On 25 Sep 2008, at 20:04, [EMAIL PROTECTED] wrote:
What are you all listening to right at this second? Please include
format. (LP, CD, streaming mp3, podcast, etc)
I'm liking a few of the recent RA podcasts. On now the Jerome Derradji
mix.
robin...
I'm all over that Greg Wilson RA podcast.
I was just listening to Maurice Fulton's El Diablo Social Club mix while
driving to work it is superb !
http://www.eldiablos.co.uk/music.htm
Kind regards,
Gary
Entertainment UK Ltd
Auriol Drive | Greenford
He should take a break:
http://www.residentadvisor.net/feature-read.aspx?id=960
robin...
I'm all over that Greg Wilson RA podcast.
Yeah, nice to see Greg playing some different tracks ;). This podcast
is class.
I was just listening to Maurice Fulton's El Diablo Social Club mix
while
driving to work it is superb !
http://www.eldiablos.co.uk/music.htm
Nice to see the El
robin wrote:
He should take a break:
http://www.residentadvisor.net/feature-read.aspx?id=96
Oh I don't know Robin, it's a good interview that reflects the times and
where his head is at - much better than some pointless back-story PR BS.
Here's another one from Mick Harris:
On 25 sep 2008, at 22:12, Martin Dust wrote:
[EMAIL PROTECTED] wrote:
What are you all listening to right at this second? Please include
format. (LP, CD, streaming mp3, podcast, etc)
A dead 808... :(
A 909 with some serious MIDI timing issues... also :-(
Not meaning to be confrontational Tom but would you really not play them
out if they were indeed banging straight out of the 90s or cush like?
Perhaps in fear of not fitting into this modern minimal tech house world
[a debatable notion I perhaps, anyway?]. I'm curious :)
-Original
On 26 Sep 2008, at 10:02, Martin Dust wrote:
robin wrote:
He should take a break:
http://www.residentadvisor.net/feature-read.aspx?id=96
Oh I don't know Robin, it's a good interview that reflects the times
and where his head is at - much better than some pointless back-
story PR BS.
I love theses too, and the last Nation :
http://www.discogs.com/release/1382022
- K*
- Original Message -
From: [EMAIL PROTECTED]
To: 313 313@hyperreal.org
Sent: Thursday, September 25, 2008 8:09 PM
Subject: Re: (313) Ghostly International
picked this one up couple of weeks ago
Was last listening to 'Upon A Millenial Moment' from Wire To Wire, a
while ago in the gym. Sorry, predictable, I know.
iPod, 24-bit/48kHz Lossless file.
Why? :)
-Original Message-
From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
Sent: Thursday, September 25, 2008 8:04 PM
To:
Yeah I really enjoyed that interview with Geist. Ace hair cut as well.
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: Friday, September 26, 2008 10:02 AM
To: robin
Cc: 313 Org
Subject: Re: (313) Morgan Geist interview
robin wrote:
He should take a break:
I get a better feel for where he's coming from in this interview:
http://trickydiscobristol.blogspot.com/2008/09/td-interviews-morgan-geist.html
robin...
On 26 Sep 2008, at 10:32, Odeluga, Ken wrote:
Yeah I really enjoyed that interview with Geist. Ace hair cut as well.
Oh yeah. I agree. Don't get me wrong, the honesty in there is
refreshing. The problem, as I see it, for people making a living from
music is that it's hard to take that break unless you're very
(financially) successful.
I guess they are going to have to accept that it's no longer a business
that can only be a good thing if you like innovative music
- Original Message -
From: Martin Dust [EMAIL PROTECTED]
To: robin [EMAIL PROTECTED]
Cc: 313 Org 313@hyperreal.org
Sent: Friday, September 26, 2008 6:03 AM
Subject: Re: (313) Morgan Geist interview
Oh yeah. I agree. Don't
Innovative music is a skam anyway
On 26 sep 2008, at 12:43, /0 wrote:
that can only be a good thing if you like innovative music
- Original Message - From: Martin Dust [EMAIL PROTECTED]
To: robin [EMAIL PROTECTED]
Cc: 313 Org 313@hyperreal.org
Sent: Friday, September 26, 2008
Apparently we were only into it for a laugh anyway, so why miss it now?
-Original Message-
From: Klaas-Jan Jongsma [mailto:[EMAIL PROTECTED]
Sent: Friday, September 26, 2008 11:51 AM
To: /0
Cc: Martin Dust; robin; 313 Org
Subject: Re: (313) Morgan Geist interview
Innovative music is a
Free Track Here:
http://www.rushhour.nl/kennylarkin
m
Cheers Martin.
