RE: flotools double tapping no longer working

[mcdiemert]

Hi Slau, can confirm this is happening.  After loading Pro Tools 2021.12 a 
notification that a new flotools is available pops up. Can't find anyway to 
dismiss it and once this happens, double tapping any of the commands does not 
work. 


-Original Message-
From: ptaccess@googlegroups.com  On Behalf Of Slau 
Halatyn
Sent: Thursday, April 28, 2022 9:00 AM
To: PTAccess List 
Subject: Re: flotools double tapping no longer working

Hi Steve,
If you've installed Pro Tools 2022.4, use Flo Tools 22.4. If you're running a 
previous version of Pro Tools, use the previous version of Flo Tools. Hope that 
helps.
Slau


> On Apr 28, 2022, at 2:05 AM, Steve Sparrow  wrote:
> 
> Ok guys. so flotools told me there is an update this morning. Since i’ve got 
> that message, I can no longer double tap keys to enable or disable functions. 
> for example hitting L will read the level metre, but double tapping it will 
> no longer engage watching level metre, I can’t unselect any tracks, and I 
> also can’t engage shuffle mode with f 1. I wonder if there is some 
> notification that is active, it’s telling me no notifications avail. Is there 
> something I need to do here. Maybe i’ll just have to upgrade flotools. I can 
> do this, but my system is a couple of o s behind. So a bit out of date I 
> guess.
> Steve
> 
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RE: Flo Tools conflicts

[mcdiemert]

Chuck, While I held off on using flo tools for several years,  Having used it 
for the past year and a half,  speed, and efficiency is unmatched even with 
standard VO, and pro tools keystrokes!   As someone who writes Jaws scripting 
for a living, this is the best and most well thought out  third party “scripts” 
I’ve encountered. 

  

 

From: ptaccess@googlegroups.com  On Behalf Of CHUCK 
REICHEL
Sent: Friday, October 02, 2020 10:33 AM
To: ptaccess@googlegroups.com
Subject: Re: Flo Tools conflicts

 

Hi guys,

 

If you have to get a  project out the door to get paid just use VoiceOver and 
turn off "FTools"! :)

I never run in to this problem as I don't use Ftools at all.

Keeps life simpler for me! ;)

YMMV

Chuck

"God does not play dice with the universe"

"Albert Einstein’

 

 

On Oct 2, 2020, at 7:56 AM, Tom Hessels wrote:





Hi,

I have the same problem: when starting pro tools sometimes Flo tools dosn’t 
work at all.

When i take a look in Keyboard maestro i see that all flo tools macros are 
disabled. When i do a reinstalll of flo tools every thing works fine again.

 

Tom.

 

 

 

Van: ptaccess@googlegroups.com   
mailto:ptaccess@googlegroups.com> > Namens Devil 
Monkey
Verzonden: vrijdag 2 oktober 2020 07:40
Aan: Pro Tools Accessibility mailto:ptaccess@googlegroups.com> >
Onderwerp: Flo Tools conflicts

 

Hi!

 

I'm having trouble with what maybe is a conflict in settings somewhere between 
accessibility & Flo Tools but I can't be entirely sure.

 

Macros in Flo Tools appear to turn themselves off in some instances or appear 
to have no functionality at all. I've emailed Keyboard maestro who have sent me 
back to Flo Tools.

 

Additionally, when Flo Tools is engaged some of the usual keyboard functions 
appear to no longer work eg space bar no longer operates as start/stop & I have 
to use the transport controls on the control surface.

 

Any tips on correct settings would be greatly appreciated.

 

I am running latest Pro Tools on a Mac with Mojave 10.14.6

 

Have a great weekend

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RE: Flo Tools conflicts

[mcdiemert]

Also, did you turn the inspector on after your session loads.  This is the 
forward slash key to the left of right shift.

 

From: ptaccess@googlegroups.com  On Behalf Of Martin 
(Punky) Sopart
Sent: Friday, October 02, 2020 8:37 AM
To: ptaccess@googlegroups.com
Subject: RE: Flo Tools conflicts

 

Hello!

 

Did you check the option that the Keyboard Maestro Engine is loaded at start—up?

 

Best! / Martin

 

 

From: ptaccess@googlegroups.com   
mailto:ptaccess@googlegroups.com> > On Behalf Of 
Tom Hessels
Sent: Friday, October 2, 2020 1:56 PM
To: ptaccess@googlegroups.com  
Subject: RE: Flo Tools conflicts

 

Hi,

I have the same problem: when starting pro tools sometimes Flo tools dosn’t 
work at all.

When i take a look in Keyboard maestro i see that all flo tools macros are 
disabled. When i do a reinstalll of flo tools every thing works fine again.

 

Tom.

 

 

 

Van: ptaccess@googlegroups.com   
mailto:ptaccess@googlegroups.com> > Namens Devil 
Monkey
Verzonden: vrijdag 2 oktober 2020 07:40
Aan: Pro Tools Accessibility 
Onderwerp: Flo Tools conflicts

 

Hi!

 

I'm having trouble with what maybe is a conflict in settings somewhere between 
accessibility & Flo Tools but I can't be entirely sure.

 

Macros in Flo Tools appear to turn themselves off in some instances or appear 
to have no functionality at all. I've emailed Keyboard maestro who have sent me 
back to Flo Tools.

 

Additionally, when Flo Tools is engaged some of the usual keyboard functions 
appear to no longer work eg space bar no longer operates as start/stop & I have 
to use the transport controls on the control surface.

 

Any tips on correct settings would be greatly appreciated.

 

I am running latest Pro Tools on a Mac with Mojave 10.14.6

 

Have a great weekend

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RE: moving around a session in PT

[mcdiemert]

Yes, I have used this from time to time.  I suppose I prefer using FT for 
typing start values  rather than the star key, as I don’t have to mentally keep 
track of where I am, since a single press of command f1 gives me my current 
start time.  

 

From: ptaccess@googlegroups.com  On Behalf Of Slau 
Halatyn
Sent: Wednesday, June 24, 2020 1:32 PM
To: PTAccess List 
Subject: Re: moving around a session in PT

 

Hi Matt,

Although using the Start field isn't really different from what Steve mentioned 
about using the asterisk, your reply brought another thing to mind and that is 
the relative jump using the plus key.

 

So, where-ever you are in the timeline while playing back, you can jump ahead 
or back by any relative value by pressing asterisk then plus or minus on the 
numeric keypad then pressing Enter. The transport doesn't pause but simply 
jumps right to the relative position. For example, if your current playback 
cursor is approaching bar 33 and you press the asterisk right around that point 
and press plus then 16 then Enter, the transport will instantly jump to around 
bar 49 and continue playback.

 

It's worth noting that, while pressing minus instead of plus will move 
backwards rather than forwards, this only works in minutes and seconds. When in 
bars and beats, there are sometimes negative bar numbers so it doesn't work 
like it does in Minutes/Seconds view. I've proposed that Avid implement a 
condition whereby a plus ahead of a minus will give the intended result like 
adding a negative number rather than adding a positive number. Not sure if 
that'll ever go through.

 

Anyway, just another potential means to navigate quickly.

 

Slau

 





On Jun 24, 2020, at 11:20 AM, mcdiem...@gmail.com   
wrote:

 

Just piggy backing on this.  One thing I often do is with flotools, command f1 
twice quickly, and type in a start value.  SO If I want to jump 10 or 20 bars 
I’ll just change my start value by those amounts.  

 

 

From: ptaccess@googlegroups.com   
mailto:ptaccess@googlegroups.com> > On Behalf Of 
Slau Halatyn
Sent: Wednesday, June 24, 2020 11:14 AM
To: PTAccess List mailto:ptaccess@googlegroups.com> 
>
Subject: Re: moving around a session in PT

 

Hi Steve,

 

If you have the preference checked for "audio during fast forward and rewind," 
you can advance while hearing brief snippets while the transport forwards and 
rewinds through the timeline. Another option is to change your nudge value to 
something like 4 or eight bars and advance the insertion cursor by that value 
with a keyboard shortcut. You can change the nudge value by going to the Edit 
window, navigating over to the Grid/Nudge cluster, interacting, going over to 
the nudge custom value, VO-click on it, press Delete or decimal, enter the 
bar/beat/tic value and press Return. If you use Flo Tools, double-tap 
Command+f7, enter the value and press Return.

HTH,

Slau

 






On Jun 24, 2020, at 6:11 AM, Steve Sparrow mailto:i...@sparrowsound.com.au> > wrote:

 

Hey guys. I’m just wondering if there is an easy way of skipping through a 
session in PT. I have afeeling this may not be possible. How ever is there a 
way of skipping quickly through a session by more than one bar at a time. I 
know the number 1 and two keys on the num pad skip through bar by bar But is 
there any short cut or other way for scrubbing or skipping in larger 
increments. I know I can use the star key and move forward and backward that 
way. But it would be great if there is a quick and easy way to search through a 
session. If this is not possible. alll good.Just worth an ask.

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RE: moving around a session in PT

[mcdiemert]

Just piggy backing on this.  One thing I often do is with flotools, command f1 
twice quickly, and type in a start value.  SO If I want to jump 10 or 20 bars 
I’ll just change my start value by those amounts.  

 

 

From: ptaccess@googlegroups.com  On Behalf Of Slau 
Halatyn
Sent: Wednesday, June 24, 2020 11:14 AM
To: PTAccess List 
Subject: Re: moving around a session in PT

 

Hi Steve,

 

If you have the preference checked for "audio during fast forward and rewind," 
you can advance while hearing brief snippets while the transport forwards and 
rewinds through the timeline. Another option is to change your nudge value to 
something like 4 or eight bars and advance the insertion cursor by that value 
with a keyboard shortcut. You can change the nudge value by going to the Edit 
window, navigating over to the Grid/Nudge cluster, interacting, going over to 
the nudge custom value, VO-click on it, press Delete or decimal, enter the 
bar/beat/tic value and press Return. If you use Flo Tools, double-tap 
Command+f7, enter the value and press Return.

HTH,

Slau

 





On Jun 24, 2020, at 6:11 AM, Steve Sparrow mailto:i...@sparrowsound.com.au> > wrote:

 

Hey guys. I’m just wondering if there is an easy way of skipping through a 
session in PT. I have afeeling this may not be possible. How ever is there a 
way of skipping quickly through a session by more than one bar at a time. I 
know the number 1 and two keys on the num pad skip through bar by bar But is 
there any short cut or other way for scrubbing or skipping in larger 
increments. I know I can use the star key and move forward and backward that 
way. But it would be great if there is a quick and easy way to search through a 
session. If this is not possible. alll good.Just worth an ask.

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RE: Treating a peaking audio

[mcdiemert]

If it's a sterio track you'll have to look under multi-mono then other and you 
should find  trim. 
Best:
Matt 


-Original Message-
From: ptaccess@googlegroups.com  On Behalf Of Steve 
Baskis
Sent: Monday, May 04, 2020 8:58 PM
To: ptaccess@googlegroups.com
Subject: Re: Treating a peaking audio

The trim plug-in is located under other within the plug-ins menu if I’m not 
mistaken.

Respectfully,
Steve Baskis

> On May 4, 2020, at 20:44, Dammie Onafeko  wrote:
> 
> Thanks Mike! But I tried Declip and it didn't change anything. 
> Someone mentioned the trim to me, but I checked the plugin section in 
> ProTools and couldn't find it. Could you tell where exactly where it 
> is in ProTools? Thanks!
> 
> Best,
> 
> Dammie
> 
>> On 5/4/20, Michael Holmes  wrote:
>> I haven’t tried this, but Izotope Elements has a DeClip plugin. I 
>> believe it smooths out the hard clip sounds. If the track sounds okay 
>> despite the high peak, you could get away with the Pro Tools Trim plugin 
>> before EQ and such.
>> 
 On May 4, 2020, at 18:08, Dammie Onafeko  wrote:
>>> 
>>> Hi guys:
>>> 
>>> I have this audio in a mix that the person on speaking was too close 
>>> to the mic. The level of audio in the mix is +1. I'm trying to 
>>> figure out what to do. Anyone has an idea? I'm reading online now, 
>>> but in the meantime, if you have a solution, I'd very much appreciate it. 
>>> Thanks!
>>> 
>>> Best,
>>> 
>>> Dammie
>>> 
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RE: Formal professional pro tools training for the blind and visually impaired

[mcdiemert]

Chris, 

At this point it’s TBD, but I am doing my best to keep it somewhere in range of 
the previous release.

I’ll update with details soon. 

 

 

From: ptaccess@googlegroups.com  On Behalf Of 
Christopher Gilland
Sent: Sunday, April 19, 2020 12:17 PM
To: ptaccess@googlegroups.com
Subject: Re: Formal professional pro tools training for the blind and visually 
impaired

 

Have you determined yet the cost? I ask, as I'd like to be saving the money to 
get it.

 

I do own the first version, all 3 modules.

 

Chris.

On 04/19/2020 11:13 AM, Matt Diemert wrote:

Also, just a quick mention, that I plan to release Pro Tools with Speech 2.0 in 
the next month or so.  

This version will go deeper than the previous release: as of now the sections 
are recording, editing, mixing, 

mastering, and releasing a track. 

I walk through the entire process including releasing a new song to iTunes and 
spotify via distrokid. 

 

More details coming very soon! 

 

Sent from my iPhone





On Apr 19, 2020, at 10:13 AM, Jay Paschal   
 wrote:

 I can testify for IC Music, great training and thorough!

“Be who you desire & desire who you wish to be”Sent from my iPhone





On Apr 19, 2020, at 8:20 AM, Byron Harden   
 wrote:

 Good morning Mr. Baskis, Byron here from I See Music llc where we train the 
totally blind and visually impaired in audio production and studio engineering 
as it pertains to adaptive tech and techniques. Please feel free to explore all 
options of training per our web site, which I’ll link you to here below. Hope 
you and your family are remaining healthy and safe in these crazy times Mr. 
Baskis. If you have any further questions after reviewing the site, I’ll look 
forward to speaking with you soon sir and enjoy the rest of your weekend. 

best

www.iseemusic.org  





On Apr 18, 2020, at 4:04 PM, Christopher Gilland mailto:clgillan...@gmail.com> > wrote:

 

Yes. I got your message privately. I'll be reaching out soon.


Chris.

On 04/18/2020 04:20 PM, Steve Baskis wrote:



Chris, I wrote you a personal email off of the PT access groups message board. 
Not sure if it went to your junk or if you got it, but would love to speak 
about training whenever you’re free. First I would like to get to know you and 
understand your services though.

Thanks,
Steve




On Apr 18, 2020, at 14:50, Chris Gilland mailto:clgillan...@gmail.com> > wrote:

Hey steve.

I train individuals on PT, so if I can be of any help, let me know.

$35.00USD via PayPal, with a minimum 1 hour commitment payment must be received 
up front before training begins.

Chris.




On Apr 18, 2020, at 1:08 PM, steve baskis mailto:stevebas...@gmail.com> > wrote:

Slau or anybody else,

Is there any professional training out there for Utilizing flo tools/ProTools 
From a blind/visually impaired perspective? I understand that there are a lot 
of formal well produced videos on ProTools specifically, but what about for the 
blind and visually impaired? Are there mentors, or people who are willing to 
teach individuals for a hourly rate? I am wondering because it seems like the 
community is expanding and the world is becoming more accessible every year. I 
would like to refer people or push the information on the web and make more 
people aware of what is possible. I do understand that we are a minority in the 
sense of blindness and visual impairments and especially sound engineering, but 
doesn’t hurt to ask.

Respectfully,
Steve Baskis
Baskis.com  

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RE: What could make markers delayed

[mcdiemert]

Yes, that is command K. 
If running Flow Tools you will have to press twice quickly to toggle.
Best:
 


-Original Message-
From: ptaccess@googlegroups.com  On Behalf Of Dammie 
Onafeko
Sent: Tuesday, January 28, 2020 10:01 AM
To: ptaccess@googlegroups.com
Subject: Re: What could make markers delayed

Hi Matt:

is that the Command K sort-cut. I'm not sure what I turned on, but I'd check it 
now and see. Please help confirm this short-cut key. Thanks

Best,

Dammie

On 1/28/20, mcdiem...@gmail.com  wrote:
> Good morning,
> DO you by chance have Pre-Role turned on?
> Best:
> Matt
>
>
>
> -Original Message-
> From: ptaccess@googlegroups.com  On Behalf 
> Of Dammie Onafeko
> Sent: Tuesday, January 28, 2020 9:43 AM
> To: PTAccess List 
> Subject: What could make markers delayed
>
> Morning guys:
>
> I'm having this little problem. There seem to a delay in and it's 
> affecting my markers placements. For me drop a marker at a specific 
> point in an audio, the audio would have to play pass the point I need.
> For instance, let's say an audio has this phrase, everyday, I'm 
> hussling. If I want to drop my marker right at I'm, I would have to 
> wait to here hussling. Does anyone knows what the case might be? I've 
> tried all I know and thought could be the case,  but all to no success 
> yet. Thanks in advance for your time and effort.
>
> Best,
>
> Dammie
>
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RE: What could make markers delayed

[mcdiemert]

Good morning, 
DO you by chance have Pre-Role turned on?
Best:
Matt 
 


-Original Message-
From: ptaccess@googlegroups.com  On Behalf Of Dammie 
Onafeko
Sent: Tuesday, January 28, 2020 9:43 AM
To: PTAccess List 
Subject: What could make markers delayed

Morning guys:

I'm having this little problem. There seem to a delay in and it's affecting my 
markers placements. For me drop a marker at a specific point in an audio, the 
audio would have to play pass the point I need.
For instance, let's say an audio has this phrase, everyday, I'm hussling. If I 
want to drop my marker right at I'm, I would have to wait to here hussling. 
Does anyone knows what the case might be? I've tried all I know and thought 
could be the case,  but all to no success yet. Thanks in advance for your time 
and effort.

Best,

Dammie

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RE: I don't know how to deal with this gain staging issue in ProTools, please please help!

[mcdiemert]

Why not use a trem plugin on the music track and turn it down until it feels 
under the microphone? 

 

From: ptaccess@googlegroups.com  On Behalf Of 
Christopher Gilland
Sent: Thursday, December 12, 2019 12:23 PM
To: ptaccess@googlegroups.com
Subject: Re: I don't know how to deal with this gain staging issue in ProTools, 
please please help!

 

Does that work though with monitoring in my cans before recording? That's the 
main issue. I know how to turn it back up after it's recorded, but the issue 
isn't after recorded. It's before. I'm trying to get it where at such a low 
level during the actual tracking process, I can hear what I need to hear 
through my cans without having to crank them to high heaven to compensate for 
the lower input signal.

 

Chris.

On 12/12/2019 12:19 PM, TheOreoMonster wrote:

I am surprised they gave you that complicat setup, especially considering 
iTunes doesn’t give you a way to export tracks once the volume has been lowered 
on them. Just use clip gain to lower the instrumental track and it basically 
does everything Sweetwater told you to do in one simple step.  

 





On Dec 12, 2019, at 12:14 PM, Christopher Gilland mailto:clgillan...@gmail.com> > wrote:

 

Slau,

 

What Sweetwater actually told me is, lower the karaoke track in iTunes before 
importing it to PT.

 

I'm not totally sure how to do that, but anyway, then, once that is lowered to 
fit my vocal level, import into PT, then add my vocal track, but here's the 
catch. They told me, then, also add a stereo master fader. Then, take that 
master fader, and only use it as a gain adder. Meaning, you're not really per 
sé doing anything with the master fader more than using it to add gain. Then, 
move that master fader volume from it's default 0DB location back up to reach 
the normal audible level. Presto! Done!

 

I was always under the impression you really don't want a master fader though 
unless you're literally doing mastering type techniques. Or is that just it 
though: you kind of *are!* doing a mastering technique by doing this. All be 
it, you're not really doing anything substantial with the fader more than 
adding gain, but... still... Is that a way to go, or like me, can you see some 
potential problems with this method. I'm not really planning to add any final 
processing to the over all master mix like compression, dithering, final e 
queueing etc.

 

Chris.

On 12/12/2019 11:27 AM, Slau Halatyn wrote:

Turn down the mastered track to a manageable level to accommodate your vocal 
recording. Once you've recorded the vocal, process the vocal to a comparable 
quality of compression and remix the two. You'll probably end up having to 
limit your vocal some if the music was mastered particularly hot. 

 





On Dec 12, 2019, at 11:21 AM, Christopher Gilland mailto:clgillan...@gmail.com> > wrote:

 

Guys, we've discussed this before, I think, quite some time back, but the 
answers I got were kind of vague, and honestly, and this is of no offense to 
any of you all, weren't very helpful at the time. That's no fault of you all. 
It might have just been my knowledge/experience at that time was not of such 
that I could fully grasp the concepts.


Here is the situation again though. Trust me, too. I've Googled like crazy. I 
spent over about 3 hours last night Youtubing, and just Googling in general and 
am coming up pretty much empty handed.


I normally record lead vocals on top of already purchased instrumental tracks, 
so I'm not really normally working with stems. Once in a while, I'll do 
something which takes more than 2 tracks, one for the music, one for my vofal, 
but that's rare. Regardless, this is occuring.


In the past, I made a really really bad habbit of cranking my input gain on the 
mike input way up. Well, OK, fine. Not way up, but up enough to get good 
audible level going into PT. I obviously needed the level to be balanced with 
the music track.


Problem is, that music track usually would have been mastered at gain unity 0, 
which you know, anything above that, you're clipping. This means anything I 
drove on top of the music track, that's gonna push my master over that 0 no no 
limit. But! I had to. Or so I thought. It's the only way I could get any good 
volume on my mike input.


So, a few things. First my hardware. This way you know what we're working with. 
This interface is popular enough, surely you all know enough at least about it 
to help. I'm running a Focusrite scarlet 2I2 interface, and the first 
generation of a Blue Bluebird microphone. Let me be clear. This is the 
Bluebird, not the baby bottle. Again, the first gen, not the 2nd, nor the beta.


Now, I'm trying to break that habbit of running my gain so hot. I'm finding 
that with where my input dial on the scarlet now is set, I'm on my peeks 
hitting probably around -13DB or so on average, and again, that's on the 
loudest peeks of my vocals. Obviously, that's much much better.


The problem is, when recording,

RE: Flotools sounds

[mcdiemert]

This works, though I still find the beep annoying, it’s a lot less so.

Not sure why Vo and system sounds were being rooted to two different places, 
but I can live with this. 

 

 

From: ptaccess@googlegroups.com  On Behalf Of 
TheOreoMonster
Sent: Thursday, October 10, 2019 11:02 AM
To: ptaccess@googlegroups.com
Subject: Re: Flotools sounds

 

You could also route your systems sounds to the built in speaker while still 
routing VoiceOver to your monitors. That way  those sounds don’t blast through 
your monitors. 

 





On Oct 10, 2019, at 10:26 AM, mailto:mcdiem...@gmail.com> 
> mailto:mcdiem...@gmail.com> > wrote:

 

That’d be great. It can be pretty frightening when that pops through all of the 
monitors when trying to adjust something on the fly when listening up loud. 

 

 

From: ptaccess@googlegroups.com   
mailto:ptaccess@googlegroups.com> > On Behalf Of 
Slau Halatyn
Sent: Thursday, October 10, 2019 9:46 AM
To: PTAccess List mailto:ptaccess@googlegroups.com> 
>
Subject: Re: Flotools sounds

 

Hi Matt,

Ah, OK, that tiny sound is there to indicate that a macro has successfully been 
executed. With the insert menu popping up, however, that's a VoiceOver sound 
and not anything to do with Flo Tools. We haven't gotten into customization of 
sound effects with Flo Tools in order to try and keep a consistent experience 
and, frankly, it would mean quite a lot of programming. If that little sound 
bothers you, I can give you pretty simple instructions on how and what to 
delete in the script. Let me know. Cheers,

Slau

 






On Oct 10, 2019, at 9:34 AM, mailto:mcdiem...@gmail.com> 
> mailto:mcdiem...@gmail.com> > wrote:

 

Here’s an example. 

If I am focused on a track and insert a has a plug, if I press one twice 
quickly to open the plug there is a beep.  In fact the same sound heard in your 
other example (IE) unsoloing all tracks.

HTH. 

