- Original Message -
From: J. T. [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Sunday, November 03, 2002 3:41 AM
Subject: Re: (313) magic trax/ Fowlkes
There is one Fowlkes track on the Juan Atkins bootleg Magic Tracks.
It's
called Deepcover and it's beautiful. Very fragile
It's no surprise that the very first person to check in with a remix of The
Shit is none other than Mr. Christian Bloch (this guy is prolific!).
Just gave it a listen and I'm very excited about it! He should be posting it
to his site soon. If youre at all familiar with his tracks then you know to
It's called 'Flash Flood'? It's the last track on the 2nd side on my copy
(which is the promo/bootleg or whatever). Another listmember mentoined it
was re-released on Tresor, so I just checked and found both the Ron Cook
you
wanted and this Infiniti track on Tresor 36 'Magic Tracks', and the
He rocked!
And what a star... The most hilarious part probably was him signing the
belly buttons of these 2 girls... :-)
Made me smile all weekend!
Back to my Monday morning routine COFFEE!
Out
W
Slices # 3 with two 313 members, Ken Odeluga and Jonny McIntosh, plus a very
special guest.
more info to follow but see www.bleep43.com for the flyer.
- Original Message -
From: [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Saturday, November 02, 2002 12:29 PM
Subject: (313) Whats on
Not strictly 313 but a no-one has mentioned and a couple of guys from my
work are doing visuals at it (along with the legend that is jeff minter
- creator of llamtron etc)
http://www.warprecords.com/news/?offset=0ti_id=514
But most importantly, it keeps the scene healthy: more parties means
that more DJs and producers will be able to make a living from their
It means More Chicks at Techno Parties!
This is actually a chronic problem here in Rome, especially since a lot of
the heads come from the squat/illegal rave
Dont think they are that rare - I got a few of them on mailorder from
recordtime and I know that Rub A Dub have most of them in stock.
Cheers
BT
Hi,
can anyone tell me how rare those theo parrish mix cd´s really are?
in particular:
eclectric asthetic part 1 and
live in detroit ´99.
The
I've got the Tresor 12 of Magic Trax: it's got Flash Flood, a Drexciya
track, FFWD and something else (maybe Blake Baxter?). What else is on the
bootleg?
I never realised that the Infiniti Collection came out on vinyl (I recently
came upon the promo Sonar 123 on Metroplex, the Peacefrog 12 of
..and I can hear you sigh oh no not again ; )
Happy Monday!
Anya : )
http://www.dfuse.com/sprawl/sprawl_mainpage.htm#events
SPRAWL presents interplay - a tiny festival of big city
collaborations London : Berlin / picture : sound
6 + 7 November 2002, 8 pm - midnight / venue: the spitz,
109
Cheers for posting that Anya. I missed Jan Jelinek in August and heard good
reports.
- Original Message -
From: Anya Stang [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Monday, November 04, 2002 11:37 AM
Subject: (313) sprawl and sofa so good. london spam...
.and I can hear you sigh
live in detroit ´99 has been 'repressed' and is pretty available again
At 3-11-2002 +0100 21:34, you wrote:
Hi,
can anyone tell me how rare those theo parrish mix cd´s really are?
in particular:
eclectric asthetic part 1 and
live in detroit ´99.
The tracklisting looks very tasty... worth
I am yet to read all the responses on 313 but the poll looks very mainstream
UK-centric to me.
I laugh only at seeing Tiesto at number 1 as I have heard the album... I
recall Armand Van Helden doing a parody of Euro-trance on his second album,
a skit in which he boots off a Euro-trance DJ - with
there's a new transllusion (drexciya) 12
out on rephlex which is a taster for a
forthcoming album (all 3 tracks are
non album tracks) has anyone heard
it ? if i did not know i would never think
it's drexciya but just as brilliant and
much more club friendly stuff than
anything that came out
Another related point. I would bet that the vast majority of pollsters were
from English speaking countries.
Until a couple of years ago Sasha had NEVER played in Japan (not sure if he
has since), sooo... he is a non-entity in Japan and has said so himself. So
how many Japanese votes were
Went to this on Saturday. Rolando was excellent, pitty about the
audience. Venue was a bit strange, I always thought oslo would make a
good venue but not so sure now. Sound system was poor, but the people
there were worse. Illustrated by the fact someone fell on the decks
about 2 records into
I can't believe you're arguing whether Mills is a good or bad DJ when TIESTO
came in at 1. ;(
Incidentally, Farina gave an interview here just lately and still says
technique is important to his style of DJing.
Quote:
Some trainspotters count the number of mistakes a DJ makes, while the vast
it's not so club friendly from what i've heard! are you talking about the
L.I.F.E. album niko?..it's very very dark and spacey with industrial
overtones even. half slow plodding thuddy beats, half 808 beats like we're
used to but very abstract...nice tho...overall it's much darker than the
just wanna say i very like the second 12 of the last week released double
12 (or LP?) on Tresor..
