Re: Question about TV bands (for parents of preschoolers)
Hi there, I promised myself that I'd stop this, but I can't help it. Why leave out current quality children's programming examples? We just saw an Arthur episode on PBS the other day where Arthur and his pals wanted to go see their favorite group, Binky (who look suspiciously like ABBA), perform. Turns out they are holograms. (OH NO!) Then yesterday Arthur and his pal Buster auditioned musicians to be in their band (vaguely reminiscent of the audition scene in the movie, The Commitments). Those kids, er, puppets, on Puzzle Place can really rock whenever they've got an important moral to hammer out. Let's not forget that Mr. Rogers tickles the ivories whenever the mood strikes and quite frequently jams with guests like Yo Yo Ma. And last but not least (for now), "You Gotta Put Down the Ducky (if you wanna play the saxophone)" with Hoot the Owl and Ernie on Sesame Street. Bowing out before I embarass myself any further, Jeanne
Re: Other voices - Linda Ronstadt
Linda Ronstadt - another great voice, full of quivering vibratto, but devoid of sincerity and emotion. You got that right! Especially obvious on that song she did about the windstorm, "Blew By You". At least it sounded like that's what she thought it was.
Re: Question about TV bands
Mitch Matthews wrote: Speaking of soapys, what about Rick Springfield and his soap opera time? Did he ever play on the show? Jennifer McGuire correctly answered: Yep, Rick Springfield was on General Hospital years ago. He left the show to pursue his "musical career". And former teen idol/pop singer Rex Smith was on As The World Turns a few years ago. Marie then interjects: What about Blackie on General Hospital? Didn't bad boy John Stamos have a band on GH? Then, of course, Stamos moved on to Full House, where he also had a band. Are all you GH fans forgetting about Jack Wagner (we *was* on GH, wasn't he? I just recall spinnin' that one hit of his at this Adult Contemporary radio station I used to work at) Regarding Rick Springfield: Who *didn't* catch his "Behind the Music" segment on VH1?? (or Leif's, or David Cassidy's...or...my god it was a whole "teen idol" week!) Regarding John Stamos: My fear here is that if I get this one right, I may be shunned from P2, Twangfest, and Public Transportation for quite some time...oh wait...I'm already shunned from public transportation, however, I want to say that the name of Stamos' band during his GH days was actually "Bad Boys" or possibly "Rad Boys" (the latter actually being the name of my buddy's freestyle BMX team around 1984) the horror, the horror, Paul
Re: Andy Griffith (was: Re: Question about TV bands)
William Cocke wrote: Now this thread finally takes a turn for the twang. What song always made Charlene D. cry? What instrument did Denver Pyle, aka Briscoe D. play? Any chance to link this back to the Dukes of Hazzard... which, of course, starred Mr. Pyle along with the actor-turned country singer, John Schneider! Also, did Tom Wopat ever put an album out? I recall meeting his brother, Dave, who was involved in that whole "college coffeehouse tour circuit" when I was in college... Little known fact (can't call it trivia...it's more like "trivial"): Tom Wopat is from the Lodi, Wisconsin area... ...Near Lodi, in wonderful Poynette, Wisconsin there is a restaurant called the Owl's Nest... ...On The Dukes of Hazzard, they had a diner was called the "Boar's Nest"... coincidence??? I think not... for more infomation on the local history of small towns in Wisconsin, please stop into your local library... btw: If you've ever had "Owl's Nest Cheese", it's now made in Sun Prarie, but it did get it's start at the aforementioned eatery. Paul npimh: "Dream Vacation" - The Gear Daddies
Re: Night Flight (was: Re: I can't help it...McHale's Navy TV-Rock Fluff)
-My first viewing of "Ladies and gentlemen, The Fabulous Stains." CK: AA!!! Someone else has actually seen that movie. In fact, I also saw it on Night Flight (when they weren't doing their 'humor in video' or 'sex in video' montages) Great flick, very punk, Is it even available on video? Is there a soundtrack? We're The Stains. And we dont put out. Spent many a drunken night in college watching Night Flight on the USA Network. 'The Fabulous Stains' was on at least twice a month. Diane Lane and Laura Dern were in it. "Rude Boy" is another great punk movie. I think it might have aired on Night Flight, but I'm not sure. I saw it somewhere. And more than once. It's about a fictional Clash fan. Lots of Clash footage in it. marie
Re: Question about TV bands (for parents of preschoolers)
