Red Bull don’t actually make anything, the drink itself is licensed and
manufactured by the original Thai licenser (Chaleo Yoovidhya). Red Bull only
exist to make money, somewhere around 6 Billion last time I looked.
All their labour goes into the brand, that’s why they buy out edgy sports and
No, that is not their core business nor what they floated on, do some research.
> On 13 Dec 2018, at 11:16, denisedalph...@gmail.com wrote:
>
> Like a promoter?
>
>
>
> Denise Dalphond, Ph.D.
> ethnomusicologist
> schoolcraftwax.work
>
> On Dec 13, 2
arder. Like anti-cop shit
> and stuff.
>
> But red bull is everywhere.
>
> Denise Dalphond, Ph.D.
> ethnomusicologist
> schoolcraftwax.work
>
> On Dec 13, 2018, at 05:16, Martin Dust wrote:
>
>>> What started it all? Red Bull simply wanted to develop
> What started it all? Red Bull simply wanted to develop a way of fostering the
> discourse of underground music and dance culture.
First time I’ve heard called that.
Get your purse out
https://www.kickstarter.com/projects/detroittechnomovie/god-said-give-em-drum-machines-the-story-of-detroi?ref=project_facebook
> Hey, my name is Keith and I'm a Scorpio from Athens, GA and I like to find
> the essence from within
Who looks at a baby and decides to call it Keith?
m
> On 24 Oct 2018, at 17:36, ja...@iridite.com wrote:
>
> Where's Tom Cox when you need him? He's always got a calm and measured
> response in situations like this.
>
Proper LOL
> On 19 Oct 2018, at 12:24, denisedalph...@gmail.com wrote:
>
> I do not. Maybe you should read my article about Drexciya and UR and
> Moodymann in Black Lives Matter and Music: Protest, Intervention, Reflection.
> It just came out.
>
> Denise Dalphond
>
Then there’s nothing to discuss if
Yes it’s real, do you not see the logical fallacy in your argument?
> On 19 Oct 2018, at 11:56, denisedalph...@gmail.com wrote:
>
> Is this a real question? Dan Sicko was a actual Detroiter.
>
>> On Oct 19, 2018, at 05:43, Martin Dust wrote:
>>
>> Hi Denise,
>
Hi Denise,
Do you feel the same about Dan Sicko’s book?
m
It’s been a long time 313,
Here’s some free weird stuff we’ve been making
https://soundcloud.com/the-black-dog/sets/the-conspiracy-tapes-2018
Ambient vibes with a twist of strange.
m-tBd
Interview with Shake here:
http://www.junodownload.com/plus/2014/04/29/thats-american-an-interview-with-anthony-shake-shakir/
Hey Rob,
Are CS reading your mail? Bit unusual for some from Spain to say Cheeky…
http://www.clubbingspain.com/noticias/2014/contra-terrence-parker.html
On 30 Apr 2014, at 11:45, Ken wrote:
> I dunno anymore!
add this as well
http://terrenceparkernotdjing.tumblr.com/
It's not the same but good for the price, not mad keen on how it looks or feels
but there's enough there for the money.
m
On 2 Apr 2014, at 09:34, Rob Taylor wrote:
> To be really pedantic, only a listener or a reader can infer. Mr May implies.
>
> Sorry!
>
Actually made me laugh, good work Rob.
m
Wotcha 313,
We got a couple of absolutely mint and box fresh units up for sale if anyone's
interested.
Hit me up.
M
Wasn't feeling it at all but I'm not into that vibe very much these days.
Really enjoyed the new James Holden album tho.
m
On 10 Jul 2013, at 14:09, Patrick Wacher wrote:
> Very much enjoying it. It's something I can put on and get a little lost in
> the tracks.
On 20 Jun 2013, at 07:52, Minto George wrote:
>
> I think what some of David is saying has some validity and anecdotal evidence
> from first-hand accounts and even historical documentation.
