Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-15 Thread Richard Fairhurst

Anthony wrote:
 Ah, but I don't plan on ever visiting the OSM website when and if 
 they switch to the ODbL.

Best. Reason to switch to ODbL. Ever.

Richard
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-15 Thread Chris Hill
Richard Fairhurst wrote:
 Anthony wrote:
   
 Ah, but I don't plan on ever visiting the OSM website when and if 
 they switch to the ODbL.
 

 Best. Reason to switch to ODbL. Ever.

 Richard
   
+1

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread Brendan Morley
On Sun, 13 Dec 2009 13:56:46 +1000, John Smith wrote:

2009/12/13 Anthony o...@inbox.org:
 On Sat, Dec 12, 2009 at 8:17 PM, John Smith deltafoxtrot...@gmail.com
 wrote:

 The problem I have with that is my labour is used to commercially
 benefit others and in turn nothing they do would have to be returned
 to the community.

 So you want to be given something in return for your labor?  Nothing wrong
 with that, but you're more likely to be successful if you choose a non-free
 project to contribute to.  If your labor is valuable to commercial
 interests, don't give it away for free.  Get those commercial interests to
 pay you, and then, if you'd like, you can donate your pay to the
 community.

That's the issue I have, I have no problem giving back to the
community, but I don't want commercial companies just sucking up all
the data and not giving hardly anything back in return if they extend
the map, it's not fair to me or anyone else who chooses to donate our
time for the greater good.

John,

What is *materially removed* from you if your labour is used to commercially 
benefit others and/or commercial companies [are] just sucking up all
the data and not giving hardly anything back in return if they extend the map?


Brendan


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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread Brendan Morley
Actually, I've decided I'm not going to release my data as PD.  I prefer 
copyleft.  I prefer CC-BY-SA.  It keeps people from taking my data 
and incorporating it into data under more restrictive licenses.  Like ODbL.

I'm assuming this is your comment Anthony? (I'm starting to lose track of the 
thread).

OdbL is meant to be copyleft for source data, as far as I can now tell.

But what's the problem with people incorporating it into data under more 
restrictive licenses?  The data under the original licence will 
(should!) still be made available, and competes with the data made available 
under the more restrictive licence.

Brendan

--Original Message Text---
From: Anthony
Date: Sun, 13 Dec 2009 10:22:55 -0500

On Sun, Dec 13, 2009 at 1:02 AM, John Smith deltafoxtrot...@gmail.com wrote:
2009/12/13 Anthony o...@inbox.org:

 If geodata is not copyrightable, then Share Alike is meaningless.  The
 original work is public domain, and the modified work is also public domain.


Assuming public domains is a valid option, which isn't valid in all
jurisdictions.

If the data is not copyrightable, then it is by definition public domain.

Even where PD is valid if you modify it and choose a
license which can be upheld it is no longer PD any more.


If the the data is not copyrightable, it is PD, and no license is going to 
magically make it not PD.


 The point is, whichever way it's decided, it'll be the same for the modified
 data as it is for the original data.  If the OSM database is not
 copyrightable, neither will the modified database be.  If the OSM database
 is copyrightable, then the modified database must be.


Just because certain copyrights don't exists in some jursidictions
doesn't mean they aren't valid in others. Which is the whole reason
for ODBL, because geodata may not be considered copyrightable in some
areas a new method of enforcing the same thing CC-BY-SA is needed.


For the areas where geodata is not copyrightable, CC-BY-SA isn't needed.


 If you'd prefer that, fine.  But please be honest about this - the ODbL is
 more than just a more enforceable version of the spirit of CC-BY-SA.  The


How is this different than the requirements of the GPL where you need
to make changes available if you distribute binaries?


Well, it's different from the GPL because it uses contract law, and not just 
copyright law.  As explained in the GPL:  The licenses for most 
software and other practical works are designed to take away your freedom to 
share and change the works. By contrast, the GNU General 
Public License is intended to guarantee your freedom to share and change all 
versions of a program--to make sure it remains free software 
for all its users.  The ODbL falls into the former category of licenses.

The ODbL *is* somewhat more similar to the GPL than it is to CC-BY-SA.  But 
CC-BY-SA was chosen as the license for OSM, not the GPL.  
So stop saying the ODbL is in the same spirit as CC-BY-SA.  Claim it's in the 
same spirit as the GPL, and then we can have that discussion.


 requirements go beyond requiring derivative works to be licensed under the
 same license.  Most significantly, the ODbL requires people to offer copies
 of any derivative databases that are used in the making of the final
 derivative work.  Among other things, that means having to keep copies of
 such databases, something which is not always done (if I want to alter the
 database, render tiles, and then throw out the altered database, I'm not
 able to do that, because I have to offer people copies of the altered
 database).


Again, this is no different than requirements of GPL software.


And again, I was comparing ODbL to the intent of CC-BY-SA, not GPL.  If you'd 
like me to compare the ODbL to the GPL, please start a new 
thread, and I'll be happy to make the full comparison.  I hope you first 
realize, though, that CC-BY-SA is not the GPL.  CC-BY-SA does not 
require you to distribute source code when you distribute binaries.  It is not 
*intended* to require that.  And anyone who takes the time to read 
the simple one page description of CC-BY-SA ought to know that.


There is no way everyone is going to be happy as a result of this,
that's human nature, people are influenced and motivated by various
things, a lot of people agree with the GPL, at lot of people don't
which is why you end up with others using BSD and other similar
licenses.


I agree with the GPL.  There's little chance I'm going to release my software 
under the BSD license.  But software isn't geodata.

If you want to push your data as PD that's fine, tag the change set as
PD when you upload and problem solved then such data can be extracted
regardless what other data is licensed as then everyone is happy, of
course this only counts in countries that have a notion of PD
otherwise people in those countries wouldn't be able to use such data
either. Ain't it grand having lawyers make laws? :)



Actually, I've decided I'm not going to release my data as 

Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread Brendan Morley
On Sun, 13 Dec 2009 11:17:41 +1000, John Smith wrote:

If people or companies are benefiting, why shouldn't there be some
expectations to return the benefits to everyone, not just hoard it
away for the benefit of commercial operators if they themselves are
benefiting from it?

The home page of the OSM wiki currently states,

The project was started because most maps you think of as free actually have 
legal or technical restrictions on their use, holding back 
people from using them in creative, productive, or unexpected ways.

And the copyleft mindset of the LWP continues to perpetuate substantial legal 
[...] restrictions on [...] use.  So really, the OSM project has 
failed to deliver on this latent demand.

 And who else but government is in the best position (and has the most self
 interest) to determine exactly where the road was built?

There is a lot of roads on paper that were never built so I don't see
that as accurate either.

It's in local government interest to keep it accurate, especially anything that 
requires a grader or roller to maintain.


Brendan



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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread John Smith
2009/12/14 Brendan Morley morb@beagle.com.au:
 What is *materially removed* from you if your labour is used to
 commercially benefit others and/or commercial companies [are] just sucking
 up all
 the data and not giving hardly anything back in return if they extend the
 map?

I'm not a source of free labour for multinational corporations to
abuse, if they want to hire me that's fine, but I choose to not work
for them for free unless they want to contribute back as well.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread John Smith
2009/12/14 Brendan Morley morb@beagle.com.au:
 And the copyleft mindset of the LWP continues to perpetuate substantial 
 legal [...] restrictions on [...] use.  So really, the OSM project has
 failed to deliver on this latent demand.

I've seen the same comments regarding GPL v BSD licenses, free and
open are rather ambiguous.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread Brendan Morley
On Mon, 14 Dec 2009 22:06:36 +1000, John Smith wrote:

2009/12/14 Brendan Morley morb@beagle.com.au:
 What is *materially removed* from you if your labour is used to
 commercially benefit others and/or commercial companies [are] just sucking
 up all
 the data and not giving hardly anything back in return if they extend the
 map?

