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I rambled on too long and I thought this message
was too big to fit through the chokepoint. Then
I thought that figuring this out might entitle me
to get my WorldGeek membership card back... I
figured maybe it was just all the profanity, so I
edited it for prime-time... Nothing.
Then
Well stated.
I like that you have sounds that you can't get out yet. Thought I was
the only one. Sometimes I think about what would happen if I was able to
realize everything in my head finally, you know, get it all out.
It's kinda scary to think about. Like all my special is inside there
and
all the info is here:
http://xanuradio.com/transmit/transmit-sept7-pheekweek-sm.jpg
see you there...
neil
www.phoniq.net
releases available on:
www.noisefactoryrecords.com
publication:
www.vagueterrain.net
On 8/31/06, Dale Lawrence [EMAIL PROTECTED] wrote:
For every hack artist that installs some software
and declares themselves a musician there are
hundreds of individuals in the past who picked up
a guitar and thought they were rock stars.
it could be that it was like that in the past. but i
Nice to see a discussion on 313 that involves no threats of mayhem.
Tom, time and again, you make no concessions to anyone else's taste.
While I like the stuff you like, and can listen to you DJ all the live
long day and enjoy nearly every track, I like a lot of stuff you
don't. I think I get
On 8/31/06, kent williams [EMAIL PROTECTED] wrote:
Tom, time and again, you make no concessions to anyone else's taste.
While I like the stuff you like, and can listen to you DJ all the live
long day and enjoy nearly every track, I like a lot of stuff you
don't. I think I get what appeals to
music is probably the most universal language there is for
the human species. the best music does the same thing, reguardless of
who made it or where it comes from.
i used to think that music was a universal language. then i had some
cheesy LER class where the professor did some clever thing
Bit late here but I don't get a chance to listen 313 mixes very often
but always stick 'em into a folder for later listening - this is
brilliant Adam - expect a few more hits soon cos I've told a few people
about it
-Original Message-
From: Adam Smith [mailto:[EMAIL PROTECTED]
Sent: 18
Believe me, I've spent
hours and hours making 'sounds never heard before' in my studio, and
most of them are awful.
^and if you want to become one of them/the players - choose the most
awful/ridiculous ones,
loop them for about 5 mins or make some random patterns/sequences - put
them out.
but
music is probably the most universal language there is for
the human species. the best music does the same thing, reguardless of
who made it or where it comes from.
--
i guess i could have made this post more simple by saying it's just not
so black
Original Message
Subject: Re: (313) really
From:Thomas D. Cox, Jr. [EMAIL PROTECTED]
Date:Thu, August 31, 2006 6:51 pm
To: 313@hyperreal.org
--
Relax guys.
Any universal statement gets pretty hard to prove,
I seem to remember from some lecture back in the myst of time that there's
only two things that are universal, the rhythm with which children torment
each other, nah na na nah and the syllable used for mother - Ma, I have no
proof tho and
and the lecture was on language, I think *lol*
m
- Original Message -
From: Martin Dust [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Cc: 313@hyperreal.org
Sent: Thursday, August 31, 2006 9:46 PM
Subject: Re: Re: (313) Production
Any universal statement gets pretty hard to prove,
I
Def agreed Skept...
What you have said is so true... I have seen in it again and again... some
people think that because techno is without words, and that because so many
people around the world appreciate it, that everyone should have the same
universal views... they also feel that everyones
devil's advocate
it could be that it was like that in the past. but i bet the number
right now of people who own a computer without making music is far
more than the number of people who own a guitar that sits around for
no reason.
Of course computers are used for lots of stuff. Guitars have one
BOOM BOOM!
And I'm going with the dumb people answer.
k
-Original Message-
From: v12 [mailto:[EMAIL PROTECTED]
Sent: Thursday, August 31, 2006 4:26 PM
To: kent williams; 313@hyperreal.org
Subject: Re: (313) Production
Believe me, I've spent
hours and hours making 'sounds never heard
seems like some of you are blaming the bad computer generated music on
producers having ridiculous amounts of vst effects and instruments which
causes them to over use them and not even take the time to learn them
and use them to their fullest capabilities. as opposed to a studio where
one
I think all the dudes who know the technicals and still suck, should
just become engineers and bring in a producer with creative ideas
who didn't have to be concerned at all with the technicalities. That
would sort all this out and then creative people would never be tempted
to overproduce because
VERY good point. when i drop $1k on a piece of gear, i get into it. plugins
are like
oh, this doesn't work, i'm bored with it, let's try the next one.
plugins are wonderful things, capable of huge transformations barely available
to
even the most high-end gear a few years ago. but there's
Hey speaking of Hawtpants, can someone help me out and tell me what is the
jacking old school detroit track with the bassline coming in at 1:43:50 on
this mp3? Thanks!
http://mp3.4four.org/hosted/94867RichieHawtin[EMAIL PROTECTED](04-
17-05)Part1.mp3
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