Same goes for Santa existing as well.
>
> I remember having a conversation with Mike at Submerge abou
>
> A DJ has an incredible amount of power over their audience. In my
> opinion, those who don't take such power seriously, have no business
> DJing. They may actually be negatively impacting the well being of
> their audience. I do believe that bad music can literally make people
> sick in a psyc
I just like it all :) Kinda moved away from "soulful" stuff for a long time
m
Thanks very much
m
On 22 Apr 2013, at 14:17, Kerr Knoll wrote:
> We are spoiled for quality mixes today :)
>
> Been listening to the Darkwave 11 and thoroughly enjoying it. Looking forward
> to listening to Kent and Andrew's mixes next.
>>
>> http://www.theblackdogma.com/tbd/2013/04/the-black
Here you go :)
>
> re: The Black Dog; just saw a new
> DarkWave mix posted; Martin; can you share the link here please?
http://www.theblackdogma.com/tbd/2013/04/the-black-dog-darkwave-11/
On 5 Mar 2013, at 00:43, Fred Heutte wrote:
> But they were playing at a time when many in the same circuit
> (the Washington DC underground of 1977 onward) really couldn't
> -- including some, like Half Japanese, who made a fetish of that.
> Some got better, some didn't.
Loved Bad Brains, playe
Simple photo on the cover and all his own tracks.
M
On 5 Mar 2013, at 00:01, darnistle wrote:
>
>
> On 3/4/2013 2:58 PM, Martin wrote:
>>
>> Yeah, there's a lot to learn from history, I didn't know it was Bob Dylan
>> that changed the album format to what we know it as so yeah if I'm just
On 4 Mar 2013, at 16:16, Daniel Bean wrote:
> That was my earlier point way back on this thread. To recap: "EDM? Who cares?"
> Not everyone shares that sentiment though.
Aye, you can see why people bite and it can be good fun but I'd be more worried
about the lack of good tunes coming out of D
On 4 Mar 2013, at 16:03, Daniel Bean wrote:
> Is it OK to villify him for making really awful music?
Why are people on 313 worried about him at all?
On 4 Mar 2013, at 14:25, David Powers wrote:
> First of all, it's the opposite, punk was (supposedly) influenced by
> situationism,
>
> 'Marcus quotes the musician Paul Westerberg as saying that he became
> enthralled with the Sex Pistols because “It was obvious that they
> didn’t know what th
On 27 Feb 2013, at 11:52, Andrew Duke Cognition Audioworks new email address
wrote:
> Thanks for the opportunity, Martin.
> Downloading as I type this.
> Andrew
No worries Andrew, was a pleasure to do and something we've been doing for a
long time for DJing and studio pleasure really.
m
Hey 313,
We’ve always been in two minds about doing this because as much as we like the
past we love the future more.
However these are a few of our private edits of early Bleep & Bass tracks we
made for our own pleasure. We’ve been dropping them in sets because they still
make us dance and th
That's brilliant :)
On 31 Jan 2013, at 17:06, "Odeluga, Ken" wrote:
> 313-related silliness.
On 29 Jan 2013, at 16:39, David Smith wrote:
> "I don't want to get into the politics." But in my opinion, strife creates
> better art.
And if you think about that statement you know it's utter BS.
> Tate clearly doesn't have state-of-the-art admin which can match the
> technocratic 'Gestalt' [pardon me for being poncy] of Kraftwerk.
> Even so, there's little doubt that Kraftwerk would only appear at a venue
> [nowadays] if the sound facilities were top notch.
Not so sure about that Ken,
>
> Then why see Kraftwerk in concert?
To witness/enjoy the execution of said instructions!
Redial for 2 hours and then gave up, hope the same people aren't organise the
sound :)
m
> I can't go so didn't even bother but it seems like chaos, I hope this is not
> a sign of things to come and that the shows go off ok.
http://www.electronicsupperclub.tv/live
Off to see Regis
m
On 6 Dec 2012, at 13:17, Paul Kendrick wrote:
> What are people up to on NYE, anyone going clubbing?
