith


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Re: Ultra-wide zooms

2010-04-15 Thread Adam Maas
New design, optimized for size over performance. Quite a good lens,
but inferior in performance to both the DA 14/2.8 and DA 12-24/4.
Smaller than a FA 50/1.4 though. Like the DA 21/3.2 it's marginally
inferior to the older and larger equivalent design.

-Adam

On Thu, Apr 15, 2010 at 8:51 PM, J.C. O'Connell  wrote:
> what about the DA 15mm?
>
> --
> J.C. O'Connell (mailto:hifis...@gate.net)
> Join the CD PLAYER & DISC Discussions :
> http://tech.groups.yahoo.com/group/cdplayers/
> http://launch.groups.yahoo.com/group/cdsound/
>
>
> -Original Message-
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of P.
> J. Alling
> Sent: Thursday, April 15, 2010 7:32 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
>
> Unfortunatly it hasn't been done. Most prime designs are at least 10
> years old. In the case of the DA 40mm limited it looks like it's about
> thirty years old, (see the M 40mm f2.8).
>
> On 4/15/2010 1:35 PM, J.C. O'Connell wrote:
>> How many times do I have to tell you to make the point?
>> A zoom has to do much more than a prime so the zoom cannot
>> be "better" or even equal to a prime with BOTH using state of the art
>> designs and optics, period. Whatever they do to improve zoom
>> performance over the years can also be applied to primes.
>  the PDML, please visit the link directly above and follow the directions.
>
>
> --
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RE: Ultra-wide zooms

2010-04-15 Thread J.C. O'Connell
what about the DA 15mm?

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of P.
J. Alling
Sent: Thursday, April 15, 2010 7:32 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms


Unfortunatly it hasn't been done. Most prime designs are at least 10 
years old. In the case of the DA 40mm limited it looks like it's about 
thirty years old, (see the M 40mm f2.8).

On 4/15/2010 1:35 PM, J.C. O'Connell wrote:
> How many times do I have to tell you to make the point?
> A zoom has to do much more than a prime so the zoom cannot
> be "better" or even equal to a prime with BOTH using state of the art 
> designs and optics, period. Whatever they do to improve zoom 
> performance over the years can also be applied to primes.
 the PDML, please visit the link directly above and follow the directions.


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Re: Ultra-wide zooms

2010-04-15 Thread John Sessoms

From: Keith Whaley

Larry Colen wrote:

> On 4/15/2010 11:23 AM, CheekyGeek wrote:

>> On Thu, Apr 15, 2010 at 12:49 PM, Larry Colen  wrote:
>>
>>> The analysis of "would people rather buy three primes to cover the 
>>> range of 10-20mm or one zoom?" seems to always come up with the

>>> answer "one zoom".



>> Can somebody point me to this 10mm rectilinear prime that would cover
>> the wide end of this 10-20mm range?



> There isn't a market for one, if there were they'd make it.
> 
> They know that there isn't a market for one, because nobody buys any.


-= WHAT =- ?

Their rationale for not MAKING one is that nobody buys any?

Take off your tinfoil hat and say that again.

How the H*** can anyone BUY one if nobody will MAKE one?

That?s a real head-shaker...


I think you might not have picked up on just a touch of irony.

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Re: Ultra-wide zooms

2010-04-15 Thread P. J. Alling

On 4/15/2010 2:38 PM, Larry Colen wrote:

On 4/15/2010 11:23 AM, CheekyGeek wrote:

On Thu, Apr 15, 2010 at 12:49 PM, Larry Colen  wrote:

The analysis of "would people rather buy three primes to cover the 
range of
10-20mm or one zoom?" seems to always come up with the answer "one 
zoom".


Can somebody point me to this 10mm rectilinear prime that would cover
the wide end of this 10-20mm range?


There isn't a market for one, if there were they'd make it.

They know that there isn't a market for one, because nobody buys any.





Nobody goes there anymore it's too crowded.  Wait. What?


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Re: Ultra-wide zooms

2010-04-15 Thread P. J. Alling
Unfortunatly it hasn't been done. Most prime designs are at least 10 
years old. In the case of the DA 40mm limited it looks like it's about 
thirty years old, (see the M 40mm f2.8).


On 4/15/2010 1:35 PM, J.C. O'Connell wrote:

How many times do I have to tell you to make the point?
A zoom has to do much more than a prime so the zoom cannot
be "better" or even equal to a prime with BOTH using state of the
art designs and optics, period. Whatever they do to improve
zoom performance over the years can also be applied to primes.


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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Adam
Maas
Sent: Thursday, April 15, 2010 11:12 AM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms


You're clearly not up on the latest developments in lens design.

Comparing the best UW prime on the market (The Zeiss 21mm f2.8 Distagon T*
in ZK, ZE or ZF mounts) and the best UW zoom on the market, the Nikkor
14-24mm f2.8 G, the zoom has less elements (14 elements in 11 groups for the
Nikkor, 16 elements in 13 groups for the Zeiss), although the zoom makes
heavy use of exotic glass to achieve this (2 ED elements, 3 aspherical
elements, 1 nano-crystal coated element, the latter is unique to Nikon and
seriously reduces flare). The Zeiss 21 actually does outperform the Nikkor
at 21mm, but only by a small amount (and the zoom has superior flare
performance despite its massive front element) and the Zeiss outperforms
similar primes by a much larger margin than it does the zoom. Note that the
Zeiss 21 is one of the very few truly modern wide prime designs (a 2009
update of a design from 1994), aside from the Pentax DA's, the only other
new wide primes are the current set of 14's (Canon's 14LII, the Nikkor
14/2.8D which is the oldest at ~2001 and the brand new Samyang 14/2.8) and
Sigma's massive f1.8's (which are good, fast but not exceptional).

Simply put, modern molded aspherics, use of low-dispersion elements and
other radical tech like Nikon's Nano-crystal coating has functionally
removed the advantages of prime designs for wide-angle lenses unless you are
trying to make a lens faster than f2.8. The requirements of a retrofocus
design simply grow to a point where the requirements for a zoom are
irrelevant to anything except size.

Making a world class UW requires a very high element count, prime or zoom.
Modern digital cameras are simply too demanding for edge performance,
particularly high-MP FF cameras.

As to the DA 15/4 Limited, it's actually slightly inferior in performance to
the DA 14/2.8, and the latter is pretty much identical in performance to the
12-24/4 aside from the extra stop (and the DA 14 is the best performing 14
on APS-C).

-Adam

On Thu, Apr 15, 2010 at 10:43 AM, J.C. O'Connell  wrote:
   

ultra wide primes require many more elements
than primes do and the results is more flare
they will never match a prime because even
primes need too many elements for high performance
flare performance.

what is being sold doesn’t prove anything other than
market demand. Prime can outdo zooms especially on ultrawides.

what about the 15mm DA lens??

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
Of Adam Maas
Sent: Wednesday, April 14, 2010 7:30 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms


LOL, That may have been true 5 years ago, but it simply isn't now.

Current state of the art in lenses wider than 21mm for SLR mounts are
all zooms. There are no APS-C or 35mm format SLR primes which exceed
the performance of zooms like the Nikkor 14-24/2.8, Zeiss ZA 16-35/2.8
or either of the 7-14/4'sfrom Oly/Panasonic at focal lengths wider
than 21mm (And the only reason why 21mm matters is the Zeiss 21mm f2.8
Distagon. which simply dominates the UW prime world for performance).
Current coating technology has greatly reduced the issue of increased
element count (note the Zeiss 21 has an element count which is only
slightly lower than the equivalent zooms) and the increased element
count allows correction of distortion and removal of edge performance
issues which plague even the best older UW primes.

Most basic wide primes at best match the performance of today's
high-end wide zooms, there have been very few new-design wide primes
introduced in the last 20 years while zoom performance has increased
massively and most zooms in this range are new designs form the last
few years.

The real downside for us is that none of the best zoom options are
available 

Re: Ultra-wide zooms

2010-04-15 Thread eckinator
2010/4/15 Larry Colen :
> On 4/15/2010 1:43 PM, Charles Robinson wrote:
>>
>> On Apr 15, 2010, at 15:40, Keith Whaley wrote:
>>
>>> Larry Colen wrote:

 On 4/15/2010 11:23 AM, CheekyGeek wrote:
>
> On Thu, Apr 15, 2010 at 12:49 PM, Larry Colen   wrote:
>
>> The analysis of "would people rather buy three primes to cover the
>> range of 10-20mm or one zoom?" seems to always come up with the
>> answer "one zoom".
>>>
> Can somebody point me to this 10mm rectilinear prime that would cover
> the wide end of this 10-20mm range?
>>>
 There isn't a market for one, if there were they'd make it.
 They know that there isn't a market for one, because nobody buys any.
>>>
>>> -= WHAT =- ?
>>>
>>> Their rationale for not MAKING one is that nobody buys any?
>>>
>>> Take off your tinfoil hat and say that again.
>>>
>>> How the H*** can anyone BUY one if nobody will MAKE one?
>>>
>>> That’s a real head-shaker...
>>>
>>
>> Keith -
>>
>> Perhaps you didn't read the same tone of irony in Larry's post that I did.
>
> He definitely fell into the sarchasm.

Hope he at least got a sargasm out of it

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Re: Ultra-wide zooms

2010-04-15 Thread Larry Colen

On 4/15/2010 1:43 PM, Charles Robinson wrote:

On Apr 15, 2010, at 15:40, Keith Whaley wrote:


Larry Colen wrote:

On 4/15/2010 11:23 AM, CheekyGeek wrote:

On Thu, Apr 15, 2010 at 12:49 PM, Larry Colen   wrote:


The analysis of "would people rather buy three primes to cover the range of 10-20mm 
or one zoom?" seems to always come up with the
answer "one zoom".



Can somebody point me to this 10mm rectilinear prime that would cover
the wide end of this 10-20mm range?