  

 

From: ptaccess@googlegroups.com   
mailto:ptaccess@googlegroups.com> > On Behalf Of 
Slau Halatyn
Sent: Thursday, October 10, 2019 9:28 AM
To: PTAccess List mailto:ptaccess@googlegroups.com> 
>
Subject: Re: Flotools sounds

 

Hi Matt,

 

Nmm, I'm not sure what you mean and which sound you're referring to. Flo Tools 
itself isn't supposed to make any particular sound except for when performing 
lengthier tasks like unmuting, unsoloing or deselecting all tracks. Other than 
that, there's the level monitor but that doesn't work in the plug-in window as 
far as I recall. You If there's a macro that's stuck in some kind of loop 
(which I've never seen), you can go to the Keyboard Maestro menu extra and 
choose to cancel all macros. LMK if that helps and we can take it further to 
figure it out.

Best,

Slau

 







On Oct 10, 2019, at 9:22 AM,   mcdiem...@gmail.com 
wrote:

 

I’m sure this has been covered before so forgive me, but I couldn’t seem to 
locate an answer. How do I turn off the flotools/ KM sounds.  Specifically the 
beep sound that occurs when a plug opens or when you are at the top of the 
plugin menu? 

Thanks. 

Best:

Matt Diemert

  www.mattcarsonmusic.com

 

 

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RE: Flotools sounds

[mcdiemert]

That’s actually what’s weird, I actually root VO through my iMac but that 
particular sound comes through my Focusrite. 

 

 

From: ptaccess@googlegroups.com  On Behalf Of Slau 
Halatyn
Sent: Thursday, October 10, 2019 11:03 AM
To: PTAccess List 
Subject: Re: Flotools sounds

 

Woah! You're routing VoiceOver through your main monitors?! No wonder… Most 
people route VoiceOver through their computer's system sound whether it's 
laptop or iMac, etc.





On Oct 10, 2019, at 10:26 AM, mcdiem...@gmail.com   
wrote:

 

That’d be great. It can be pretty frightening when that pops through all of the 
monitors when trying to adjust something on the fly when listening up loud. 

 

 

From: ptaccess@googlegroups.com   
mailto:ptaccess@googlegroups.com> > On Behalf Of 
Slau Halatyn
Sent: Thursday, October 10, 2019 9:46 AM
To: PTAccess List mailto:ptaccess@googlegroups.com> 
>
Subject: Re: Flotools sounds

 

Hi Matt,

Ah, OK, that tiny sound is there to indicate that a macro has successfully been 
executed. With the insert menu popping up, however, that's a VoiceOver sound 
and not anything to do with Flo Tools. We haven't gotten into customization of 
sound effects with Flo Tools in order to try and keep a consistent experience 
and, frankly, it would mean quite a lot of programming. If that little sound 
bothers you, I can give you pretty simple instructions on how and what to 
delete in the script. Let me know. Cheers,

Slau

 






On Oct 10, 2019, at 9:34 AM, <  
mcdiem...@gmail.com> <  mcdiem...@gmail.com> wrote:

 

Here’s an example. 

If I am focused on a track and insert a has a plug, if I press one twice 
quickly to open the plug there is a beep.  In fact the same sound heard in your 
other example (IE) unsoloing all tracks.

HTH. 

  

 

From:   ptaccess@googlegroups.com < 
 ptaccess@googlegroups.com> On Behalf Of Slau 
Halatyn
Sent: Thursday, October 10, 2019 9:28 AM
To: PTAccess List <  
ptaccess@googlegroups.com>
Subject: Re: Flotools sounds

 

Hi Matt,

 

Nmm, I'm not sure what you mean and which sound you're referring to. Flo Tools 
itself isn't supposed to make any particular sound except for when performing 
lengthier tasks like unmuting, unsoloing or deselecting all tracks. Other than 
that, there's the level monitor but that doesn't work in the plug-in window as 
far as I recall. You If there's a macro that's stuck in some kind of loop 
(which I've never seen), you can go to the Keyboard Maestro menu extra and 
choose to cancel all macros. LMK if that helps and we can take it further to 
figure it out.

Best,

Slau

 







On Oct 10, 2019, at 9:22 AM,   mcdiem...@gmail.com 
wrote:

 

I’m sure this has been covered before so forgive me, but I couldn’t seem to 
locate an answer. How do I turn off the flotools/ KM sounds.  Specifically the 
beep sound that occurs when a plug opens or when you are at the top of the 
plugin menu? 

Thanks. 

Best:

Matt Diemert

  www.mattcarsonmusic.com

 

 

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RE: Flotools sounds

[mcdiemert]

That’d be great. It can be pretty frightening when that pops through all of the 
monitors when trying to adjust something on the fly when listening up loud. 

 

 

From: ptaccess@googlegroups.com  On Behalf Of Slau 
Halatyn
Sent: Thursday, October 10, 2019 9:46 AM
To: PTAccess List 
Subject: Re: Flotools sounds

 

Hi Matt,

Ah, OK, that tiny sound is there to indicate that a macro has successfully been 
executed. With the insert menu popping up, however, that's a VoiceOver sound 
and not anything to do with Flo Tools. We haven't gotten into customization of 
sound effects with Flo Tools in order to try and keep a consistent experience 
and, frankly, it would mean quite a lot of programming. If that little sound 
bothers you, I can give you pretty simple instructions on how and what to 
delete in the script. Let me know. Cheers,

Slau

 





On Oct 10, 2019, at 9:34 AM, mailto:mcdiem...@gmail.com> 
> mailto:mcdiem...@gmail.com> > wrote:

 

Here’s an example. 

If I am focused on a track and insert a has a plug, if I press one twice 
quickly to open the plug there is a beep.  In fact the same sound heard in your 
other example (IE) unsoloing all tracks.

HTH. 

  

 

From: ptaccess@googlegroups.com   
mailto:ptaccess@googlegroups.com> > On Behalf Of 
Slau Halatyn
Sent: Thursday, October 10, 2019 9:28 AM
To: PTAccess List mailto:ptaccess@googlegroups.com> 
>
Subject: Re: Flotools sounds

 

Hi Matt,

 

Nmm, I'm not sure what you mean and which sound you're referring to. Flo Tools 
itself isn't supposed to make any particular sound except for when performing 
lengthier tasks like unmuting, unsoloing or deselecting all tracks. Other than 
that, there's the level monitor but that doesn't work in the plug-in window as 
far as I recall. You If there's a macro that's stuck in some kind of loop 
(which I've never seen), you can go to the Keyboard Maestro menu extra and 
choose to cancel all macros. LMK if that helps and we can take it further to 
figure it out.

Best,

Slau

 






On Oct 10, 2019, at 9:22 AM,   mcdiem...@gmail.com 
wrote:

 

I’m sure this has been covered before so forgive me, but I couldn’t seem to 
locate an answer. How do I turn off the flotools/ KM sounds.  Specifically the 
beep sound that occurs when a plug opens or when you are at the top of the 
plugin menu? 

Thanks. 

Best:

Matt Diemert

  www.mattcarsonmusic.com

 

 

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RE: Flotools sounds

[mcdiemert]

Here’s an example. 

If I am focused on a track and insert a has a plug, if I press one twice 
quickly to open the plug there is a beep.  In fact the same sound heard in your 
other example (IE) unsoloing all tracks.

HTH. 

  

 

From: ptaccess@googlegroups.com  On Behalf Of Slau 
Halatyn
Sent: Thursday, October 10, 2019 9:28 AM
To: PTAccess List 
Subject: Re: Flotools sounds

 

Hi Matt,

 

Nmm, I'm not sure what you mean and which sound you're referring to. Flo Tools 
itself isn't supposed to make any particular sound except for when performing 
lengthier tasks like unmuting, unsoloing or deselecting all tracks. Other than 
that, there's the level monitor but that doesn't work in the plug-in window as 
far as I recall. You If there's a macro that's stuck in some kind of loop 
(which I've never seen), you can go to the Keyboard Maestro menu extra and 
choose to cancel all macros. LMK if that helps and we can take it further to 
figure it out.

Best,

Slau

 





On Oct 10, 2019, at 9:22 AM, mcdiem...@gmail.com   
wrote:

 

I’m sure this has been covered before so forgive me, but I couldn’t seem to 
locate an answer. How do I turn off the flotools/ KM sounds.  Specifically the 
beep sound that occurs when a plug opens or when you are at the top of the 
plugin menu? 

Thanks. 

Best:

Matt Diemert

  www.mattcarsonmusic.com

 

 

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Flotools sounds

[mcdiemert]

I'm sure this has been covered before so forgive me, but I couldn't seem to
locate an answer. How do I turn off the flotools/ KM sounds.  Specifically
the beep sound that occurs when a plug opens or when you are at the top of
the plugin menu? 

Thanks. 

Best:

Matt Diemert

www.mattcarsonmusic.com   

 

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virtual Numpad

[mcdiemert]

Hi all, just a quick question. 

Have latest PT 2019, and flotools installed.  Recently for some reason the 
virtual numberpad has stopped working. As far as I can tell everything else 
works as expected, but this feature no longer works. 

Any thoughts as to what could be going on here. 

All My best:

Matt.  www.mattcarsonmusic.com   

 

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Re: How should I get started with pro tools while pro tools with speech is down?

[mcdiemert]

Also, until the site is back up if anyone needs to purchase the
tutorials, email direct, and I can send an exact link for the
purchase.
HTH.

On 5/14/18, Steve Matzura  wrote:
> PTWS may be down, but there are some additional audio programs you can
> find on YouTube that are probably from the same series. I downloaded the
> whole lot. So as not to cut into Matt and Rob's sales, as I did buy
> their starter pack, here's a link to the audios from the YouTube videos,
> converted to MP3 file format.
> https://www.dropbox.com/sh/g6iea6qd0c3dib4/AABHnZn3vbeNScH84EVr3GYra?dl=0
>
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Matt Diemert
330-980-0046

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Re: Pro tools with speech site no longer exists?

[mcdiemert]

Good morning,
I hope to have the site back up this week actually.
We are looking in to some updates to our tutorials later this summer.
In the mean time, if I can answer any questions for you, please feel
free to reach out.

-- 
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Matt Diemert


On 4/21/18, Driza aka Adrian  wrote:
> they took it down because there updating it. said it’ll be back in a few
> months or later on. yep!
>
> From: Rory McDonald
> Sent: Saturday, April 21, 2018 9:53 PM
> To: PTAccess@googlegroups.com
> Subject: Pro tools with speech site no longer exists?
>
> Hello,
> so i just tried searching for the pro tools with speech site, and it doesn’t
> seem to be up anymore. I first typed in protoolswithspeech.com and had no
> results, I was instead taken to some other site that did not seem to be
> arbout pro tools and voiceover. I then googled it and got only the youtube
> videos and the twitter. I’d like to get my hands on the tutorials as I’d
> like to begin learning pro tools. What should I do?
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Re: ProToolsWithSpeech Website

[mcdiemert .]

Hi All, I am in the process of changing web host providers, and we
should be back up soon.
Hope to have some new and exciting content for you all later this spring/summer.
Thanks.
Matt,



On 3/23/18, Steve Matzura  wrote:
> I fear it isn't. Can't get anything out of it from five different
> browsers on four platforms--lynx on Linux, Safari on iOS and Mac OS,
> Firefox, Internet Explorer, and Chrome on Windows. Thinking it might be
> my own internal network, I tried on iOS over 4G LTE instead of local
> Wi-Fi, same result. Something's seriously wrong over there.
>
>
> On 3/23/2018 12:05 AM, Christopher-Mark Gilland wrote:
>>
>> Oh no! I darn well hope it’s just a glitch!
>>
>> Chris.
>>
>> Sent from Mail  for
>> Windows 10
>>
>> *From: *Steve Matzura 
>> *Sent: *Thursday, March 22, 2018 12:53 PM
>> *To: *PTAccess List 
>> *Subject: *ProToolsWithSpeech Website
>>
>> Just tried going there, and while I don't get a 404, I don't get
>>
>> anything else. Is that site gone? Too bad if it is, as I'm finding
>>
>> things from it on YouTube that I don't have, such as the recordings on
>>
>> adding virtual instruments. I purchased what is probably the starter
>>
>> package at least two PT versions ago, and while some of what I now have
>>
>> is probably out of date, I am still finding much of its content useful,
>>
>> so I'd like to pick up the parts I dont have. Here's hoping this is just
>>
>> a DNS or some other Internet-related kind of error.
>>
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Re: Sharing a Christmas song

[mcdiemert .]

Tim, I used a combination of saved presets that I was able to access
with sighted assistance. I also used a control surface to access some
settings.
HTH.

On 12/12/16, Tim Elder  wrote:
>
> Hi, I'm curious how you are accessing the settings in East West.  I have
> Symphonic Choir and I'd love to regain access to that library and other
> East West libraries if possible in Pro Tools .
>
> On Sunday, December 11, 2016 at 7:47:17 AM UTC-8, mcdiemert wrote:
>
>> Good morning all,
>> bJust wanted to share this recording with you all. I had to do this for
>> an upcoming program, and wanted to see how far I could get using only
>> the east west virtual instruments.  I did have to break down and use a
>> real acoustic as the VI guitars were not quite doing what I wanted and
>> I didn't have the time to really dig in and mess around with the
>> acoustic parameters.
>> Hope you enjoy
>> https://www.youtube.com/watch?v=vYoNsxVMSLw&feature=share
>>   --
>>
>
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Sharing a Christmas song

[mcdiemert .]

Good morning all,
Just wanted to share this recording with you all. I had to do this for
an upcoming program, and wanted to see how far I could get using only
the east west virtual instruments.  I did have to break down and use a
real acoustic as the VI guitars were not quite doing what I wanted and
I didn't have the time to really dig in and mess around with the
acoustic parameters.
Hope you enjoy
https://www.youtube.com/watch?v=vYoNsxVMSLw&feature=share
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Re: the tutorials from http://protoolswithspeech.com

[mcdiemert .]

Obviously, the access in PT 12, has advanced considerabley, but the
workflows and commands as well as the interaction between VO and PT
still applies.  What you'll find is the foundational steps are in
place with these tutorials, we just have additional access to PT that
was not available in version 10.
HTH.

Matt


On 11/16/16, Slau Halatyn  wrote:
> I've never heard those tutorials but I know that they're based on Pro Tools
> 10. Much has changed but a lot has remained the same. Perhaps someone who
> has listened to them and has since upgraded to Pro Tools 12 can chime in
> with their thoughts.
>
>> On Nov 16, 2016, at 1:14 PM, Jørgen Skov Nielsen 
>> wrote:
>>
>> Hi All
>> I have found this tutorials from http://protoolswithspeech.com
>>   Can this tutorials  be used with the
>> newest ProTools?
>>
>> Best regards
>> Jørgen
>>
>>
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Re: instrument tracks no sound

[mcdiemert .]

Brian, I am currently using the $30 a month sounds online package. You
get something like 9 packages including strings, drums, and pianos.
The plugs are not accessible, but I've saved several presets, and I
have a control surface to dial in if need be. I don't find that I need
much more access once loading the preset. If you decide to try, I
think you can get a 30 day free trial, I could give you my presets.


On 6/27/16, Slau Halatyn  wrote:
> Hi Steve,
>
> On one or two occasions, I've had a virtual instrument decide to not pass
> any audio. As far as I can recall, it happened after some kind of unexpected
> error like a cPU problem or the like. If I remember correctly, rebooting Pro
> Tools seemed to fix it but, if that didn't help, I might have even rebooted
> the computer and things got back in line. Again, it's only happened to me
> perhaps twice so I don't even remember how it was resolved. Let us know what
> you find.
> Slau
>
> On Jun 27, 2016, at 6:23 PM, Steve Sparrow 
> wrote:
>
>> Hi anyone got any ideas here. I’m mixing a proc here. I have a bunch of
>> instrument tracks. But a couple of them have decided not to let me here
>> any audio. I’ve done some googling on this and have found that it may be
>> somewhere in the midi assignment. But if this is the case, i’m not really
>> sure what to change. I’ve found when i duplicate the track, the audio
>> comes back, but often another instrument track has been muted in some way.
>> I do realise the best way would have been to bounce the tracks down to
>> audio files first. But well i didn’t do that this time. I can do this if
>> need be, but it would mean going back on the mix, i’d like to just get
>> this audio back for now if possible.
>> Any thoughts would be greatly appreciated.
>> steve
>>
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Re: instrument tracks no sound

[mcdiemert .]

I've had this happen, often, I can set the insert to no plug, and then
reinstantiate the plugin and it'll work. This happens most often with
my east west virtual instruments. It's a pain though if you have to
wait for it to reload or go find the preset again ETC.



On 6/27/16, Steve Sparrow  wrote:
> Hi anyone got any ideas here. I’m mixing a proc here. I have a bunch of
> instrument tracks. But a couple of them have decided not to let me here any
> audio. I’ve done some googling on this and have found that it may be
> somewhere in the midi assignment. But if this is the case, i’m not really
> sure what to change. I’ve found when i duplicate the track, the audio comes
> back, but often another instrument track has been muted in some way. I do
> realise the best way would have been to bounce the tracks down to audio
> files first. But well i didn’t do that this time. I can do this if need be,
> but it would mean going back on the mix, i’d like to just get this audio
> back for now if possible.
> Any thoughts would be greatly appreciated.
> steve
>
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Re: cpu overload messages, drop outs, and other random pro tools issues

[mcdiemert]

To add to this, I'd be curious how you're connecting your interface to the MBp?
The only other time I experienced something like what you are
describing, turned out I had a bad piece of Ram in my Mac mini.  Agree
with Slau here, deffinitly sounds hardware related. I believe there is
an apple test you can run pre startup to test all hardware components
its been years since I've run such a test, and I don't believe VO
spoke during the process.
Write me off list, if you can't find how to run the test, and I'll dig
in my documentation and get you some directions.



On 6/15/16, Slau Halatyn  wrote:
> Hi Rocco,
>
> Sorry to hear about your troubles. For what it's worth, your subject line
> implies that it's a Pro Tools issue and it certainly does affect Pro Tools
> but it clearly sounds like it's a hardware/software issue with the 2014
> machine and El Capitan. You seem to have followed all of the right steps to
> isolate and treat the problem. The only thing that I could think of at this
> point is to roll back to Yosemite. that's the only thing that I can think of
> that might bypass any hardware and software conflicts. Please keep us posted
> on how things develop.
>
> Best,
> Slau
>
>
> On Jun 15, 2016, at 1:06 AM, Rocco Fiorentino 
> wrote:
>
>> Hi all,
>>
>> I’ve been having some strange issues with my machine and working with Pro
>> Tools the last few months and was hoping someone here either experienced
>> something similar or had suggestions for troubleshooting. All of this will
>> take some explanation, so please bear with me.
>>
>> I have two macBook Pros. One is a 2012, and the other is a newer 2014.
>> Both are laptops. The 2012 model has a 2.5 ghz intel core i5 processor,
>> while the 2014 macbook has a 2.8 ghz intel core i5 processor. The 2014
>> model is my main computer, while the 2012 one was just an old laptop I
>> still have, not really being used. For most of this discussion, I’m
>> referring to the 2014 macBook. I’m using a Roland Studio Capture USB audio
>> interface.
>>
>> Everything seemed to be working ok, until I updated to Elcaputan in
>> November of 2015. I’m not saying that Elcaputan is the cause of the
>> issues, but I’m saying that’s when I think I started to see these things
>> start to appear, gradually. First, pro tools had very rare, random errors
>> of “cpu overload” during playback or recording. My buffer size was set to
>> 256 samples, which hadn’t changed, but these cpu errors started to appear
>> more frequently and with less playback or recording time between them.
>> Then I cleared out some old files, did a clean install of everything, and
>> everything was ok again, for the time being. That only lasted for about 2
>> months. Near the end of January, the cpu issue started coming back, with
>> vengeance. There were times when I couldn’t even play through a measure of
>> a session without it popping up with the error, and the only way to
>> resolve it was by restarting pro tools, or sometimes the whole machine.
>> Recordings started to sound like record players, because of all the
>> popping and clicking when it did allow the session to play back without
>> the error. And then there were the days that nothing went wrong. Recording
>> was perfect, no errors, everything was fine. But those perfect days
>> started to become fewer and fewer, while nothing was really changing. I
>> updated everything to the latest versions, including plugins, pro tools,
>> my interface driver, mac os, etc.
>>
>> By the beginning of May it had gotten worse again, this time starting to
>> effect the system sound itself without pro tools. If I send system audio
>> to my interface simply from the output of the sound preferences, audio
>> plays back perfectly, for about 5 minutes. Then it just stops. The
>> interface is still on, everything looks ok, no errors, but no audio
>> either. If I restart the audio stream, or the song playing, etc. it is
>> fine for another 5 minutes, then the same thing happens. Confused by all
>> of this, I made a backup of the entire 2014 machine, and cloned it to my
>> 2012 macbook. Strangely, none of these issues happen on my 2012 macbook.
>> No cpu overload errors, no dropping out of audio, no pro tools crashes due
>> to this, and no popping on recordings. But, the computer is significantly
>> slower then my 2014 model, so I’d rather not make it my primary machine.
>> But I still don’t understand why this older laptop is performing better
>> then my newer, more powerful one.
>>
>> I then took my 2014 macbook to the Apple store, to see what the genius bar
>> had to say. They sent it out for repair, and I got it back after they
>> replaced the logic board and fan. This still had no effect on the system
>> or the issues I’m having. So now I’m in the technology blame game. I
>> called roland, and explained everything, and they told me it’s a problem
>> with my computer. But Apple tells me there’s nothing wrong with my
>> hardware. And if it was something software relate

Wierd automation issue. ]

[mcdiemert .]

Hi all,
a weird issue on my portable rig that has not happened in the past and
wondering if anyone has any ideas.
When I launch Pro Tools 11.3.1 and open a session automation by
default is set to suspended. So, I then tic the check box to unsuspend
automation and immediately, without even putting a track in to a mode
of automation, pressing play or even navigating to a marker for that
matter  sets everything zeroed out in the session. Both Pan and Volume
go back to centered and zero.  I have successfully used this system to
write automation many times before, but it's been a number of months
as I have been using a different system. Hoping, someone has an idea
here as I'm in a crunch with a deadline, and won't be back with my
other system for a few days.
As a side note, I've trashed the pro tools prefs, and I'm certain no
automation is written as this happens in all sessions, and I've had
Rob look for any break points of volume and/or pan automation via team
viewer.
Thanks.

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Re: delima on how to click unbypass on a plugin

[mcdiemert .]

I'm assuming you are routing the vo cursor to the mouse  prior to
command clicking? does VO announce what's under? Are you command
clicking fairly quickly. DO you have a large amount of tracks in your
session? Sometimes when this happens to me, I save a preset of what I
have in the plug, and switch to no insert and then reinstantiate the
plug.


On 5/3/16, Brian Howerton  wrote:
> Hello folks,
> When I try to command click on a plugin insert to unbypass it, command
> clicking is not working for me.  It brings up the menu to change the plugin
> where it says no insert and plugin where you can change what plugin is on
> the insert.  Is there anything I am missing here?  Thanks,
> Brian
>
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Re: Mixing Contest by Puremix and IndabaMusic

[mcdiemert .]

Chris,
Were you able to get the stems for this? If not shoot me a message I'm
uploading them to Dropbox as I type.

On 4/4/16, Chris Smart  wrote:
> Is anybody else entering this mixing contest?
>
> https://www.indabamusic.com/opportunities/puremix-mixing-competition/details
>
> I've created an account and accepted the rules, but I can't for the
> life of me manage to download the stems.  The closest I get is in
> Firefox, where I find "stems" announced as "clickable" by my
> screenreader, but hitting enter on that activates an unrelated link
> on the page, like Listening Party or Community.  If anyone else has
> entered and can share a link to the stems, I'd be very grateful.
>
> And of course, we can all check out each other's entries!
>
> Chris
>
>
> ---
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>
> to meditate and train your brain with Muse, the first lab-grade EEG
> biofeedback headband for home use!
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Re: UA apollo accessibility with voiceover

[mcdiemert .]

I'm personally a big fan of the UAD plugs! I use a satilite which has
2 cores.  Some plugs need to be printed to use multiple plugs, but in
large part I use UAD to Mix everything. Not only accessible, but
extremely great sounding! As for recording through UAD plugs in to PT
from the appolo interface, I've found no way to do this without
creating some keyboard macros by some, I mean fairly extensive.
HTH.

