Re: [scifinoir2] Networks clamor for foreign TV shows

2008-03-06 Thread Gymfig
 
In a message dated 3/5/2008 11:30:03 PM Eastern Standard Time, 
[EMAIL PROTECTED] writes:

Well, I see wardrobes on sale all the time, but I get your point. I read a 
while ago how the original title Harry Potter and the Philosopher's Stone 
had to be changed to Harry Potter and the Sorcerer's Stone for American 
readers. The publisher was concerned--rightfully, I guess--that Americans 
didn't 
know what a Philosopher's Stone was.  That's sad though: if we could get used 
to 
absorbing other cultures more, we'd be the better for it. I used to watch 
Monty Python when I was only ten years old, and many of the cultural references 
escaped me then. But my trying to understand them helped me in the long run. 
Ah well, that's America for you

I used to watch Are you being Served? I also picked up a lot from Masterpiece 
Theater. I understand perfectly. 



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Re: [scifinoir2] Networks clamor for foreign TV shows

2008-03-06 Thread Gymfig
 
In a message dated 3/5/2008 11:30:28 PM Eastern Standard Time, 
[EMAIL PROTECTED] writes:

yet Americans can't do the same with theirs. One can figure out what a 
lorrie or lift is from the context of what's being discussed. But that's 
egocentric America for you...

yeah. 



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Re: [scifinoir2] New Amsterdam Thoughts

2008-03-06 Thread Gymfig
In a message dated 3/5/2008 11:30:08 PM Eastern Standard Time, 
[EMAIL PROTECTED] writes:

you mentioned the bad guys never win in scifi, but isn't that the way of most 
fiction, especially that produced in America? It's about the battle of good 
versus evil, and good always wins.
 
 
I hate that good always win attitude. However it is worse in fantasy/sci fi 
because the stories are so good. The hero is so bad and justifies murder 
because he is doing good. 
 
 


Why didn't you like Ritchie in Highlander?
 
He became the annoying sidekick. I wish he was allowed to develop and grow 
up. He was written as a spoiled brat after a while. HE was the annoying America 
to Mac. 
 


The lady playing a Latina on New Amsterdam is in actuality part Burmese, 
Indian, Persian, and English. So of course she was cast as a Latina!  She was 
in 
The Namesake, playing a love interest of star Kal Penn. Good movie, by the 
way.
 
 
I never heard of that movie. What is her name?



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Re: [scifinoir2] Bush Lets Red Phone Go to Voicemail

2008-03-06 Thread Martin
Talk about phoning it in... 8-O

Tracey de Morsella (formerly Tracey L. Minor) [EMAIL PROTECTED] wrote: 
March 3, 2008
Bush Says He Lets Red Phone Go Straight to Voicemail

‘Baffled’ By Clinton Campaign Ads, President Says


President George W. Bush commented on Sen. Hillary Clinton’s 
controversial “red phone” campaign ads at the White House today, telling 
reporters, “When that red phone rings, I just let it go straight to 
voicemail.”

Mr. Bush rarely comments about the Democratic presidential contest, but 
he said that he had to speak up about Sen. Clinton’s red phone ads 
because he found them “so confusing.”

“If I answered the red phone every time it rang, I would never get any 
sleep,” Mr. Bush said.  “Sometimes it starts ringing at 9 PM, and I am 
already tucked in by then.”

Mr. Bush said that “there’s nothing so important that it can’t wait 
until tomorrow, or whenever I remember to check my voicemail.”

In a rebuke of Sen. Clinton, Mr. Bush added, “If she doesn’t know about 
letting your calls go straight to voicemail, I don’t think she has the 
experience to be president.”

Campaigning in Houston, former President Bill Clinton took issue with 
Mr. Bush’s remarks, telling reporters, “When I get a call at 3 AM, I 
always pick up, if you know what I mean.”

Pressed to explain exactly what he meant, the former president said, 
“Three o’clock in the morning – come on!  Odds are we’re talking about a 
booty call.”

Shortly after his “booty call” remark, the Clinton campaign said that 
they were revising the former president’s itinerary to focus on states 
that had already voted in February.

Elsewhere, Sen. John McCain released a new series of campaign ads, 
showing him answering a telegraph key at 3 A.M.


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[scifinoir2] Re: Networks clamor for foreign TV shows

2008-03-06 Thread maidmarian_thepoet

They tried an Americanized Dr. Who.  Or rather a pilot for a
British/American sponsored Dr. Who.  The pilot was rightly panned.  It
made Dr. Who too human.  (On one of the Dr Who DVDs, they didn't even
include that as one of the regenerations.  That's how much they think of
the show.)

The Treatment is based on an Israeli drama.  It is 30 minutes long and I
think all of the episodes are on HBO.com   Every night, you see a
psychiatrist session with a different patient.  4 nights with his
patients and Friday night as he meets with his own therapist.  In
watching the credits, I see that the Israeli director came over to HBO,
and the stories are based on actual episodes so maybe that is why it
translated better.  And it's on HBO.  No need to compromise because of
network standards.


--- In scifinoir2@yahoogroups.com, [EMAIL PROTECTED] wrote:

 I can see in some cases where there are sexual or cultural things that
Americans might find offensive. But even then, is that so often, and
wouldn't simple editing or omission of some whole eps suffice? I too
often find the original British product superiour. If nothing else, it's
a different take, and i like that. For example, I'm sure an Americanized
Dr Who could be done that's exciting and all that, but the British
accents, attitudes, cultural references, etc. are much more interesting
to me.
 What's The Treatment?

 -- Original message --
 From: maidmarian_thepoet [EMAIL PROTECTED]
 So that they can replace the lead actress with a blond, of course.

 Seriously, so many of the dramatic remakes are worse and don't last
 long. The comedies seem to make it, but I would imagine--as someone
has
 mentioned--that the comedies do a major rewrite in order to match U.S.
 comedy styles.

 That said, I am absolutely hooked on The Treatment. And it comes on
 at such an odd time. Often, I have to stay up later and catch the
rerun
 because it comes on in the middle of our prime time.

 --- In scifinoir2@yahoogroups.com, Gymfig@ wrote:
 
 
  In a message dated 3/5/2008 9:19:40 PM Eastern Standard Time,
  KeithBJohnson@ writes:
 
  What is it so that British and other foreign audiences will often
 watch
  original American shows, but American TV so often remakes foreign
 shows with
  American actors, rather than just buy and air the original product?
 




 [Non-text portions of this message have been removed]






Re: [scifinoir2] Re: Networks clamor for foreign TV shows

2008-03-06 Thread Martin
As I've said before, writing is where the Brits win and Americans lose, 
TV-wise.Brit productions tend to stick with a set group of writers, who are 
better able to maintain character and story continuity, in stark comparison 
with American shows, who employ a stable of writers whose styles and visions 
vary widely and wildly. Add in the American penchant for using guest stars 
and geust writers, and that cna upset the tone of a show even more. For 
example, I remember one season of The X-Files in which eps were penned by 
Stephen King and William Gibson. People I knew at the time who were fans of the 
authors watched those eps and were pleased, but admitted that they normally 
wouldn't have watched the show, were their favorite authors not involved. The 
same may apply to favorite actors as well. No data on that.

maidmarian_thepoet [EMAIL PROTECTED] wrote:   So 
that they can replace the lead actress with a blond, of course.
 
 Seriously, so many of the dramatic remakes are worse and don't last
 long.  The comedies seem to make it, but I would imagine--as someone has
 mentioned--that the comedies do a major rewrite in order to match U.S.
 comedy styles.
 
 That said, I am absolutely hooked on The Treatment.  And it comes on
 at such an odd time.  Often, I have to stay up later and catch the rerun
 because it comes on in the middle of our prime time.
 
 --- In scifinoir2@yahoogroups.com, [EMAIL PROTECTED] wrote:
 
 
  In a message dated 3/5/2008 9:19:40 PM Eastern Standard Time,
  [EMAIL PROTECTED] writes:
 
  What is it so that British and other foreign audiences will often
 watch
  original American shows, but American TV so often remakes foreign
 shows with
  American actors, rather than just buy and air the original product?
 
 
 
 
   


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organized along the lines of the Mafia. -Kurt Vonnegut, A Man Without A 
Country
   
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Re: [scifinoir2] Re: Huge Changes Coming To 'Doctor Who,' 'Torchwood'?

2008-03-06 Thread Martin
This is SyFyPortal talking, so I take this with roughly the same caution I take 
words from The Sun. The Tennant's leaving bit is close to a year old now, and 
he doesn't even deny the possibility anymore. DW can survive without him.  As 
for Torchwood without Barrowman, I doubt it would fly. The show's invested too 
much of its identity into Captain Jack.

Tracey de Morsella (formerly Tracey L. Minor) [EMAIL PROTECTED] wrote:  
 I'm sure i will adapt, but it seems to me that they 
built the show 
 around  Harkness.  Barrowman is a hard act to follow.  As much as I like 
 Martha Jones, I believe the show that is left will be a shell of what it 
 was .  It is too bad.  I think the new season is much better than the 
 first season.
 
 ravenadal wrote:
  As someone who thinks Naoko Mori is hot and Captain Harkness is a 
  hoot, suspenders and all, I am not at all excited by this news.
 
  ~(no)rave!
 
  --- In scifinoir2@yahoogroups.com, Tracey de Morsella (formerly 
  Tracey L. Minor) [EMAIL PROTECTED] wrote:

  By MICHAEL HINMAN
  Source: Sci Fi Pulse
  Mar-04-2008
 
  This story contains possible MAJOR SPOILERS for upcoming seasons of 
  Doctor Who and Torchwood. This story also contains rumors that 
  
  have 

  not been independently corroborated by SyFy Portal, so treat them 
  
  as you 

  would any rumor.
 
  Like Torchwood the way it is now? Like its original source show, 
  Doctor Who? Well get ready for some changes.
 