Chuckling at the 'puzzlement' caused by the 'I'm a comedian' statement.
Like a man has to 'be' one thing all his life/at a time .
-Original Message-
From: Martin Dust [mailto:[EMAIL PROTECTED]
Sent: Friday, September 26, 2008 1:31 PM
To: 313 Mailing List
Subject:
ooh I thought he'd been banged up.. a la grooverider...
Martin Dust wrote:
Free Track Here:
http://www.rushhour.nl/kennylarkin
m
--
Playing
- 11th Sept - APT - New York
- 18th Sept - Oslo - Detroit
- 4th October - The Tube Bristol
- 1st November - The Tube Bristol
- 7th November - Body
There was a blizzard of bounces in my inbox this morning because of
people sending rich text/html/multipart mime messages.
Usually I email everyone individually to remind them to send messages
plain text. Not up for it today. SET YOUR MAIL CLIENT TO PLAIN TEXT
FOR 313 EMAILS.
Don't know how?
I am recently guilty of this as well, thanks Kent for your patience
and keeping this listserv running so smoothly!
And this really made me laugh:
Don't know what plain text means? Send e-mail to
[EMAIL PROTECTED] for an explanation.
Humor is good :)
--
Denise Dalphond
Ph.D. Candidate
I have no use for DJs who try to 'fit in.' It's harder getting gigs
if you don't 'fit in' but in the long run, why not find your own way?
The simple answer to your question is 'no,' any X102 tracks aren't
going to be at the same musical or emotional temperature as 'modern
minimal tech house.'
On
the interview is fantastic. i hung out with him last december in his
studio and we talked about a lot of this stuff...it helps to know that
even while he talks about this stuff he is a hilarious goofball.
i agree with 99% of it..
On Fri, Sep 26, 2008 at 6:52 AM, Odeluga, Ken [EMAIL PROTECTED]
Reason it's not a business is because his fans won't let him make a
living at it. You read what he said about people complimenting him on a
record that isn't even released yet.
That sucks. I've talked to struggling musicians who's so-called fans say
straight to their face that they really enjoy
Kent,
Just enable HTML, and save yourself the Heartache... :-)
G
-Original Message-
From: kent williams [mailto:[EMAIL PROTECTED]
Sent: 26 September 2008 14:17
To: list 313
Subject: (313) PLEASE SEND PLAIN TEXT PLEASE
There was a blizzard of bounces in my inbox this morning because
Putting up my e-mail list umbrella .
-Original Message-
From: Williams, Graham [mailto:[EMAIL PROTECTED]
Sent: Friday, September 26, 2008 3:39 PM
To: kent williams; list 313
Subject: RE: (313) PLEASE SEND PLAIN TEXT PLEASE
Kent,
Just enable HTML, and save yourself the Heartache...
That mother comment is priceless!
On Fri, Sep 26, 2008 at 10:17 AM, JT Stewart [EMAIL PROTECTED] wrote:
the interview is fantastic. i hung out with him last december in his
studio and we talked about a lot of this stuff...it helps to know that
even while he talks about this stuff he is a
On 26 Sep 2008, at 15:26, [EMAIL PROTECTED] wrote:
Reason it's not a business is because his fans won't let him make a
living at it. You read what he said about people complimenting him
on a
record that isn't even released yet.
That sucks. I've talked to struggling musicians who's
Not gonna happen, and the reasons why also available by emailing
[EMAIL PROTECTED]
On Fri, Sep 26, 2008 at 9:39 AM, Williams, Graham [EMAIL PROTECTED] wrote:
Kent,
Just enable HTML, and save yourself the Heartache... :-)
His stuff is also on Beatport.com and Boomkat.com. Friends don't let
friends use ITunes.
On Fri, Sep 26, 2008 at 10:17 AM, robin [EMAIL PROTECTED] wrote:
I suspect this is especially annoying as MG has made his stuff available on
iTunes. I mean you can't get any easier to buy than that.
Look like we'll have to wait till the next Moderator takes over... :-)
G
-Original Message-
From: kent williams [mailto:[EMAIL PROTECTED]
Sent: 26 September 2008 16:18
To: Williams, Graham
Cc: list 313
Subject: Re: (313) PLEASE SEND PLAIN TEXT PLEASE
Not gonna happen, and the reasons
It's not really the fans' fault. The internet has forced a drastic
re-configuration of the music business, that so far has not found any
balance, it hasn't really re-configured in a sustainable way yet. MG
was right about iPods and the fact that nobody really _listens_ to
music anymore. The mp3
I think JT is on the right lines ... I appreciate this kind of
discussion.