On 28 Nov 2012, at 10:15, Philip McGarva wrote:
> and yes getting paid is tough. i never saw a cent from danny tenaglia or
> roger sanchez including 'signals' on their mix cds, or sven vath using 'disco
> version' (styrax) on his. i'm a more assertive these days, but some things
> are impossibl
However if they have a contract with DM he's perfectly entitled to do what he's
doing and he may have already paid them for the release in advance.
m
On 28 Nov 2012, at 09:59, Aidan O'Doherty wrote:
> i mailed their news editor - not that i expect anything to come of it
>
> On Wed, Nov 28, 201
Hey 313,
Long time, been busy in the studio and doing this:
http://www.electronicsupperclub.tv/
See what you think.
m
Looking forward to reading this one
m
The day you worry about anything Mr. Guetta says is probably the same day you
should double your dosage!
m
On 12 Jul 2012, at 13:30, Rob Taylor wrote:
> Why? He's right in a way. UR ARE a bit po-faced. Detroit techno is in
> general, quite SERIOUS.
Wasn't that keen to be honest but been on a darker tip for while now.
m
On 16 Apr 2012, at 17:12, kent williams wrote:
> I think there's a general trend going on there. People do get sick of
> lugging bags of records all over the world, and all those guys are
> getting into their 40s and have to start worrying about their lumbar
> region.
The state of some of the d
On 16 Apr 2012, at 15:27, kent williams wrote:
> There are a ton of horror stories about touring with analog synths in
> the old days --
We have plenty with them ( horror stories) just in the studio, fucking things :)
m
On 2 Apr 2012, at 01:14, Fred Heutte wrote:
> "edm crossover to mainstream"
When did people start using the term EDM in this context? Seems a little
strange.
m
I feel unclean
On 20 Dec 2011, at 13:57, kent williams wrote:
> Christian Prommer does dance classics as acoustic jazz
> Cant decide if it's great or awful:
> http://www.sonarkollektiv.com/tracks/DE-P96-06-00245/
On 28 Nov 2011, at 20:19, Marsel van der Wielen wrote:
>
> me like
>
> http://soundcloud.com/defectedrecords/kevin-saunderson-presents
Wasn't keen at all
m
WTFlat
On 18 Nov 2011, at 21:21, kent williams wrote:
> The beat is pretty decent. They sing the hook in the key of WTF, and
> verses end in the middle of the loop. It made it onto the resurrected
> Beavis & Butthead...
>
> "It's So Cold In The D"
> http://youtu.be/aktLRiWXfqg
On 11 Nov 2011, at 15:40, David Powers wrote:
> You should have him come over and use it to collab on a track... hahaha!
Don't think he makes music anymore from what he was saying.
m
We have Phil Colins old JD 800 :)
m
On 14 Sep 2011, at 01:31, darnistle wrote:
> Very annoying!
Not as annoying as Chris talking all over the mix, really winds me up for some
reason. There's even one where he talks about not talking on the mix.
m
> http://vimeo.com/26299084
How embarrassing is that!
m
On 17 May 2011, at 17:59, AntonBanks.com wrote:
> ###
> Mix by Anton Banks
>
> Lec - Trimming [Amaze Me]
> Lucy & Xhin - Lx2 [Clr Germany]
> Blawan - Lavender [R&S]
> Appleblim, Ramadanman - Void 23 - Carl Craig Re-Edit [Aus Music]
Some good picks there Anton.
m
On 17 May 2011, at 14:31, Mann, Ravinder wrote:
> Not sure about the car park parties, loads of ravers from the city centre
> used to go to Sonny's blues in Chapeltown for afterhours around 91.