  Despite the fact that Doctor Who and Torchwood remain two of 
  
  the 

  most-watched scripted programs on British television, it appears 
  
  that 

  BBC is getting ready to make some wholesale changes to both shows, 
  including the replacement of both stars.
 
  According to Dr. Phibes, a source for British genre site Sci-Fi 
  
  Pulse, 

  both David Tennant and John Barrowman are set to leave their 
  
  respective 

  programs, along with a number of other cast members.
 
  Tennant, who is about to premiere in the show's fourth season on 
  
  BBC 

  later this spring, will apparently work through the 2009 specials 
  leading up to the annual Christmas episode, where he will 
  
  regenerate and 

  be replaced by another actor.
 
  According to Sci-Fi Pulse, filming for the Doctor Who specials in 
  
  2009 

  is already under way, with a wrap planned for as early as the end 
  
  of 

  this month. While Carlyle is not signed to play the role as the 
  
  11th 

  Doctor, Dr. Phibes says that the BBC is in negotiations to sign the 
  
  actor.

  It won't just be Doctor Who getting a makeover, however. Remember 
  
  that 

  experiment BBC Two was doing where it was watering down episodes of 
  Torchwood to make it more family friendly? If Dr. Phibes is 
  
  correct, 

  then it seems that they were warming up audiences to a new version 
  
  of 

  the show which will launch in the third season. So far, only five 
  episodes have been commissioned out of the standard 13, and gone 
  
  are 

  actors Burn Gorman (Owen Harper), Naoko Mori (Toshiko Sato) and 
  
  Capt. 

  Jack Harkness' John Barrowman. In, however, is former Doctor Who 
  companion Freema Agyeman, who will join the show full-time in 
  
  Season 3. 

  Eve Myles, who plays Gwen Cooper, is expected to return as well, 
  
  and 

  Barrowman is reported to be making guest appearances in the third 
  
  season.

  The show itself will lose some of its adult-themed content, and 
  
  will be 

  geared more toward Doctor Who style audiences. The goal is not to 
  
  have 

  two different series running at the same time, but instead to work 
  
  as 

  sort of a filler series for off periods of Doctor Who, which only 
  films a handful of episodes each year.
 
With the changes, Torchwood will move to a Saturday timeslot 
  
  where 

  Doctor Who currently airs.
 
  If true, these would be some very significant changes to the 
  
  Whoniverse 

  by BBC, and a bit head-scratching as ratings for both shows in 
  
  their 

  current formats have been phenomenal.
 
  Sci-Fi Pulse stands behind its source on this, saying he has been 
  accurate in his reports in the past, but even that site warns this 
  
  is 

  nothing more than rumor, and should be treated as such.
 
  Torchwood is currently airing on BBC Two and BBC America, while 
  Doctor Who is preparing to premiere its fourth season in the 
  
  spring.

  http://www.syfyportal.com/news424775.html
 
  
 
 
 
 
   
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Re: [scifinoir2] SNK Drops Comedy Format for Endorsement Format

2008-03-06 Thread Martin
(looking about, puzzled expression etched on face)

SNL *had* a comedy format?

Tracey de Morsella (formerly Tracey L. Minor) [EMAIL PROTECTED] wrote: 
March 5, 2008
‘Saturday Night Live’ Abandons Comedy Format to Focus on Endorsements

Change in Mission for Venerable Late Night Show


Basking in the success of its endorsement of Sen. Hillary Clinton’s 
candidacy for the Democratic nomination for president, NBC’s late night 
warhorse “Saturday Night Live” announced today that it would abandon 
comedy to embrace its new role as a political kingmaker.

Lorne Michaels, executive producer of the venerable late night show, 
said that the election returns from Tuesday night were enough to 
convince him that the show should stay away from comedy altogether and 
focus its energies on making political endorsements.

“We want to be able to do one thing well,” Mr. Michaels said.  “And if 
it’s a choice between doing comedy and choosing the next President of 
the United States, we’re going to drop the comedy part.”

Mr. Michaels said that the decision to get out of the comedy business 
and move towards full-time political endorsing should come as no 
surprise to its viewers: “We’ve been gradually moving away from comedy 
for years.”

The Emmy-winning producer added that NBC viewers who are disappointed by 
his show’s format change and want to look elsewhere for laughs “can 
always watch Tim Russert.”

Arguing that fans of the show will ultimately be “delighted” by its new 
mission, the late night pioneer touted what he called “a really 
exciting” lineup of future guest hosts leading up to the Pennsylvania 
primary: Hillary Clinton, Bill Clinton, Chelsea Clinton, and musical 
guest George S. Clinton.

Elsewhere, presumptive GOP nominee John McCain accepted a congratulatory 
call from former Arkansas Gov. Mike Huckabee and then immediately 
changed his phone number.


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Andy makes his first-ever appearance in Canada on Tuesday, April 8 at 
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admission free.



***Andy’s Only West Coast Appearance – April 24***

Andy makes his only scheduled West Coast appearance Thursday, April 24 
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Andy hosts Countdown to '08 on Tuesday, May 13 at 8 PM at the 92nd St. 
Y with his special guests Susie Essman (HBO's Curb Your Enthusiasm) and 
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Re: [scifinoir2] Re: Networks clamor for foreign TV shows

2008-03-06 Thread oberonz
The show is In Treatment...and it is excellent.

http://www.youtube.com/watch?v=XdNhzDs-lOQ

- Original Message -
From: maidmarian_thepoet 
Date: Thursday, March 6, 2008 10:18 am
Subject: [scifinoir2] Re: Networks clamor for foreign TV shows
To: scifinoir2@yahoogroups.com

 
 They tried an Americanized Dr. Who. Or rather a pilot for a
 British/American sponsored Dr. Who. The pilot was rightly 
 panned. It
 made Dr. Who too human. (On one of the Dr Who DVDs, they didn't even
 include that as one of the regenerations. That's how much they 
 think of
 the show.)
 
 The Treatment is based on an Israeli drama. It is 30 minutes 
 long and I
 think all of the episodes are on HBO.com Every night, you see a
 psychiatrist session with a different patient. 4 nights with his
 patients and Friday night as he meets with his own therapist. In
 watching the credits, I see that the Israeli director came over 
 to HBO,
 and the stories are based on actual episodes so maybe that is 
 why it
 translated better. And it's on HBO. No need to compromise 
 because of
 network standards.
 
 
 --- In scifinoir2@yahoogroups.com, [EMAIL PROTECTED] wrote:
 
  I can see in some cases where there are sexual or cultural 
 things that
 Americans might find offensive. But even then, is that so often, and
 wouldn't simple editing or omission of some whole eps suffice? I too
 often find the original British product superiour. If nothing 
 else, it's
 a different take, and i like that. For example, I'm sure an 
 AmericanizedDr Who could be done that's exciting and all that, 
 but the British
 accents, attitudes, cultural references, etc. are much more 
 interestingto me.
  What's The Treatment?
 
  -- Original message --
  From: maidmarian_thepoet [EMAIL PROTECTED]
  So that they can replace the lead actress with a blond, of course.
 
  Seriously, so many of the dramatic remakes are worse and don't last
  long. The comedies seem to make it, but I would imagine--as someone
 has
  mentioned--that the comedies do a major rewrite in order to 
 match U.S.
  comedy styles.
 
  That said, I am absolutely hooked on The Treatment. And it 
 comes on
  at such an odd time. Often, I have to stay up later and catch the
 rerun
  because it comes on in the middle of our prime time.
 
  --- In scifinoir2@yahoogroups.com, Gymfig@ wrote:
  
  
   In a message dated 3/5/2008 9:19:40 PM Eastern Standard Time,
   KeithBJohnson@ writes:
  
   What is it so that British and other foreign audiences will often
  watch
   original American shows, but American TV so often remakes foreign
  shows with
   American actors, rather than just buy and air the original 
 product? 
 
 
 
 
  [Non-text portions of this message have been removed]
 
 
 
 
 


[Non-text portions of this message have been removed]



Re: [scifinoir2] Re: Networks clamor for foreign TV shows

2008-03-06 Thread Gymfig
 
In a message dated 3/6/2008 10:42:14 AM Eastern Standard Time, 
[EMAIL PROTECTED] writes:

The show is In Treatment...and it is excellent.

I thought that was what it was.  I need to watch the show from the beginning. 
There was a mini series on HBO about a man losing his wife while his children 
were kidnapped. I thought it was a horrible mini series. The British have 
flops too. 



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[scifinoir2] On the Web, Obama Is the Clear Winner

2008-03-06 Thread Tracey de Morsella (formerly Tracey L. Minor)
The Primary Race March 5, 2008, 12:46PM EST
On the Web, Obama Is the Clear Winner
He is miles ahead of Hillary Clinton when it comes to online organizing 
and fundraising. But does that translate into votes?
http://www.businessweek.com/print/technology/content/mar2008/tc2008035_280573.htm
by Catherine Holahan

Senator Hillary Clinton (D-N.Y.) has another place where she needs to 
catch up: the Web. Long before Senator Barack Obama (D-Ill.) began his 
impressive winning streak in the Democratic primaries, he was trouncing 
his opponents in their online efforts. Clinton's wins on Mar. 4 in Ohio 
and Texas may have staved off for now Obama's march to the candidacy. 
But he still has more than triple the number of supporters on social 
networks MySpace (NWS) and Facebook, according to techPresident, a 
nonpartisan blog that covers the 2008 candidates' Web presence. His 
YouTube (GOOG) videos, with more than 24 million plays a day in March, 
grab nearly three times more daily views than Clinton's own.