There isn't a market for one, if there were they'd make it.
They know that there isn't a market for one, because nobody buys any.


-= WHAT =- ?

Their rationale for not MAKING one is that nobody buys any?

Take off your tinfoil hat and say that again.

How the H*** can anyone BUY one if nobody will MAKE one?

That’s a real head-shaker...



Keith -

Perhaps you didn't read the same tone of irony in Larry's post that I did.


He definitely fell into the sarchasm.




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Re: Ultra-wide zooms

2010-04-15 Thread Charles Robinson
On Apr 15, 2010, at 15:40, Keith Whaley wrote:

> Larry Colen wrote:
>> On 4/15/2010 11:23 AM, CheekyGeek wrote:
>>> On Thu, Apr 15, 2010 at 12:49 PM, Larry Colen  wrote:
>>> 
 The analysis of "would people rather buy three primes to cover the range 
 of 10-20mm or one zoom?" seems to always come up with the
 answer "one zoom".
> 
>>> Can somebody point me to this 10mm rectilinear prime that would cover
>>> the wide end of this 10-20mm range?
> 
>> There isn't a market for one, if there were they'd make it.
>> They know that there isn't a market for one, because nobody buys any.
> 
> -= WHAT =- ?
> 
> Their rationale for not MAKING one is that nobody buys any?
> 
> Take off your tinfoil hat and say that again.
> 
> How the H*** can anyone BUY one if nobody will MAKE one?
> 
> That’s a real head-shaker...
> 

Keith -

Perhaps you didn't read the same tone of irony in Larry's post that I did.

 -Charles

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Re: Ultra-wide zooms

2010-04-15 Thread CheekyGeek
Thanks for playing, Keith!
We have some lovely parting gifts for you...
:)

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Re: Ultra-wide zooms

2010-04-15 Thread Keith Whaley

Larry Colen wrote:

On 4/15/2010 11:23 AM, CheekyGeek wrote:

On Thu, Apr 15, 2010 at 12:49 PM, Larry Colen  wrote:

The analysis of "would people rather buy three primes to cover the 
range of 10-20mm or one zoom?" seems to always come up with the

answer "one zoom".



Can somebody point me to this 10mm rectilinear prime that would cover
the wide end of this 10-20mm range?



There isn't a market for one, if there were they'd make it.

They know that there isn't a market for one, because nobody buys any.


-= WHAT =- ?

Their rationale for not MAKING one is that nobody buys any?

Take off your tinfoil hat and say that again.

How the H*** can anyone BUY one if nobody will MAKE one?

That’s a real head-shaker...

keith whaley


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Re: Ultra-wide zooms

2010-04-15 Thread John Sessoms

From: CheekyGeek

As an (important?) aside, I recently bought the Sigma 10-20mm f4-5.6
(used) and read that it WILL cover a full 35mm frame down to 13mm. I
plan on trying this myself with my Z-1p. I'm sure the corners will
suffer, but WOW... a 13mm rectilinear focal length with no
field-of-view crop? If true, it is amazing that they don't promote
this. Lesson: Don't ASSUME your lenses designed for APS-C won't cover
the full 35mm. They just may not do it over the whole zoom range.



Haven't USED it on the PZ-1p, but looking through the viewfinder ...

At 10mm it's like lookin' through a porthole.
At 12mm there's still a tiny bit of vignetting at the corners
At 14mm - 20mm there's no visible vignetting, but there is a slight, but 
noticeable, light fall-off at the corners.




The equivalence is more of a shorthand for photographers who were
> accustomed to how 35mm focal lengths worked, and it has really
> outlived it's utility.


Well a focal length is a focal length is a focal length but if you are
an old school 35mm film shooter then a particular lens focal length
translates in your mind to a particular field-of-view. When you crop
that you haven't changed the effect of the focal length (think:
squashed depth with a particular telephoto focal length, for example)
but you HAVE changed the field-of-view. For a radical example
illustrating this principle, put a F 17-28mm fisheye zoom on a Pentax
DSLR. You've still got the fisheye distortion you associate with
ultrawide, but you are cropping the center out of the field-of-view
(an effective 25-42mm with fisheye curves... which can be very
interesting!)

Bottom line, if you think in terms of field of view, AND you used to
shoot film (or you STILL also shoot film), the equivalence continues
to have more than a little utility. It is similar to an older American
who will always need to convert metric units to imperial units in
order to grasp what is being talked about. A younger generation that
simply learned the metric system without having the base knowledge of
imperial units would certainly not need that utility.


Well, the way it's expressed - as an equivalent focal length - is wrong. 
It's not an equivalent focal length. Equivalent field of view or angle 
of view works, but it's still confusing.


All I really care about is whether the image circle is large enough for 
the sensor, be it APS-C or "full frame". I would prefer lenses with an 
image circle large enough to cover the "full frame", although I have 
some lenses that won't and I still use them ... just not on the film 
cameras.



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RE: Ultra-wide zooms

2010-04-15 Thread J.C. O'Connell
Id bet that a good 10mm Prime DA Lens would
be way too high a cost to produce, even if it did outperform
the 10-20mm at 10mm. FWIW - Pentax DID eventually produce a 15mm for
full frame 35mm film which would similar to the angle of
10mm on APS. 

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Larry Colen


On 4/15/2010 11:23 AM, CheekyGeek wrote:
> On Thu, Apr 15, 2010 at 12:49 PM, Larry Colen  wrote:
>
>> The analysis of "would people rather buy three primes to cover the 
>> range of 10-20mm or one zoom?" seems to always come up with the 
>> answer "one zoom".
>
> Can somebody point me to this 10mm rectilinear prime that would cover 
> the wide end of this 10-20mm range?

There isn't a market for one, if there were they'd make it.

They know that there isn't a market for one, because nobody buys any.




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Re: Ultra-wide zooms

2010-04-15 Thread Larry Colen

On 4/15/2010 11:23 AM, CheekyGeek wrote:

On Thu, Apr 15, 2010 at 12:49 PM, Larry Colen  wrote:


The analysis of "would people rather buy three primes to cover the range of
10-20mm or one zoom?" seems to always come up with the answer "one zoom".


Can somebody point me to this 10mm rectilinear prime that would cover
the wide end of this 10-20mm range?


There isn't a market for one, if there were they'd make it.

They know that there isn't a market for one, because nobody buys any.




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Re: Ultra-wide zooms

2010-04-15 Thread CheekyGeek
On Thu, Apr 15, 2010 at 12:49 PM, Larry Colen  wrote:

> The analysis of "would people rather buy three primes to cover the range of
> 10-20mm or one zoom?" seems to always come up with the answer "one zoom".

Can somebody point me to this 10mm rectilinear prime that would cover
the wide end of this 10-20mm range?

Darren Addy
Kearney, NE

Fact: Pentax DSLRs attract more photographers with Asperger's Syndrome
than any other brand!

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RE: Ultra-wide zooms

2010-04-15 Thread J.C. O'Connell
What is marketable vs what is possible with
primes are two different things. What I didn't
agree with is the contention that SOTA zooms
can match or beat SOTA primes in the ultra
wide range of focal lengths. What is on the
market is a different matter altogether but
there is that 15mm DA lens, but I doubt
its SOTA because of its low cost relatively
speaking.

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Larry Colen

On 4/15/2010 10:35 AM, J.C. O'Connell wrote:
> How many times do I have to tell you to make the point?
> A zoom has to do much more than a prime so the zoom cannot
> be "better" or even equal to a prime with BOTH using state of the art 
> designs and optics, period. Whatever they do to improve zoom 
> performance over the years can also be applied to primes.

I think that you are confusing physics with market realities. I don't 
think that anyone is doubting that it would be possible to make a prime 
that outperforms any of the ultrawide zooms on the market. The reality 
is that (to a first approximation) nobody is doing so.

The lens manufacturers seem to think that nobody is interested in prime 
lenses.  How many image stabilized primes (under 400mm) are made these 
days?  How many prime "kit lenses" are there?

The analysis of "would people rather buy three primes to cover the range 
of 10-20mm or one zoom?" seems to always come up with the answer "one zoom".



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Re: Ultra-wide zooms

2010-04-15 Thread eckinator
2010/4/15 Larry Colen :
>
> The analysis of "would people rather buy three primes to cover the range of
> 10-20mm or one zoom?" seems to always come up with the answer "one zoom".

Which is market logic. Just compare the systems of old and the systems of now.
Cheers
Ecke

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Re: Ultra-wide zooms

2010-04-15 Thread John Francis
On Thu, Apr 15, 2010 at 12:34:59PM -0400, John Francis wrote:
> On Thu, Apr 15, 2010 at 10:58:23AM -0500, CheekyGeek wrote:
> > 
> > Well a focal length is a focal length is a focal length but if you are
> > an old school 35mm film shooter then a particular lens focal length
> > translates in your mind to a particular field-of-view. When you crop
> > that you haven't changed the effect of the focal length (think:
> > squashed depth with a particular telephoto focal length, for example)
> > but you HAVE changed the field-of-view.
> 
> Bad choice of example.
> 
> The "squashed depth" effect is a function solely of the combination of
> shooting position and angle of view, and nothing to do with focal length.

To be pedantic, angle of view doesn't really affect it, either.  The
relative position and sizes of the objects in the image, which is what
creates the depth-compression effect, is entirely determined by the
position from which the image is captured.

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Re: Ultra-wide zooms

2010-04-15 Thread Larry Colen

J.C.

how about trimming irrelevant cruft from your posts? I'm guess that 
there were about 400 lines of "dead wood", almost half of which were .sigs.


On 4/15/2010 10:35 AM, J.C. O'Connell wrote:

How many times do I have to tell you to make the point?
A zoom has to do much more than a prime so the zoom cannot
be "better" or even equal to a prime with BOTH using state of the
art designs and optics, period. Whatever they do to improve
zoom performance over the years can also be applied to primes.