I'm not a source of free labour for multinational corporations to
abuse, if they want to hire me that's fine, but I choose to not work
for them for free unless they want to contribute back as well.

I suppose you would have hated contributing to Linux then.

National corporations are OK then?  Where do you draw the line?

All other things being equal, they give back by being able to make a profit 
at a *lower* selling price than what they otherwise would if they 
had to commission their own additional survey.

You didn't answer the question about what of yours is materially removed btw.


Brendan

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread Brendan Morley
On Mon, 14 Dec 2009 22:08:15 +1000, John Smith wrote:

2009/12/14 Brendan Morley morb@beagle.com.au:
 And the copyleft mindset of the LWP continues to perpetuate substantial 
 legal [...] restrictions on [...] use.  So really, the OSM project 
has
 failed to deliver on this latent demand.

I've seen the same comments regarding GPL v BSD licenses, free and
open are rather ambiguous.

I agree!  (-:

When pondering this earlier today I realised one of the fundamental ambiguities 
is:

Is freedom/openness enforced on the dataset *itself*? Or
Is freedom/openness enforced on your right to *use* that dataset?

I'd always assumed the second option.


Brendan


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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread John Smith
2009/12/14 Brendan Morley morb@beagle.com.au:
 I suppose you would have hated contributing to Linux then.

GPL has similar sharing required by ODBL, if you had said BSD you
might have had a point, MS and others have taken BSD code and given
nothing back, they have recently been shown to have used GPL code and
as a result released the source code of the software.

 National corporations are OK then? Where do you draw the line?

You can't make mega bucks being a nice guy, most nice guys die dirt
poor and the scum bags laugh all the way to the bank.

In fact one of the motivations I have for supporting OSM is to enable
better competition against Google to keep them honest, some of the
statements by one of the Google founders just highlights why this is
important.

 All other things being equal, they give back by being able to make a
 profit at a *lower* selling price than what they otherwise would if they had
 to commission their own additional survey.

You can still give back while making a profit, I can't comment on the
profitability of geofabrik et al but I assume they aren't in business
to go broke, but at the same time they do numerous things to give back
to the community.

 You didn't answer the question about what of yours is materially removed
 btw.

That's the same argument used by people commiting copyright
infringement, physically nothing is stolen but that doesn't mean
nothing is lost, even if what is lost is over stated most of the time.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread John Smith
2009/12/14 Brendan Morley morb@beagle.com.au:
 I agree! (-:

 When pondering this earlier today I realised one of the fundamental
 ambiguities is:

 Is freedom/openness enforced on the dataset *itself*? Or
 Is freedom/openness enforced on your right to *use* that dataset?

 I'd always assumed the second option.

And you would be 90% correct, the limitations aren't on using the data
set, it's when it comes to extending, but that isn't necessarily use.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread Anthony
On Mon, Dec 14, 2009 at 6:42 AM, Brendan Morley morb@beagle.com.auwrote:

 Actually, I've decided I'm not going to release my data as PD. I prefer
 copyleft. I prefer CC-BY-SA. It keeps people from taking my data and
 incorporating it into data under more restrictive licenses. Like ODbL.

 I'm assuming this is your comment Anthony? (I'm starting to lose track of
 the thread).


Yes, it's mine.

OdbL is meant to be copyleft for source data, as far as I can now tell.


I have no idea what it's meant to be.

But what's the problem with people incorporating it into data under more
 restrictive licenses? The data under the original licence will (should!)
 still be made available, and competes with the data made available under the
 more restrictive licence.


There's not necessarily a problem.  And in certain circumstances, I'd
certainly be willing to grant individual licenses to people who are doing
things that I feel are positive (although, realistically, there are just too
many contributors for this to happen given current technologies).

My primary reason for not wanting to release my data as PD is that I don't
want to support OSM if it decides to go with the ODbL.  A street map
licensed under ODbL is not something I find worthy of my (uncompensated)
support, and the fact that the project would go from a street map licensed
under CC-BY-SA to a street map licensed under ODbL is enough to make me
actively opposed to it.  Hopefully there will be a fork, and I can
contribute my data to the fork instead.  If there is a fork, the more data
we have in the fork that isn't in OSM, the more likely it is to succeed.

I hope it doesn't come to that, and I still think there's a good chance it
won't, because once it becomes clear how much data is going to not be
relicensed due to people not responding, I think there's a chance the OSMF
membership will come to its senses.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread John Smith
2009/12/15 Anthony o...@inbox.org:
 My primary reason for not wanting to release my data as PD is that I don't
 want to support OSM if it decides to go with the ODbL.  A street map
 licensed under ODbL is not something I find worthy of my (uncompensated)
 support, and the fact that the project would go from a street map licensed
 under CC-BY-SA to a street map licensed under ODbL is enough to make me
 actively opposed to it.  Hopefully there will be a fork, and I can
 contribute my data to the fork instead.  If there is a fork, the more data
 we have in the fork that isn't in OSM, the more likely it is to succeed.

Perhaps my previous hints were too subtle, but you've stated that
cc-by-sa isn't enforceable in your jurisdiction so how will you use
something unenforceable to prevent it from being relicensed as ODBL?

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread Anthony
On Mon, Dec 14, 2009 at 10:17 AM, John Smith deltafoxtrot...@gmail.comwrote:

 Perhaps my previous hints were too subtle, but you've stated that
 cc-by-sa isn't enforceable in your jurisdiction so how will you use
 something unenforceable to prevent it from being relicensed as ODBL?


Again, I don't remember saying that.  And if I did, I apologize.

In any case, if OSM decides to take the position that my contributions are
not copyrightable, and therefore they are free to incorporate them into an
ODBL project, that means I can take their ODBL project and incorporate it
into my CC-BY-SA project.  That would probably be the best case scenario,
actually.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread John Smith
2009/12/15 Anthony o...@inbox.org:
 Again, I don't remember saying that.  And if I did, I apologize.

Sorry if I'm mistaken, but I'm pretty sure you mentioned it.

 In any case, if OSM decides to take the position that my contributions are
 not copyrightable, and therefore they are free to incorporate them into an
 ODBL project, that means I can take their ODBL project and incorporate it
 into my CC-BY-SA project.  That would probably be the best case scenario,
 actually.

Actually you wouldn't since ODBL would prevent you contractually from
copying their data unless you abide by the license, which is the whole
point of switching to something else other than cc-by-sa in the first
place.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread Anthony
On Mon, Dec 14, 2009 at 10:57 AM, John Smith deltafoxtrot...@gmail.comwrote:

 2009/12/15 Anthony o...@inbox.org:
  In any case, if OSM decides to take the position that my contributions
 are
  not copyrightable, and therefore they are free to incorporate them into
 an
  ODBL project, that means I can take their ODBL project and incorporate it
  into my CC-BY-SA project.  That would probably be the best case scenario,
  actually.

 Actually you wouldn't since ODBL would prevent you contractually from
 copying their data unless you abide by the license, which is the whole
 point of switching to something else other than cc-by-sa in the first
 place.


Yeah, well, a contract can't be enforced against people who agree to it.

And don't you know, I have a contract on my web site which says that my data
can't be used under the ODbL.  Anyone who reads this email is thereby made
aware of that contract.  And anyone who uses my data is thereby in agreement
with it.

That's how contracts work, right?  You just list a bunch of stuff you want
and anyone who reads the contract and does the things you say constitute
agreement, has to obey it.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread Anthony
On Mon, Dec 14, 2009 at 9:28 PM, John Smith deltafoxtrot...@gmail.comwrote:

 2009/12/15 Anthony o...@inbox.org:
  Yeah, well, a contract can't be enforced against people who agree to it.