Perhaps most importantly, Obama's fundraising is outpacing Clinton's 
efforts, thanks largely to online donations. In January Obama raised $36 
million, with about 80% coming from online (BusinessWeek.com, 1/17/08). 
Clinton raised $35 million in the same period, but didn't break out the 
online component. Pundits project Obama's yet-to-be released February 
figures will beat the $35 million Clinton raised in February, of which 
$30 million came from online, according to Peter Daou, the Clinton 
campaign’s Internet director.
Obama Campaign: Early Adopters

It's clear that this digital advantage is paying dividends. In prior 
Presidential elections the Web served as little more than another 
channel for candidates to broadcast their positions and collect 
donations. This year, however, social networking sites and new Web tools 
are enabling candidates to mobilize large groups to take action online, 
on the phone, and on the streets. The tools are more powerful and there 
are more of them now, says Lee Rainie, director of the Pew Internet  
American Life Project. This is a more robust environment than ever before.

Obama's campaign decided early on that the Web needed to play an 
instrumental role in helping to organize large numbers of supporters, 
particularly as a counter to the influence the Clintons already had 
within the Democratic Party's inner circle, including with key 
delegates. If we were going to do this and be successful it had to be 
from the bottom up, says Joe Rospars, director of new media for the 
Obama campaign. Rospars is the founding partner of the Washington 
(D.C.)-based Internet strategy firm, Blue State Digital, and worked on 
the Howard Dean campaign in 2004.

Obama has multiple teams involved in his online effort. There's a 
technology team that handles infrastructure and another that manages his 
new-media efforts, such as the design of his Web site and the tools 
provided to its users. He has a video team that shoots his speeches and 
interactions on the campaign trail and posts them to YouTube and Obama's 
blog, which is written by campaign members.
Rallying the Social Networks

There is also a person who manages the thousands of regional, 
demographic, and issue-oriented social networks on My.BarackObama.com, 
where users can start their own blogs about his campaign, organize 
regional events, and raise funds (BusinessWeek.com, 6/18/08). Another 
person manages the pro-Obama groups on Facebook and MySpace—more than 
970,000 people have signed up between the two sites. The campaign 
itself has tried to tap into the power of social networks but equally as 
striking is the way his supporters have self-organized and taken the 
initiative to support him, says Rainie.

Obama is himself actively engaged in the social networks. Before Super 
Tuesday he solicited opinions on business social network site LinkedIn 
about how the next President could help small businesses and 
entrepreneurs thrive. He received nearly 1,500 responses in a week, says 
Kay Luo, LinkedIn's director of corporate communications, who helped 
organize his campaigns efforts on the site. Lower the burden of federal 
regulation, and simplify the tax code so American small business owners 
don't have to face the hidden tax of preparing our taxes, wrote Allen 
Fuller, a managing partner at a technology, strategy, and marketing 
firm, in response to the question.

Later, a LinkedIn poll showed more than 50% of Democrats on the site 
said they supported Obama vs. Clinton's 36%. The Obama campaign has 
learned how to navigate the new political media ecology better than 
anyone in the 2008 election, says Andrew Rasiej, co-founder of 
techPresident.

Jeremy Snyder, a 23-year-old Portland (Ore.) resident, says he would not 
have become so active in the campaign were it not for pro-Obama groups 
on Facebook and My.BarackObama.com. After signing up, he met people in 
his area who organized debate-watching parties at local pubs, 

Re: [scifinoir2] Re: Networks clamor for foreign TV shows

2008-03-06 Thread KeithBJohnson
is Gabriel Byrne in The Treatment? He was on Charlie Rose last night talking 
about a series he was in, but i was going in and out of sleep. I thought that 
was it

-- Original message -- 
From: maidmarian_thepoet [EMAIL PROTECTED] 

They tried an Americanized Dr. Who. Or rather a pilot for a
British/American sponsored Dr. Who. The pilot was rightly panned. It
made Dr. Who too human. (On one of the Dr Who DVDs, they didn't even
include that as one of the regenerations. That's how much they think of
the show.)

The Treatment is based on an Israeli drama. It is 30 minutes long and I
think all of the episodes are on HBO.com Every night, you see a
psychiatrist session with a different patient. 4 nights with his
patients and Friday night as he meets with his own therapist. In
watching the credits, I see that the Israeli director came over to HBO,
and the stories are based on actual episodes so maybe that is why it
translated better. And it's on HBO. No need to compromise because of
network standards.

--- In scifinoir2@yahoogroups.com, [EMAIL PROTECTED] wrote:

 I can see in some cases where there are sexual or cultural things that
Americans might find offensive. But even then, is that so often, and
wouldn't simple editing or omission of some whole eps suffice? I too
often find the original British product superiour. If nothing else, it's
a different take, and i like that. For example, I'm sure an Americanized
Dr Who could be done that's exciting and all that, but the British
accents, attitudes, cultural references, etc. are much more interesting
to me.
 What's The Treatment?

 -- Original message --
 From: maidmarian_thepoet [EMAIL PROTECTED]
 So that they can replace the lead actress with a blond, of course.

 Seriously, so many of the dramatic remakes are worse and don't last
 long. The comedies seem to make it, but I would imagine--as someone
has
 mentioned--that the comedies do a major rewrite in order to match U.S.
 comedy styles.

 That said, I am absolutely hooked on The Treatment. And it comes on
 at such an odd time. Often, I have to stay up later and catch the
rerun
 because it comes on in the middle of our prime time.

 --- In scifinoir2@yahoogroups.com, Gymfig@ wrote:
 
 
  In a message dated 3/5/2008 9:19:40 PM Eastern Standard Time,
  KeithBJohnson@ writes:
 
  What is it so that British and other foreign audiences will often
 watch
  original American shows, but American TV so often remakes foreign
 shows with
  American actors, rather than just buy and air the original product?
 




 [Non-text portions of this message have been removed]



 

[Non-text portions of this message have been removed]



[scifinoir2] Re: Huge Changes Coming To 'Doctor Who,' 'Torchwood'?

2008-03-06 Thread ravenadal
I gave this more consideration and factored in the fact that the BBC 
is a public entity, financed by a television licensing fee.  As such, 
it is probably subject to the same political pressures as our own 
PBS.  Just like in the good ol' USA, I am sure British politicos gain 
traction by bashing the BBC for not being family oriented.  The 
programming of the private television networks, including the one 
owned by arch conservative Rupert Murdock, air much racier 
programming than the BBC does.  I sure omni-sexual Jack Harkness, who 
had bed both one female member of his team and one male member and 
who has had more alien booty than Captain James Tiberius Kirk, is a 
bug up some conservative MP's butt.

~(no)rave!

--- In scifinoir2@yahoogroups.com, Tracey de Morsella (formerly 
Tracey L. Minor) [EMAIL PROTECTED] wrote:

 I'm sure i will adapt, but it seems to me that they built the show 
 around  Harkness.  Barrowman is a hard act to follow.  As much as I 
like 
 Martha Jones, I believe the show that is left will be a shell of 
what it 
 was .  It is too bad.  I think the new season is much better than 
the 
 first season.
 
 ravenadal wrote:
  As someone who thinks Naoko Mori is hot and Captain Harkness is a 
  hoot, suspenders and all, I am not at all excited by this news.
 
  ~(no)rave!
 
  --- In scifinoir2@yahoogroups.com, Tracey de Morsella (formerly 
  Tracey L. Minor) tdlists@ wrote:

  By MICHAEL HINMAN
  Source: Sci Fi Pulse
  Mar-04-2008
 
  This story contains possible MAJOR SPOILERS for upcoming seasons 
of 
  Doctor Who and Torchwood. This story also contains rumors 
that 
  
  have 

  not been independently corroborated by SyFy Portal, so treat 
them 
  
  as you 

  would any rumor.
 
  Like Torchwood the way it is now? Like its original source 
show, 
  Doctor Who? Well get ready for some changes.
 
  Despite the fact that Doctor Who and Torchwood remain two of 
  
  the 

  most-watched scripted programs on British television, it appears 
  
  that 

  BBC is getting ready to make some wholesale changes to both 
shows, 
  including the replacement of both stars.
 
  According to Dr. Phibes, a source for British genre site Sci-
Fi 
  
  Pulse, 

  both David Tennant and John Barrowman are set to leave their 
  
  respective 

  programs, along with a number of other cast members.
 
  Tennant, who is about to premiere in the show's fourth season on 
  
  BBC 

  later this spring, will apparently work through the 2009 
specials 
  leading up to the annual Christmas episode, where he will 
  
  regenerate and 

  be replaced by another actor.
 
  According to Sci-Fi Pulse, filming for the Doctor Who specials 
in 
  
  2009 

  is already under way, with a wrap planned for as early as the 
end 
  
  of 

  this month. While Carlyle is not signed to play the role as the 
  
  11th 

  Doctor, Dr. Phibes says that the BBC is in negotiations to sign 
the 
  
  actor.

  It won't just be Doctor Who getting a makeover, however. 
Remember 
  
  that 

  experiment BBC Two was doing where it was watering down episodes 
of 
  Torchwood to make it more family friendly? If Dr. Phibes is 
  
  correct, 

  then it seems that they were warming up audiences to a new 
version 
  
  of 

  the show which will launch in the third season. So far, only 
five 
  episodes have been commissioned out of the standard 13, and gone 
  
  are 

  actors Burn Gorman (Owen Harper), Naoko Mori (Toshiko Sato) and 
  
  Capt. 

  Jack Harkness' John Barrowman. In, however, is former Doctor 
Who 
  companion Freema Agyeman, who will join the show full-time in 
  
  Season 3. 

  Eve Myles, who plays Gwen Cooper, is expected to return as well, 
  
  and 

  Barrowman is reported to be making guest appearances in the 
third 
  
  season.

  The show itself will lose some of its adult-themed content, and 
  
  will be 

  geared more toward Doctor Who style audiences. The goal is not 
to 
  
  have 

  two different series running at the same time, but instead to 
work 
  
  as 

  sort of a filler series for off periods of Doctor Who, which 
only 
  films a handful of episodes each year.
 