Jeanne (who knows a bit too much about todays kids programs) wrote: I promised myself that I'd stop this, but I can't help it. Why leave out current quality children's programming examples? We just saw an Arthur episode on PBS the other day ... [snip] ... Those kids, er, puppets, on Puzzle Place can really rock whenever they've got an important moral to hammer out. "We"?? C'mon, Jeanne...fess up...do you really mean "we" or is it just "I"?? g She continued: Let's not forget that Mr. Rogers tickles the ivories whenever the mood strikes and quite frequently jams with guests like Yo Yo Ma. It should be noted that the piano during the Mr. Rogers program is played *live* on the set during the taping/show...no prerecorded mumbo jumbo here! I think the piano player is also the train conductor or something on the show. (probably the only other regular *human* character...I don't recall since I haven't seen the show in quite some timebut is that *really* a justifiable excuse?) And since I'm talking about the talent pool that oozes out of Pittsburgh (yes, Fred Rogers is Canadian, I believe, but he's taped his show here in the Steel City since day 1...I think), it should be noted that Lenny and the Squigtones got their start in Pittsburgh as well...(Carnegie Mellon alumnus). I wanna say they had a regular stint at The Decade... (now The Next Decade with a new owner, however, no where near the glory of what it was many many moons ago) If Tom Moran hasn't mass deleted all of these threads, maybe he can give y'all a little history lesson. Pull up a chair kiddies...it's "Story time with Tom"... For more information about The Steel City, check your local library for some of the many books on Pittsburgh (especially if your local library was donated by Mr. Carnegie) Paul ps: to keep this entire thread in a PA state of mind, I heard once that the creator of Arthur was from Erie, PA.
Re: Question about TV bands
Paul reprimands: Are all you GH fans forgetting about Jack Wagner (we *was* on GH, wasn't he? I just recall spinnin' that one hit of his at this Adult Contemporary radio station I used to work at) How could I forget Frisco? Damn. He doesn't sing on Melrose Place, because he's serious about his *craft* now. Though, his TV wife on MP is in a band. Regarding Rick Springfield: Who *didn't* catch his "Behind the Music" segment on VH1?? (or Leif's, or David Cassidy's...or...my god it was a whole "teen idol" week!) I saw them all back when I had cable. I love that shit. Leif hasn't aged so well, I'm afraid. marie
Re: Andy Griffith (was: Re: Question about TV bands)
At 10:49 PM 1/26/1999 -0500, you wrote: Now this thread finally takes a turn for the twang. What song always made Charlene D. cry? William Cocke Senior Writer HSC Development University of Virginia (804) 924-8432 "Please don't play 'Salty Dog' pa, you know it always makes me cry." Another famous Ignitors cover. Well, ok maybe not another. Chris
Re: Andy Griffith (was: Re: Question about TV bands)
At 10:49 PM 1/26/1999 -0500, you wrote: Now this thread finally takes a turn for the twang. What song always made Charlene D. cry? What instrument did Denver Pyle, aka Briscoe D. play? (hint: he was the only non-musician in the group). What song did Mayor Pike's daughter sing for the big Hollywood scout? And what about the Mayberry Marching Band? Sorry...now I can't help myself.. Anyone remember 'Hubcap and the Wheels' or 'Captain *Cosmic* and the Salt River Navy Band'? Oh, Gawd, now look what you've done Now seriously lacking in REM sleep, Chris
RE: Andy Griffith (was: Re: Question about TV bands)
There's a pretty interesting book out called _Everybody On The Truck! The Story Of The Dillards_, with a foreword by Denver Pyle, that goes into exhaustive detail on the Darlings appearances. Published by Eggman, out of Nashville. I played at a Mayberry event a couple of years ago - we did all Dillards tunes, obviously - and one or another of the actors in the show was there, but I don't remember much about it. You can tell I didn't watch much TV as a yout. Also, did Tom Wopat ever put an album out? Probably. He had 7 Top 40 (barely) hits between 1986 and 1988. Jon Weisberger Kenton County, KY [EMAIL PROTECTED] http://home.fuse.net/jonweisberger/
Re: Dixie Chicks
I can agree that that was their best album- Persistence does pay off! Thanks for the recognition Hans! -Original Message- From: Hanspeter Eggenberger [EMAIL PROTECTED] To: passenger side [EMAIL PROTECTED] Date: Wednesday, January 27, 1999 5:25 AM Subject: Re: Dixie Chicks Reply to: Re: Dixie Chicks Sure, the Chicks deserve some credit. The Erwin sisters are doin' a really great job. Nothing against Nathalie Maines, but "Little Ol' Cowgirl" (1992) is still the best Dixie Chicks Album. But let's wait for the next one... Hans P. BustertheK wrote: Give them some credit. The suits all wanted them to change their (horribly offensive and politically incorrect) name and they refused. They also insisted on playing on their own records, which probably didn't go over well in a lot of offices either. The sisters got what they wanted and they did it their way. It's a shame people don't get to hear their earlier albums (I think the third one especially would be enjoyed by their new fans) but they do have different vocalists and at this stage of their careers it would probably cause a lot of confusion in the marketplace. Not everything is an evil corporate conspiracy. I've seen plenty of bios that completely ignore an acts previous releases. This one is actually very good by those standards.
