Re: Everybody recommends me this

Bummer about the list being used for spam, huh. Denise Dalphond, Ph.D. ethnomusicologist schoolcraftwax.work > On Feb 3, 2019, at 03:50, Lauren D. via 313 <313@hyperreal.org> wrote: > > It shows such a great results http://present.homeprowv.com > > > Lauren D. >

Re: Detroit visit

Definitely go to Submerge. Maybe that was already in your plans. Spectacles Dilla’s Donuts Anytime you visit Detroit is a wonderful time. Visit Belle Isle. Even in the cold. It’s beautiful. And then Detroit’s Metro Times and Real Detroit, both newspapers, have pretty good visitors guides on

Re: Dan Bell is playing in Detroit on Friday

The only time I’ve been to marble bar was when a man I was hanging out with was playing with his band called Johnny Ill Band. They opened for TOPS who were amazing. Denise Dalphond, Ph.D. ethnomusicologist schoolcraftwax.work > On Dec 19, 2018, at 22:00, John Sokolowski wrote: > > Yes! I

Dan Bell is playing in Detroit on Friday

At a pretty sweet spot called Marble Bar. AND Norm Talley. AND Mike Servito. I’m taking my youngest kid to a basketball game on Saturday. Hopefully I won’t feel too old lady tired the night before and will make it out to this party. I need to go out where I barely have to talk to anyone and can

Re: The Hydra

I love Octave One. A few years ago, Paxahau actually gave me a press pass and I got to stand on the stage behind Octave One watching them play. And filming it. They are geniuses. Obviously. Denise Dalphond, Ph.D. ethnomusicologist schoolcraftwax.work > On Dec 13, 2018, at 17:45, Benn

Re: Mad Mike Tresor interview

How is talking about Mike Banks off topic on a thread about Mike Banks? My contributions to this listserv are solid. You’re welcome. Denise Dalphond, Ph.D. ethnomusicologist schoolcraftwax.work > On Dec 13, 2018, at 16:04, Arturo Lopez wrote: > > List Moderators need to come down quickly

Re: Mad Mike Tresor interview

It is my sincere hope that my words make some people on this list laugh. And don’t forget about all the lurkers. Their opinions might be smart, too. Denise Dalphond, Ph.D. ethnomusicologist schoolcraftwax.work > On Dec 13, 2018, at 15:19, "ja...@iridite.com" wrote: > > It's not me that's

Re: Mad Mike Tresor interview

It does stand for that. They changed the meaning of it because my shit was so strong. Joe, did you read my new article about Drexciya and Moodymann and UR and Theo Parrish? It’s in a book. Love, Denise Denise Dalphond, Ph.D. ethnomusicologist schoolcraftwax.work > On Dec 13, 2018, at

Re: Mad Mike Tresor interview

Moodymann just played Paisley Park and red bull had a hand in arranging that. That’s good for Moodymann, who plays in Detroit a lot. So that’s good for Detroit. Mike Banks should have been treated with way more fanfare and better questions. But he gets to take that enormous, global stage.

Re: Mad Mike Tresor interview

Britain, France, Portugal, Spain; how big do you think your continent is. That’s like the whole entire thing right there. And then Germany and Italy and Poland got their whole entire weird thing goin on. Own that shit. Denise Dalphond, Ph.D. ethnomusicologist schoolcraftwax.work > On Dec

Re: Mad Mike Tresor interview

Like a promoter? Denise Dalphond, Ph.D. ethnomusicologist schoolcraftwax.work > On Dec 13, 2018, at 06:08, Martin Dust wrote: > > Red Bull are NOT a promoter, they are masters of hypernormalisation that > purchase “cool", one look at their website will tell you that. It’s a least 3 >

Re: Mad Mike Tresor interview

Mike Banks fucks with red bull. Kenny Dixon fucks with red bull. They’re a promoter. They have a permanent exhibit space in Detroit and this summer, Submerge had a house music exhibit there. This is no plug for red bull. They’ve never published any of my writing, but I’ve never submitted