:)
At 4-11-2002 -0500 08:53, you wrote:
it's not so club friendly from what i've heard! are you talking about the
L.I.F.E. album niko?..it's very very dark and spacey with industrial
Actually, Jeff doesn't claim to be a perfectionist, he believes in taking a
risk, his belief being: sometimes a move will come off, sometimes it won't,
but it's about the excitement level. He has elaborated on this in
interviews.
Me, I prefer that style to the seamless mixing of progressive house
Technique or no technique I think we are lucky that someone takes the time
to do
something with techno rather than waiting every 3-4 mins to mix a track, so
what if there are mistkes, crickey I would hate to go to a club and hear a
CD performance but then that is my own personal preference :)
This is somewhat of a double-edged sword I think. In one respect, people go
to see a DJ like Mills so they can dance. In the other respect, they go to
watch his craft, which then takes the DJ out of his normal context and into
that of an artist, because you are viewing him/her rather than
This is true, Toby. But, I must say that if Mills
didn't enjoy being watched, he could very well conceal
himself like Hawtin does at his plastic parties. So
this leads me to personally believe that Mills enjoys
the attention of people wtching his skills...
Toby Frith wrote:
This is
oh duh now i get it :P...the official release of magic tracks is normal
length (and loudness!) (sorry tristan!) and has ron's track! woohooo i'm
pumped ..wish it had the scan 7 track on there tho..
i gotta get looking for the vinyl version of infiniti collection now too
thanks for all the
yes i like the album quite a bit too i didnt quite say that the first
time...it comes together better than the recent drexciya stuff too imo..even
if it doesnt have the drex basslines i die for i am really into it..
From: marsel [EMAIL PROTECTED]
To: 313@hyperreal.org
Subject: Re: (313) new
Because maybe he comes from the era of DJing where it is an interactive
performance?
The traditional house DJing is like call and response, like in a church.
That's how I like it!
OK, it's 1.30 am and I am rambling now!
Inbox Message
From: T.J.Johnson [EMAIL PROTECTED]
Subject: Re:
yeah but watching Richie is like watching paint dry, no offence but I
have never seen him work it like Mills does. Few have seen him smile as well
:)
-Original Message-
From: T.J.Johnson [mailto:[EMAIL PROTECTED]
Sent: 04 November 2002 14:14
To: [EMAIL PROTECTED]
Cc: [EMAIL PROTECTED];
While I respect your opinion and understand that your comments are made in
the context of this discussion (and also that dance music is ostensibly
made for dancing), I have to say that I find the notion that someone gets
to say how *I* need to react to something else in the sense that I can be
Amen Jeff! It always bugs the hell out of me when the
self-elected party revolutionary leader stands up at
the show and starts yelling at people to start dancing.
If he/she needs other people to dance for them to fell
comfortable with dancing themselves, maybe they should
get drunk or something.
Mills (again) played a DJ set at the Royal Festival Hall in London recently
as the finale to the showing of his adaptation of the Metropolis soundtrack.
Seeing someone DJ at a venue (with seats) was rather bizarre. A large
section of the crowd rushed towards the front to dance, whilst the bemused
That would be John 00 Fleming. Plays hard trance.
36. J00F
who are these monkeys ?
That would be John 00 Fleming. Plays hard trance.
36. J00F
who are these monkeys ?
Personally, I like to get the dancers dancing and the 'spotters 'spotting: I
like having the whooping, screaming, yelling, jacking, climbing the walls
AND the googly eyed what's he doing?!? What's that record?! You don't have
to dance to recognise that it's a pretty similar achievement: everyone
I can't really articulate what I want to say, because it will mean going
into that whole artist/DJ argument which I can't be arsed with.
Understood - but what needs to be said here is that there is artifice
involved in any performance - and being a DJ of any and every ilk still
involves
... Johnny Mcintosh will be appearing at Public Life, London on 16 November,
in Slices #3, dedicated to all forms of house.
:o)
-Original Message-
From: Jonny McIntosh [mailto:[EMAIL PROTECTED]
Sent: Monday, November 04, 2002 3:17 PM
To: 313 Detroit
Subject: Re: (313) 100 BEST DJ IN THE
OK, gradually working my way through this. :)
I'm not sure why some 313 listers are so offended with Frederic posting the
DJ poll to the list. I think it's worthy for discussion, maybe he did too,
it could be that simple. I don't think you need read something into it that
isn't there. It's
And I'll quickly add I don't always get to do what I like, so don't kick my
head in if I don't have you climbing walls ;)
... Johnny Mcintosh will be appearing at Public Life, London on 16
November,
in Slices #3, dedicated to all forms of house.
:o)
Personally, I like to get the dancers
F*** ART, LET'S DANCE. I didn't get to the end of that piece I almost fell
asleep trying to get to grips with its faux-intellectual weightiness.
Don't be so pretentious ferchrisakes it's dance music!
-Original Message-
From: Mxyzptlk [mailto:[EMAIL PROTECTED]
Sent: Monday, November 04,
I concur with Potts, Sines made them for a group of us about
a month ago and they were out of this freakin world !! The
vegan hash browns were also really good. This is coming from
a nyc food snob too ;)
I'll see if todd wants to share his recipe.