Re: Outlaw Blues
Ph. Barnard wrote: Joe! Good to see you back... However, the live scene is still cool. And with Seagrams (!) owning half of the world now, I don't think banking on major labels will get any of us very far... In light of the current situation, what *do* you bank on? Anything strike you as a viable approach to the situation as it stands now?? Indies aren't getting people very far financially either, in most cases. What to do, what to do Curious, --junior Good question. Organize? A populist moment? A movement culture? Underground networks? P2 empire? Seems to me the bottleneck is in the distribution systems. That's where the big boys power lies, cause of capital barriers. I.e. Radio, record chains, high cost main stream media and advertising, etc. So what's needed is alternative, flexible, uncontrollable (in the sense of being widely owned or even unowned) easy entry and access distribution systems linked across all the various sites of production: recording, clubs, bookings, news and information, swag, etc etc. Gotta think some more about this. Let a thousand flowers bloom or something like that. Stuart also glad to see Joe G. back
Re: Andy Griffith (was: Re: Question about TV bands)
I wrote: Darlin's shmarlin's. That's the easy one. How's about Buddy Fleet and His Band With The Beat? Featuring James Best--later of Dukes of Hazzrd fame--on lead guitar. But I do believe it was Bobby, not Buddy. Heavens, what's happened to me?
Re: Other Artists' Early Work (was Re: Dixie Chicks)
In a message dated 1/27/99 12:10:15 PM Central Standard Time, [EMAIL PROTECTED] writes: Also due to bad speed on the mastering, Billy Joel had his first Columbia recording, Cold Spring Harbor, recalled. Sounds like the chipmunks on helium. did anyone else notice that? slim
PAGING TARHUT JEFF
E-mail me, won't ya? Sorry, everyone else. Neal Weiss
Speaking of the Wacos
Can one of y'all tell me which vocalist is the one that sounds like the Clash's Mick Jones and which one sounds kinda like Jagger? Jonboy I've got sussed. NW
Re: Speaking of the Wacos
Neal: Can one of y'all tell me which vocalist is the one that sounds like the Clash's Mick Jones and which one sounds kinda like Jagger? Jonboy I've got sussed. I've never thought of these comparisons! g. I suppose the Jagger-esque one would be Dean. And the Jones-type voice would be Tracy, then? I'm not sure this is what you mean, but, given your comparison that's who I think you're referring to. --jr.
Re: Other Artists' Early Work (was Re: Dixie Chicks)
[EMAIL PROTECTED] wrote: In a message dated 1/27/99 12:10:15 PM Central Standard Time, [EMAIL PROTECTED] writes: Also due to bad speed on the mastering, Billy Joel had his first Columbia recording, Cold Spring Harbor, recalled. Sounds like the chipmunks on helium. did anyone else notice that? slim NOt until at least the promos were in the hands of weasels. Cassettes went out fine. As for audiences, they cared less then about what he sounded like than they do now. iceman
Re: theremin
Two fine Pittsburgh bands both twang and use theremins: Deliberate Strangers Crawlin' Low Band, whose Ben Opie also plays clarinet in Coal Train (who'll play live on Fear Whiskey next Monday). Carl Z.