With the changes, Torchwood will move to a Saturday timeslot 
  
  where 

  Doctor Who currently airs.
 
  If true, these would be some very significant changes to the 
  
  Whoniverse 

  by BBC, and a bit head-scratching as ratings for both shows in 
  
  their 

  current formats have been phenomenal.
 
  Sci-Fi Pulse stands behind its source on this, saying he has 
been 
  accurate in his reports in the past, but even that site warns 
this 
  
  is 

  nothing more than rumor, and should be treated as such.
 
  Torchwood is currently airing on BBC Two and BBC America, 
while 
  Doctor Who is preparing to 

[scifinoir2] [Gadgets] Working as a video game tester

2008-03-06 Thread brent wodehouse
http://www.montrealmirror.com/2008/030608/games1.html

Testing, testing, testing

 Working as a video game tester requires a keen eye for bugs and a high
level of patience

by ERIK LEIJON


Imagine playing your favourite level on your favourite video game. Now
imagine playing that level for an entire day. After that, play it for the
next five days, and when you’re done, play it again for another two
months. If you’re sick and tired at that point - bite your tongue and play
it for another two months.

That, explains Eidos Montreal’s lead quality assurance (QA) tester
Emmanuel-Yvan Ofoe, is the job of game testing. It’s repetitive, requires
constant attention and can become frustrating, but it’s an essential and
unheralded stage in the video game process. It’s also become a booming
business in Montreal, with internal testing teams at most of the
development studios and large outsourcing firms constantly looking to hire
experienced gamers.

In the past, game testing typically occurred later, as the game neared
completion, whereas nowadays it occurs throughout a video game’s creation
cycle - from alpha to beta - meaning a tester often has to play
bug-infested messes so early in development that they hardly seem like
games at all.

“You’re working on the same game for a year,” says Ofoe, “and I’m not
talking about World of Warcraft. At home you can choose what type of game
you want to play whenever you want. Here, it’s every day that you have to
play.”

“There are a lot of misconceptions about the job,” adds fellow Eidos lead
QA tester William Pare. “People think you’re playing games all day. But
that’s like saying someone who builds swimming pools swims all day.”
Breakers and fixers

With 10 and three years of experience as testers respectively, both Ofoe
and Pare have seen their fair share of wide-eyed gamers thinking they
stumbled upon their dream job, only to leave soon after. While loving
games is definitely a pre-requisite, it takes more than a passion for Halo
3 to survive in this field.

In an average day, Eidos Montreal’s 27 testers must play through a
specific area of a game repeatedly, exploring the many possibilities that
exist in a particular level, looking for graphical glitches and collision
detection problems (such as being able to walk through walls), as well as
more significant problems like sound issues and game crashes. Testers keep
track of every action they do, so when something goes awry they can
retrace their steps and find out what the real problem was. Pare divides
testers into two types: those who break games and those who find what is
broken.

“It’s not as easy as just saying ‘Oh, I found a bug,’” says Pare. “You
have to investigate. You have to figure out what makes it happen, how to
do it consistently, or if what triggers it is random.”

Ofoe adds, “Often, a problem can hide another problem. It’s one thing to
say I passed through a wall, but if you don’t look at every other wall,
maybe there’s no collision [detection] throughout the game. So you have to
find the right cause.”

Since all their information goes directly back to the developers, who
could be anywhere in the world, the testers have to be extremely clear and
concise when explaining what went wrong, so it can be fixed quickly.
Depending on the game, every few weeks a newer, updated version of the
game could be sent to the testers, who have to then verify that all the
mistakes they found the last time were solved, and no new problems have
surfaced.

Ofoe says the most frustrating part of the job is when he receives new
builds of games that are actually more bugged than the previous versions,
requiring him to essentially start his job all over again.

“When progression stops,” Ofoe says, “and you’re stuck with something that
isn’t working, when it gets redundant… that’s a problem.”
Bugs everywhere

Playing a game as a tester requires a more discerning eye than when you
play merely for recreation. It involves a keen sense of observation to
notice not just what’s happening in the game, but also any bugs or
glitches in the background. Pare admits that sometimes, when he is playing
for fun (he and Ofoe still play games, even when not on the clock), he
still tries to break the games he’s playing. And like any other gamer, he
gets upset with glitches in the finished product.

“I was playing Crysis,” he says. “I got two bugs and couldn’t finish the
game. Tester or not, you get pissed off.” Both are adamant it’s impossible
to release a perfect game without bugs.

There’s also the idea floating around that game testing represents a
foothold in the gaming industry, and that it’s possible to move up into
production or design with sufficient testing experience.

“When you become a tester, you can have aspirations but you have to learn
[the proper skills elsewhere] first. You can’t go from being a tester to
an animator,” says Ofoe, who would consider moving into a different area
of the gaming industry if the opportunity presented 

Re: [scifinoir2] Re: Networks clamor for foreign TV shows

2008-03-06 Thread oberonz
Yes..I saw him on it too...this is his best work ever...a part of a lifetime.

- Original Message -
From: [EMAIL PROTECTED]
Date: Thursday, March 6, 2008 3:50 pm
Subject: Re: [scifinoir2] Re: Networks clamor for foreign TV shows
To: scifinoir2@yahoogroups.com

 is Gabriel Byrne in The Treatment? He was on Charlie Rose last 
 night talking about a series he was in, but i was going in and 
 out of sleep. I thought that was it
 
 -- Original message -- 
 From: maidmarian_thepoet 
 
 They tried an Americanized Dr. Who. Or rather a pilot for a
 British/American sponsored Dr. Who. The pilot was rightly 
 panned. It
 made Dr. Who too human. (On one of the Dr Who DVDs, they didn't even
 include that as one of the regenerations. That's how much they 
 think of
 the show.)
 
 The Treatment is based on an Israeli drama. It is 30 minutes 
 long and I
 think all of the episodes are on HBO.com Every night, you see a
 psychiatrist session with a different patient. 4 nights with his
 patients and Friday night as he meets with his own therapist. In
 watching the credits, I see that the Israeli director came over 
 to HBO,
 and the stories are based on actual episodes so maybe that is 
 why it
 translated better. And it's on HBO. No need to compromise 
 because of
 network standards.
 
 --- In scifinoir2@yahoogroups.com, [EMAIL PROTECTED] wrote:
 
  I can see in some cases where there are sexual or cultural 
 things that
 Americans might find offensive. But even then, is that so often, and
 wouldn't simple editing or omission of some whole eps suffice? I too
 often find the original British product superiour. If nothing 
 else, it's
 a different take, and i like that. For example, I'm sure an 
 AmericanizedDr Who could be done that's exciting and all that, 
 but the British
 accents, attitudes, cultural references, etc. are much more 
 interestingto me.
  What's The Treatment?
 
  -- Original message --
  From: maidmarian_thepoet [EMAIL PROTECTED]
  So that they can replace the lead actress with a blond, of course.
 
  Seriously, so many of the dramatic remakes are worse and don't last
  long. The comedies seem to make it, but I would imagine--as someone
 has
  mentioned--that the comedies do a major rewrite in order to 
 match U.S.
  comedy styles.
 
  That said, I am absolutely hooked on The Treatment. And it 
 comes on
  at such an odd time. Often, I have to stay up later and catch the
 rerun
  because it comes on in the middle of our prime time.
 
  --- In scifinoir2@yahoogroups.com, Gymfig@ wrote:
  
  
   In a message dated 3/5/2008 9:19:40 PM Eastern Standard Time,
   KeithBJohnson@ writes:
  
   What is it so that British and other foreign audiences will often
  watch
   original American shows, but American TV so often remakes foreign
  shows with
   American actors, rather than just buy and air the original 
 product? 
 
 
 
 
  [Non-text portions of this message have been removed]
 
 
 
 
 
 [Non-text portions of this message have been removed]
 
 


[Non-text portions of this message have been removed]



[scifinoir2] Torchwood is anigram for Doctor Who

2008-03-06 Thread ravenadal
I like anigrams so I find it amusing that Torchwood is an anigram 
for Doctor Who.  An intentional one that was used to camouflage a new 
season of Dr. Who plot twists a couple of seasons ago.

~rave!



[scifinoir2] Incognegro

2008-03-06 Thread brent wodehouse
http://www.popmatters.com/pm/comics/reviews/55746/incognegro/

Incognegro

Writer: Mat Johnson

Art: Warren Pleece

Publisher: Vertigo/DC Comics

February 2008, 136 pages, $19.99

by Chauncey Mabe
South Florida Sun-Sentinel (MCT)


If you look at photos of NAACP leadership from the 1930s, you’ll find a
wiry, professorial-looking man with blond hair and fair skin at the center
of many. This is Walter Francis White who, despite his appearance, was a
black man. He used his white looks to infiltrate the Ku Klux Klan and
wrote many on-the-scene articles exposing the horrors of lynching.

White is the inspiration behind Incognegro, the graphic novel by literary
prose writer Mat Johnson and British artist Warren Pleece.

“Incognegro” is the pseudonym of Zane Pinchback, a Southern-born,
Harlem-based reporter who, like White, takes advantage of his appearance -
attending lynchings, taking names and addresses under the guise of selling
personalized postcards of the event, and writing exposes of the hatred and
violence visited upon blacks in the `30s.

The work is dangerous - at the opening of the novel, he barely escapes
with his life when a lynch mob figures out he’s a spy of some kind and
pegs him for a - shall we say, “negro”?

Pinchback, aware of his good fortune at eluding discovery or worse,
returns to Harlem determined to give up the undercover work. Besides, he’s
an ambitious young journalist, chafing under the knowledge that while the
“Incognegro” byline is famous, almost nobody knows the work of Zane
Pinchback. He wants to write commentary and arts criticism to find out
just where his talent might lead.

When Pinchback learns his twin brother has been arrested for murdering a
white woman, however, he heads South one last time.