Re: Year End List 2018

I never died. Denise Dalphond, Ph.D. ethnomusicologist schoolcraftwax.work > On Dec 12, 2018, at 06:52, 3...@coke-smyth.net wrote: > > Denise, > > You're alive. Also check out the Mike Huckaby mix on the latest Tresor > compilation download. Rodent by Burial, and agreed. Footwork > > Still

Re: Year End List 2018

Everything that came out on Sound Signature. That’s my year end list. And KDJ’s releases this year. I like those. Denise Dalphond, Ph.D. ethnomusicologist schoolcraftwax.work > On Dec 12, 2018, at 05:26, 3...@coke-smyth.net wrote: > > Hi 313, > > Oh,ffs > > Year end lists anybody? > >

Re: Why Drexciya Took Detroit Electro Underwater

Steven had a “dream” and then had to tell us all about this amazing “dream.” A long while after the conversation ended. Are you my mother? > On Nov 6, 2018, at 08:38, Benn Glazier wrote: > > Denise - Steven has cap in hand apologised. You are now denigrating him for > that. I do not feel it

Re: Why Drexciya Took Detroit Electro Underwater

“Provocative?” What is this 1988? Have you been watching Falcon Crest? > On Nov 6, 2018, at 08:12, Steven Robertson wrote: > > If I am, I really don't mean to be. Guilty of poor communication. > > Conversation very confusing. > >> On Tue, 6 Nov 2018, at 1:08 PM, denisedalph...@gmail.com

Re: Why Drexciya Took Detroit Electro Underwater

Your tone is extremely condescending. I chose the emoji because it is rude. You could read my works. My latest essay that addresses Drexciya and UR and Moodymann and revolution is getting some pretty good reviews. I already shared the book in an earlier email. I’m arrogant, but not arrogant

Re: Why Drexciya Took Detroit Electro Underwater

It took you this long to think of a response.  > On Nov 6, 2018, at 04:07, Steven Robertson wrote: > > Denise > > I woke up this morning having had a dream where I hadn't really heard what > James Stinson was saying to Andrew Duke, that it was about racism, and that > Denise was right. The

Re: new subscribers

This one time I got a pen light from Cornelius Harris. > On Oct 25, 2018, at 04:29, Marsel van der Wielen > wrote: > > > hi there - > > I'm Marsel and since I'm 15 I trying to complete my Transmat record > collection - although since I yet didn't manage to 100% complete it, I > started a

Re: Why Drexciya Took Detroit Electro Underwater

I didn’t say that Black people would be, should be, or are offended. Read my original statements. I’m confused by your rage. Better yet, you’re confused by your rage. Denise > On Oct 24, 2018, at 13:33, Joe Marougi wrote: > > Even though English is my second language I just looked it up

Re: Why Drexciya Took Detroit Electro Underwater

Denise’s opinions are widely shared around the world and are based on research. > On Oct 24, 2018, at 13:18, kent williams wrote: > > I think it's fine to disagree, even to argue, but putting on my 313 List > Administrator Crown and picking up my 313 List Administrator Sceptre, let me >

Re: Why Drexciya Took Detroit Electro Underwater

What about people of color who are on this list? You don’t know how all this old man thinking could be making anyone feel. It’s not a white list! WTF > On Oct 24, 2018, at 11:58, Joe Marougi wrote: > > I’m saying I’d rather continue to not post much at all than to spew racist > views like

Re: New subscribers?

“The paradox of black cultural movements -- Techno, Hip Hop, Jazz, Blues etc -- is that it is dependent on the majority culture -- i.e. mostly white -- to support it, because they are the ones with the numbers money. Remaining true to that culture without diluting it is always a challenge,

Re: Why Drexciya Took Detroit Electro Underwater

Pathetic is one word that comes to mind when I recall Joe Marougi’s past contributions to this listserv. Are you sad that I’m smart or triggered by truth? Denise > On Oct 24, 2018, at 11:32, Joe Marougi wrote: > > Wow Denise you must really be fun at parties. What the hell are you

Re: New subscribers?

