, or that guy barnett?
- Original Message -
From: Kyle J Dupuy [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Saturday, September 30, 2000 1:16 AM
Subject: [313] innovator
speaking of innovator. . . i have the tresor II compilation which has
'strings of life' on it by mills. innovator has
if this is true (may not paying barnett),
it doesn't shock me to hear that may didn't pay barnett.
and it wouldn't shock me if may were behind the
fact that represses (of things he had collaborators help
him with) are now credited to solely may himself.
read the interview with octave one on
may collaborated with barnett, wynn, atkins,
and others on early stuff, but, unfortunately,
represses often credit may alone for things
(whether this is intentional or not, i dunno)
michael james is credited on my repress of it is what it is
im pretty ignorant when it comes to barnett and james
derrick did for sure...but i heard someone else was involved: was it
martin bonds, or that guy barnett?
- Original Message -
From: Kyle J Dupuy [EMAIL PROTECTED]
To: 313@hyperreal.org
Sent: Saturday, September 30, 2000 1:16 AM
Subject: [313] innovator
speaking of innovator. . . i
I think you have this confused with Changes of Life which was on the
Tresor II comp...that is by jeff, Strings of Life by derrick was also
co-produced by Carl Craig...a lot of the rythim is rythim stuff was
derrick and someone else...like nude photo with thomas barnett and
r-theme with
yeah b12 n stasis were good, but sort of streamed on fom de georgio, i
think.
- Original Message -
From: [EMAIL PROTECTED]
To: debonair [EMAIL PROTECTED]; 313@hyperreal.org
Sent: Saturday, September 30, 2000 2:58 AM
Subject: Re: Re: [313] innovator
I think you have this confused
speaking of derrick co-producing records. . . recall about a month ago
when someone posted to this list that one nite when derrick may was
spinning at temple someone (i can't remember the name) came up and spit on
may's record and (i think) removed the tone arm from the record. i
later heard
Sent: Saturday, September 30, 2000 2:10 AM
Subject: Re: Re: [313] innovator
speaking of derrick co-producing records. . . recall about a month ago
when someone posted to this list that one nite when derrick may was
spinning at temple someone (i can't remember the name) came up and spit
speaking of derrick co-producing records. . . recall about a month ago
when someone posted to this list that one nite when derrick may was
spinning at temple someone (i can't remember the name) came up and spit on
may's record and (i think) removed the tone arm from the record. i
later
Thomas Barnette was the aleged culprit. I don't know if this was ever
confirmed. I like Tom but I don't like what he spins.
Turlough Murphy wrote:
I don't think that the Innovator comp. is a patch on the Red Planet album.
Sure it has good tracks but some of it sounds very dodgy now (that's as
diplomatic as I can be).
Any thoughts??
Yeh - you're talking out of your ass (that's as diplomatic as I can
I think they're both very different albums reflecting
the diversity of the detroit sound. They both share
similarities between them but the definition of
detroit electronic music is kinda loose. I know what
I like tho...:)
I couldn't put early Red Planet stuff and D.May's
stuff in the same
Jongsma, K.J. wrote:
Yeh - you're talking out of your ass (that's as diplomatic as
I can be!)
Hmmm one of the rules for starting a flame war is to insult people or the
use of sarcasm, just a tought... The internet is a great way to exchange
information but reply-ing with an e-mail
on 1/27/00 11:08 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote:
I'd take a plastikman set over May any day,
and if you want live shit then voiteck would be my preference if playing at a
party at the same time as May.
It's all personal preference, of course, and that's all good, cause the
Personally, I find myself lately clubbing for oldies and soulful tracks
while the architecture, minimalism and structure is reserved for the
headphones. (sorry ao)
Thoughts?
yeah, old tracks are good cause they have that nostalgic value and soulful
tracks are cool
Actually I think Derrick
Did anyone catch him in Brisbane or Cairns? I heard Brisbane was cool.
yeah he rocked in brisbane, shame the sound system was so poor...only heard
the bass and hihats, all the midrange was muddy and subsequently it almost
ruined the set..however the highlight was derrick dropping UR Amazon and
Just got home (early Monday morning) from seeing Derrick spin at Seven (a
relatively small club) in Melbourne. He played way better than he did at the
NYE party.
Derrick played great on NYE, everyone there was familiar with who he is and
what he does, the vibe was warm and friendly, it's just
sets he played in Sydney over the past year or so none seem to have
gone quite right for me. Which is really frustrating because I love the
Mayday Mix CD.
I don't think Derrick gets the right crowd in Sydney, personally. The city
is so obsessed with commercial UK stuff, progressive house and
Just got home (early Monday morning) from seeing Derrick spin at Seven (a
relatively small club) in Melbourne. He played way better than he did at the
NYE party.
Derrick played great on NYE, everyone there was familiar with who he is and
what he does, the vibe was warm and friendly, it's just
I just got home from there as well! He was heaps better this time than
when he played @ dome last year, he played a much harder and danceable
set I thought.
That night at the Dome was amazing - those lovely soulful interludes of
(hate this word's New Age connoctations but can't think of a new
derrick rocked the 618 wild about 12 hours ago... he played some
great music, including final frontier and jaguar (the roof lifted off
for those!) as well as a lot of other amazing tracks, some with fine
latin rhythms that had everyone writhing, and most of which made me
despair at the contents of
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