From that point Incognegro becomes a mixture of pulp mystery, Southern
gothic, and Jim Crow parable. Pinchback’s brother, Alonzo, who looks just
like him, but with dark skin, is a moonshiner charged with bashing in the
face of a white woman named Michaela Mathers.

Posing as a Klan official, Pinchback interviews Alonzo in jail. Michaela
was, in fact, his brother’s girlfriend and partner in the illegal whiskey
operation. In the best crime fiction tradition, Pinchback must investigate
the crime to find the real culprit - and before a mob overwhelms the
sheriff’s determination to protect his prisoner.

It’s a journey that takes Pinchback to the remote still site, into the
town’s black enclave, and out into the hinterland where a family of
mentally unstable hill folk may have information.

Pinchback’s best friend, Carl, a dandy-ish tag-along, complicates matters
by pretending to be a rich Englishman charming the local white elite,
insensible of the risks.

Johnson, an award-winning literary novelist and short-story writer who
teaches at the University of Houston, shows a feel for both the
seriousness of his subject, and the lurid conventions of the pulp mystery
and the graphic novel.

Among the admirable facets of Incognegro is the way Johnson develops
substantial characterizations through action. Pinchback’s brusque editor
is a familiar type, but one with more nuance than Superman’s Perry White
or Spiderman’s J. Jonah Jameson. A local black man Pinchback enlists to
help shows the dignity and keen sense of self-preservation required of
people living under extreme oppression. Even the hill people, the closest
Johnson comes to stereotype, are individually delineated characters.

Perhaps the characters Johnson most impressively captures are the racists.
They feel fully justified in their actions, preserving the natural
hierarchy of humanity, yet some, at least, know they are motivated by
self-interest.

One character, abducting a black man, explains both: “On one side we got
God’s white people, and all of our spoils of war, such as this very land.
And on the other side we got all the mud people, the invaders, who want
what’s ours.”

He adds: “It’s understandable. We got the best stuff. Who wouldn’t want
all that we have? But I’m not going to let you take what’s mine. I don’t
care if it’s something I stole, I’d be a fool if I let you have it. That’s
just common sense.”

Likewise, Johnson’s understanding of the period - and Pleece’s as well -
seems thorough and convincing. I detected not a single anachronism.

Incognegro proves once more, if proof is still needed, that the graphic
novel equals prose, film and stage in its potential for all kinds of
creative expression.



Re: [scifinoir2] Torchwood is anigram for Doctor Who

2008-03-06 Thread Martin
I really didn't care for the conceit. Then again, since Torchwood itself has 
yet to win me over...

ravenadal [EMAIL PROTECTED] wrote:   I like 
anigrams so I find it amusing that Torchwood is an anigram 
 for Doctor Who.  An intentional one that was used to camouflage a new 
 season of Dr. Who plot twists a couple of seasons ago.
 
 ~rave!
 
 
 
   


There is no reason Good can't triumph over Evil, if only angels will get 
organized along the lines of the Mafia. -Kurt Vonnegut, A Man Without A 
Country
   
-
Be a better friend, newshound, and know-it-all with Yahoo! Mobile.  Try it now.

[Non-text portions of this message have been removed]



Re: [scifinoir2] [Gadgets] Working as a video game tester

2008-03-06 Thread Martin
To quote an old Marshall Crenshaw song, I know definitely that it's just not 
for me... I can't play the games I *love* more than a day at a time.

brent wodehouse [EMAIL PROTECTED] wrote:   
http://www.montrealmirror.com/2008/030608/games1.html
 
 Testing, testing, testing
 
  Working as a video game tester requires a keen eye for bugs and a high
 level of patience
 
 by ERIK LEIJON
 
 Imagine playing your favourite level on your favourite video game. Now
 imagine playing that level for an entire day. After that, play it for the
 next five days, and when you’re done, play it again for another two
 months. If you’re sick and tired at that point - bite your tongue and play
 it for another two months.
 
 That, explains Eidos Montreal’s lead quality assurance (QA) tester
 Emmanuel-Yvan Ofoe, is the job of game testing. It’s repetitive, requires
 constant attention and can become frustrating, but it’s an essential and
 unheralded stage in the video game process. It’s also become a booming
 business in Montreal, with internal testing teams at most of the
 development studios and large outsourcing firms constantly looking to hire
 experienced gamers.
 
 In the past, game testing typically occurred later, as the game neared
 completion, whereas nowadays it occurs throughout a video game’s creation
 cycle - from alpha to beta - meaning a tester often has to play
 bug-infested messes so early in development that they hardly seem like
 games at all.
 
 “You’re working on the same game for a year,” says Ofoe, “and I’m not
 talking about World of Warcraft. At home you can choose what type of game
 you want to play whenever you want. Here, it’s every day that you have to
 play.”
 
 “There are a lot of misconceptions about the job,” adds fellow Eidos lead
 QA tester William Pare. “People think you’re playing games all day. But
 that’s like saying someone who builds swimming pools swims all day.”
 Breakers and fixers
 
 With 10 and three years of experience as testers respectively, both Ofoe
 and Pare have seen their fair share of wide-eyed gamers thinking they
 stumbled upon their dream job, only to leave soon after. While loving
 games is definitely a pre-requisite, it takes more than a passion for Halo
 3 to survive in this field.
 
 In an average day, Eidos Montreal’s 27 testers must play through a
 specific area of a game repeatedly, exploring the many possibilities that
 exist in a particular level, looking for graphical glitches and collision
 detection problems (such as being able to walk through walls), as well as
 more significant problems like sound issues and game crashes. Testers keep
 track of every action they do, so when something goes awry they can
 retrace their steps and find out what the real problem was. Pare divides
 testers into two types: those who break games and those who find what is
 broken.
 
 “It’s not as easy as just saying ‘Oh, I found a bug,’” says Pare. “You
 have to investigate. You have to figure out what makes it happen, how to
 do it consistently, or if what triggers it is random.”
 
 Ofoe adds, “Often, a problem can hide another problem. It’s one thing to
 say I passed through a wall, but if you don’t look at every other wall,
 maybe there’s no collision [detection] throughout the game. So you have to
 find the right cause.”
 
 Since all their information goes directly back to the developers, who
 could be anywhere in the world, the testers have to be extremely clear and
 concise when explaining what went wrong, so it can be fixed quickly.
 Depending on the game, every few weeks a newer, updated version of the
 game could be sent to the testers, who have to then verify that all the
 mistakes they found the last time were solved, and no new problems have
 surfaced.
 
 Ofoe says the most frustrating part of the job is when he receives new
 builds of games that are actually more bugged than the previous versions,
 requiring him to essentially start his job all over again.
 
 “When progression stops,” Ofoe says, “and you’re stuck with something that
 isn’t working, when it gets redundant… that’s a problem.”
 Bugs everywhere
 
 Playing a game as a tester requires a more discerning eye than when you
 play merely for recreation. It involves a keen sense of observation to
 notice not just what’s happening in the game, but also any bugs or
 glitches in the background. Pare admits that sometimes, when he is playing
 for fun (he and Ofoe still play games, even when not on the clock), he
 still tries to break the games he’s playing. And like any other gamer, he
 gets upset with glitches in the finished product.
 
 “I was playing Crysis,” he says. “I got two bugs and couldn’t finish the
 game. Tester or not, you get pissed off.” Both are adamant it’s impossible
 to release a perfect game without bugs.
 
 There’s also the idea floating around that game testing represents a
 foothold in the gaming industry, and that it’s possible to move up into
 production or design 

[scifinoir2] Re: Networks clamor for foreign TV shows

2008-03-06 Thread maidmarian_thepoet

Yes, that's the one.

And I have been roundly corrected on the name.  It's In Treatment. 
That's what I get for internet-ing at work.


--- In scifinoir2@yahoogroups.com, [EMAIL PROTECTED] wrote:

 is Gabriel Byrne in The Treatment? He was on Charlie Rose last night
talking about a series he was in, but i was going in and out of sleep. I
thought that was it

 -- Original message --
 From: maidmarian_thepoet [EMAIL PROTECTED]

 They tried an Americanized Dr. Who. Or rather a pilot for a
 British/American sponsored Dr. Who. The pilot was rightly panned. It
 made Dr. Who too human. (On one of the Dr Who DVDs, they didn't even
 include that as one of the regenerations. That's how much they think
of
 the show.)

 The Treatment is based on an Israeli drama. It is 30 minutes long and
I
 think all of the episodes are on HBO.com Every night, you see a
 psychiatrist session with a different patient. 4 nights with his
 patients and Friday night as he meets with his own therapist. In
 watching the credits, I see that the Israeli director came over to
HBO,
 and the stories are based on actual episodes so maybe that is why it
 translated better. And it's on HBO. No need to compromise because of
 network standards.

 --- In scifinoir2@yahoogroups.com, KeithBJohnson@ wrote:
 
  I can see in some cases where there are sexual or cultural things
that
 Americans might find offensive. But even then, is that so often, and
 wouldn't simple editing or omission of some whole eps suffice? I too
 often find the original British product superiour. If nothing else,
it's
 a different take, and i like that. For example, I'm sure an
Americanized
 Dr Who could be done that's exciting and all that, but the British
 accents, attitudes, cultural references, etc. are much more
interesting
 to me.
  What's The Treatment?
 
  -- Original message --
  From: maidmarian_thepoet md_moore42@
  So that they can replace the lead actress with a blond, of course.
 
  Seriously, so many of the dramatic remakes are worse and don't last
  long. The comedies seem to make it, but I would imagine--as someone
 has
  mentioned--that the comedies do a major rewrite in order to match
U.S.
  comedy styles.
 
  That said, I am absolutely hooked on The Treatment. And it comes
on
  at such an odd time. Often, I have to stay up later and catch the
 rerun
  because it comes on in the middle of our prime time.
 