It’s healthy to question our perspectives and good to acknowledge the ways that people with white skin do not suffer. Even if it feels awkward or uncomfortable sometimes, it’s that way for everyone, and it’s better than ignoring other peoples’ experiences. And we as techno fans have the

Re: New subscribers?

Introductions. I’m Denise Dalphond. I wrote my dissertation on Detroit techno and house music in 2014 after spending three years doing research and conducting interviews with techno kings and queens in Detroit. I write about music and activism at schoolcraftwax.work. I’ve published a lot

Re: Why Drexciya Took Detroit Electro Underwater

I really liked all that UR carhartt stuff. That was a pretty good idea. $$ > On Oct 19, 2018, at 13:44, David A. Powers wrote: > > Good for year, I moved to Detroit because I needed a job, and someone in > Detroit offered me a job. > Then I lost the job. Didn't have much money, it wasn't

Re: Why Drexciya Took Detroit Electro Underwater

I also write my ideas on schoolcraftwax.work There’s another essay about techno that came out a few years ago that I wrote in a book called African American Music: An Introduction. Detroiters and techno heads have read my writing and critiqued my writing at my request. I’m not working in a

Re: Why Drexciya Took Detroit Electro Underwater

Yr Rt. > On Oct 19, 2018, at 07:29, Martin Dust wrote: > > >> On 19 Oct 2018, at 12:24, denisedalph...@gmail.com wrote: >> >> I do not. Maybe you should read my article about Drexciya and UR and >> Moodymann in Black Lives Matter and Music: Protest, Intervention, >> Reflection. It just

Re: Why Drexciya Took Detroit Electro Underwater

I do not. Maybe you should read my article about Drexciya and UR and Moodymann in Black Lives Matter and Music: Protest, Intervention, Reflection. It just came out. Denise Dalphond > On Oct 19, 2018, at 07:00, Martin Dust wrote: > > Yes it’s real, do you not see the logical

Re: Why Drexciya Took Detroit Electro Underwater

Is this a real question? Dan Sicko was a actual Detroiter. > On Oct 19, 2018, at 05:43, Martin Dust wrote: > > Hi Denise, > > Do you feel the same about Dan Sicko’s book? > > m

Re: Why Drexciya Took Detroit Electro Underwater

It’s weird to me that you’re justifying slavery because it occurs. This conversation is taking a fascinating turn. > On Oct 18, 2018, at 14:27, David A. Powers wrote: > > 1. Stealing by RA is terrible. Remember that along with the fact of black > innovators not getting credit, there is an

Re: Why Drexciya Took Detroit Electro Underwater

We should hear the voice of a Black Detroiter narrating about Detroit music. How often does that happen. That doesn’t communicate that the music is only for people of color. White people are never excluded from anything. And in 2018, unintentional? Please. Luis Manuel Garcia writes amazing

Re: New (Old) Mills & Banks release

It would be awesome if the musicians would get paid again when this kind of resale thing happens. They probably get tired of pirates. Denise Dalphond > On Aug 10, 2018, at 17:50, Joe Marougi wrote: > > Sorry I meant label color. Black vinyl. > >> On Fri, Aug 10, 2018 at 2:49 PM John

Re: Female Producers

K. Hand did the same. There's definitely a lot to be said for not knowing a thing about a good DJ. Not having an image of their face or body. > On Aug 18, 2017, at 22:46, Danielle Scott wrote: > > Interestingly enough, I used a male centric name when I was dj'ing, as such

Re: Female Producers

The only way gender will be gotten over is when sexism, homophobia, and transphobia are done. I love this thread. > On Aug 18, 2017, at 15:21, christiaan76 wrote: > > exactly. > > Sent from my iPhone > >> On Aug 18, 2017, at 21:09, Peter Bense

Re: Metroplex represses The Vision & Black Noise

Very nice! > On May 5, 2017, at 17:07, Patrick Wacher wrote: > > Looks like Metroplex have a few nice represses on the way... > The Vision - Spectral Nomad & Mike Grant's project Black Noise - Nature Of > The Beast > > Both great eps! > >

Re: Techno dork moment

Dang, that's awesome! Never used Tidal before, but I'm going to check it out now for sure. > On Apr 13, 2016, at 14:39, jwan allen wrote: > > When you realize so much 313 content is available from your streaming > platform of choice, in this case Tidal, thus negating the

Re: Another Mix Site

Arturo, this is excellent! I'm in the middle of the first mix right now. Great for my Saturday hanging out with my kids and their buddies. Thanks! Denise > On Nov 30, 2015, at 16:04, Arturo Lopez wrote: > > Hey 313ers, > > I've launched a site for a lot of the

Re: Mid-Nineties Detroit techno...