Re: Outlaw Blues
completely unrelated to the movie, but there was a Dylan tribute album put out some years ago with that title. I've been desperately seeking it ever since I was at a Chuck Prophet gig and heard him do his rendition of "Abandoned love", which is on that cd, "Outlaw Blues". If anyone has this gathering dust in their collection, a tape of it (or that one song) would be the best I could hope for musically in 1999 ta Stevie
Re: Daniel Johnston (was Re: Bloodshot party)
Hey there, John... Daniel is finishing up a record for Tim/Kerr Records of Portland, OR. That should be out any day now. The new stuff was produced by Brian Beattie, former member of the influential '80's avant-pop band Glass Eye (along with K McCarty and Stella Weir). Which also included some members of the Meat Purveyors?? Brian produced "Dead Dog's Eyeball" McCarty's album of Daniel Johnston's songs. Which is a _fantastic_ CD if you can find it. Later... CK with nothing much to add. ___ You don't need to buy Internet access to use free Internet e-mail. Get completely free e-mail from Juno at http://www.juno.com/getjuno.html or call Juno at (800) 654-JUNO [654-5866]
re: old 97s in Toronto
A few thoughts vaguely related to some current threads... So the great mystery of the O97s is now cleared up -- after hearing only a couple of tracks on comps here and there, I now actually know what they truly sound and look like and what the hype is about, after their show last night at The Horseshoe in Toronto (which I attended against my more responsible judgment). Damn if they aren't an impressively energizing live band, as most of y'all know. I won't detail the set, since I'm behind the curve here, but I'm surprised, with Rhett's cute-boy charisma (I assume the fact that the six or seven most attractive women in the room lined up directly in front of centre stage was not a one-time-only phenom?) and the ridiculous hookiness of the songs, that they haven't broken a little bigger. The non-twanginess of the upcoming album seems a little overhyped, judging by what they played from it last night, incidentally. But while I was thinking how country a couple of the songs were (the West Texas tributes had the most roots-soul, though as much Mexican as country) I thought back to the usual P2 debates, and wuz struck by how right Jon's been in the past to point out that the altcountry vs. HNC battles often aren't, emotionally, so much about which is "real" country so much as a difference in taste about the type of rock involved in each case. I know it's been said many times, many ways but: The punk/new-wave aspect of the Old97s is as vital to their sound as Journey and the Eagles are to Garth's - yet both obviously know their trad country too (the cover last night was "Mama Tried"). I'd defend my Nick Lowe/Replacements/Clash preferences over 70s MOR rock any day - and it's not just my particular brand of nostalgia, though it's *also* my particular brand of nostalgia - but I really do think it's ridiculous to do it in terms of relative country-ness. There's a relevant argument to be made about the importance of Glen Campbell 70s country vs. outlaw 70s country to each of the two streams, too, but again "realness" does in fact seem a foolish substitute for defining taste, yardsticks of quality - I was real fond of the Old97s lyrics, for the wordplay and humour, which in most of the HNC I've heard is overly reliant on one reiterated dumb pun, tho that in fact might be more country kidding, kidding - and so on. I am coming round to thinking that what we're seeing is the fact that rock in one form or another has overtaken country so much in the culture that it feels like "roots" music to a broad demographic that includes a lot of the former core country audience, so that stone-traditional country is very marginal to all the commercially partway viable versions. Or at least that's what I was thinkin' last night. I had had a couple of beers, mind you. Hm. I'm late for a dinner party. No time for second thoughts... Carl W.