 I think you meant disagree, but only if you have a suitable
 license/legal method that can enforce that term


I meant don't agree.


 And I haven't
 been to your website so I can't be held to any TCs you might or might
 not have.


Ah, but I don't plan on ever visiting the OSM website when and if they
switch to the ODbL.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread John Smith
2009/12/15 Anthony o...@inbox.org:
 Ah, but I don't plan on ever visiting the OSM website when and if they
 switch to the ODbL.

I doubt just visiting the OSM website without some kind of click
wrapper similar to nearmap.com does would force you to agree with ODBL
for just using the website. On the other hand if ODBL does become
the license for OSM you might have to agree to license your future
work under that for anything you submit to OSM, however ODBL
restrictions would only kick in if you want to extend the OSM data and
not upload changes to OSM.

So most people just using rendered tiles, and uploading to OSM would
have no reason to have any difference compared to the current license.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-14 Thread John Smith
2009/12/15 Anthony o...@inbox.org:
 Browsewrap may or may not be enforceable.  And even if it is enforceable any
 judgment for damages would probably be minimal.  But I'm willing to abide by
 the terms of service of the sites that I visit, at least when I take the
 time to read them.  Not doing so is effectively trespassing with notice,
 morally if not legally.

Assuming that you are actually breaching something and have aggrevated
someone enough to drag you into court over it.

 It's highly doubtful they'll ever kick in, at least for me.  As you've said
 yourself, contracts are supposed to be mutually agreed upon, and they don't
 trump laws.

What license do you plan to use to actual enforce this, simply staying
with the status quo is unlikely to protect your work since copyright
law isn't likely to be applicable in some jurisdictions, so people in
those jurisdictions can simply take cc-by-sa licensed data and import
in into a database using ODBL.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread Brendan Morley
Well I RTFM (i.e. the CCBYSA and OdbL licences) and this is what I got:

CCBYSA only compels you to share the derived work, not the steps you followed 
to create the derived work.

i.e. CCBYSA never asked people to share the steps they followed.

So John, given you wish to don't want commercial companies just sucking up all 
the data and not giving hardly anything back in return if they extend the 
map - 

 - CCBYSA (in mature copyright jurisdictions like Australia) will compel them 
to share the published work, also under CCBY(SA), therefore there is some 
data interpretation and re-entry involved to get it back to the OSM schema.  
This is probably little different to tracing off a paper map or image.

 - OdbL intends to compel them to share the steps they followed e.g. the 
modified database before rendering.  Mind you, there was nothing I saw in the 
OdbL that compelled the modifying body to share back in the same database 
*schema*, so we could still have a big data re-entry problem - the only 
difference being that there is a hope of a scriptable solution.


The interesting bit (that I couldn't satisfy myself by a first read of the 
licences) is enforcement.

Given the fear of a 10^100 just sucking up all the data ...
OdbL intends to exploit copyright, database and contract rights.
Since it seems the US is a weak copyright jurisdiction when it comes to 
factual data.  It would seem OdbL will not compel 10^100 by copyright law.
Database law only applies to European Union, right?  So that mechanism is out 
too.
So then we appear to rely on US contract law, such that it may exist in a form 
that supports OdbL.

Well that's my amateur analysis.  Has anyone actually done a desk check to 
see if OdbL can compel 10^100 or other US-domiciled corporates to follow 
the spirit of the licence?

The OdbL FAQ also seems to allow you to choose the jurisdiction that 
enforcement is carried out under.  So as an Australian citizen perhaps you can 
persue 
10^100 in the Australian copyright law context.  This doesn't help our US 
bretheren however, so I'd hope if they wanted to enforce SA on their edits, 
that the 
OdbL plays well with US contract law.


Hope this helps,
Brendan


On Sun, 13 Dec 2009 15:12:34 +1000, John Smith wrote:

2009/12/13 Anthony o...@inbox.org:
 On Sat, Dec 12, 2009 at 10:56 PM, John Smith deltafoxtrot...@gmail.com
 wrote:

 That's the issue I have, I have no problem giving back to the
 community, but I don't want commercial companies just sucking up all
 the data and not giving hardly anything back in return if they extend
 the map, it's not fair to me or anyone else who chooses to donate our
 time for the greater good.

 It's perfectly fair.  You agreed to license your contributions under
 CC-BY-SA.  CC-BY-SA doesn't require that you give anything back to anyone.
 It only requires that you give credit to the authors and license any
 derivative works that you distribute under CC-BY-SA.


That isn't the debate, the debate is if CC-BY-SA can enforce it or
not, some people claim it can't in some countries even Australia to
some extent or other, so ODBL is being presented as an option to close
loopholes that CC-BY-SA has.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread Brendan Morley
Oh, and I realised one of the main reasons the Australian Government lawyers 
are happy about CC* licences is that they prefer CCBY only, therefore  
avoiding the whole Sharealike-enforcement question.

--Original Message Text---
From: Brendan Morley
Date: Sun, 13 Dec 2009 20:31:59 +1000

Well I RTFM (i.e. the CCBYSA and OdbL licences) and this is what I got:

CCBYSA only compels you to share the derived work, not the steps you followed 
to create the derived work.

i.e. CCBYSA never asked people to share the steps they followed.

So John, given you wish to don't want commercial companies just sucking up all 
the data and not giving hardly anything back in return if they extend the 
map - 

- CCBYSA (in mature copyright jurisdictions like Australia) will compel them 
to share the published work, also under CCBY(SA), therefore there is some 
data interpretation and re-entry involved to get it back to the OSM schema. 
This is probably little different to tracing off a paper map or image.

- OdbL intends to compel them to share the steps they followed e.g. the 
modified database before rendering. Mind you, there was nothing I saw in the 
OdbL that compelled the modifying body to share back in the same database 
*schema*, so we could still have a big data re-entry problem - the only 
difference being that there is a hope of a scriptable solution.


The interesting bit (that I couldn't satisfy myself by a first read of the 
licences) is enforcement.

Given the fear of a 10^100 just sucking up all the data ...
OdbL intends to exploit copyright, database and contract rights.
Since it seems the US is a weak copyright jurisdiction when it comes to 
factual data. It would seem OdbL will not compel 10^100 by copyright law.
Database law only applies to European Union, right? So that mechanism is out 
too.
So then we appear to rely on US contract law, such that it may exist in a form 
that supports OdbL.

Well that's my amateur analysis. Has anyone actually done a desk check to see 
if OdbL can compel 10^100 or other US-domiciled corporates to follow 
the spirit of the licence?

The OdbL FAQ also seems to allow you to choose the jurisdiction that 
enforcement is carried out under. So as an Australian citizen perhaps you can 
persue 
10^100 in the Australian copyright law context. This doesn't help our US 
bretheren however, so I'd hope if they wanted to enforce SA on their edits, 
that the 
OdbL plays well with US contract law.


Hope this helps,
Brendan


On Sun, 13 Dec 2009 15:12:34 +1000, John Smith wrote:

2009/12/13 Anthony o...@inbox.org:
 On Sat, Dec 12, 2009 at 10:56 PM, John Smith deltafoxtrot...@gmail.com
 wrote:

 That's the issue I have, I have no problem giving back to the
 community, but I don't want commercial companies just sucking up all
 the data and not giving hardly anything back in return if they extend
 the map, it's not fair to me or anyone else who chooses to donate our
 time for the greater good.

 It's perfectly fair. You agreed to license your contributions under
 CC-BY-SA. CC-BY-SA doesn't require that you give anything back to anyone.
 It only requires that you give credit to the authors and license any
 derivative works that you distribute under CC-BY-SA.