Born out of loads of youngsters not being able to go home so wrecked at that
time in the morning, it
On 17 May 2011, at 14:23, Rob Taylor wrote:
> depends what you mean by early days - i'm talking 91-94ish, so not
> early early early days!
Thinking 90-91sh, trying to remember when we use't to do the Retford
Porterhouse run to see Easy D and Jumping Jack Frost!
m
On 17 May 2011, at 14:12, Rob Taylor wrote:
> leeds had a few pirates too - dream fm was the best one - astonishing
> variation of music, unlike the london ones
Was that in the early days Rob? I remember people having Car Park parties with
pirate station blurting after the clubs had kicked out
>
>
> Manchester had soul and reggae pirates but don't recall a techno/house one
> but I'm going back a long time to 88ish when I was there for a year or so but
> I could have missed 'em on the dial. They might have been more prevelant in
> the early nineties as jungle broke.
I remember Rob a
On 17 May 2011, at 13:28, Mann, Ravinder wrote:
> Hi,
>
> A slight tangent to this. Does anyone know if there is a pirate radio culture
> in Detroit ? Would be interested to listen in if they stream over the
> Internet.
Not heard of anything, didn't Manc have a good pirate scene at one time R
Are there many pirate stations still going Rob? Got a few early Rinse things
that are good but I can't seem to listen for longer than 5 minutes now it's
gone legit, too many shout outs and rewinds!
m
On 17 May 2011, at 13:12, Rob Taylor wrote:
> looks like it's filmed in 'my' part of london t
On 17 May 2011, at 09:37, Rob Taylor wrote:
> this is london, not 'whoohoo yay, go team!' america. people don't want
> to look too enthusiastic. that would never do. ;)
Moody as a speed garage night innit, the vibe is pretty much spot on I reckon,
needed more back spins and shout outs for the r
To be fair, lot's of house lyrics are very similar around the early period,
it's a big tune for Toddla.
m
On 17 May 2011, at 04:24, David Powers wrote:
> Okay, well more obviously it rips lyrics direct from Ralphi Rosario
> "You Used to Hold Me" ...
> ~DP
Interview with our very own Shake:
http://www.littledetroit.net/feeds/anthony-shakir-vs-intruders
m
On 27 Apr 2011, at 16:38, Odeluga, Ken wrote:
> Time that address was bloked.
>
> Getting that person's spam is just boring
Who's this as well:
autorespon...@sparkasse-kehl.de
Bitte antworten Sie nicht auf diese E-Mail.
Vielen Dank für Ihre Nachricht. Wir werden Ihr Anliegen so schnell
On 27 Apr 2011, at 16:38, Odeluga, Ken wrote:
>
>
>
>
> Instead, here's something fun, but maybe not for Derrick May anyone
> (not!) seen this:
>
> http://is.gd/Gkj5vJ
>
You'd have to be gutted, although permission may be out of his hands to be fair
m
On 15 Apr 2011, at 15:59, ja...@iridite.com wrote:
> Too true! What's everyone doing for Record Shop Day?
Manchester at 5am, need that JD/NO release :)
m
Shall we have a 313 post day?
It's kinda sad that the below is this weeks traffic :(
m
On 14 Apr 2011, at 21:59,
> 313 I can't even begin to explain how good I feel
> http://ftlauderdalecruise.com/searchresult-g_common_BH.php?CS=aHR0cDovL3d3dy5uYmMxMG9uLmNvbS8/a2Q4Mmgx
> once you start this
On 4 Apr 2011, at 16:04, kent williams wrote:
> Me, with my new best friend, John Waters.
> http://www.flickr.com/photos/chaircrusher/5583682621/in/set-72157626416142674
Great picture Kent
m
I'll try and help but I think you'll be hard pushed to get interviews with
anyone, people up here don't bother and are sick of talking about the past, it
wasn't that great. Ozone isn't a Sheffield label either, it was part of Native
from Doncaster, which is a bit like Detroit vs Windsor :)
M
O
PAS - Temporary Suspension. Our favourite this month. It's been around a while
but sometimes you just need the right amount of time.