Re: Lucindavision (was: Re: Night Flight (was: Re: I can't help it...McHale's Navy TV-Rock Fluff))
At 12:38 PM 1/27/99 -0600, you wrote: At 12:46 PM 1/27/99 -0500, you wrote: Also worth mentioning that the new ABC show "Cupid" recently featured a Lucinda Williams song. I don't know enough about her songs to tell one from the other, but it had the lines "I thought I'd lost, but I'm glad I found it" or something like that. One of the creators of that show is a former Austinite, Rob Thomas. And, apparantly, Peter Blackstock's former college roomie. Jeff
Re: Zevon (was Re: other voices - Linda Ronstadt)
Carl wroteth; That viewpoint might be considered right-of-center, if gun ownership and military content are relevant variables to you. I think Zevon's written more gun songs than Ted Nugent has, and some of the percussion on "Jungle Work" consists of him shooting a pistol into a garbage can full of gravel. Hmmm, this is interesting; is he a big pro-gun dude? And what's the deal with military stuff? I have none of his stuff but all of the talk about him around here of late has really peaked my interest... Dan == == "We're not about to forgot that the core of our fans are people who get up in the morning and bake a lot of biscuits" (Earl Scruggs)
Re: Zevon (was Re: other voices - Linda Ronstadt)
Reply to: Re: Zevon (was Re: other voices - Linda Ronstadt) The Zevon stuff picqued my interest as well. $60 later...well you know the story. I'm not sure that Warren a freak of Nuge sized proportions (ie "I'm my own miltia"), I think he just likes to shoot guns. There's a picture on the back of the booklet from Sleep When I'm Dead, his best-of, of he and Hunter S. Thompson shooting guns. As far as the military stuff goes, once again, I think he just likes sleazy characters like mercenaries and gun runners. Anyway, if that hasn't scared you off and if you're still curious Sleep When I'm Dead is probably the best way to go. Made a believer out of me. In addition to writing great stories of desperate characters (check out Rottweiler Blues off Mutineer) he writes some lovely ballads as well. In fact, as the "Excitable Boy"-type songs have diminished there's been a lot more ballads to enjoy. Anyway, pass the ammo! Aaa-whooo! Chaco Danlee2 wrote: Carl wroteth; That viewpoint might be considered right-of-center, if gun ownership and military content are relevant variables to you. I think Zevon's written more gun songs than Ted Nugent has, and some of the percussion on "Jungle Work" consists of him shooting a pistol into a garbage can full of gravel. Hmmm, this is interesting; is he a big pro-gun dude? And what's the deal with military stuff? I have none of his stuff but all of the talk about him around here of late has really peaked my interest... Dan
Re: Outlaw Blues
"R.W.Shamy Jr." wrote: It may have been a start to the Austin filming movement but we had to start at some point! Plus it built up the Austin music scene, Armadillo World, to name one. There are too many little details to mention. Anyway Joe, how's our girl Kimmie doing? Her cd is a big hit here in the North East? Give all my best! RW Actually, my grumpy reply aside, that movie was in fact part of the upsurgence of Austin as a music town beyond what it had traditionally been up to that point. I think it helped people to realize that we could make films here, record real records here, etc. As for Kimmie, we finally finished her new CD masters, which is why I'm back here in this esteemed forum. It's a helluva record, which her son Gabe produced. For a tiny taste (which is not necessarily representative of the whole record, only part of it) check out our website and get you an MP3 player ready to go... -- Joe Gracey President-For-Life, Jackalope Records http://www.kimmierhodes.com
Re: Outlaw Blues
"Ph. Barnard" wrote: Joe! Good to see you back... However, the live scene is still cool. And with Seagrams (!) owning half of the world now, I don't think banking on major labels will get any of us very far... In light of the current situation, what *do* you bank on? Anything strike you as a viable approach to the situation as it stands now?? Indies aren't getting people very far financially either, in most cases. What to do, what to do Curious, --junior Hi Junior, sorry I missed you when you were in town... I don't honestly know that there is a solution at this time. The major labels have left a lot of room underneath them for mid-size and small labels, but they can't afford to pay much up front because they are usually undercapitalized. Internet sales are a thing of the future, but at present they are fairly anemic. Truth is that bands who play a lot of gigs can make a decent amount of money selling merchandise. One thing that is easy to forget is that the so-called majors of today were once home and storefront businesses themselves in most cases. AM was in Herb Alpert's garage. Capitol was just a tiny spark of an idea in LA in the 40's. Motown, etc etc. It is never impossible in the music business to take something small and get big. I used to be a major-league bitcher about majors and radio and all of that, and I still bemoan the horrible changes that have taken place in the structure of those industries. However, the truth still remains that you can make all the dogfood you want but it don't do you any good unless the dogs like it. A hit will out. I still think that if you make something that enough people like, then you will sell a bunch of it somehow. Hell, even Leann Rimes is living proof that you can still have a hit from the ground up. My brains are fried from going to Jimmy Day's funeral today. I think something changed in the world for good. Joe -- Joe Gracey President-For-Life, Jackalope Records http://www.kimmierhodes.com
Re: It's a Waco World we live in
In a message dated 1/27/99 11:03:09 AM Central Standard Time, [EMAIL PROTECTED] writes: Without trying to jump the gun too much, is that true? If they're staggering drunkenly off in a new direction, what is it? blues/soul
Re: Hidden Tracks
Thanks, Tom! Linda
Re: theremin
always expect this to end with some percent minimum daily requirement. Funnest new old instrument I just learned the name of: melotron. Linda
Re: old 97s in Toronto
lance davis wrote: .At the risk of sounding like a moron, what is "HNC?" Hot New Country. i.e. "not your parents old twangy country" Promo slogan for denatured country music designed to appeal to a particular primo demographic. Soft and 70s rock crap with a fiddle buried way way back. And do I need to wash my hands after using it? It's better to just not use it, hear?.