That isn't the debate, the debate is if CC-BY-SA can enforce it or
not, some people claim it can't in some countries even Australia to
some extent or other, so ODBL is being presented as an option to close
loopholes that CC-BY-SA has.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread John Smith
2009/12/13 Brendan Morley morb@beagle.com.au:
 So John, given you wish to don't want commercial companies just sucking up
 all the data and not giving hardly anything back in return if they extend
 the map -

I never said at any point I agree with ODBL, I said I agreed with the intent.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread Anthony
On Sun, Dec 13, 2009 at 1:02 AM, John Smith deltafoxtrot...@gmail.comwrote:

 2009/12/13 Anthony o...@inbox.org:
  If geodata is not copyrightable, then Share Alike is meaningless.  The
  original work is public domain, and the modified work is also public
 domain.

 Assuming public domains is a valid option, which isn't valid in all
 jurisdictions.


If the data is not copyrightable, then it is by definition public domain.


 Even where PD is valid if you modify it and choose a
 license which can be upheld it is no longer PD any more.


If the the data is not copyrightable, it is PD, and no license is going to
magically make it not PD.

 The point is, whichever way it's decided, it'll be the same for the
 modified
  data as it is for the original data.  If the OSM database is not
  copyrightable, neither will the modified database be.  If the OSM
 database
  is copyrightable, then the modified database must be.

 Just because certain copyrights don't exists in some jursidictions
 doesn't mean they aren't valid in others. Which is the whole reason
 for ODBL, because geodata may not be considered copyrightable in some
 areas a new method of enforcing the same thing CC-BY-SA is needed.


For the areas where geodata is not copyrightable, CC-BY-SA isn't needed.

 If you'd prefer that, fine.  But please be honest about this - the ODbL is
  more than just a more enforceable version of the spirit of CC-BY-SA.  The

 How is this different than the requirements of the GPL where you need
 to make changes available if you distribute binaries?


Well, it's different from the GPL because it uses contract law, and not just
copyright law.  As explained in the GPL:  The licenses for most software
and other practical works are designed to take away your freedom to share
and change the works. By contrast, the GNU General Public License is
intended to guarantee your freedom to share and change all versions of a
program--to make sure it remains free software for all its users.  The ODbL
falls into the former category of licenses.

The ODbL *is* somewhat more similar to the GPL than it is to CC-BY-SA.  But
CC-BY-SA was chosen as the license for OSM, not the GPL.  So stop saying the
ODbL is in the same spirit as CC-BY-SA.  Claim it's in the same spirit as
the GPL, and then we can have that discussion.

 requirements go beyond requiring derivative works to be licensed under the
  same license.  Most significantly, the ODbL requires people to offer
 copies
  of any derivative databases that are used in the making of the final
  derivative work.  Among other things, that means having to keep copies of
  such databases, something which is not always done (if I want to alter
 the
  database, render tiles, and then throw out the altered database, I'm not
  able to do that, because I have to offer people copies of the altered
  database).

 Again, this is no different than requirements of GPL software.


And again, I was comparing ODbL to the intent of CC-BY-SA, not GPL.  If
you'd like me to compare the ODbL to the GPL, please start a new thread, and
I'll be happy to make the full comparison.  I hope you first realize,
though, that CC-BY-SA is not the GPL.  CC-BY-SA does not require you to
distribute source code when you distribute binaries.  It is not *intended*
to require that.  And anyone who takes the time to read the simple one page
description of CC-BY-SA ought to know that.

There is no way everyone is going to be happy as a result of this,
 that's human nature, people are influenced and motivated by various
 things, a lot of people agree with the GPL, at lot of people don't
 which is why you end up with others using BSD and other similar
 licenses.


I agree with the GPL.  There's little chance I'm going to release my
software under the BSD license.  But software isn't geodata.


 If you want to push your data as PD that's fine, tag the change set as
 PD when you upload and problem solved then such data can be extracted
 regardless what other data is licensed as then everyone is happy, of
 course this only counts in countries that have a notion of PD
 otherwise people in those countries wouldn't be able to use such data
 either. Ain't it grand having lawyers make laws? :)


Actually, I've decided I'm not going to release my data as PD.  I prefer
copyleft.  I prefer CC-BY-SA.  It keeps people from taking my data and
incorporating it into data under more restrictive licenses.  Like ODbL.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread OJ W
On Sun, Dec 6, 2009 at 4:59 PM, Anthony o...@inbox.org wrote:
 We could, however, introduce a arc tag...  To represent an arc, you only 
 need
 three points (start, end, and any third point on the arc uniquely defines a
 triangle which is circumscribed by exactly one circle).

 Of course, I can't copyright this idea...

Not least because only one person is allowed to have each idea, and
somebody has already had this idea...

http://www.freepatentsonline.com/EP0919788.html

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread Anthony
On Sun, Dec 13, 2009 at 11:08 AM, OJ W ojwli...@googlemail.com wrote:

 On Sun, Dec 6, 2009 at 4:59 PM, Anthony o...@inbox.org wrote:
  We could, however, introduce a arc tag...  To represent an arc, you
 only need
  three points (start, end, and any third point on the arc uniquely defines
 a
  triangle which is circumscribed by exactly one circle).
 
  Of course, I can't copyright this idea...

 Not least because only one person is allowed to have each idea, and
 somebody has already had this idea...

 http://www.freepatentsonline.com/EP0919788.html


Wow.  Are you saying doing this would (possibly?) violate that patent?  If
so, does that mean we can't do it?
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread OJ W
The location, size, shape of each building is a fact.  No inaccuracy
was intended. So does this image have copyright protection?
http://www.limitemagazine.com/wp-content/uploads/2009/10/steph02.jpg

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread Anthony
On Sun, Dec 13, 2009 at 11:15 AM, OJ W ojwli...@googlemail.com wrote:

 The location, size, shape of each building is a fact.  No inaccuracy
 was intended. So does this image have copyright protection?
 http://www.limitemagazine.com/wp-content/uploads/2009/10/steph02.jpg


I don't think you can say no inaccuracy was intended.

However, I'm now convinced that there probably is at least some copyright
protection in the OSM database, even here in Florida (and any other state
which is part of the US).

I'd say it's a very thin copyright, though.  If I used that drawing to
make a list of buildings ordered by height, I highly doubt the image would
be a derivative work of the original.  Just like if I use the OSM database
to determine a route, or to determine which streets are missing from my own
map, or to determine the locations of all the fire stations in Tampa.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread Anthony
On Sun, Dec 13, 2009 at 11:35 AM, Anthony o...@inbox.org wrote:

 Just like if I use the OSM database to determine a route, or to determine
 which streets are missing from my own map, or to determine the locations of
 all the fire stations in Tampa.


Or if I took a rendered Mapnik map and then traced the streets.  Any
creativity within the original work would likely be gone.  Or, for the areas
I'm interested in (mostly in the United States) I'd just go back to the PD
TIGER data and then trace only the parts that have been significantly
modified.  Overpass information is likely not copyrightable.  So that part
could be imported automatically.

To be sure, if I wanted to free OSM from copyright, I'd make my own
designations of roads as primary/secondary/tertiary/etc (and probably use
different designations all together).  I'd choose the categories of POIs to
extract, and leave out the others.  (I don't think individual POI
latitude/longitude pairs are copyrightable, but the selection of which POIs
to include and which POIs not to include might be.)

Personally, I wouldn't bother with all this, because CC-BY-SA is fine for
me.  If OSM goes to ODbL I probably will use some of these techniques when
extracting modifications made after the fork with my area of interest,
though.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread John Smith
2009/12/14 Anthony o...@inbox.org:
 If the the data is not copyrightable, it is PD, and no license is going to
 magically make it not PD.