  --- In scifinoir2@yahoogroups.com, Gymfig@ wrote:
  
  
   In a message dated 3/5/2008 9:19:40 PM Eastern Standard Time,
   KeithBJohnson@ writes:
  
   What is it so that British and other foreign audiences will often
  watch
   original American shows, but American TV so often remakes foreign
  shows with
   American actors, rather than just buy and air the original
product?
  
 
 
 
 
  [Non-text portions of this message have been removed]
 




 [Non-text portions of this message have been removed]






Re: [scifinoir2] A new, gun-toting Captain America

2008-03-06 Thread Martin
Okay...

When does DC step up and sue the stuffing out of Marvel for stealing Lex Luthor 
outright?

(And, if this occurs, I'm buying.)

ravenadal [EMAIL PROTECTED] wrote:   From March 
6, 2006 issue of Rolling Stone:
 
 Metaphors for the effects of the Bush Presidency on the American
 spirit don't get any harsher than this one: Last year, Captain
 America, who had been fighting Nazis, supervillians and sometimes his
 own government in the pages of Marvel comic books since 1941, was shot
 dead.
 
 And now, in the series' latest sign of the times, a new, more morally
 compromised character has taken over the stars-and-stripes uniform:
 Cap's former kid sidekick, Bucky, who spent a few years as a
 brainwashed Russian assassin and is now a gun-toting killer.
 
 Ed Brubaker, the former indie-comics writer who's been working on
 Captain America since 2004, sees his riveting version of the comic as
 an espionage thriller. It's not meant to be totally reflective of
 the American psyche, he says.  But at the same time, I'm part of the
 American psyche, so maybe there is something of that seeping out there.
 
 In an even more directly relevant plot line, longtime CAp villain the
 Red Skull is now the head of a multinational corporation - and he's
 aiming to destroy the country by foreclosing on mortgages and driving
 up oil prices.  Brubaker has been hoping to do that storyline ever
 since the Enron scandal.  How much of our country are we giving away
 to these vast corporations that have no one to answer to at all! he
 says.  If there's any politics of my own in the book, it's that part.
 
 
 
   


There is no reason Good can't triumph over Evil, if only angels will get 
organized along the lines of the Mafia. -Kurt Vonnegut, A Man Without A 
Country
   
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Re: [scifinoir2] A new, gun-toting Captain America

2008-03-06 Thread Martin
And, to add on again, I can't wait for the day when Steve Rogers comes back and 
decides that he's none too fond of what's been done with the Flag and Shield, 
even by his old friend. It'll make for one of those classic old Marvel 
showdowns, two heroes bashing each others' brains in until some revelatory 
event brings them around to begrudging respect.

Except ol' Bucky will have more of his brains bashed in.

Martin [EMAIL PROTECTED] wrote:   Okay...
 
 When does DC step up and sue the stuffing out of Marvel for stealing Lex 
Luthor outright?
 
 (And, if this occurs, I'm buying.)
 
 ravenadal [EMAIL PROTECTED] wrote:   From March 
6, 2006 issue of Rolling Stone:
  
  Metaphors for the effects of the Bush Presidency on the American
  spirit don't get any harsher than this one: Last year, Captain
  America, who had been fighting Nazis, supervillians and sometimes his
  own government in the pages of Marvel comic books since 1941, was shot
  dead.
  
  And now, in the series' latest sign of the times, a new, more morally
  compromised character has taken over the stars-and-stripes uniform:
  Cap's former kid sidekick, Bucky, who spent a few years as a
  brainwashed Russian assassin and is now a gun-toting killer.
  
  Ed Brubaker, the former indie-comics writer who's been working on
  Captain America since 2004, sees his riveting version of the comic as
  an espionage thriller. It's not meant to be totally reflective of
  the American psyche, he says.  But at the same time, I'm part of the
  American psyche, so maybe there is something of that seeping out there.
  
  In an even more directly relevant plot line, longtime CAp villain the
  Red Skull is now the head of a multinational corporation - and he's
  aiming to destroy the country by foreclosing on mortgages and driving
  up oil prices.  Brubaker has been hoping to do that storyline ever
  since the Enron scandal.  How much of our country are we giving away
  to these vast corporations that have no one to answer to at all! he
  says.  If there's any politics of my own in the book, it's that part.
  
  
  

 
 There is no reason Good can't triumph over Evil, if only angels will get 
organized along the lines of the Mafia. -Kurt Vonnegut, A Man Without A 
Country

 -
 Be a better friend, newshound, and know-it-all with Yahoo! Mobile.  Try it now.
 
 [Non-text portions of this message have been removed]
 
 
 
   


There is no reason Good can't triumph over Evil, if only angels will get 
organized along the lines of the Mafia. -Kurt Vonnegut, A Man Without A 
Country
   
-
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[Non-text portions of this message have been removed]



[scifinoir2] Lost Tonight

2008-03-06 Thread Gymfig
Lost comes on tonight with a rerun of last week's episode. 



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Re: [scifinoir2] Torchwood is anigram for Doctor Who

2008-03-06 Thread Tracey de Morsella (formerly Tracey L. Minor)
have you seen the second season episodes?  I think the show has improved 
a lot

Martin wrote:
 I really didn't care for the conceit. Then again, since Torchwood itself 
 has yet to win me over...

 ravenadal [EMAIL PROTECTED] wrote:   I like 
 anigrams so I find it amusing that Torchwood is an anigram 
  for Doctor Who.  An intentional one that was used to camouflage a new 
  season of Dr. Who plot twists a couple of seasons ago.
  
  ~rave!
  
  
  



 There is no reason Good can't triumph over Evil, if only angels will get 
 organized along the lines of the Mafia. -Kurt Vonnegut, A Man Without A 
 Country

 -
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 now.

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Re: [scifinoir2] [Review] Tripping the Rift: The Movie

2008-03-06 Thread Martin
Oh, I cannot *wait* for this! Not only hi-frelling-lariously funny, it reminded 
me anew of my latent and deep-seated hatred of clowns...

brent wodehouse [EMAIL PROTECTED] wrote:   S P O 
I L E R S
 -
 http://www.the-trades.com/article.php?id=10084
 
 DVD Review: Tripping the Rift: The Movie
 
 by R.J. Carter
 
 Published: March 4, 2008
 
 The crew of Tripping the Rift are back, and this time in a full-fledged,
 full-blown, full-on freakin' unrated movie! What does this mean for Chode,
 Gus, Six, T'nuk and Whip, now that they can get naked, get violent, get
 violently naked, and be nakedly violent?
 
 Well, it means they get to drop the F-bomb without a deletion. That
 warning on the back of the box that says Gratuitous Nudity - that's
 pretty much talking about Chode, the purple tentacle headed captain voiced
 by Stephen Root; and he's naked in the regular episodes anyway! Whither be
 the nude Six, whom we see having sex with Chode with her clothes on? (And
 yes, I know it's a silly little wireframe-and-pixel digital cartoon - but
 behind that silly little wireframe-and-pixel digital cartoon is the voice
 of Jenny McCarthy! C'mon, don't we deserve to see Jenny McCarthy vocalize
 a naked cartoon, or... something?)
 
 The sci-fi harpooning and lampooning series sticks to what it does best in
 this film - harpoons and lampoons science fiction. The show opens with a
 pastiche of The Terminator, only this time it's a giant, overmuscled
 robot clown that appears naked in the dead-end alley. It's mission: hunt
 down and kill Chode.
 
 Meanwhile, Chode and company are taking on a job on the planet Slovinia,
 where everything is black and white. I don't mean that everything is a
 clear cut decision - I mean that, color-wise, everything is black and
 white. They've taken on the task of serving as bodyguards to the fugliest
 princess they've ever seen. If they can keep her alive, they'll be well
 paid. If she dies, however, they have to pay with their own lives.
 
 She dies.
 
 Fortunately, the producers have a plan, as they spoof Mel Brooks' Young
 Frankenstein, allowing the crew to escape with their necks intact and a
 new queen - in every sense of the word - sitting on the throne of
 Slovinia. Thus, the crew - still unaware of the robo-clown on their trail
 - gets back to the business of business, which in this case involves
 throwing a birthday party for Chode. It's not his birthday, of course, but
 he figures by renting out a bar and charging outrageous cover and drink
 prices, he can rake in a fortune. But the party is doomed - because
 something is going to happen at that party in the near future that will
 have repercussions on Chode's present, as the killer clown finally catches
 up with them all. Will Bobo's new plan to terminate Chode finally work? Or
 will Chode evade death by hiding incognito on a tranquil subdivision
 street full of desperately horny housewives - who may or may not have
 killed their friend Mary Alice? (It's a segment that will have you pausing
 to look at the blatant symbolism. Does that door really look like what I
 think it looks like?)
 
 Featuring the talents of Maurice LaMarche as the gay robot Gus (and as the
 Confederation's Captain Quirk), Gayle Garfinkle as the constantly PMS'd
 T'nuk, Rick Jones as Chode's slacker nephew Whip, and The Tonight Show's
 John Melendez as Bob the ship computer, Tripping the Rift: The Movie
 does at least get to go where the cable series has never gone before. It's
 a tad more raunchy visually, and definitely treading in R-rated waters
 narratively. Double entendres rule the day, except when a straightforward
 sex statement is funnier. In one scene, as Chode shakingly tries to insert
 a key into a lock that will open a treasure, Gus implores him, Come on,
 Chode, stick it in, prompting Chode to turn and say, Promise me you will
 never say that again.
 
 If you're a fan of the series, then you already know what you're in for.
 The scenes play out almost as if they could have been separate episodes
 with a running subplot of a killer clown on the loose. And that may
 actually be the film's greatest weakness. Many of the scenes just seem to
 drag out, not really moving the adventure forward. We spend far too much
 time in black and white on Slovinia, and far too little time in the
 Wisteria Lane spoof.
 