And no way am I pessimistic about the music industry - certainly not
about the music that we like.
I feel some sort of resolutions or homestasis in this newly formed
system of appreciating music [including paying for
His stuff is also on Beatport.com and Boomkat.com. Friends don't let
friends use ITunes.
Indeed. A good vendor:
http://www.whatpeopleplay.com/ (the Word and Sound people)
Apple have enough cash. (Wasn't my point really but not to worry).
Actually for people who want to use digital files
I really dig the Michna album alot, i think its on another level...
Can't stop listening to Osborne, especially the There song. Diggin
the new Kate Simko too.
Wait a second...
how is it _not_ the fans fault for Geist not getting paid for his music
when people download via P2P before it's even out?
you can't blame the technology - it takes someone to drive that car to get
it from A to B
P2P/blogs/etc. sites aren't breaking into people's houses and
I'm going to back Kent 100% on this, for reasons clear to
anyone who has ever moderated a high-traffic list.
fh
This isn't the place to debate it, obviously, but the fact is that
high-bitrate MP3s can't be distinguished from CDs in blind listening
tests. You can argue that vinyl is superior to both those formats, but
in the majority of listening situations the difference in sound
between the formats is
I agree with you on all of that Kent, except this bit:
This isn't the place to debate it, obviously, but the fact is that
high-bitrate MP3s can't be distinguished from CDs in blind listening
tests. You can argue that vinyl is superior to both those formats, but
in the majority of listening
Im listening to Louis Haiman's latest album life after people.
Louis was cool enough to post it in its entirety on:
http://infinitestatemachine.com/
Louis resides in San Diego and has tracks released on lables like
Transmat, Aw-recordings, and his own fwdthought label.
Exceptional album.
You know, as much as I absolutely love Morgan Geist's music and
respect him as an artist, I don't see him as a total victim in his
anxiety stroll.
A mutual friend of ours in Chicago told me about how he just wants to
record music (not play shows) and how he's considering quitting music
This is all true if you are looking at the problem and not the cause.
But if you look at the roots of the problem, it is the same issue that
has plagued the music business since it's inception. Intellectual
property, what it is, and how you market it. That is the music
business. Focusing on
Thanks for the suggestions!
2AM/FM: I picked up the first release and was very impressed.
Everything that Mullinix puts out under various names has been just
great. Dabrye/Cotton/etc. I love putting some of those records on
when I'm playing at a house party, although I usually find the more
(Perhaps another obvious question, but... )
Why is there such a vibrant (at least from my perspective) dance music
scene in the Netherlands?
m50
At 2008.09.20 06:13, Klaas-Jan Jongsma wrote:
oh well it is all dutch anyways ;-)
Now we are talking dutch techno, some quick eevolute news,
On 9/26/08, Placid [EMAIL PROTECTED] wrote:
ooh I thought he'd been banged up.. a la grooverider...
At first glance, that's what I caught, too...aw geez..what could
Kenny have done?
I'll gladly take free choons, tho
m
--
Play more things that make me dance around and less things that
stop requesting read receipts for list email
- Original Message -
From: Williams, Graham [EMAIL PROTECTED]
To: kent williams [EMAIL PROTECTED]; list 313 313@hyperreal.org
Sent: Friday, September 26, 2008 10:39 AM
Subject: RE: (313) PLEASE SEND PLAIN TEXT PLEASE
Kent,
Just enable
It's a tough discussion, and I'm still wrestling with my opinions.
On one hand, I respect anyone trying to make a living making music.
It's a tough road (especially for electronic music), and having your
property stolen (downloaded for free) when you need it to pay bills is
a bitter pill to deal
Hell ya! As a big fan of sonic sunset I'm excited to hear music from
Siska. I'll probably be drinking next door at the Gingerman before the
show (one of the few bars worth your time in that neighborhood). I
live a few blocks from Smartbar so hopefully I'll check it out. Maybe
I'll throw on my
This is a nice selection... I just listened to the samples through about 20
times last night, whatever you think about the album, there's a pretty
strong vision there...
http://www.juno.co.uk/ppps/products/304896-01.htm
-Original Message-
From: kent williams [mailto:[EMAIL PROTECTED]
Scorn has been one of my faves through the years and I've loved how much
the music has changed over time, yet the essence of it persists.
The sound in the video unfortunately was singular and one-dimensional.
You couldn't really hear the backing sounds, which is where his magic
lies. The
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