Not all legal systems are derived from the British/Common Law legal
system, there are others that instead of having all rights by default
you only have rights if granted them.

 For the areas where geodata is not copyrightable, CC-BY-SA isn't needed.

You mean cc-by-sa doesn't apply, which is the whole point, some want
SA to apply regardless if cc-by-sa is able to take effect or not.

 Well, it's different from the GPL because it uses contract law, and not just
 copyright law.  As explained in the GPL:  The licenses for most software
 and other practical works are designed to take away your freedom to share
 and change the works. By contrast, the GNU General Public License is
 intended to guarantee your freedom to share and change all versions of a
 program--to make sure it remains free software for all its users.  The ODbL
 falls into the former category of licenses.

I realise the ODBL doesn't just use copyright law, I thought that was
kinda the point, copyright law may not be useful everywhere so other
mechanisms had to be thought up.

 The ODbL *is* somewhat more similar to the GPL than it is to CC-BY-SA.  But
 CC-BY-SA was chosen as the license for OSM, not the GPL.  So stop saying the
 ODbL is in the same spirit as CC-BY-SA.  Claim it's in the same spirit as
 the GPL, and then we can have that discussion.

As I stated, I never said I agreed with ODBL, I agreed with the intent
behind it. Also out of curiosity why are you so adamantly against
people being required to give back to the community if you are already
supporting this community? IN fact having such requirements means you
will benefit from improvements others contribute.

 I agree with the GPL.  There's little chance I'm going to release my
 software under the BSD license.  But software isn't geodata.

Again, it's the intent, not the specific license that I agree with at
present, I won't be able to have this all sorted out till into the new
year at the earliest because it's kind of too close to christmas and
people are going on holidays etc.

 Actually, I've decided I'm not going to release my data as PD.  I prefer
 copyleft.  I prefer CC-BY-SA.  It keeps people from taking my data and
 incorporating it into data under more restrictive licenses.  Like ODbL.

Since you keep claiming cc-by-sa can't protect geodata then it can't
prevent your data from being re-licensed as ODBL, or did I miss
something in your comments?

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread Anthony
On Sun, Dec 13, 2009 at 7:20 PM, John Smith deltafoxtrot...@gmail.comwrote:

 2009/12/14 Anthony o...@inbox.org:
  For the areas where geodata is not copyrightable, CC-BY-SA isn't needed.

 You mean cc-by-sa doesn't apply, which is the whole point, some want
 SA to apply regardless if cc-by-sa is able to take effect or not.


No, I mean it isn't needed.


  Actually, I've decided I'm not going to release my data as PD.  I prefer
  copyleft.  I prefer CC-BY-SA.  It keeps people from taking my data and
  incorporating it into data under more restrictive licenses.  Like ODbL.

 Since you keep claiming cc-by-sa can't protect geodata then it can't
 prevent your data from being re-licensed as ODBL, or did I miss
 something in your comments?


I believe you added something to my comments.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread John Smith
2009/12/14 Anthony o...@inbox.org:
 No, I mean it isn't needed.

If everyone believed it wasn't needed we wouldn't be having this discussion...

 I believe you added something to my comments.

What did I add? You said cc-by-sa can't protect geodata (in your
jurisdiction), so it can't prevent it from being rebundled/relicensed,
correct?

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread Anthony
On Sun, Dec 13, 2009 at 8:14 PM, John Smith deltafoxtrot...@gmail.comwrote:

 2009/12/14 Anthony o...@inbox.org:
  No, I mean it isn't needed.

 If everyone believed it wasn't needed we wouldn't be having this
 discussion...


Quite true!

 I believe you added something to my comments.

 What did I add? You said cc-by-sa can't protect geodata (in your
 jurisdiction), so it can't prevent it from being rebundled/relicensed,
 correct?


I certainly don't remember saying that, and it doesn't sound like something
I'd say.  As I have said before, to protect my geodata, I use backups.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-13 Thread John Smith
2009/12/14 Anthony o...@inbox.org:
 I certainly don't remember saying that, and it doesn't sound like something
 I'd say.  As I have said before, to protect my geodata, I use backups.

I was extrapolating based on what you stated earlier, backups are a
protection of sorts, but the discussion is about legal protections.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-12 Thread Brendan Morley
Arc would make a certain amount of sense since the design of the built 
environment (e.g. road construction) is basically broken down into segments of 
lines, 
arcs and spirals (i.e. the transition from straight to curved sections).  But 
then all associated tools would have to start acting like CAD applications, not 
just relying 
on the concepts used in say the OpenGIS Simple Features Specification.

In the longer term, road engineers could (should?) just be able to load their 
as-built engineering drawings straight into OSM.  Awesome...

Brendan

--Original Message Text---
From: Anthony
Date: Sun, 6 Dec 2009 11:59:31 -0500

We could, however, introduce a arc tag.  And if I was better at making 
proposals (and/or the OSM processes were better at accepting proposals), it 
would 
probably already be introduced.  To represent an arc, you only need three 
points (start, end, and any third point on the arc uniquely defines a triangle 
which is 
circumscribed by exactly one circle).  This could even be made backward 
compatible.  Just split the way at the beginning and end of the arc and put 
arc=yes.  
Renderers that don't know about arcs would use three points (or four, or five, 
or whatever).  Renderers that do know about them would use as many as is 
necessary for the resolution of the image.  (In the case of an arc=yes tag with 
more than three points



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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-12 Thread Brendan Morley
If the intent of OSM is to represent the centerline of a road as accurately as 
possible (and presumably other land features too) then this is another reason 
to 
consider dropping the SA requirement - or dual licencing or dual databases or 
being able to assign a licence per-object.

Australian Government is now quite happy to share using CCBY, but CCBYSA (and 
OdbL replicas) make it difficult for government to republish (e.g. it shouldn't 
be seen to discriminate against constituents that don't wish to accept the SA 
stipulation on contributed edits).

And who else but government is in the best position (and has the most self 
interest) to determine exactly where the road was built?


Brendan


--Original Message Text---
From: Anthony
Date: Sun, 6 Dec 2009 10:26:08 -0500

The intent of OSM is to represent the centerline of a road as accurately as 
possible.  There aren't an infinite number of possibilities which we creatively 
choose 
from.  (First of all, the number of possibilities that can be represented is 
finite, as the number of decimal places is finite.  But more to the point, the 
purpose is to 
record exactly one result, and any deviation from that is simply an error.)  
Mistakes and inaccuracy do not represent creative input.





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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-12 Thread John Smith
2009/12/12 Brendan Morley morb@beagle.com.au:
 If the intent of OSM is to represent the centerline of a road as accurately
 as possible (and presumably other land features too) then this is another
 reason to consider dropping the SA requirement - or dual licencing or dual
 databases or being able to assign a licence per-object.

 Australian Government is now quite happy to share using CCBY, but CCBYSA
 (and OdbL replicas) make it difficult for government to republish (e.g. it
 shouldn't be seen to discriminate against constituents that don't wish to
 accept the SA stipulation on contributed edits).

The problem I have with that is my labour is used to commercially
benefit others and in turn nothing they do would have to be returned
to the community.

If people or companies are benefiting, why shouldn't there be some
expectations to return the benefits to everyone, not just hoard it
away for the benefit of commercial operators if they themselves are
benefiting from it?

 And who else but government is in the best position (and has the most self
 interest) to determine exactly where the road was built?

There is a lot of roads on paper that were never built so I don't see
that as accurate either.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-12 Thread Anthony
On Sat, Dec 12, 2009 at 8:17 PM, John Smith deltafoxtrot...@gmail.comwrote:

 The problem I have with that is my labour is used to commercially
 benefit others and in turn nothing they do would have to be returned
 to the community.