On 3/3/16, TheOreoMonster  wrote:
> YThe ug ins are accessible and it will offload some of the plug in
> processing  power from your computer CPU, but the apollo's only have a
> single  DSP chip ( Apollo Solo) or two DSP Chips (Apollo Duo). So you
> wont be able to mix an entire project with all UAD plug ins with just
> one of those  interfaces. But as a nice way to get into the UAD game
> and have a nice portable interface that can travel easy with a macbook
> its a  great. The downside is you c can'tuse any of the UAD plug ins
> in the UAD console to track through them but the plug ins inside the
> DAW are all accessible and the presets show up in the DAW's own preset
> list.  That being said i am thinking of unloading mine so write me off
> list if interested. I have the apollo twin duo.
>
> On 3/3/16, Brian Howerton  wrote:
>> Hello all,
>> Is anyone using the UA apollo with voiceover.  Are the UA plugins
>> accessible?  Is this worth the investment for use with my mac book pro?
>> Thanks,
>> Brian
>>
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Re: Digi 003

[mcdiemert .]

Agreed, I use mainly UAD plugs so I haven't had an extreme need for my
MCU while working in plugs, but since I was borrowing this unit for
the past 10 months, I think I'll move on to a different surface, when
this project is complete.


On 2/5/16, Slau Halatyn  wrote:
> That's a serious limitation and, I'd say, a deal breaker. The behavior I
> described is the way it works on the 003 so I figured it would be the same
> on the MCU. Too bad.
>
> Slau
>
> On Feb 5, 2016, at 5:03 PM, mcdiemert .  wrote:
>
>> For anyone following this thread as it pertains to fader flip on the
>> MCU Pro from Mackie, below is the response I received from Mackie
>> support, and unfortunately confirms the limitations I've suspected
>> while using this surface.
>>
>> Hi Matthew,
>>
>>
>>
>> Thanks for writing!
>>
>>
>>
>> Unfortunately with using the HUI mode on the MCU Pro for Pro Tools
>> does not have a flip to fader feature. Now if you are using Logic,
>> Tracktion, Cubase or other DAWs that use either Mackie Control or
>> Logic Control you will be able to use the flip to fader feature.
>> Unfortunately there are more functionality limitations with HUI
>> because Avid has not updated the protocol communication between the
>> MCU and Pro Tools. Avid hasn’t really done any updates to HUI
>> implementation since Avid has their own control surfaces that use the
>> EUCON protocol.
>>
>>
>>
>> Let us know if you have any questions.
>>
>>
>>
>> All the best,
>>
>>
>>
>> Technical Support
>>
>>
>> On 2/4/16, Ricky Prevatte  wrote:
>>> I was wrong Kevin it is not fadeer flip. He was making parameter changes
>>> with the V pot on the control surface.
>>>
>>> Ricky Prevatte LMBT1154
>>>
>>>> On Feb 3, 2016, at 11:14 AM, Kevin Reeves  wrote:
>>>>
>>>> hi Ricky.
>>>>
>>>> On this issue of Fader Flip. Could you possibly locate that video you
>>>> found on youtube, or tell me what the title of it might have been so I
>>>> can
>>>> dig it up? I'm talking with Matt off list and I
>>>> want to try and get this sorted for all of us.
>>>>
>>>> Thanks so m,uch.
>>>>
>>>> Kevin
>>>>
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>>>> For more options, visit https://groups.google.com/d/optout.
>>>
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>>
>>
>> --
>> Warm Regards:
>> Matt Diemert
>> 330-980-0046
>>
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Re: Digi 003

[mcdiemert .]

For anyone following this thread as it pertains to fader flip on the
MCU Pro from Mackie, below is the response I received from Mackie
support, and unfortunately confirms the limitations I've suspected
while using this surface.

Hi Matthew,



Thanks for writing!



Unfortunately with using the HUI mode on the MCU Pro for Pro Tools
does not have a flip to fader feature. Now if you are using Logic,
Tracktion, Cubase or other DAWs that use either Mackie Control or
Logic Control you will be able to use the flip to fader feature.
Unfortunately there are more functionality limitations with HUI
because Avid has not updated the protocol communication between the
MCU and Pro Tools. Avid hasn’t really done any updates to HUI
implementation since Avid has their own control surfaces that use the
EUCON protocol.



Let us know if you have any questions.



All the best,



Technical Support


On 2/4/16, Ricky Prevatte  wrote:
> I was wrong Kevin it is not fadeer flip. He was making parameter changes
> with the V pot on the control surface.
>
> Ricky Prevatte LMBT1154
>
>> On Feb 3, 2016, at 11:14 AM, Kevin Reeves  wrote:
>>
>> hi Ricky.
>>
>> On this issue of Fader Flip. Could you possibly locate that video you
>> found on youtube, or tell me what the title of it might have been so I can
>> dig it up? I'm talking with Matt off list and I
>> want to try and get this sorted for all of us.
>>
>> Thanks so m,uch.
>>
>> Kevin
>>
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Re: Digi 003

[mcdiemert .]

Slau, right on. Unfortunately, when I am in Plugin view, the Fader
flip won't activate at all! I've googled and youtubed this on
mainstream forums, and at least as far as I'm able to dig up, I'm not
alone in this finding. I sent an email to Mackie a year ago or so
asking for clarity but didn't get a response. Perhaps, I'll knock a
second time.
Thanks as always!


On 2/2/16, Slau Halatyn  wrote:
> Fader flip mode itself simply means that what's normally on the encoders
> gets shifted down to the faders so it can be send levels, pan or plug-in
> parameters. In addition to getting into fader flip mode itself, you have to
> be in the correct focus, whether it's plug-in or pan, send, etc. Hope that
> helps.
> Slau
>
> On Feb 2, 2016, at 10:38 AM, Matt Diemert  wrote:
>
>> , The Mackie board does have fader flip, but when  flipped, they work the
>> send levels.
>>
>> Sent from my iPhone
>>
>>> On Feb 2, 2016, at 10:36 AM, Ricky Prevatte 
>>> wrote:
>>>
>>> Papa would a Mackie help you? You may be able to get rid of the O2 and 03
>>> and get a Mackie like I am doing and use your onyx board. I will keep you
>>> posted but you may be like me if it is broke do not fix it. And as I have
>>> already said my recording capabilities do not need repair Presonus rocks
>>> the house.
>>>
>>> Ricky Prevatte LMBT1154
>>>
 On Feb 2, 2016, at 1:03 AM, Poppa Bear  wrote:

 That X32 was the talk of the town in the blind community for a while,
 but I myself have a love hate relationship with Beranger and would
 rather not buy anymore gear from them, now if I find something in a pawn
 shop for pennies on the dollar I may toss it in the gear locker. At this
 point having an ADAT is an almost must have for any  interface that I
 consider. Well, thanks for the info, I will have to check out some sound
 demos on YouTube and see if I can get a feel for the overall sound
 quality.
 -Original Message-
 From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On
 Behalf Of TheOreoMonster
 Sent: Monday, February 01, 2016 8:40 PM
 To: ptaccess@googlegroups.com
 Subject: Re: Digi 003

 Yeah it was down to the ONYX and A&H for me. I went with the A&H cuz its
 did 18 by 18 instead of the mackie which only  was 16  by 16. and
 actually the A&H can do 26 by 26 since it has a ADAT  as well.  The
 additional io/options to be used as a surface was was put it over the
 top for me.  Personally if i am gonna get a mixer i want it to bring its
 own analog flavor to the mix so to speak and i don’t want to have to
 memorize screens and pages of stuff to set things i just want knobs and
 buttons lol. Thats kind of why i haven’t gotten into the x32 craze.
> On Feb 2, 2016, at 12:16 AM, Poppa Bear 
> wrote:
>
> Sounds kind of like my Mackie Onyx board. I have both the Onyx, 003 and
> a 002 sitting around, but I am still contemplating getting something
> else if I could justify it. The thing with the 003 is that even though
> it is rock solid on PT, it doesn't seem to be as user friendly on other
> daws, the problem with the onyx is that it is not considered a full
> surface,.
>
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On
> Behalf Of TheOreoMonster
> Sent: Monday, February 01, 2016 8:07 PM
> To: ptaccess@googlegroups.com
> Subject: Re: Digi 003
>
> It’s A&H so the are known for their mic press and the 4 band eq on th
> board. The  converters seemed very nice in my experience.  Unlike the
> Studio live from presounus its an analog mixer with the audio not going
> digital till it hits the Firewire bus. The StudioLive is digital so it
> gets converted to digit as soon as the signal hits the mic press.
> some
>> On Feb 1, 2016, at 11:54 PM, Poppa Bear 
>> wrote:
>>
>> What did that Allen and Heath run you? How are the built in pre's and
>> the conversion?
>> Thanks
>>
>> -Original Message-
>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On
>> Behalf Of TheOreoMonster
>> Sent: Monday, February 01, 2016 7:04 PM
>> To: ptaccess@googlegroups.com
>> Subject: Re: Digi 003
>>
>> This is why i ended up going with the Allen & Heath Zed R16 mixer over
>> the   Presounus. Its a mixer, interface and control surface all none.
>> No motorized faders but soft take over so things don’t just  jump when
>> you start moving faders..
>>
>>
>>> On Jan 31, 2016, at 9:20 AM, Ricky Prevatte 
>>> wrote:
>>>
>>> I will try and work it out it is going to be a big opportunity to
>>> adapt and change everything. Presonus Mike pres are wonderful but no
>>> automation, no control surface overall and no plug in work. I will
>>> have to adapt I can always use the mixer for live application and

Sharing a new song.

[mcdiemert .]

My wife and I wrote this last August, and Rob and I  recorded, and
mixed this month.   Will be in iTunes soon, but if anyone cares to
listen
http://www.noisetrade.com/matthewdiemert/closely-ill-follow
down on the heading that says sample before you download or something
to that affect.
Hope you enjoy.

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330-980-0046

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Re: [Bulk] [Bulk] Avid S3 or C24 control surface?

[mcdiemert .]

Have never gotten FF mode to work at all in PT 10/11/12.
I have considered switching from the MCU for this very reason as
working with the encoder knobs can be quite annoying to put it mildly.


On 10/28/15, Slau Halatyn  wrote:
> In fader flip mode, plug-in controls which are normally mapped to the
> encoder knobs are flipped down to appear on the faders instead. This gives a
> blind user the benefit of a tactile representation of the parameter values.
> It's pretty much the only way I've accessed plug-ins in Pro Tools. Actually,
> a combination of fader flip mode and directly changing parameter values with
> VoiceOver seems to work best. All Avid surfaces have fader flip mode and
> some, but not all, third party surfaces have the mode as well. Supposedly,
> the Mackie Control has it but, again, I have yet to hear of somebody
> reliably using it in that mode.
>
> Slau
>
> On Oct 28, 2015, at 12:11 AM, Katie Zodrow  wrote:
>
>> Hi, what does fader flip mode do on a control surface?
>> Thanks.
>> Katie
>>> On Oct 27, 2015, at 8:58 PM, Slau Halatyn  wrote:
>>>
>>> Hi Katie,
>>>
>>> When speaking of Pro Tools specifically, you won't get better access than
>>> with the C|24 and possibly  the S3. While the idea of the Macke Control
>>> is appealing, especially at its price point, I have yet to hear of a
>>> blind user who has truly found it to be a viable surface for Pro Tools.
>>> While it'll certainly work for things like transport, scrubbing (although
>>> I don't like the way it scrubs), mute, solo, etc., my understanding is
>>> that it lacks in the ability to reliably switch into fader flip mode
>>> which is one of the most important aspects of control surface
>>> implementation for blind users of Pro Tools. If someone's experience on
>>> the list is significantly different, I'd love to hear about it.
>>>
>>> Best,
>>>
>>> Slau
>>>
>>> On Oct 27, 2015, at 9:56 PM, Katie Zodrow  wrote:
>>>
 Hi, Slau. I just looked at the Mackie Universal Pro control surface on
 the B&H website. I just read about this one when I was browsing some old
 posts on the PT list about control surfaces. It sounds like this control
 surface might be better than the S3 since its got a jog wheel for
 editing audio in scrub or shuttle modes. Can you use this for mixing in
 stereo or surround sound?
 Not sure if this control surface would be better than the C24. Let me
 know what you think.
 Thanks.
 Katie
> On Oct 27, 2015, at 4:24 PM, Katie Zodrow  wrote:
>
> Cool. Thanks Slau. I didn’t know the AES show was this weekend. Let me
> know what you find out about the S3 and how you like using it.
> I know Rick hasn’t used this board either. If its not as accessible, I
> might as well go with the C24. I’ll be doing a lot of editing voiceover
> tracks and mixing projects in stereo and surround sound.
> Let me know what you think about the S3 control surface after you
> attend AES.
> Thanks.
> Katie
>> On Oct 27, 2015, at 3:34 PM, Slau Halatyn 
>> wrote:
>>
>> Hi Katie,
>>
>> I know of no blind users with an s3 yet. To be certain, the C|24 is
>> fully supported and is very accessible but undoubtedly much further
>> along in its life cycle. It's clearly still supported and will
>> probably be supported for a few more years but I'd say that 5 years is
>> perhaps pushing it a bit. I'm not sure. In addition, the s3 is half
>> the price but, as you pointed out, doesn't necessarily have all of the
>> same features that come in so handy with the C|24. I'll be at AES this
>> week and will have a chance to take a closer look at the S3 and, since
>> I have a C|24, might be able to compare/contrast the two. I'll see if
>> I can paint a fuller picture by next week.
>>
>> Best,
>>
>> Slau
>>
>> On Oct 27, 2015, at 4:53 PM, Katie Zodrow  wrote:
>>
>>> Hi, everyone. Sorry this email is under Ashley Cox’s name, I’m not
>>> sure why this happened when I put in PT Accessibility in the to
>>> field. I’ll try to delete that next time I email the list.
>>>
>>> I haven’t emailed this list in a long time, but I have a question
>>> about control surfaces. I’m currently working at Rick Boggs' studio
>>> Audio Eyes part-time as an audio engineer. We do postproduction work
>>> producing video description. I’ll be going full time by next year and
>>> will be getting my own digital audio workstation so I can work
>>> remotely from home or at the studio. I reopened my case with DOR in
>>> California, and they will be purchasing this system for me. I was
>>> planning to get the C24 control surface since that’s what we have at
>>> the studio, and I’m really familiar with this board. But I was
>>> browsing on Google a couple weeks ago and last night too. I found
>>> information about another control surface made by Avid. I think it
>>> was intr

Possible iLok issue need some advice.

[mcdiemert .]

Hi all,
Recently I'd say a month ago, I  began receiving, a wire exception
error when working in PT 11.3 on a  Mavricks Mac Book pro with 16GB of
ram. It often starts as a please insert an ilok to authorize Slate
FGX, but as my session goes on, I eventually get a Pro Tools can not
communicate with an iLok. At times, usually on start up,  I'll get a
message that pro tools can not be authorized because an ilok exception
has occurred. I have connected the iLok direct to my MBP, and all
other usb devices IE interface MCU, have not given me any problems
whatsoever, not sure if this is a USB problem with my Mac, or an
actual iLok hardware failure. I've read some blogs that reinstalling
PT 11 has fixed this for some but wanted to get some feedback from the
list prior to proceeding.
Thanks in advance.

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Re: Arming more than 1 track for recording.

[mcdiemert .]

Jason, If you select multiple tracks via the Track list table, and
press Shift r, multiple tracks would be armed. Subsequently, you could
press the  track record enabled button from within the tracks you want
to arm in the mix window.

On 9/9/15, studiojay  wrote:
> Hi Everyone, Can some one please remind me how to arm more than 1 track for
>
> recording in protools? When I arm different tracks, the previously armed
> track is disarmed. I want to do this using voiceover. Thanks in advance for
>
> any help.
> Jason
>
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Re: Cannot start recording by pressing CMD + spacebar in PT 11

[mcdiemert .]

Sorry,
I touched cancel on my iPhone and apparently it thought I meant send!
TO be more clear, when I've done this in the past, I've deleted the
.plst file, and removed it from trash before rebooting. I suspect you
making a backup of the file prior to rebooting was the problem here.
In my experience, and I've probably done this a dozen times, the
symbolic hotkeys files is regenerated upon reboot.
If you're not comfortable with testing this, perhaps using f12 for now
would work.


On 8/26/15, Matt Diemert  wrote:
> I have found that if I do not delete  the i'll, and empty the trash, it does
> not work. So backing it up and have actually been a mistake because the file
> does get regenerated want to reboot your computer.
>
> Sent from my iPhone
>
>> On Aug 26, 2015, at 12:07 PM, Robin Kipp  wrote:
>>
>> Hi,
>> thanks for pointing me in the right direction! After some Googling, I
>> found various posts by people having the exact same problem, however most
>> of them are quite dated (2007 and earlier). I found the tip about removing
>> ~/Library/Preferences/com.apple.symbolichotkeys.plist so I backed up the
>> file and then removed it from that folder. Unfortunately, however, this
>> didn’t actually solve the problem for me… I tried rebooting, then creating
>> a new session but without any luck… So, in case you do have any more
>> details or an article that you could share I definitely would greatly
>> appreciate that!
>> All the best,
>> Robin
>>> Am 26.08.2015 um 15:46 schrieb mcdiemert . :
>>>
>>> I've had this happen to me at times when I switch keyboards, or use a
>>> wireless/Bluetooth KB.
>>> There is a symbolic hotkeys files that needs deleted and preferences
>>> as far as spot light need reset. I'll try to dig the article up if I
>>> can when I'm back today, but if you google the issue it should pop up.
>>>
>>>
>>>> On 8/26/15, Robin Kipp  wrote:
>>>> Hi Peter,
>>>> I’m on a 2013 Mac Pro using a Bluetooth keyboard.
>>>> HTH and thanks for the response!
>>>> Robin
>>>>
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>>>
>>>
>>> --
>>> Warm Regards:
>>> Matt Diemert
>>> 330-980-0046
>>>
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Re: Cannot start recording by pressing CMD + spacebar in PT 11

[mcdiemert .]

I've had this happen to me at times when I switch keyboards, or use a
wireless/Bluetooth KB.
There is a symbolic hotkeys files that needs deleted and preferences
as far as spot light need reset. I'll try to dig the article up if I
can when I'm back today, but if you google the issue it should pop up.


On 8/26/15, Robin Kipp  wrote:
> Hi Peter,
> I’m on a 2013 Mac Pro using a Bluetooth keyboard.
> HTH and thanks for the response!
> Robin
>
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Re: Sliding by Milla Seconds

[mcdiemert .]

If you had a stereo track, using the context menu shift VO M you could
 split to mono. If it's a mono track already, using the same menu
duplicate the track. Then make a selection of the second track,
several ways you could do that I'd probably start at the first region,
 and use shift option return to select to the end. Set your nudge
value to your desired value, and press minus to move it back in time.
These are the short and sweet directions. If this doesn't make sense
please say so, and I'll try to be more clear.

HTH.


On 6/2/15, Poppa Bear  wrote:
> If I want to split an say acoustic guitar track into two monos and slide
> one
> track back say 10 milla seconds, then what is the best way to go in PT? I
> don't want to use a plug because I want to save a few processor punches for
> bigger plugin needs.
>
> Thanks
>
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Re: Changing parameters in AAX plug-ins in PT 12

[mcdiemert .]

On the mac side of things, the parameters don't make a whole lot of
sense, and it's a pretty sprawling plug.
What I have done, when working with the VCC moduals is to set each one
up and set the gain knob to 6 this way, I can quickly find it with the
item chooser. I like the tube immulation part of it enough to use, but
I personally don't find the other elements, IE compression EQ good
enough to  spend the time navigating through such a poorly laid out
plug. Just my personal opinion.

On 5/7/15, Chris Smart  wrote:
> the parameter values and names do make sense and Slate are certainly
> willing to improve this if necessary. When I talked to Anthony, he
> got a look first-hand at how I get at stuff on the Windows side.
>
> At 03:01 PM 5/7/2015, you wrote:
>>Good to know Chris, cheers. Out of interest, how well are the
>>parameters labeled? Do they all display formatted values? I'm assuming
>>that'll be the same on Windows and Mac because most stuff is. I'll be
>>using this on both sides of the fence, which means creating two sets
>>of presets annoyingly.
>>
>>On 5/7/15, Chris Smart  wrote:
>> > Scott, if you typically go EQ before compression, get someone to set
>> > you up a preset containing a VCC channel, an EQ, a compressor like
>> > the FG116 module, and whatever else you want after that. You can then
>> > turn modules on or off as needed, adjust their parameters etc.
>> >
>> > At 01:20 PM 5/7/2015, you wrote:
>> >>With this preset method, that'd mean that you're restricted to running
>> >>one module per instance of VMR, right? Is there much of a difference
>> >>in terms of resources if you run a few instances instead of the
>> >>expected usage of chaining multiple modules within one instance? I
>> >>haven't sprung for any Slate stuff beyond Trigger yet, but I like what
>> >>I've heard and have enough sighted help available at the moment to get
>> >>stuff set up.
>> >>
>> >>Scott
>> >>
>> >>On 5/7/15, Brian Casey  wrote:
>> >> > Thanks for that, they are thhe exact steps I'm taking but no
>> >> luck. Selecting
>> >> > regions to nearest transients etc are all working just fine.
>> >> >
>> >> > Thanks for your response on slate vmr also, very helpful, I mostly
>> >> > want
>> >> > it
>> >> > to try reviver but its good to know that the parameters show once
>> >> > the
>> >> > modules are in place with a preset.
>> >> >
>> >> > Sent from my smart-ish phone!
>> >> >
>> >> >> On 7/05/2015, at 3:10 pm, mcdiemert .  wrote:
>> >> >>
>> >> >> Brian,
>> >> >> Let's say you have two  markers, and you want to select everything
>> >> >> between marker 1 and marker 2. First Go to marker 1 by pressing
>> >> >> period
>> >> >> one period on the numeric keypad. To select up to marker two, you
>> >> >> would hold down shift, and press period 2 period again from the
>> >> >> numeric. HTH
>> >> >>
>> >> >>
>> >> >>
>> >> >>
>> >> >>> On 5/6/15, Brian Casey  wrote:
>> >> >>> Quick nav did catch me a few weeks ago but vo is set to normal, I
>> >> >>> can
>> >> >>> jump
>> >> >>> to markers as normal.
>> >> >>>
>> >> >>> I'm getting by with creating region breaks and selecting that way
>> >> >>> for
>> >> >>> the
>> >> >>> moment, searching in preview in the shortcut guide isn't giving me
>> >> >>> any
>> >> >>> results relating to selecting to the next or previous memory
>> >> >>> location,
>> >> >>> only
>> >> >>> shortcuts relating to creating and moving to memory locations, I'm
>> >> >>> still
>> >> >>> assuming its something I'm doing wrong rather than something
>> >> >>> changing
>> >> >>> in
>> >> >>> pt
>> >> >>> 12.
>> >> >>>
>> >> >>> Thanks for the suggestions,
>> >> >>> Brian
>> >> >>>
>> >> >>> Sent from my smart-ish phone!
>> &

Re: Changing parameters in AAX plug-ins in PT 12

[mcdiemert .]