DJ Bone had a good release (his first) in the 90s. Octave One -I'm a fan of anything and everything they do. And Moodymann's EPs that eventually became Silentintroduction, Dem Young Sconies is my favorite. David, I'm sure you're familiar with that last one, but I've got to include it because I

Re: festival represent

Pizza!! Yes. Also, welcome to town. See you tomorrow. On May 22, 2014, at 18:50, Fred Heutte ph...@sunlightdata.com wrote: Just hit the streets of the D. Going to this thingie tonight at the Red Bull place in Eastern Market -- Jerry Abstract (now in Portland, we had a good time when

Re: (313) KyleHall/RickWilhite/VinceWatson/Convextion/ERP/SteveRachmad/NeilLandstrumm/#2722

Cannot wait to listen. Looks fantastic. Denise On Nov 15, 2013, at 22:57, Andrew Duke In The Mix/Cognition Audioworks andrewdukecognit...@gmail.com wrote: download/stream link follows tracklisting: Daniel Wang, Chicago Skyway, Kyle Hall, Rick Wilhite, Vince Watson, Convextion E.R.P.,

Re: (313) movement represent

I hope to see more of you today!! I was out sick on Saturday and missed all the greatness. Mala, Adult., Minx, and Dan Bell were my highlights yesterday. Got to see Lori! Adult. played Sharevari and I actually liked it! Dan Bell melted everything and it was funky as hell. I plan to check

Re: (313) what up Detroit

Fred, I completely agree. Put me on a whole new plane. My favorite thing. Denise On May 28, 2012, at 1:55 PM, Fred Heutte ph...@sunlightdata.com wrote: They were superb -- and certainly not pretending to play with a backup CD. They played about 10 compositions, most of them with an

Re: (313) what up Detroit

I feel like a big huge dick. Enormous. But some things have come up and I won't be able to make the dinner. I'm sorry. My plans tonight include public enemy and tv bar. Denise On May 27, 2012, at 2:15 PM, Fred Heutte ph...@sunlightdata.com wrote: The word I'm hearing is that Dopplereffekt

Re: (313) what up Detroit

313 dinner Sunday sounds great. Where we meeting? On May 24, 2012, at 11:22 PM, Fred Heutte ph...@sunlightdata.com wrote: Back again and ready to take it all on, although it's going to be hot this weekend and I'm planning to take things back from +4 to +1 as a result : ) Not happy the

Re: (313) what up Detroit

I have not been to plaka in YEARS. What time? On May 26, 2012, at 1:15 PM, Kevin Kennedy the...@gmail.com wrote: I suggest Plaka. On May 26, 2012 11:42 AM, denisedalph...@gmail.com wrote: 313 dinner Sunday sounds great. Where we meeting? On May 24, 2012, at 11:22 PM, Fred Heutte

Re: (313) what up Detroit

I could easily get down with that. Never been there. On May 26, 2012, at 1:42 PM, Alexandres Lugo alugo...@yahoo.com wrote: If you're gonna eat anything in Detroit this year, hit up Bucharest Grill on Park an Elizabeth, next to Cliff Bells and adjacent to Park Bar. Their chicken and beef

Re: (313) what up Detroit

Pizza papolis 830. Awesome. On May 26, 2012, at 7:17 PM, Fred Heutte ph...@sunlightdata.com wrote: I always think of Plaka as the place to go at 6 am :) I'm kind of curious to see what Dopplereffekt will actually do -- Underground stage at 7-8, otherwise I'm open. Denise, how about