I think that you are confusing physics with market realities. I don't 
think that anyone is doubting that it would be possible to make a prime 
that outperforms any of the ultrawide zooms on the market. The reality 
is that (to a first approximation) nobody is doing so.


The lens manufacturers seem to think that nobody is interested in prime 
lenses.  How many image stabilized primes (under 400mm) are made these 
days?  How many prime "kit lenses" are there?


The analysis of "would people rather buy three primes to cover the range 
of 10-20mm or one zoom?" seems to always come up with the answer "one zoom".


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RE: Ultra-wide zooms

2010-04-15 Thread J.C. O'Connell
all else being equal (lens speed, (lens circle/sensor format, barrel size,
cost) etc,
a SOTA zooom cannot match nor equal a SOTA prime with only one fixed focal
length. It’s a simpler lens requirement for primes, that’s one of the
reasons why
they still exist, like the DA15 and DA14

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Adam
Maas
Sent: Thursday, April 15, 2010 11:12 AM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms


You're clearly not up on the latest developments in lens design.

Comparing the best UW prime on the market (The Zeiss 21mm f2.8 Distagon T*
in ZK, ZE or ZF mounts) and the best UW zoom on the market, the Nikkor
14-24mm f2.8 G, the zoom has less elements (14 elements in 11 groups for the
Nikkor, 16 elements in 13 groups for the Zeiss), although the zoom makes
heavy use of exotic glass to achieve this (2 ED elements, 3 aspherical
elements, 1 nano-crystal coated element, the latter is unique to Nikon and
seriously reduces flare). The Zeiss 21 actually does outperform the Nikkor
at 21mm, but only by a small amount (and the zoom has superior flare
performance despite its massive front element) and the Zeiss outperforms
similar primes by a much larger margin than it does the zoom. Note that the
Zeiss 21 is one of the very few truly modern wide prime designs (a 2009
update of a design from 1994), aside from the Pentax DA's, the only other
new wide primes are the current set of 14's (Canon's 14LII, the Nikkor
14/2.8D which is the oldest at ~2001 and the brand new Samyang 14/2.8) and
Sigma's massive f1.8's (which are good, fast but not exceptional).

Simply put, modern molded aspherics, use of low-dispersion elements and
other radical tech like Nikon's Nano-crystal coating has functionally
removed the advantages of prime designs for wide-angle lenses unless you are
trying to make a lens faster than f2.8. The requirements of a retrofocus
design simply grow to a point where the requirements for a zoom are
irrelevant to anything except size.

Making a world class UW requires a very high element count, prime or zoom.
Modern digital cameras are simply too demanding for edge performance,
particularly high-MP FF cameras.

As to the DA 15/4 Limited, it's actually slightly inferior in performance to
the DA 14/2.8, and the latter is pretty much identical in performance to the
12-24/4 aside from the extra stop (and the DA 14 is the best performing 14
on APS-C).

-Adam

On Thu, Apr 15, 2010 at 10:43 AM, J.C. O'Connell  wrote:
> ultra wide primes require many more elements
> than primes do and the results is more flare
> they will never match a prime because even
> primes need too many elements for high performance
> flare performance.
>
> what is being sold doesn’t prove anything other than
> market demand. Prime can outdo zooms especially on ultrawides.
>
> what about the 15mm DA lens??
>
> --
> J.C. O'Connell (mailto:hifis...@gate.net)
> Join the CD PLAYER & DISC Discussions : 
> http://tech.groups.yahoo.com/group/cdplayers/
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>
>
> -Original Message-
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf 
> Of Adam Maas
> Sent: Wednesday, April 14, 2010 7:30 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
>
> LOL, That may have been true 5 years ago, but it simply isn't now.
>
> Current state of the art in lenses wider than 21mm for SLR mounts are 
> all zooms. There are no APS-C or 35mm format SLR primes which exceed 
> the performance of zooms like the Nikkor 14-24/2.8, Zeiss ZA 16-35/2.8 
> or either of the 7-14/4'sfrom Oly/Panasonic at focal lengths wider 
> than 21mm (And the only reason why 21mm matters is the Zeiss 21mm f2.8 
> Distagon. which simply dominates the UW prime world for performance). 
> Current coating technology has greatly reduced the issue of increased 
> element count (note the Zeiss 21 has an element count which is only 
> slightly lower than the equivalent zooms) and the increased element 
> count allows correction of distortion and removal of edge performance 
> issues which plague even the best older UW primes.
>
> Most basic wide primes at best match the performance of today's 
> high-end wide zooms, there have been very few new-design wide primes 
> introduced in the last 20 years while zoom performance has increased 
> massively and most zooms in this range are new designs form the last 
> few years.
>
> The real downside for us is that none of the best zoom options are 
> available in K mount. But a zoom like the DA 1

RE: Ultra-wide zooms

2010-04-15 Thread J.C. O'Connell
How many times do I have to tell you to make the point?
A zoom has to do much more than a prime so the zoom cannot
be "better" or even equal to a prime with BOTH using state of the
art designs and optics, period. Whatever they do to improve
zoom performance over the years can also be applied to primes.


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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Adam
Maas
Sent: Thursday, April 15, 2010 11:12 AM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms


You're clearly not up on the latest developments in lens design.

Comparing the best UW prime on the market (The Zeiss 21mm f2.8 Distagon T*
in ZK, ZE or ZF mounts) and the best UW zoom on the market, the Nikkor
14-24mm f2.8 G, the zoom has less elements (14 elements in 11 groups for the
Nikkor, 16 elements in 13 groups for the Zeiss), although the zoom makes
heavy use of exotic glass to achieve this (2 ED elements, 3 aspherical
elements, 1 nano-crystal coated element, the latter is unique to Nikon and
seriously reduces flare). The Zeiss 21 actually does outperform the Nikkor
at 21mm, but only by a small amount (and the zoom has superior flare
performance despite its massive front element) and the Zeiss outperforms
similar primes by a much larger margin than it does the zoom. Note that the
Zeiss 21 is one of the very few truly modern wide prime designs (a 2009
update of a design from 1994), aside from the Pentax DA's, the only other
new wide primes are the current set of 14's (Canon's 14LII, the Nikkor
14/2.8D which is the oldest at ~2001 and the brand new Samyang 14/2.8) and
Sigma's massive f1.8's (which are good, fast but not exceptional).

Simply put, modern molded aspherics, use of low-dispersion elements and
other radical tech like Nikon's Nano-crystal coating has functionally
removed the advantages of prime designs for wide-angle lenses unless you are
trying to make a lens faster than f2.8. The requirements of a retrofocus
design simply grow to a point where the requirements for a zoom are
irrelevant to anything except size.

Making a world class UW requires a very high element count, prime or zoom.
Modern digital cameras are simply too demanding for edge performance,
particularly high-MP FF cameras.

As to the DA 15/4 Limited, it's actually slightly inferior in performance to
the DA 14/2.8, and the latter is pretty much identical in performance to the
12-24/4 aside from the extra stop (and the DA 14 is the best performing 14
on APS-C).

-Adam

On Thu, Apr 15, 2010 at 10:43 AM, J.C. O'Connell  wrote:
> ultra wide primes require many more elements
> than primes do and the results is more flare
> they will never match a prime because even
> primes need too many elements for high performance
> flare performance.
>
> what is being sold doesn’t prove anything other than
> market demand. Prime can outdo zooms especially on ultrawides.
>
> what about the 15mm DA lens??
>
> --
> J.C. O'Connell (mailto:hifis...@gate.net)
> Join the CD PLAYER & DISC Discussions : 
> http://tech.groups.yahoo.com/group/cdplayers/
> http://launch.groups.yahoo.com/group/cdsound/
>
>
> -Original Message-
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf 
> Of Adam Maas
> Sent: Wednesday, April 14, 2010 7:30 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
>
> LOL, That may have been true 5 years ago, but it simply isn't now.
>
> Current state of the art in lenses wider than 21mm for SLR mounts are 
> all zooms. There are no APS-C or 35mm format SLR primes which exceed 
> the performance of zooms like the Nikkor 14-24/2.8, Zeiss ZA 16-35/2.8 
> or either of the 7-14/4'sfrom Oly/Panasonic at focal lengths wider 
> than 21mm (And the only reason why 21mm matters is the Zeiss 21mm f2.8 
> Distagon. which simply dominates the UW prime world for performance). 
> Current coating technology has greatly reduced the issue of increased 
> element count (note the Zeiss 21 has an element count which is only 
> slightly lower than the equivalent zooms) and the increased element 
> count allows correction of distortion and removal of edge performance 
> issues which plague even the best older UW primes.
>
> Most basic wide primes at best match the performance of today's 
> high-end wide zooms, there have been very few new-design wide primes 
> introduced in the last 20 years while zoom performance has increased 
> massively and most zooms in this range are new designs form the last 
> few years.
>
> The real downside for us is that none of the best zoom options are 
> available in K m

Re: Ultra-wide zooms

2010-04-15 Thread John Francis
On Thu, Apr 15, 2010 at 10:58:23AM -0500, CheekyGeek wrote:
> 
> Well a focal length is a focal length is a focal length but if you are
> an old school 35mm film shooter then a particular lens focal length
> translates in your mind to a particular field-of-view. When you crop
> that you haven't changed the effect of the focal length (think:
> squashed depth with a particular telephoto focal length, for example)
> but you HAVE changed the field-of-view.

Bad choice of example.

The "squashed depth" effect is a function solely of the combination of
shooting position and angle of view, and nothing to do with focal length.


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Re: Ultra-wide zooms

2010-04-15 Thread CheekyGeek
As an (important?) aside, I recently bought the Sigma 10-20mm f4-5.6
(used) and read that it WILL cover a full 35mm frame down to 13mm. I
plan on trying this myself with my Z-1p. I'm sure the corners will
suffer, but WOW... a 13mm rectilinear focal length with no
field-of-view crop? If true, it is amazing that they don't promote
this. Lesson: Don't ASSUME your lenses designed for APS-C won't cover
the full 35mm. They just may not do it over the whole zoom range.