-pete
-Original Message-
From: diana
At 09:37 AM 11/4/2002, Robert Taylor wrote:
F*** ART, LET'S DANCE. I didn't get to the end of that piece I almost fell
asleep trying to get to grips with its faux-intellectual weightiness.
Don't be so pretentious ferchrisakes it's dance music!
Thanks for making my case for me.
Quite the opposite, fella, you've just outed yourself as a pompous fool who
can't pass a day without pondering the significance of his own belly-button
and reaching for the thesaurus.
-Original Message-
From: Mxyzptlk [mailto:[EMAIL PROTECTED]
Sent: Monday, November 04, 2002 4:51 PM
To:
This is true, Toby. But, I must say that if Mills
didn't enjoy being watched, he could very well conceal
himself like Hawtin does at his plastic parties. So
this leads me to personally believe that Mills enjoys
the attention of people wtching his skills...
mills has been leaving the stage
At 09:55 AM 11/4/2002, you wrote:
Quite the opposite, fella, you've just outed yourself as a pompous fool who
can't pass a day without pondering the significance of his own belly-button
and reaching for the thesaurus.
Or else you have doubly-demonstrated my case and your own insecurity.
Go one
OK OK ComicBookStoreGuy - I just found what you said absurd. If you feel
awkward and shy at a club and are too shy to dance, just say so. Don't try
and make yourself sound awfully clever and even more awkward by
intellectualising it.
-Original Message-
From: Mxyzptlk [mailto:[EMAIL
please just take this off list
mk02
- Original Message -
From: Robert Taylor [EMAIL PROTECTED]
To: 'Mxyzptlk' [EMAIL PROTECTED]; Robert Taylor
[EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Monday, November 04, 2002 6:06 PM
Subject: RE: (313) 100 BEST DJ IN THE WORLD (Mills)
OK OK
Whoever coined the term dance music should be shot. ; )
That a certain kind of music makes _you_ want to dance Robert, doesn't
necessarily mean that _every_body feels the same, has to dance to it.
For example, All who know me know that I totally love to dance, and
appreciate it when the music
Matthew Mangold:
He's probably overlooked because he's an a**hole.
I was at Record Time about four years ago asking a couple of DJs that
I had
seen in the store if they would be in town during the weekend of an
event I
was putting on. EFF overheard me talking about it and came over and
Hmmm. I wonder if knowing that he's a volatile
character is a suffienct
reason to not buy his records. Even if you like them?
k
I'd definitely say yes to answer that question chief.
Contributing to the success of someone who challenged
you to a duel is definitely a dumb thing to do...
any comments on the new Tek Brothers CD. is it full lenght album or single
cd?
regards
ivan
--
I had a feeling my 'sleep house' would get me into trouble.
;)
I am just so frustrated that here in Australia house promoters want to book
these new school house DJs who play so smooth you wanna bring a pillow and
drink cocoa yet they don't wanna book great DJs from the US as they're not
hip
I recently listened to the shake mix on groovetech and was nicely impressed
by the combination of farina-esque house grooves with doubling up and some
nice skills - makes a nice change to hear good house mixed up in that style
-Original Message-
From: Cyclone Wehner [mailto:[EMAIL
Does anyone know where I can get a copy of this.. Ive tried gemm,
groovetech, back ordering from azuli, ebay and am all out of ideas :[
any suggestions muchos appreciated !
[ I think the last straw is gonna be buying a final scratch - all this
record searching is wearing me down ! ]
cheers,
http://www.paxahau.com/archives.htm
---
Peter Grammenos
Goldman Sachs Co.
Tel : 212.902.2446
---
- Original Message -
From: Jonny McIntosh [EMAIL PROTECTED]
To: J. T. [EMAIL PROTECTED]; [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Monday, November 04, 2002 11:23 AM
Subject: Re: (313) magic trax/ Fowlkes
I've got the Tresor 12 of Magic Trax: it's got Flash Flood, a Drexciya
track,
so far this Dandy Jack set is _very_ nice.
- Original Message -
From: Grammenos, Peter [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Monday, November 04, 2002 11:46 AM
Subject: (313) Luciano and Dandy Jack sets online
http://www.paxahau.com/archives.htm
WEEKLY INSTALLMENT 11/4
THIS MONDAY @ FORAN'S
SOUNDS:
DAN LUCAS
ROB BARRETT
DOCILE DJz
2.00 PINTS
NO COVER
WHAT ELSE IS THERE TO DO ON MONDAY?
FORAN'S IRISH PUB
612 Woodward Ave.
Detroit, MI 48207
313-961-3043
don't sleep on the system 7 derrick may 'mysterious traveller'. finally a
great rhythm is rhythm album. the guitar is occasionally inappropriate, but
when the rest of it is so good it hardly matters. techno as it should be,
groovy, expressive, emotional, funky. yep i like it.
p
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