Brian,
Let's say you have two  markers, and you want to select everything
between marker 1 and marker 2. First Go to marker 1 by pressing period
one period on the numeric keypad. To select up to marker two, you
would hold down shift, and press period 2 period again from the
numeric. HTH




On 5/6/15, Brian Casey  wrote:
> Quick nav did catch me a few weeks ago but vo is set to normal, I can jump
> to markers as normal.
>
> I'm getting by with creating region breaks and selecting that way for the
> moment, searching in preview in the shortcut guide isn't giving me any
> results relating to selecting to the next or previous memory location, only
> shortcuts relating to creating and moving to memory locations, I'm still
> assuming its something I'm doing wrong rather than something changing in pt
> 12.
>
> Thanks for the suggestions,
> Brian
>
> Sent from my smart-ish phone!
>
>> On 6/05/2015, at 1:42 pm, mcdiemert .  wrote:
>>
>> do you have quick nav, or quick keys turned on by chance?
>> Are you able to jump between markers?
>>
>>
>>
>>> On 5/6/15, Brian Casey  wrote:
>>> Yup, all transport mode stuff works from the num pad
>>>
>>> Sent from my smart-ish phone!
>>>
>>>> On 6/05/2015, at 4:14 am, Poppa Bear  wrote:
>>>>
>>>> Bryan, can you still use 3 on the numb pad to start record.
>>>>
>>>> -Original Message-
>>>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On
>>>> Behalf Of Brian Casey
>>>> Sent: Tuesday, May 05, 2015 2:27 PM
>>>> To: ptaccess@googlegroups.com
>>>> Subject: Re: Changing parameters in AAX plug-ins in PT 12
>>>>
>>>> I've now found that the issue was check boxes in preferences not being
>>>> read correctly by Voice over, wonder if this is normal?
>>>>
>>>> Can't figure why key strokes for selecting between markers aren't
>>>> working
>>>> when other selection key strokes like shift return etc are.
>>>>
>>>> Sent from my smart-ish phone!
>>>>
>>>>> On 5/05/2015, at 9:18 pm, Poppa Bear  wrote:
>>>>>
>>>>> Bryan, some have found that they have an automation box checked and it
>>>>> is
>>>>> affecting the parameter changes. I am not using version 12 so I can
>>>>> not
>>>>> directly help. I hope that somebody who has kept track of this issue
>>>>> can
>>>>> assist.
>>>>>
>>>>> -Original Message-
>>>>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On
>>>>> Behalf Of CaseyBrian Casey
>>>>> Sent: Tuesday, May 05, 2015 11:15 AM
>>>>> To: ptaccess@googlegroups.com
>>>>> Subject: Changing parameters in AAX plug-ins in PT 12
>>>>>
>>>>> Hi all, back on this topic I am still unable to adjust plugin
>>>>> parameters
>>>>> in a plugin using Voice Over which I gather shouldn't be a problem.
>>>>>
>>>>> I think Slau may have taken me up wrong, I'm not trying to write
>>>>> automation or anything, just change values of parameters.
>>>>>
>>>>> For example I changed the polarity of a track using the trim plugin
>>>>> but
>>>>> after changing the parameter it reverts to its original state when I
>>>>> next
>>>>> resume playback.
>>>>>
>>>>> I have tried changing some of the prefs relating to automation and
>>>>> tried
>>>>> turning off all automation but no joy. Fyi I aim to install a bcf2000
>>>>> for
>>>>> controling plugs but I'm not sure that will change this behaviour.
>>>>>
>>>>> To avoid clogging the list, I will also quickly mention that using
>>>>> shift
>>>>> and period  on the num pad is for some reason not selecting to the
>>>>> next
>>>>> memory location as it should, also command and 5 is not opening the
>>>>> memory locations window for me and I have to go via the menus to find
>>>>> it,
>>>>>
>>>>>
>>>>> Any ideas on this are greatly appreciated, having gone through many
>>>>> tutorials and looking through pt documentation it seems certain things
>>>>> are not appearing/working as they should.
&

Re: Slate digital question

[mcdiemert .]

Good morning,
if you can get someone to drag the moduals in the VMr, you can create
presets tfor each individual VCC component. Right now, I have a preset
for RC tube and revival and working this way allows me to adjust the
parameters for these two moduals.
HTH.


On 5/7/15, Brian Casey  wrote:
> I should have been more clear, I was asking about accessing the mix rack
> with Voice over rather than the merrits of vcc itself. It sounds like mix
> rack may not be accessible and that is the only way to use vcc 2.0 and newer
> slate offerings it seems.
> My desk is an Allen and Heath gsr24 to answer your question
>
> Sent from my smart-ish phone!
>
>> On 7/05/2015, at 3:17 am, Chris Smart  wrote:
>>
>> well it's up to you whether the VMR is worth it or not. VCC 2.0 does have
>> new algorithms and now appears in VCC as another module.
>>
>> Just curious, which desk do you have?
>>
>> At 07:30 PM 5/6/2015, you wrote:
>>> Hi guys, so to revive an old thread, is it pointless downloading the
>>> virtual mix rack plug to use my vcc on the mac? At least I still have my
>>> VBC but I droppped a few bucks on vcc. At least I have a real desk now so
>>> am less bothered about using VCC.
>>> On Monday, April 13, 2015 at 4:37:04 PM UTC+1, Gary Readfern-Gray wrote:
>>> I have the VBC, they are beautifully accessible. I think this may be
>>> because they can be used stand-alone instead of having to be used in a
>>> rack.
>>>
>>> On 4/13/15, mcdiemert .  wrote:
>>> > They are typically a mixed bag.
>>> > The VTM is fairly usable not much success with the old VCC and FGX.
>>> > The new version of VCC is in VMR if i'm not mistaken. If you create
>>> > presets for yourself it is usable.
>>> >
>>> >
>>> > On 4/13/15, Brian Howerton  wrote:
>>> >> Hello all,
>>> >> For those of you that use Slate digital products, how are they as far
>>> >> as
>>> >> accessibility with PT?  I used the VCC and the VTM on windows, but I
>>> >> am
>>> >> installing them now on my mac to use with pro tools, just was curious
>>> >> as
>>> >> to
>>> >> what others who use these plugins think of them.  Thanks,
>>> >> Brian
>>> >>
>>> >> --
>>> >> You received this message because you are subscribed to the Google
>>> >> Groups
>>> >> "Pro Tools Accessibility" group.
>>> >> To unsubscribe from this group and stop receiving emails from it, send
>>> >> an
>>> >> email to ptaccess+u...@googlegroups.com.
>>> >> For more options, visit
>>> >> <https://groups.google.com/d/optout>https://groups.google.com/d/optout.
>>> >>
>>> >
>>> >
>>> > --
>>> > Warm Regards:
>>> > Matt Diemert
>>> > 330-980-0046
>>> >
>>> > --
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>>> > Groups
>>> > "Pro Tools Accessibility" group.
>>> > To unsubscribe from this group and stop receiving emails from it, send
>>> > an
>>> > email to ptaccess+u...@googlegroups.com.
>>> > For more options, visit
>>> > <https://groups.google.com/d/optout>https://groups.google.com/d/optout.
>>> >
>>>
>>> --
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>>
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Re: Changing parameters in AAX plug-ins in PT 12

[mcdiemert .]

do you have quick nav, or quick keys turned on by chance?
Are you able to jump between markers?



On 5/6/15, Brian Casey  wrote:
> Yup, all transport mode stuff works from the num pad
>
> Sent from my smart-ish phone!
>
>> On 6/05/2015, at 4:14 am, Poppa Bear  wrote:
>>
>> Bryan, can you still use 3 on the numb pad to start record.
>>
>> -Original Message-
>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On
>> Behalf Of Brian Casey
>> Sent: Tuesday, May 05, 2015 2:27 PM
>> To: ptaccess@googlegroups.com
>> Subject: Re: Changing parameters in AAX plug-ins in PT 12
>>
>> I've now found that the issue was check boxes in preferences not being
>> read correctly by Voice over, wonder if this is normal?
>>
>> Can't figure why key strokes for selecting between markers aren't working
>> when other selection key strokes like shift return etc are.
>>
>> Sent from my smart-ish phone!
>>
>>> On 5/05/2015, at 9:18 pm, Poppa Bear  wrote:
>>>
>>> Bryan, some have found that they have an automation box checked and it is
>>> affecting the parameter changes. I am not using version 12 so I can not
>>> directly help. I hope that somebody who has kept track of this issue can
>>> assist.
>>>
>>> -Original Message-
>>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On
>>> Behalf Of CaseyBrian Casey
>>> Sent: Tuesday, May 05, 2015 11:15 AM
>>> To: ptaccess@googlegroups.com
>>> Subject: Changing parameters in AAX plug-ins in PT 12
>>>
>>> Hi all, back on this topic I am still unable to adjust plugin parameters
>>> in a plugin using Voice Over which I gather shouldn't be a problem.
>>>
>>> I think Slau may have taken me up wrong, I'm not trying to write
>>> automation or anything, just change values of parameters.
>>>
>>> For example I changed the polarity of a track using the trim plugin but
>>> after changing the parameter it reverts to its original state when I next
>>> resume playback.
>>>
>>> I have tried changing some of the prefs relating to automation and tried
>>> turning off all automation but no joy. Fyi I aim to install a bcf2000 for
>>> controling plugs but I'm not sure that will change this behaviour.
>>>
>>> To avoid clogging the list, I will also quickly mention that using shift
>>> and period  on the num pad is for some reason not selecting to the next
>>> memory location as it should, also command and 5 is not opening the
>>> memory locations window for me and I have to go via the menus to find it,
>>>
>>>
>>> Any ideas on this are greatly appreciated, having gone through many
>>> tutorials and looking through pt documentation it seems certain things
>>> are not appearing/working as they should.
>>>
>>> Brian.
>>>
>>> --
>>> You received this message because you are subscribed to the Google Groups
>>> "Pro Tools Accessibility" group.
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>>> email to ptaccess+unsubscr...@googlegroups.com.
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>>>
>>> --
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>>
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Re: Slate digital question

[mcdiemert .]

They are typically a mixed bag.
The VTM is fairly usable not much success with the old VCC and FGX.
The new version of VCC is in VMR if i'm not mistaken. If you create
presets for yourself it is usable.


On 4/13/15, Brian Howerton  wrote:
> Hello all,
> For those of you that use Slate digital products, how are they as far as
> accessibility with PT?  I used the VCC and the VTM on windows, but I am
> installing them now on my mac to use with pro tools, just was curious as to
> what others who use these plugins think of them.  Thanks,
> Brian
>
> --
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Re: Having a bit of an issue with Ezdrummer2 for the Mac demo version

[mcdiemert .]

IN AD 1 in pro tools 10 you are able to adjust the various plugin
parameters. However, with the new AD 2 you are unable to adjust the
individual options. With pre sets you can switch between kits, but you
are unable to adjust the volume pitch, compression, ETC of the
presets.


On 4/2/15, Krister Ekstrom  wrote:
> Hi,
> Umm, got a little confused there, do you mean that the plugin isn't
> accessible? If so, it's hard to use it in Pro tools, or is it not accessible
> in stand-alone mode? If so that's been the case as long as i know.
> /Krister
>
>> 2 apr 2015 kl. 14:08 skrev Matt Diemert :
>>
>> Addictive drums too can be used as a plug-in in ProTools 11 though it is
>> an accessible.
>>
>> Sent from my iPhone
>>
>>> On Apr 2, 2015, at 5:43 AM, Scott Chesworth 
>>> wrote:
>>>
>>> That's disappointing news. There's a basic level of usability under
>>> Windows in standalone and as a VSTI, shame it doesn't appear to have
>>> made it across to the Mac version. Keep us posted if you find a fix.
>>>
>>> Scott
>>>
 On 4/2/15, Krister Ekstrom  wrote:
 Hi there,
 I'm trying to test the EZDrummer 2 for the Mac, the demo version to see
 how
 it sounds, because i was under the impression and correct me if i'm
 wrong
 please, that Addictive drums 2 could not be used at all even as a
 plugin
 under Pro tools 11. I have installed EZDrummer and when i open the app
 in
 stand-alone mode all i get is "busy busy", now i don't expect EzDrummer
 to
 work or rather to be accessible in stand-alone mode, but here's the
 thing,
 when i open it as a plugin under Protools 11.3 Protools crashes and
 opens
 the crash reporter. Anyone have had this happen or am i missing
 something?
 /Krister

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>>>
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Re: A question about instrument tracks

[mcdiemert .]

Jason,
what do you find is the easiest way to output individual pieces of say
a drum kit? Are you playing each piece individually? In Addictive
drums you can set outputs for each indi piece of the kit, but VO does
not see this button so I have created some presets with outs, but not
helpful if I use a kit that I've not created outs for. Thanks for your
thoughts.


On 3/28/15, Jason  wrote:
> Hello,
>
> One of the main reasons to convert instrument tracks to audio is to free up
>
> system resources.  A virtual instrument drains more from your system than
> the equivalent audio file.  Actual MIDI tracks are more for outboard MIDI
> gear or if you want to have several MIDI tracks that are individually
> editable   but all point to a single instance of a virtual instrument.  I
> have done this many times with drums so I can have separate MIDI tracks for
>
> hi hat, cymbals snare/kick etc.  Makes it easier later to do editing.  The
> way to convert from instrument to audio is basically to output the
> instrument to the input of a bus or another track and record it like you
> were recording an actual instrument.  Sonar had a nice feature called synth
>
> freezing which made this process automatic...unfortunately Pro Tools does
> not have anything like that as far as I am aware.  Hope this helps.
>
> On Saturday, March 28, 2015 at 11:23:12 AM UTC-4, Krister Ekstrom wrote:
>>
>> Hi there.
>> There are, as i understand it, 2 types of MIDI tracks in Pro tools, the
>> usual midi tracks and the instrument tracks. The advantage of the
>> instrument tracks again as i understand it, is that they in a way combine
>>
>> Midi and Audio and yet i hear that the recommendation is to convert these
>>
>> tracks into Audio, so i ask how you knowledgeable folks on the list go
>> about doing? Do you let the instrument tracks stay as they are or do you
>> convert them to Audio? What would be the advantage with conversion to
>> Audio?
>> /Krister
>>
>
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Re: VCC 2.0 Is out!

[mcdiemert .]

I'm grabbing rctube as we speak I'll let you know.

On 2/21/15, Scott Chesworth  wrote:
> Saw this yesterday and was gonna post asking whether there'd been any
> accessibility changes.
>
> So, have there been any accessibility changes?
>
> Scott
>
> On 2/21/15, Chris Smart  wrote:
>> VCC was already great, but 2.0 takes things much futher! Less CPU
>> drain, rewritten algorithms, 6 consoles now emulated. Demo at:
>> https://www.youtube.com/watch?v=T3b59wy6t6U
>>
>> Make sure to listen to this on your best monitors. It's subtle, but
>> once you notice the difference, it's hard to un-notice them. :)
>>
>> Note: iLok 2 dongle required, as it is for all Slate and Eiosis plug-ins.
>>
>> Chris
>>
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Re: 2011 Mack mini

[mcdiemert .]

Chris,
To me the big deal was in issuing VO commands, I use the Item chooser,
and hotspots a great deal, and in projects with 20 or more tracks the
windows can often have 6 to 800 different items in the chooser.
Upgrading to 16gb took the item chooser from what was often a fairly
long wait to almost instant. Same with my MBP.

On 2/20/15, Christopher-Mark Gilland  wrote:
> Good morning Matt, hope you're well.  Long time no talk.
>
> If you don't mind me asking, where exactly did you see the improvement
> mainly with upgrading from 8 to 16GB?  I'm using 8GB and really honestly
> don't see any lag.  Keep in mind though, I'm not using many virtual
> instruments, and though I do use some sends, and some busses here and there,
>
> I don't really do a huge huge amount.  Also, I normally on vocal tracks only
>
> have about 3 playlists at most, not including my final conf track that I use
>
> in the final master mix.
>
> Again, hope you're well.
>
> Write me off list some time.  Let's catch up!
>
> Chris.
>
> - Original Message -
> From: "mcdiemert ." 
> To: 
> Sent: Friday, February 20, 2015 7:22 AM
> Subject: Re: 2011 Mack mini
>
>
>>I used one of these for my first couple of years in PT, and the only
>> thing I found was the ram needed to be updated. I think I bought a 16
>> gb kit from crucial for 90 bucks or so, and I sold the 8gb from the
>> system on ebay for nearly the same price so the two sides offset.
>> HTH
>>
>> On 2/20/15, TheOreoMonster  wrote:
>>> I wouldn't worry about the Internal HD. If yo are going to upgrade it but
>>>
>>> an
>>> SSD in there and then use the 500GB drive for a second drive  and then a
>>> external drive won't always be needed.
>>>
>>>> On Feb 20, 2015, at 4:56 AM, Poppa Bear  wrote:
>>>>
>>>> I am thinking about picking up a 2011 Mack mini with a 500 GB drive,
>>>> I5,
>>>> and 8 Gb ram to use as a backup recording daw. Is anyone using this
>>>> kind
>>>> of set up right now? I had a friend who used it with PT 8 successfully
>>>> but
>>>> he wasn't into using busses, sends and a lot of plug ins. I would
>>>> upgrade
>>>> to a one TB 7200 drive and probably the same for an external. .
>>>>
>>>> --
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>>>> "Pro Tools Accessibility" group.
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>>>> an
>>>> email to ptaccess+unsubscr...@googlegroups.com
>>>> <mailto:ptaccess+unsubscr...@googlegroups.com>.
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>>>> <https://groups.google.com/d/optout>.
>>>
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>>
>>
>> --
>> Warm Regards:
>> Matt Diemert
>> 330-980-0046
>>
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Re: 2011 Mack mini

[mcdiemert .]

I used one of these for my first couple of years in PT, and the only
thing I found was the ram needed to be updated. I think I bought a 16
gb kit from crucial for 90 bucks or so, and I sold the 8gb from the
system on ebay for nearly the same price so the two sides offset.
HTH

On 2/20/15, TheOreoMonster  wrote:
> I wouldn't worry about the Internal HD. If yo are going to upgrade it but an
> SSD in there and then use the 500GB drive for a second drive  and then a
> external drive won't always be needed.
>
>> On Feb 20, 2015, at 4:56 AM, Poppa Bear  wrote:
>>
>> I am thinking about picking up a 2011 Mack mini with a 500 GB drive, I5,
>> and 8 Gb ram to use as a backup recording daw. Is anyone using this kind
>> of set up right now? I had a friend who used it with PT 8 successfully but
>> he wasn't into using busses, sends and a lot of plug ins. I would upgrade
>> to a one TB 7200 drive and probably the same for an external. .
>>
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Re: Level meter blank

[mcdiemert .]

This happens to me quite often. Typically, when a track is to the
immediate left or right of the close or zoom buttons this behavior
Occurs. Some times, moving the track to a different spot in the track
order works for me. I've also closed the mix window and reopened while
dumping and restarting VO and this will work from time to time.



On 2/17/15, Slau Halatyn  wrote:
> Hi John,
>
> I've never seen this behavior specifically but, if I did encounter such a
> situation, I'd probably hide all tracks, bring up only the one track,
> maximize the window, minimize the window's display options under the View
> menu, scroll to track, quit and restart VoiceOver and/or quit Pro Tools or
> the computer in general. I don't know exactly which I'd try first or in
> which combination. I'm sure you probably considered most of those options
> already. Again, I've never seen that on my end but I'm curious how it
> resolves.
>
> Slau
>
>
>
> On Feb 17, 2015, at 9:49 AM, John André Lium-Netland
>  wrote:
>
>> Hi,
>>
>> Now and then I've seen the level meter for a track staying blank even
>> though there is signal on the track, but this usually is fixed by showing
>> only this track, hiding all others. But today I have been unable to get
>> the tracks to show anything else than blank. I've tried different
>> preferences for the level meter, but VoiceOver still only see a blank
>> field where the peak level should be read.
>>
>> Any ideas? :)
>>
>> Best,
>> John André
>>
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Re: Virtual instrument issue.

[mcdiemert .]

Just a note on fixing this. On the Yamaha electric piano I was using,
there was both a soft and sustain pedal on the pedal board. Out of the
sake of having nothing left to try, I simpley switched where the two
pedals were connected in the back thereby using the soft pedal and all
works as expected. Not sure if I have something going bad in the
current pedal, but I'm happy to report all is working.

On 1/30/15, CHUCK REICHEL  wrote:
> Hi Matt,
> burning a audio track is the way to go.
> This way in the future you can always count on the audio being there! LOL
> Heres what I do all the time with slate trigger.
> from the instrument track choose a send then choose the new track option.
> next decide mono or aux or audio track.
> next name it and hit return.
> the send window comes up make sure to hit "pre fader" option.
> next set that fader where you like it, most of the time I vo space on it for
> "0:
> next find the new audio track that was created and hit record & input
> monitor.
> next watch your levels on-the new audio track you created then hit record in
> PT and print the VI to that new audio track.
> next your done! :)
> Call me if you need further walk through I'd be glad to help. :_)
> YMMV
> Chuck
>
>
> CHUCK REICHEL
> soundpicturerecord...@gmail.com
> www.SoundPictureRecording.com
> 954-742-0019
> Isaiah 26 : 3
>  Thou wilt keep him in perfect peace, whose mind is stayed on thee: because
> he trusteth in thee.
>
> In GOD I Trust
>
> On Jan 30, 2015, at 8:52 AM, Matt Diemert wrote:
>
>> Good morning, even with midi merge set to off the problem persists. The
>> only way that the piano sounds normal, is if the track is armed and I'm
>> holding down the sustain pedal.i've tracked virtual piano several times
>> without this happening though it has happened to me once before and I
>> scrapped the idea. I'm just wondering if there's anyway for me to bounce
>> the midi to an audio track so that at least I have the normal sounding
>> piano.any thoughts would be appreciated.
>>
>> Sent from my iPhone
>>
>>> On Jan 29, 2015, at 8:10 PM, Slau Halatyn  wrote:
>>>
>>> Hi Matt,
>>>
>>> This is a known and quite infamous bug that has been in Pro Tools since,
>>> wait for it, version 7. Yes, that's right. I truly have no idea why this
>>> bug still hasn't been squashed. Anyway, don't hold your breath but here's
>>> a work-around:
>>>
>>> Don't use MIDI Merge. That kind of sucks for those who like to use that
>>> mode but, hey, you can always just use regular punch-in recording and
>>> you'll pretty much get the same results for piano/keyboard playing.
>>>
>>> Hope that helps,
>>>
>>> Slau
>>>
>>>> On Jan 29, 2015, at 6:53 PM, mcdiemert .  wrote:
>>>>
>>>> Hi all,
>>>> wondering if anyone has seen this behavior. In both PT 10 and 11, I
>>>> create a virtual instrument track, and instantiate the mini grand
>>>> plugin.  I arm the track, and record a pass and when I play it back,
>>>> it was as if I didn't use the sustain pedal. However, if I press play
>>>> while holding the sustain pedal and continue doing so as the pass
>>>> plays,  the piano sounds fine. I've tested with an m audio 61 USB,  as
>>>> well as an older clavenova with midi out.
>>>> Any thoughts would be greatly appreciated.
>>>>
>>>> --
>>>> Warm Regards:
>>>> Matt Diemert
>>>> 330-980-0046
>>>>
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>>>
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Virtual instrument issue.

[mcdiemert .]

Hi all,
wondering if anyone has seen this behavior. In both PT 10 and 11, I
create a virtual instrument track, and instantiate the mini grand
plugin.  I arm the track, and record a pass and when I play it back,
it was as if I didn't use the sustain pedal. However, if I press play
while holding the sustain pedal and continue doing so as the pass
plays,  the piano sounds fine. I've tested with an m audio 61 USB,  as
well as an older clavenova with midi out.
Any thoughts would be greatly appreciated.

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Re: Download presets for Guitar Rig 5, Stutter Edit and Ozone 5 here...

[mcdiemert .]

John,
So sorry I didn't see your message. From time to time, the contact
form will take it upon itself to move messages to spam.  In the
future, feel free to email direct at serv...@protoolswithspeech.com
If it's still ok with you, we'd be happy to post these to the presets
page as well.
Thanks.

On 1/29/15, Scott Chesworth  wrote:
> Muchos thanks for these. Gonna be mega useful for a whole heap of people!
>
> Scott
>
> On 1/29/15, John André Lium-Netland  wrote:
>> Hi,
>>
>> I have created presets for Guitar Rig 5, Stutter Edit and Ozone 5. Guitar
>> Rig 5 is the most extensive of them, containing 481 presets. It was quite
>> a
>> job to save all the presets, but they works great. Both the Ozone 5 and
>> Stutter Edit presets are grouped the same way as the originals in the
>> plugins.
>>
>> I've tried to contact the ProToolsWithSpeech site without getting any
>> reply,
>> to contribute to their presets list. So instead, you're all welcome to
>> download the preset zip files from here:
>>
>> Guitar Rig 5: http://www.a-pro-studio.no/pt/Guitar%20Rig%205.zip
>>
>> Ozone 5: http://www.a-pro-studio.no/pt/iZotope%20Ozone%205.zip
>>
>> Stutter Edit: http://www.a-pro-studio.no/pt/Stutter%20Edit.zip
>>
>> If you should find any errors in the presets, please let me know.
>> Enjoy! ;)
>>
>> Best,
>> John André
>>
>>
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Re: Numb pad is still down

[mcdiemert .]

Poppa,
Does command space work to begin recording or have you never setup for
that since you were using the numpad? What OSX are you using? I have a
suspicion I know what's up.