> The equivalence is more of a shorthand for photographers who were
> accustomed to how 35mm focal lengths worked, and it has really
> outlived it's utility.

Well a focal length is a focal length is a focal length but if you are
an old school 35mm film shooter then a particular lens focal length
translates in your mind to a particular field-of-view. When you crop
that you haven't changed the effect of the focal length (think:
squashed depth with a particular telephoto focal length, for example)
but you HAVE changed the field-of-view. For a radical example
illustrating this principle, put a F 17-28mm fisheye zoom on a Pentax
DSLR. You've still got the fisheye distortion you associate with
ultrawide, but you are cropping the center out of the field-of-view
(an effective 25-42mm with fisheye curves... which can be very
interesting!)

Bottom line, if you think in terms of field of view, AND you used to
shoot film (or you STILL also shoot film), the equivalence continues
to have more than a little utility. It is similar to an older American
who will always need to convert metric units to imperial units in
order to grasp what is being talked about. A younger generation that
simply learned the metric system without having the base knowledge of
imperial units would certainly not need that utility.

Darren Addy
Kearney, NE

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Re: Ultra-wide zooms

2010-04-15 Thread Adam Maas
You're clearly not up on the latest developments in lens design.

Comparing the best UW prime on the market (The Zeiss 21mm f2.8
Distagon T* in ZK, ZE or ZF mounts) and the best UW zoom on the
market, the Nikkor 14-24mm f2.8 G, the zoom has less elements (14
elements in 11 groups for the Nikkor, 16 elements in 13 groups for the
Zeiss), although the zoom makes heavy use of exotic glass to achieve
this (2 ED elements, 3 aspherical elements, 1 nano-crystal coated
element, the latter is unique to Nikon and seriously reduces flare).
The Zeiss 21 actually does outperform the Nikkor at 21mm, but only by
a small amount (and the zoom has superior flare performance despite
its massive front element) and the Zeiss outperforms similar primes by
a much larger margin than it does the zoom. Note that the Zeiss 21 is
one of the very few truly modern wide prime designs (a 2009 update of
a design from 1994), aside from the Pentax DA's, the only other new
wide primes are the current set of 14's (Canon's 14LII, the Nikkor
14/2.8D which is the oldest at ~2001 and the brand new Samyang 14/2.8)
and Sigma's massive f1.8's (which are good, fast but not exceptional).

Simply put, modern molded aspherics, use of low-dispersion elements
and other radical tech like Nikon's Nano-crystal coating has
functionally removed the advantages of prime designs for wide-angle
lenses unless you are trying to make a lens faster than f2.8. The
requirements of a retrofocus design simply grow to a point where the
requirements for a zoom are irrelevant to anything except size.

Making a world class UW requires a very high element count, prime or
zoom. Modern digital cameras are simply too demanding for edge
performance, particularly high-MP FF cameras.

As to the DA 15/4 Limited, it's actually slightly inferior in
performance to the DA 14/2.8, and the latter is pretty much identical
in performance to the 12-24/4 aside from the extra stop (and the DA 14
is the best performing 14 on APS-C).

-Adam

On Thu, Apr 15, 2010 at 10:43 AM, J.C. O'Connell  wrote:
> ultra wide primes require many more elements
> than primes do and the results is more flare
> they will never match a prime because even
> primes need too many elements for high performance
> flare performance.
>
> what is being sold doesn’t prove anything other than
> market demand. Prime can outdo zooms especially on ultrawides.
>
> what about the 15mm DA lens??
>
> --
> J.C. O'Connell (mailto:hifis...@gate.net)
> Join the CD PLAYER & DISC Discussions :
> http://tech.groups.yahoo.com/group/cdplayers/
> http://launch.groups.yahoo.com/group/cdsound/
>
>
> -Original Message-
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Adam
> Maas
> Sent: Wednesday, April 14, 2010 7:30 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
>
> LOL, That may have been true 5 years ago, but it simply isn't now.
>
> Current state of the art in lenses wider than 21mm for SLR mounts are all
> zooms. There are no APS-C or 35mm format SLR primes which exceed the
> performance of zooms like the Nikkor 14-24/2.8, Zeiss ZA 16-35/2.8 or either
> of the 7-14/4'sfrom Oly/Panasonic at focal lengths wider than 21mm (And the
> only reason why 21mm matters is the Zeiss 21mm f2.8 Distagon. which simply
> dominates the UW prime world for performance). Current coating technology
> has greatly reduced the issue of increased element count (note the Zeiss 21
> has an element count which is only slightly lower than the equivalent zooms)
> and the increased element count allows correction of distortion and removal
> of edge performance issues which plague even the best older UW primes.
>
> Most basic wide primes at best match the performance of today's high-end
> wide zooms, there have been very few new-design wide primes introduced in
> the last 20 years while zoom performance has increased massively and most
> zooms in this range are new designs form the last few years.
>
> The real downside for us is that none of the best zoom options are available
> in K mount. But a zoom like the DA 12-24/4 or the Sigma 10-20 (in either
> form) will match or exceed the performance of almost all the primes in the
> same range available in K mount (yes, even the legendary 15/3.5's) on APS-C.
> Once again, the Zeiss 21 being the exception (it is available in the ZK
> line) but on APS-C it's advantages show a lot less than on 35mm.
>
> -Adam
>
> On Mon, Apr 12, 2010 at 3:38 PM, J.C. O'Connell  wrote:
>> High performance ultra wide zooms (UW) don’t really exist. Go with a
>> UW prime and even that wont match basic wide primes.
>>
>> --
>> J.C. O'Connell (mailto:hifis...@gate.net)
>> Join the CD PLAYER & DISC Discussions :
&

Re: Ultra-wide zooms

2010-04-15 Thread Dario Bonazza

J.C. O'Connell wrote:

ultra wide primes 


sure you meant 'zooms' here


require many more elements
than primes do and the results is more flare
they will never match a prime because even
primes need too many elements for high performance
flare performance.


That's good theory, contradicted by facts.


what is being sold doesn't prove anything other than
market demand. Prime can outdo zooms especially on ultrawides.


In theory they could, but in practice they don't.


what about the 15mm DA lens??


Nice lens, outperformed by the DA 12-24.

Dario



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RE: Ultra-wide zooms

2010-04-15 Thread J.C. O'Connell
ultra wide primes require many more elements
than primes do and the results is more flare
they will never match a prime because even
primes need too many elements for high performance
flare performance.

what is being sold doesn’t prove anything other than
market demand. Prime can outdo zooms especially on ultrawides.

what about the 15mm DA lens??

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Adam
Maas
Sent: Wednesday, April 14, 2010 7:30 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms


LOL, That may have been true 5 years ago, but it simply isn't now.

Current state of the art in lenses wider than 21mm for SLR mounts are all
zooms. There are no APS-C or 35mm format SLR primes which exceed the
performance of zooms like the Nikkor 14-24/2.8, Zeiss ZA 16-35/2.8 or either
of the 7-14/4'sfrom Oly/Panasonic at focal lengths wider than 21mm (And the
only reason why 21mm matters is the Zeiss 21mm f2.8 Distagon. which simply
dominates the UW prime world for performance). Current coating technology
has greatly reduced the issue of increased element count (note the Zeiss 21
has an element count which is only slightly lower than the equivalent zooms)
and the increased element count allows correction of distortion and removal
of edge performance issues which plague even the best older UW primes.

Most basic wide primes at best match the performance of today's high-end
wide zooms, there have been very few new-design wide primes introduced in
the last 20 years while zoom performance has increased massively and most
zooms in this range are new designs form the last few years.

The real downside for us is that none of the best zoom options are available
in K mount. But a zoom like the DA 12-24/4 or the Sigma 10-20 (in either
form) will match or exceed the performance of almost all the primes in the
same range available in K mount (yes, even the legendary 15/3.5's) on APS-C.
Once again, the Zeiss 21 being the exception (it is available in the ZK
line) but on APS-C it's advantages show a lot less than on 35mm.

-Adam

On Mon, Apr 12, 2010 at 3:38 PM, J.C. O'Connell  wrote:
> High performance ultra wide zooms (UW) don’t really exist. Go with a 
> UW prime and even that wont match basic wide primes.
>
> --
> J.C. O'Connell (mailto:hifis...@gate.net)
> Join the CD PLAYER & DISC Discussions : 
> http://tech.groups.yahoo.com/group/cdplayers/
> http://launch.groups.yahoo.com/group/cdsound/
>
>
> -Original Message-
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf 
> Of David Parsons
> Sent: Monday, April 12, 2010 3:12 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
>
> There are two common crops for dSLRs as compared to FF SLR, 1.5 (Nikon 
> and
> Pentax) and 1.6 (Canon).
>
> Canon has a 1.3 crop on some of their pro bodies.
>
> P&S sensors are a whole other barrel of fish and there are many sizes, 
> but they don't correlate because the lenses are not interchangeable.
>
> On Mon, Apr 12, 2010 at 3:00 PM, Keith Whaley 
> wrote:
>> P N Stenquist wrote:
>>>
>>> On Apr 12, 2010, at 8:48 AM, Keith Whaley wrote:
>>>
>>>> Bong Manayon wrote:
>>>>>
>>>>> Thinking of ...
>>>>> 1. Pentax DA 12-24
>>>>> 2. Sigma 10-20
>>>>> 3. Tamron 10-24
>>>>> Am not into fish-eyes so those options are out.  Any votes for or 
>>>>> against any of those listed above? Thanks! Bong
>>
>>>> I don't think those focal lengths are 35mm-equivalent numbers. I 
>>>> suspect they're double ~ such as the Pentax DA 12-24 is really like 
>>>> a 35mm lens of 24-48mm focal length. Nice wide angle-to-normal 
>>>> lens, but hardly a fish-eye...
>>
>>> First, the conversion factor for angle of view is 1.5.
>>
>> Was Bong talking about a specific camera? I know we were talking 
>> digitals, but, I thought each camera had it's own conversion camera. 
>> In my limited experience, which does NOT include DSLRs, most cameras 
>> differ a little as to what their 35mm equivalent is. I avoid the 
>> uncertainty by referring to the owner's manual for each camera. They 
>> always mention it...
>>
>>> So the 12-24 has the same _angle of view_ on an APS-C DSLR as an 
>>> 18-36 would have on a conventional 35 mm frame.
>>
>> Cropping factor, or what I call the telephoto effect, brought on by 
>> the size of the sensor. In other 

Re: Ultra-wide zooms

2010-04-14 Thread Adam Maas
LOL, That may have been true 5 years ago, but it simply isn't now.