So you want to be given something in return for your labor?  Nothing wrong
with that, but you're more likely to be successful if you choose a non-free
project to contribute to.  If your labor is valuable to commercial
interests, don't give it away for free.  Get those commercial interests to
pay you, and then, if you'd like, you can donate your pay to the
community.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-12 Thread John Smith
2009/12/13 Anthony o...@inbox.org:
 On Sat, Dec 12, 2009 at 8:17 PM, John Smith deltafoxtrot...@gmail.com
 wrote:

 The problem I have with that is my labour is used to commercially
 benefit others and in turn nothing they do would have to be returned
 to the community.

 So you want to be given something in return for your labor?  Nothing wrong
 with that, but you're more likely to be successful if you choose a non-free
 project to contribute to.  If your labor is valuable to commercial
 interests, don't give it away for free.  Get those commercial interests to
 pay you, and then, if you'd like, you can donate your pay to the
 community.

That's the issue I have, I have no problem giving back to the
community, but I don't want commercial companies just sucking up all
the data and not giving hardly anything back in return if they extend
the map, it's not fair to me or anyone else who chooses to donate our
time for the greater good.

After all if the data isn't extended there is nothing to give back,
which is a shame but you can't have everything I guess.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-12 Thread Anthony
On Sat, Dec 12, 2009 at 10:56 PM, John Smith deltafoxtrot...@gmail.comwrote:

 That's the issue I have, I have no problem giving back to the
 community, but I don't want commercial companies just sucking up all
 the data and not giving hardly anything back in return if they extend
 the map, it's not fair to me or anyone else who chooses to donate our
 time for the greater good.


It's perfectly fair.  You agreed to license your contributions under
CC-BY-SA.  CC-BY-SA doesn't require that you give anything back to anyone.
It only requires that you give credit to the authors and license any
derivative works that you distribute under CC-BY-SA.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-12 Thread John Smith
2009/12/13 Anthony o...@inbox.org:
 On Sat, Dec 12, 2009 at 10:56 PM, John Smith deltafoxtrot...@gmail.com
 wrote:

 That's the issue I have, I have no problem giving back to the
 community, but I don't want commercial companies just sucking up all
 the data and not giving hardly anything back in return if they extend
 the map, it's not fair to me or anyone else who chooses to donate our
 time for the greater good.

 It's perfectly fair.  You agreed to license your contributions under
 CC-BY-SA.  CC-BY-SA doesn't require that you give anything back to anyone.
 It only requires that you give credit to the authors and license any
 derivative works that you distribute under CC-BY-SA.


That isn't the debate, the debate is if CC-BY-SA can enforce it or
not, some people claim it can't in some countries even Australia to
some extent or other, so ODBL is being presented as an option to close
loopholes that CC-BY-SA has.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-12 Thread Anthony
On Sun, Dec 13, 2009 at 12:12 AM, John Smith deltafoxtrot...@gmail.comwrote:

 2009/12/13 Anthony o...@inbox.org:
  On Sat, Dec 12, 2009 at 10:56 PM, John Smith deltafoxtrot...@gmail.com
  wrote:
 
  That's the issue I have, I have no problem giving back to the
  community, but I don't want commercial companies just sucking up all
  the data and not giving hardly anything back in return if they extend
  the map, it's not fair to me or anyone else who chooses to donate our
  time for the greater good.
 
  It's perfectly fair.  You agreed to license your contributions under
  CC-BY-SA.  CC-BY-SA doesn't require that you give anything back to
 anyone.
  It only requires that you give credit to the authors and license any
  derivative works that you distribute under CC-BY-SA.
 

 That isn't the debate, the debate is if CC-BY-SA can enforce it or
 not, some people claim it can't in some countries even Australia to
 some extent or other, so ODBL is being presented as an option to close
 loopholes that CC-BY-SA has.


If CC-BY-SA can enforce what?  Attribution?  If geodata isn't copyrightable,
then it doesn't matter if the derivative works are released under CC-BY-SA.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-12 Thread John Smith
2009/12/13 Anthony o...@inbox.org:
 If CC-BY-SA can enforce what?  Attribution?  If geodata isn't copyrightable,
 then it doesn't matter if the derivative works are released under CC-BY-SA.

CC-BY is attribution, CC-BY-SA is Attribution with Share Alike.

While geodata might not be, the meta data should be imho, but I'm not
a lawyer nor profess to be, and it would take legal action to actually
settle it one way or the other and that is on a per jurisdiction
basis.

ODBL is trying to add extra legal layers to CC-BY-SA by not relying on
just copyright to enforce the SA part.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-12 Thread Anthony
On Sun, Dec 13, 2009 at 12:32 AM, John Smith deltafoxtrot...@gmail.comwrote:

 2009/12/13 Anthony o...@inbox.org:
  If CC-BY-SA can enforce what?  Attribution?  If geodata isn't
 copyrightable,
  then it doesn't matter if the derivative works are released under
 CC-BY-SA.

 CC-BY is attribution, CC-BY-SA is Attribution with Share Alike.


And what does Share Alike mean?  If you alter, transform, or build upon
this work, you may distribute the resulting work only under the same or
similar license to this one.

If geodata is not copyrightable, then Share Alike is meaningless.  The
original work is public domain, and the modified work is also public domain.


 While geodata might not be, the meta data should be imho, but I'm not
 a lawyer nor profess to be, and it would take legal action to actually
 settle it one way or the other and that is on a per jurisdiction
 basis.


The point is, whichever way it's decided, it'll be the same for the modified
data as it is for the original data.  If the OSM database is not
copyrightable, neither will the modified database be.  If the OSM database
is copyrightable, then the modified database must be.

ODBL is trying to add extra legal layers to CC-BY-SA by not relying on
 just copyright to enforce the SA part.


ODBL is trying to enforce requirements beyond If you alter, transform, or
build upon this work, you may distribute the resulting work only under the
same or similar license to this one.  Most significantly, a requirement to
offer to recipients of the Derivative Database or Produced Work a copy in a
machine readable form of [...] The Derivative Database (under a.) or
alteration file (under b.).  That is not at all a requirement of CC-BY-SA.
It is something completely new that is being added, which IMO makes things
less free, not more free.

If you'd prefer that, fine.  But please be honest about this - the ODbL is
more than just a more enforceable version of the spirit of CC-BY-SA.  The
requirements go beyond requiring derivative works to be licensed under the
same license.  Most significantly, the ODbL requires people to offer copies
of any derivative databases that are used in the making of the final
derivative work.  Among other things, that means having to keep copies of
such databases, something which is not always done (if I want to alter the
database, render tiles, and then throw out the altered database, I'm not
able to do that, because I have to offer people copies of the altered
database).
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-07 Thread Ed Avis
Anthony osm at inbox.org writes:

Why do people believe that there no creative copyright in OSM data

I'm going with that assumption because that's what the OSM, Creative Commons,
and Open Data Commons, all are telling us.

Do you have sources for that?  I haven't seen any statement by the OSMF
saying that there is no creativity (and hence, in some countries, no copyright)
in the OSM data.

Similarly I don't think Creative Commons have said that.  They have published
opinions on what licences might be suitable for factual data, but they haven't
made any pronouncement on the legal status of OSM data in particular.

As for Open Data Commons, I don't know, but I would welcome any references.

-- 
Ed Avis e...@waniasset.com


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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-07 Thread Anthony
On Mon, Dec 7, 2009 at 10:11 AM, Ed Avis e...@waniasset.com wrote:

 Anthony osm at inbox.org writes:

 Why do people believe that there no creative copyright in OSM data

 I'm going with that assumption because that's what the OSM, Creative
 Commons,
 and Open Data Commons, all are telling us.