CoH - Strings. Joining dots that never existed and it has guitars in as well.
Lovely stuff from the out edge of your speakers.
William Basinski - 92982. Like the
30 tracks on 10 sides is some going tho
m
On 8 Feb 2011, at 23:16,
wrote:
> No, all the stuff on the CD is on the vinyl, I think I think Kent means the
> vinyl doesn't get 30 tracks on by being a mega-mix!
Well done Anton
m
On 10 Jan 2011, at 02:38, AntonBanks.com wrote:
> January is my 16 year radio anniversary.
> Many thanks to all of the record labels, artist,
> and booking agents who have sent me music for
> my show over the past 16 years. Most of all,
> thanks to YOU for listening to my s
On 10 Dec 2010, at 14:25, logic7 wrote:
> Sadly, I'm a member on the forum, but haven't logged in in ages.
Hurry back cos Richie is drowning under a pile of indoor scarfs :)
m
Hey 313,
We've been doing this:
http://www.littledetroit.net/
What you been up to?
m
>>> Even more fascinating, I can't think of any analogous dance culture
>>> amongst white people.
In the UK you have to go back to Morris, Clog and Northern Soul - but I
wouldn't say they where/are exclusive.
m
R.I.P AC :(
We touched on this a bit yesterday but I thought I'd share these links with
people.
It's difficult listening in places but very interesting and worth sticking it
out.
The idea of a completely original piece of music is fairly recent. Music was
passed on through sound, through generations, even
We touched on this a bit yesterday but I thought I'd share these links with
people.
It's difficult listening in places but very interesting and worth sticking it
out.
The idea of a completely original piece of music is fairly recent. Music was
passed on through sound, through generations, even
On 23 Sep 2010, at 21:01, maxphi...@gmail.com wrote:
> http://www.residentadvisor.net/feature.aspx?1245
>
> I'm quite surprised at all the negative feedback both on 313 and RA to Rick's
> interview, largely on the basis of his comments about the vinyl / digital
> debate in answer to just a few
Morning 313,
Here's some mixes from us, mix of ambient and DJ sets. You can also grab them
from here:
http://soundcloud.com/the-black-dog
The Black Dog – Drifting 2 – M:Cast Ambient Mix
1. Lustmord & Robert Rich – Elemental Trigger - Fathom
2. The Black Dog & Sean Bean – Drumhead – Dust Science
On 23 Sep 2010, at 16:27, kent williams wrote:
> I think that people should produce music how they want to produce, and
> be judged on the results. I think if you stand where Rick Wilhite
> stands, you'd be justifiably skeptical of digital DJs. I can disagree
> with him and still have mad respe
On 23 Sep 2010, at 14:11, kent williams wrote:
> But you can't force people to take their own lives seriously.
So why worry about it and why make it your reason for being?
m
http://www.ustream.tv/channel/dommune
Morning list, to counter my moaning - here's some of the good stuff :)
If you haven't seen The Alchemists Of Sound, you really should:
http://www.littledetroit.net/forum/viewtopic.php?f=1&t=31334
I also highly recommend What The Future Sounded Like:
http://www.littledetroit.net/forum/viewtopic.p
On 23 Sep 2010, at 02:44, David Powers wrote:
> If my dad DJed like Rick Wilhite I might actually pay attention to
> what he said... ;)
Haha "Back in the day, we didn't have no flat wax, we used cylinders"
>
> I think Wilhite is right in many ways about the stupidity of the
> electronic music
On 22 Sep 2010, at 15:26, kuszyn...@gmail.com wrote:
> I agree with you on that - my own perspective focuses more on the
> sound design and point of origin of the seed that was planted for
> electronic music inside oneself. Not that I have necessarily a deep
> amount of successful credibility (I
On 22 Sep 2010, at 14:58, kuszyn...@gmail.com wrote:
> (Here comes some flame bait)
>
> And this is why I really like Jeff Mills. Frankly, I know very few
> electronic music people who look at things as producers. They become
> producers after djing, which to me isn't musical, it's beat making
On 22 Sep 2010, at 11:41, Odeluga, Ken wrote:
> I think he is a dad, FWIW.