Current state of the art in lenses wider than 21mm for SLR mounts are
all zooms. There are no APS-C or 35mm format SLR primes which exceed
the performance of zooms like the Nikkor 14-24/2.8, Zeiss ZA 16-35/2.8
or either of the 7-14/4'sfrom Oly/Panasonic at focal lengths wider
than 21mm (And the only reason why 21mm matters is the Zeiss 21mm f2.8
Distagon. which simply dominates the UW prime world for performance).
Current coating technology has greatly reduced the issue of increased
element count (note the Zeiss 21 has an element count which is only
slightly lower than the equivalent zooms) and the increased element
count allows correction of distortion and removal of edge performance
issues which plague even the best older UW primes.

Most basic wide primes at best match the performance of today's
high-end wide zooms, there have been very few new-design wide primes
introduced in the last 20 years while zoom performance has increased
massively and most zooms in this range are new designs form the last
few years.

The real downside for us is that none of the best zoom options are
available in K mount. But a zoom like the DA 12-24/4 or the Sigma
10-20 (in either form) will match or exceed the performance of almost
all the primes in the same range available in K mount (yes, even the
legendary 15/3.5's) on APS-C. Once again, the Zeiss 21 being the
exception (it is available in the ZK line) but on APS-C it's
advantages show a lot less than on 35mm.

-Adam

On Mon, Apr 12, 2010 at 3:38 PM, J.C. O'Connell  wrote:
> High performance ultra wide zooms (UW) don’t really exist. Go with a UW
> prime
> and even that wont match basic wide primes.
>
> --
> J.C. O'Connell (mailto:hifis...@gate.net)
> Join the CD PLAYER & DISC Discussions :
> http://tech.groups.yahoo.com/group/cdplayers/
> http://launch.groups.yahoo.com/group/cdsound/
>
>
> -Original Message-
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
> David Parsons
> Sent: Monday, April 12, 2010 3:12 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
>
> There are two common crops for dSLRs as compared to FF SLR, 1.5 (Nikon and
> Pentax) and 1.6 (Canon).
>
> Canon has a 1.3 crop on some of their pro bodies.
>
> P&S sensors are a whole other barrel of fish and there are many sizes, but
> they don't correlate because the lenses are not interchangeable.
>
> On Mon, Apr 12, 2010 at 3:00 PM, Keith Whaley 
> wrote:
>> P N Stenquist wrote:
>>>
>>> On Apr 12, 2010, at 8:48 AM, Keith Whaley wrote:
>>>
>>>> Bong Manayon wrote:
>>>>>
>>>>> Thinking of ...
>>>>> 1. Pentax DA 12-24
>>>>> 2. Sigma 10-20
>>>>> 3. Tamron 10-24
>>>>> Am not into fish-eyes so those options are out.  Any votes for or
>>>>> against any of those listed above? Thanks!
>>>>> Bong
>>
>>>> I don't think those focal lengths are 35mm-equivalent numbers. I
>>>> suspect they're double ~ such as the Pentax DA 12-24 is really like
>>>> a 35mm lens of 24-48mm focal length. Nice wide angle-to-normal lens,
>>>> but hardly a fish-eye...
>>
>>> First, the conversion factor for angle of view is 1.5.
>>
>> Was Bong talking about a specific camera? I know we were talking
>> digitals, but, I thought each camera had it's own conversion camera.
>> In my limited experience, which does NOT include DSLRs, most cameras
>> differ a little as to what their 35mm equivalent is. I avoid the
>> uncertainty by referring to the owner's manual for each camera. They
>> always mention it...
>>
>>> So the 12-24 has the same _angle of view_ on an APS-C DSLR as an
>>> 18-36 would have on a conventional 35 mm frame.
>>
>> Cropping factor, or what I call the telephoto effect, brought on by
>> the size of the sensor. In other words, the ratio derives from how
>> much smaller the DSLR's sensor is compared to 35mm film size.
>> See:
>>
>>      http://www.minasi.com/photos/dslrmag/
>>
>>> However, the focal length is 12-24. That doesn't change, regardless
>>> of the format. Furthermore, it's not a fisheye on any format. It's a
>>> rectilinear lens. In other words, the optics make the verticals as
>>> true as possible given the size of the elements and the constraints
>>> of physical science. Paul
>>
>> Quite so. Thanks Paul.
>>
>> keith whaley
>>
>>
>> --
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>> http

RE: Ultra-wide zooms [Scanned][Spam score:8%]

2010-04-13 Thread John Whittingham
I've had the earlier one for a few years now and I'm completely satisfied with 
the performance, the build quality is great too.

John

From: pdml-boun...@pdml.net [pdml-boun...@pdml.net] On Behalf Of Bong Manayon 
[bongmana...@gmail.com]
Sent: 12 April 2010 22:48
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms [Scanned][Spam score:8%]

On Mon, Apr 12, 2010 at 11:26 PM, John Sessoms  wrote:
>
> The Sigma 10-20 comes in two versions f/4-5.6 & a constant aperture f/3.5.
>
> I have the former and am quite pleased with it, although I'm still learning
> when and how to use it to maximum advantage. A lot of people badmouth Sigma
> lenses, but the build quality on this lens is rock solid.
>
> I have the Pentax FAJ 18-35 that I consider a really sloppy lens, and the
> Sigma is miles above it in quality.
>

Thanks!

The one I'm trying out now is the 4-5.6 and it impresses me--and I
admit I'm biased against Sigma (had bad experience way back with their
quality control problem).

Bong

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Re: Ultra-wide zooms

2010-04-13 Thread eckinator
2010/4/13 P. J. Alling :
>
> Ecke, have you been taking spelling lessons from Brooks?

I'd most certainly feel very honoured had that been the case but no =P

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Re: Ultra-wide zooms

2010-04-12 Thread Doug Brewer

Bong Manayon wrote:

Thinking of ...

1. Pentax DA 12-24
2. Sigma 10-20
3. Tamron 10-24

Am not into fish-eyes so those options are out.  Any votes for or
against any of those listed above?

Thanks!

Bong



I have the 12-24. It never disappoints me.

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Re: Ultra-wide zooms

2010-04-12 Thread Stan Halpin
Bong - Here is a shot with the Pentax 12-24. (somewhat cropped.)

http://photos.stanhalpin.com/p155717848/e260095cd

I don't have much experience with this lens, I borrowed my brother's for a day, 
at the end of which I tried to trade him one of my longer lenses for it. Very 
nice lens.
No experience at all with the off-brand lenses.

stan


On Apr 12, 2010, at 4:45 AM, Bong Manayon wrote:

> Thinking of ...
> 
> 1. Pentax DA 12-24
> 2. Sigma 10-20
> 3. Tamron 10-24
> 
> Am not into fish-eyes so those options are out.  Any votes for or
> against any of those listed above?
> 
> Thanks!
> 
> Bong
> 
> -- 
> Bong Manayon
> http://www.bong.uni.cc
> 
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Re: Ultra-wide zooms

2010-04-12 Thread P. J. Alling

Ecke, have you been taking spelling lessons from Brooks?

On 4/12/2010 6:13 AM, eckinator wrote:

Asked myself the same question to be prepared for when I have money to
burn and the DA* 11-16 is still not there...
Result I found in reviews and forum discussions (Caveat: this is hands
off information):
1. Best build, sharpest, most neutral color rendition, however pricey as hell
2. Worst haptics, bit darker than 3. but better corner sharpness and
better wide open
3. Better haptics then 2., stpo down recommended to at least 5.6 for
sharpness, longest warranty (5 yrs over here)
Over here you can buy two to three shmegma or spamron lenses for one
paytax so I could buy 2. AND 3. and still have money left for other
stuff... =(
HTH
Ecke

2010/4/12 Bong Manayon:
   

Thinking of ...

1. Pentax DA 12-24
2. Sigma 10-20
3. Tamron 10-24

Am not into fish-eyes so those options are out.  Any votes for or
against any of those listed above?

Thanks!

Bong

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New;}}
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Re: Ultra-wide zooms

2010-04-12 Thread John Francis
On Tue, Apr 13, 2010 at 09:26:43AM +1000, Tanya Love wrote:
> I thought that "equivalents" were only if you were using FA lenses?  I
> thought that the Das removed this need to "convert"?
> 
> Tan.

Not so. This is why thinking of it as a "focal length conversion" is bad.

A DA 50mm lens is a 50mm lens, and acts just the same as an FA 50mm lens.

Both will cover the same angle of view whe mounted to a particular body.

The "focal length multiplier", "conversion factor", "equivalent focal
length", or whatever comes when you try and use two different cameras
with different sized sensors (where a frame of film is also a sensor).
Using a 50mm focal length lens on a camera with a 24x16mm sensor (such
as the Pentax DSLRs) will not cover the same angle of view as when using
the same lens on a camera with a 36x24mm sensor - it will be exactly the
same as creating an image from the central 24x16mm portion of the larger
sensor (because that is, in fact, what you are doing).  This is basically
what you would get if you used a 75mm lens with that larger sensor (at
least as far as angle of view is concerned).