 Do you have sources for that?  I haven't seen any statement by the OSMF
 saying that there is no creativity (and hence, in some countries, no
 copyright)
 in the OSM data.


I'm basically going on what I read in
http://www.osmfoundation.org/images/3/3c/License_Proposal.pdf and the
supporting documents.  Rereading it, I guess it doesn't come right out and
say that OSM isn't protected by US copyright (although I'd find it extremely
unlikely for such a definitive legal statement to be made even if it were
true).  It implies it, though, and says full background can be read at
http://www.osmfoundation.org/wiki/License/Why_CC_BY-SA_is_Unsuitable , which
in turn says *Conclusion*: It is quite likely that OSM data is not
protected by U.S. (and other jurisdictions') copyright laws.  About as
definitive of a legal statement as you're likely to get for free.  I'm not
sure who the author of that conclusion was, though.  But the OSMF seemingly
endorsed it by linking to it for full background.

Similarly I don't think Creative Commons have said that.  They have
 published
 opinions on what licences might be suitable for factual data, but they
 haven't
 made any pronouncement on the legal status of OSM data in particular.


You're probably right on that.  Again, I didn't read the license proposal
carefully enough, and while it makes the implication that CC made that
conclusion, presenting the CC statement: In the United States, data will be
protected by copyright only if they express creativity. after Creative
Commons themselves have said several times that CC BY-SA is not suitable for
OSM., I now realize that this is misleading.

Good catch.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-07 Thread Michael Barabanov
Really, considering how many discussions about how to map things (just
recall all those footway/cycleway discussions) have been on these lists, at
least tagging seems to be a creative process right now.

On Mon, Dec 7, 2009 at 7:37 AM, Anthony o...@inbox.org wrote:

 On Mon, Dec 7, 2009 at 10:11 AM, Ed Avis e...@waniasset.com wrote:

 Anthony osm at inbox.org writes:

 Why do people believe that there no creative copyright in OSM data

 I'm going with that assumption because that's what the OSM, Creative
 Commons,
 and Open Data Commons, all are telling us.

 Do you have sources for that?  I haven't seen any statement by the OSMF
 saying that there is no creativity (and hence, in some countries, no
 copyright)
 in the OSM data.


 I'm basically going on what I read in
 http://www.osmfoundation.org/images/3/3c/License_Proposal.pdf and the
 supporting documents.  Rereading it, I guess it doesn't come right out and
 say that OSM isn't protected by US copyright (although I'd find it extremely
 unlikely for such a definitive legal statement to be made even if it were
 true).  It implies it, though, and says full background can be read at
 http://www.osmfoundation.org/wiki/License/Why_CC_BY-SA_is_Unsuitable ,
 which in turn says *Conclusion*: It is quite likely that OSM data is not
 protected by U.S. (and other jurisdictions') copyright laws.  About as
 definitive of a legal statement as you're likely to get for free.  I'm not
 sure who the author of that conclusion was, though.  But the OSMF seemingly
 endorsed it by linking to it for full background.

 Similarly I don't think Creative Commons have said that.  They have
 published
 opinions on what licences might be suitable for factual data, but they
 haven't
 made any pronouncement on the legal status of OSM data in particular.


 You're probably right on that.  Again, I didn't read the license proposal
 carefully enough, and while it makes the implication that CC made that
 conclusion, presenting the CC statement: In the United States, data will be
 protected by copyright only if they express creativity. after Creative
 Commons themselves have said several times that CC BY-SA is not suitable for
 OSM., I now realize that this is misleading.

 Good catch.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-07 Thread Anthony
On Mon, Dec 7, 2009 at 11:52 AM, Michael Barabanov 
michael.baraba...@gmail.com wrote:

 Really, considering how many discussions about how to map things (just
 recall all those footway/cycleway discussions) have been on these lists, at
 least tagging seems to be a creative process right now.


But if it's copyrighted, who owns the copyright on it?  Each person who uses
the tag?  The people who participate in the list discussion?  The OSMF?

If the OSM database were a work for hire, and all of us mappers were
employees, it'd be one thing.  Then, I think a thin copyright would probably
be meaningful.  But it isn't a work for hire, so whatever copyright there is
is spread out among 100,000 different people.

Arguably, if there is a copyright on the OSM database, it is collectively
owned as a work of joint authorship with 100,000 or so joint authors.  That
means any one of the 100,000 authors can use the OSM database any way they
want, and all they have to do is split the profits 100,000 ways.  Of course,
that's ridiculous, so it's unlikely a judge would ever hold that to be the
case (unless maybe she'd recently read a book on jurisprudence written by
King Solomon).
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-07 Thread John Smith
2009/12/8 Anthony o...@inbox.org:
 But if it's copyrighted, who owns the copyright on it?  Each person who uses
 the tag?  The people who participate in the list discussion?  The OSMF?

You own the copyright on your changes but you also agreed to release
it at present under CC-BY-SA, as does everyone else, so all
contributors own the copyright, but you also license your changes
under cc-by-sa so there is no one owner.

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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-06 Thread Anthony
On Sun, Dec 6, 2009 at 9:55 AM, Eugene Alvin Villar sea...@gmail.comwrote:

 Why do people believe that there no creative copyright in OSM data (i.e.,
 why is CC-BY-SA supposedly indefensible for OSM data)? I'm talking about the
 US-type of copyright that is based on sufficient creativity, and not on the
 sweat-of-the-brow copyright that is part of UK IP.


I'm going with that assumption because that's what the OSM, Creative
Commons, and Open Data Commons, all are telling us.

But I think you're right that there could be argued to be some creative
content in the OSM database.  Essentially every time someone decides to map
for the renderer rather than map what's on the ground, they're making a
creative decision.

I think *most* of the OSM database is uncopyrightable here in the US.  The
road networks, at least the public road networks, are probably public
domain.  The service roads, maybe not - there was a certain amount of
selectivity to them.  The POIs, yes and no.  If I extract all the police
stations from the OSM database, that's probably public domain.  But if I
take all the POIs, maybe not.  There was a selective process used to
determine which types of POIs to include and which not to include.  On the
other hand, who owns the copyright on this selection process?  Probably we
all do.


 But I would argue that a selection of a finite set from an infinite
 possible nodes that can represent the centerline of a road is a sufficiently
 creative endeavor that is automatically afforded copyright according to the
 US copyright system.


Inaccuracy isn't copyrightable.  Mistakes aren't copyrightable (see Feist).
The intent of OSM is to represent the centerline of a road as accurately as
possible.  There aren't an infinite number of possibilities which we
creatively choose from.  (First of all, the number of possibilities that can
be represented is finite, as the number of decimal places is finite.  But
more to the point, the purpose is to record exactly one result, and any
deviation from that is simply an error.)  Mistakes and inaccuracy do not
represent creative input.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-06 Thread Eugene Alvin Villar
On Sun, Dec 6, 2009 at 11:26 PM, Anthony o...@inbox.org wrote:

 On Sun, Dec 6, 2009 at 9:55 AM, Eugene Alvin Villar sea...@gmail.comwrote:


 But I would argue that a selection of a finite set from an infinite
 possible nodes that can represent the centerline of a road is a sufficiently
 creative endeavor that is automatically afforded copyright according to the
 US copyright system.


 Inaccuracy isn't copyrightable.  Mistakes aren't copyrightable (see
 Feist).  The intent of OSM is to represent the centerline of a road as
 accurately as possible.  There aren't an infinite number of possibilities
 which we creatively choose from.  (First of all, the number of possibilities
 that can be represented is finite, as the number of decimal places is
 finite.  But more to the point, the purpose is to record exactly one result,
 and any deviation from that is simply an error.)  Mistakes and inaccuracy do
 not represent creative input.