On 1/7/15, Poppa Bear  wrote:
> I have another keyboard around, so I will give it a try. I have used this
> one for a couple years now, so it would be funny if it just started having
> problems, but I guess that anything's possible. And yes, Slau, it is one of
> those Dongle USB keyboards.
>
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf
> Of Matt Diemert
> Sent: Wednesday, January 07, 2015 4:05 AM
> To: ptaccess@googlegroups.com
> Subject: Re: Numb pad is still down
>
> I have used a Logitech wireless keyboard with ProTools for the past two
> years with no problems whatsoever! It is USB over infrared.and this sounds
> like exactly what Papa is using.
>
> Sent from my iPhone
>
>> On Jan 7, 2015, at 8:03 AM, Slau Halatyn  wrote:
>>
>> OK, that's confusing. If it's wireless, how is it USB? Is it one of those
>> USB plug-in dongles that transmits a BlueTooth signal? At any rate, the
>> problem clearly isn't with Pro Tools. You need to grab an Apple Pro
>> keyboard for around $40. If you're determined to be wireless, use the
>> Apple wireless keyboard with one of the wireless num pads from Belkin or
>> anything that Apple sells in the Apple Store online. Those two solutions
>> work with no problems.
>>
>> HTH,
>>
>> Slau
>>
>>> On Jan 6, 2015, at 11:14 PM, Poppa Bear  wrote:
>>>
>>> Hello Slau, it is a wireless USB keyboard with built in NUMB pad. The Num
>>> pad commander works, but none of the normal num pad keystrokes work what
>>> so ever, not even entering in values.
>>>
>>> -Original Message-
>>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On
>>> Behalf Of Slau Halatyn
>>> Sent: Tuesday, January 06, 2015 2:36 PM
>>> To: ptaccess@googlegroups.com
>>> Subject: Re: Numb pad is still down
>>>
>>> Papa,
>>>
>>> It sounds like there's a system level problem with your num pad. There
>>> are no commands to turn off the num pad in Pro Tools. It's either
>>> classic, Transport or Shuttle (on HD systems). Apart from that, num lock
>>> and num pad commander are the only other variables. Does num pad
>>> commander work correctly? Can you enter values from the num pad? Can you
>>> enter counter values? are you using an extended keyboard or is it a
>>> separate num pad? USB? BlueTooth?
>>>
>>> Slau
>>>
 On Jan 6, 2015, at 5:44 PM, Poppa Bear  wrote:

 I've taken a break for a few days in the studio, but my numb pad PT
 commands are still not working. Rew, FWD, record, marker, nudge,
 metronome, none of these functions will work from the numb pad. I can
 flip on and off the numb pad commander, I can turn numb lock on and off,
 but I cannot use any PT commands with it. Any more thoughts would be
 great.

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>>>
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Re: Deleting fades.

[mcdiemert .]

No, not if the fade is selected.


On 12/4/14, Christopher-Mark Gilland  wrote:
> Wouldn't that actually, though, delete the audio in that selection, Matt?
> Or, am I wrong on that assumption.
> ---
> Christopher Gilland
>
> Phone:  704-594-2225
>
> E-mail:  clgillan...@gmail.com
>
> Web site:
> http://www.clgproductions.com
>
> Twitter:  @gilland_chris
>
> Facebook:
> http://www.facebook.com/chris28210
>
> Skype: chris28210
>
> IMessage/Facetime:
> cgwaxhawlo...@clgproductions.com
>
> Zello:  clgproductions
> and:  christablet123
> Please kindly, add both, if you don't mind.
> - Original Message -
> From: "mcdiemert ." 
> To: 
> Sent: Thursday, December 04, 2014 4:55 PM
> Subject: Re: Deleting fades.
>
>
>> If you select the fade (Shift tab) most cases, you can press the
>> delete key to eliminate the fade.
>>
>>
>> On 12/4/14, Michael Kuhlmann  wrote:
>>> Hi to the list,
>>>
>>> I'm working in a session containing several clips. Accidentally I added
>>> a
>>> fade to start in one of these clips, but didn't notice this mistake at
>>> once.
>>> I saved my session, opened it later and noticed this fade in. How can I
>>> get
>>> rid of it now. I selected the clip pressing ctrl-tab and opened the
>>> fade-sub-menu, but the delete-command is unavailable.
>>>
>>> Any helpful information would be very appreciated.
>>>
>>> Thanks in advance and best.
>>>
>>> Michael
>>>
>>> --
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>>> email to ptaccess+unsubscr...@googlegroups.com.
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>>>
>>
>>
>> --
>> Warm Regards:
>> Matt Diemert
>> 330-980-0046
>>
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Re: Deleting fades.

[mcdiemert .]

If you select the fade (Shift tab) most cases, you can press the
delete key to eliminate the fade.


On 12/4/14, Michael Kuhlmann  wrote:
> Hi to the list,
>
> I'm working in a session containing several clips. Accidentally I added a
> fade to start in one of these clips, but didn't notice this mistake at once.
> I saved my session, opened it later and noticed this fade in. How can I get
> rid of it now. I selected the clip pressing ctrl-tab and opened the
> fade-sub-menu, but the delete-command is unavailable.
>
> Any helpful information would be very appreciated.
>
> Thanks in advance and best.
>
> Michael
>
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Re: More Waves Plugin Presets

[mcdiemert .]

David,
Any possible way you could zip these up for me? Unless I'm missing
something, it looks like I'd have to d/l each individual tfx file from
the link you provided.


On 12/4/14, David Eagle  wrote:
> I've added presets for the c1 comp Gate plugin. So in the folder now is the
> L1 Ultramaximizer, Trueverb and C1 Comp Gate. I believe these are the
> version 9 waves plugins. HOpe this helps someone. Download the folder here.
> http://davideagle.co.uk/wp-admin/podcasts/WaveShell%20AAX/
>
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Re: Heads-up with plugins

[mcdiemert .]

John, if you're asking if the AD 1 presets would work in AD 2, I'm not
sure. I demoed AD 2 this summer, and had no success adjusting values
ETC in the AAX plug. Thus, I have continued using AD 1 in PT 10 to
have access to the RTAS plugin.

On 12/4/14, John Gunn  wrote:
> Hello Matt,
>
> Nice site but a quick question, I am thinking about purchasing Addictive
> Drums 2 which is bundled with Addictive Keys for $100 from SweetWater, my
> question is, would you know if the custom presets for Addictive Drums 2?
>
> Keep up the good work on the site.
>
> John
>
>
>> On Dec 2, 2014, at 9:00 AM, mcdiemert .  wrote:
>>
>> Good morning all,
>> We have started a page over at www.protoolswithspeech.com with some of
>> the presets we've been able to collect, and/or contribute.  I would
>> love to see this page grow considerabley, so anyone who wishes to
>> share presets with the community at large, can certainly email me a
>> link and/or attachment if you wish your presets included.
>> The direct link can be found at:
>> http://protoolswithspeech.com/plugin-presets
>> Check back often, as I'm still in the process of uploading and linking
>> to additional plugs.
>>
>>
>> On 12/2/14, David Eagle  wrote:
>>> OK, well I've done the L1 Ultramaximiser, which is a great plugin for
>>> mastering. Can someone tell me how to export the settings file? I've
>>> saved
>>> each individual setting, but now I need to export them so that I can
>>> send
>>> the file. Thanks
>>>
>>>> On 2 Dec 2014, at 14:18, Christopher-Mark Gilland
>>>> 
>>>> wrote:
>>>>
>>>> David,
>>>>
>>>> The situation is, firstly, I'll gladly take the presets you can send
>>>> me,
>>>> but here's the deal.  I need as many of them as I can get, as I'm not
>>>> sure
>>>> which ones I'll wind up using in the final mix.  I've not really played
>>>> much with any of the waves stuff.  It's therefore hard to say what I'll
>>>> wind up using. So at this time, there really are not any particularly
>>>> that
>>>> I'm interested in specifically.  The studio I'm going to clames to have
>>>> all of them.  They clame they spent literally over 2 grand for all of
>>>> them.
>>>> --
>>>> Christopher Gilland
>>>>
>>>> Phone:  704-594-2225
>>>>
>>>> E-mail:  clgillan...@gmail.com
>>>>
>>>> Web site:
>>>> http://www.clgproductions.com
>>>>
>>>> Twitter:  @gilland_chris
>>>>
>>>> Facebook:
>>>> http://www.facebook.com/chris28210
>>>>
>>>> Skype: chris28210
>>>>
>>>> IMessage/Facetime:
>>>> cgwaxhawlo...@clgproductions.com
>>>>
>>>> Zello:  clgproductions
>>>> and:  christablet123
>>>> Please kindly, add both, if you don't mind.
>>>> - Original Message - From: "David Eagle"
>>>> 
>>>> To: 
>>>> Sent: Tuesday, December 02, 2014 8:26 AM
>>>> Subject: Re: Heads-up with plugins
>>>>
>>>>
>>>> Thanks for your help Poppa. Great news about being able to export and
>>>> import presets. Fear not, Christopher. I'll happily get some presets to
>>>> you tonight so that you can have a look at them in the studio. I've
>>>> saved
>>>> a few presets for the L1 Ultramaximiser and TrueVerb. Ideally, we could
>>>> get our hands on the presets that are already out there, rather than me
>>>> having to ask my girlfriend to go through them all. Are there any
>>>> plugins
>>>> you're particularly keen to have a look at Christopher? I have the gold
>>>> bundle, so I can do anything in that.
>>>>
>>>> Obviously I'll make these available to the entire list.
>>>>
>>>> I also worked out how to do automation. I didn't realise that you had
>>>> to
>>>> interact with the plugin widnow at the bottom of the screen. Everything
>>>> is
>>>> working perfectly.
>>>>
>>>> --
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>

A bit off topic

[mcdiemert .]

Good morning all,
I released a new EP this week and just thought I'd pass the word along.
Tracked, edited, and lightly mixed in Pro Tools 10, and 11.
This summer a very dear friend of ours was diagnosed with a rare form
of Leukemia, so these songs were recorded and sent to her while she
stayed at the Cleveland Clinick. While she battled valiantly we lost
her in October. Thus,  we decided to release the tracks in honor of
her. All sales will be donated to assist with the costs of her
treatment.  These are fairly raw recordings, as they were often done
when we could all get together and work, I chose not to over mix to
maintain the emotion of the moment.
Currently, available in iTunes, and should be in Amazon soon.
If you wish a hard copy of the cd, please write me off list.


https://itun.es/us/UQnG4



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Re: Heads-up with plugins

[mcdiemert .]

Good morning all,
We have started a page over at www.protoolswithspeech.com with some of
the presets we've been able to collect, and/or contribute.  I would
love to see this page grow considerabley, so anyone who wishes to
share presets with the community at large, can certainly email me a
link and/or attachment if you wish your presets included.
The direct link can be found at: http://protoolswithspeech.com/plugin-presets
Check back often, as I'm still in the process of uploading and linking
to additional plugs.


On 12/2/14, David Eagle  wrote:
> OK, well I've done the L1 Ultramaximiser, which is a great plugin for
> mastering. Can someone tell me how to export the settings file? I've saved
> each individual setting, but now I need to export them so that I can send
> the file. Thanks
>
>> On 2 Dec 2014, at 14:18, Christopher-Mark Gilland 
>> wrote:
>>
>> David,
>>
>> The situation is, firstly, I'll gladly take the presets you can send me,
>> but here's the deal.  I need as many of them as I can get, as I'm not sure
>> which ones I'll wind up using in the final mix.  I've not really played
>> much with any of the waves stuff.  It's therefore hard to say what I'll
>> wind up using. So at this time, there really are not any particularly that
>> I'm interested in specifically.  The studio I'm going to clames to have
>> all of them.  They clame they spent literally over 2 grand for all of
>> them.
>> --
>> Christopher Gilland
>>
>> Phone:  704-594-2225
>>
>> E-mail:  clgillan...@gmail.com
>>
>> Web site:
>> http://www.clgproductions.com
>>
>> Twitter:  @gilland_chris
>>
>> Facebook:
>> http://www.facebook.com/chris28210
>>
>> Skype: chris28210
>>
>> IMessage/Facetime:
>> cgwaxhawlo...@clgproductions.com
>>
>> Zello:  clgproductions
>> and:  christablet123
>> Please kindly, add both, if you don't mind.
>> - Original Message - From: "David Eagle"
>> 
>> To: 
>> Sent: Tuesday, December 02, 2014 8:26 AM
>> Subject: Re: Heads-up with plugins
>>
>>
>> Thanks for your help Poppa. Great news about being able to export and
>> import presets. Fear not, Christopher. I'll happily get some presets to
>> you tonight so that you can have a look at them in the studio. I've saved
>> a few presets for the L1 Ultramaximiser and TrueVerb. Ideally, we could
>> get our hands on the presets that are already out there, rather than me
>> having to ask my girlfriend to go through them all. Are there any plugins
>> you're particularly keen to have a look at Christopher? I have the gold
>> bundle, so I can do anything in that.
>>
>> Obviously I'll make these available to the entire list.
>>
>> I also worked out how to do automation. I didn't realise that you had to
>> interact with the plugin widnow at the bottom of the screen. Everything is
>> working perfectly.
>>
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Re: UA Plug ins

[mcdiemert .]

My experience with UA plugs in RTAS was extremely successful.
Unfortunately, I've not had a chance to dig in to AAX, as the machine,
I work with the UA satellite is running PT 9. All things considered
the Twin is quite a nice unit, both for tracking and mixing purposes.

On 11/28/14, TheOreoMonster  wrote:
> Hey Guys,
>
> curious about the UA plug ins. And their accessibility. May have asked
> this before and i seem to remember some of you guys using them. It
> being black friday and Apollo stuff is 20% off its a bit more tempting
> to pick up a twin. not so much interested in using the mixer to track
> through UA plug ins but more as a Processor for Au?VST/AAX versions of
> plug ins while mixing. I imagine as this is the pro tools list you
> guys can really only speak to how useable the aax versions are which
> is cool. Also let me kNOW WHICH UA interface or processor card you
> guys are using. And incase anyone else  wants to get in on this, the
> website is www.proaudiostar.com and the coupon code is Uablackfriday.
>
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Re: Evaluating AAX Plug-Ins for Accessibility

[mcdiemert .]

Scott,
While I don't have any examples  of a developer who has successfully
used a custom browser approach to presets, I can tell you that there
are several extremely nice plugs that have created excellent software
while using the built in preset browser.  The Elysia Mpressor, UAD
plugs,  as well as all of the McDsp plugs are excellent. Can't
recommend the Mpressor any more highly than any other plug I've ever
used. All of these that I mentioned are extremely accessible,
including presets available within the stock browser popup menu.


Regards:
Matt
www.protoolswithspeech.com



On 11/7/14, Scott Chesworth  wrote:
> No suggestions of additions to that framework are springing to mind
> here (it seems like a thorough system), but it did raise a question.
> Has anyone come across one of these proprietary substitute browser
> thingies that can actually be used with VoiceOver? I ask because when
> communicating with plugin developers, I've often been asked to cite an
> example where this stuff has been implemented well, and I don't yet
> have any examples to point a curious developer toward.
>
> Awesome to see Avid posting publicly here... thanks for everything
> you've done so far Ed!
>
> Scott
>
> On 11/7/14, Poppa Bear  wrote:
>> I think that since they have opened the door then blind users need to
>> approach them and ask what you're asking now. Follow up with the
>> gentlemen
>> who sent the email from Avid.
>>
>>
>>
>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On
>> Behalf
>> Of Krister Ekstrom
>> Sent: Friday, November 07, 2014 12:08 AM
>> To: ptaccess@googlegroups.com
>> Subject: Re: Evaluating AAX Plug-Ins for Accessibility
>>
>>
>>
>> Hi there, i think this sounds really great. When we say all user
>> controlable
>> parameters does that include editing of drum patterns and/or step
>> sequenser
>> parameters and patterns as well? How would we rate those plugins whos
>> sequensers etc can't be manipulated? Example of this would be Strike,
>> Boom,
>> (if i'm wrong here please correct me) Arturia Jupiter8v and CS80V.
>>
>> Thanks
>>
>> /Krister
>>
>>
>>
>> 7 nov 2014 kl. 08:50 skrev Ed Gray :
>>
>>
>>
>> Dear Google Accessibility Discussion Group Members:
>>
>>
>>
>> Avid has recently enjoyed the opportunity to work with visually impaired
>> audio professionals  to improve VoiceOver support for Pro Tools, and we
>> want
>> to keep these improvements coming. Just as importantly, we want to
>> encourage our Connectivity Partners (our new collective name for all
>> third
>> party technology developers) to follow suit.  In working with this team,
>> we
>> drafted a plug-In  accessibility rating system that  we will soon
>> finalize
>> and share with third parties.   It is our hope that the blind user
>> community
>> will come to score AAX  plug-ins based on this framework or something
>> similar.   Here is the working rating system, for which you are welcome
>> to
>> provide input:
>>
>>
>>
>> AAX  plug-in is rated  from 1 to 5 with 5 representing "strong agreement"
>> for the following criteria:
>>
>>
>>
>> 1.   Plug-in can be installed and its license authorized without
>> sighted
>> assistance.
>>
>> 2.   Plug-in can be registered without sighted assistance
>>
>> 3.   Plug-in supports Pro Tools standard methodology for save/load of
>> presets or employs a proprietary substitute that supports VoiceOver
>>
>> 4.   All user-controllable parameters are speakable with VoiceOver
>>
>> 5.   Plug-in contains accurate page tables for Avid control surfaces
>> compatible with Pro Tools 11 or higher
>>
>> 6.   Connectivity  Partner makes customer-facing statement in support
>> of
>> accessibility and provides contact information for related inquiries.
>>
>>
>>
>> So, let us know what you think, and together, we can make accessibility a
>> "first class citizen" on the roadmaps of as many Connectivity Partners as
>> possible.
>>
>>
>>
>> Gratefully,
>>
>>
>>
>> Ed Gray
>>
>> Director, Partnering Programs | Product Management
>>
>> Avid
>>
>>
>>
>> --
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Re: removing the hole when deleting

[mcdiemert .]

Steve,
You would deffinitly want to listen to Slau's recent demo  regarding
modes. He sent out an email with a link to a  demonstration probably 3
weeks ago or so, if you don't have please let me know, and I can get
you a link to it, assuming Slau has deleted it from his Dropbox.
HTH.


On 11/3/14, Steve Sparrow  wrote:
> removing hole when deletingHi guys, just wondering about some deleting
> concepts. Just wanting to know how to remove the hole when deleting. i have
> to do some broadcast stuff. cutting up voice tracks, and things like that.
> so if i've got a track selected, and make a selection marking it out with up
> and down arrow, how do i remove the hole when i delete. In sonar this was
> part of the delete dialogue box, and it was called delete hole, you could
> have it checked or unchecked depending on what you wanted to do. I'm sure
> this is covered in mat and rob's tutorial, i just haven't found it yet.
> Still going through it. Cheers Steve
>
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Re: Something new from SS called Batch Commander, check it out

[mcdiemert .]

I grabbed the demo and plan to install today. However, given the SS
history of access, I'm skeptical.
Regards:
Matt D.
www.protoolswithspeech.com

On 10/11/14, CHUCK REICHEL  wrote:
> Hi Joe & byron,
> For $99 its a steel if voiceOver works with it??? :)
> Has anybody tried it yet?
> Chuck
>
>
> CHUCK REICHEL
> soundpicturerecord...@gmail.com
> www.SoundPictureRecording.com
> 954-742-0019
> Isaiah 26 : 3
>  Thou wilt keep him in perfect peace, whose mind is stayed on thee: because
> he trusteth in thee.
>
> In GOD I Trust
>
> On Oct 11, 2014, at 4:56 PM, byron harden wrote:
>
>> Wooo
>>
>> great
>> On Oct 10, 2014, at 5:22 PM, 'Hi' via Pro Tools Accessibility
>>  wrote:
>>
>>> If you do a lot of editing or mixing I think this would be incredible if
>>> it were accessible. I haven't tried it yet because I literally just got
>>> the link but check out this video which you can hear and imagine what
>>> he's talking about. It's like Quick Keys or Keyboard Maestro on steroids
>>> and it's just for Pro Tools.
>>> http://app.streamsend.com/private/qSti/OJI/zMcEElK/browse/22396759#ss-video_44791
>>>
>>> --
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Re: Anywhere to go and read up on Compression and EQ?

[mcdiemert .]

Check out:
http://therecordingrevolution.com/
Extremely practical useful stuff explained. Just do a search for what
you're looking for an tons of articls and vids will come up.

On 9/29/14, Krister Ekstrom  wrote:
> Hmm, i have to check those tutorials out, only thing is that calling could
> be a bit unpractical since i'm in Sweden, but maybe there's an email address
> one could get and start from there?
> /Krister
>
>> 29 sep 2014 kl. 14:14 skrev CHUCK REICHEL
>> :
>>
>> Hi Krister,
>>
>> Yes Groove 3 has these and they offer a 33$% or better discount if you
>> call in & tell them you're only able to hear the product.
>>
>> These 2 tutorials are excellent! :)
>> Compression explained & equalization explained.
>> Groove 3 Inc. CALL US:  1-800-460-7509 Groove 3 Inc
>> There in the great USA state of Texas.
>>
>> YMMV
>>
>>
>>
>> CHUCK REICHEL
>> soundpicturerecord...@gmail.com 
>> www.SoundPictureRecording.com 
>> 954-742-0019
>> Isaiah 26 : 3
>>  Thou wilt keep him in perfect peace, whose mind is stayed on thee:
>> because he trusteth in thee.
>>
>> In GOD I Trust
>>
>> On Sep 29, 2014, at 5:46 AM, Krister Ekstrom wrote:
>>
>>> Hi,
>>> As my very first song in Pro tools approaches the final stages with
>>> editing and mixing and that kind of stuff there's one thing i admit as an
>>> amateur i can't quite get my head around and that's EQing and
>>> compressing, compressing in particular. Does anyone know if there are
>>> good tutorials free or paid or better yet if there are good sound samples
>>> available that demonstrates compressing? It's probably a matter of taste,
>>> but is there some kind of golden rule to all this madness?:-)
>>> /Krister
>>>
>>> --
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>>
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Re: Plug ins presets for trade

[mcdiemert .]

Chuck,
I think you misunderstood the original intent of the post.
The request was to trade preset files. Meaning, if I've created preset
files for a plug you have that doesn't have an accessible method for
utilizing presets, I'd give you my TFX files and boom, you have
accessible presets as well. Nothing license or cracked involved in
this request at all!
we'd be happy to start a page for this over at
www.protoolswithspeech.com
If there are any of you that would like to send me presets off list,
please do so at serv...@protoolswithspeech.com and I'll be happy to
host and get a page going. Rob and I planned to do this soon with the
ultra channel and some of the waves compressors that I'm currently
using as well as potentialy addictive drums, keys, and a few others.


Regards:
Matt Diemert


On 9/1/14, onlinemixing.co  wrote:
> i purchased my waves plugins. i ooffer only the folders containing the
> presets saved settings in pt.
>
>> Il giorno 01/set/2014, alle ore 18:19, CHUCK REICHEL
>>  ha scritto:
>>
>> Hi Nicola,
>> Waves always requires authorization un less the plugs are cracked.
>> If cracked! this is the wrong list to be on  for dealing with cracked
>> plugs!
>> Chuck
>>
>>
>> CHUCK REICHEL
>> soundpicturerecord...@gmail.com
>> www.SoundPictureRecording.com
>> 954-742-0019
>> Isaiah 26 : 3
>>  Thou wilt keep him in perfect peace, whose mind is stayed on thee:
>> because he trusteth in thee.
>>
>> In GOD I Trust
>>
>>> On Sep 1, 2014, at 11:25 AM, onlinemixing.co wrote:
>>>
>>> private no profit trading beetween people with visual impairment like me
>>> of course. enywey i mean ONLY the .tfx pt accessible format of tpresets.
>>>
 Il giorno 01/set/2014, alle ore 15:37, CHUCK REICHEL
  ha scritto:

 Hi Nicola,
 How would you handle the Waves authorizations? :)
 Chuck


> On Sep 1, 2014, at 7:57 AM, Nicola Cascino wrote:
>
> Hi,
>
>
> is anyone interested in trading .tfx presets? I need the Sound Toys fx
> bundle except FF1, Decapitator and Echo Boy, offer these 3 + Waves C6
> and CLA Classic Compressors.
>
>
>
> NT
>
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>>>
>>>
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Re: Plug-in parameters resetting

[mcdiemert .]

