Good read here:
http://fabriclondon.com/fabricfirst/blog/juan-on-juan-your-questions-answered/
m
Samples here:
http://www.ds2shop.co.uk/pre-sales/MPM3.html
m
Check it: http://www.fabriclondon.com/podcast/
Anthony Child, known to the hordes of his techno kin as Surgeon, is
somewhat of a legend in musical terms and we’re extra happy to be able
to present the first in his two part podcast containing musical
extremes from the electronic visions of
Love the section about tape manipulation and the reverse hand clap.
A quick question re : Whereas when I put a CD up against a vinyl I
always have to EQ the CD a lot hotter than the vinyl, to make it
compare
What does hotter mean in this context?
2009/9/10 Martin Dust mar...@dustscience.com:
Nice.
Not forgetting this one from a few weeks back an' all.
http://www.boomkat.com/item.cfm?id=223874
-Original Message-
From: Martin Dust [mailto:mar...@dustscience.com]
Sent: Thursday, September 10, 2009 12:57 PM
To: list 313
Subject: (313) New Rob Hood
Samples here:
On 10 Sep 2009, at 13:20, Ravinder S Mann wrote:
Love the section about tape manipulation and the reverse hand clap.
A quick question re : Whereas when I put a CD up against a vinyl I
always have to EQ the CD a lot hotter than the vinyl, to make it
compare
What does hotter mean in this
To an old studio rat like Juan 'hotter' would mean raw signal level.
I thought it was kind of a curious comment on his part, actually,
because CD players are at the same nominal level as the output of a
phono preamp.
I wonder if he just likes that high frequency distortion that's
unavoidable with
On 10 Sep 2009, at 14:46, kent williams wrote:
To an old studio rat like Juan 'hotter' would mean raw signal level.
I thought it was kind of a curious comment on his part, actually,
because CD players are at the same nominal level as the output of a
phono preamp.
EQ isn't signal level tho
Wouldnt boosting all the frequencies make it sound . . . well I cant
describe it but overdriven. I play about with the EQ on my stereo as
we all do and that set up usually sounds rubbish. If anything I drop
out the mid section a bit, boost the tops a bit and boost the bass a
little more than the
On 10 Sep 2009, at 15:40, Ravinder S Mann wrote:
Wouldnt boosting all the frequencies make it sound . . . well I cant
describe it but overdriven. I play about with the EQ on my stereo as
we all do and that set up usually sounds rubbish. If anything I drop
out the mid section a bit, boost the
Something Ive been thinking about recently
In the UK we got UK Funky with is essentially house with a soca beat.
Often made on simple equipment in a short period of time. I guess its
like fashion just get it out there, sell it and make the next release.
But people seem to get really excited by
UK Funky sounds just like what was going on in the mid 90s in Chicago...Dance
Mania, IHR, Contaminated, and plenty of others were dropping new stuff weekly
that wasn't exactly innovative or detail oriented.
Jeff
--Original Message--
From: Ravinder S Mann
To: list 313
Sent: Sep 10, 2009
Classic Hood tracks, especially Range. Will have to try get my grubby
hands on this.
P.
On Thu, Sep 10, 2009 at 5:26 AM, Odeluga, Ken ken.odel...@dowjones.com wrote:
Nice.
Not forgetting this one from a few weeks back an' all.
http://www.boomkat.com/item.cfm?id=223874
-Original
You gotta do what you gotta do. A lot of techno is also made really
quickly. In fact, I think a lot of producers have the strategy of
making a lot of tracks as quickly as possible and then picking the
best of the lot.
Techno doesn't have to be time-consuming to make, and the best tracks
are just
http://liveweb.arte.tv/fr/video/Carl_Craig_presents_Tribe_en_direct_de_Jazz_a_la_Villette/
It's already about an hour in...
P.
I would assume he's referring to the fact that CD's are often mastered
with heavy compression, and so while they often sound loud and upfront
as all getout, they often have a noticeable lack of dynamics compared
to vinyl -- they don't pop like well-cut vinyl does. That's
something you only really
JT Stewart wrote:
I would assume he's referring to the fact that CD's are often mastered
with heavy compression, and so while they often sound loud and upfront
as all getout, they often have a noticeable lack of dynamics compared
to vinyl -- they don't pop like well-cut vinyl does. That's
Yeah. That's like the usage in a mixer manual. Hot is multi-purpose
slang though. When you describe music as hot it could mean a few
different things and possibly any or all simultaneously. Hot like
great, hot like banging, hot like virtuosic, hot like a recording that
pops...hot like really loud
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