Re: Bloodshot party
Our Listmeister writes: Whoo hoo! Now we don't have to worry about those weaselly Weiss brothers sneakin' off again this year.g If you haven't been to it before, Cherry Lou's SXSW P2 BBQ is not to be missed: Beer, Maker's Mark, Bands, Brisket, and your favorite P2ers makin' drunken fools of themselves (and no, I wasn't referring to you, Linda Ray -- I swear!g).--don Don forgot to mention the main highlight of the BBQ, though: arm-licking. 'Least that's what I'm looking forward to observing at my first visit to Cherry Lou's extravaganza. --Amy
Re: Question about TV bands (for parents of preschoolers)
We just saw an Arthur episode on PBS the other day where Arthur and his pals wanted to go see their favorite group, Binky (who look suspiciously like ABBA), perform. Turns out they are holograms. (OH NO!) Then yesterday Arthur and his pal Buster auditioned musicians to be in their band (vaguely reminiscent of the audition scene in the movie, The Commitments). Those kids, er, puppets, on Puzzle Place can really rock whenever they've got an important moral to hammer out. Let's not forget that Mr. Rogers tickles the ivories whenever the mood strikes and quite frequently jams with guests like Yo Yo Ma. And last but not least (for now), "You Gotta Put Down the Ducky (if you wanna play the saxophone)" with Hoot the Owl and Ernie on Sesame Street. I was trying to stay out of this thread, because I can't remember a lot of the shows that are being mentioned and I wish I didn't remember the rest, but now that Jeanne has brought children's TV into the discussion, I have to add that the Muppet Show in the late '70s was pure genius. Debbie Harry singing to Kermit, Rudolf Nureyev dancing with Miss Piggy in "Swine Lake," which then segued into a duet of "Baby It's Cold Outside"...brilliant. Not to mention Dr. Teeth and the Electric Mayhem themselves. Apparently the Clash watched every episode faithfully. --Amy
Re: Lucindavision (was: Re: Night Flight (was: Re: I can't helpit...McHale's Navy TV-Rock Fluff))
Jerald writes: Also worth mentioning that the new ABC show "Cupid" recently featured a Lucinda Williams song. I don't know enough about her songs to tell one from the other, but it had the lines "I thought I'd lost, but I'm glad I found it" or something like that. One of the creators of that show is a former Austinite, Rob Thomas. Former Austinite and current young adult novelist--and a damn good one, too. Rob Thomas always peppers his novels with interesting and un-obvious music references, so it's a good bet that he's the source of any good music on the show. --Amy
Re: Outlaw Blues
As for Kimmie, we finally finished her new CD masters, which is why I'm back here in this esteemed forum. It's a helluva record, which her son Gabe produced. For a tiny taste (which is not necessarily representative of the whole record, only part of it) check out our website and get you an MP3 player ready to go... The prospect of a new Kimmie record and our own Sir President Joe Gracey Sir back amongst us is almost too much good news to take in at once. Luckily, there's no heat in my apartment (er, that is, the one room of my apartment that's habitable), so I can't get *too* happy all at once. Welcome back, Joe. You've been missed. --Amy
RE: Question about TV bands
[Matt Benz] wrote:
Alright, alright! Said I wasn't reading em all, but
I shoulda known: anyone who has F Troop tapes and painfully reminded me
about the Lavernne Shirly In the Army cartoon, complete with a
pantsless pig as their sargeant would remember Ricky Nelson
Ok, what about Ricky Ricardo's little boy ("little ricky?")...didn't he have a
band? (or was that "post-I love lucy"?)
Paul
Re: theremin
Narc Weiss wrote: Wasn't there a theremin thread recently? Well I'm finally paying attention and am interested in getting a list of artists y'all might know of who have integrated that freaky-deeky instrument into their sound as of late. I believe there is a band in Cincinnati doin' the theremin thing called Big Soap. Paul
Re: Question about TV bands
In a message dated 1/27/99 9:38:05 AM Eastern Standard Time, [EMAIL PROTECTED] writes: [Matt Benz] I haven't been following this thread real close, but have you all forgot the greatest tv band of all time? Ricky Nelson's! Geez Nope, somebody mentioned it days ago g