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RE: Ultra-wide zooms

2010-04-12 Thread J.C. O'Connell
angles, focal lengths, and sensor sizes are all there is and you cant ignore
any of the three dimensions

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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
Tanya Love
Sent: Monday, April 12, 2010 7:27 PM
To: 'Pentax-Discuss Mail List'
Subject: RE: Ultra-wide zooms


I thought that "equivalents" were only if you were using FA lenses?  I
thought that the Das removed this need to "convert"?

Tan.

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Bong
Manayon
Sent: Monday, 12 April 2010 11:29 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms

On Mon, Apr 12, 2010 at 9:17 PM, David Parsons 
wrote:
> Please repeat after me:  There is no such thing as equivalent focal
length!
>
> They are APS-C lenses and the focal lengths are as marked.  Super wide
> angle lenses.
>

Amen.

I take those numbers for their face value.  I stopped thinking of
equivalents a long time ago.

Bong

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Re: Ultra-wide zooms

2010-04-12 Thread David Parsons
There is nothing to convert because the focal length doesn't change.

The equivalence is more of a shorthand for photographers who were
accustomed to how 35mm focal lengths worked, and it has really
outlived it's utility.

On Mon, Apr 12, 2010 at 7:26 PM, Tanya Love  wrote:
> I thought that "equivalents" were only if you were using FA lenses?  I
> thought that the Das removed this need to "convert"?
>
> Tan.
>
> -Original Message-
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Bong
> Manayon
> Sent: Monday, 12 April 2010 11:29 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
> On Mon, Apr 12, 2010 at 9:17 PM, David Parsons 
> wrote:
>> Please repeat after me:  There is no such thing as equivalent focal
> length!
>>
>> They are APS-C lenses and the focal lengths are as marked.  Super wide
>> angle lenses.
>>
>
> Amen.
>
> I take those numbers for their face value.  I stopped thinking of
> equivalents a long time ago.
>
> Bong
>
> --
> Bong Manayon
> http://www.bong.uni.cc
>
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RE: Ultra-wide zooms

2010-04-12 Thread Tanya Love
I thought that "equivalents" were only if you were using FA lenses?  I
thought that the Das removed this need to "convert"?

Tan.

-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of Bong
Manayon
Sent: Monday, 12 April 2010 11:29 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms

On Mon, Apr 12, 2010 at 9:17 PM, David Parsons 
wrote:
> Please repeat after me:  There is no such thing as equivalent focal
length!
>
> They are APS-C lenses and the focal lengths are as marked.  Super wide 
> angle lenses.
>

Amen.

I take those numbers for their face value.  I stopped thinking of
equivalents a long time ago.

Bong

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Re: Ultra-wide zooms

2010-04-12 Thread Bong Manayon
On Mon, Apr 12, 2010 at 11:26 PM, John Sessoms  wrote:
>
> The Sigma 10-20 comes in two versions f/4-5.6 & a constant aperture f/3.5.
>
> I have the former and am quite pleased with it, although I'm still learning
> when and how to use it to maximum advantage. A lot of people badmouth Sigma
> lenses, but the build quality on this lens is rock solid.
>
> I have the Pentax FAJ 18-35 that I consider a really sloppy lens, and the
> Sigma is miles above it in quality.
>

Thanks!

The one I'm trying out now is the 4-5.6 and it impresses me--and I
admit I'm biased against Sigma (had bad experience way back with their
quality control problem).

Bong

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Re: Ultra-wide zooms

2010-04-12 Thread George Sinos
Not really replying to JCO, just tagging into the thread here.

The students in my class usually don't quite get  the difference in
sensor sizes and the relationship to focal length until they see the
circular photo towards the bottom of this page.

It superimposes three sensor sizes over the circular image projected by a lens.

<http://www.shortcourses.com/use/using5-2.html>

Once they see this, they get it pretty quick.

GS

George Sinos

gsi...@gmail.com
www.georgesphotos.net



On Mon, Apr 12, 2010 at 3:28 PM, J.C. O'Connell  wrote:
> a 12mm lens on APS is not as wide as a 15mm lens on FF
> hence, the A15mm wont perform as well on on FF or even
> APS as a 12mm on APS. (in general). The problem is that
> it takes to many elements which hurts the flaring reduction.
> Cost and lens speed are also factors. I would bet the
> DA 15mm outperforms the A15 on APS as the DA15 isnt
> designed to cover FF like the A15 is so it can be tweeked
> for Aps.
>
> --
> J.C. O'Connell (mailto:hifis...@gate.net)
> Join the CD PLAYER & DISC Discussions :
> http://tech.groups.yahoo.com/group/cdplayers/
> http://launch.groups.yahoo.com/group/cdsound/
>
>
> -Original Message-
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of P N
> Stenquist
> Sent: Monday, April 12, 2010 3:52 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
>
>
> On Apr 12, 2010, at 3:38 PM, J.C. O'Connell wrote:
>
>> High performance ultra wide zooms (UW) don't really exist. Go with a
>> UW
>> prime
>> and even that wont match basic wide primes.
>>
>> --
> The DA 12-24/4 is reportedly comparable in performance to the DA
> 14/2.8, although it's a stop slower. I've also read that it's actually
> better than the A 15/3.5 at comparable FOV. I haven't compared it
> directly to either, but I know from experience that it's an excellent
> lens, capable of generating a nice, crisp double page spread at 12mm.
> Good tool.
> Paul
>
>> J.C. O'Connell (mailto:hifis...@gate.net)
>> Join the CD PLAYER & DISC Discussions :
>> http://tech.groups.yahoo.com/group/cdplayers/
>> http://launch.groups.yahoo.com/group/cdsound/
>>
>>
>> -Original Message-
>> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
>> Of
>> David Parsons
>> Sent: Monday, April 12, 2010 3:12 PM
>> To: Pentax-Discuss Mail List
>> Subject: Re: Ultra-wide zooms
>>
>>
>> There are two common crops for dSLRs as compared to FF SLR, 1.5
>> (Nikon and
>> Pentax) and 1.6 (Canon).
>>
>> Canon has a 1.3 crop on some of their pro bodies.
>>
>> P&S sensors are a whole other barrel of fish and there are many
>> sizes, but
>> they don't correlate because the lenses are not interchangeable.
>>
>> On Mon, Apr 12, 2010 at 3:00 PM, Keith Whaley 
>> wrote:
>>> P N Stenquist wrote:
>>>>
>>>> On Apr 12, 2010, at 8:48 AM, Keith Whaley wrote:
>>>>
>>>>> Bong Manayon wrote:
>>>>>>
>>>>>> Thinking of ...
>>>>>> 1. Pentax DA 12-24
>>>>>> 2. Sigma 10-20
>>>>>> 3. Tamron 10-24
>>>>>> Am not into fish-eyes so those options are out.  Any votes for or
>>>>>> against any of those listed above? Thanks!
>>>>>> Bong
>>>
>>>>> I don't think those focal lengths are 35mm-equivalent numbers. I
>>>>> suspect they're double ~ such as the Pentax DA 12-24 is really like
>>>>> a 35mm lens of 24-48mm focal length. Nice wide angle-to-normal
>>>>> lens,
>>>>> but hardly a fish-eye...
>>>
>>>> First, the conversion factor for angle of view is 1.5.
>>>
>>> Was Bong talking about a specific camera? I know we were talking
>>> digitals, but, I thought each camera had it's own conversion camera.
>>> In my limited experience, which does NOT include DSLRs, most cameras
>>> differ a little as to what their 35mm equivalent is. I avoid the
>>> uncertainty by referring to the owner's manual for each camera. They
>>> always mention it...
>>>
>>>> So the 12-24 has the same _angle of view_ on an APS-C DSLR as an
>>>> 18-36 would have on a conventional 35 mm frame.
>>>
>>> Cropping factor, or what I call the telephoto effect, brought on by
>>> the size of the sensor. In other words, the ratio derives from how
>>> much smaller the DSLR's sensor 

RE: Ultra-wide zooms

2010-04-12 Thread J.C. O'Connell
a 12mm lens on APS is not as wide as a 15mm lens on FF
hence, the A15mm wont perform as well on on FF or even
APS as a 12mm on APS. (in general). The problem is that
it takes to many elements which hurts the flaring reduction.
Cost and lens speed are also factors. I would bet the
DA 15mm outperforms the A15 on APS as the DA15 isnt
designed to cover FF like the A15 is so it can be tweeked
for Aps.

--
J.C. O'Connell (mailto:hifis...@gate.net)
Join the CD PLAYER & DISC Discussions :
http://tech.groups.yahoo.com/group/cdplayers/
http://launch.groups.yahoo.com/group/cdsound/ 


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of P N
Stenquist
Sent: Monday, April 12, 2010 3:52 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms



On Apr 12, 2010, at 3:38 PM, J.C. O'Connell wrote:

> High performance ultra wide zooms (UW) don't really exist. Go with a
> UW
> prime
> and even that wont match basic wide primes.
>
> --
The DA 12-24/4 is reportedly comparable in performance to the DA  
14/2.8, although it's a stop slower. I've also read that it's actually  
better than the A 15/3.5 at comparable FOV. I haven't compared it  
directly to either, but I know from experience that it's an excellent  
lens, capable of generating a nice, crisp double page spread at 12mm.  
Good tool.
Paul