I've no real reasoning behind why this is happening, but the short and
simple fix is to remove the plugin from your insert by choosing no
insert, and reinstantiating, this has always worked for me.
HTH.
Matt Diemert
www.protoolswithspeech.com


On 8/9/14, Gordon Kent  wrote:
> Not really.   If they are audio effects and not soft synths, I
> can't imagine what the problem is.
> GOrd
>
> -Original Message-
> From: chad morrison
> Sent: Saturday, August 9, 2014 10:21 PM
> To: ptaccess@googlegroups.com
> Subject: Re: Plug-in parameters resetting
>
> I have set the tracks automation two off. I have even turn the automation
> for plug-ins off in the automation window. I am still having the problem
> when the playback is restarted. Do you have anymore ideas? Thank you for
> your help so far.
>
> From Chad's iPhone
>
>> On Aug 8, 2014, at 8:01 PM, "Gordon Kent"  wrote:
>>
>>   Do you have automation turned on for the track with the plugin
>> inserted on it?  Is the plugin an audio effect or a soft synth?  If it is
>>
>> a synth, there may be a midi program change on the  track that is
>> resetting it.
>> GOrd
>>
>> -Original Message- From: chad morrison
>> Sent: Friday, August 8, 2014 11:59 AM
>> To: Pt Access
>> Subject: Plug-in parameters resetting
>>
>> I apologize in advance because I think this has been covered before on
>> this list. However, when I press play wile   in the plug-in window my
>> parameters keep resetting themselves. Could someone please tell me how to
>>
>> fix this problem? I did not have this problem until now. I have been
>> running ProTools 11 since February. Thank you in advance.
>>
>> From Chad's iPhone
>>
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Re: Overview of using Clip Gain on Protoolswithspeech.com

[mcdiemert .]

Scott, not in front of my rig right now, but I believe the key combo
to rename a region is shift command r, this gives you the name of the
current region even if you don't need to rename.

On 7/31/14, Scott Chesworth  wrote:
> Hey Matt,
>
> Guessing you keep your notes separate from the session then? Also,
> what's the easiest way to find out the name of the region you're
> currently listening to or have selected? I confess, since I moved away
> from Pro Tools during the years where there was no accessibility
> happening, I've been a bit spoiled by getting more speech feedback as
> I jump around sessions in other DAWs. Of course, there are times when
> Pro Tools being more silent unless you specifically go looking for
> info is a good thing, but having that extra speech feedback happening
> automatically has made me really slapdash about keeping separate
> session notes.
>
> Scott
>
> On 7/31/14, mcdiemert .  wrote:
>> Scott,
>>  absolutely, I'd either split, and rename the region, or put it
>> between two markers numbering them something very specific and making
>> note of that number scheme. This is how I approach automation as well
>> as Clip Gain.
>>
>> On 7/31/14, Scott Chesworth  wrote:
>>> Nice one, thanks for the demonstration Matt.
>>>
>>> As someone who hasn't touched the clip gain functionality in PT yet
>>> (old dog, new trick etc), I wonder whether there's any way of keeping
>>> track of the changes you've made to productively make future tweaks?
>>> My current workflow in a different DAW is to split what Pro Tools
>>> would call a region, apply this DAWs flavour of clip gain to that, and
>>> name the region to include what adjustment I made. This way if the
>>> client comes back and says "I'd like you to make more of that part" or
>>> "reign it in more", I can A) quickly jump back to it knowing that the
>>> new tweak will apply to the exact same material and B) remember how
>>> much I've cranked or dropped it by previously. How would you chaps go
>>> about that in Pro Tools?
>>>
>>> Cheers
>>>
>>> Scott
>>>
>>> On 7/31/14, mcdiemert .  wrote:
>>>> Hi all,
>>>> For those of you who are interested, we've added a new free video in
>>>> the free tutorials section of www.protoolswithspeech.com  "an Overview
>>>> of using Clip Gain".
>>>> http://protoolswithspeech.com/using-clip-gain/
>>>> I hope this is helpful to someone. If you've not done so already be
>>>> sure to follow us on Twitter: @ptwithspeech.
>>>>
>>>>
>>>>
>>>> --
>>>> Warm Regards:
>>>> Matt Diemert
>>>> www.protoolswithspeech.com
>>>> on Twitter @ptwithspeech
>>>>
>>>> --
>>>> You received this message because you are subscribed to the Google
>>>> Groups
>>>> "Pro Tools Accessibility" group.
>>>> To unsubscribe from this group and stop receiving emails from it, send
>>>> an
>>>> email to ptaccess+unsubscr...@googlegroups.com.
>>>> For more options, visit https://groups.google.com/d/optout.
>>>>
>>>
>>> --
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>>> Groups
>>> "Pro Tools Accessibility" group.
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>>> an
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/d/optout.
>>>
>>
>>
>> --
>> Warm Regards:
>> Matt Diemert
>> 330-980-0046
>>
>> --
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>
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330-980-0046

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Re: Question about plugins in PT11

[mcdiemert .]

Keep in mind there is a different installer for 10, and 11. For 11, it
is called AIR_Creative_Collection_11.0.0_Mac.dmg. Ensure this is what
you've installed as this does also include the air plugins including
verbs, and delays.

On 8/2/14, Christopher-Mark Gilland  wrote:
> Matt, that's ok, thanks though.  I have them installed.  I just don't get
> though why things like air non lenniar reverb etc. are not showing up.
> Especially considerring that I definitely did install the airs collection
> dng.
>
> Chris.
>
> - Original Message -
> From: "mcdiemert ." 
> To: 
> Sent: Saturday, August 02, 2014 8:35 PM
> Subject: Re: Question about plugins in PT11
>
>
>> Chris,
>> These extra plugs are installed with the air creative collection,
>> which also installs (Virtual instruments).   You can download this
>> from within your avid account. If you can't find it, let me know, andI
>> can see about getting it in dropbox, which wouldn't happen quickly as
>> it's about 1.1gb
>>
>>
>> On 8/2/14, Christopher Gilland  wrote:
>>> Guys,
>>>
>>> I have a quick question, and hope someone can shed some light on this,
>>> as
>>> honestly, it's got me pretty perplexed.  In ProTools 10.X, when I'd go
>>> to
>>> the inserts of an audio track then go under reverb, I'd see air reverb
>>> along with a few other things; can't recall their names off hand,
>>> sorry...
>>> senior moment, oh no! LOLO! And I'm only 32 years old... Heh...
>>> anyway...
>>> did Avid remove some of these in version 11?  Now, all that I see are
>>> things like DVerb, and maybe 1 other thing.  I like the DVerb plugin,
>>> don't
>>>
>>> get me wrong, but it just seems odd that the others aren't there any
>>> longer.  Am I missing something which should be considered as obvious?
>>>
>>> Chris.
>>>
>>>
>>> --
>>> You received this message because you are subscribed to the Google
>>> Groups
>>> "Pro Tools Accessibility" group.
>>> To unsubscribe from this group and stop receiving emails from it, send
>>> an
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/d/optout.
>>>
>>
>>
>> --
>> Warm Regards:
>> Matt Diemert
>> 330-980-0046
>>
>> --
>> You received this message because you are subscribed to the Google Groups
>>
>> "Pro Tools Accessibility" group.
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>>
>> email to ptaccess+unsubscr...@googlegroups.com.
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>
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Re: Question about plugins in PT11

[mcdiemert .]

Chris,
These extra plugs are installed with the air creative collection,
which also installs (Virtual instruments).   You can download this
from within your avid account. If you can't find it, let me know, andI
can see about getting it in dropbox, which wouldn't happen quickly as
it's about 1.1gb


On 8/2/14, Christopher Gilland  wrote:
> Guys,
>
> I have a quick question, and hope someone can shed some light on this, as
> honestly, it's got me pretty perplexed.  In ProTools 10.X, when I'd go to
> the inserts of an audio track then go under reverb, I'd see air reverb
> along with a few other things; can't recall their names off hand, sorry...
> senior moment, oh no! LOLO! And I'm only 32 years old... Heh... anyway...
> did Avid remove some of these in version 11?  Now, all that I see are
> things like DVerb, and maybe 1 other thing.  I like the DVerb plugin, don't
>
> get me wrong, but it just seems odd that the others aren't there any
> longer.  Am I missing something which should be considered as obvious?
>
> Chris.
>
>
> --
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> email to ptaccess+unsubscr...@googlegroups.com.
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>


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330-980-0046

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Re: Overview of using Clip Gain on Protoolswithspeech.com

[mcdiemert .]

Scott,
 absolutely, I'd either split, and rename the region, or put it
between two markers numbering them something very specific and making
note of that number scheme. This is how I approach automation as well
as Clip Gain.

On 7/31/14, Scott Chesworth  wrote:
> Nice one, thanks for the demonstration Matt.
>
> As someone who hasn't touched the clip gain functionality in PT yet
> (old dog, new trick etc), I wonder whether there's any way of keeping
> track of the changes you've made to productively make future tweaks?
> My current workflow in a different DAW is to split what Pro Tools
> would call a region, apply this DAWs flavour of clip gain to that, and
> name the region to include what adjustment I made. This way if the
> client comes back and says "I'd like you to make more of that part" or
> "reign it in more", I can A) quickly jump back to it knowing that the
> new tweak will apply to the exact same material and B) remember how
> much I've cranked or dropped it by previously. How would you chaps go
> about that in Pro Tools?
>
> Cheers
>
> Scott
>
> On 7/31/14, mcdiemert .  wrote:
>> Hi all,
>> For those of you who are interested, we've added a new free video in
>> the free tutorials section of www.protoolswithspeech.com  "an Overview
>> of using Clip Gain".
>> http://protoolswithspeech.com/using-clip-gain/
>> I hope this is helpful to someone. If you've not done so already be
>> sure to follow us on Twitter: @ptwithspeech.
>>
>>
>>
>> --
>> Warm Regards:
>> Matt Diemert
>> www.protoolswithspeech.com
>> on Twitter @ptwithspeech
>>
>> --
>> You received this message because you are subscribed to the Google Groups
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
>>
>
> --
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> "Pro Tools Accessibility" group.
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> email to ptaccess+unsubscr...@googlegroups.com.
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>


-- 
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Matt Diemert
330-980-0046

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Overview of using Clip Gain on Protoolswithspeech.com

[mcdiemert .]

Hi all,
For those of you who are interested, we've added a new free video in
the free tutorials section of www.protoolswithspeech.com  "an Overview
of using Clip Gain".
http://protoolswithspeech.com/using-clip-gain/
I hope this is helpful to someone. If you've not done so already be
sure to follow us on Twitter: @ptwithspeech.



-- 
Warm Regards:
Matt Diemert
www.protoolswithspeech.com
on Twitter @ptwithspeech

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Re: A work around to Matthew's Plugin reset issue, plus more strange behavior

[mcdiemert .]

Chris,
The only thing I would add, is you'd want to create a static pass with
the plug bypassed prior to playing the selection. Same steps as how we
created the volume automation in pro tool Mixing modual.

On 7/18/14, Christopher-Mark Gilland  wrote:
> Hey, no problem bro!  Take your time.  No rush.  I, do! however wonder if
> you or someone else can answer a little something regarding that check box
> for me though.
>
> How would I go about doing automation with a plugin on a track?  Basically,
>
> let's say for sake of example that on a vocal track, I wanted a 7 band E Q.
>
> But! I don't want to instantiate it over the entire session.  Could I set my
>
> automation window with command+num pad 4 to capture plugin automation, then
>
> make sure the plugin is set to write automation, then just turn on bypass?
> Then, select the part of the audio where I want my E Q to kick in, set the
> track automation to write, unbypass the plugin, hit play, and letter rip?
> Is that pretty much essentially how I'd do it, or am I a little sloppy at my
>
> method?
>
> Chris.
>
> - Original Message -
> From: "mcdiemert ." 
> To: 
> Sent: Friday, July 18, 2014 8:43 AM
> Subject: Re: A work around to Matthew's Plugin reset issue, plus more
> strange behavior
>
>
>> Chris,
>> I'm not sure if in prefferences you have the check box to make all
>> plugin parameters automatable, but if so, unchecking this and
>> reinstantiating the plugin seemed to make the behavior go back to
>> working as it should.
>> I don't have time to investigate this right at this moment, as I am in
>> the midst of mixing, on a tight deadline, but when I'm done, I'll
>> revisit this to determine if this is a consistent problem.
>> Thanks.
>>
>> On 7/18/14, Christopher-Mark Gilland  wrote:
>>> So... first off, yes.  I can! confirm that the issue Matthew Diemert is
>>> having with the plugin parameters resetting when playing is not just
>>> him.
>>> I, too am noticing this odd behavior in PT 11.  Again, I can confirm just
>>>
>>> as
>>>
>>> Matt said, that this isn't occuring in any build of PT 10.  It's only
>>> happening in version 11.X.
>>>
>>> Just out of a hunch, I tried something, and what do you know, it worked.
>>> What I did... let's just take his example with the 7 band E Q.  I would
>>> instantiate the plugin on... let's just say, insert A, for the sake of
>>> simplisity.  Now, without  choosing a plugin, I go down to the high pass
>>> filter, and set the parameter to in.  This way it's enabled.  Then I go
>>> down
>>>
>>> to each band and set my configuration tweaks.  Now, I hit space bar.  It
>>> plays fine.  I stop with space bar, then, I hit space bar again to play.
>>>
>>> As
>>>
>>> soon as I do, the parameters get set back to default values, therefore
>>> killing the tweaks I did.
>>>
>>> So here's what I did to get around this.  And, by the way, though it's
>>> not
>>> very practical necessarily, I'll definitely grant you that, it does!
>>> consistently seem to be working for the time being.  If you go into the
>>> plugin's settings menu, regardless which plugin you're using, the E Q
>>> was
>>> only an example... the possibilities are literally endless, drop open
>>> that
>>> settings menu, and go to save preset.  Now, save the preset with a name.
>>> Don't! and I repeat, don't! change the default directory where it's
>>> trying
>>> to save the preset to.  If you do, you risk PT not being able later to
>>> find
>>>
>>> it.  You want it showing up in your librarian menu, so keep that set as
>>> is.
>>>
>>> Go ahead though and name the preset, then hit save.
>>>
>>> OK, now, if the parameters get reset, go back to the librarian menu, and
>>> pick your custom made saved preset.  Once you do, it'll snap to, and
>>> lock
>>> on.  By that, I mean, it'll stay put.  Those parameters won't reset on
>>> ya.
>>> Again, I totally totally get that this is really not a very good
>>> workflow.
>>> I agree whole heartedly, but hey!  It does! work.  It might be a sloppy
>>> way
>>>
>>> a doing it, but for the time being, it looks like this is the sollution
>>> work
>>>
>>> around, so I hope that helps you guys, as far as that goes.
>>>
>&

Re: A work around to Matthew's Plugin reset issue, plus more strange behavior

[mcdiemert .]

Chris,
I'm not sure if in prefferences you have the check box to make all
plugin parameters automatable, but if so, unchecking this and
reinstantiating the plugin seemed to make the behavior go back to
working as it should.
I don't have time to investigate this right at this moment, as I am in
the midst of mixing, on a tight deadline, but when I'm done, I'll
revisit this to determine if this is a consistent problem.
Thanks.

On 7/18/14, Christopher-Mark Gilland  wrote:
> So... first off, yes.  I can! confirm that the issue Matthew Diemert is
> having with the plugin parameters resetting when playing is not just him.
> I, too am noticing this odd behavior in PT 11.  Again, I can confirm just as
>
> Matt said, that this isn't occuring in any build of PT 10.  It's only
> happening in version 11.X.
>
> Just out of a hunch, I tried something, and what do you know, it worked.
> What I did... let's just take his example with the 7 band E Q.  I would
> instantiate the plugin on... let's just say, insert A, for the sake of
> simplisity.  Now, without  choosing a plugin, I go down to the high pass
> filter, and set the parameter to in.  This way it's enabled.  Then I go down
>
> to each band and set my configuration tweaks.  Now, I hit space bar.  It
> plays fine.  I stop with space bar, then, I hit space bar again to play.  As
>
> soon as I do, the parameters get set back to default values, therefore
> killing the tweaks I did.
>
> So here's what I did to get around this.  And, by the way, though it's not
> very practical necessarily, I'll definitely grant you that, it does!
> consistently seem to be working for the time being.  If you go into the
> plugin's settings menu, regardless which plugin you're using, the E Q was
> only an example... the possibilities are literally endless, drop open that
> settings menu, and go to save preset.  Now, save the preset with a name.
> Don't! and I repeat, don't! change the default directory where it's trying
> to save the preset to.  If you do, you risk PT not being able later to find
>
> it.  You want it showing up in your librarian menu, so keep that set as is.
>
> Go ahead though and name the preset, then hit save.
>
> OK, now, if the parameters get reset, go back to the librarian menu, and
> pick your custom made saved preset.  Once you do, it'll snap to, and lock
> on.  By that, I mean, it'll stay put.  Those parameters won't reset on ya.
> Again, I totally totally get that this is really not a very good workflow.
> I agree whole heartedly, but hey!  It does! work.  It might be a sloppy way
>
> a doing it, but for the time being, it looks like this is the sollution work
>
> around, so I hope that helps you guys, as far as that goes.
>
> Now, on to my! problem.  So, I have a theory what may be going on, and I'm
> gonna be  testing my theory out here in a bit, but I'm noticing that when I
>
> hit command+option+num pad plus or minus whilst no audio is selected, the
> nudge value doesn't seem to want to be changing like it used to.  Yes.  Link
>
> timeline in selection, and link track in edit selection or whatever it's
> called are both checked.  There was one more option there in the options
> menu that needs to be checked, but I don't recall what it says.  I know it
> when I see it, but I'm not at my mac right now to look.  I will! however say
>
> that I do! remember it being checked though, no question.
>
> This is making doing my command+shift+num pad plus and minus very difficult,
>
> as I'm moving a bit too far each way.  So, I'm trying to adjust that a bit
> and make the nudge slope if you will for lack of better term a bit less...
> Actually... quite a bit! less.  It's not happening though.  I'm getting no
> result at all.  Yes.  All the tracks which I need to manipulate are
> definitely selected.  I made double dawg sure of this, so that's not the
> problem, I don't think.  By the way, this is happenning both in V 10, and!
> in V 11.  I admit that I've not tried manually going into the edit window
> and changing it through the nudge value control.  For all intents and
> purpose, that would be more tedious for the project I'm trying to do.  That
>
> said, I can try it, if you all would like me to, and report back.  What my
> theory is though is, earlier back, about a week ago, when I first got PT 11,
>
> I was working on a session which I was cross mixing between V 10 and V 11.
> Mainly as I have some plugs in V 10 that are also in 11, but 11 has some
> stuff not in 10.  So I started recording in 10, then moved to 11 to
> instantiate the things I needed from it.  Anyhow, I went into the counter
> cluster in the edit window and set it to bars/beats.  So now, I opened a new
>
> session.  I then immediately did my command+shift+I to import an audio file.
>
> I browsed for the karaoke track I wanna sing on top of.  When I went back
> and looked later on, I remembered that the counter cluster was on
> bars/beats.  Obviously, this isn't gonna really work with a karaoke tra

Re: Problem installing M Free Effects bundle.

[mcdiemert .]

Kevin,
Sorry about that, I forgot that I had installed these plugs very late
at night several weeks, back and I endedup needing some assistance.

Once installed, the plugs are accessible.

On 7/18/14, chad morrison  wrote:
> Hey Kevin I had to have my son help me with that window. It is not
> accessible. You will need side assistance
>
> From Chad's iPhone
>
>> On Jul 18, 2014, at 7:09 AM, Kevin Reeves  wrote:
>>
>> Thanks to folks on this list, I went ahead and downloaded the M Free
>> Effects bundle.
>>
>> However, I can't seem to get the installer working. It asks for my
>> password, but then it comes up with an empty installer with no windows
>> open.
>>
>> For those who have gotten this bundle working, is this an inaccessible
>> window that you had to get help with, or is something wrong on my end?
>> Thanks so much for any help you can provide.
>>
>> Kevin
>>
>> --
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>
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Re: Auto tunes or something like it.

[mcdiemert .]

yes, the trial does not expire, but has certain limitations, there is
an ability to upgrade, but thus far, I'm satusfyed with the basic pack
for now.


On 7/17/14, Christopher-Mark Gilland  wrote:
> I see the link to download but it looks like I'm downloading the trial, or
> is it the same thing, it's just more limited unless I unlock it.
>
> Chris.
>
> - Original Message -
> From: "mcdiemert ." 
> To: 
> Sent: Thursday, July 17, 2014 1:05 PM
> Subject: Re: Auto tunes or something like it.
>
>
>> There is a tuning plugin included in the free MFreeEffects bundle.
>>
>> http://www.meldaproduction.com/plugins/product.php?id=MFreeEffectsBundle
>> assuming you are using AAX.
>>
>>
>> On 7/17/14, byron harden  wrote:
>>> Yes sir, its called tell the vocalist to get on pitch.
>>>
>>> that one always works for me.
>>> cheers doc.
>>>
>>>
>>> On Jul 17, 2014, at 10:54 AM, chad morrison
>>> 
>>> wrote:
>>>
>>>> Hello all. I was wondering if there is a pitch correction program
>>>> similar
>>>> to auto  tunes that is usable with voiceover? I have a vocal that just
>>>> needs a little bit of Tuning  so it does not have to be the fanciest.
>>>> Thank you and I apologize if this has been posted before
>>>>
>>>> From Chad's iPhone
>>>>
>>>> --
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>>>> an
>>>> email to ptaccess+unsubscr...@googlegroups.com.
>>>> For more options, visit https://groups.google.com/d/optout.
>>>
>>> --
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>>> Groups
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>>> an
>>> email to ptaccess+unsubscr...@googlegroups.com.
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>>>
>>
>>
>> --
>> Warm Regards:
>> Matt Diemert
>> 330-980-0046
>>
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Re: Auto tunes or something like it.

[mcdiemert .]

There is a tuning plugin included in the free MFreeEffects bundle.

http://www.meldaproduction.com/plugins/product.php?id=MFreeEffectsBundle
assuming you are using AAX.


On 7/17/14, byron harden  wrote:
> Yes sir, its called tell the vocalist to get on pitch.
>
> that one always works for me.
> cheers doc.
>
>
> On Jul 17, 2014, at 10:54 AM, chad morrison 
> wrote:
>
>> Hello all. I was wondering if there is a pitch correction program similar
>> to auto  tunes that is usable with voiceover? I have a vocal that just
>> needs a little bit of Tuning  so it does not have to be the fanciest.
>> Thank you and I apologize if this has been posted before
>>
>> From Chad's iPhone
>>
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Re: Plugins reset values

[mcdiemert .]

Here's a little more about what's happening.
Say I'm using a 7 band eq, when I hit play and adjust the various
parameters they stay put,  if I hit stop, they are still in place.
However, the moment I press play again, the parameters are back to
default settings. Plugs work as expected in 10, but obviously this is
a disadvantage as I don't have access to accessible waves plugs as we
do in 11.
 Any thoughts would be appreciated.


On 7/16/14, John Abreu  wrote:
> I haven't personally seen this issue, but a buddy of mind is saying that all
> of his plugins seemed to have reset themselves. All the parameters, anyway.
>
>
> On Jul 16, 2014, at 9:35 AM, Christopher-Mark Gilland
>  wrote:
>
>> Matt, I am on PT 11.2, not 11.1.3, but I've not seen this, but then, I'm
>> still going through your mixing module as there is just! so! much in
>> there. I'm really! getting stuck with instantiating a compresser.  No
>> matter what I do, the vocals just seem to sound way way over compressed.
>>
>> I might later Dropbox you a session I did so when you get some time, you
>> can look at how I did it and make some feedback on the sections I really
>> need to go back over.
>>
>> Anyway, my point is, I've not seen this behavior, but as I said above, I'm
>> still learning, so maybe it's happenning, but I'm just not noticing it.
>>
>> Most of what I do is in PT 10, but next time I fire up my PT 11, I'll take
>> a look for ya.
>>
>> Chris.
>>
>> - Original Message - From: "mcdiemert ." 
>> To: "ptaccess" 
>> Sent: Wednesday, July 16, 2014 8:20 AM
>> Subject: Plugins reset values
>>
>>
>>> Hi all,
>>> Wondering if anyone has seen this behavior in PT 11.
>>> It just started yesterday, but it's maddening.
>>>
>>> Let's say before I ever listen to a track I just recorded, I
>>> instantiate a stock 7 band EQ. I know right off the bat, that I want a
>>> high pass so I turn the filter on, set it to 12 OCT, and move the
>>> slider from say 20 up to 90HZ. When I press play, those values revert
>>> meaning the HPF is now off, it's back to 6 OCT, and the slider goes
>>> back to 20. There is no automation on this track and to be sure I
>>> suspended all automation. It's happening on several PTX projects.
>>>
>>> I'd be curious if anyone has any thoughts.
>>> I'm running OSX 10.9.2 and PT 11.1.3
>>>
>>>
>>>
>>> --
>>> Warm Regards:
>>> Matt Diemert
>>> 330-980-0046
>>>
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Plugins reset values

[mcdiemert .]

Hi all,
Wondering if anyone has seen this behavior in PT 11.
It just started yesterday, but it's maddening.