Then he should know better :) and should probably buy a guitar.
m
On 21 Sep 2010, at 18:56, wojciech wrote:
> -With Rick Wilhite:
>
> http://www.residentadvisor.net/feature.aspx?1245
>
It's so, so weird reading an interview from some who's into electronic music
but bangs on like your f*cking dad!
m
“1-8-7 is another way to say homicide. We think it’s cool and represents the
visual identity of the show, “
I'd love to hear him say that in a bar on 8-mile, what a prick.
On 2 Aug 2010, at 10:17, Odeluga, Ken wrote:
> Controversy of course. Or at least fake controversy. Will it have any Detro
Anyone know anything about this:
http://www.youtube.com/watch?v=16nkgAXUiyw
m
>
>
> As an Ableton W*nker I've noticed something curious about 909s -- if a
> track uses a 909 as the master clock, the tempo is overall very
> steady, but even and odd measures are slightly different lengths.
> Makes warping tracks a little weird.
Both the 808 and 909 tend to drift a little wh
On 7 Jun 2010, at 09:33, ja...@iridite.com wrote:
> I had seen the CD-R's you get that look like vinyl (Black underside
> and a raised groove with a small label on the other side like a mini
> 45) but never one that actually had music on.
The technology has been around a while, we did some sound
I've seen these before, aren't they like £30 a pop tho?
m
On 6 Jun 2010, at 14:12, ja...@iridite.com wrote:
> It's a CD. But you turn it over and it's a mini-vinyl disk. With
> music on it. That you play on a normal record player. So that's two
> formats for the price of one - anyone ever see
On 4 Jun 2010, at 15:04, telepat...@comcast.net wrote:
>
> http://www.flickr.com/photos/dangerfellini/sets/72157624071321055/
Nice picture Fred, great to see some of Richie's rig.
m
Love the M500 pictures, thanks for sharing Angela...
m
On 7 Jun 2010, at 04:39, Detroit Techno Militia wrote:
> I suck at written reviews, do I take pictures! I took a few thousand
> pictures and posted most of them up here:
> http://www.flickr.com/photos/technochick/
>
> Enjoy!
>
> --
> Ang
http://www.bodytonicmusic.com/podcasts/2010/may/25/bodytonic-podcast-081-black-dog/
• Brian Eno - An Ending (Ascent) - Polydor
• Bitstream - Retreat Pod - Pylon Music
• The Black Dog - BCN 4 - Dust Science
• Coil - Box Theme - Solar Lodge
• Pan Sonic - Suhte
On 17 May 2010, at 06:31, kent williams wrote:
> In a week where I had some seriously effed up police troubles in my
> family, I guess I should count my blessings:
>
> http://www.detnews.com/article/20100517/METRO01/5170340/Family-grieves-death-of-girl--7--in-police-raid
That's really said news
Nice read, will pass it on.
m
On 10 May 2010, at 13:20, Jacob Arnold wrote:
> I had a wonderful phone conversation with Robert Hood the other night. He was
> quite open about his vision of the future and the spiritual side of his
> music. He also discusses brief flirtations with reggae and hi
Afternoon 313,
Here's some mixes from us:
X353 Sheffield vs Downwards via Ealing
Tracklist:
01. Automotivation 2 – Cabaret Voltaire – Sheffield
02. Birth – Raudive – Ealing
03. It Slipped Her Mind – Sandra Electronics – Downwards
04. Victims – Tropic Of Cancer – Downwards
05. Revox Love – Machin
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