 This DVD release comes with one bonus feature, the seven-minute Captain's
 Log: The Making of 'Tripping the Rift: The Movie.' The feature is a
 montage of interviews with LaMarche, Root, Melendez and McCarthy. (I
 suppose nobody wanted to see Garfinke and Jones?) LaMarche talks about the
 impressions he gets to do on the show, and Root compares the series to
 'Star Wars' meets the porn industry. Meanwhile, McCarthy, the new voice
 of Six for this adventure, talks about the similarities between herself
 and Chode's android sex slave: We're both multi-orgasmic and have heaving
 breasts. She then goes on to 

Re: [scifinoir2] Re: Huge Changes Coming To 'Doctor Who,' 'Torchwood'?

2008-03-06 Thread Martin
I can't see pulling *anyone* from the cast.

[EMAIL PROTECTED] wrote:   No Owen
  
 I like Owen. I don't care much for Jack though. I am not a big fan of Martha 
 Jones either. The personalities are so different so that the original cast 
 gels well together. 
 
 **It's Tax Time! Get tips, forms, and advice on AOL Money  
 Finance.  (http://money.aol.com/tax?NCID=aolprf000301)
 
 [Non-text portions of this message have been removed]
 
 
 
   


There is no reason Good can't triumph over Evil, if only angels will get 
organized along the lines of the Mafia. -Kurt Vonnegut, A Man Without A 
Country
   
-
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Re: [scifinoir2] Bush Lets Red Phone Go to Voicemail

2008-03-06 Thread Amy Harlib

[EMAIL PROTECTED]
Bless good 'ol Borowitz!   What would we do without him!


Talk about phoning it in... 8-O

Tracey de Morsella (formerly Tracey L. Minor) 
[EMAIL PROTECTED] wrote: March 3, 2008
Bush Says He Lets Red Phone Go Straight to Voicemail

'Baffled' By Clinton Campaign Ads, President Says


President George W. Bush commented on Sen. Hillary Clinton's
controversial red phone campaign ads at the White House today, telling
reporters, When that red phone rings, I just let it go straight to
voicemail.

Mr. Bush rarely comments about the Democratic presidential contest, but
he said that he had to speak up about Sen. Clinton's red phone ads
because he found them so confusing.

If I answered the red phone every time it rang, I would never get any
sleep, Mr. Bush said.  Sometimes it starts ringing at 9 PM, and I am
already tucked in by then.

Mr. Bush said that there's nothing so important that it can't wait
until tomorrow, or whenever I remember to check my voicemail.

In a rebuke of Sen. Clinton, Mr. Bush added, If she doesn't know about
letting your calls go straight to voicemail, I don't think she has the
experience to be president.

Campaigning in Houston, former President Bill Clinton took issue with
Mr. Bush's remarks, telling reporters, When I get a call at 3 AM, I
always pick up, if you know what I mean.

Pressed to explain exactly what he meant, the former president said,
Three o'clock in the morning - come on!  Odds are we're talking about a
booty call.

Shortly after his booty call remark, the Clinton campaign said that
they were revising the former president's itinerary to focus on states
that had already voted in February.

Elsewhere, Sen. John McCain released a new series of campaign ads,
showing him answering a telegraph key at 3 A.M.


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PROTECTED]rec=6840


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***Andy in Montreal - April 8***

Andy makes his first-ever appearance in Canada on Tuesday, April 8 at
the Jewish Public Library in Montreal. 7:30 PM, 5151 Côte Ste-Catherine;
admission free.



***Andy's Only West Coast Appearance - April 24***

Andy makes his only scheduled West Coast appearance Thursday, April 24
at University of California, Santa Barbara. 8 PM at Campbell Hall.
Tickets available at
http://email.borowitzreport.com/cgi-bin/redir?MCid=yJqJg46lHM10403ecd0a



***Andy with Susie Essman and Jeffrey Toobin - May 13***

Andy hosts Countdown to '08 on Tuesday, May 13 at 8 PM at the 92nd St.
Y with his special guests Susie Essman (HBO's Curb Your Enthusiasm) and
Jeffrey Toobin (CNN, bestselling author of The Nine). The Y is located
at 92nd St. and Lexington Avenue. For tickets, go to www.92y.org.




[scifinoir2] New New Amsterdam Episode

2008-03-06 Thread Gymfig
Anybody watching. I am not. I am watching Lost. 



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Re: [scifinoir2] A new, gun-toting Captain America

2008-03-06 Thread KeithBJohnson
yeah, i'm looking forward to Cap's return too.  A figh t with Bucky would be 
something else, given that the former Winter Soldier is an amazing fighter (he 
recently beat the Black Widow in hand-to-hand) and has that bionic arm to boot. 

-- Original message -- 
From: Martin [EMAIL PROTECTED] 
And, to add on again, I can't wait for the day when Steve Rogers comes back and 
decides that he's none too fond of what's been done with the Flag and Shield, 
even by his old friend. It'll make for one of those classic old Marvel 
showdowns, two heroes bashing each others' brains in until some revelatory 
event brings them around to begrudging respect.

Except ol' Bucky will have more of his brains bashed in.

Martin [EMAIL PROTECTED] wrote: Okay...

When does DC step up and sue the stuffing out of Marvel for stealing Lex Luthor 
outright?

(And, if this occurs, I'm buying.)

ravenadal [EMAIL PROTECTED] wrote: From March 6, 2006 issue of Rolling Stone:

Metaphors for the effects of the Bush Presidency on the American
spirit don't get any harsher than this one: Last year, Captain
America, who had been fighting Nazis, supervillians and sometimes his
own government in the pages of Marvel comic books since 1941, was shot
dead.

And now, in the series' latest sign of the times, a new, more morally
compromised character has taken over the stars-and-stripes uniform:
Cap's former kid sidekick, Bucky, who spent a few years as a
brainwashed Russian assassin and is now a gun-toting killer.

Ed Brubaker, the former indie-comics writer who's been working on
Captain America since 2004, sees his riveting version of the comic as
an espionage thriller. It's not meant to be totally reflective of
the American psyche, he says. But at the same time, I'm part of the
American psyche, so maybe there is something of that seeping out there.

In an even more directly relevant plot line, longtime CAp villain the
Red Skull is now the head of a multinational corporation - and he's
aiming to destroy the country by foreclosing on mortgages and driving
up oil prices. Brubaker has been hoping to do that storyline ever
since the Enron scandal. How much of our country are we giving away
to these vast corporations that have no one to answer to at all! he
says. If there's any politics of my own in the book, it's that part.





There is no reason Good can't triumph over Evil, if only angels will get 
organized along the lines of the Mafia. -Kurt Vonnegut, A Man Without A 
Country

-
Be a better friend, newshound, and know-it-all with Yahoo! Mobile. Try it now.

[Non-text portions of this message have been removed]





There is no reason Good can't triumph over Evil, if only angels will get 
organized along the lines of the Mafia. -Kurt Vonnegut, A Man Without A 
Country

-
Never miss a thing. Make Yahoo your homepage.

[Non-text portions of this message have been removed]


 

[Non-text portions of this message have been removed]



[scifinoir2] Classic Scifi Shows on CBS.com

2008-03-06 Thread KeithBJohnson
This was posted a couple of weeks ago, but how cool! Classic Trek, classic 
Twilight Zone, Hawaii Five-O,  all a mouse-click away!

http://www.cbs.com/classics/

[Non-text portions of this message have been removed]



Re: [scifinoir2] A new, gun-toting Captain America

2008-03-06 Thread Justin Mohareb
On Thu, Mar 6, 2008 at 6:27 PM, Martin [EMAIL PROTECTED] wrote:


 Okay...

  When does DC step up and sue the stuffing out of Marvel for stealing Lex
 Luthor outright?

  (And, if this occurs, I'm buying.)

Yarp?

Evil Industrialists are hardly something that got invented in '85.

JJ Mohareb

-- 
Read the Bitter Guide to the Bitter Guy.
http://thebitterguy.livejournal.com


Re: [scifinoir2] Supernatural and Smallville Get Early Renewal

2008-03-06 Thread KeithBJohnson
you said it! It's just boring, and I *hate* that they killed of Johnathan Kent. 
The show suffers without his presence, Marth's all but been written out, the 
Clark/Lana/Lex thing is boring, and all the new guest metas--Flash, Black 
Canary, Green Arrow--seem more cartoonish than cool. Jor-El --his soul or 
emgrams or computer copy or whatever--is a controlling jerk, and they've put 
this Krypton on Earth angle way too much into the show.  And like I said 
before, at this time in his life, Clark in the comics was depicted as having 
gone on his ten-year journey of the world. So why's he still hanging out in 
Smallville?
The so-called Lost Years are supposed to be where he met some of the other 
heroes he'd later work with, but the writers are bringing the whole freakin' 
superhero world to Smallville!

Can't imagine what in the world they can do to make it interesting for another 
year, unless they do three things:   make Lex fully evil and kill off his 
dad...start the events which will lead I believe to Chloe's death (She's not a 
character in the comics, and she once told Clark I'd die before revealing your 
secret, a bit of foreshadowing I believe)...get Clark on the road, literally, 
so he can go out in the world and learn about it.

-- Original message -- 
From: Martin [EMAIL PROTECTED] 
Of this list, I'll take Supernatural for renewal. Smallville, as Keith has 
said time and again, has jumped the shark, and really needs to be put out to 
pasture. This week, Bizarro is *standing in for Clark* ??? Bye, folks.

Tracey de Morsella (formerly Tracey L. Minor) [EMAIL PROTECTED] wrote: 
Supernatural and Smallville Get Early Renewal
Other CW shows coming back include Gossip Girl, Top Model.
by IGN Staff

March 3, 2008 - The CW has announced early pickups of six series today, 
including Smallville and Supernatural. Smallville will return for Season 
8 and Supernatural for Season 4 this fall. Supernatural fans should be 
particularly happy to hear about that show's early pickup, as previous 
years had the show much more on the bubble with the decision to pick it 
up made later in the season.