Let's say before I ever listen to a track I just recorded, I
instantiate a stock 7 band EQ. I know right off the bat, that I want a
high pass so I turn the filter on, set it to 12 OCT, and move the
slider from say 20 up to 90HZ. When I press play, those values revert
meaning the HPF is now off, it's back to 6 OCT, and the slider goes
back to 20. There is no automation on this track and to be sure I
suspended all automation. It's happening on several PTX projects.

I'd be curious if anyone has any thoughts.
I'm running OSX 10.9.2 and PT 11.1.3



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330-980-0046

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Re: Can anyone give me any tips on using Addictive drums with ProTools please?

[mcdiemert .]

emailed off list let me know if you get it.

On 7/10/14, trevor  wrote:
> Hi Matt,
> I've had a good google and I found a few conversations about the addictive
> drums presets but, I couldn't find any links to download.
> I would be very grateful if you could email me them when you have a little
> time Please.
> That really would be great.
>
>
> Thank you,
>
> Trevor
> From: Matt Diemert
> Sent: Thursday, July 10, 2014 6:26 PM
> To: ptaccess@googlegroups.com
> Subject: Re: Can anyone give me any tips on using Addictive drums with
> ProTools please?
>
> Trevor, I believe I posted my side of presets to the list several months
> back. If you're unable to find that link in the archive, I will try to email
> it to you when I get home. They are not perfect but there's a good bit of
> them probably nearly 80 or 90
>
> Sent from my iPhone
>
> On Jul 10, 2014, at 1:17 PM, "trevor" 
> wrote:
>
>
>   I got my son to help me put addictive drums on today.
>   I opened up ProTools and selected a stereo instrument track, sorted out
> the outputs and opened up inserts.
>   Then I chose instruments and then Addictive drums.
>   they came blasting through loud and proud and they sounded excellent.
>   when I tried to change them there wern't any options in the combo box,
> only the factory default.
>   Not happy with this, I started clicking over to the right of that and sure
> enough, I managed to find quite a lot of presets and I was happy with that,
> until, I couldn't get to them any more.
>   Does anyone know a fool proof way of accessing the addictive drums presets
> please?
>
>   Thank you,
>
>   Trevor
>
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Re: How should I handle this situation?

[mcdiemert .]

Monkey,
The difference is this, if you Clip gain or Trem the track down and
you plan on using plugins you have a better chance of hitting the
plugs sweet spot when mixing. My understanding is just bringing the
tracks fader down doesn't change the volue of the track as it  hits
your inserts.


On 7/9/14, Monkey Pusher  wrote:
> This seems like over complicating things to me. Just drag the karoke
> track fader down and keep an eye on the master meter. if you aren't
> clipping the master bus, you are golden. if you are drag the karoake
> track down some more. -10db is a good place to start from personal
> experience.
>
> On 7/9/14, Matt Diemert  wrote:
>> Chuck, you certainly could do it this way, but sometimes I want to do
>> multiple tracks at the same time so the plug-in method what's easier for
>> me.
>>
>> Sent from my iPhone
>>
>>> On Jul 9, 2014, at 11:02 AM, CHUCK REICHEL
>>>  wrote:
>>>
>>> Hi Matt,
>>> Jason posted the pt key commands for adjusting clip gain several months
>>> ago.
>>> So may be Jason can chime in to give the steps to using clip gain again?
>>> I haven't used the steps as of yet so I can't give you the exact steps.
>>> YMMV
>>> Chuck
>>>
>>>
>>> CHUCK REICHEL
>>> soundpicturerecord...@gmail.com
>>> www.SoundPictureRecording.com
>>> 954-742-0019
>>> Isaiah 26 : 3
>>>  Thou wilt keep him in perfect peace, whose mind is stayed on thee:
>>> because he trusteth in thee.
>>>
>>> In GOD I Trust
>>>
>>>> On Jul 9, 2014, at 9:55 AM, mcdiemert . wrote:
>>>>
>>>> Rosco,
>>>> I'm on the road much of this morning, and mid day, but will try to do
>>>> this for you when I'm back home. I'll email you privately with the
>>>> public link.
>>>>
>>>>> On 7/9/14, Rosco Vittore  wrote:
>>>>> If you could dropbox those plug presets to me, and explain how to go
>>>>> about
>>>>> importing them, that would be very appreciated.
>>>>>
>>>>> I don't personally have the Dropbox software, so doing a share folder
>>>>> would
>>>>>
>>>>> not be the easiest.  If you could just e-mail me a public link to get
>>>>> them,
>>>>>
>>>>> that would be great.
>>>>>
>>>>> Rosco.
>>>>>
>>>>> - Original Message -
>>>>> From: "mcdiemert ." 
>>>>> To: 
>>>>> Sent: Wednesday, July 09, 2014 8:45 AM
>>>>> Subject: Re: How should I handle this situation?
>>>>>
>>>>>
>>>>>> Rosco, Typically, I use the Trem plugin which would allow you to say
>>>>>> adjust the gain down 10db sort of acting as a pad. However, In pro
>>>>>> Tools 11, I can't seem to get VO to adjust the slider in this plug
>>>>>> in.
>>>>>> I have made a few presets of 5db incraments which I could potentially
>>>>>> put in dropbox if you had any intrest in approaching it this way.
>>>>>> This
>>>>>> is another reason why I keep PT 10 around there are just a few plugs
>>>>>> that I need in a pinch that I have little access to in PT 11.
>>>>>>
>>>>>>
>>>>>>> On 7/9/14, Rosco Vittore  wrote:
>>>>>>> Guys,
>>>>>>>
>>>>>>> I do understand that this may be more a mixing question than it is a
>>>>>>> PT
>>>>>>> question in and of itself. Therefore, I'm going to be brief.
>>>>>>>
>>>>>>> The story goes, that I have a song which I need to record my lead
>>>>>>> vocals
>>>>>>>
>>>>>>> on
>>>>>>>
>>>>>>> the top of. The music has already been done as a Sound Choice
>>>>>>> karaoke
>>>>>>> soundtrack which I have ripped from CD into lossless wave format.
>>>>>>> Effectively, I need to import this wave file on a stereo audio track
>>>>>>> in
>>>>>>> PT
>>>>>>> 11. That's not the issue though; I definitely know how to do that.
>>>>>>> The
>>>>>>> problem is, as most of you know, any production material which is in
>>

Re: How should I handle this situation?

[mcdiemert .]

Rosco,
I'm on the road much of this morning, and mid day, but will try to do
this for you when I'm back home. I'll email you privately with the
public link.

On 7/9/14, Rosco Vittore  wrote:
> If you could dropbox those plug presets to me, and explain how to go about
> importing them, that would be very appreciated.
>
> I don't personally have the Dropbox software, so doing a share folder would
>
> not be the easiest.  If you could just e-mail me a public link to get them,
>
> that would be great.
>
> Rosco.
>
> - Original Message -
> From: "mcdiemert ." 
> To: 
> Sent: Wednesday, July 09, 2014 8:45 AM
> Subject: Re: How should I handle this situation?
>
>
>> Rosco, Typically, I use the Trem plugin which would allow you to say
>> adjust the gain down 10db sort of acting as a pad. However, In pro
>> Tools 11, I can't seem to get VO to adjust the slider in this plug in.
>> I have made a few presets of 5db incraments which I could potentially
>> put in dropbox if you had any intrest in approaching it this way. This
>> is another reason why I keep PT 10 around there are just a few plugs
>> that I need in a pinch that I have little access to in PT 11.
>>
>>
>> On 7/9/14, Rosco Vittore  wrote:
>>> Guys,
>>>
>>> I do understand that this may be more a mixing question than it is a PT
>>> question in and of itself. Therefore, I'm going to be brief.
>>>
>>> The story goes, that I have a song which I need to record my lead vocals
>>>
>>> on
>>>
>>> the top of. The music has already been done as a Sound Choice karaoke
>>> soundtrack which I have ripped from CD into lossless wave format.
>>> Effectively, I need to import this wave file on a stereo audio track in
>>> PT
>>> 11. That's not the issue though; I definitely know how to do that. The
>>> problem is, as most of you know, any production material which is in
>>> final
>>> release mainstream finalization is most likely going to already be
>>> mixed,
>>> and more likely still, mastered. This means that they're going to ride
>>> their
>>>
>>> fader as close to 0DB as they can.  The issue is, by default, in PT, the
>>> meter is set to show my input level, which is generally exactly what I'd
>>> want. In this case however, I need to find some way before doing
>>> anything
>>> with my master fader that I can get that karaoke track down to about
>>> a -14
>>> to -12 DB level. If I run my fader on the track from the default of 0DB
>>> downward to a negative value, say, -4DB we'll just say, that isn't going
>>>
>>> to
>>>
>>> effect the meter readout right to the right of that fader since we're
>>> dealing with the input level, not the output. Am I understanding
>>> correctly?
>>>
>>> In other words, regardless where I move that volume slider, the meter
>>> isn't
>>>
>>> going to change read a lower or higher value than before.
>>>
>>> If this is the case, and I'm correct, then what's the best technique for
>>> dealing with this? I just don't want all that extra gain in there on top
>>>
>>> of
>>>
>>> the vocal and all else. If I leave this volume where it is, no doubt in
>>> the
>>>
>>> masterring process when I start making my final mix, I'm gonna peek my
>>> master fader's meter bigtime which is totally undesirable!
>>>
>>> Can you all recommend anything? How would be the best way to deal with
>>> this?
>>>
>>> Should I configure PT to show the meters as output instead of input? If
>>> so,
>>>
>>> how do I do it? If not, what would be advised?
>>>
>>> Thanks.
>>>
>>> Rosco.
>>>
>>> --
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>>> Groups
>>> "Pro Tools Accessibility" group.
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>>> an
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/d/optout.
>>>
>>
>>
>> --
>> Warm Regards:
>> Matt Diemert
>> 330-980-0046
>>
>> --
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>>
>> "Pro Tools Accessibility" group.
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>>
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330-980-0046

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Re: How should I handle this situation?

[mcdiemert .]

Rosco, Typically, I use the Trem plugin which would allow you to say
adjust the gain down 10db sort of acting as a pad. However, In pro
Tools 11, I can't seem to get VO to adjust the slider in this plug in.
I have made a few presets of 5db incraments which I could potentially
put in dropbox if you had any intrest in approaching it this way. This
is another reason why I keep PT 10 around there are just a few plugs
that I need in a pinch that I have little access to in PT 11.


On 7/9/14, Rosco Vittore  wrote:
> Guys,
>
> I do understand that this may be more a mixing question than it is a PT
> question in and of itself. Therefore, I'm going to be brief.
>
> The story goes, that I have a song which I need to record my lead vocals on
>
> the top of. The music has already been done as a Sound Choice karaoke
> soundtrack which I have ripped from CD into lossless wave format.
> Effectively, I need to import this wave file on a stereo audio track in PT
> 11. That's not the issue though; I definitely know how to do that. The
> problem is, as most of you know, any production material which is in final
> release mainstream finalization is most likely going to already be mixed,
> and more likely still, mastered. This means that they're going to ride their
>
> fader as close to 0DB as they can.  The issue is, by default, in PT, the
> meter is set to show my input level, which is generally exactly what I'd
> want. In this case however, I need to find some way before doing anything
> with my master fader that I can get that karaoke track down to about a -14
> to -12 DB level. If I run my fader on the track from the default of 0DB
> downward to a negative value, say, -4DB we'll just say, that isn't going to
>
> effect the meter readout right to the right of that fader since we're
> dealing with the input level, not the output. Am I understanding correctly?
>
> In other words, regardless where I move that volume slider, the meter isn't
>
> going to change read a lower or higher value than before.
>
> If this is the case, and I'm correct, then what's the best technique for
> dealing with this? I just don't want all that extra gain in there on top of
>
> the vocal and all else. If I leave this volume where it is, no doubt in the
>
> masterring process when I start making my final mix, I'm gonna peek my
> master fader's meter bigtime which is totally undesirable!
>
> Can you all recommend anything? How would be the best way to deal with this?
>
> Should I configure PT to show the meters as output instead of input? If so,
>
> how do I do it? If not, what would be advised?
>
> Thanks.
>
> Rosco.
>
> --
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330-980-0046

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A free plug in

[mcdiemert .]

For those who haven't already tried this, I recommend grabbing the
Free Brainworx BX Solo.
http://www.brainworx-music.de/en/plugins/bx_solo

Works in both RTAS and AAX. The ability to change the width of sub
groups and even some times the entire mix helps out when you need a
little extra something.
-- 
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Re: Note for all, but especially for Matt Diemert

[mcdiemert .]

Chris,
Thanks for the compliment. Though I've never been a Third Day fan, I
can see your point.
TO keep it all on topic here, I'd say that this EP was my first real
experience with Pro Tools, and every time I listen to it, I think of
10 things I could mix and do differently!  I'm in the middle of
tracking 8 or 9 songs that my wife has written, as well as tracking
for a wedding, and then I'll get back to my materials.

On 7/8/14, Christopher-Mark Gilland  wrote:
> If you all have not heard Matt's EP entitled "Sunday Morning," I very! very!
>
> very! strongly suggest purchasing and giving it a listen.  If you like P&W
> music, you'll love it!  I hear a major! major 3rd Day influence.  He even
> kind a reminds me of the lead singer from 3rd Day.  So, this leads me to my
>
> question,
>
> Matt, when will there be more releases?  This is incredible!  I absolutely
> love! how you did How Great Thou Art!  I was literally blown away!  That's
> gotta be probably one of the best rendition I've heard of it from a rock
> perspective.  I normally am not for rockifying hymns, but this really was
> amazing how you did the arrangement.  God's really blessed you with a great
>
> tallent, and believe me:  it shows!
>
> Have a great day.
>
> Chris.
>
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Re: PT 11: I finally? diddit! Now, I have a few questions.

[mcdiemert .]

Chris,
The EP is available on both iTunes and Amazon you can find it by
typing in my name matthew diemert.
This was all recorded, edited, and mixed using VoiceOver.


On 7/7/14, Christopher-Mark Gilland  wrote:
> Matt,
>
> I'm curious, you say on the web site that this was a track from your
> upcoming release, if I understood correctly.
>
> Is there anywhere on Itunes, etc. that I can check out the album that has
> the complete version of the Old Rugged Cross that you all did?  I'd love to
>
> buy, preferably the whole album, if not just that one track.
>
> Chris.
>
> - Original Message -
> From: "mcdiemert ." 
> To: 
> Sent: Monday, July 07, 2014 9:40 AM
> Subject: Re: PT 11: I finally? diddit! Now, I have a few questions.
>
>
>> Chris,
>> Thanks for the feedback.
>> A couple of things, Here is an article on the conductor track if you
>> wish to read.
>> http://www.pro-tools-expert.com/home-page/2014/6/21/pro-tools-fundamentals-tempo.html
>> Basically with this disabled, you can manually adjust time and tempo.
>> If the conductor remained checked you could not manually edit the
>> field in the transport window.
>> I could certainly see some of your values coming up differently than
>> mine as some meters and faders were adjusted to create the various
>> sessions and/or chapters.
>> Also, as you suggested, during the tutorial, we were using a mix that
>> had various waves Plugs and obviously we stripped those off and used
>> stock PT plugs to get as close as we could in terms of sounds for the
>> sessions that we included.
>> Lastly, sometimes things will sound louder in the tutorials  as we
>> used automation at various points to ensure you were able to hear
>> exactly what we were doing and/or changing.  Hope this makes sense.
>> Regards:
>> Matt.
>>
>>
>> On 7/4/14, Christopher-Mark Gilland  wrote:
>>> Matt, you know, I just wanted to publicly acknowledge you on two things.
>>>
>>> A:  That track in your tutorials you did of the Old rugged Cross has
>>> really
>>>
>>> hit a bitter sweet spot in my heart.  You did it so beautifully!  That
>>> is
>>> one of my favorite hymns, and seeing that my grandfather is really
>>> really
>>> sick and may be going home to the Lord shortly, it really couldn't a came
>>>
>>> at
>>>
>>> a better time for that song to minister to me.  Anyway, enough of that
>>> chit
>>>
>>> chat... on to shop talk...
>>>
>>> You can't begin to know how much these tutorials are helping me!  I know
>>>
>>> a
>>> ton of what you are teaching already, but there have also been a lot of
>>> things that I have really been wonderring how to better accomplish.  I
>>> really really am learning a lot.  I'll check my mail just in case
>>> someone's
>>>
>>> already answered me on this and I've just not seen it yet, but in my
>>> transport window, you guys talk about when setting my tempo, me having
>>> to
>>> first and foremost unselect the conductor track button.  Even if it's
>>> not
>>> something which we have accessible access to, you have my curiosity.
>>> What
>>> exactly is! the conductor track, and what would it hypothetically be
>>> used
>>> for?
>>>
>>> Finally, even after following you all's very well explained, might I
>>> add,
>>> instructions on the free Youtube video for the Nuts and Bolts, I'm still
>>> finding that the chapter 1 and 2 session ptx file is not giving me
>>> identically the same readout values on certain things.  For instance, my
>>> master fader meter isn't showing the same level that you were seeing.
>>> My
>>> master 1 volume up down slider isn't showing the same level that your's
>>> was
>>>
>>> set to.  Mine's way way lower.  It also sounds like the vocals on the
>>> ch1
>>> and 2 session are way more cut and dry than what I hear on the tutorial
>>> audio when you're going through it.  Is that just because you were
>>> actually
>>>
>>> doing it with the final mix session which you produced prior to making
>>> the
>>> tutorials?  Your recording in chapter 2 and 3 just sounds way louder,
>>> and
>>> way more clear/clean.
>>>
>>> Chris.
>>>
>>> - Original Message -
>>> From: "Matt Diemert" 
>>> To: 

Re: A few Starter Questions

[mcdiemert .]

Good morning,
I was speaking of Addictive keys from XLN audio.
http://www.xlnaudio.com/addictivekeys
While in the AAX version have been difficult to completely customize,
there are several presets that once loaded are usable with VoiceOver.
Also, though not authorized with an iLok, the XLN audio online
installer may require sighted help to get up and going. Take a listen
to some of the audio samples there, and I suspect you'll appreciate
the sound.

Regards:
 Matt


On 7/7/14, Rosco Vittore  wrote:
> Matthew, thank you so much. I will definitely keep an eye out.
>
> When you mention "Keys," are you referring to the piano soft synth that
> simulates the piano used by Alicia Keys? If so, is there a place I can
> download a trial of it? Do you know if it needs an ILok to be licensed,
> seeing the inaccessibility of the License Manager?  By the way, is there any
>
> status on this? Someone, though I can't recall whom, told me that Pace
> Antipiracy was working on a solution.
>
> Also and finally, do you know how much the Keys plugin is, if we are indeed
>
> speaking of the same plugin?  Finally, I agree with Mister Gilland.  I am
> very much into listenning to and learning about new blind artists. this
> said, I'd love to buy your stuff, and though I've not directly heard your
> version of The Old rugged Cross, that is one of my favorite tunes. I'd love
>
> to get that album. Especially if the rest of it is also gospel in nature.
>
> Best regards,
>
> Rosco.
>
> - Original Message -
> From: "mcdiemert ." 
> To: 
> Sent: Monday, July 07, 2014 9:45 AM
> Subject: Re: A few Starter Questions
>
>
>> Rosco,
>> Please stay tuned to the ProToolsWithSpeech.com  site, as over the
>> next several weeks there will be several free tutorials added that
>> address your very questions. We have been working to put together
>> several PT 11 videos and the next three or four deal specifically with
>> midi.  We also plan to do some demonstrations soon with addictive
>> drums and Keys.
>> Regards:
>> Matt Diemert
>> www.protoolswithspeech.com
>>
>>
>>
>> On 7/7/14, Rosco Vittore  wrote:
>>> Hey again.
>>>
>>> I am aware of the web site you mention. I asked a friend of mine who
>>> purchased all three modules if my questions were covered either in the
>>> free
>>>
>>> video content, or in the paid audio. I was told that though virtual
>>> instruments are covered in some of the free video content, they are very
>>> basic in nature and only discuss how to use the xpand instruments, which
>>>
>>> as
>>>
>>> I said, I do not wish to do if I can at all avoid it. I know there is
>>> the
>>> option of live musicians, but that gets very costly, and it's not
>>> something
>>>
>>> that I can afford on a day in/day out basis.
>>>
>>> Regarding the midi event editor in version 11; I am told that the
>>> tutorials
>>>
>>> which you speak of are all done with version 10.0. (Not 11.) For this
>>> reason, the midi event editor is not covered. So though I appreciate
>>> your
>>> suggestion of this web site, I don't suppose it's going to help with my
>>> current questions.
>>>
>>> Have a good day.
>>>
>>> - Original Message -
>>> From: "ramy moustafa" 
>>> To: 
>>> Sent: Monday, July 07, 2014 9:15 AM
>>> Subject: Re: A few Starter Questions
>>>
>>>
>>> www.protoolswithspeech.com
>>>
>>> Ramy moustafa saber
>>> Musicc instructor at:
>>> faculty of musical education
>>> music arranger and sound engineer
>>> Sent from my iPhone
>>>
>>>> On Jul 7, 2014, at 2:26 PM, "Rosco Vittore"  wrote:
>>>>
>>>> Hello ladies and gentlemen.
>>>>
>>>>
>>>>
>>>> I am new to this list, though not new at all to the concept of digital
>>>> audio recording. I recently bought a copy of Pro-Tools version 11, which
>>>>
>>>> I
>>>>
>>>> am running on an IMac with OSX 10.9 Mavericks. I seem to be doing
>>>> decently
>>>>
>>>> with what I have taught myself so far regarding this amazing
>>>> masterpiece
>>>> of software. I have a few questions, if you all will spare me.
>>>>
>>>>
>>>>
>>>> I am curious to know if there are any people on this list who are using
>&g

Re: PT 11: I finally? diddit! Now, I have a few questions.

[mcdiemert .]

Chris,
Thanks for the feedback.
A couple of things, Here is an article on the conductor track if you
wish to read.  
http://www.pro-tools-expert.com/home-page/2014/6/21/pro-tools-fundamentals-tempo.html
Basically with this disabled, you can manually adjust time and tempo.
If the conductor remained checked you could not manually edit the
field in the transport window.
I could certainly see some of your values coming up differently than
mine as some meters and faders were adjusted to create the various
sessions and/or chapters.
Also, as you suggested, during the tutorial, we were using a mix that
had various waves Plugs and obviously we stripped those off and used
stock PT plugs to get as close as we could in terms of sounds for the
sessions that we included.
Lastly, sometimes things will sound louder in the tutorials  as we
used automation at various points to ensure you were able to hear
exactly what we were doing and/or changing.  Hope this makes sense.
Regards:
Matt.


On 7/4/14, Christopher-Mark Gilland  wrote:
> Matt, you know, I just wanted to publicly acknowledge you on two things.
>
> A:  That track in your tutorials you did of the Old rugged Cross has really
>
> hit a bitter sweet spot in my heart.  You did it so beautifully!  That is
> one of my favorite hymns, and seeing that my grandfather is really really
> sick and may be going home to the Lord shortly, it really couldn't a came at
>
> a better time for that song to minister to me.  Anyway, enough of that chit
>
> chat... on to shop talk...
>
> You can't begin to know how much these tutorials are helping me!  I know a
> ton of what you are teaching already, but there have also been a lot of
> things that I have really been wonderring how to better accomplish.  I
> really really am learning a lot.  I'll check my mail just in case someone's
>
> already answered me on this and I've just not seen it yet, but in my
> transport window, you guys talk about when setting my tempo, me having to
> first and foremost unselect the conductor track button.  Even if it's not
> something which we have accessible access to, you have my curiosity.  What
> exactly is! the conductor track, and what would it hypothetically be used
> for?
>
> Finally, even after following you all's very well explained, might I add,
> instructions on the free Youtube video for the Nuts and Bolts, I'm still
> finding that the chapter 1 and 2 session ptx file is not giving me
> identically the same readout values on certain things.  For instance, my
> master fader meter isn't showing the same level that you were seeing.  My
> master 1 volume up down slider isn't showing the same level that your's was
>
> set to.  Mine's way way lower.  It also sounds like the vocals on the ch1
> and 2 session are way more cut and dry than what I hear on the tutorial
> audio when you're going through it.  Is that just because you were actually
>
> doing it with the final mix session which you produced prior to making the
> tutorials?  Your recording in chapter 2 and 3 just sounds way louder, and
> way more clear/clean.
>
> Chris.
>
> - Original Message -
> From: "Matt Diemert" 
> To: 
> Sent: Friday, July 04, 2014 8:54 AM
> Subject: Re: PT 11: I finally? diddit! Now, I have a few questions.
>
>
> Chris, you are definitely able to run both ProTools 10, and 11, on the same
>
> system! I do it daily, as there are still some plug-ins that I have not been
>
> able to update to the new format!
>
> Sent from my iPhone
>
>> On Jul 3, 2014, at 7:25 PM, "Christopher-Mark Gilland"
>>  wrote:
>>
>> I finally got ahold of Sweetwater and got myself upgraded from PT 10, to
>> PT11!  They even helped me with the ILok barrier.  I'm in business, and
>> now am downloading all my dmg's.
>>
>> OK, so... I do have a couple of questions. there may be a somewhat fair
>> amount here, and I'm positive I'll have more for you all as I progress,
>> however, I'd appreciate answers to as many of these as you all can provide
>>
>> promptly.
>>
>> 1.  It was my understanding that I could run ProTools 10.0 and ProTools
>> 11.X both on the same Mac computer.  Now, Matt from Sweetwater is telling
>>
>> me differently.  I'm definitely! not blaming anyone here one way or
>> another on this theory.  I simply am asking for my own curiosity if this
>> still is true. Matt claimed that it used to be the case, yes, but not
>> anymore.  I just want this confirmed.
>>
>> 2.  Am I understanding correctly that the Air Creative Collection is
>> basically my virtual instruments?  Did that basically replace Xpand2?  If
>>
>> so, is selecting my bank/preset, IE, woodwinds/brass then flute,
>> considered accessible?
>>
>> 3.  I hear that RTas is basically now becoming legacy.  It's still around,
>>
>> yeah, but slowly but surely people are leaning more away from it and
>> toward the new AAX plugins.  So, my 3rd question is, are the new AAX
>> plugins which come with PT11 accessible, as far as using the librarian
>> menu etc?  I know in 10.0 they r

Re: A few Starter Questions

[mcdiemert .]