It's true that the intent of OSM is the represent the centerline of a road
as accurately as possible but I think that only means that the selected
nodes have to be positioned accurately. Now whether one set of 20 nodes or a
different set of 20 nodes better represent the shape of a road is a matter
of creative subjectivity. Neither set is more mistaken nor more inaccurate
than the other.

For practical purposes, we can't add an infinite number of nodes or should
even add 100 nodes to represent a perfectly circular roundabout, so the fact
that we use maybe 8 or even 16 nodes to represent that roundabout is not a
mistake or an inaccuracy. Now the particular selection of 8 or 16 nodes
is what's creative and so those set of nodes deserves copyright.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-06 Thread Anthony
On Sun, Dec 6, 2009 at 11:37 AM, Eugene Alvin Villar sea...@gmail.comwrote:

 Now whether one set of 20 nodes or a different set of 20 nodes better
 represent the shape of a road is a matter of creative subjectivity. Neither
 set is more mistaken nor more inaccurate than the other.


What set of nodes constitutes a best fit to a given shape with a given
number of points, is fairly objective.  You may creatively choose
something other than the best solution, but again, I don't think that
constitutes copyrightability.  Not within context.  (If you intentionally
chose something other than the best fit, for something sort of stylistic
purpose, fine, but I really don't see how that's applicable to road
mapping.)

I think that's borderline at best.  But I do agree with your greater point,
that there probably is some sort of thin copyright to the OSM database.
(Of course, that thin copyright is then further diluted among a couple
hundred thousand contributors, making it very thin indeed.)


 For practical purposes, we can't add an infinite number of nodes or should
 even add 100 nodes to represent a perfectly circular roundabout,


We could, however, introduce a arc tag.  And if I was better at making
proposals (and/or the OSM processes were better at accepting proposals), it
would probably already be introduced.  To represent an arc, you only need
three points (start, end, and any third point on the arc uniquely defines a
triangle which is circumscribed by exactly one circle).  This could even be
made backward compatible.  Just split the way at the beginning and end of
the arc and put arc=yes.  Renderers that don't know about arcs would use
three points (or four, or five, or whatever).  Renderers that do know about
them would use as many as is necessary for the resolution of the image.  (In
the case of an arc=yes tag with more than three points

Of course, I can't copyright this idea...  So you're free to use it if you'd
like with or without attribution to me.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-06 Thread Eugene Alvin Villar
On Mon, Dec 7, 2009 at 12:59 AM, Anthony o...@inbox.org wrote:

 On Sun, Dec 6, 2009 at 11:37 AM, Eugene Alvin Villar sea...@gmail.comwrote:

 Now whether one set of 20 nodes or a different set of 20 nodes better
 represent the shape of a road is a matter of creative subjectivity. Neither
 set is more mistaken nor more inaccurate than the other.


 What set of nodes constitutes a best fit to a given shape with a given
 number of points, is fairly objective.  You may creatively choose
 something other than the best solution, but again, I don't think that
 constitutes copyrightability.  Not within context.  (If you intentionally
 chose something other than the best fit, for something sort of stylistic
 purpose, fine, but I really don't see how that's applicable to road
 mapping.)


Sure, there is only one set of N nodes that best represents a particular
shape, but our problem is determining what exactly is that shape in the
first place. Our GPS-based methodolody is only accurate to so much that the
particular shape can't be defined if you want to be objective (in an Ayn
Rand way) about it. Hence, we OSM as a project cannot determine the best
fit per your definition.

Well, unless you specify an accuracy tolerance level AND the number of nodes
for each geographical feature. But then, the selection of both metrics for
each geographical feature can still be considered a creative selection since
they will be both arbitrary.

Moreover, unless there is a ridiculously easy and systematic way of
determining the best fit, mappers would not bother doing it and will
always use a subjective and personal criteria to determine the good enough
fit. This good enough fit is fit for OSM purposes and just because it's
not mathematically proven to be the best fit doesn't make the data useless.
Thus, the good enough fit (for increasing levels of good enough as time
passes by) is still a product of a creative process deserving of copyright.



 For practical purposes, we can't add an infinite number of nodes or should
 even add 100 nodes to represent a perfectly circular roundabout,


 We could, however, introduce a arc tag.  And if I was better at making
 proposals (and/or the OSM processes were better at accepting proposals), it
 would probably already be introduced.  To represent an arc, you only need
 three points (start, end, and any third point on the arc uniquely defines a
 triangle which is circumscribed by exactly one circle).  This could even be
 made backward compatible.  Just split the way at the beginning and end of
 the arc and put arc=yes.  Renderers that don't know about arcs would use
 three points (or four, or five, or whatever).  Renderers that do know about
 them would use as many as is necessary for the resolution of the image.  (In
 the case of an arc=yes tag with more than three points

 Of course, I can't copyright this idea...  So you're free to use it if
 you'd like with or without attribution to me.



Maybe a perfectly circular roundabout is not the best example. How about an
S-shaped road? Sure, we can add Bezier curves but we go back to the argument
just above.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-06 Thread Anthony
On Sun, Dec 6, 2009 at 12:28 PM, Eugene Alvin Villar sea...@gmail.comwrote:

 Well, unless you specify an accuracy tolerance level AND the number of
 nodes for each geographical feature. But then, the selection of both metrics
 for each geographical feature can still be considered a creative selection
 since they will be both arbitrary.


I don't think it makes sense to argue this further.  Perhaps the selection
of which nodes to include and which nodes not to include can be considered
to display some minimal level of creativity.  On the other hand, perhaps
it could be successfully argued that the creative spark is utterly lacking
or so trivial as to be virtually nonexistent.  I really don't know.

And I don't think it particularly matters.  I agree with your basic premise,
that there probably is a (very) thin copyright in the OSM database.  And in
that sense I think I have to disagree with both the OSMF and Creative
Commons that CC-BY-SA is wholly inapplicable to the OSM database.  It's nice
to have CC-BY-SA to fall back on, rather than engaging in a long legal
battle over exactly how sparky the plaintiff's creative sparks were.  To me,
CC-BY-SA says this database might be copyrighted - if it is, to the extent
it is, we allow you do X anyway, so long as you also do Y.

For that, I'd prefer CC0, or maybe CC-BY, as a statement that this database
might be copyrighted - if it is, to the extent it is, we allow you to do X
anyway [so long as you tell people where you got the data from].

If this database is copyrighted, the copyright is thin.  So thin, that's
it's better to just give it away than to go through all the legal hassle of
trying to protect it.
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Re: [OSM-talk] How is there not any creative-type (US) copyright in OSM data?

2009-12-06 Thread John Smith
2009/12/7 Anthony o...@inbox.org:
 But I would argue that a selection of a finite set from an infinite
 possible nodes that can represent the centerline of a road is a sufficiently
 creative endeavor that is automatically afforded copyright according to the
 US copyright system.

 Inaccuracy isn't copyrightable.  Mistakes aren't copyrightable (see Feist).
 The intent of OSM is to represent the centerline of a road as accurately as
 possible.  There aren't an infinite number of possibilities which we
 creatively choose from.  (First of all, the number of possibilities that can
 be represented is finite, as the number of decimal places is finite.  But
 more to the point, the purpose is to record exactly one result, and any
 deviation from that is simply an error.)  Mistakes and inaccuracy do not
 represent creative input.

Actually a circle by definition is a line with infinite number of points.

Also I agree there is a number of creative things that go into making
up the data, it isn't just a set of facts, you are making creative
choices all the time about how to best fit facts into how things will
render later, plenty of people are making square roundabouts, others
make works of art.

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