> J.C. O'Connell (mailto:hifis...@gate.net)
> Join the CD PLAYER & DISC Discussions : 
> http://tech.groups.yahoo.com/group/cdplayers/
> http://launch.groups.yahoo.com/group/cdsound/
>
>
> -Original Message-
> From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf
> Of
> David Parsons
> Sent: Monday, April 12, 2010 3:12 PM
> To: Pentax-Discuss Mail List
> Subject: Re: Ultra-wide zooms
>
>
> There are two common crops for dSLRs as compared to FF SLR, 1.5  
> (Nikon and
> Pentax) and 1.6 (Canon).
>
> Canon has a 1.3 crop on some of their pro bodies.
>
> P&S sensors are a whole other barrel of fish and there are many  
> sizes, but
> they don't correlate because the lenses are not interchangeable.
>
> On Mon, Apr 12, 2010 at 3:00 PM, Keith Whaley 
> wrote:
>> P N Stenquist wrote:
>>>
>>> On Apr 12, 2010, at 8:48 AM, Keith Whaley wrote:
>>>
>>>> Bong Manayon wrote:
>>>>>
>>>>> Thinking of ...
>>>>> 1. Pentax DA 12-24
>>>>> 2. Sigma 10-20
>>>>> 3. Tamron 10-24
>>>>> Am not into fish-eyes so those options are out.  Any votes for or
>>>>> against any of those listed above? Thanks!
>>>>> Bong
>>
>>>> I don't think those focal lengths are 35mm-equivalent numbers. I
>>>> suspect they're double ~ such as the Pentax DA 12-24 is really like
>>>> a 35mm lens of 24-48mm focal length. Nice wide angle-to-normal  
>>>> lens,
>>>> but hardly a fish-eye...
>>
>>> First, the conversion factor for angle of view is 1.5.
>>
>> Was Bong talking about a specific camera? I know we were talking
>> digitals, but, I thought each camera had it's own conversion camera.
>> In my limited experience, which does NOT include DSLRs, most cameras
>> differ a little as to what their 35mm equivalent is. I avoid the
>> uncertainty by referring to the owner's manual for each camera. They
>> always mention it...
>>
>>> So the 12-24 has the same _angle of view_ on an APS-C DSLR as an
>>> 18-36 would have on a conventional 35 mm frame.
>>
>> Cropping factor, or what I call the telephoto effect, brought on by
>> the size of the sensor. In other words, the ratio derives from how
>> much smaller the DSLR's sensor is compared to 35mm film size.
>> See:
>>
>>  http://www.minasi.com/photos/dslrmag/
>>
>>> However, the focal length is 12-24. That doesn't change, regardless
>>> of the format. Furthermore, it's not a fisheye on any format. It's a
>>> rectilinear lens. In other words, the optics make the verticals as
>>> true as possible given the size of the elements and the constraints
>>> of physical science. Paul
>>
>> Quite so. Thanks Paul.
>>
>> keith whaley
>>
>>
>> --
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>> http://pdml.net/mailman/listinfo/pdml_pdml.net
>> to UNSUBSCRIBE from the PDML, please visit the link directly above  
>> and
>> follow the directions.
>>
>
>
>
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>
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> PDML@p

Re: Ultra-wide zooms

2010-04-12 Thread P N Stenquist


On Apr 12, 2010, at 3:38 PM, J.C. O'Connell wrote:

High performance ultra wide zooms (UW) don’t really exist. Go with a  
UW

prime
and even that wont match basic wide primes.

--
The DA 12-24/4 is reportedly comparable in performance to the DA  
14/2.8, although it's a stop slower. I've also read that it's actually  
better than the A 15/3.5 at comparable FOV. I haven't compared it  
directly to either, but I know from experience that it's an excellent  
lens, capable of generating a nice, crisp double page spread at 12mm.  
Good tool.

Paul


J.C. O'Connell (mailto:hifis...@gate.net)
Join the CD PLAYER & DISC Discussions :
http://tech.groups.yahoo.com/group/cdplayers/
http://launch.groups.yahoo.com/group/cdsound/


-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf  
Of

David Parsons
Sent: Monday, April 12, 2010 3:12 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms


There are two common crops for dSLRs as compared to FF SLR, 1.5  
(Nikon and

Pentax) and 1.6 (Canon).

Canon has a 1.3 crop on some of their pro bodies.

P&S sensors are a whole other barrel of fish and there are many  
sizes, but

they don't correlate because the lenses are not interchangeable.

On Mon, Apr 12, 2010 at 3:00 PM, Keith Whaley 
wrote:

P N Stenquist wrote:


On Apr 12, 2010, at 8:48 AM, Keith Whaley wrote:


Bong Manayon wrote:


Thinking of ...
1. Pentax DA 12-24
2. Sigma 10-20
3. Tamron 10-24
Am not into fish-eyes so those options are out.  Any votes for or
against any of those listed above? Thanks!
Bong



I don't think those focal lengths are 35mm-equivalent numbers. I
suspect they're double ~ such as the Pentax DA 12-24 is really like
a 35mm lens of 24-48mm focal length. Nice wide angle-to-normal  
lens,

but hardly a fish-eye...



First, the conversion factor for angle of view is 1.5.


Was Bong talking about a specific camera? I know we were talking
digitals, but, I thought each camera had it's own conversion camera.
In my limited experience, which does NOT include DSLRs, most cameras
differ a little as to what their 35mm equivalent is. I avoid the
uncertainty by referring to the owner's manual for each camera. They
always mention it...


So the 12-24 has the same _angle of view_ on an APS-C DSLR as an
18-36 would have on a conventional 35 mm frame.


Cropping factor, or what I call the telephoto effect, brought on by
the size of the sensor. In other words, the ratio derives from how
much smaller the DSLR's sensor is compared to 35mm film size.
See:

 http://www.minasi.com/photos/dslrmag/


However, the focal length is 12-24. That doesn't change, regardless
of the format. Furthermore, it's not a fisheye on any format. It's a
rectilinear lens. In other words, the optics make the verticals as
true as possible given the size of the elements and the constraints
of physical science. Paul


Quite so. Thanks Paul.

keith whaley


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RE: Ultra-wide zooms

2010-04-12 Thread J.C. O'Connell
High performance ultra wide zooms (UW) don’t really exist. Go with a UW
prime
and even that wont match basic wide primes.

--
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-Original Message-
From: pdml-boun...@pdml.net [mailto:pdml-boun...@pdml.net] On Behalf Of
David Parsons
Sent: Monday, April 12, 2010 3:12 PM
To: Pentax-Discuss Mail List
Subject: Re: Ultra-wide zooms


There are two common crops for dSLRs as compared to FF SLR, 1.5 (Nikon and
Pentax) and 1.6 (Canon).

Canon has a 1.3 crop on some of their pro bodies.

P&S sensors are a whole other barrel of fish and there are many sizes, but
they don't correlate because the lenses are not interchangeable.

On Mon, Apr 12, 2010 at 3:00 PM, Keith Whaley 
wrote:
> P N Stenquist wrote:
>>
>> On Apr 12, 2010, at 8:48 AM, Keith Whaley wrote:
>>
>>> Bong Manayon wrote:
>>>>
>>>> Thinking of ...
>>>> 1. Pentax DA 12-24
>>>> 2. Sigma 10-20
>>>> 3. Tamron 10-24
>>>> Am not into fish-eyes so those options are out.  Any votes for or 
>>>> against any of those listed above? Thanks!
>>>> Bong
>
>>> I don't think those focal lengths are 35mm-equivalent numbers. I 
>>> suspect they're double ~ such as the Pentax DA 12-24 is really like 
>>> a 35mm lens of 24-48mm focal length. Nice wide angle-to-normal lens, 
>>> but hardly a fish-eye...
>
>> First, the conversion factor for angle of view is 1.5.
>
> Was Bong talking about a specific camera? I know we were talking 
> digitals, but, I thought each camera had it's own conversion camera. 
> In my limited experience, which does NOT include DSLRs, most cameras 
> differ a little as to what their 35mm equivalent is. I avoid the 
> uncertainty by referring to the owner's manual for each camera. They 
> always mention it...
>
>> So the 12-24 has the same _angle of view_ on an APS-C DSLR as an 
>> 18-36 would have on a conventional 35 mm frame.
>
> Cropping factor, or what I call the telephoto effect, brought on by 
> the size of the sensor. In other words, the ratio derives from how 
> much smaller the DSLR's sensor is compared to 35mm film size.
> See:
>
>      http://www.minasi.com/photos/dslrmag/
>
>> However, the focal length is 12-24. That doesn't change, regardless 
>> of the format. Furthermore, it's not a fisheye on any format. It's a 
>> rectilinear lens. In other words, the optics make the verticals as 
>> true as possible given the size of the elements and the constraints 
>> of physical science. Paul
>
> Quite so. Thanks Paul.
>
> keith whaley
>
>
> --
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Re: Ultra-wide zooms

2010-04-12 Thread David Parsons
There are two common crops for dSLRs as compared to FF SLR, 1.5 (Nikon
and Pentax) and 1.6 (Canon).

Canon has a 1.3 crop on some of their pro bodies.

P&S sensors are a whole other barrel of fish and there are many sizes,
but they don't correlate because the lenses are not interchangeable.