Rosco,
Please stay tuned to the ProToolsWithSpeech.com  site, as over the
next several weeks there will be several free tutorials added that
address your very questions. We have been working to put together
several PT 11 videos and the next three or four deal specifically with
midi.  We also plan to do some demonstrations soon with addictive
drums and Keys.
Regards:
Matt Diemert
www.protoolswithspeech.com



On 7/7/14, Rosco Vittore  wrote:
> Hey again.
>
> I am aware of the web site you mention. I asked a friend of mine who
> purchased all three modules if my questions were covered either in the free
>
> video content, or in the paid audio. I was told that though virtual
> instruments are covered in some of the free video content, they are very
> basic in nature and only discuss how to use the xpand instruments, which as
>
> I said, I do not wish to do if I can at all avoid it. I know there is the
> option of live musicians, but that gets very costly, and it's not something
>
> that I can afford on a day in/day out basis.
>
> Regarding the midi event editor in version 11; I am told that the tutorials
>
> which you speak of are all done with version 10.0. (Not 11.) For this
> reason, the midi event editor is not covered. So though I appreciate your
> suggestion of this web site, I don't suppose it's going to help with my
> current questions.
>
> Have a good day.
>
> - Original Message -
> From: "ramy moustafa" 
> To: 
> Sent: Monday, July 07, 2014 9:15 AM
> Subject: Re: A few Starter Questions
>
>
> www.protoolswithspeech.com
>
> Ramy moustafa saber
> Musicc instructor at:
> faculty of musical education
> music arranger and sound engineer
> Sent from my iPhone
>
>> On Jul 7, 2014, at 2:26 PM, "Rosco Vittore"  wrote:
>>
>> Hello ladies and gentlemen.
>>
>>
>>
>> I am new to this list, though not new at all to the concept of digital
>> audio recording. I recently bought a copy of Pro-Tools version 11, which I
>>
>> am running on an IMac with OSX 10.9 Mavericks. I seem to be doing decently
>>
>> with what I have taught myself so far regarding this amazing masterpiece
>> of software. I have a few questions, if you all will spare me.
>>
>>
>>
>> I am curious to know if there are any people on this list who are using
>> Pro-Tools 11 that can briefly explain to me the concept of editing bad
>> notes which I have played via midi. From what I'm told, the midi event
>> editor is now accessible in version 11. This is honestly one thing that
>> held me back from using PT for the longest of time. I'll admit that I am
>> quite old school. My Windows PC studio machine is still running Cakewalk
>> Pro-Audio version 9, if that tells you anything. I need not say,
>> therefore, that it is definitely time for me to update to newer - not to
>> mention more industry standard technology. Once I heard that the midi
>> event editor was now accessible, this is one of the biggest things which
>> made me take my gamble at purchasing the software.
>>
>>
>>
>> My second question is believe it or not, I'm not the biggest fan of the
>> xpand instruments. Don't misinterpret what I mean. Some of the samples are
>>
>> decent, but not enough to where I prefer it. What other plugins are out
>> there which are accessible? I was going to purchase Synthogy's Ivory for
>> my piano work, however I heard it wasn't accessible out of the box. I also
>>
>> considered getting Pianoteq but again, I heard that putting in the
>> activation serial number was inaccessible. I'm also looking for a good
>> plugin for strings, and for good acoustic guitars. Again, I know that
>> xpand offers all of this, but I found the samples to not always be the
>> most appealing. Many will no doubt disagree with me, but I have a very
>> specific sound that I am looking for. It's not a sound I can describe in
>> words, but if you all will suggest some other plugs that I could try, it
>> would be appreciated.
>>
>>
>>
>> I think that's it for now. Thank you all for any help. I very much look
>> forward to learning more on this list.
>>
>>
>>
>> With warmest regard,
>>
>> Rosco Vittore.
>>
>> --
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>>
>> "Pro Tools Accessibility" group.
>> To unsubscribe from this group and stop receiving emails from it, send an
>>
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
>
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Re: problem with tools and audio interface

[mcdiemert .]

Try the following,
Under setup, down arrow to I/o and press enter. On the input tab,
command 1 will get you there, VoiceOver right arrow until you hear
default button, and press VoiceOver space. You can do the same on the
output tab as well, which you can move to by pressing  command 2.
Follow the same steps, and then press ok. On my Mavericks system,
with my scarlet 18i20, I had to close PT at this point, and reopen for
the changes to take affect.
Hope This helps.


On 6/27/14, Steve Sparrow  wrote:
> Hi guys. well i've done it. I now have pro tools 11 installed on my mac.
> I have a slight issue with the interface. I am using a motu 896 interface. I
> have selected  the motu in the playback engine
> Now. when i add an  audio track and interact with it, the input tells me no
> input, when i v o space on this and go down to interface and collect this it
> gives me no options in the interface and takes me back to no input. The
> output has 2 or 3 options, but not the usual things like motu ins and outs
> that you would normally find in there. sounds to me like the motu is not set
> up properly with pro tools.
> Is there something i need to do to get this working.
> I have the latest drivers for the motu installed on the mac.
> Cheers Steve
>
> --
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> email to ptaccess+unsubscr...@googlegroups.com.
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>


-- 
Warm Regards:
Matt Diemert
330-980-0046

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Re: Recommend your favorite waves plugins.

[mcdiemert .]

Personally, I use the CLA76 in a majority of mixes. Also, a big fan of
true verb.

On 6/26/14, Juan Pablo  wrote:
> i love the s360. If you do mixes in 5.1, is a nice option!
>
> -Original Message-
> From: Monkey Pusher
> Sent: Thursday, June 26, 2014 5:58 PM
> To: ptaccess@googlegroups.com
> Subject: Recommend your favorite waves plugins.
>
> So waves have dropped a coupon code on me, and they also appear to be
> having a pretty massive sale for the next day or so. So where should i
> spend my money? Any recommendations or  favorites and why?
>
> Thanks
>
> --
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> "Pro Tools Accessibility" group.
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>
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>


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Matt Diemert
330-980-0046

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Re: ProTools and the notion of time

[mcdiemert .]

Hello,
it sounds as if you are speaking of stretching out regions. This is
something that is doable with PT, with some practice. As far as
getting audio from before the punch, if you are using quick punch, you
can stretch this underlying audio out as well.

On 6/19/14, Jean-Philippe Rykiel  wrote:
> Hi all,
> A friend told me that ProTools had a very interesting way of dealing
> with time. Let's say for example that you want to restructure a song.
> You want to get rid of a verse that's 16 bars long, but the singer
> starts singing 1 8th note before the beginning of the first bar of each
> verse.
> So, if you deleted the whole verse, you would also delete the first word
> or syllable of the next one.
> Well, my friend told me that you can actually delete a hole verse, but
> then retrieve the missing Part of the voice track. same thing applies to
> a track where you punched a little too early.
> It sounds like magic to me, and if you understood my strange
> explanation, could you tell me how that is called in ProTools language
> and if This function is accessible?
> Best regards,
> JPR
>
> --
>
> http://www.jprykiel.com
> http://soundcloud.com/ryksounet
> http://twitter.com/ryksounet
> http://facebook.com/jeanphilipperykiel
>
> --
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>


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330-980-0046

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Re: protools installation question

[mcdiemert .]

Chris,
I'm not sure why the codes didn't work for you, we've had probably 12
or 13 folks use them successfully.  I have refunded $2 of your
purchase to cover the difference.
Thanks.

On 6/11/14, Christopher-Mark Gilland  wrote:
> Were you aware that the two coupon codes you mentioned about the other night
>
> in your e-mail do not work on protoolswithspeech.com?
>
> I tried both of them, and got errors with each.
>
> Chris.
>
> Make $50.00 minimum every day starting in the next 24 hours!  Want to learn
>
> how?  Visit:
>
> http://www.homejobsuccess.ws
>
> and fill out your contact info, so that I may get back with you to provide
> more information promptly.
>
>
> - Original Message -
> From: "mcdiemert ." 
> To: 
> Sent: Wednesday, June 11, 2014 8:50 AM
> Subject: Re: protools installation question
>
>
>> Brian,
>> I would certainly recommend the upgrade to mavericks.  The exact build
>> of Pro Tools you run is debatable.
>> On the machine that I run 10 on, it is mavericks, 10.9.2  and PT
>> 10.0. For my needs, I find this the most usable in terms of running
>> plugins. I know there was some work done in the very latest build of
>> 10 regarding the aax plugs, but I found it to be less helpful if not
>> using a control surface. I realize there were other upgrades and
>> fixes, but this was enough of a deal breaker at least for me
>> personally in my workflow.
>>  If you decide you'd like to install 10.0, and are unable to find the
>> .dmg, I have it in my dropbox, so let me know if you need it.
>> Regards:
>> Matt Diemert
>>
>> On 6/11/14, Brian Howerton  wrote:
>>> Hello all,
>>>
>>> A while back when I first upgraded to mountain lion, I had protools on
>>> my
>>> mac, however, not even thinking about PT accessibility, I went ahead and
>>> upgraded to mountain lion.  When I realized that at that time, some of
>>> protools accessibility had been broken, I took protools off of my mac.
>>> Now,
>>> thanks to the protools with speech tutorials just released, I would like
>>>
>>> to
>>> put protools back on my mac.  I have protools 10.  Would you all
>>> recommend
>>> upgrading to mavericks before doing this?  Anything else I need to be
>>> aware
>>> of before doig this?  Thanks so much for the help,
>>>
>>> Brian
>>>
>>> --
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>>> Groups
>>> "Pro Tools Accessibility" group.
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>>> an
>>> email to ptaccess+unsubscr...@googlegroups.com.
>>> For more options, visit https://groups.google.com/d/optout.
>>>
>>
>>
>> --
>> Warm Regards:
>> Matt Diemert
>> 330-980-0046
>>
>> --
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>>
>> "Pro Tools Accessibility" group.
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>>
>> email to ptaccess+unsubscr...@googlegroups.com.
>> For more options, visit https://groups.google.com/d/optout.
>
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330-980-0046

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Re: protools installation question

[mcdiemert .]

Brian,
I would certainly recommend the upgrade to mavericks.  The exact build
of Pro Tools you run is debatable.
 On the machine that I run 10 on, it is mavericks, 10.9.2  and PT
10.0. For my needs, I find this the most usable in terms of running
plugins. I know there was some work done in the very latest build of
10 regarding the aax plugs, but I found it to be less helpful if not
using a control surface. I realize there were other upgrades and
fixes, but this was enough of a deal breaker at least for me
personally in my workflow.
  If you decide you'd like to install 10.0, and are unable to find the
.dmg, I have it in my dropbox, so let me know if you need it.
Regards:
Matt Diemert

On 6/11/14, Brian Howerton  wrote:
> Hello all,
>
> A while back when I first upgraded to mountain lion, I had protools on my
> mac, however, not even thinking about PT accessibility, I went ahead and
> upgraded to mountain lion.  When I realized that at that time, some of
> protools accessibility had been broken, I took protools off of my mac.
> Now,
> thanks to the protools with speech tutorials just released, I would like to
> put protools back on my mac.  I have protools 10.  Would you all recommend
> upgrading to mavericks before doing this?  Anything else I need to be aware
> of before doig this?  Thanks so much for the help,
>
> Brian
>
> --
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>


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Matt Diemert
330-980-0046

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Re: www.protoolswithspeech.com

[mcdiemert .]

Good morning all,
As far as the coupon goes, make sure once you put it in, and press
update cart, that you then look under the update cart for the discount
amount as well as new total. I've tested both coupons just now and
they seem to be working.
Thanks Scott for the heads up on the download link, I'll fix it now.
Again, I do hope this is helpful information.


On 6/10/14, Ashley  wrote:
> Thanks for putting this together - looks interesting! I can't get the
> coupons to work either...
>
> On 10/06/2014 01:12, mcdiemert . wrote:
>> I thought some of you would be interested in this. Last year, I
>> mentioned that I'd try to take some of my Pro Tools training and
>> convert it in to tutorials. when we determined that this would be
>> difficult to keep comprehensive and understandable, we decided to
>> develop a set of tutorials for using Pro Tools with VoiceOver on the
>> Mac.
>>
>> June 8, 2014.
>>   We are proud to announce the launch of
>> http://www.protoolswithspeech.com, a site specifically geared to,  "an
>>   accessible approach to recording, editing, and mixing in Pro Tools
>>   with VoiceOver on the Mac". Offering both paid and free comprehensive
>>   audio tutorials for current and prospective users of the Pro Tools
>> digital audio workstation, there is sure to be helpful knowledge for
>> everyone.
>>
>>   Our paid tutorials are broken up into three major categories,
>> Recording, Editing, and Mixing.
>>   The recording Tutorial is over an hour long and is currently
>> available for $9.99.  This module provides you with a work flow to get
>> up and recording quickly. You'll be able to create a new session and
>> add various types of tracks such as: Audio, Master Fader, and Click.
>>   You'll also learn how to use such powerful features as pre and post
>> roll, as well as Quick Punch, Loop Record, and playlists.  You can
>> read the entire table of contents at:
>> http://protoolswithspeech.com/recording-table-of-contents/
>>
>> The Editing tutorial is an interactive audio module with nearly two
>> and a half hours of instruction and is currently available for $19.99.
>> After purchasing, you will be provided a link to the accompanying
>> session so that you can follow along with us and practice editing the
>> exact session you hear in the tutorial. This module covers concepts
>> such as, using VoiceOver's hotspot feature to manage information and
>> changes in Pro Tools, using markers, multiple techniques for selecting
>> and manipulating audio, comping vocals, as well as, fades, (fade in,
>> fade out, and cross fades). Read the entire Editing Table of Contents
>> at:
>> http://protoolswithspeech.com/editing-table-of-contents/
>>
>>   The Mixing tutorial is a continuation of the editing module. You will
>> be provided with a second session completely edited, and ready for
>> mixing. We will cover concepts such as: adjusting faders,
>> instantiating a plugin, inserting a compressor, inserting an EQ,
>> setting up time based processing, automation via the keyboard, and
>> bouncing. Read the entire Mixing Table of Contents at:
>> http://protoolswithspeech.com/mixing-table-of-contents/
>>
>> A bundle of all three tutorials is available for $42.99 a savings of
>> 15%! For the first 15 purchasers, take an additional 10% off with
>> coupon code first15! If you're intrested in the bundle, take 10% off
>> with coupon code first10!
>>
>>   Also, be sure to check out the content available in the free
>> tutorials section. We plan to add to these videos a few times a month
>> with new content. These are much shorter how to tutorials to help you
>> use various features of Pro Tools. If you have a suggestion of a topic
>> you would like to see us cover, please use the contact us link on our
>> site.
>>
>>   Follow us on twitter @Ptwithspeech. One of the first 100 followers
>> will win a free bundle, and two others will win a tutorial of choice.
>>
>>
>
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Warm Regards:
Matt Diemert
330-980-0046

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www.protoolswithspeech.com

[mcdiemert .]

I thought some of you would be interested in this. Last year, I
mentioned that I'd try to take some of my Pro Tools training and
convert it in to tutorials. when we determined that this would be
difficult to keep comprehensive and understandable, we decided to
develop a set of tutorials for using Pro Tools with VoiceOver on the
Mac.

June 8, 2014.
 We are proud to announce the launch of
http://www.protoolswithspeech.com, a site specifically geared to,  "an
 accessible approach to recording, editing, and mixing in Pro Tools
 with VoiceOver on the Mac". Offering both paid and free comprehensive
 audio tutorials for current and prospective users of the Pro Tools
digital audio workstation, there is sure to be helpful knowledge for
everyone.

 Our paid tutorials are broken up into three major categories,
Recording, Editing, and Mixing.
 The recording Tutorial is over an hour long and is currently
available for $9.99.  This module provides you with a work flow to get
up and recording quickly. You'll be able to create a new session and
add various types of tracks such as: Audio, Master Fader, and Click.
 You'll also learn how to use such powerful features as pre and post
roll, as well as Quick Punch, Loop Record, and playlists.  You can
read the entire table of contents at:
http://protoolswithspeech.com/recording-table-of-contents/

The Editing tutorial is an interactive audio module with nearly two
and a half hours of instruction and is currently available for $19.99.
After purchasing, you will be provided a link to the accompanying
session so that you can follow along with us and practice editing the
exact session you hear in the tutorial. This module covers concepts
such as, using VoiceOver's hotspot feature to manage information and
changes in Pro Tools, using markers, multiple techniques for selecting
and manipulating audio, comping vocals, as well as, fades, (fade in,
fade out, and cross fades). Read the entire Editing Table of Contents
at:
http://protoolswithspeech.com/editing-table-of-contents/

 The Mixing tutorial is a continuation of the editing module. You will
be provided with a second session completely edited, and ready for
mixing. We will cover concepts such as: adjusting faders,
instantiating a plugin, inserting a compressor, inserting an EQ,
setting up time based processing, automation via the keyboard, and
bouncing. Read the entire Mixing Table of Contents at:
http://protoolswithspeech.com/mixing-table-of-contents/

A bundle of all three tutorials is available for $42.99 a savings of
15%! For the first 15 purchasers, take an additional 10% off with
coupon code first15! If you're intrested in the bundle, take 10% off
with coupon code first10!

 Also, be sure to check out the content available in the free
tutorials section. We plan to add to these videos a few times a month
with new content. These are much shorter how to tutorials to help you
use various features of Pro Tools. If you have a suggestion of a topic
you would like to see us cover, please use the contact us link on our
site.

 Follow us on twitter @Ptwithspeech. One of the first 100 followers
will win a free bundle, and two others will win a tutorial of choice.


-- 
Warm Regards:
Matt Diemert

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Re: Selecting to end of song for editing

[mcdiemert .]

shift option return will delete to end of session.

On 4/11/14, Poppa Bear  wrote:
> Ok, if shift and return selects from the incertian point to the beginning of
> the song, what command will select from the incercian point to the end of
> the song? I have clients who bring in instrumentals that are maybe 70 bars
> long, but they only lay down material for half of that sometimes and I need
> to select and delete the unused audio.
> Thanks for any tips
>
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Matt Diemert
330-980-0046

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Re: Universal Audio Apollo Twin SOLO

[mcdiemert .]

My opportunity to use it was in pt 10 with RTAS plugs. I did not try
the optical connection though I thought of doing so with my scarlet
18i20. As I mentioned, I deffinitly plan on grabbing one. As a note,
keep in mind they are thunder bolt only for connectivity obviously
this can be an issue for anyone with an slightly older MB.

On 4/4/14, Gordon Kent  wrote:
> Hi:
> I only have the PCIE cards, not the rack mount, and that wouldn't work on a
> mac even if you had a Mac pro tower.  You have to use the rack mount ones on
> the Mac, which I think now support thunderbolt.
> Gord
> On Apr 4, 2014, at 12:24 PM, CHUCK REICHEL 
> wrote:
>
>> Hi Gord,
>> Have you used it with a Mac?
>> I'm looking to capture some live stuff with my mac mini & need some good
>> quality with portability. :)
>> TIA
>> Chuck
>>
>>
>> On Apr 4, 2014, at 3:05 AM, Gordon Kent wrote:
>>
>>> Oh yeah, at least a duo, if not a quad.  I have one of each in my windows
>>> machine and that is sweet.  they even make an 8 core one now.  Some of
>>> the plugs, like the analog tape simulators, eat up a lot of processing if
>>> you put a bunch of instances into a project.  But I got by fine with the
>>> duo and really only hit the wall a few times.
>>> Gord
>>> On Apr 3, 2014, at 5:42 PM, mcdiemert .  wrote:
>>>
>>>> I have used the solo, and like it! My only recommendation is consider
>>>> the duo. When using the UAD plugs the solo ran out very quickly!  I
>>>> plan on buying one of these very soon probably on the zzounds flex
>>>> pay, but I'll deffinitly grabb the duo.
>>>>
>>>> On 4/3/14, CHUCK REICHEL  wrote:
>>>>> Ahoy List!
>>>>> Is anybody using the "Universal Audio Apollo Twin SOLO"?
>>>>> If so Hows the VoiceOver Accessibility?
>>>>> I'm looking at this for a portable recording solution.
>>>>> What about this option on the unit?
>>>>> "Optical input lets you add up to eight more inputs via ADAT"".
>>>>> Who has the most cost effective price on it?, I saw $699.00 so far!
>>>>> TIA
>>>>> Chuck
>>>>>
>>>>>
>>>>>
>>>>> CHUCK REICHEL
>>>>> soundpicturerecord...@gmail.com
>>>>> www.SoundPictureRecording.com
>>>>> 954-742-0019
>>>>> GUFFAWING :)
>>>>> In GOD I Trust
>>>>>
>>>>> --
>>>>> You received this message because you are subscribed to the Google
>>>>> Groups
>>>>> "Pro Tools Accessibility" group.
>>>>> To unsubscribe from this group and stop receiving emails from it, send
>>>>> an
>>>>> email to ptaccess+unsubscr...@googlegroups.com.
>>>>> For more options, visit https://groups.google.com/d/optout.
>>>>>
>>>>
>>>>
>>>> --
>>>> Warm Regards:
>>>> Matt Diemert
>>>> 330-980-0046
>>>>
>>>> --
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>>>> Groups "Pro Tools Accessibility" group.
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>>>
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>>
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>
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330-980-0046

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Re: Universal Audio Apollo Twin SOLO

[mcdiemert .]

I have used the solo, and like it! My only recommendation is consider
the duo. When using the UAD plugs the solo ran out very quickly!  I
plan on buying one of these very soon probably on the zzounds flex
pay, but I'll deffinitly grabb the duo.

On 4/3/14, CHUCK REICHEL  wrote:
> Ahoy List!
> Is anybody using the "Universal Audio Apollo Twin SOLO"?
> If so Hows the VoiceOver Accessibility?
> I'm looking at this for a portable recording solution.
> What about this option on the unit?
> "Optical input lets you add up to eight more inputs via ADAT"".
> Who has the most cost effective price on it?, I saw $699.00 so far!
> TIA
> Chuck
>
>
>
> CHUCK REICHEL
> soundpicturerecord...@gmail.com
> www.SoundPictureRecording.com
> 954-742-0019
> GUFFAWING :)
> In GOD I Trust
>
> --
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>


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Matt Diemert
330-980-0046

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Re: Time signature

[mcdiemert .]

Not sure what version of PT you are running, but in 10, under events
on the menu bar, you can change the meter by going to time operations
and then change meter. If you are  running 11, I believe slau may have
posted a way to accomplish this a few months back.

On 3/22/14, trevor  wrote:
> Where do I change the time signature in ProTools please?
> I have searched everywhere and I can't find anythin about time signatures.
> For instance, I have a piece I want to record in 6 8 time and the only thing
> I can get is 4 4 time.
> The click track and tempo are no problem.
>
> Thank you,
>
> Trevor
>
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