The other pickups include the next two installments of America's Next 
Top Model (Season 11 and 12), a second season for Gossip Girl, a sixth 
season for One Tree Hill and a fourth season for Everybody Hates Chris.
http://tv.ign.com/articles/856/856388p1.html

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[scifinoir2] Robert Downey Jr. to Play Black Man in Upcoming Film

2008-03-06 Thread KeithBJohnson
Interesting. In another interview, Downey said of playing an actor playing a 
black man,  If it’s done right, it could be the type of role you called Peter 
Sellers to do 35 years ago,” Downey says. ”If you don’t do it right, we’re 
going to hell.”

I note in the text below, Downey acknowledges the wretched C. Thomas Howell 
film Soul Man, something that turned me off of Howell (and Rae Dawn Chong) 
for years


http://www.filmschoolrejects.com/news/first-look-robert-downey-jr-as-black-man-in-tropic-thunder.php

In less than two months actor Robert Downey Jr. is going to be virtually on top 
of the entertainment world when he hits the big screen as Tony Stark in Iron 
Man. If you’ve seen the most recent Iron Man trailer, then you’ll agree that it 
is the closest thing we’ve had a to sure-fire hit so far in 2008 (especially 
considering the flop that was Semi-Pro).
But after Iron Man rocks the silver screen, Downey Jr. will be popping up in a 
handful of other films in 2008. For starters, he has a listed cameo as Tony 
Stark in Louis Leterrier’s The Incredible Hulk and he stars alongside Jamie 
Foxx and Catherine Keener in Atonement director Joe Wright’s The Soloist, a 
film that is already gathering some awards season cred. His fourth and final 
role of 2008 though, will be in Ben Stiller’s Tropic Thunder, due out August 
15th. EW has given us our first look at Downey, Stiller and Jack Black in the 
action comedy with the picture to the right.
Take a moment, look carefully.
Yes, that was not a typo. In the image to the right, we see Ben Stiller and 
Jack Black with Robert Downey Jr. between them, walking through the jungle. In 
the film, which is a satire that takes aim at the egos of big Hollywood actors 
(like the three pictured), Downey plays Kirk Lazarus, an Oscar caliber actor 
who ends up with a part that was originally written for a black man. Instead of 
recasting, Lazarus decides to dye his skin to play the character of Osiris, 
well, authentically.
Stiller directs (for the first time since Zoolander) and stars as a big action 
star who is headlining a modern day Apocalypse Now. Jack Black plays a comedian 
known for playing multiple roles in his films (like his last film, The Fatties: 
Fart 2). As EW explains, “when the film’s director (Steve Coogan) and writer 
(Nick Nolte) get fed up with their prima donna cast, they drop them into the 
jungle to fend for themselves. The actors think they’re doing some sort of 
full-immersion filmmaking, but the danger they’re in is very real.”
If you remember, we showed you pictures a while back of Tom Cruise in a fatsuit 
for this film, one of the many cameos that we can probably expect to see in 
Thunder. But I have a feeling that no matter how ridiculous the cameos get 
(IMDB also lists Tobey Maguire, Matthew McConaughey and Bill Hader in Thunder), 
people will be talking about the transformation of Robert Downey Jr. most. Is 
it outrageous? Absolutely. Incredibly dangerous? You bet your ass. But no 
matter how risky, Downey told EW that he is very confident that they have not 
crossed the line:
“At the end of the day, it’s always about how well you commit to the 
character,” he says. “I dove in with both feet. If I didn’t feel it was morally 
sound, or that it would be easily misinterpreted that I’m just C. Thomas Howell 
in [Soul Man], I would’ve stayed home.”
Personally, I think that this is becoming a very highly anticipated comedy. 
First Tom Cruise in a fat suit, and now this — I think I’m in. If you forget 
about all the crap Ben Stiller has done in his career (of which there is a 
lot), you will still be remembering Zoolander, his last directorial effort, as 
one of his better films. The concept, cast and gags that are going into Tropic 
Thunder seem to me like they will work just fine. There really is nothing like 
seeing Hollywood bring down the hammer on their own egos — no matter how silly, 
or in this case borderline inappropriate, it may be. But that’s just my opinion…
Paramount Pictures plans to debut the first trailer for Tropic Thunder on March 
17 online.

[Non-text portions of this message have been removed]



 
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[scifinoir2] Gonna Go Back to 10,000 B.C?

2008-03-06 Thread KeithBJohnson
The below from me is a comment i had with some folks on another list about 
going to see 10,000 B.C. As I stated, I'm not a fan of these guys, who bring 
good FX but stupid stories.  

Both the Atlanta Journal-Constitution (via a guess review from another paper) 
and USA Today give 10,000 B.C. the equivalent of a D. They call it stupid, 
dumb, boring, and ponderous. K., doesn't seem that even the FX make it worth a 
viewing.

By contrast, both papers give Jason Statham's The Bank Job , and Colin 
Farrell's In Bruges  solid B's and very good comments. Guess it's that and 
There Will be Blood for me this weekend!

[EMAIL PROTECTED]

I'm indifferent about 10,000 BC. The guys behind it do great FX, but their 
plotting and characterization leave me cold. For example, I dont watch ID4 
anymore because it makes me groan in so many places. ( For some reason I can't 
get over Will Smith cracking wise dragging the alien across the desert moments 
after his best friend has died, nor the stupid device of making vivica Fox a 
stripper, or the laptop-created virus that takes down an interstellar ship!) I 
tend to think this film will be like that. If the story's as bad as Tyrone's 
heard, I'd only go watch it with a large group so we can make fun of it. 
Otherwise I'll wait for the DVD.

And I have to be honest: I tire of films with white heroes in times and places 
where people of color were more likely to have been front and center.  In the 
theatre, I actually laughed and grumbled to my wife What's up with the white 
dude with dreds, and his blue-eyed lady? Why are they the heroes?  Then you 
see the Brother who's obviously second string to the main guy (as evidenced by 
him literally walking a step behind the star in the trailer). And they say Mr. 
Dred is some kind of predestined savior or something.  That you have a 
destiny cliche is wy old anyway.   I'm not up enough on my paleontology 
and anthropology to even comment yet on whether the sabretooths and 
domisticated wooly mammoths is realistic.  I just know that I'd rather see an 
ancient culture focused on some darker skinned people every now and then.  
Heaven help me, I'd even prefer Will Smith in the lead!  (I'm doomed!)

I'm actually more interested in seeing the heist film The Bank Job with Jason 
Statham, the animated film Persepolis,  There Will Be Blood, or In 
Bruges( the comedy with Colin Farrell).

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Re: [scifinoir2] Gonna Go Back to 10,000 B.C?

2008-03-06 Thread oberonz
10,000 BC is just another racially negative fantasy like 300...subliminally 
diluting the images and histories of minorities.  I actually wanted to like 
300 but when I saw them kick the first black guys in a pit...then cut off the 
arm of another cowering black manthen cut off the head of the black general 
sending it screaming at the screenthen Xerses being an giant mixed race 
fairy.not forgetting all the unmuscled hordes of soldiers of color being 
crushed by a handful of ripped Spartans...I said man its 2007 and still this 
crap.I just walked out the theater.

- Original Message -
From: [EMAIL PROTECTED]
Date: Friday, March 7, 2008 12:29 am
Subject: [scifinoir2] Gonna Go Back to 10,000 B.C?
To: scifinoir2@yahoogroups.com

 The below from me is a comment i had with some folks on another 
 list about going to see 10,000 B.C. As I stated, I'm not a fan 
 of these guys, who bring good FX but stupid stories. 
 
 Both the Atlanta Journal-Constitution (via a guess review from 
 another paper) and USA Today give 10,000 B.C. the equivalent 
 of a D. They call it stupid, dumb, boring, and ponderous. K., 
 doesn't seem that even the FX make it worth a viewing.
 
 By contrast, both papers give Jason Statham's The Bank Job , 
 and Colin Farrell's In Bruges solid B's and very good 
 comments. Guess it's that and There Will be Blood for me this 
 weekend!
 [EMAIL PROTECTED]
 
 I'm indifferent about 10,000 BC. The guys behind it do great 
 FX, but their plotting and characterization leave me cold. For 
 example, I dont watch ID4 anymore because it makes me groan in 
 so many places. ( For some reason I can't get over Will Smith 
 cracking wise dragging the alien across the desert moments after 
 his best friend has died, nor the stupid device of making vivica 
 Fox a stripper, or the laptop-created virus that takes down an 
 interstellar ship!) I tend to think this film will be like that. 
 If the story's as bad as Tyrone's heard, I'd only go watch it 
 with a large group so we can make fun of it. Otherwise I'll wait 
 for the DVD.
 
 And I have to be honest: I tire of films with white heroes in 
 times and places where people of color were more likely to have 
 been front and center. In the theatre, I actually laughed and 
 grumbled to my wife What's up with the white dude with dreds, 
 and his blue-eyed lady? Why are they the heroes? Then you see 
 the Brother who's obviously second string to the main guy (as 
 evidenced by him literally walking a step behind the star in the 
 trailer). And they say Mr. Dred is some kind of predestined 
 savior or something. That you have a destiny cliche is wy 
 old anyway. I'm not up enough on my paleontology and 
 anthropology to even comment yet on whether the sabretooths and 
 domisticated wooly mammoths is realistic. I just know that I'd 
 rather see an ancient culture focused on some darker skinned 
 people every now and then. Heaven help me, I'd even prefer Will 
 Smith in the lead! (I'm doomed!)
 
 I'm actually more interested in seeing the heist film The Bank 
 Job with Jason Statham, the animated film Persepolis, There 
 Will Be Blood, or In Bruges( the comedy with Colin Farrell).
 
 [Non-text portions of this message have been removed]
 
 


[Non-text portions of this message have been removed]