On Mon, Apr 12, 2010 at 3:00 PM, Keith Whaley  wrote:
> P N Stenquist wrote:
>>
>> On Apr 12, 2010, at 8:48 AM, Keith Whaley wrote:
>>
>>> Bong Manayon wrote:

 Thinking of ...
 1. Pentax DA 12-24
 2. Sigma 10-20
 3. Tamron 10-24
 Am not into fish-eyes so those options are out.  Any votes for or
 against any of those listed above?
 Thanks!
 Bong
>
>>> I don't think those focal lengths are 35mm-equivalent numbers. I suspect
>>> they're double ~ such as the Pentax DA 12-24 is really like a 35mm lens of
>>> 24-48mm focal length.
>>> Nice wide angle-to-normal lens, but hardly a fish-eye...
>
>> First, the conversion factor for angle of view is 1.5.
>
> Was Bong talking about a specific camera? I know we were talking digitals,
> but, I thought each camera had it's own conversion camera. In my limited
> experience, which does NOT include DSLRs, most cameras differ a little as to
> what their 35mm equivalent is.
> I avoid the uncertainty by referring to the owner's manual for each camera.
> They always mention it...
>
>> So the 12-24 has the same _angle of view_ on an APS-C DSLR
>> as an 18-36 would have on a conventional 35 mm frame.
>
> Cropping factor, or what I call the telephoto effect, brought on by the size
> of the sensor. In other words, the ratio derives from how much smaller the
> DSLR's sensor is compared to 35mm film size.
> See:
>
>      http://www.minasi.com/photos/dslrmag/
>
>> However, the focal length is 12-24. That doesn't change, regardless of the
>> format. Furthermore, it's not a fisheye on any format. It's a rectilinear
>> lens. In other words, the optics make the verticals as true as possible
>> given the size of the elements and the constraints of physical science.
>> Paul
>
> Quite so. Thanks Paul.
>
> keith whaley
>
>
> --
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Re: Ultra-wide zooms

2010-04-12 Thread Keith Whaley

P N Stenquist wrote:


On Apr 12, 2010, at 8:48 AM, Keith Whaley wrote:


Bong Manayon wrote:

Thinking of ...
1. Pentax DA 12-24
2. Sigma 10-20
3. Tamron 10-24
Am not into fish-eyes so those options are out.  Any votes for or
against any of those listed above?
Thanks!
Bong


I don't think those focal lengths are 35mm-equivalent numbers. I 
suspect they're double ~ such as the Pentax DA 12-24 is really like a 
35mm lens of 24-48mm focal length.

Nice wide angle-to-normal lens, but hardly a fish-eye...


First, the conversion factor for angle of view is 1.5. 


Was Bong talking about a specific camera? I know we were talking digitals, 
but, I thought each camera had it's own conversion camera. In my limited 
experience, which does NOT include DSLRs, most cameras differ a little as to 
what their 35mm equivalent is.
I avoid the uncertainty by referring to the owner's manual for each camera. 
They always mention it...



So the 12-24 has the same _angle of view_ on an APS-C DSLR
as an 18-36 would have on a conventional 35 mm frame. 


Cropping factor, or what I call the telephoto effect, brought on by the size 
of the sensor. In other words, the ratio derives from how much smaller the 
DSLR's sensor is compared to 35mm film size.

See:

  http://www.minasi.com/photos/dslrmag/

However, the focal length is 12-24. That 
doesn't change, regardless of the format. Furthermore, it's not a 
fisheye on any format. It's a rectilinear lens. In other words, the 
optics make the verticals as true as possible given the size of the 
elements and the constraints of physical science.

Paul


Quite so. Thanks Paul.

keith whaley


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Re: Ultra-wide zooms

2010-04-12 Thread Cotty
On 12/4/10, David Parsons, discombobulated, unleashed:

>Please repeat after me:  There is no such thing as equivalent focal length!
>
>They are APS-C lenses and the focal lengths are as marked.  Super wide
>angle lenses.

Very true, come on people!!!






But if they were equivalent focal lengths, they would be:

1. Pentax DA 18-36
2. Sigma 15-30
3. Tamron 15-36

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Re: Ultra-wide zooms

2010-04-12 Thread John Sessoms

From: P N Stenquist

On Apr 12, 2010, at 8:48 AM, Keith Whaley wrote:


> Bong Manayon wrote:

>> Thinking of ...
>> 1. Pentax DA 12-24
>> 2. Sigma 10-20
>> 3. Tamron 10-24
>> Am not into fish-eyes so those options are out.  Any votes for or
>> against any of those listed above?
>> Thanks!
>> Bong

>
> I don't think those focal lengths are 35mm-equivalent numbers. I  
> suspect they're double ~ such as the Pentax DA 12-24 is really like  
> a 35mm lens of 24-48mm focal length.

> Nice wide angle-to-normal lens, but hardly a fish-eye...
>
First, the conversion factor for angle of view is 1.5. So the 12-24  
has the same angle of view on an APS-C DSLR as an 18-36 would have on  
a conventional 35 mm frame. However, the focal length is 12-24. That  
doesn't change, regardless of the format. Furthermore, it's not a  
fisheye on any format. It's a rectilinear lens. In other words, the  
optics make the verticals as true as possible given the size of the  
elements and the constraints of physical science.

Paul



The Sigma 10-20 comes in two versions f/4-5.6 & a constant aperture f/3.5.

I have the former and am quite pleased with it, although I'm still 
learning when and how to use it to maximum advantage. A lot of people 
badmouth Sigma lenses, but the build quality on this lens is rock solid.


I have the Pentax FAJ 18-35 that I consider a really sloppy lens, and 
the Sigma is miles above it in quality.


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Re: Ultra-wide zooms

2010-04-12 Thread Bong Manayon
On Mon, Apr 12, 2010 at 9:17 PM, David Parsons  wrote:
> Please repeat after me:  There is no such thing as equivalent focal length!
>
> They are APS-C lenses and the focal lengths are as marked.  Super wide
> angle lenses.
>

Amen.

I take those numbers for their face value.  I stopped thinking of
equivalents a long time ago.

Bong

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Re: Ultra-wide zooms

2010-04-12 Thread Bong Manayon
On Mon, Apr 12, 2010 at 8:48 PM, Keith Whaley  wrote:
>
> I don't think those focal lengths are 35mm-equivalent numbers. I suspect
> they're double ~ such as the Pentax DA 12-24 is really like a 35mm lens of
> 24-48mm focal length.
> Nice wide angle-to-normal lens, but hardly a fish-eye...
>
> keith whaley
>

Was I ambiguous?  I did not want a fish-eye but a rectilinear lens and
my choices were the ones listed above.

The DA seems to be the obvious but expensive choice; I'm currently
using a borrowed Sigma 10-20 but want to hear anyone else' experience
with it as well as the Tamron.

Bong


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Re: Ultra-wide zooms

2010-04-12 Thread P N Stenquist


On Apr 12, 2010, at 8:48 AM, Keith Whaley wrote:


Bong Manayon wrote:

Thinking of ...
1. Pentax DA 12-24
2. Sigma 10-20
3. Tamron 10-24
Am not into fish-eyes so those options are out.  Any votes for or
against any of those listed above?
Thanks!
Bong


I don't think those focal lengths are 35mm-equivalent numbers. I  
suspect they're double ~ such as the Pentax DA 12-24 is really like  
a 35mm lens of 24-48mm focal length.

Nice wide angle-to-normal lens, but hardly a fish-eye...

First, the conversion factor for angle of view is 1.5. So the 12-24  
has the same angle of view on an APS-C DSLR as an 18-36 would have on  
a conventional 35 mm frame. However, the focal length is 12-24. That  
doesn't change, regardless of the format. Furthermore, it's not a  
fisheye on any format. It's a rectilinear lens. In other words, the  
optics make the verticals as true as possible given the size of the  
elements and the constraints of physical science.

Paul


keith whaley

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Re: Ultra-wide zooms

2010-04-12 Thread David Parsons
Please repeat after me:  There is no such thing as equivalent focal length!

They are APS-C lenses and the focal lengths are as marked.  Super wide
angle lenses.

On Mon, Apr 12, 2010 at 8:48 AM, Keith Whaley  wrote:
> Bong Manayon wrote:
>>
>> Thinking of ...
>>
>> 1. Pentax DA 12-24
>> 2. Sigma 10-20
>> 3. Tamron 10-24
>>
>> Am not into fish-eyes so those options are out.  Any votes for or
>> against any of those listed above?
>>
>> Thanks!
>>
>> Bong
>>
>
> I don't think those focal lengths are 35mm-equivalent numbers. I suspect
> they're double ~ such as the Pentax DA 12-24 is really like a 35mm lens of
> 24-48mm focal length.
> Nice wide angle-to-normal lens, but hardly a fish-eye...
>
> keith whaley
>
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Re: Ultra-wide zooms

2010-04-12 Thread Keith Whaley

Bong Manayon wrote:

Thinking of ...

1. Pentax DA 12-24
2. Sigma 10-20
3. Tamron 10-24

Am not into fish-eyes so those options are out.  Any votes for or
against any of those listed above?

Thanks!

Bong



I don't think those focal lengths are 35mm-equivalent numbers. I suspect 
they're double ~ such as the Pentax DA 12-24 is really like a 35mm lens of 
24-48mm focal length.

Nice wide angle-to-normal lens, but hardly a fish-eye...

keith whaley

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Re: Ultra-wide zooms

2010-04-12 Thread Toine
DA 12-24! The reviews are spot on. I grabbed one before Pentax raised
the price to DA* levels.
You could also switch to the dark side and grab a Tokina 12-24 for
canon or nikon. Used prices for the Tokina are max 300-350 euro. I see
a new (used) Tokina every 1-2 weeks. The DA version is 1050 euro new!

On 12 April 2010 11:45, Bong Manayon  wrote:
> Thinking of ...
>
> 1. Pentax DA 12-24
> 2. Sigma 10-20
> 3. Tamron 10-24
>
> Am not into fish-eyes so those options are out.  Any votes for or
> against any of those listed above?
>
> Thanks!
>
> Bong
>
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Re: Ultra-wide zooms

2010-04-12 Thread eckinator
Asked myself the same question to be prepared for when I have money to
burn and the DA* 11-16 is still not there...
Result I found in reviews and forum discussions (Caveat: this is hands
off information):
1. Best build, sharpest, most neutral color rendition, however pricey as hell
2. Worst haptics, bit darker than 3. but better corner sharpness and
better wide open
3. Better haptics then 2., stpo down recommended to at least 5.6 for
sharpness, longest warranty (5 yrs over here)
Over here you can buy two to three shmegma or spamron lenses for one
paytax so I could buy 2. AND 3. and still have money left for other
stuff... =(
HTH
Ecke

2010/4/12 Bong Manayon :
> Thinking of ...
>
> 1. Pentax DA 12-24
> 2. Sigma 10-20
> 3. Tamron 10-24
>
> Am not into fish-eyes so those options are out.  Any votes for or
> against any of those listed above?
>
> Thanks!
>
> Bong
>
> --
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> http://www.bong.uni.cc
>
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